#flamming cliffs

[frogsndogs]

I feel like if they were to make another Scooby Doo series, they should reboot the 13 Ghosts (properly this time). Lemme tell you why:

(Also Note: I have not seen the 13 Ghost movie in it's entirety so pls just keep that in mind)

okay so first we could have that found family dynamic that everyone loves and that the 13 Ghosts had amazing set up and some execution but i don't think reached it's full potential.

Dad!Vincent parenting a bunch of wack kids who insist on helping put the demons back and they keep showing up at his house how did they even find this address I live at the top of a cliff in the middle of nowhere what do you mean you brought my Chinese food - that delivery person gave you my adress didn't he I always knew he was a bad egg

Next I think that we should get a proper Flim Flam and Vincent backstory - how did they meet? where? Why is Flim Flam staying with Vincent? and we could have some added depth there

And an cool aspect of Flim Flam and Vincent's relationship is that Vincent is a real-deal wizard where Flim Flam is (like his name suggests) a con artist. I think this could bring an interesting facet to their relationship and maybe even drive the inner conflict of at least one episode

Then I think that we should have more lore abt the Chest of Demons, like where it came from, how they were trapped originally, etc, etc,

Explore the magical community and Vincent's place in it

along these lines ppl in the magic community must have at least heard of the Scooby Gang and their exploits - watch Scooby become a celebrity in the Magic world and have one of those cliche "fame is dangerous episodes" while building lore

Daphne leadership role!!!

I always kinda went with the idea that Daph, Shag and Scooby didn't tell Fred and Velma abt the chest bc they wanted to protect them from the demons

Like when they were originally going after the demons they weren't just tracking them - they demons were tracking them back and it often got dangerous, so we could have some tension with Fred and Velma thinking that the trio is lying to them and a heartfelt episode with that

Then I think that Weerd and Bogel deserve a redemption arc

They were always treated badly by the demons and i think that the one episode where they pretend to team up with the gang could be a turning point where they realize how teams are supposed to work and how the gang shows them (their enemies) genuine compassion

They're funny and they also have a complex dynamic that I would have liked to explore

I think that Daphne's sister (either an older one from SDMI (prob Delilah) or a younger one, like the one that was pitched with Scrappy to be his owner(kinda leaning towards this)) would be a good edition

Depending on if she was older or younger she could be a mentor or a good friend for Flim Flam and Scrappy

I see this Daphne as being more of a leader than her goofy BC self(who I love don't get me wrong) but I think that Daphne's sister could bring a goofier element with Flim Flam and Scrappy

AND

BRING BACK SCRAPPY

He was such a good boy in this series - such a good friend to Flim Flam and so supportive of his uncle

There is so much wasted potential with his character, in my opinion but that's for a whole other post probably - this has already gotten longer than i expected

anyway that's most of my ideas - i probably have more somewhere in my head

[number1villainstan]

October 2023 Monthly Short Piece!

Summary: In which a teenage Schnitzel Von Leben and his best friend Shvein Hax, while on a trip to Gasco, stumble across a huge machine hidden away beneath a cliff and meet a girl who promises to be just as much of a handful as Shvein himself.

Characters: Shvein Hax, Schnitzel Von Leben (OC), Flam Kish

Relationships: All platonic between the three listed characters, aside from some ship teases between Schnitzel and Hax.

Setting/AU: In which several adult characters from the canon find the Taranis as teenagers, the Berman Empire has been around for much longer, and there is currently no war between Gasco and Berman. I call this the Taranis Teens AU.

Fun fact: this is the 21rst work in the Fuga: Melodies of Steel fandom tag, and the first one that uses the Shvein Hax and Flam Kish character tags. (Although the 20th one isn't really a fanwork and I'm probably going to report it.)

[severo7]

AUDREY NUNA - LOCKET from valentin petit on Vimeo.

LOCKET, a music video for AUDREY NUNA Directed by VALENTIN PETIT & produced by OCURENS

Production Company: Ocurens Managing Director: Germain Robin Executive Producer: Elisa Johanna Känd Line Producer: Robin Lavaud Production Coordinator: Andrea Thirion Production Assistant: Vini Kundlani

Artist Management: Anwar Sawyer, Noah Kim Arista Records: Cliff Joseph, Veronica Sanjines

ASSISTANT DIRECTOR 1st AD: Mathieu Perez 2nd AD: Lea Cerqueira 3rd AD: Julia Aner

LOCATION & FACILITIES Location Manager: Benoit Becquereau Assistant Location Manager: Antoine Groun Runner: Augustin Royer Runner: Ludo Mendez Traffic And Parking Control: Djamel, Boualem

CAMERA Director Of Photography: Jeff Bierman Agent: Vinh Nguyen 1st AC: Tom Haudry 2nd AC: Vassili Devintcha Video Operator: Louis Chenieux Steadicam: Teva Vasseur

LIGHT Gaffer: Maxime Chastres Spark: Adrien Demarest Spark: Camille Benariac Spark: Matéo Poulin Spark: Kallamon Bouvier

GRIP Key Grip: Vathana Kang Grip: Camille Romanyszyn Grip: Bertrand Motte

CINEMOTION Motion Control Operator: Yann Besset Motion Control Assistant: Manu De Bernardi Motion Control Assistant: Adrien Payet

STUNTS Stuntman Coordinator: Kevin Cauderlier Stuntman Assistant Coordinator: Remi Canaple

ART DEPARTMENT Production Designer: Till Duca Production Designer Assistant: Guillaume Ypreeuw Production Designer Assistant: Thomas Lelong Production Designer Assistant: Antoine Robin Production Designer Assistant: Natasha Le Sourd

SFX FLAM & CO SFX Supervisor: Armel Cessa SFX: Hicham Bouzékraoui SFX: Barthélémi Robinho

WARDROBE Stylist: Florie Vitse Assistant Stylist: Iris Laricheva

GLAM TEAM ARTIST Hair Stylist: Jacob Kajrup Make-Up Artist: Zahra Benghida

GLAM TEAM TALENTS Key Makeup Artist: Orystella Vitti Make-Up Artist: Oldie Mbani Make-Up Artist: Lucie Marty MUA Assistant: Léa Fontaine MUA Assistant: Marine Guillerme

Hair Stylist: Verinica Liccardi Hair Stylist: Mills Mouchopeda Hair Stylist J2: Kadiakhe Fanta Nail Artist: Padena Peironaziri Nail Artist: Raphaelle Parot

CASTING Casting Director: Lucie Tartensson Assistant Casting Director: Nesrine Benayad

POST PRODUCTION BY MONUMENTAL FX Head Of Post-Production: Laïla Hamdaoui Post-Producer: Elisa Johanna Känd Post-Production assistant: Maxime Veigneau Editors: Simon Tristant, Valentin Petit Colorist: Arthur Paux Sound Design: Emilien Bernaux Music End Credit: MiM (from Valentin Petit's Le Bruit de la Lumière)

VFX BY SQUARE Head of VFX: Mathieu Jussreandot, Colin Journée VFX Supervisor: Antoine Pion On-Set Supervisor: Flore Mounier 3D Scan: Adrien Bavant VFX Production Manager: Julie Delepine CG Artists: Martin Goldwasser, Thomas Salmin, Arthur Amanatiou, Morgane Perrier, Paul Perrier, Hugo Aboab, Eddy Choppy FX Artists: Luis Fos Compositing Artists: Adrien “Pamito” Renay, Isabelle Tchoungang, Thomas Jouenne, Tom Gueret, Jonas Caillet, Richard Gomard Cleans : Sancio VFX

Credits: Nathan Almeras Valentin Petit’s Logo: Nairone BTS: Gohan Keller, Max Heilbronn, BTS video edit by Yanjun Zhou

CAST Dannie Mendez, Clementine Morisset, Eden Payet, Ines Lafourcade, Clara Paschini, Clara De Lataillade, Jules Leroy, Gaia Zimmermann, Tristan Vasseur, Alioune Sane & Adelaide Tourres

Special thanks: Hugo Beron, Jon Echeveste, Ant Pablos, Theo Gall, Fabienne Billioud d’Espace Commines, RVZ, Le Bendo, Flycar Montparnasse, Basik, Adelyo, Flam&Co,

With the support of the CNC.

[mitmama]

Nærøyfjord & Sognefjord

Oslo | Flam Train | Nærøyfjord & Sognefjord | Bergen | Copenhagen | Malmo, Sweden | Norway travel tips

Sognefjord is the longest fjord in Norway, and has branches like Aurlandsfjord and Nærøyfjord, a UNESCO site.

The Flam Railway took us to Flam, a busy town with lots of tourists eager to explore the fjords. We decided to stay in Aurlandsvangen, a small town nearby. There's beautiful view of Aurlandsfjord, a branch of the Sognefjord. It's a really cute village with pretty houses. It's also super convenient, with a big grocery shop that we visited multiple times a day, a yummy bakery.

Map credit: Norway Exclusive

Kayaking the Fjord

The next day, my son and I went to Gudvangen for our kayaking day tour of the Nærøyfjord with Nordic Ventures.

Rather clever, they drive over to Bakka to start the kayaking tour, so you get the best views. Nærøyfjord is famous for being the narrowest fjord. The views were epic, we saw steep cliffs, waterfalls, and even some snow left on the top peaks.

It was raining on and off; we were given wetsuits to keep us war. Our tour guide put up a tent, started a fire, and made us a yummy lunch of pork chops. We stopped and hiked to a pretty waterfall. Our guide said it's safe to refill our waterbottle with the pristine water from the fall.

But what's most memorable for me was seeing a seal swimming by. It soon became clear why, there were fish jumping out of the water!

Meanwhile, my husband rented a boat with my inlaws and my daughter got to drive it, and she had a lot of fun. :)

Next to our Airbnb is a floating sauna. Due to the long summer day, people are still jumping off and swimming at 9pm. This inspired my husband and daughter to also jump in to the fjord, who cares if it's rainy and 55 degrees out?

The next day we drove our 1-day rental car up to Stegastein Viewpoint for an epic view of the fjord and the village of Aurlandsvangen.

Next, we drove up Gamle Aurlandsvegen to the nearby mountain peak. The view there reminded us of Iceland: there were few trees at that altitude.

After lunch in Flam we boarded the Norled Ferry to Bergen. The ferry took us through Aurlandsfjord to the main Sognefjord, passing thru charming villages like Undredal.

It's a 5+ hour ferry ride to Bergen.

[7-places-to-visit-in-norway]

7 Beautiful Places To Visit In Norway

Introduction

Norway, a land of enchanting fjords, majestic mountains, and the mesmerizing Northern Lights, beckons travelers to explore its natural wonders and rich cultural heritage. This Scandinavian gem is a treasure trove of experiences, from the vibrant capital of Oslo to the Arctic wonders of Tromsø. In this comprehensive guide, we will take you on a journey through the best places to visit in Norway, ensuring that you don’t miss the extraordinary beauty that this Nordic paradise has to offer.

I. Oslo: The Vibrant Capital

1.1. Historical Landmarks

Oslo, the pulsating heart of Norway, boasts a rich history reflected in its architectural wonders. Begin your exploration at the Royal Palace, where the changing of the guard is a regal spectacle. Akershus Fortress, with its medieval charm, offers panoramic views of the city and fjord.

1.2. Art and Culture

Art enthusiasts will find solace in the Munch Museum, dedicated to the works of Edvard Munch. The Oslo Opera House, a modern architectural masterpiece, not only hosts world-class performances but also offers stunning views of the city from its rooftop.

1.3. Lively Atmosphere

Aker Brygge, a bustling waterfront area, beckons with its vibrant atmosphere. Explore the diverse range of shops, restaurants, and bars. Indulge in local cuisine, with fresh seafood being a highlight of the culinary scene.

II. Bergen: Gateway to the Fjords

2.1. UNESCO-listed Bryggen Wharf

Bergen, surrounded by seven mountains, is a gateway to the famous Norwegian fjords. Start your journey at the Bryggen Wharf, a UNESCO World Heritage site featuring colorful, iconic wooden houses dating back to the Hanseatic era.

2.2. Scenic Railway Adventures

Embark on the Flam Railway, one of the world’s steepest railways, for a breathtaking journey through snow-capped mountains, waterfalls, and lush valleys. The views are unparalleled, making this an unforgettable experience.

2.3. Breathtaking Fjords

No visit to Norway is complete without exploring the fjords. Nærøyfjord, a UNESCO-listed fjord, and Geirangerfjord, surrounded by towering cliffs and waterfalls, offer unparalleled natural beauty.

III. Tromsø: Northern Lights Haven

3.1. Northern Lights Spectacle

Tromsø, situated well above the Arctic Circle, is a prime location for witnessing the mesmerizing Northern Lights. The Arctic Cathedral provides a stunning backdrop for this celestial display, creating a magical atmosphere.

3.2. Arctic Experiences

Immerse yourself in the Arctic experience at the Polaria Arctic Experience Center. Learn about Arctic wildlife, and for the adventurous, engage in winter activities like dog sledding and reindeer sleigh rides.

IV. Trondheim: Historic Charm

4.1. Nidaros Cathedral

Trondheim, with its historic charm, is home to the Nidaros Cathedral, a Gothic masterpiece and Norway’s national sanctuary. Explore its intricate architecture and the adjacent Archbishop’s Palace.

4.2. Bakklandet District

Stroll through the charming Bakklandet district, known for its wooden houses and cobblestone streets. Explore local shops and cafes and enjoy the picturesque surroundings.

4.3. Cultural Richness

Discover the cultural richness of Trondheim at the Trondheim Science Museum. Engage with interactive exhibits and delve into the scientific and technological contributions of Norway.

V. The Arctic Circle: Unique Adventures

5.1. Lofoten Islands

Explore the unique landscapes of the Lofoten Islands, characterized by dramatic mountains, white sandy beaches, and picturesque fishing villages. The beauty of this archipelago is a photographer’s dream.

5.2. Midnight Sun and Polar Night

Experience the natural phenomena of the midnight sun during summer, where the sun never sets, and the polar night in winter, where darkness prevails. These unique occurrences add an extra layer of wonder to your visit.

5.3. Outdoor Activities

Engage in a variety of outdoor activities, including hiking, fishing, and kayaking, allowing you to immerse yourself in the pristine nature of the Arctic Circle.

VI. Stavanger: Coastal Beauty

6.1. Preikestolen (Pulpit Rock)

Stavanger, situated on the southwestern coast, is known for the iconic Preikestolen (Pulpit Rock). Hike to this towering cliff for panoramic views of the Lysefjord, creating a memory that lasts a lifetime.

6.2. Gamle Stavanger

Explore Gamle Stavanger, the charming old town with its well-preserved wooden houses. Wander through narrow streets, visit local boutiques, and experience the timeless beauty of this coastal city.

6.3. Stavanger Cathedral and Petroleum Museum

Visit the Stavanger Cathedral, the oldest cathedral in Norway, and delve into the region’s maritime history at the Norwegian Petroleum Museum.

VII. Lillehammer: Olympic Legacy

7.1. Maihaugen Museum

Discover Norway’s winter sports history at the Maihaugen Museum in Lillehammer. The open-air museum showcases traditional Norwegian architecture and provides insight into the country’s cultural heritage.

7.2. Lysgårdsbakkene Ski Jumping Arena

Feel the Olympic spirit at the Lysgårdsbakkene Ski Jumping Arena, a venue from the 1994 Winter Olympics. Take in the views from the top and appreciate the skills of world-class athletes.

7.3. Lakeside Surroundings

Lillehammer’s lakeside surroundings offer opportunities for outdoor activities. Whether it’s hiking, cycling, or simply enjoying the tranquility of the lakes, there’s something for every nature enthusiast.

VIII. Practical Tips for Travelers

8.1. Seasonal Considerations

Understand the seasonal variations and plan your visit accordingly. Summer offers long days and pleasant weather, while winter provides the opportunity to witness the Northern Lights.

8.2. Transportation Options

Navigate Norway with ease by exploring the various transportation options, including trains, buses, and ferries. Consider renting a car for a more flexible itinerary.

8.3. Cultural Etiquette and Cuisine

Familiarize yourself with Norwegian cultural etiquette, and don’t miss the chance to indulge in local cuisine. From traditional dishes like lutefisk to modern Nordic cuisine, there’s a culinary adventure awaiting you.

IX. Conclusion

In conclusion, Norway’s diverse landscapes, rich history, and unique cultural experiences make it a must-visit destination for any traveler. From the vibrant city life in Oslo to the serene beauty of the fjords, each corner of this Scandinavian gem has something special to offer. Embrace the magic of Norway, and let the memories of your journey last a lifetime.

Read More Click

[lesterplatt]

AUDREY NUNA - LOCKET from valentin petit on Vimeo.

LOCKET, a music video for AUDREY NUNA Directed by VALENTIN PETIT & produced by OCURENS

Production Company: Ocurens Managing Director: Germain Robin Executive Producer: Elisa Johanna Känd Line Producer: Robin Lavaud Production Coordinator: Andrea Thirion Production Assistant: Vini Kundlani

Artist Management: Anwar Sawyer, Noah Kim Arista Records: Cliff Joseph, Veronica Sanjines

ASSISTANT DIRECTOR 1st AD: Mathieu Perez 2nd AD: Lea Cerqueira 3rd AD: Julia Aner

LOCATION & FACILITIES Location Manager: Benoit Becquereau Assistant Location Manager: Antoine Groun Runner: Augustin Royer Runner: Ludo Mendez Traffic And Parking Control: Djamel, Boualem

CAMERA Director Of Photography: Jeff Bierman Agent: Vinh Nguyen 1st AC: Tom Haudry 2nd AC: Vassili Devintcha Video Operator: Louis Chenieux Steadicam: Teva Vasseur

LIGHT Gaffer: Maxime Chastres Spark: Adrien Demarest Spark: Camille Benariac Spark: Matéo Poulin Spark: Kallamon Bouvier

GRIP Key Grip: Vathana Kang Grip: Camille Romanyszyn Grip: Bertrand Motte

CINEMOTION Motion Control Operator: Yann Besset Motion Control Assistant: Manu De Bernardi Motion Control Assistant: Adrien Payet

STUNTS Stuntman Coordinator: Kevin Cauderlier Stuntman Assistant Coordinator: Remi Canaple

ART DEPARTMENT Production Designer: Till Duca Production Designer Assistant: Guillaume Ypreeuw Production Designer Assistant: Thomas Lelong Production Designer Assistant: Antoine Robin Production Designer Assistant: Natasha Le Sourd

SFX FLAM & CO SFX Supervisor: Armel Cessa SFX: Hicham Bouzékraoui SFX: Barthélémi Robinho

WARDROBE Stylist: Florie Vitse Assistant Stylist: Iris Laricheva

GLAM TEAM ARTIST Hair Stylist: Jacob Kajrup Make-Up Artist: Zahra Benghida

GLAM TEAM TALENTS Key Makeup Artist: Orystella Vitti Make-Up Artist: Oldie Mbani Make-Up Artist: Lucie Marty MUA Assistant: Léa Fontaine MUA Assistant: Marine Guillerme

Hair Stylist: Verinica Liccardi Hair Stylist: Mills Mouchopeda Hair Stylist J2: Kadiakhe Fanta Nail Artist: Padena Peironaziri Nail Artist: Raphaelle Parot

CASTING Casting Director: Lucie Tartensson Assistant Casting Director: Nesrine Benayad

POST PRODUCTION BY MONUMENTAL FX Head Of Post-Production: Laïla Hamdaoui Post-Producer: Elisa Johanna Känd Post-Production assistant: Maxime Veigneau Editors: Simon Tristant, Valentin Petit Colorist: Arthur Paux Sound Design: Emilien Bernaux Music End Credit: MiM (from Valentin Petit's Le Bruit de la Lumière)

VFX BY SQUARE Head of VFX: Mathieu Jussreandot, Colin Journée VFX Supervisor: Antoine Pion On-Set Supervisor: Flore Mounier 3D Scan: Adrien Bavant VFX Production Manager: Julie Delepine CG Artists: Martin Goldwasser, Thomas Salmin, Arthur Amanatiou, Morgane Perrier, Paul Perrier, Hugo Aboab, Eddy Choppy FX Artists: Luis Fos Compositing Artists: Adrien “Pamito” Renay, Isabelle Tchoungang, Thomas Jouenne, Tom Gueret, Jonas Caillet, Richard Gomard Cleans : Sancio VFX

Credits: Nathan Almeras Valentin Petit’s Logo: Nairone BTS: Gohan Keller, Max Heilbronn, BTS video edit by Yanjun Zhou

CAST Dannie Mendez, Clementine Morisset, Eden Payet, Ines Lafourcade, Clara Paschini, Clara De Lataillade, Jules Leroy, Gaia Zimmermann, Tristan Vasseur, Alioune Sane & Adelaide Tourres

Special thanks: Hugo Beron, Jon Echeveste, Ant Pablos, Theo Gall, Fabienne Billioud d’Espace Commines, RVZ, Le Bendo, Flycar Montparnasse, Basik, Adelyo, Flam&Co,

With the support of the CNC.

[montysworld]

AUDREY NUNA - LOCKET from valentin petit on Vimeo.

LOCKET, a music video for AUDREY NUNA Directed by VALENTIN PETIT & produced by OCURENS

Production Company: Ocurens Managing Director: Germain Robin Executive Producer: Elisa Johanna Känd Line Producer: Robin Lavaud Production Coordinator: Andrea Thirion Production Assistant: Vini Kundlani

Artist Management: Anwar Sawyer, Noah Kim Arista Records: Cliff Joseph, Veronica Sanjines

ASSISTANT DIRECTOR 1st AD: Mathieu Perez 2nd AD: Lea Cerqueira 3rd AD: Julia Aner

LOCATION & FACILITIES Location Manager: Benoit Becquereau Assistant Location Manager: Antoine Groun Runner: Augustin Royer Runner: Ludo Mendez Traffic And Parking Control: Djamel, Boualem

CAMERA Director Of Photography: Jeff Bierman Agent: Vinh Nguyen 1st AC: Tom Haudry 2nd AC: Vassili Devintcha Video Operator: Louis Chenieux Steadicam: Teva Vasseur

LIGHT Gaffer: Maxime Chastres Spark: Adrien Demarest Spark: Camille Benariac Spark: Matéo Poulin Spark: Kallamon Bouvier

GRIP Key Grip: Vathana Kang Grip: Camille Romanyszyn Grip: Bertrand Motte

CINEMOTION Motion Control Operator: Yann Besset Motion Control Assistant: Manu De Bernardi Motion Control Assistant: Adrien Payet

STUNTS Stuntman Coordinator: Kevin Cauderlier Stuntman Assistant Coordinator: Remi Canaple

ART DEPARTMENT Production Designer: Till Duca Production Designer Assistant: Guillaume Ypreeuw Production Designer Assistant: Thomas Lelong Production Designer Assistant: Antoine Robin Production Designer Assistant: Natasha Le Sourd

SFX FLAM & CO SFX Supervisor: Armel Cessa SFX: Hicham Bouzékraoui SFX: Barthélémi Robinho

WARDROBE Stylist: Florie Vitse Assistant Stylist: Iris Laricheva

GLAM TEAM ARTIST Hair Stylist: Jacob Kajrup Make-Up Artist: Zahra Benghida

GLAM TEAM TALENTS Key Makeup Artist: Orystella Vitti Make-Up Artist: Oldie Mbani Make-Up Artist: Lucie Marty MUA Assistant: Léa Fontaine MUA Assistant: Marine Guillerme

Hair Stylist: Verinica Liccardi Hair Stylist: Mills Mouchopeda Hair Stylist J2: Kadiakhe Fanta Nail Artist: Padena Peironaziri Nail Artist: Raphaelle Parot

CASTING Casting Director: Lucie Tartensson Assistant Casting Director: Nesrine Benayad

POST PRODUCTION BY MONUMENTAL FX Head Of Post-Production: Laïla Hamdaoui Post-Producer: Elisa Johanna Känd Post-Production assistant: Maxime Veigneau Editors: Simon Tristant, Valentin Petit Colorist: Arthur Paux Sound Design: Emilien Bernaux Music End Credit: MiM (from Valentin Petit's Le Bruit de la Lumière)

VFX BY SQUARE Head of VFX: Mathieu Jussreandot, Colin Journée VFX Supervisor: Antoine Pion On-Set Supervisor: Flore Mounier 3D Scan: Adrien Bavant VFX Production Manager: Julie Delepine CG Artists: Martin Goldwasser, Thomas Salmin, Arthur Amanatiou, Morgane Perrier, Paul Perrier, Hugo Aboab, Eddy Choppy FX Artists: Luis Fos Compositing Artists: Adrien “Pamito” Renay, Isabelle Tchoungang, Thomas Jouenne, Tom Gueret, Jonas Caillet, Richard Gomard Cleans : Sancio VFX

Credits: Nathan Almeras Valentin Petit’s Logo: Nairone BTS: Gohan Keller, Max Heilbronn, BTS video edit by Yanjun Zhou

CAST Dannie Mendez, Clementine Morisset, Eden Payet, Ines Lafourcade, Clara Paschini, Clara De Lataillade, Jules Leroy, Gaia Zimmermann, Tristan Vasseur, Alioune Sane & Adelaide Tourres

Special thanks: Hugo Beron, Jon Echeveste, Ant Pablos, Theo Gall, Fabienne Billioud d’Espace Commines, RVZ, Le Bendo, Flycar Montparnasse, Basik, Adelyo, Flam&Co,

With the support of the CNC.

[messysuitcaseblog]

Tour of Scandinavia, Day 4: Cruising Through a Norwegian Fjord

We started the day by visiting the spectacular 100-meter-high Trollafossen Waterfall, which means Waterfall of the Trolls. Then our group was treated to an unforgettable boat cruise through the narrow Sogner Fjord, where we found ourselves surrounded by jaw-dropping cliffsides rising from the blue water on both sides, with crystalline waterfalls snaking down the faces from distant peaks.

After the boat cruise, we visited the positively Seussian Borgund Stave Church, possibly the best preserved and most distinctive Norwegian stave of the 13th century, featuring lavishly carved portals, crosses, and carvings of dragons' heads on the roofs.

Note Lisa’s new scarf and Bob’s jacket, both purchased in Norway.

ITINERARY

This is what the TourRadar itinerary listed for the day:

Day  4. Domingo, 25 De Septiembre De 2022 BERGEN , OSLO  Total distance: 510 km.

Scenery: Spectacular scenery. Impressive views of mountains and fjords and landscapes permanently covered in snow. Note: Have warm clothes at hand to enjoy the snow and the short stretch by ferry between the fjords. The schedules of the cruise can be modified; according to that the schedule of the rest of the day may also undergo changes.

07.45hr. - Bergen –Departure-. We set out amidst beautiful scenery and enter the fjords region.

09.45hrs- Waterfall of Tvindefoss. Short stop to admire this beautiful waterfall 100m of height also call Trollafossen or waterfall of the Trolls. Its waters have the reputation not only of rejuvenating but also of increasing the sexual potency.

10.15hrs- Departure to Sogner Fjord, the largest Norwegian fjord and often considered the most beautiful one. We continue our journey through impressive landscapes and come to Gudvangen.

10:30 h. – Gudvangen. We visit this tiny city and then take a boat cruise on the fiord (departure scheduled for 12.00 h.). The cruise lasts for just over 2 hours and takes us near impressive cliffs. We recommend having lunch on board.

At about 14.10 h. we land in Flam, and then continue our journey surrounded by woods, lakes, isolated mountains with peaks covered in snow all the year round and glaciers.

After passing through the 24.5km Aurland tunnel, considered one of the longest in the world and using innovative techniques to rest the eyes and avoid the monotony of the drivers, we will arrive to the Borgund wood church, possibly the best preserved Norwegian temple of the 13th century, where we will make a brief stop to admire and take a photo (entrance included).

19:30 h. - Oslo –Arrival-. Free time in this pleasant Norwegian city next to the fjord that bears its name and surrounded by mountains. We can visit its port, streets and the works of art of the Frognerparken.

INFO:

Tourradar Europamundo Narrow Fjord Cruise  Borgund Stave Church

[discovermongoliablog-blog]

6 Reasons to Make Mongolia Your Next Travel Destination

If Mongolia isn’t at the top of your travel destinations right now, you’re not alone...

In a world of over 7 billion people, fewer than 500,000 visited Mongolia last year—and that’s actually not a bad thing. Unlike China, which sees about 25 million tourists a year, or Australia (which gets about 6.5 million), Mongolia remains unblemished and unaffected by the consumerism that accompanies such a huge influx of visitors. Mongolia is one of the last countries on earth that preserves its traditional customs and way of life. Its vast expanses of barely populated deserts and plains are virtually unchanged over the millennia. When you visit Mongolia, you are one of the rare souls who gets to experience a simple and authentic way of life that has survived for thousands of years—and that alone is reason enough to come. Of course, there are many more reasons to make Mongolia your next destination—and if you’re searching for reasons to visit this magical place, here are six to tips to you.

1. Mongolia Has a Long and Significant History

Mongolia’s natural history contributions extend to the late Cretaceous period, some 70 million years ago. The world’s first confirmed dinosaur eggs, as well as one of the largest dinosaur footprints, were discovered in the Gobi. Anthropologically, humans have lived in Mongolia since at least the Bronze Age; the Havtsgait Valley is renowned for for its petroglyphs from that era. In the 13th century, Chinggis Khan reshaped history, forcing a clash between East and West and commanding the largest contiguous empire the world has ever seen, stretching from the Sea of Japan to the Caspian Sea. Then followed centuries of Chinese rule, beginning with the Manchu-led Qing Dynasty. This ultimately collapsed in the 20th century, when Mongolia declared its independence. A 70-year alliance with the Soviet empire ended in the 1990s, leading to our current democratic state. When you visit Mongolia, each layer of our distinct cultural history is still present, waiting for you to discover and explore.

2. Mongolia’s Cuisine is Like None in The World

You might guess that Mongolian cuisine has much in common with Chinese cuisine, but China’s—and Russia’s—influence is less than you’d imagine.

Much of Mongolia’s food culture is traced to our extreme climate and nomadic way of life. Meat and fat from animals, including camel, sheep, goat, cattle, and even horse (which we call the “Five Snouts”), form the basis of our diet. These are supplemented by rich dairy cream (urum) and soft kefir yogurt, with the occasional vegetables and starches. Hearty stews and meat-filled dumplings are customary. Traditional Mongolian foods such as khorkhog, a meat stew cooked with hot stones. Boodog, goat or marmot prepared by placing heated stones into the animal’s cavity and cooking the meat from the inside out. Airag, is our national drink made of fermented mare’s milk are all unique to our country—and made more delicious when shared with a nomadic family around a campfire. Mongolian barbeque prepared the traditional way offers visitors a unique way to “taste” our amazing country. And all visitors should experience our suutei tsai, the Mongolia salty milk tea.

3. Mongolia Has an Endless Expanse of Unexplored, Pristine Terrain

The Gobi is a mysterious region, lying in the rain shadow of the Himalayas.

It’s a cold desert measuring 500,000 square miles; only 5% is covered in sand dunes. Unlike other desserts, it has abundant plant and animal life. This includes trees, grasses, flowers—and camels, gazelles, wild asses, and snow leopards. Eastern Mongolia is the land of Chinggis Khan, with endless steppes and glorious mountains, the center of mysterious stories from ancient times. Western Mongolia is known for its spectacular rivers, lakes, and glaciers—and the steep Altai Mountains. It’s also the home of a large concentration of nomadic families, ethnic Kazakhs, who are proud to display their eagle hunting expertise. Central and northern Mongolia offers a vast panorama of spectacular natural scenery.This area includes wetlands and grasslands, some of which are protected by their status as national parks and UNESCO heritage sites. It’s a birdwatcher’s paradise; there are over 400 species of birds native to Mongolia. No matter the type of terrain that appeals to you, you’ll find it in abundance in Mongolia.

4.Mongolia is Home to Rare Nomadic Peoples

Mongolia is the home of some of the world’s last riaining nomadic cultures, who follow a way of life that extends unbroken over 3,000 years. There are hundreds of thousands of nomads in Mongolia; estimates suggest that between 25% to 40% of our population is nomadic. There are three main nomadic cultures here: >The horse nomads who primarily herd sheep and goats on horseback. >The camel nomads >The Tsaatan or Dhuka people, whose lives are structured around reindeer. Tsaatan people rarely slaughter their reindeer, they are used primarily for milk. Reindeer yogurt and cheese are staples of their diet. They also ride the reindeer and use this as pack animals in the taiga forest area.

They are extraordinarily uncommon; only a small number of Tsaatan families remain in the world. Nomad families live in gers, or rounded felt tents, which are still assembled in their centuries-old style.

Staying with a nomadic family, learning to milk the animals and make fresh dairy products, eating traditional nomadic food is one of the highlights of a visit to Mongolia.

5. Mongolia's Incredibly Vibrant National Cultural Diversity

The name “Mongol” first appeared in our lexicon in the 10th century, but there was no unified “Mongol” culture until Chinggis Khan united the warring tribes and factions in our country in the 13th century. In fact, even today, our national identity and culture, from our governance to our societal structures are largely related to our nomadic, pastoral lifestyle and the legacy of Chinggis Khan. Although a large majority of the population is ethnic Khalka Mongols, there are many different ethnic minority populations. These include Dorvod, Bayad, Buriad, Dariganga, Zahchin, and Torguud.

The largest ethnic minority is Kazakh, which makes up about 4% of the population. Although Shamanism was the largest religion until the 16th century, today, most Mongols are Lamaist, a sect of Tibetan Buddhism. Prior to the Stalinist period of Mongolian history, there were thousands of Buddhist temples in the country, but some 700 of these were destroyed in the religious purges of that era. There are still hundreds of monasteries, the oldest of which, Erdene Zuu, dates back to the 1500s. About 4% of the population is Sunni Muslim, mostly the Kazakhs in the west. There are a few thousand Christians in Mongolia by most estimates. A Mongolian Celebration Should Not Be Missed

Mongolia’s people love an excuse to celebrate. There are many different festivals and events throughout the year.

Naadam is the king of all, however, with a history dating back to the time of the Khans. Naadam celebrates the skills most revered in our country: Horsemanship and horse racing, archery, and wrestling. Naadam is celebrated each year in July. The Mongol New Year, another major celebration, is called Tsagaan sar. This occurs sometime between January and March, depending on the lunar phase. Tsagaan sar preparations begin a month in advance and culminate in feasting and gift-giving—one gigantic party. Throughout the year, there are also many other regional and seasonal festivals and events. Including the Eagle Hunting Festival celebrated by the Kazakhs. The Winter Snow and Ice Festival, which features sledding, ice skating, sleigh rides, and even ice sumo. The Camel Festival celebrates our rare Bactrian camels and the mysterious Gobi Desert.

6. Mongolia’s Unmatched Biodiversity

It’s a common misconception that Mongolia’s extrie climate limits its biodiversity; quite the opposite is true. Mongolia is a country of 1.5 million square kilometers (605,000 square miles), making it the 18th largest country in the world, and the least densely populated. The Mongolian-Manchurian Steppe is a temperate grassland Biome of savannahs and feather grass. It is home to an incredible variety of wildlife. Including pheasants, marmots, wolves, gazelles, and Przewalski’s horse, the last surviving subspecies of wild horse. Mongolia is also a very mountainous country, with many peaks reaching over 4,000 meters into the sky. Mountain sheep, ibex, wolf, elk, lynx, argali, and brown bears make their homes in the Mongolian mountains. The country’s bountiful lakes, rivers, and streams are packed with taimen and trout and other freshwater fish. In fact, Mongolia has a reputation as a fisherman’s paradise. Beautiful Lake Hovsgol, our “Dark Blue Pearl,” is one of the clearest lakes in the world, surrounded by lush forest and carpeted with wildflowers and meadows. The Most Enigmatic Feature Is...

The Great Gobi National Park is one of the world’s largest biospheres, larger in size than the country of Switzerland. The last of the world’s Bactrian camels live in the Gobi, along with the Gobi bears, the only bears that live in a desert. The Gobi’s extreme climate can range from -40℃ to +40℃ with winds of up to 140 kilometers per hour. The desert is dotted with oases where agriculture flourishes—tomatoes, carrots, cucumbers, peas, and beans are cultivated. As you can see, there is far more to Mongolia than the casual tourist could possibly imagine. Perhaps this explains why it is such an elusive—and exclusive—place to visit. Although it has been the destination for only the most daring and committed world traveler, Mongolia is far more accessible than ever before. In fact, there are direct flights from several major international cities now. If you dream of discovering somewhere virtually unknown and unexplored, Mongolia is the place for you. If your passion is to experience life as it was hundreds, even thousands, of years ago, Mongolia is for you. If only the rarest and most unique travel adventures will cure your wanderlust, Mongolia is for you.

read more: https://www.discovermongolia.mn/6-reasons-to-make-mongolia-your-next-travel-destination/

[hangwithjeng]

Bergen, Norway - Part 1

Bergen. Where to begin? I am not a self-proclaimed outdoor enthusiast but when I travel, I enjoy a mix of urban and natural exploration. Bergen was a much-needed relief from 4 days of city-life.

I had a full day in Bergen to myself before my parents would join me on the second day. Since I got in late, I headed straight to my hostel. It was a tad quiet and a little creepy trying to find Marken Gjestehus tucked away in the corner of the city. The entrance was so hidden that I walked back and forth multiple times.

Of all the hostels, this was probably my least favorite. It was by no means dirty (I've seen my share of dirty) but it was older, quite crowded, and also had a funky smell in the bathrooms. I was in a room with about 16 girls which was surprisingly not that bad. People were respectful of noise and lights.

I started my day doing a quick exploration of the city which I was soon to repeat the next day with my parents. The true highlight of this day was a tour I decided to take. I went to the local tourist info booth and asked for a recommendation for a fjord tour. As Norway is famous for its fjords, I felt I couldn't miss out on the opportunity. I was recommended a tour that required a train ride to Voss, a bus ride Gudvangen, a ferry ride to Flam, a tram ride to Myrdal, and another train ride back to Bergen. As you can imagine, it was pricey and took all day but contrary to the reviews, I actually thought it was worth it given the time I had.

I hopped on a train and to my surprise, I learned that this tour was actually self-guided. So it was my personal responsibility to find each port and station along the way. I was a bit alarmed to learn this but the conductor told me it is fairly straightforward. So I sat back and relaxed on the first part passing through the scenic mountains of Norway. The train was clean, comfortable, and pretty empty.

Upon arriving at the first stop in Voss, we had to transfer to a bus to get to the ferry point. It wasn't as clear as I had hoped where the bus would be but I followed some other confused tourists and together we managed to find the location. The bus ride was fairly uneventful until we reached a point where we had to literally zig-zag down a mountain to get to the start of the fjord. It was quite thrilling but a bit terrifying watching our huge tour bus navigate the windy road.

At Gudvangen, I convened with the other passengers only to realize that there would only be about 10 people coming on the ferry. The ferry itself was rather big. I would estimate it could've held closer to 100, maybe more. I then remembered when I was talking to the info booth worker that he offered me the option of a fancy, modern ferry or a normal ferry and I opted for the latter. True the ferry wasn't high end with its plastic lawn chairs as seating, but it was worth it and I'll tell you why in a bit. At the moment,  it made me a little sad that we would be using all these resources to ferry only 10 people.

With our 10 (+5 crew) ready to board, we set off down the Nærøyfjord. It started off quiet and slow with all of us huddled on the top deck for the views. I broke out my winter beanie and puffer jacket because the breeze makes it very chilly. As we passed through parts of the fjord, the captain would come on and announce some facts. Because we were so few, he also made a small detour to a waterfall and brought us up close to view the clearness of the water.

The best part of this ride was that because it was so laid back, we spent the majority of the time chatting with the captain. He told us how he had been doing this for years and that these parts of Norway were so remote that they relied on government and tourism. He also pointed to a random house sitting atop a large cliff and recounted how he helped his friend build it and that, after winning a bet, his friend was able to bring a famous regional symphony to play a concert at his home. Helicopters were involved to bring the musical instruments up to that level. It was such a cool personal experience that I know I wouldn't have gotten on the fancy ferry.

After arriving in Flam, I went souvenir shopping for a bit before hopping on the historic Flam Railway. This railway is one of the most famous attractions in Norway due to its steep incline, vintage look, and scenic routes. We were able to enjoy all the views as the sun was beginning to set.

We were taken to Myrdal (This is so Lord of the Rings-esque) and from there began the long train ride back to Bergen. This tour, Norway in a Nutshell, lived up to its name and although there's no guide or spoken part of the tour, it was still such a great experience.

[godstery-blogspot-com]

1.2 犧牲

Flam pronounced the oracle in front of the ziggurat, “Shaman is a small, ignorant, stubborn, backward and uncivilized. Now order you to lead 2000 elite soldiers to conquer them.” After that, he stepped forward and handed Gilgamesh a parchment roll and said that this is a map drawn by me according to the oracle. Wish you an early victory. Gilgamesh took the map with both hands, bowed and prayed to the statue.

According to the usual practice, a sacrificial ceremony is held before the expedition, and fresh lambs and calves are used as sacrifices. After the ceremony, Gilgamesh led the army to the northeast.

The shaman tribe lives in the mountains and is the oldest and most mysterious tribe. Legend has it that they lived there before the flood, but their social nature is still stuck in a backward matrilineal society.

Out of the frontier fortress, it was a barren land, Gilgamesh thought while looking at the map on the chariot, “ It’s not worth to drag in many people to educate a savage tribe.”

Marching for a few days, through the wilderness, and our the hills, the terrain is getting higher and higher.

On this day, the chiliarchy Peter came to report, “Your Majesty, our army will enter the valley, and the scouts ahead will detect the ridge, and the top of the mountain will not be seen. This man fought with Gilgamesh everywhere, cooperated tacitly, and had rich experience.

Gilgamesh looked around. The mountains and ridges were staggered, cliffs and cliffs, straight into the sky, two walls facing each other, it looked like a door, it was natural and dangerous, easy to defend and difficult to attack. He nodded and said, “Even so, we must pass quickly, not to stay dangerously long. You go back and I will lead the soldiers forward.”

After passing through the valley, there is a vast plain. The map shows that the front is not miles away from where the tribe is located. Gilgamesh was secretly surprised, “When I take the shaman tribe, I must set up a city here, set up a fortress here. It’s good for offense but also good for defense.

The army continued to advance, and within half a day, a vast forest appeared in front, blocking the way which in the map. It’s branches are luxuriant and lush. The forest was dense and dark, like a row of black holes.

Gilgamesh was puzzled, “Forest is such an important military terrain. There is no drawing on the map.” He did not dare to neglect, ordered the troops into an attack formation, sent scouts to explore the way in the forest.

For a long time there is no signal and no one returns. Gilgamesh known there must be something wrong. At this moment Peter stepped forward and said, “Your majesty, the situation is not normal. I will first take five hundred soldiers to explore the way, if …”

Gilgamesh reached out to interrupt him, “No. You tell them to push the trebuchet up and put the kerosene barrel on it.” Peter took orders and left.

After trebuchets were in place, he ordered the surrounding soldiers to ignite the fire arrow. He took out the longbow from the chariot, gathered his arms, bent the bow and used the fire arrows. “Fire!”,he shouted.

“Pum” A kerosene barrel flew over the forest. Gilgamesh loosen his grip, “Swoosh”. A fire arrow was shot out, and it was about to hit the barrel. The archer beside him was about to applaud. Suddenly, the forest shot a arrow, which hit Gilgamesh’s arrow. The barrel fell silently into the forest. He snorted and asked the soldiers ignited all the fire arrow, and shouted “Throw them together, and prepare for battle.”

“Pum, Pum…” A dozen barrels flew into sky almost at the same time. Gilgamesh shot three fire arrows at once, and in rapid succession. The arrow was not false, and the barrels was shot through. It was like a curtain of fire pouring down over the forest.

Meanwhile, killing everywhere in the forest, with tidal-like crowds, they were dressed in animal skins, armed with sharp blades, most of them riding on beasts and attacking very fast. There is a steady stream of enemies rushing out of the forest. Unknown the exact number but it’s definitely not a small tribe‘s military strength and the number far exceeded Gilgamesh’s.

Gilgamesh shouted “Continued to throw!” A dozen barrels burst in the air again. Archers released arrows.

However, the enemy did not charge head-on. Instead, they split up and dived from both flanks.

Seeing this situation, Gilgamesh’s heart sank. Not only was there a large number of people, but they also knew the military strategy and tactics! Immediately instructed Peter “You go to the right flank to switch the defensive formation, gather the troops, don’t be dispersed, hurry!” Then he said, “Stop the attack and get back to the formation!” After all, he derived the chariot to the left flank, and shot left and right while driving , and the opponent will fall to the bowstring. Suddenly a feather arrow flew to the side, and he waved and grabbed it. Looking in the direction of the incoming arrow, he saw a woman riding a panther towards him. He didn’t have time to take care of it , so he left the arrow and drove behind. There is only one thing in his mind now. It’s how to retreat.

To observe the strength of an army , in addition to its combat effectiveness when attacking , the more important thing is its performance when it is defeated. If it is as orderly as usual when it retreats , it must be a first-class army. It’s the apprentice who knows how to attack, the master who knows how to retreat.

Judging from the enemy’s quiet performance and offensive method in the ambush forest, the opponent is a master soldier. At least it’s a hunting expert, not the ignorant savage Flam said. They also deliberately left a gap in the rear side to shake the military confidence. Here the north is high and the south is low. If they now retreat to the rear, the high mobility of the opposing light cavalry can kill their own side without any effort.

When Gilgamesh came to the left flank, the two armies had already fought each other. The enemy’s combat power was strong. The beasts moved quickly and they could still bite desperately even if they were injured by a knife and can bite leg through the armor. Gilgamesh found that the team had been broken, he drove over, and a smilodon in front of him snapped off the war-horse’s neck,the chariot rolled over instantly. He picked up the battle axe, kicked his legs and flew over the encirclement by inertia, and fell into the troop.

He yelled “Don’t panic, let me break through.” Everyone saw the golden light shining, their confidence was shaken, as he charged and chopped all the way, return to the front troop. He said to Peter, “We have to go the other way and move forward and enter the forest against the wall of fire.”

As the sky darkened, the pikemen and swordsmen wrapped in engineers finally advanced into the forest, and Gilgamesh’s troops had nearly half casualties.

With the occlusion of the fire wall, the attacked area is reduced by half, but the opponent’s attack intensity remains unchanged. A huge black bear broke through the line of defense and ran behind Peter. He was fighting with people and can’t dodge. Suddenly a silver light flashed, and the black bear’s head was cut to the ground. Gilgamesh stepped over the black bear’s body and said to Peter “There are too many enemies, so consumption will surely wipe out the whole army. We are divided into two groups. You take the troop retreat westward while defending. After you go back, you can tell Flam about the situation here. I led one hundred soldiers continued to attack northward to lead them away.

Peter said anxiously, “No, you lead the army, I will pretend to attack!”

Gilgamesh said in an unquestionable tone, “You order me?” Peter bowed his head and said nothing. Afterwards, he led the Hundred Man Group to break through northward with great fanfare. The tactic worked, it may be that the opponent was eager to defend home. He successfully attracted most enemies. But they were surrounded again as soon as they broken through, so stuck between the breakthrough and the siege. The terrain was getting higher and higher up to the top of the mountain.

The dawn, Gilgamesh looked around and there were only ten soldiers left. Everyone fought fiercely all day and night, exhausted and panting heavily, staring at him. They all know it’s the last moment. Gilgamesh put his battle axe upside down on the ground, put his hands on the handle of the axe , his face was firm, and said to everyone “For Willier God!” Everyone said “The glory of light shines on my body!”

The enemy slowly approached and stopped in front of a cliff not far away and aimed at them with bows and arrows. The team separated, and a woman came out riding a panther. The woman has long jet-black hair, her skin is the color of mature wheat, her temperament was extraordinarily heroic, and she wore short animal skins. She said in a cold, arrogant tone, “You can avoid death by putting down you weapons.”

As soon as the voice fell, Gilgamesh picked up his battle axe and rushed to her. Bows and arrows shot from both sides. He swung the axe to parry, roared, and jumped up, gathering his last bit of strength to slashed towards the woman. Two big men sprang out from the woman’s side, one resisted his attack, and the other held a big mace against his belly. His golden armor was strengthened by magic, twice as hard as ordinary armor, but only half the weight. Even so, the stick shook him to spit out blood, bounced him into the air and fell into the valley…

At this time, huge mana fluctuations came from the northeast. The woman frowned and said, “Go back to the altar.”

[gabriellacrawford]

Traveling to Norway

There are a lot of things you can do in Norway. Some places you can travel to in Norway are: Oslo- which is the capital of Norway, Bergen- gateway to the fjords, Tromso- Arctic cathedral and northern lights, and Flam- railway views. Here are some tips if you decide to travel to Norway: 

1. Go to the Preacher’s Pulpit. The Preacher’s Pulpit is one of the most famous landmarks in Norway. It is a flat and wide surface located on top of a cliff. It has over 200,000 visitors every year visit it. 

2. Food is expensive in Norway. A lot of the food is imported and isn’t grown in Norway so the food will be pricey. It would be good to budget on food when in Norway. 

3. Tons of trails and national parks are free here, except for parking. There are also free walking tours that can help with keeping in budget while wanting to tour around Norway. 

I hope these tips can help while traveling to Norway! :)

-Posted on August 31 2020 on https://www.nomadicmatt.com/travel-guides/norway-travel-tips/#top5

[academersatz]

Travelogue - Norway 2017, part two (Fjords)

To paraphrase a great Finnish saying: in Norway, we have these things called fjords.

There were two fjord ... bundles, heaps, flocks ... what do you call a bunch of fjords? Let’s go with flocks. There were two flocks of fjords I visited in Norway. The first was the Narrowfjord (to butcher both the spelling and the pronunciation), and I rode the ferry from Gudvangen solo through the fjords. My traveling partner Bill decided to take a more expensive roundtrip speedboat tour through the fjords from Flam, so he dropped me off and drove on.

The first five minutes were great, then it rained for about a third of the trip, and then the rain stopped, and the rest of the ride was amazeballs.

I will spare you, kind reader, the details of sitting inside a humid ferry with a bunch of disappointed Asians. I had brought a raincoat, but it wasn’t enough, especially if I wanted to stand outside and take pics. I stared at the epic cliffs and climbs and countless waterfalls through a small foggy window until the sun came out.

A few days later, we drove into Gerainger, a small village at the tip of the Geraingerfjord. We had first planned on camping at the grounds down near the harbor, but recent rains and a lack of sunlight had turned the grounds into mud. So we stayed higher up on the hill, where it was cooler. That night, Bill and I drank akevitt, which is kinda like Norwegian liquorice vodka. I put the foil blanket down on the floor of the tent to keep us warmer, but it had the side effect of allowing us both to gently slide toward the door of the tent, and since we were both wrapped up in sleeping bags, we had to worm our way back to position.

The next morning, we hopped the ferry for the Gerainger fjord tour. We were never asked for our tickets. The fjords were, and I’m quoting myself, “pretty goddamn majestic.”

Waterfalls were, of course, one of the main attractions, and because we caught the morning ferry, dawn spilled out across the peaks and caught the mist, creating rainbows. We captured many of these ‘gay waterfalls,’ cracking jokes that even the nature in Norway was pretty progressive. 

Oh, and because I promised I’d mock Bill’s attire that day, here’s a picture of Bill. What a dork. :P

Next time, I’ll cover my hike up a glacier. See you then.

[briceemry]

Les dessins animés et les jeux vidéos d’aujourd’hui initient nos enfants à l’adoration, l’acceptation des visuels maçonniques et à l’adoption des idéaux luciférienne.

Ah que les temps changent. les années 80, c’était comme qui dirait, l’âge d’or du dessin animé. A l’époque, les dessins animés remplissaient merveilleusement leur rôle, celui de distraire l’enfant et le connecter avec son imaginaire, car c’est le seul type d’image qu’il arrive à comprendre et qui ne s’adapte parfaitement avec sa cognition innocente.

L’univers du dessin animés des années 80 mélangeait si bien le réel et l’imaginaire, aussi bien sur le visuel que sur l’audio – les répliques n’est personnages animés amenait l’enfant à bien prononcer les mots et à e découvrir des nouveaux; les images et la symbolique était à la mesure de leur compréhension.

Même si l’industrie du dessin animé avait les intentions de manipulation de consciences juvéniles, il était néanmoins rare de découvrir des images inappropriées dans les films de nos enfants. Il faut dire qu’à l’époque, il n’y avait pas de démocratisation des libertés de cultes, etc. En Afrique, il était même très difficile voir impossible de déclarer son appartenance à une loge maçonnique ou son homosexualité en public.

Mais les temps, ont changé, car c’est l’heure de la liberté, l’égalité et la fraternité. Le mot d’ordre est à la libération des ténèbres sur la terre. Les chauves-souris sortent de leur cavernes et nous ne sommes plus dans l’âge d’or de la morale, mais du symbolisme. Les dessins animés étaient aussi bien ludique que didactique. C’est ainsi que l’on pouvait avoir des dessins animés comme:

Les mystérieuses Cités d’Or

Il était une fois… la Vie

Albator

Belle et Sébastien

Tom Sawyer

Signé Cat’s Eyes

Cobra

Moi Renard

Les Schtroumpfs

Olive et Tom

Inspecteur Gadget

Les Entrechats

Capitaine Flam

Candy

Cliff Hanger

Rahan

Bouba

Lucky Luck

Marsupilami

Spirou

Belle et Sébastien

Le symbolisme maçonnique et l’agenda luciférien dans les dessins animés d’aujourd’hui.

Aujourd’hui, le symbole est partout: dans les clips vidéos, le cinéma, les vêtements, les accessoires, la publicité, partout… Tout est mis en place pour faire en sorte que tout devienne normal pour le commun des mortel: adorer Lucifer doit être normal; voir deux personnes du même sexe s’embrasser dans la rue ou se marier doit être normal, voir un homme coucher avec un animal doit être normal, voir un adulte de plus de 50 ans abuser d’un ou d’une gamine de 5 ans doit être normal, car les enfants aussi ont besoin de désir sexuel (de vrais malades).

Aujourd’hui, que ce soit les nouveaux dessins animés que les vieux dessins animés réadaptés, vous verrez toujours des images subliminales destinées à faire accepter à nos enfants cette nouvelle vison du monde où rien n’est plus tabou, où l’anormal devient normal, où le mal prend la place du bien, ou Lucifer fait du bien, avoir deux parent de même sexe est devient normal. Ces idéologies, propagées par les maisons comme Walt disney, Netflix, etc, plongent nos enfants dans un univers où ils n’ont aucun Control, car l’objectif d’une image subliminal est de s’adresser directement au subconscient de l’enfant. Il es même souvent très difficile que les parents s’en aperçoivent .

Quelques images des dessins animés que regardent nos enfants sans se rendre compte qu’il enregistrent inconsciemment une symbolique maçonnique et très malsaine: sorcellerie, pédophilie, franc-maçonnerie, homosexualité, etc

Il est temps que les parents prennent conscience de la dangerosité de ce que leurs enfants regardent et écoutent à la télévision et sur internet, car les images subliminales sont distillées aussi bien en vidéo qu’n audio. Nos enfants deviennent de plus en plus incontrôlables, dangereux, plongés dans la délinquance sexuelle, très amoureux de l’argent, avec des penchant pour les produits stupéfiants, etc. Tout cela à une origine. Il n’ y a pas de fumée sans feu.

Il est temps pour vous de prendre le contrôle et de filtrer tous les dessins animés, les chaines de télévision que regardent vos enfants, la musique qu’ils écoutent, les vêtements qu’ils portent. C’est difficile, mais essayez.

Les dessins animés: véhicule de la pensée sataniste et luciférienne Les dessins animés et les jeux vidéos d'aujourd'hui initient nos enfants à l'adoration, l'acceptation des visuels maçonniques et à l'adoption des idéaux luciférienne.

[filmwithnoname]

De Palma's Snake Eyes and the meaning of life

Is there any greater liberation than having one’s all-consuming paranoia verified, to, finally, be vindicated in the center ring of conspiracy? And what is a life if not a series of phantom punches until landing a real punch, we knock and are knocked into the hard determination of an unfolding plot? Who is that in our ear calling for a falling if not ourselves? We are all actors in this conspiracy called life.

What are snake eyes? A demonic force, fortuitous providence, ecstatic coincidence, strange chance, sinister subtext, an omniscient being controlling things from the all seeing eye-in-the sky: Rear Window to ceiling vertigo? You can close your curtains, but you can't put a roof on Heaven.

Snake Eyes takes place in a casino, epicenter of totalitarian fortune-making where luck, like conspiracy, is manufactured not born. We, however, are born, born into the house’s advantage, the defining framework of childhood, labor, government, biological life itself. The underlying structure in the fracture of existence; What we see is not the same thing as what we perceive. De Palma's epitaph, maybe the director's essence in general: The point and the view are fixed.

The storm outside the casino can't be called a hurricane, but a "tropical storm," as if the semiotics of weather terminology will save us from the world crashing through our windshield, a semantic suppression to maintain the capitalist order. What we are talking about with capitalist conspiracy is not pissing on your face and calling it rain but pissing on your face and calling it a spa treatment. This is the 20th century skeptical spectacle: Media censorship, doctored photographs, adulterated film footage, spliced audio, top secret sign-processes of the hyper-corporate surveillance state. The truth exists outside of the documented record. The tools of communication, bookkeeping, trust-building are untrustworthy themselves, inherently compromised by their placement within the ruling order.

Like Nic Cage's Santoro character, our only claim to free will is the "I never killed nobody" chicken-soup-for-the-soul reassurances. The conspirator on the other hand is always prepared to kill and die for the cause. In fact, his role in history is already predetermined, like playing back a roll of security footage then recording over that footage with the exact same events and circumstances in a new reference frame. The conspirator is merely a cog in the grand narrative that composes and commands from its all-perceiving zeppelin above. A narrative that will, somehow, eventually end in mankind's best interest.

What are the origins of conspiracy? A ruse, a state of play.The plot here is corrupt military contractors and their faulty technology and the cover-up assassination that takes place within the ultimate conspiracy framework of a fixed boxing match. The film drips with liberal paranoia projected onto security theater paranoia infused with the corruption/redemption dichotomy of the human law enforcer with an added dash of media scrutiny. But what is the real conspiracy here? That the surface is not what it seems, the eyes deceive themselves, that film is flam, but also that within the foundation of every new truth is a dead body waiting to be laid bare.

Both the threat and seduction of conspiracy is that if we are to partake in its luxury of suspicions, we are then compelled, if not forced, to pursue these doubts to oblivion, until, like Santoro, we end up chasing cocaine and fast cars over the edge of truth’s fraudulent cliff. There we must reorient ourselves within the mechanisms, the rule set of the conspiracy: insider or outsider, participant or observer, filmmaker or audience.

True power emerges in the gaps of human perception. What is the actor, the politician, the lawman, the sports hero, but another pirate lighthouse on a false harbor? What are these skyscrapers, these legislative houses, these movie theaters but giant slot machines where fates are rolled? The actor is the patsy in this conspiracy, a public, empathetic front of the unseen, unthinking machine; a roulette wheel with a human face.

Technology doesn’t replace God. Technology is man's imitation of God's politics; it is optics, image, pomp, emperor's new missile defense system, all the trim and trappings of a conspiracy’s stuffed turkey, live on pay-per-view. Cinema isn't a dream state, but a conspiracy state, the public relations offshoot of the military-industrial complex since the beginning of the 20th century, both the pay-in and payout of civilization, its warfare and aesthetics, a game played with loaded dice.