#felipe prior icons

[priorismoicons]

oiii, primeiramente, me desculpem por ter abandonado o blog por tanto tempo... sendo sincera, eu já não lembrava mais desse espacinho que eu criei dedicado ao felipe, por sorte consegui lembrar a senha dessa conta, fiquei meio boba de entrar aqui e ver as coisinhas que fiz com carinho pq mesmo depois de todo esse tempo, eu continuo sendo team prior kkkkkkk vcs acham que eu deveria voltar a postar icons de novo?

[kara-zor-els]

Do you have any recomended readings for Jason Todd? Not a full masterlist, just runs you'd recommend

I answered this way back but I have read a lot more comics since, so I think that it's a good time to revise it. All the links lead to readcomicsonline, so I'd recommend using an addblocker before clicking on them. And please make sure to buy the comics if you can.

✨Jason Todd Comic Recommendations ✨

Pre-Crisis

Pre-crisis Jason was essentially a clone of Dick, down to his dead parents being circus performers, so there is not a lot of this era that I'd recommend, and you can honestly skip this section. That being said:

For The Man Who Has Everything (Action Comics Annual #11): this is not really a Jason story as much as an (iconic) Superman story. It does however mark the first meeting between Jason and Wonder Woman, and he does play a role in defeating the bad guy.

Post-Crisis Robin Era

Main Robin Run (Batman (1940) #408 - #425): this includes the revised Jason origin (aka the one most people know about), Jason's first mission as Robin (ft. Two-Face!), Jason and Dick teaming up for the first time (this Jason and Dick team up got retconned in Nightwing Year One, but imo the original one is much better) and some other Jaybin adventures. My favourites are Bruce and Jason trying to catch a Serial Killer terrorizing Gotham as well as the Felipe Garzonas storyline, which sets the stage for ADITF.

Legends: This is a small event and Jason isn't in it a lot but I really liked it.

A Death in The Family: Jason dies in this one.

Post Resurrection (aka, the Red Hood era)

Under the Red Hood: this is the deluxe edition, which includes the main UTRH sotryline as well as the fight prior to that set during the the Hush story arc and Batman Annual #12, which is Jason's first Red Hood origin (it get's expanded upon later in Lost Days):

Red Hood: Lost Days: Essentially Jason's time between coming back from the dead all the way to UTRH

Teen Titans #29: The Titan's Tower incident. a lot of people dislike this one but personally I though it was pretty fun lol. Basically Jason beats up Tim in the most dramatic, theater-kid-esque way possible.

Green Arrow #69-72: Jason vs Mia Dearden.

There are some stuff set between this and the New52 but I have either not read them (Brothers in Blood, Countdown) or they were bad (Battle for the Cowl). Then there comes the New52 RHATO run (horrible) and the Rebirth RHATO run (not as horrible but still bad) So instead I'd skip to Infinite Frontier and recommend:

Batman: Urban Legends #1-#6: The first story called Cheer has a Jason and Bruce team up. It's not the best but I don't hate it as much as any of the RHATO stuff.

Task Force Z: Jason joins a team made up by zombified Batman rouges. That one was actually good.

Elseworlds:

From the DC Vault: Death in the Family: Robin Lives!: What would have happened if Jason didn't die during UTRH (currently ongoing)

[glenngaylord]

Mucha Libre - Film Review: Cassandro ★★★1/2

Who would have ever expected a film set in the ultra macho, extremely homophobic world of lucha libre wrestling to serve as a celebration of women and effeminate gay men? Director Roger Ross Williams along with co-writer David Teague have crafted such an experience with their biopic, Cassandro, the true story of Saúl Armendáriz, an underdog who achieved legendary status against all odds. With a fearless, career-defining performance by Gael García Bernal, this queer Rocky story has plenty of laughs and charm, but it also has real power in how it challenges gender conventions. It’s such a joy falling in love with Saúl.

When we first meet him, he’s an out gay, skinny 18-year-old living with his single mother Yocasta (the fantastic Perla De La Rosa) in late 1980s El Paso. His religious father left them when Saúl came out a few years prior, so he and his mom share a close bond. He works as an exótico in nearby Juárez, Mexico. Unlike the masked lucha libre wrestlers, exóticos don’t hide their faces and exist as the flamboyantly gay punching bags who purposefully lose their bouts to their more macho opponents while also getting brutally heckled by the audiences. Think of it as professional queer bashing. Undeterred and clearly made of stronger stuff, Saúl’s wheels start to turn after losing bout after bout.

Inspired by the women in his life such as his strong, courageous mother and his gutsy trainer Sabrina (an engaging Roberta Colindrez), Saúl creates his alter-ego, Cassandro, who sports leopard print leotards as well as makeup inspired by Yocasta, and vows to be the first exótico who wins. When he first enters the ring as Cassandro, defiantly baiting the booing crowd, feeding off of their slurs, camping it up wildly, his big gay hair flipped back just so, you can’t help but root for him. Just seeing him not bat an eye as he takes on a wrestler three times his size and give him a run for his money should inspire anyone who has ever felt threatened by a bully.

By this point, Teague and Williams have done such a great job of letting us fall in love with Saúl, warts and all. Sure, we may see him party perhaps a bit too hard and maybe trust people a little too easily, but his steadfast belief in himself keeps you riveted. His secret relationship with a closeted married fellow wrestler, soulfully played by Raúl Castillo, seems like a bad idea from the jump. Early on, he secures a manager, Lorenzo (Joaquín Cosío) who has a loving way of cheering Saúl on, but he also has an assistant Felipe, played nimbly by music superstar Bad Bunny (aka Benito Antonio Martínez Ocasio) who provides an endless supply of cocaine whenever needed. This dichotomy goes under-explored and could have provided a little more conflict. Much of the external conflict, in fact, gets a little glossed over.

Regardless, Saúl’s journey has enough riches without it, culminating in a series of crowd-pleasing sequences guaranteed to get you cheering and turn on the waterworks. It also contains a brief, powerful scene which provides every queer person with the tools for how to respond to a parent who has rejected their child. Bernal’s performance in this scene, as he gazes directly into the camera, is subtle and gorgeous.

Special mention must be made of cinematographer Matias Penachino's work, which lovingly captures the 80s and onward without fetishizing the times. The film has a visual poetry, such as in a wonderfully intimate pool scene in which Saúl and his mother daydream at a house they’d one day like to purchase and it achieves grandeur in that truly iconic final shot. Same goes for J.C. Molina’s lived-in production design, which feels so vivid and true.

It’s worth pointing out that Mexico was ahead of the United States on such issues as marriage equality despite its image as an ultra-conservative, macho society. I’d like to think that not only the acceptance but the outright celebration of queer icons such as Saúl Armendáriz contributed to such a cultural shift. Late in Cassandro, Saúl goes on a talk show and names women, famous and otherwise, who have shaped his life. He embraces women. He embraces his own femininity. The world would be such a better place if we could all be more like Saúl, but barring that, I hope Cassandro gets people to at least open their hearts.

Cassandro opens in select theaters September 15th, 2023 and streams on Amazon Prime September 22nd.

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• Icons e Header Felipe Prior 🍺

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felipe prior icons

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Felipe Prior & Flayslane

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bbb20 ✧ se pegar/gostar de algum icon aperte o coraçãozinho pra deixar o like.

[priorismoicons]

britney spears - criminal (feat. felipe prior)  

like se pegar!! 🚨 

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icons bbb; felipe prior.

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like or credits to @otprurr on twitter

[mapsontheweb]

Map of Mexico prior to Texas independence, 1835.

The tensions in Texas reached a tipping point when General Antonio López de Santa Anna took office as president of Mexico in 1834. Soon after coming to power, he revoked the constitution, set about centralizing governmental authority in Mexico City, and reduced the autonomy of the individual states.

This caused a great deal of unrest in some of the territories. In September of 1835, Texans began a war of secession. In November, a group met in San Felipe de Austin and established a provisional state government .

After months of fighting with Santa Anna’s army, on March 2 of 1836, Texas declared its independence from Mexico . For several weeks, Mexican army forces fought the insurgents, including at the famous battle of the Alamo, where Santa Anna’s troops defeated a group of Texas fighters holed up in the old mission. Despite this iconic loss, Sam Houston’s Texas army ultimately emerged victorious.

On April 21, Gen. Santa Anna, now captured, signed the Treaty of Velasco, recognizing Texas’ independence. Santa Anna’s capitulation was not the final word, though. The Mexican Congress refused to ratify the treaty, since the general was a prisoner of war when he signed it. The United States, however, recognized Texas as an independent republic on March 3, 1837.

Although Mexico would not recognize an independent Texas, struggles within the country and lack of money prevented it from doing anything to retake it. In the meantime, the U.S. aspired to control the north American continent, and to keep out rivals like France and Great Britain.

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Felipe Prior

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Icons Felipe Prior

Se pegar de créditos se gostar fav #bbb20