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kingkatsuki · 6 months

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— my protector

Tengen needs your help in trying to locate his wives on a mission, and Sanemi is furious.

Get me a man who’s only soft for us, stat😫😭

Pairing: Shinazugawa Sanemi x f!reader.

Warnings: 18+, established relationship, reader is a fellow hashira, jealous Sanemi (for literally no reason), possessiveness, rough sex, slight degradation, fingering, multiple orgasms, breeding, creampie.

Word Count: 4.2k.

All Sanemi could see was red, fiery red as he roamed the halls of the Butterfly Mansion, ignoring the pain in his right arm from the wound Aoi had just patched up moments earlier.

“Shinobu will kill you if she finds you drawing your sword in here!” Aoi called after him, but Sanemi could care less as his eyes sought out the Sound Pillar.

He had just returned from a three-week-long mission to find out that Uzui had enlisted you for help on one of his missions. Practically offering you up as bait to try and find his wives who had gone missing, like that was even your problem. And Sanemi knew you were always so eager and willing to help, it was something he loved and loathed about you at the same time.

The rage continued building inside him as he pulled open another sliding door aggressively, the wood gliding back from the force as he skimmed another empty room before continuing further through the mansion.

“Listen to me, Shinazugawa.” Aoi huffed, followed after him as one of the only people inside the mansion who weren’t scared of the white-haired man, “I told you Shinobu won’t be pleased to find out you’re breaking all her doors.”

“Fuck her,” Sanemi rolled his eyes, “Where’s Uzui?”

“If you would’ve actually stopped for five minutes to let me explain, instead of being such a jerk,” Aoi crossed her arms over her chest with a huff, “He left with her a few hours ago. Said it couldn’t wait much longer, that his wives may be in danger—”

“How the fuck is that her problem?” Sanemi growled, “So he isn't here?”

“No, but I would advise you don't follow him. Your wounds—” Sanemi ignored Aoi, already halfway down the hall as he marched towards the entrance, determined to find you on his own. It was when he stepped into the courtyard that he saw Uzui coming in by the front gate with a wide smile on his face.

“Ah, my crow told me you were back!” Uzui made to step towards him to finish the conversation, but Sanemi’s sword was already drawn as he stepped towards the larger man, “Perfect timing, my friend!”

“You fucking left her there?” Sanemi barked, “Why are you back here?”

“I came to get you at the request of your lady love,” Uzui grinned as Sanemi curled his lip in irritation at the pet name, “She made me promise to tell you as soon as you got back from your mission because she wouldn’t be around. And I thought you'd prefer a personal greeting.”

“Why the fuck are you sending her on your missions anyway,” Sanemi continued, ignoring Uzui's grin, “And leaving her there!”

“It hasn’t even been twelve hours,” Uzui shrugged, standing in place even as Sanemi stepped towards him.

“That’s already twelve hours too damn long, you prick.” Sanemi drew his sword as he made to lunge towards his fellow hashira.

“She’s probably safer there than she’d ever be out in the field,” Uzui dodged a blow with the hilt of his sword, the guard barely protecting his hands as he used his body weight to push the Wind Pillar back.

“Probably?” Sanemi roared, “She’s probably got sick fucks like you all over her right now.”

“Oh,” Uzui’s lips curled into a cocky smirk at the admission, standing upright as he pushed some fallen hair away from his eyes, “So that’s it— you’re jealous.”

“I ain’t jealous, you fuckwad.” Sanemi grunted as he attempted another slash towards Uzui, knowing it was serious when the wind user hadn’t even bothered to use his power.

“Sure seems like it,” Uzui scoffed, taking another step back to avoid his attack, “Nothing is stopping you from visiting her, you know. She’s only a few towns across and I'm here to take you right to her.”

“Oh, you’re taking me to her,” Sanemi spat, “Right fucking now.”

“Someone is asking for me?” You raised a brow suspiciously at the implication. Wondering if this meant the demons had realised that you were in fact a slayer intent on taking their head. Your stomach swirled in trepidation as you tried not to show any fear, smiling at the young girl by the door as you bowed your head.

“Yeah, and frankly I’m glad,” She clung to the belt of her kimono, “He looks scary!”

“I definitely don’t want to spend the night with him,” Another girl grimaced, “I don’t think I’d make it out alive.”

You frowned, worried that you wouldn’t have time to access your katana to holster it beneath your kimono. Instead, all you had was the small dagger strapped against your thigh, which you were certain wouldn’t be enough to protect you from the attack of a demon. But at least it was better than nothing, knowing he wouldn’t attack until you were at least secure back inside this room as you bowed your head. Following her down the stairs to the entrance of the establishment, feeling a cool breeze tickle your ankles from the open door and curtain flowing in the wind.

Your heart stilled when you noticed the familiar man standing by the entrance, glaring at anyone who dared look his way as you felt your chest swell with familiarity. You hadn’t expected to see him here this night, and you certainly hadn’t expected him to be asking after you.

“Is this the girl you were asking after, my Lord?”

“Yes,” He grunted as the Madame motioned him to step forward and follow you back to your room.

You had to stop yourself jumping him in the foyer, wanting nothing more than to wrap your arms around him and cling to his broad shoulders.

Feeling the heat practically radiating from his body as you slid open the sliding door to your room, stepping to the side to allow Sanemi to follow before sliding it shut. And in an instant, his rough hands were grabbing hold of the fat at your hips to pull your body against his, your lips meeting in a bruising kiss.

Your hands reached up to thread through his messy hair as the scent of the woods mixed with his natural sweat invaded your senses. He clearly hadn’t bothered to bathe when he returned from his mission, far more concerned with finding you.

“What the fuck do you think you’re doing?” He spoke against your lips when you finally pulled away for air, still holding onto you as your nails dragged against his scalp, “I had to come home to find out you’re helping Uzui?”

“Tengen needed my help,” You murmured, and Sanemi’s nose scrunched in irritation at the use of the Sound Pillars' first name.

“Tengen,” He mocked the pitch of your voice, “Has three fucking wives that can help him, I only have one.”

“Technically,” You parroted his tone, giving him a cocky smirk as you felt his fingers press into the skin at your hips, “I’m not even your wife.”

“You’re as good as,” Sanemi scoffed as he stole another kiss, “And Uzui would do well to remember it.”

“His wives are missing,” You mumbled sadly.

“So does that mean he’s looking for a fourth?” Sanemi frowned at you as you couldn’t help but smile and shake your head at his jealousy.

“No,” You lowered your voice to a whisper, “He hasn’t heard from them for a few days, the letters have stopped coming— and he thinks something bad may have happened to them.”

“Why didn’t you tell me?” Sanemi couldn’t lie that it had hurt to find out from someone else that you wouldn’t be there upon his return, whether it was jealousy or the fear of losing you he was unsure. But either way, it left him with that familiar sense of dread that pooled in the pit of his stomach and threatened to boil over.

“I’m sorry, but there wasn’t much time,” You did wish you’d sent your crow to warn him, but Uzui had promised you that he would let Sanemi know. Especially since you were doing this for the sake of his wives, “He needed my help, so I offered.”

“You’re far too nice.” Sanemi shook his head, using his grip on your hips to pull you into another sultry kiss.

“I thought that’s why you loved me.” You teased.

“No,” Sanemi scoffed, “I love you for your perfect ass,” He spanked your cheek for emphasis, “Everything else is either a bonus or a crux on my life.”

“You pig.” You scrunched your nose as Sanemi couldn’t stop himself from stealing another kiss.

“I’m kidding, sweetheart,” Sanemi’s eyes softened as he reached up to cup your face in a calloused palm. His thumb stroking gentle circles against your cheek as you leaned into his touch, “But you really should stop putting yourself in harm's way.”

“I’m a hashira,” You replied simply, “It’s what we do to protect others.”

“Protecting others doesn’t mean becoming a whore.” He spat, although you knew there was no malice there. The harsh tone covered up the fear and dread he felt in your gut at the prospect of something happening to you.

“And yet here you are, at the whorehouse requesting me by name.” You smiled back, relishing in the pink hue that dusted his pale cheeks.

“I just don’t want to lose you,” His tone sobered, resting his forehead against your own as he stared down into your eyes, “What a pitiful existence it would be.”

“You won’t lose me, Sanemi.” You wrapped your arms around his waist to pull his body against you, feeling his semi-hard cock press against your hip. The time without you made even more conspicuous when he's now surrounded by the comforting scent of you again.

“Did anyone touch you?” He immediately pulled back, concern evident in his features as he looked you over.

“No, I’ve been fine,” You shook your head, “They’ve mainly had me sitting down for tea with travellers passing through.”

“Good,” He pressed a kiss against your forehead in relief as he exhaled softly, “You have no idea how much I missed you, sweet girl.”

He peppered kisses along the curve of your jaw as you tilted your head back to give him more room. Your hands smoothed along his collarbones before dipping lower to trace patterns against the marred skin that scarred his chest, pressing your fingers into the ridges as you felt the tacky sweat clinging to his skin.

“I missed you too,” You whimpered gently as his teeth found your pulse point, biting down on the sensitive skin as his tongue lashed against it.

Sanemi bullied his muscular thigh between your parted legs to keep you steady against the wall as he shamelessly fiddled with the belt of your kimono. Letting the fabric fall open as he drank in the sight of your bare skin beneath, his firm hands immediately paw at your bare sides. Noticing the small dagger that you had holstered against one of your thighs as he ran his fingers over the handle of it in satisfaction.

“That’s my girl.” He murmurs, “Not planning to use that on me are you?”

He teased, pushing it back into the holster as he moved his hands back up the curve of your hips towards your chest. Truth be told, he was relieved that you had some form of protection in here. Especially when there was the chance that a demon was responsible for the spate of missing persons in the area.

“It depends if you’re nice to me or not,” You mused.

“I’m always nice.” The words coming from Sanemi’s lips alone were enough to have a melodic laugh rumbling in your chest, as for most, Sanemi and nice were complete contradictions.

“Liar,” Throwing your head back in a pretty laugh that had Sanemi’s heart rattling against his rib cage.

“I mean, I’m always nice to you, aren’t I?” Sanemi’s thumbs stroked the underside of your breasts as he delighted in the way your body responded to him, curving your back towards him as your bare cunt pressed against the flat of his thigh.

“We shouldn’t,” You murmured, “Not here—”

“Let me have this, sweetheart,” He hummed, leaning down to capture one of your pebbled nipples between his lips as he sucked hard, “I am a paying customer, after all.”

In fact, he was going to get that money from Uzui for his pure subordination.

“Why pay for something you can get for free at home?” You teased as he afforded your other breast the same attention, his teeth grazing the sensitive skin as you let out another airy moan.

“My girl wasn’t there when I arrived home, and I had heard the girls here were beautiful,” He played along, “Apparently there’s one with the best fuckin’ pussy.”

“Oh yeah?” You gasped as you felt his fingers press against the indents of your thighs, dangerously close to your labia as you bucked against his leg. Giving your clit some slight relief as Sanemi continued forward, his thumb brushing through the wet slick that coated your folds as it drooled out of your neglected hole.

“Yeah,” He repeated, pulling away from your breast with a pop as he found your clit. Pressing sloppy circles against it with the calloused pad of his thumb as he watched you shamelessly grind yourself into his touch, “Apparently she’s already fucked into the shape of another guy though.”

“Must be a lucky guy,” Your eyes rolled back, knocking your head against the wall when you felt two of his thick digits slip inside your tight hole with ease. Scissoring them to loosen you up as he pulled back to watch you inquisitively through half-lidded eyes.

“The fuckin’ luckiest.” Sanemi grinned as he felt your walls throb around his fingers. He deliberately curled them towards the spongy spot inside you that he knew would have you seeing stars as he began to focus each roll of his wrist against it.

His name continued to spill from your lips as he kept his movements poised and focused, his rough thumb kneading circles against your clit as he worked you towards your release. No one knew your body better than he did, and he knew after being pent up for so long how little effort it would take to have you dangling on the edge of your release.

“Fuck, Sanemi.” You moaned, already feeling yourself dangerously close to falling, “I’m gonna cum.”

“Then cum.” He spoke as though it was the most obvious thing in the world, and his blase tone immediately had your cunt clenching around him as you swan dived directly into your bliss. The pleasure surged through your body hard and fast as you came undone, his darkened eyes focused on your movements a he kept his fingers pressed against that same velvety spot. Following the wave of your hips as you rode out your release, unrelenting against the sensitive area as he already had you hurtling towards a second.

It was too much, and not enough at the same time. Your pliant walls throbbed around his slick digits as you wished for something more, something bigger.

“‘Nemi, fuck me please.” You whined pitifully.

“Such a filthy mouth on such a pretty girl,” He teased, but he pulled his fingers away from your sopping heat, lifting them up to the light to spread them as you noticed the silvery webs of your release clinging to them as he pushed them between your lips to taste yourself.

You tried to speak, but the pads of his fingers against your tongue muffled the words as you cleaned them off. His lips curled into a satisfied smile as he pulled them out of your mouth, dragging your glossy bottom lip down in the process as both hands immediately reached for his belt.

“When we get home I am fucking you like you deserve.” Sanemi spoke coolly, “Not some quick fuck in a whorehouse.”

“I deserve everything you give me, 'Nemi.” You smile up at him lazily before watching him tug his pants down, revealing his fat cock to your prying gaze.

You immediately reached for it, and he let you. Hissing when your smaller palm wrapped around the girth of him, giving him a teasing jerk that had his nostrils flaring and his jaw locking. Your thumb swipes over the swollen tip to gather the pearl of pre before smoothing it down his length, delighting in the choked grunt that rumbled at the back of his throat.

“Is that so?” He continued, “So bending you over the moment I get you home will be deserved,” His voice darkened, his own palm joining yours against his length as he tightened your grip on his cock, holding your hand steady as he fucked himself into your fist, “You tease.”

“Fuck,” Your cunt throbbed around nothing at his suggestion, as you instinctively spread your legs further apart, “Please, 'Nemi.”

Sanemi curled a palm beneath your thigh to hoist it up against his hip, spreading you open for him as you guided the leaky tip of his cock between you. Stroking it against your drenched folds as you coated him with your essence, moaning when the swollen tip nudged your puffy clit. Feeling yourself growing more impatient as Sanemi pulled his hips back to tease you, pushing your hand away from his cock as he wrapped himself in a fist. Pressing the head against your tight entrance as he felt your hole tremble against him, trying desperately to coax him in as he indulged himself with your reaction.

“‘Nemi, don’t be an asshole,” You pouted as you tried to can’t your hips forward, feeling the tip breach your entrance before he was quick to move his hips back. More than content with teasing you, despite being in such an open, compromising place.

“If I were an asshole I’d leave you unsatisfied like this to search for the demon myself,” He goaded, pressing his hips forward once more.

“Sanemi,” You whined in irritation, “Don’t tease me, please, it’s been too long.”

He didn’t give you a moment to think before he was bullying his cock inside your tight cunt. Your inner walls stretched to accommodate his girth as he moulded you to the shape of him once more, reminding you of exactly who you belonged to. The sensation stole the air from your lungs as you could do little but cling to his broad shoulders as he afforded you a moment to adjust to his size, dragging himself from your velvety walls before canting his hips forward again. Setting a languid motion as he slowly rolled his hips against you.

“Sanemi,” You sighed in satisfaction as you felt whole once more. Too many lonely nights were spent dreaming of this as you felt him finally bottom out, the coarse hairs at the base tickling your clit as you bit down on your bottom lip.

“We’re in a whorehouse,” He mused, still sluggishly rolling his hips into you, “It only seems right that I treat you like one.”

Your cunt clenched around his cock hard at the notion, something that didn’t go unnoticed by Sanemi who grinned in satisfaction. His fingers tighten their grip around your thigh as he takes this as his answer.

Sanemi is brutal as he fucks into you, not sparing you a moment's peace as he uses you for his own gratification. The sound of skin against skin echos the small room as his balls slap against the curve of your ass with each forward cant of his hips. The ferocity of his thrusts has your breasts bouncing and your thighs crying out for some relief as you struggle to stand upright, thankful that Sanemi’s strong body has you pinned against the wall as he fucks into you.

“Oh my god,” You cry out, nails digging into his skin as he maintains his pace. His other hand squeezes at the fat of your ass as he angles his hips, the curve of his cock drags against the spot inside you that he knows will have you seeing stars as the blunt tip kneads your cervix.

“Look at me.” Sanemi growls, his warm breath fanning your face as he keeps a consistent pace.

Your eyes meet his and you’re certain you’ll cum under the intensity of his gaze alone, your cunt clenches in retaliation as he continues to thrust into your sopping hole. Each sultry moan he pulls from deep in your chest has him rolling his hips with more vigour, eager to have you repeat them as he works you towards your climax.

It’s pitiful really, how easily he has you submitting to him as you already feel the telltale signs of your climax ebbing in your pelvis. The pressure builds up as it nears breaking point as Sanemi pushes into you with more ferocity, using your body for his own means as he works himself to his own release.

“I’m going to leave you pumped full of my seed,” He growls against your cheek, his chest heaving as he feels his balls begin to tighten, “Leave it drooling down your thighs when I’m finished with you. So that everyone knows who you belong to—”

You knew this was a direct attack on Uzui, and the fact that he’d handpicked you for his assistance on this mission. Even though there was nothing in it beyond securing the safety of his wives, it had Sanemi oozing with jealousy and he was intent on reminding the Sound Pillar that you were not his plaything.

“Do you also need a reminder of who you belong to, sweetheart?” Sanemi spoke lowly as he fucked into your pliant walls, slipping a hand between your connected bodies to press sloppy circles to your clit.

“No, ‘Nemi—” That familiar sensation throbbed between your thighs as you teetered on the cusp of your climax.

“No? Then who do you belong to?”

“You, ‘Nemi. You—” You choked out, leaving messy red lines against his chest now as he pressed harder against your clit.

“Louder.”

“You, ‘Nemi! It’s always been you!” You cry out, certain that the rest of the floor could hear you as you began to gush around his cock. Your hips bucked wildly as he pinned you in place, keeping his thumb firm against your clit as he watched you ride out your climax. Indulging in the debauched noises that escaped from between your pretty, bruised lips.

“Good girl,” He snarled before moving his hand from your clit to resume a damn near savage pace. Rutting hips against your own messily, working himself towards his own end as he felt the way your walls continued clenching around him in the aftershocks of your climax, “Such a good girl for me.”

He arched his back so he could look down at where your bodies were connected, watching the way his thick cock disappeared inside your velvety walls. And the creamy ring of slick that you’d left around the base of him, the silvery lines matting into his pubes as he felt his balls begin to seize. Certain he wouldn’t be able to last much longer before giving a few more sloppy thrusts and emptying his balls into your warm, wet cunt.

Sanemi stayed buried inside you, feeling the last spurts of his orgasm surge through him as he coated your walls in thick, white spunk. Cherishing the final few flutters of your walls around him as you both came down from your highs, peppering kisses against your face as you placed a palm against his chest to feel his racing heart, the dull thump of it soothing you as you felt your thick lashes begin to flutter.

“Don’t fall asleep, sweetheart.” Sanemi rasped, starting to pull himself out of your spent cunt as you whined in objection. Trying to tighten your thigh around him to keep his hips in position as he grinned down at you; pressing an apologetic kiss to the side of your lips before looking down to see the mess of your combined release stringing against his length as the silvery lines split apart, “I’m sorry, I’ve gotta.”

You knew he had to go, Uzui was probably still waiting for him on a rooftop somewhere. Hopeful that you’d have some news to share with Sanemi about the whereabouts of his wives, but you felt the regret begin to pool in the pit of your stomach as reality settled back in.

“If you want to leave with me, I’ll take you right now,” He said as though it was the most simple thing in the world, “But if you want to stay in I’ll be watching.”

You didn’t have to tell him your answer, he already knew. Placing a final, lingering kiss on your lips as he held you in his arms, “Nothing will ever happen to you as long as I’m around.”

#sanemi x reader #sanemi smut #sanemi x you #Sanemi Shinazugawa x reader #Sanemi Shinazugawa smut #Shinazugawa Sanemi x reader #demon slayer x reader #demon slayer x you #demon slayer smut #kny x you #kny x reader #kny smut

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privateinvestigatorsuniverse · 9 months

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foldingfittedsheets · 4 months

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The location of the sex shop I worked was a haven for spiders. We had tall ceilings and skylights and unused storage rooms. It was a spider paradise. We quickly sussed out which coworkers to call on in case of emergency. The Dorito lady was a solid ally for spiders but absolutely petrified of moths.

But there’s actually a hierarchy of fear. Most people don’t realize. The person least afraid is the one forced to deal with the bug in question. If coworker B was scared, but coworker A was petrified, well coworker B was gonna have to screw their courage to the sticking place because by the law of fear they were the most competent person on scene.

Thus enters Rick. Rick first appeared in the back storage room. This room doubled as a second bathroom so we went in on a semi frequent basis. The girl who’d gone in to pee shot out again gibbering with fear about the biggest spider she’d ever seen had just run across her boot.

We sicced Dorito lady on it. She returned, shaking her head. “He was squatting on a power cord where it plugs in. I couldn’t get a clean shot at Rick.”

“Rick?”

She shrugged. “Spiders that big need a name. Seemed like a Rick.”

Rick, freshly named, became a store menace. I’d normally say this was probably a case of multiple spiders being mistaken for one but everyone who encountered him swore up and down there could be no mistake. This spider was massive, fast, and distinct. A gladiator among arachnids.

I never encountered Rick. His exploits grew in the telling but the theme was consistent: no one could kill him. He’d hunker in places that no one could reach and dart away when a strike missed. He also chased off the more faint hearted, charging them in bold dashes. There could be no benign cup transplant to remove Rick from the premise. He was not leaving.

The saga of Rick continued for two months. Not seeing him was almost worse, a fearful wariness when going to the bathroom or stepping into quieter areas. I waited with dread, hoping my eventual run in would have me on shift with Dorito lady to protect me.

It was not to be. There was a girl the same who hated my one moment of singing that was absolute piss-herself scared of spiders. She’d slam straight into a panic attack and couldn’t think or speak. And so it was that one night on shift, I heard her scream.

It was unmistakable. I was in the front window turning off the open sign. Through an obstacle course of mannequins and lingerie I performed an acrobatic sprint out of the window, darting up to find her quivering at the front counter, fully crying. I radiated calm at her and said, “Just point.”

I knew it was Rick. Our destinies were intertwined and we had always been pulled toward the inexorable battle that was drawing nigh.

Her hand raised to point to our sandwich board sign at the front of the store. So Rick had the metaphorical high ground. There was no quick easy strike on the slanted signs surface.

I armed myself and marched into battle, my knuckles white on my chosen weapon. I would do this, because I must. Because there was no one else. And because I wanted to close and go home.

I saw Rick immediately and I honestly don’t think I’ve ever seen a bigger spider since. Outside of a tarantula, he was truly the most massive spider I’ve ever beheld outside a zoo enclosure or terrarium.

We regarded each other. Rick launched off the sign toward me and I stomped my foot reflexively, making him pause in his charge. Then I raised my weapon. Anything else, I believe Rick could have evaded. He’d bested most of the store thus far. But I had chosen chemical warfare.

I doused the shit out of that spider with cleaning spray, stunning him with a barrage of chemicals. While he froze, choking on the unexpected deluge, I dropped a paper towel over him. My foot came down.

I felt his exoskeleton crunch and I can feel it still to this day. The shattering was as of bones and I truly mourned that we had been forced into senseless war. If only he has cleaved tighter to the shadows. If only he’d crawled willing into a cup for relocation. I released a full body shudder of horror, fear, and adrenaline as I stepped back.

I took several quivering breaths. I donned a veneer of calm and tidied the battlefield of it’s corpse then went to reassure my coworker that all was well, while internally I still shook.

You fought well, Rick. I hope you sired many more monstrous children to haunt retail workers in the years to come. Rest in valor, you monster.

#ramblies #ffs foibles #spiders #spider #arachnophobia #Rick the spider #story #writing #funny #sex shop

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heritageposts · 4 months

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What does life in North Korea look like outside of Pyongyang? 🇰🇵

Hey, I'm back again with a very scary "tankie" post that asks you to think of North Koreans as people, and to consider their country not as a cartoonish dystopia, but as a nation that, like any other place on earth, has culture, traditions, and history.

Below is a collection of pictures from various cities and places in North Korea, along with a brief dive into some of the historical events that informs life in the so-called "hermit kingdom."

Warning: very long post

Kaesong, the historic city

Beginning this post with Kaesong, one of the oldest cities in Korea. It's also one of the few major cities in the DPRK (i.e. "North Korea") that was not completely destroyed during the Korean war.

Every single city you'll see from this point on were victims of intense aerial bombardments from the U.S. and its allies, and had to be either partially or completely rebuilt after the war.

From 1951 to 1953, during what has now become known as the "forgotten war" in the West, the U.S. dropped 635,000 tons of bombs over Korea — most of it in the North, and on civilian population centers. An additional 32,000 tons of napalm was also deployed, engulfing whole cities in fire and inflicting people with horrific burns:

For such a simple thing to make, napalm had horrific human consequences. A bit of liquid fire, a sort of jellied gasoline, napalm clung to human skin on contact and melted off the flesh. Witnesses to napalm's impact described eyelids so burned they could not be shut and flesh that looked like "swollen, raw meat." - PBS

Ever wondered why North Koreans seem to hate the U.S so much? Well...

Keep in mind that only a few years prior to this, the U.S. had, as the first and only country in the world, used the atomic bomb as a weapon of war. Consider, too, the proximity between Japan and Korea — both geographically and as an "Other" in the Western imagination.

As the war dragged on, and it became clear the U.S. and its allies would not "win" in any conventional sense, the fear that the U.S. would resort to nuclear weapons again loomed large, adding another frightening dimension to the war that can probably go a long way in explaining the DPRK's later obsession with acquiring their own nuclear bomb.

But even without the use of nuclear weapons, the indiscriminate attack on civilians, particularly from U.S. saturation bombings, was still horrific:

"The number of Korean dead, injured or missing by war’s end approached three million, ten percent of the overall population. The majority of those killed were in the North, which had half of the population of the South; although the DPRK does not have official figures, possibly twelve to fifteen percent of the population was killed in the war, a figure close to or surpassing the proportion of Soviet citizens killed in World War II" - Charles K. Armstrong

On top of the loss of life, there's also the material damage. By the end of the war, the U.S. Air Force had, by its own estimations, destroyed somewhere around 85% of all buildings in the DPRK, leaving most cities in complete ruin. There are even stories of U.S. bombers dropping their loads into the ocean because they couldn't find any visible targets to bomb.

What you'll see below of Kaesong, then, provides both a rare glimpse of what life in North Korea looked like before the war, and a reminder of what was destroyed.

Kaesong's main street, pictured below.

Due the stifling sanctions imposed on the DPRK—which has, in various forms and intensities, been in effect since the 1950s—car ownership is still low throughout the country, with most people getting around either by walking or biking, or by bus or train for longer distances.

Kaesong, which is regarded as an educational center, is also notable for its many Koryŏ-era monuments. A group of twelve such sites were granted UNESCO world heritage status in 2013.

Included is the Hyonjongnung Royal Tomb, a 14th-century mausoleum located just outside the city of Kaesong.

One of the statues guarding the tomb.

Before moving on the other cities, I also wanted to showcase one more of the DPRK's historical sites: Pohyonsa, a thousand-year-old Buddhist temple complex located in the Myohyang Mountains.

Like many of DPRK's historic sites, the temple complex suffered extensive damage during the Korean war, with the U.S. led bombings destroying over half of its 24 pre-war buildings.

The complex has since been restored and is in use today both as a residence for Buddhist monks, and as a historic site open to visitors.

Hamhung, the second largest city in the DPRK.

A coastal city located in the South Hamgyŏng Province. It has long served as a major industrial hub in the DPRK, and has one of the largest and busiest ports in the country.

Hamhung, like most of the coastal cities in the DPRK, was hit particularly hard during the war. Through relentless aerial bombardments, the US and its allies destroyed somewhere around 80-90% percent of all buildings, roads, and other infrastructure in the city.

Now, more than seventy years later, unexploded bombs, mortars and pieces of live ammunition are still being unearthed by the thousands in the area. As recently as 2016, one of North Korea's bomb squads—there's one in every province, faced with the same cleanup task—retrieved 370 unexploded mortar rounds... from an elementary school playground.

Experts in the DPRK estimate it will probably take over a hundred years to clean up all the unexploded ordnance—and that's just in and around Hamhung.

Hamhung's fertilizer plant, the biggest in North Korea.

When the war broke out, Hamhung was home to the largest nitrogen fertilizer plant in Asia. Since its product could be used in the creation of explosives, the existence of the plant is considered to have made Hamhung a target for U.S. aggression (though it's worth repeating that the U.S. carried out saturation bombings of most population centers in the country, irrespective of any so-called 'military value').

The plant was immediately rebuilt after the war, and—beyond its practical use—serves now as a monument of resistance to U.S. imperialism, and as a functional and symbolic site of self-reliance.

Chongjin, the third largest city in the DPRK.

Another coastal city and industrial hub. It underwent a massive development prior to the Korean war, housing around 300,000 people by the time the war broke out.

By 1953, the U.S. had destroyed most of Chongjin's industry, bombed its harbors, and killed one third of the population.

Wonsan, a rebuilt seaside city.

The city of Wonsan is a vital link between the DPRK's east and west coasts, and acts today as both a popular holiday destination for North Koreans, and as a central location for the country's growing tourism industry.

Considered a strategically important location during the war, Wonsan is notable for having endured one of the longest naval blockades in modern history, lasting a total of 861 days.

By the end of the war, the U.S. estimated that they had destroyed around 80% of the city.

Masikryong Ski Resort, located close to Wonsan. It opened to the public in 2014 and is the first, I believe, that was built with foreign tourists in mind.

Sariwon, another rebuilt city

One of the worst hit cities during the Korean War, with an estimated destruction level of 95%.

I've written about its Wikipedia page here before, which used to mockingly describe its 'folk customs street'—a project built to preserve old Korean traditions and customs—as an "inaccurate romanticized recreation of an ancient Korean street."

No mention, of course, of the destruction caused by the US-led aerial bombings, or any historical context at all that could possibly even hint at why the preservation of old traditions might be particularly important for the city.

Life outside of the towns and cities

In the rural parts of the DPRK, life primarily revolves around agriculture. As the sanctions they're under make it difficult to acquire fuel, farming in the DPRK relies heavily on manual labour, which again, to avoid food shortages, requires that a large portion of the labour force resides in the countryside.

Unlike what many may think, the reliance on manual labour in farming is a relatively "new" development. Up until the crisis of the 1990s, the DPRK was a highly industrialized nation, with a modernized agricultural system and a high urbanization rate. But, as the access to cheap fuel from the USSR and China disappeared, and the sanctions placed upon them by Western nations heavily restricted their ability to import fuel from other sources, having a fuel-dependent agricultural industry became a recipe for disaster, and required an immediate and brutal restructuring.

For a more detailed breakdown of what lead to the crisis in the 90s, and how it reshaped the DPRKs approach to agriculture, check out this article by Zhun Xu.

Some typical newly built rural housing, surrounded by farmland.

Tumblr only allows 20 pictures per post, but if you want to see more pictures of life outside Pyongyang, check out this imgur album.

#dprk #north korea #i've had this post unfinished in drafts for almost a year #also sorry about the spelling and potential formatting issues it's a nightmare to edit at this point #it was literally just meant to be a collection of picture and then the writing just sort of happened #enjoy the brief heritageposts history lesson i guess

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BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.”

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

Donate or Join Palestine Action

Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine

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#sabra #ruth bat-seraph #captain america 4 #captain america #captain america new world order #boycott #zionism #israel #palestine #boycottsabra

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teabookgremlin · 2 months

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i’ve started thinking of my shifts as did i win or did [company name redacted] win and today. today [company name redacted] won

#i work at an airport location of a local chain #and today so many flights were delayed so a bunch of people got meal vouchers from airlines #so we got a lot of extra customers bc they had nothing to do and they wanted to use their vouchers #but by that point we were already out of so many things #it’s so bad how many things we run out of every shift it’s really bad #my manager is gonna be talking to the general manager about it bc it’s affecting sales and also how much we’re getting in tips #i’m so sick of having to tell every other customer that we can’t get them what they want #bc they’re probably already having a bad time bc airports are awful #and just yeah it’s exhausting #cannot wait til august and i can go back to the on campus location #bc it’s so much better #hopefully not too much longer in this job anyway #i’m returning to my hunt for a veterinary job around winter break #i need to get through fall semester before i can worry about a new job #but then hopefully i’ll find something quickly #it seems like a lot of clinics need vet assistants now so hopefully that need continues #ill miss this company a bit when i leave (mainly due to awesome coworkers and great free food)#but i’ll be so happy to not be in customer service

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tamayokny · 1 year

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my boss and i both have a mutual love for only yesterday. we talked about how it’s pretty much a hidden gem and it’s (probably) not as popular as other studio ghibli movies because it’s a truly realist story about growing up from adolescence to adulthood (amongst other things). that being said, my boss was surprised that i even knew and liked the movie and i was like “well, yeah, i like it. it’s about a girl growing up ...i am a girl” and he was like “no i meant that it’s not the most popular movie”. like he bought the UK DVD and UK DVD player so he could make his husband watch it.

#mads makes a text post #this happened a few weeks ago but i still kinda chuckle #he told me he likes ghibli movies but that's as far as he goes for anime #i will get u to enjoy something else one day boss #i always tell people that you just have to find what you like #(and probably have to put up with some things but there's some ''normal'' ones out there i promise!! lol)#my boss also likes my neighbor totoro #also this is funny but my previous supervisor at this location is a ghibli girl too #she really likes kiki's delivery service and spirited away #my other supervisor at previous location LOVES howl's moving castle #ah i miss her i hope she's thriving rn

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arts-and-drafts · 2 months

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I decided to start compiling speech patterns and such for the Hermits I watch the most, because being a fic writer is hard sometimes 😭 then I thought “why not share it here?”

so here’s my very rough analysis of my most viewed Hermits, this is just what I’ve managed to gather so please don’t call me out for what I’m missing

Scar

Rarely stutters in normal speech. Maybe pauses if he’s started a sentence and doesn’t know where it’s going, but he doesn’t tend to trail off unless something interrupts his train of thought

Stutters a LOT when he’s startled. Also makes ‘hoo!’ noises repeatedly before he finds his words

Lays on the charm THICK when he’s trying to convince someone over literally anything; compliments their looks, their handiwork, and then pitches his proposition in smooth segue. Not one to entertain haggling though (however he DOES do a ‘look if you’ll pay full price I’ll throw in xyz’ thing). King of upselling even the most mundane things.

His tone is cheerful most of the time, no matter what he’s saying. He’ll actually often say very disturbing things with a light voice (ex. when discussing how to retaliate ie “what should we do about him?” “we could kill him! :)”)

Builds and locations somehow are always capitalized in his voice?? Like he says them differently. I can’t really explain it (when he talks about Aqua Town or Scarland or The Big Dig)

Literally has an evil laugh when he thinks of a way to prank someone or mess with people

Hums in thought quite often, and uses “huh!” quite often when confused or finding out something new (Mostly with redstone)

His farewell is almost always “Byeeee, have a great time!” even if the conversation he left was not a pleasant one. I’m almost certain he does this in tense situations just to get under other people’s skin and really push how unbothered he is

Doesn’t tend to insult people, the farthest he’ll take it is backhanded compliments

That said he is not afraid to outright threaten (“I will murder them.”)

References media a lot, both for concepts for builds and in speech (ie his greeting “Well hello there!” is from Star Wars)

Number one exclamation is “Sweet Baby Jellie!”

(More under the cut!)

Grian

Cold opens, both in videos and conversations (rarely says “hello, how are you, etc” when encountering someone, but he does say farewells/‘thank you’s)

Likes to sneak up on people and scare them if he realizes they haven’t noticed him yet, usually does so by getting real close and then yelling (“HEY!”/“HI!”/“WHAT’S THAT?”)

Uses the name of whoever he’s talking to pretty often while speaking to them (“Well, Mumbo, you never know”/“So, Scar, as you can see here-“), same goes for often addressing his audience (“you all”/“you lot”/“you guys”)

Usually pretty focused (when he wants to be) but oftentimes takes a minute to laugh at things he notices in the natural environment (An accidental face in a build, a mob in a strange place, etc)

Takes the lead in a conversation if nobody is the clear leader, but generally only speaks when spoken to if someone else has risen to that spot

Clarifies instructions after something is explained, both to his viewers and to anyone he’s grouped up with (most often seen in the Life Series)

Uses “Pardon?!”/“Beg your pardon?!” most often when surprised or startled (he’s very British), also sometimes uses “Sorry??”

Things are way more funny to him when he’s tired

Deadpans a lot in conversation ie “why not do xyz?” “Well because we’ll horrifically die 😑“

This man is allergic to committing to the bit unless he’s the one that initiated it

Not one to sugarcoat (“how is it?” “well to be honest it’s miserable”)

Number one exclamation is “WHAT?!” (though he often uses “oh my GOODNESS” quite a bit)

Mumbo

The start of nearly every episode is almost a pitch, does the same when bringing up an idea to others (“I have this idea”/“I was thinking”/“I noticed” etc)

Often laughs a little at himself when he speaks

Also often brings up how inexperienced/unqualified he thinks he is with literally any task he’s doing

Gets very distracted with the smallest things

Uses similes a lot when trying to describe a concept (“I’m thinking a this-type thing”/“Something like a [xyz]”/“Imagine like a [thing]”)

His voice gets higher when he’s startled or panicking

A very vocal thinker, which makes sense because he’s a MC Youtuber, but he also just. Seems to think out loud regardless

Comments a lot on the feel of things (“Oh this feels menacing”/“This looks like it’d mess you up”/“This makes it feel very intimidating”), often with building

Extremely modest. However will celebrate when he does something right in redstone/building (“YES! Oh my days, that took forever”)

Once and a while will have a rare banter moment with people he’s comfortable with (ie teasing and making fun)

Related to above, he gets very giggly when he’s hanging out with people he’s familiar with (Grian and Scar most often, but also Iskall)

Number one exclamation is “What on earth?!”

Joel

Greets people most often with “How you doing [name]?”/“How are ya [name]?”

He’s very northern. He often leaves out words in his sentences bc that’s just the way his dialect is (“What you doin’?” vs “What are you doing?”)

Says his th’s like f’s (“somefing”/“nofing”/“finking”) ((Stress also does this))

His jokes/teasing are very deadpan (“I made you this extra thing, because you’re trash at this”)

Actually gives gifts of resources very often, and always leaves it with a little note and signs his name

His voice gets higher pitched when he’s defensive/being extremely cheeky but other than that his tone rarely changes

This man. Flirts so much. If any other person initiates even the slightest of flirty banter he takes that and dials it to eleven I cannot believe this is a straight married man sometimes

Joel commits to the bit 100% of the time (slightly related to above), unless of course it’s jokes about his height

Makes a point to compliment himself if he gets the chance (words most often used are “handsome” “strong” and “humble”, as well as comments about his muscles and physique)

Insults his enemies diminutively (“look at you down there, tiny idiot”/“You’re wrong and also weak”) ((seen most often in Empires SMP)

His most often used insult is “idiot”

When he’s flustered/frustrated he uses “bloody” a lot (ie “bloody heck” or “this bloody thing” (loves to toe the PG line), also uses “blooming” (“bloomin’ heck”)

Most often used exclamation is also “WHAT?!”

Bdubs

Opens videos very jovially, talks almost like a radio host

Breaks down his builds down to the block, spends a lot of time discussing his block pallet choices and giving tips while he builds

Uses the affirmation “sure enough” a lot, and often addresses himself as “Ol’ Bdubs”

Talks affectionately about other hermits often (“[name], the absolute sweetheart, left me some materials”, “[name], you angel!”)

Adding to above, “angel” or “sweet angel” seems to be his most often used affectionate terms

Switches on a dime, though, if he gets offended (which of course causes others to poke fun at him even more)

Calls mobs “stupid” a lot when they don’t do what he wants (but takes it back if he says it to one of his horses ex. “Come here, stupid—wonderful, I mean, beautiful”)

THIS MAN IS THE #1 HORSE ENJOYER. He gets a horse first thing every season and rides it everywhere, and they’re always a focal point of his theme or builds in some regard

Pauses whatever he’s doing to sleep as soon as it’s possible, and gets very antsy if he can’t do it for some reason (“One moment, time to shreep!”)

Related to above, EVERYONE messes with him if he’s trying to sleep in their presence ie breaking his bed over and over, and he gets increasingly more frustrated when it happens

Rarely is soft spoken or quiet, he projects his voice and uses a lot of emphasis in his tone

Either straight up screams (and peaks the mic 😭) if he’s startled or scared, or yells “oh my GOODNESS!!”

Number one exclamation is “HEY!”

#feel free to add on with other hermits!#sorry if this is so scatterbrained this is how i write my notes 😭#meraki post #hermitcraft fic #??#ref #hermitcraft #scar #goodtimeswithscar #grian #joel smallishbeans #smallishbeans #mumbo #mumbojumbo #bdubs #bdoubleo100 #dialogue ref #writing dialogue

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