#finn...himself?
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finn-m-corvex · 9 months ago
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I'm starting a petition to bring back locking people in stocks and throwing vegetables at them because why the FUCK can you people not tag your spoilers?
Use #ninjago spoilers or #dragons rising spoilers. Use the common folk language. You look like a fucking fool and you deserve to be treated like one.
I've known too many people that have gotten spoiled by inconsiderate people posting art and other things that aren't tagged properly. Why? What's so important to you? Your special little spoiler tag that no one in their right mind is going to know to block?
Sick and tired of this. Will start publicly shaming people on the spot if I keep seeing stuff posted without the spoiler tags or a read more. Just be a decent human being, it is not that hard.
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finn-m-corvex · 1 year ago
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Woohoo!
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Slowburn let's do this (I am very much a slowburn gal)
@rainofthetwilight @inspectorghoul @lightning-chicken @taddymason tossing it to you!
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kiras-law · 3 months ago
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light "if someone tries to read my diary i will set my drawer on fire" yagami
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finn-m-corvex · 9 months ago
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They are not painting cole as someone who "wants" to keep his families separate wtf? Just because you guys are biased against the finders does not mean the writers are biased towards them.
DRS2 PT1 POTENTIAL SPOILERS
I'm not sure who "you guys" is meant to be referring to considering I am the only one who has expressed dissent against the Finders of this variety, but here we go.
Whether you like it or not, there is evidence in the show of Cole considering the Finders and the Ninja to be two separate families. There are more than one examples of this:
-Cole saying IN DRAGONS RISING SEASON 2
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This single line, whether you like it or not, implies that Cole's line of thinking has shifted to considering the Finders as his primary family and not the Ninja, and this is a fucked up line of thinking for me personally. And I am allowed to have this opinion.
-Cole not telling the Ninja about his father. This is a small thing, but he does have a history of not telling people about his previous families. It is a pattern, albeit a small one.
-Cole NOT telling the Ninja about his mom??? Hello??? He loved his mom???
Look, I will be the first person to say that I can be pretty obstinate and set in my ways, but this isn't right. None of this situation when put in this context is right. Because treating either one of your families like that is fucked up. I am someone who has grown up and is in one of those families, and it hurts, and it is not a good way to treat people.
Whether Cole is aware of it or not, he does think about the Ninja and the Finders as two separate families, who cannot coexist. The writers are not biased against the Finders, but they have made Cole look like he is biased against blending the Finders and the Ninja together, and that is not a good look for him or for them.
Geo should've had an inkling of who Nya was. Bonzle should've recognized Jay to some extent. The Ninja should not be strangers to the Finders, but they are, and that has implications whether you would like to admit it or not. Cole has not told them about the Ninja, just like he didn't tell the ninja about his mom and dad until he absolutely had to, and that isn't right. That is what I don't like about this situation, not the Finders' existence.
I apologize that my opinion has made you feel like you need to send in an ask, but unfortunately I am entitled to my opinions regarding this situation and you cannot change how I feel about it that easily. Thanks though.
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shimera · 1 month ago
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"this was all my fault"
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finn-m-corvex · 7 months ago
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Say it with me everyone:
There is nothing wrong with doing something that has been done before.
WRITE LITERALLY WHATEVER YOU WANT! BECAUSE THERE WILL ALWAYS, ALWAYS BE AN AUDIENCE FOR IT!
Don't let anyone tell you that you're uncreative just because the premise has been done before. There is never too much of something in the world, and the world can always use a bit more of you in it <3
any other artist out there feeling like they're fundamentally uncreative. not in a sense of being unable to make art, but in the sense that the results of your artistic labour are predictable, stagnant, a dime a dozen. like the creativity flowing through the artists you admire is a bone in their body that you were born without.
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wasyago · 2 years ago
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old men
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romike · 5 months ago
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"It's like a leech that you have to fucking peel off!"
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stardust-moth · 7 months ago
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In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.
Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.
1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.
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Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.
He has to watch helplessly as she disappears.
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He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.
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2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.
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In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.
Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.
He has to watch helplessly as she drives away.
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3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.
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For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.
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He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?
He has to watch helplessly as she drives away.
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It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.
3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.
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The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.
Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.
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She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.
He has to watch helplessly as she drives away.
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4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.
Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.
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4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.
On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.
He's helpless to save her, again.
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4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...
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El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.
Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...
Once again, he has to watch helplessly as she drives away.
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4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...
There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.
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Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.
She's losing. She's choking. She's dying. He's helpless.
He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.
She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.
Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.
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The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.
He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.
And it works. It's music to her ears.
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finn-m-corvex · 10 months ago
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WATCHING THE NEW NINJAGO SEASON ON PEACOCK
I KNEW I GOT THIS SUBSCRIPTION FOR SOMETHING OTHER THAN B99 AND NOW I CAN USE IT TO SEE JAY’S HOT ASS
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casualavocados · 2 years ago
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#5-min diy crafts to avoid touching an evil possessive dagger by mat cauthon
THE WHEEL OF TIME 2.08 | What Was Meant To Be
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God damnit, now you can't have a peaceful lunch without having to see your friend making out with another version of you.
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blenselche · 4 months ago
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doodle for the boys anon
almost forgot
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grabby-smitten · 6 months ago
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I just found out that they have been hanging out together and exchanged fashion tips. I can’t believe Zayne is a bad influence on Sylus…
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ki1ldeer · 2 months ago
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I forget a lot that Emmeline can shape shift and they’re a menace about it and that’s like so fun I love shape shifters
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finn-m-corvex · 4 months ago
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Hi guys guess who turned 19 today :3
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