#for anyone still around

[justdontaskme]

I've been gone for a moment but am tentatively back. If things go as planned I may have a fic out later today/tomorrow. Any guesses as to what it is?

[angelfic]

annabeth and grover frantically submerging percy in water the way you’d put an iphone in a bowl of rice

[canisalbus]

*carefully picks you up and peeks into your conch snail shell*

Ehm... Sorry to bother, but... Could we, maybe, possibly... see Vasco's wife and her lover pictured by your hand? Sorry again, thank you for listening. Take care.

*delicately lays you back into the water to prevent any stress or dehydration*

Unfortunately I don't have her lover figured out yet, but I think Ludovica looks something like this:

[sentate]

SENTATE - 17 Year Anniversary Gift

Hello my angels! On Wednesday the 4th of September 2007 I released my first ever upload... and today I present to you an opulent set of high jewellery to mark 17 years of Sentate! And also to pay homage to the creator who first inspired me to start creating, a creator called Salvatore, by re-imagining one of their iconic 2005 necklaces!

This set includes both an opulent Diamond Necklace and matching Earrings, with both pearl and gemstone versions in a 15 swatch palette. I'm not the best at jewellery by any means, but I hand placed each stone and pearl to try and replicate the original as best as I could. It's been on my to do list for years!

DOWNLOAD -Free on Patreon

MORE DOWNLOADS  |  TERMS OF USE  |  LINK TREE A little backstory under the cut:

Can you believe I've been making cc for 17 years? It kind of took me by suprise to see the number creep up so high, so I decided it was finally time to recreate the Iconic Salvatore Necklace mesh I've had in my folder for years. Sadly the content they made wasn't really shared publicly and their old fash sites only work with with an emulator but I made some gifs to give you all an insight on the absolute vibes they had back in 2005!

My whole fashion journey started out with Salvatore. Finding their Haute Couture collections and whole virtual designer processed introduced a whole new way of playing The Sims to me and I never looked back! It would honestly take me a whole essay to explain how finding their little flash site with auto-playing music influenced the course of my life not only in the world of Sims but also real life. I am eternally grateful for inspiration it gave little bebé me all those years ago.

You can actually see the necklace I recreated in the gif above! So funny how much discovering this one creator has informed my style choices and interests over the years, I forgot how much of an inspiration they were until I rediscovered their site on the wayback machine! Special thanks to DarkestDawn for sending me the necklace mesh back in 2020! Here's to 17 years of making cc and maybe 17 more who knows?!

x x x

[ghoulbats]

well….it finally happened

[b4kuch1n]

podcast people in my phone

[exewing]

breaking my 5 year silence

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[cinnamon-flame]

Today I remembered that I made an flight rising account in 2021 (that I played for only one day and then I gave up cause it seemed too hard) and I logged in today to check it out again. Long story short I found out I had a lot of cash from somewhere apparently so I bought a couple of dragons for fun. As far as I'm concerned all the love is stored in the Aberration

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[maythedreadwolftakeyou]

Here is the finished version of my smaller & simplified Hierophant embroidery design! It measures 3.5 inches wide rather than 6.25 like my larger and more complex pattern, and I tried a different color palette for the background to bring it closer to the original card. It's still not perfect but I'm pretty happy with how it turned out!

This pattern takes a lot less time than the bigger one, so is more approachable. Both these patterns and my other designs will be available in my new etsy store as I finish writing out instructions and uploading them :)

This finished piece will also be for sale for anyone interested, and I am taking limited embroidery commissions for now.

[sakuraspoke]

[x]

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[tomiyeee]

likes the smell of pineapple-scented air fresheners while (sort of) implying that he doesn’t like real pineapples

likes drinking out of pineapple cups

??? i don’t know what to make of this but the presence of the pineapple seems intentional

hates the combination of pineapple and ham

...why does this man have a more complicated relationship with a god damn fruit than some shows have between its own characters???

[gabe-lovebot]

hello councilnation how are we feeling