#floor patterns

[bonkas-gaming-stash]

Tasseled Rugs - Animal Crossing

I made 5 tasseled rugs with different colour schemes. Make them as long as you want, you could even make a runner out of them. I like using them as yoga mats or beach towels.

[vintagehomecollection]

When a black-and-white print is as strong as the cotton fabric used on these chairs, little other pattern is needed to make a room snap together. The overall effect is clean, crisp, and dramatic.

House Beautiful Color, 1993

[okaydiscount]

sniper tf2 but wearing my outfit from today 👍

[r-aindr0p]

Longing for Glorious Masquerade...

[springweaver]

People… its time. I finally have a floor loom. It has 4 shafts and 6 treadles and Ive warped it up for the first time today. Look at it!! Im so exited c:

[magentasnail]

drawctober 4 - sweet! I was going for a candy-90s arcade floor pattern, it worked better in my head

anyway it's also on redbubble if anyone's interested

[sorrelpaws]

GOTTA KEEP THOSE RECEIPTS, DAWG

[chasingrainbowsforever]

~ Textures | Patterns | Designs ~

[echo-starflower]

I FINISHED THE GUY!!!!!!

(Pattern by @ghost-cinnamon)

He’s perfect and I love him

But Echo! some of you might ask, isn’t the body supposed to be red like his bones? To that I say! 1: I’m impressed you saw it under the layers of clothes! /silly and 2!

BAH BAM

Embroidery!!!!! (I’m so proud of this hehe it turned out way better than I expected. Also faceless doll jumpscare>:3)

And of course, credit must be given to my amazing little sibling whose immediate reaction to seeing my doll was “ooo he’s spooky! He needs a top hat!!!!”

(She proceeded to make not one but two top hats hehe)

[heich0e]

tobio gets horny after a win btw

[mitskiluvr]

on the topic of the proof of justice ova... need to really bring attention to the opening song for it (dark sun)

somehow you fed.. my hunger for a life not ruled by your night.. ok.. smells lgbtq to me...

[shiftythrifting]

Button down shirts are now available in the ShopShifty store! Everything's still on sale, too!

[vintagehomecollection]

Southern Interiors, 1988

[its-where-the-wild-things-are]

[completeoveranalysis]

[2]

NEW FAVOURITE COVER?

NEW FAVOURITE COVER!

Chapitre 201 - The Truth from within the Ruins

Oh this is just beyond gorgeous. Who can stand against the pure concentrated adorable that is Tsubasa Babies Family Photo? Now with all four of them!

I’m in love with all the tiny details that they clearly spent so long on - all the lovely folds of Sakura’s dress, the intricate detailing on Fai’s robe and staff. Lava Lamp is in his ceremonial garb, and tiny Kurogane IN HIS FANCY LITTLE OUTFIT. (AND HIS POSTURE? GET OUT. Incredible)

 Kurogane doesn’t have Ginryuu yet (since this is Happy Childhood AU, so his father will still have it. Still has the moon though!) but Lava Lamp has the Syaoran Family Sword all ready to go. His outfit would be incomplete without it - they’re all wearing clothing from their home worlds, or maybe their families? I’m technically not sure which world Lava Lamp comes from, but his outfit is Family Legacy all the way down. I’m dying to know if Fai’s outfit is in the style of Seresu or Valeria - I don’t think they’re all that different, but I think I would put my money on Valeria based on the position of the fur and the curl motif. In which case it’s fun for me that his Happy Family AU is in Valeria instead of with Ashura. (sorry not sorry Ashura get fucked)

I suppose in this version he never had reason to leave Valeria in the first place, so it’s a very nice touch that the outfit doesn’t immediately resemble the clothing he wore in his backstory, since that’s all so closely linked to the death of his twin, who would be alive here. Very nice visual choices all around, especially with each of them in their own unique colour pallette. Oh, and even with the colour differences they all have bits of yellow somewhere on them, showing their connection.

The left/right split between them is really fun too - sword wielders on one side, phenomenally powerful magic users on the other, cats vs dogs, unique child/parent pairings, etc. It’s very funny to me that they found a super fancy chair for Sakura and a cushion for Kurogane, but nothing for the other two. But Fai draping himself over the chair is such an incredible piece of character flair, which I am in love with, but also, the TOUCH? The little touch of tiny hands? Sakura reaching back to put her hand on the back of Fai’s? Tiny Lava Lamp’s little grip on Kurogane’s arm? OH it’s so touching. 

And behind them all? THAT WINDOW. Such a clear symbol positioned directly in the centre frame. At first I thought it might be an eye, but this is Happy Family AU so there should be no Evil Wolverine to spy on them. What I’m voting on instead is CLAMP playing with Tarot symbols again and this being the Wheel of Fortune, or a similar idea of a wheel of destiny. They use the latter idea a lot in their earlier works (RG Veda and X/1999 say hi), but I think the tarot symbol in particular really shines through with the ideas they’re playing with in Tsubasa/xxxHolic, and has a very strong parallel to the idea of hitsuzen. 

After some much safer googling it looks like the “Wheel of Fortune” in Tarot can mean change or cycles or inevitable fate, but on the flipside could also be lacking control. I think the reversed meaning of the card really speaks to me the most about their situation in general, as it describes bad luck and misfortunes thrust upon you from external forces, that you are fighting to take control back from an unwinnable situation. That fighting it is impossible, that continuing to fight it can only bring more suffering, and that the only option is to let it go. To stop blaming yourself for the thing you did wrong, or the thing that you think was your fault. To forgive yourself, to accept it all, to let yourself move on, to accept that change is inevitable, and to finally be able to move forward and just let everything happen. 

Because if that’s not exactly the whole situation we are in I don’t know what is. It’s a mirror for the things that Fai and Kurogane have already been through, and for what Lava Lamp Guy is still currently fighting, and CLAMP love to do drop these symbols all the time. 

And this is a bit of a tangent but who’s gonna stop me? Clamp LOVE their tragic destiny pairs, especially in their early works - the couples deeply love but also cursed by fate, like Kendappa and Souma, Ashura and Yasha (flavoured differently in RG Veda, but still fitting this cycle again in Tsubasa), Subaru and Seishirou, Sorata and Arashi (unfinished), Kamui and Fuuma, etc. The characters who are so different from each other, so diametrically opposed, but in love still, and it burns so strong that they either have to kill each other or let the world burn around them - or both! They’re always fighting destiny, just like the reversed wheel of fortune, and they fight it to the point of obliteration. 

AND THEN we have Tsubasa, and I think it’s so endlessly interesting that they took the same pattern and turned it around. Syaoran and Sakura definitely fit the theme (and wild that they took the Cardcaptor Sakura happy couple deliberately to make the most universe shattering tragedy out of it, but I still haven’t seen how their story ends, whether one will have to tragically die to save everything or whether they’ll get out somehow). But what I mostly want to talk about (surprise surprise) Kurogane and Fai, who fit the pattern exactly. Complete opposites, diametrically opposed, set up as antagonists and destined to kill each other but fall in love instead. That they both fight against the tragic pasts that defined them and eventually change their mind. Eventually, slowly, they accept love again and realise that they can actually live with themselves and each other if they let it all go. 

And I think what really gets me is that if this was an earlier Clamp work they absolutely would have tragically died - they would have killed each other in the climax of Seresu and it would have been beautiful and terrible and no-one ever would have ever emotionally recovered from the complete and utter devastation. 

BUT THEY DIDN’T. 

CLAMP spend all of Tsubasa revisiting all their old works, taking us through a parade of the various tragedies they’ve sung across the years, all leading up to them ultimately breaking their own pattern and letting Fai and Kurogane save each other from the same Clamp fate that claimed every tragic pair before them. They choose each other and get out alive. They stop blaming themselves for the unchangeable parts of destiny and finally forgive themselves. And it’s just very emotional to me that it’s these two that make it, these two that get to recover and choose each other and live their lives inseparable from this point on. The two that had arguably the most tragic backstories also get to face their trauma, survive, and live. 

And it’s just so beautiful to see how the CLAMP storytelling method has changed over the years, and to find out that after all these years, the big destiny story they really wanted to tell in their longest and most detailed work was about the two men who fell in love, against all odds and saved each other. Despite absolutely everything saying that it should be impossible, it’s Kurogane and Fai that finally flip the tarot card back around and live. 

And I’m extremely interested in what this means for Lava Lamp and Not!Sakura.

[garadinervi]

Gunta Stölzl, Design for a jacquard woven wall hanging, (watercolour and pen on paper), 1927 [Victoria and Albert Museum, London. © DACS, London / VG Bild-Kunst, Bonn]

Bibl.: Barry Bergdoll and Leah Dickerman, Bauhaus 1919-1933. Workshops for Modernity, MoMA, New York, NY, 2009; John Murdoch and Susan Lambert, Summary Catalogue of Textile Designs 1840-1985 in the V. & A. Museum and colour microfiche, Emmett Microform, Surrey, 1986