#writing dialogue

[physalian]

“Oh,” They giggled, cheeks pink.

“Oh!” They gasped, hands to their mouth in horror.

“Oh,” they whined, gripping their hair in frustration.

“Oh,” they breathed, head back and lashes fluttering.

“Oh,” they mumbled, shifting awkwardly.

“Oh,” they deadpanned, arms crossed.

“Oh?” they asked, brow arched and smile bitter.

“Oh,” they chided with a smirk.

“Oh?” they asked, head tilted curiously.

“Oh!” they hissed, scrambling away.

“Oh,” they mumbled, rubbing their neck.

“Oh,” they uttered, eyes wide in awe.

“Oh,” they muttered with an ill-impressed frown.

“Oh!” They cried, throwing their arms around them.

“Oh,” they goaded, smiling mischievously.

“Oh,” they taunted, skipping backwards.

“Oh,” they snarked, hands on their hips.

“Oh,” they breathed, putting it all together.

“Oh,” they said softly, hugging themselves.

“Oh,” they whispered, holding back tears.

“Oh!” they gasped, ducking out of the way.

“Oh,” they uttered, and smacked their forehead.

“Oh,” they laughed, brows wiggling.

“Oh,” they tittered, batting their lashes.

“Oh,” they hissed, gritting their teeth.

"Oh."

Tag your dialogue.

[celestialwrites]

flirty or threatening? dialogue prompts

@celestialwrites for more!!

“good god, you are a pain.” “then why are you even here?” “maybe i’m a masochist.”

“say that again i dare you.” “what are you going to do about it if i do?”

“your existence unnerves me.” “aw, i’m flattered.”

“hi honey.” “don’t honey me, you just threw a book at me!”

“huh, you know when you’re not scowling at me your eyes look a little more blue than green.”

“what if one day you wandered off a cliff?” “would you join me?”

“sometimes i feel like you want to get hit.” “by you? most certainly.”

“miss me?” “i had wondered where my headache went.”

“you are certainly interesting.” “is that a compliment or are you making fun of me?” “yes.”

“i’m not docile by any means.” “i’ve noticed, i notice everything about you.”

“i need help to bury a body.” “and you thought of me? aw.” “actually, i’m the only one that would miss you if you went to prison.” “you’d miss me?”

“i hate you!” “as long as you feel something towards me.”

“watch it!” “it’s cute how easy i can rile you up.”

“do you truly hate me?” “i wish that was possible.”

REBLOG TO SUPPORT YOUR LOCAL WRITERS!!<3

[luna-azzurra]

Romance Dialogue Starters

Tender / Confessional Moments

"Come here. Just for a minute."

"You don’t have to be strong all the time."

"Stay. Please, just stay."

"You make me feel safe. That’s terrifying."

"I missed you so much it hurt."

"When I’m with you, I forget to be afraid."

"Is it okay if I hold your hand?"

"You’re not a burden. You never were."

"I wish I’d met you sooner."

"You’re my favorite ‘what if.’"

Protective/Overprotective Behavior

"Where were you? I’ve been calling for hours."

"You could’ve died, you idiot."

"Don’t ever scare me like that again."

"Next time, I’m going with you. No arguments."

"You’re hurt. Let me see."

"I’m not letting you do this alone."

"Overreacting? You bled through your shirt!"

"You think I care what they say? I care about you."

"If anything happens to you, I’ll burn the whole damn world down."

Conflicted Longing

"If I kiss you now, I won’t be able to stop."

"We can’t do this." – "Then don’t look at me like that."

"You’re the last person I should want."

"Tell me to go, and I will."

"I want to hate you. But I don’t."

"This changes everything."

"Just tonight. Just this once."

"You’re always in my head. I hate it."

"You deserve better. But I’m selfish."

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[runawaydr3amerao3]

NB: Some of these rules vary depending on location and style manual, but according to OP, this post was made based on common rules in the US and specifically The Chicago Manual of Style.

But if you're going to start anywhere, or if you struggle with these rules, this is a great guide to keep handy. Plus, the best thing you can do is pick a style and be consistent.

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”

[novelbear]

introvert x extrovert things for your otp 🧸

a prompt list by @novelbear ᵔᴥᵔ

extrovert knowing all the cool places to eat/have fun in town and loves showing introvert everything on dates

^ in turn, introvert loves to show extrovert all the best movies, books, or other cute little hobbies (like bracelet making, baking)

introvert listening to extrovert ramble about literally anything with the biggest smile on their face

"why don't we go out for lunch?" "we went out this morning.." "to check the mail??"

extrovert coming home to find introvert all bundled up in blankets on the couch and can't help but attack them with kisses

introvert introducing extrovert into the world of journaling

"how could you keep up with so many groupchats?" "i'm only in three." "only?"

extrovert watching introvert get closer with their friend circle and feeling so proud/happy

extrovert buying the introvert a set of headphones so they can zone out when needed

^ "oh my god no, why are you crying? i thought this would help, i'm sorry." "i love you. so much."

introvert going to an event with extrovert and ending up having more fun than they do

^ "i told you that you'd have a great time." [playfully] "shut up."

extrovert taking on certain responsibilities that introvert might dread more often (like the grocery shopping for example)

"didn't you order fries with that?" "yeah, but it's fine." "i can say something-" "don't you dare."

extrovert secretly reading a book/watching a movie that they know introvert has been obsessed with so that they can engage in a meaningful conversation about it later

[angelilacs]

love? love. ˎˊ˗

⭑ waking them up with breakfast.

⭑ cooking and the other person hugging them from behind randomly.

⭑ ironing their laundry;

⭑ “what are you doing?” “ironing?” “since when do you do that?” “since you told me you don’t enjoy it.”

⭑ reading a book with one of them in the other’s lap, a few minutes into it they start kissing down their neck.

⭑ they come back from work and find their partner crying so they both sit on the floor until they stop— they end up sleeping on the bean bags.

⭑ waiting for them to come home in lingerie that you just recently bought in their favourite color.

⭑ they find a photo album of their best moments in their partner’s underwear drawer.

⭑ coming home from a long day at work to a homemade dinner (salmon and lemon garlic orzo).

⭑ showering alone before their partner knocks on the door to join them with a speaker.

⭑ one of them breaking an expensive wine glass and panicking before their partner reassures their worries away.

⭑ “baby, what’s wrong? it’s just glass.” “i’m so so sorry.” “stop, the important thing is that you’re okay.”

⭑ “can’t believe i get to wake up next to you.”

⭑ “i want to have a family with you—” “what?” “i want to see a mini us running around, wanna see you handle them and then when you get tired i get to watch you sleep with them in my arms.” “it’s not that easy—” “but i get to do it with you.”

based on this ask !

[happyinternetcollector]

Lol, I love this

Hero, with amnesia: I don't remember you but I know I can trust you

The villain: .....?!?!?!

[imbecominggayer]

Giving Your Characters A Unique, Distinct Voice (With Examples)

What does "unique voice" mean? Basically, every single person has their own manner of speaking. This difference can be from politeness, the volume or "loudness", confidence, emotional quality, maturity, accents, cultural slang, and other variables that can be shown in a character's voice.

This can also be shown through "prioritization". Prioritization is what a character or narrator decides is worth focusing on for any given scene.

For example, Tree of Heaven is a cynical cinematographer whose inner life is primarily eclipsed by beautiful landscapes and settings. However, Jukka is a highly dedicated actor who neglects the trees for the people, whether they be strangers or loved ones. While Jukka and Tree of Heaven could be walking through the same park, they would be focused on entirely different things. Heaven would be focused on the way the sunlight scatters through the autumn-coated, gold-platted leaves while Jukka is people-watching!

Sometimes, I use other stories and their tones as inspiration for my characters!

For Haun, their inspiration for tone came from "I Have No Mouth and I Must Scream". Specfically, AM's monologues like the "and I began to hate" or the bee monologue describing AM's thoughts on bees radio play! The reasoning behind this was the fact that Haun Anatemori, my character, is someone with deep-seated resentment. Rage and hatred born out of a feeling of injustice, self-loathing, and a feeling of deep-seated betrayal. However, Haun confines their emotions to logical actions and long-term planning meaning there is no outward way to express these emotions. Leading to his entire inner voice being coated in hatred.

Education and social standing often has the most outward influence on a character's external voice. That's the unique thing about protagonists and narrators. Because narrators don't have to worry about social standing and protagonists can have visible inner life, protagonists often have "two" voices. Their "outside" voice, aka the voice they use to speak to others, and their inner voices they use for their own feelings.

Haun's inner voice is resentful with metaphors and analogies of disgusting things such as bodily fluid used to provide an artful crassness to his voice that shows Haun's education and anger but his outer voice is far more innocent and self-contained with less verbosity as Haun is attempting to portray an innocent, less literate farmer type in order to trick others as he rises the social ladder.

Another highly influencial factor is maturity! If a character is emotionally mature, then they often have a more composed tone of voice with simple, yet profound metaphors that often express clear motivation and clear emotion. They often have accurate ideas about others and themselves. This is different from how emotional a character is! A mature character can be emotional but they have a clearer understanding of their emotions. Not the mood swing type!

Nonkosi Tyali is the most compassionate yet mature character I have with their inner voice and outward voice both having a sense of "refinement". Nonkosi understands what they want, why they want it, and how to get it. Despite their cheerful tone, it's obvious they aren't naive or out of control. Nonkosi also has remarkable observational skills as they are deeply intune to the thoughts and emotions of others which allows them to have accurate and insightful observations about other characters.

Verne Lawless, in contrast, is highly immature with a tendency for rapid mood swings, ranting, and catastrophizing. They rarely compose their emotions with them having to spend far more time detailing and failing to "accurate" translate their emotions for the audience. They rarely focus on the emotional lives of others. While Verne can use flowering, verbose words and nostalgia, this fails to counteract the obvious desperation and run-around Verne has in their thoughts.

Finally, just think about what their emotions are. This doesn't have to be something as simple as "happy" or "sad".

Verne is a nostalgic person who constantly references old classics like Jules Verne with long, verbose poetry. This is influenced by Verne's obvious intellect and his emotional center of love. However, whenever they are emotionally in a tailspin, they often resort to manic, modern slang with firey self-hatred and self-deprecation. This is due to the fact that Verne adores love but he believes that he will never find love. This desperation often leads him to be more psychologically "fragile" with his ability to contain his emotions constantly threatened.

Emotions: Mania, nostalgia, desperation, and love

Nonkosi is an optimistic person which can sometimes veer into surpressing negative emotions and experiences. They maintain the belief that they can be eternally strong and compassionate as they act more like a force of nature then the human they actually are.

Emotions: Awkward optimism, gentle melancholic, and confidence

Jukka is mostly possessed with a quiet melancholy for most of life with pretentious verbosity surrounding the nature of society in a similar vein of "No Longer Human" by Osamu Dazai. However, whenever Jukka is bound up in the passion of acting, Jukka can often dance with mania, emotional highs, and life coated in fandom and acting. Jukka's language is primarily references to media such as Main Character Syndrome, tropes, rivalry, found family, and some not really 4th Wall Breaks because Jukka believes he lives in a series but he doesn't know he is actually a written character.

Emotions: melancholy, sentimentality, and minor resentment.

[slayingfiction]

Mastering the Art of Dialogue

Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:

1. Listen to Real Conversations

The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.

2. Each Character Should Have a Unique Voice

Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.

3. Use Dialogue to Show, Not Tell

Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.

4. Keep It Concise

In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.

5. Read Your Dialogue Aloud

One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.

6. Use Subtext to Your Advantage

Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.

7. Balance Dialogue with Action and Description

While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.

Conclusion

Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.

Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.

[celestialwrites]

nightmares prompts + dialogue

@celestialwrites for more!!

♡ their s/o having to shake them repeatedly for them to even notice it was a nightmare.

♡ “you’re here, you’re with me, it’s safe. i promise.”

♡ character thinking about their s/o and them being the only person who can pull them from the nightmare.

♡ “is this the price for my freedom?”

♡ “i live in that nightmare every time i close my eyes! i can’t escape, maybe i was never meant to.”

♡ character spending countless nights not sleeping so they don’t have nightmares but other characters start to notice.

♡ “you got out, listen! you got out.”

♡ character A cradling character B’s head while whispering sweet nothings into their ear in an attempt to calm character B.

♡ “i never wanted you to see this.”

♡ “do you mind staying? just for the night.”

♡ characters who hate each other sleeping in the same room so they can wake each other up if one has a nightmare.

♡ character slipping out of bed in the middle of the night so their love interest doesn’t notice the nightmares.

♡ character sleeping on the floor/couch because they can’t stand the bed.

♡ “how often does this happen?” “the real question is when doesn’t it happen.”

♡ their enemy heard them screaming from down the hall and runs to help just to find the character panting and covered in sweat in bed.

♡ “no one is going to hurt you again. no one.”

♡ character A making excuses to be in character B’s room to comfort them. “oh you know, the air conditioning in my room isn’t as good as yours.”

REBLOG TO SUPPORT YOUR LOCAL WRITERS!!<3

[leanmachine5]

Final Girl Dialogue Prompts

Facing the villain head-on:

"You’ve taken everything from me. Now it’s my turn."

"You think I’m afraid of you? I survived worse than your nightmares."

"I’m not running anymore. This ends here."

Resolving to fight back:

"If I’m going down, I’m taking you with me."

"You can’t break someone who’s already broken."

"I’ve played your game long enough. Now we play mine."

After a close escape:

"I’m still breathing. You’re going to wish I wasn’t."

"It’s not over until I say it’s over."

"You think I got this far by accident?"

Discovering inner strength:

"All this time, you thought I was the weak one. But I’m still here."

"I’ve been underestimated my whole life. That’s your first mistake."

"Fear used to control me. Now, it fuels me."

Climactic moments:

"One of us isn’t walking away from this… and it won’t be me."

"You want me? Come and get me."

"I’ve been running from this my whole life. Time to stop."

Quiet resilience after the fight:

"I didn’t survive just to die here."

"It’s over. I won."

"Tomorrow’s going to be a better day… if I live to see it."

Psychological resistance:

"You might control my nightmares, but you’ll never control me."

"I know what you are. But you don’t know who I’ve become."

"Every scar is a reminder that I’m stronger than you."

Confrontation with the villain:

"You’ve terrorized me long enough. Tonight, it ends—one way or another."

"I’m not running anymore. If you want me, come and get me."

"You thought I was scared? I’m just getting started."

"It’s funny, I was always afraid of the dark… but now, I see through it."

Moments of fear but gathering courage:

"I can feel you watching… but that means I can see you coming."

"I'm shaking, I won’t lie… but you should be scared too."

"I’m alone, sure. But that makes me dangerous."

"You think fear makes me weak? It’s the only thing keeping me alive."

After surviving a horrific event:

"You’re not the first monster I’ve survived, and you won’t be the last."

"I didn’t survive all this to die here, now."

"I might walk out of here covered in blood, but at least I’ll walk out."

"I’ve faced every nightmare you threw at me. What else do you got?"

In a desperate fight for survival:

"I'm done playing your game! Now it's my turn!"

"I’m not locked in here with you… you’re locked in here with me."

"You may be stronger, but I’m faster, and a hell of a lot smarter."

"You want a final girl? I’ll give you one you’ll never forget."

Mocking or taunting the villain:

"All that stalking, for what? Just to lose to a girl?"

"I guess you didn’t plan on me fighting back, huh?"

"You had me running scared, but look who’s cornered now."

"Oh, did you think it was going to be easy? That’s cute."

Facing near-certain death but refusing to give up:

"Maybe I’ll die here tonight, but not without taking you with me."

"You might kill me, but I swear you’ll regret it."

"I’m not dying without a fight, not tonight."

"Every scar you gave me just made me harder to kill."

After defeating the villain:

"I told you. This ends with me."

"You should’ve killed me when you had the chance."

"Looks like the monster finally met its match."

"Who’s the hunter now?"

[the-cypress-grove]

Prompt: 220

"You've been stabbed, you're going to medical!"

"It's fine. I've been stabbed loads of times. I know what a serious stab wound feels like, this is more of a scratch."

"..."

"Ah."

"You've been stabbed 'loads of times.' "

"That sounded more reassuring in my head."

"You're going to medical."

[ramen-writes]

"I pledge to you my life-"

"wh-what?"

"As your protector and knight"

"wait stop. No-"

"to serve you-"

"please stop. Not like this"

"and stand behind you"

"No- stand besides me n-not-"

"I pledge to you my loyalty and from this moment on. I shall honor and protect, put your liege before my own-"

"stop. I bid you to take it back!"

"From now my life is yours and I shall serve you with honor"

"This is no oath I ever desire from you!"

"I shall become the sword that will protect you"

"There must be another way-"

"I will aid you to the top"

"There's no height I will reside upon without you by my side!"

"I am your loyal servant"

"No- you're the only one who isn't. You're my companion, my love, the only one by my side. Don't do this, please"

"who will reside behind you until my bones turn to dust and my heart sets to a stop"

"N-no.....please"

[luna-azzurra]

Spicy Dialogue Starters Pack

Slow Burn That’s About to Explode

"If you keep looking at me like that, I’m going to do something we’ll both regret."

"Say that again. Slower."

"You really like testing my patience, don’t you?"

"Back up. Closer. I want to see if you’ll actually do it."

"Do you realize how loud you were moaning my name last night?"

"You should probably stop touching me like that... unless you plan on finishing what you started."

"We’re not doing this here." – "Why not? Scared you’ll like it?"

"I dare you. No, seriously—I dare you."

"One bed. One night. You sure you can behave?"

"You think I won’t?" – "I know you will. That’s the problem."

Enemies to Lovers, but We’re Both Hot and Unhinged

"If I kiss you, it’s not because I like you. It’s because you won’t shut up."

"Do it. Touch me like you hate me."

"You’re infuriating." – "And you’re turned on."

"Careful. You’re starting to sound jealous."

"Admit it. You like it when we fight."

"You want me. You just don’t want to want me."

"If you’re going to stare, you might as well do something about it."

"Say it. Say you want me." – "Why? You’ll just use it against me."

"Keep talking like that and I’ll kiss you right here."

"Don’t tempt me." – "What if I want to?"

Post-Tension Intimacy (A.K.A. We Finally Snapped)

"You're shaking." – "So are you."

"This doesn’t mean anything." – "Then why are you holding me like that?"

"I’ve wanted this since the moment I met you."

"You're not getting any sleep tonight, just so you know."

"You're mine now. Say it."

"God, you feel so good." – "Yeah? Then shut up and keep going."

"You can hate me in the morning. Just… let me have this tonight."

"Is this what you wanted?" – "No. I wanted more."

"Don’t stop. Don’t you dare stop."

"I’m going to ruin you. And you’re going to thank me for it."

Teasing Touch, Dangerous Proximity

"You’re blushing." – "Shut up."

"That shirt’s doing you no favors. Take it off."

"If you wanted me to kiss you, you could’ve just said so."

"I like the way you say my name. Say it again."

"You’re standing really close." – "Yeah? You gonna move?"

"I can feel your heartbeat. Is that for me?"

"Your hands are shaking... here, let me help you."

"Careful. Someone might think you actually want me."

"You know exactly what you’re doing to me, don’t you?"

"We’re not supposed to do this." – "Since when has that ever stopped us?"

Voice Low, Words Barely Whispers

"Keep your voice down. Or don’t. Let them hear."

"Every time you talk, all I can think about is your mouth on mine."

"Say the word, and I’ll have you against that wall in five seconds."

"What do you think happens if I kiss you right now?"

"You smell like trouble." – "You taste like it."

"Look me in the eyes when you lie like that."

"One more step and I won’t be able to hold back."

"If you keep teasing me like that, I’m going to ruin you."

"Tell me to stop." – silence – "Didn’t think so."

"We’re alone now. You still pretending this is just tension?"

Hot-Headed, Argument-Laced, About to Snap

"Why do you always have to push my buttons?" – "Because I love watching you lose control."

"You think you’re in control here? That’s cute."

"You're not walking away from me. Not this time."

"God, you're impossible." – "You didn’t seem to mind last night."

"Say it louder. Maybe if you scream my name again, I’ll believe you."

"Keep pretending you don’t want me. I’ll keep proving you wrong."

"You're dangerous." – "Only if you ask nicely."

"Is this still an argument or are we just flirting with knives now?"

"Admit it. You love it when I get like this."

"Don’t act like you don’t want this too."