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#writing dialogue
words-on-pa-per · 2 days
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“I’m a warrior. I’m meant to kill.”
“Yes, but aren’t you a human first? One that breaks a bit every time they hurt someone?”
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Random Hero x Villain prompts: Presentation
(The game: this site gives me a random word and I turn it into H/V prompts. You’re welcome to play, to add your own or to use them to write a snippet, just tag me or something if you do.)
The word is: Presentation (oh, Megamind vibes)
It’s Sidekick’s first official presentation to the world. They’re really nervous, sweating in their brand new costume made for the occasion, but Hero brings an accessory that might help.
Villain always gets their crazy plans passed after meetings with the Evil Board. Why? Because their project presentations are so long and so boring that everyone wants to cut them short, at any cost. It’s the only way to make them shut up.
Hero meets for the first time their colleagues and all the superheroes. However, something is terribly wrong here. They don’t have the right costumes. Why is everyone dressed in black? It was supposed to be a cocktail.
Villain gives a lecture to their henchmen: efficiency is for peons. Now, flair? That is important. First impressions count, you know.
Hero proudly shows to the world the band of misfits who helped them save the day. However, said band is not good with protocols and social skills. Chaos ensues.
This old superhero is supposed to represent all that is good and virtuous. However, when they’re awaken from their slumber to save the day, they reveal themself as very different.
Villain is so good with their public image that the Hero agency is losing control as more and more citizens are rooting for them. Under the pretense, though, their plans are anything but benign.
Villain is very good with words, less with limb coordination. They’re cut in the middle of their fear-striking monologue when they stumble on their own cape.
This citizen with the tattered jeans and the old pull? It’s a shame, but they’ve seen too much and they must be destroyed – hold on, why do they shrug everything off without a word? What do you mean, they’re the highest-ranking hero?
Hero has been out of town for a while. When they return, the new Villain feels they must present themself and their team. It’s only polite.
*
More prompts like this under this tag.
Back to Hero x Villain Masterlist.
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“Well, my dear, if you’re going to burn brighter than everyone else, make sure you do it like a star rather than a light bulb. You’ll still burn out in the end but a few million years is far better than a few seconds.”
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writing-to-survive · 2 days
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#214
"You look better, really."
"Yeah? Can't say the same about you."
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bookworm-certified · 2 days
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Enemies to lovers tips/prompts pt.1
I'm indeed an "enemies to lovers" enthusiast, and keep in mind the main element of making a good Enemies to Lovers story is by over exaggerating simple actions and gestures. Therefore, your protagonist will most likely think about one small unnoticeable gesture their enemy did, even after months of it happening. (The same applies to slow burn, though)
Make sure to use these prompts in the right context/situation because they can't be teasing each other with romantic lines in the first chapter of the story O.O (unless the romantic tension is only a side plot, I guess 😭)
> Force them to be close either physically or emotionally every once in a while.
> Despite hating/disliking each other, they still might know each other's favourite colour or birthdate. Minimum details MATTER, PEOPLE!!
> Give your protagonist a reason to hate their enemy, and then like them the next moment ;)
^ sort of make them act differently around each other when they're with friends or just strangers
> Only talk in short sentences and phrases, every word MATTERS in their brief interactions
> Hands touch when handing out stuff to one another, and they feel all tingly in the insides.
> (Them leaving the room)
"Stay."
"What?"
"Please don't go."
> MAKE THEM GIVE BACKHANDED COMPLIMENTS!!!!
^ and they might start thinking about what that could've meant afterwards... maybe 3 AM-ish..?
> Making sarcastic, kind comments for each other, but actually starting to mean it afterwards.
(e.x: *dressed up fancy for an event*
A: "woaaah, you look gorgeous!"
B: "Really? You think so?!"
A: "Nope, of course not...")
> after a warm interaction that builds up the progression of their relationship, destroy that with a monologue SLANDERING the other person ;))
^ they'll seem CRAZY trying to convince themself that they don't like their rival *insert evil laugh*
> "Did you eat well today?"
"It wouldn't matter to you!"
"Oh, no, of course it would."
> Overcoming their differences slowly, and accept one another. Finally understanding that there is no real reason to hate each other.
> "What's your deal?"
"I'm thinking about feelings I shouldn't be having.."
> Admiring them from afar
> Looking at them, only to realise the other was already staring into their soul.
> Laughing when they're in pain, but still caring enough to help them out.
> Having similar outlooks on life, gradually realising that they're the same person in a different font xP
> Have one character fall for the other first, but the other one falls 10 times HARDER.
> Pretending to be strong and tough around them, but secretly a soft cinnamonroll when they aren't present.
> (Random person approaches the two while they are extremely close) "so, what are you, huh?"
"It's complicated"
> Confessing their love right after they almost lost the other.
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3hks · 27 days
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How to Write REALISTIC and SMOOTH Dialogue
In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!
*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***
>> Keep your characters in character:
Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)
Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!
>> Take the situation into consideration:
This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.
If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.
>> Don't take too long with their words:
Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.
If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.
*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***
>> Having a variety of dialogue tags:
This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!
Examples:
Beginning - She tilted her head, "What are you talking about?"
Middle - "Oh," he blinked, "I actually never thought about that."
End - "Wait up!" She exclaimed loudly, waving her hands around.
>> Using no dialogue tags to create a smooth conversation:
Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.
Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.
*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***
Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.
>> Pauses and stutters:
When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.
>> Filler words and slang:
Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!
Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!
*** CONCLUSION ***
Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!
If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!
Happy writing~
3hks <3
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novelbear · 5 months
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”who me? couldn’t be!” - dialogue for those in denial about their feelings
prompt list by: @novelbear
"are you crazy? they're not my type, you know that."
"i don't have time for a relationship." "that has nothing to do with anything i just said. like at all."
"they're annoying as hell, no i don't have feelings for them."
"i honestly don't even know who you could possibly be referring to."
"what if i told you i said those types of things about everyone? then what?" "i would really hope you didn't. oh god."
"i do not want to see their face, hear their voice or their name for that matter. stop talking about them."
"what gave you that idea?"
"why does everybody keep saying that?"
"it's just been a while since i've had a close friendship like this, that's all."
"no.....no."
"i wasn't blushing! it was hot out." "it is literally snowing outside as we speak are you joking."
"i don't even like them like that i don't know what you mean."
"i'd do that for anyone!"
"flirting? me? i wouldn't say i was."
"cut it out, i'm tired of hearing you guys tease me about this."
"that's not true, where did you hear that from?"
"they're just a friend. that's all."
"we've been friends since we were little, we're practically siblings! no!"
"love?! you think i'm in love?"
"i know what having a crush feels like and this is nothing close..." "have you considered that it's because this is more than just a crush?" "stop talking."
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slayingfiction · 1 year
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Words to use instead of ‘said’
**Using the word ‘said’ is absolutely not a bad choice, and in fact, you will want to use it for at least 40% of all your dialogue tags. Using other words can be great, especially for description and showing emotion, but used in excess can take away or distract from the story.
Neutral: acknowledged, added, affirmed, agreed, announced, answered, appealed, articulated, attested, began, bemused, boasted, called, chimed in, claimed, clarified, commented, conceded, confided, confirmed, contended, continued, corrected, decided, declared, deflected, demurred, disclosed, disputed, emphasized, explained, expressed, finished, gloated, greeted, hinted, imitated, imparted, implied, informed, interjected, insinuated, insisted, instructed, lectured, maintained, mouthed, mused, noted, observed, offered, put forth, reassured, recited, remarked, repeated, requested, replied, revealed, shared, spoke up, stated, suggested, uttered, voiced, volunteered, vowed, went on
Persuasive: advised, appealed, asserted, assured, begged, cajoled, claimed, convinced, directed, encouraged, implored, insisted, pleaded, pressed, probed, prodded, prompted, stressed, suggested, urged
Continuously: babbled, chattered, jabbered, rambled, rattled on
Quietly: admitted, breathed, confessed, croaked, crooned, grumbled, hissed, mumbled, murmured, muttered, purred, sighed, whispered
Loudly: bellowed, blurted, boomed, cried, hollered, howled, piped, roared, screamed, screeched, shouted, shrieked, squawked, thundered, wailed, yelled, yelped
Happily/Lovingly: admired, beamed, cackled, cheered, chirped, comforted, consoled, cooed, empathized, flirted, gushed, hummed, invited, praised, proclaimed, professed, reassured, soothed, squealed, whooped
Humour: bantered, chuckled, giggled, guffawed, jested, joked, joshed
Sad: bawled, begged, bemoaned, blubbered, grieved, lamented, mewled, mourned, pleaded, sniffled, sniveled, sobbed, wailed, wept, whimpered
Frustrated: argued, bickered, chastised, complained, exasperated, groaned, huffed, protested, whinged
Anger: accused, bristled, criticized, condemned, cursed, demanded, denounced, erupted, fumed, growled, lied, nagged, ordered, provoked, raged, ranted remonstrated, retorted, scoffed, scolded, scowled, seethed, shot, snapped, snarled, sneered, spat, stormed, swore, taunted, threatened, warned
Disgust: cringed, gagged, groused, griped, grunted, mocked, rasped, sniffed, snorted
Fear: cautioned, faltered, fretted, gasped, quaked, quavered, shuddered, stammered, stuttered, trembled, warned, whimpered, whined
Excited: beamed, cheered, cried out, crowed, exclaimed, gushed, rejoiced, sang, trumpeted
Surprised: blurted, exclaimed, gasped, marveled, sputtered, yelped
Provoked: bragged, dared, gibed, goaded, insulted, jeered, lied, mimicked, nagged, pestered, provoked, quipped, ribbed, ridiculed, sassed, teased
Uncertainty/Questionned: asked, challenged, coaxed, concluded, countered, debated, doubted, entreated, guessed, hesitated, hinted, implored, inquired, objected, persuaded, petitioned, pleaded, pondered, pressed, probed, proposed, queried, questioned, quizzed, reasoned, reiterated, reported, requested, speculated, supposed, surmised, testified, theorized, verified, wondered
This is by no means a full list, but should be more than enough to get you started!
Any more words you favor? Add them in the comments!
Happy Writing :)
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lyralit · 1 year
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all the dialogue tags you'll ever need
agreed
allowed
assented
assured
babbled
begged
blurted
boomed
breathed
cajoled
chimed (in)
chortled
clarified
concluded
confirmed
consoled
cried
cursed
declared
demanded
disclaimed
exclaimed
gasped
glowered
groaned
grumbled
grunted
gushed
hissed
insisted
jabbed
lamented
laughed
moaned
mumbled
murmured
mutter
noted
offered
ordered
promised
proposed
protested
queried
questioned
quipped
rambled
rasped
realized
recalled
relented
replied
reprimanded
retorted
said
scolded
screeched
shrieked
sneered
sneered
spat
swore
threatened
wailed
warned
whined
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novlr · 1 year
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Vary your language with synonyms to use instead of "said"
While there is nothing wrong with the word "said" in and of itself, variety is the key to exciting writing that keeps readers engaged.
Combining action beats with varied synonyms as well as "said" yields the most interesting and varied results.
Here are some examples you can use in your next project to keep you writing varied:
Instead of "said quietly"
whispered
murmured
muttered
croaked
purred
hissed
crooned
breathed
buzzed
Instead of "said affectionately"
admired
gushed
praised
flattered
lauded
beamed
complimented
approved
exalted
Instead of "said sadly"
sobbed
cried
lamented
pleaded
wept
grieved
wailed
sniffled
bawled
Instead of "said angrily"
growled
fumed
demanded
hissed
scolded
mocked
yelled
bellowed
berated
Instead of "said fearfully"
stuttered
gasped
stammered
gulped
cautioned
screamed
wavered
croaked
blanched
Instead of "said excitedly"
cheered
sang
beamed
rejoiced
hailed
exclaimed
celebrated
exulted
blurted
Instead of "said uncertainly"
inquired
hesitated
balked
deferred
speculated
floundered
pondered
wavered
vacillated
Neutral synonyms to use instead of "said"
voiced
expressed
insisted
noted
uttered
continued
replied
went on
began
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keyotosprompts · 26 days
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we were somewhere else *ੈ𑁍༘⋆
established relationship dialogue prompts
⇴ "were you thinking about eating that?" "yes... why? wait. you were planning on eating it, weren't you." (and they still end up giving their partner a share of their food)
⇴ "really? we've been together for [x] years and you're still worried about that?"
⇴ "wait–why didn't we hear anything about this?" "you and person b were in your own little happy, coupley, rainbow-sunshine world!"
⇴ "okay, let's put the laptop away. we're going to bed."
⇴ "i feel awful. like literal death." "that's why i told you to always wear a jacket. now you've caught a cold. now let me take care of you, babe."
⇴ "no, i'm not doing that," and they do it anyway.
⇴ "your feet are freezing!" and they jolt when their partner's feet touches them.
⇴ "sometimes i don't know what i would've done if i haven't met you. it's like i need you, because if you're not here, it's like i can't even breathe."
⇴ "honestly, i think if you fell over right now, i'd laugh." "would you help me up?" "i suppose so."
⇴ "you've had me since day one. i know i like to say that you're entranced by me, but i've always been marveled by you."
⇴ "i miss you, will you come back to bed?"
⇴ "why are you trailing your fingers across my face?" "just wanted to admire you. you're really cute, did you know that?"
⇴ "out of everyone in my life, you're my person–the most important one. nothing tops you."
⇴ "did you use the last bit of my shampoo?" "technically, we both used it all–y'know, when we showered together–" (a pillow is thrown)
⇴ "this combined playlist is really mid, and i think i know who ruined it..." "do not slander chopin right now." "it's piano music mixed with rap!"
⇴ "i haven't told you this, but did you know that you inspire me?" "me? are you serious? what have i done to inspire you?" "everything you do for me. all the work you put into your work and your relationships. all those little things: every day, i want to be just like you."
⇴ "you remembered!!" "babe, that's the bare minimum."
⇴ "those could be our kids one day." "what...?" (person b malfunctions bc they've been thinking about kids w/ a for a while)
⇴ "i want a house by the beach. with big windows." "and a good kitchen." "oh of course. way better than ours."
⇴ "so it's going to be like this forever? you and me?" "who else?"
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thefirsthogokage · 11 months
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Really fantastic thread from John Rogers late on May 6th, 2023, about having writers on set for DIALOGUE.
(click to enlarge/have better quality)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
(link to first tweet)
What came after Number 17 was a link to his follow up thread on training which I'm linking here.
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maccreadysbaby · 3 months
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Writing Tips; Dialogue
Does your dialogue fall flat, or feel thin and strange? Does it feel like your characters are talking like robots? Do your conversations sound repetitive and monotone? We’ve all been there. It’s a very common occurrence amongst writers. Here are some of my favorite ways to avoid the monotone robot characters and add life and movement into your dialogue!
In this post, we’re going to have an example sentence that changes as I talk about different additions. Here it is in its naked, base form: “I know it’s real I saw it,” Nico said.
Now, let’s hop into making it lively, shall we?
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1) PUNCTUATION
Commas and punctuation are your best friends! Use them. Use the crap out of them. Many people will say commas can’t go here and they can’t go there, but I say, in dialogue, it doesn’t matter. If you want your character to pause but you don’t want to use an ellipsis because it feels too long, use a comma. Put them wherever you want. Wherever your character pauses. If your character is rambling or talking really fast, take them out. It’s your dialogue. Use any and all punctuation to bedazzle up your lines. There is never too many or too little of anything if you want it that way, folks.
Keep in mind, punctuation can change the whole feeling of your sentence and the way your readers imagine your character talking. For example, your punctuation should differ between an excited and a sad line.
Here is the example sentence, punctuated in two different ways. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.
Can you see how just the change in punctuation changes the way you imagine him saying it? Really hone in on how your character is speaking and punctuate it to show that. (Keep in mind that this is your story and your character. You don’t have to obey punctuation rules and writing stereotypes, your story obeys you.) Put whatever punctuation you want there. Use thirty commas in your sentence. Use an ellipsis after every word. If it makes your character sound how you want them to sound, go for it, friends!
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2) ITALICS
Some people hate reading over-italicized works, but that’s their own preference. Italics is a great way to add interest, movement, and a characters natural inflection into your dialogue. (I freaking love italics.) Italics helps readers understand what the character is focused on, and how they’re speaking. Again, people will say not to use it too much or only to use it so many times in a paragraph… but the key here is still to write it how you like it. Italics can make your sentences sound more human and more authentic.
Here is our pair of examples, now with punctuation and italics. “I know it’s real, I saw it!” Nico said. “I know it’s real… I saw it,” Nico said.
Take a minute and read through the example dialogue, imagining each word italicized one by one. Pay attention to the meaning and context it gives it. (For example, if the ‘I’ at the beginning is in italics — I know it’s real — that could imply that he’s talking to someone who doesn’t know or believe whatever he’s talking about is real.)
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3) DIALOGUE TAGS
Tags. Tags, tags, tags! Tags are so important! Tags are brilliant for clarifying and identifying exactly how your character is speaking and how they intend for the statement to come across. If you ignore every other tip in this post, don’t ignore the tag! There are so many different words you could use instead of said that give life and context to your lines. Muttered, mumbled, yelled, shouted, exclaimed, whined, groaned, whispered, and a ton ton ton more. Use these to your advantage, like an outline for your dialogue. The tag is undoubtedly the easiest way to make your lines come across the way you want them to.
Here’s the examples with different tags! “I know it’s real, I saw it!” Nico defended. “I know it’s real… I saw it,” Nico mumbled.
Don’t be afraid to move your tag around, either! Sometimes, in order to make your conversations less repetitive, moving your tags are nice. You can put them at the beginning, middle, or end! (Middle tags are my favorite, I use them a whole, whole lot…)
Here’s the example sentence with a tag at the beginning and middle. Nico growled: “I know it’s real, I saw it!” “I know it’s real…” Nico muttered. “I saw it.”
Don’t forget, tags don’t always have to be how they’re speaking. It can also be what they’re doing or how they’re acting, which can be just as telling as other tags. (I use action tags sooooooo much. Action tags in the middle of dialogue is my jam.)
The example sentences with action tags: Nico crossed his arms, huffing deeply. “I know it’s real, I saw it!” “I know it’s real…” Nico averted his gaze, staring down at his shoes instead. “I saw it.”
Or, you can mix them both! An action tag plus how they’re speaking for maximum impact and description.
Here’s the example sentence with both! Nico rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. “I saw it.”
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4) DESCRIPTION
Describing the way your character looks, moves, speaks, etc etc before and after the line can further help your readers know how they feel about what they’re saying. This is especially important if the character is not the main character and doesn’t have internal dialogue. Body language can explain things voices can’t or won’t. You can explore putting these descriptions before the line, after the line, in the tag, or after the tag. Whatever you prefer!
Here’s the sentence with descriptive sentences with it. I did one before the line & tag and one in the middle! He was practically fuming, his eyebrows knitted so closely together they looked like a single strip of hair. His eyes were flicking between his friends like he was trying to determine if they were joking, blue irises blurred with a rage-fueled haze. Nico finally rolled his eyes, hissing: “I know it’s real, I saw it!” “I know it’s real…” Nico uttered, poorly stifling a shudder. His eyes never left the floor, and he looked smaller, younger as he spoke. His breaths weren’t exactly even, but they weren’t too quick, either. “I saw it.”
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Look at those two very different scenarios we got out of the same base line! This is the power you hold, folks, the power to un-bland your dialogue and make it into something intense and memorable for your readers! The power to make it portray exactly what you want it to portray! No more worrying how your readers took that line, because you set in stone how it was presented.
Remember, making a paragraph like that for every line might get tiring or repetitive to read. Sometimes tags alone are good enough in fast-paced or long conversations, and sometimes, if the dialogue makes it clear who is speaking, the line can suffice by itself!
If you have any writing tip requests, drop them in my inbox!
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father figure prompts pt. 1 (cw: daddy issues)
"why did you think i'd be mad at you? of course i'm not mad at you. it's just one broken cup. there are seven hundred other cups."
"you're okay. i promise you're okay."
"it's not your fault. it's not your fault."
(of MC's birth father) "did he hurt you again? going to beat him up one of these days i swear to god. come, let's get ice cream."
"you seem in dire need of cookies."
"oh, honey, come here." (hugging) "it's okay to be vulnerable, okay?"
"are you doing okay?"
"don't say you're sorry, please, you didn't even do anything."
"can't sleep?"
"are you sick? no, no, you're staying home. i'll make you soup and put on a disney movie you're not going anywhere like that."
"have you eaten?"
"i love you as much as my children, and no one hurts my children."
"nightmares?"
"you don't have to do anything, just rest. please."
"you're going to hurt yourself. take a break."
part. 2
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saraswritingtipps · 8 months
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20 Angry Dialogues
1. "I trusted you with my life, and you threw it away like it meant nothing!"
2. "Don't you dare patronize me with your pathetic excuses!"
3. "You think you can just walk back into my life after all the pain you caused? Think again!"
4. "I hope you burn in hell for what you've done to me!"
5. "You're a spineless coward who can't even face the consequences of your own actions!"
6. "I've had enough of your lies and manipulation. Get out of my sight!"
7. "You're dead to me. I never want to see your face again!"
8. "I'll make sure you regret the day you crossed me!"
9. "You think you're so superior, but you're nothing more than a pathetic excuse for a human being!"
10. "You've destroyed everything I believed in. I'll never forgive you!"
11. "You're not worth the air I breathe. I'm done wasting my energy on you."
12. "You've torn my world apart, and I won't rest until I've shattered yours."
13. "I'll make sure everyone knows the monster you truly are."
14. "You thought you could break me, but I'll rise stronger than ever before."
15. "Your betrayal cuts deeper than any knife. I'll never forget, and I'll never forgive."
16. "You're a venomous snake, and I won't allow you to poison my life any longer."
17. "I'll show you the meaning of vengeance, and it will be your downfall."
18. "You've awakened a fury within me that you can't possibly comprehend."
19. "You underestimated my strength, but now you'll witness the wrath you've unleashed."
20. "You've lost my respect, my trust, and any chance of redemption. You're nothing to me now."
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the-cypress-grove · 3 months
Text
Prompt: 208
"Rules are made to be broken!"
"Which is why you're wanted in thirteen countries."
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