#for some of them i would LITERALLY dissect them even more

[crystallizsch]

despite twst being a "villain" game

i love it when i see how certain characters speak to certain people. like how people just relate to their struggles/personalities/etc.

there’s riddle coming to terms that not everything has to be perfect, unlearning from what he has been taught growing up that not everything has to be followed to the letter;

ace who is gungho and earnest about what he believes in and has the natural inclination to defend those he grows to genuinely care about;

deuce always striving to improve himself despite setbacks and being aware of his own shortcomings;

leona who acts like he’s given up from being cast aside his entire life and coming to terms to the fact that there are people that do look to him as a leader, as someone who’s worth something;

floyd who unapologetically just does what he wants, choosing to do things that interests him at the moment;

kalim choosing to be happy and kind always, living life everyday to the fullest knowing what he’s gone through;

jamil with the expectations and obligations to essentially "perform" and do things for others more than for himself, especially when he has the potential to shine by himself with his own abilities;

vil rejecting gender norms and restrictions, while still being confident in his own masculinity, and also wanting other people to bring out their best and truest potential even though he may be strict about it;

rook being able to pick out so meticulously the beauty in everything and everyone whenever no one else is able to;

idia with his introverted yet very passionate energy towards things he cares about;

silver with his love and dedication for those he considers his family;

malleus with his loneliness and bringing out his genuine self with someone he's able to consider a friend;

i know some of these sound pretty surface-level but these are the ones that just came to mind at the moment, these are not my full-on thoughts on each of them

my point overall is i just really love seeing when there’s a character that REALLY speaks to someone that doesn’t particularly speak to me because it gives me a whole new perspective on characters i initially didn’t care about or didn’t like and makes me appreciate them more

also it just shows how how these characters are different enough in that sense so that there are characters for everyone to love and relate to 🥺💕

i could gush more about relationship dynamics as well but this is getting long enough hfdsfjsljlks anyways i would love to see others’ own takes and why a particular character(s) relates to them or why they just like them in general 👉👈 i want to spread some good vibes 💖 but anyways idk these are just my thoughts 🤧

[medicinemane]

It's just a fact that nothing I do matters or has any impact

I can prove it, and I do mean that

I wouldn't want to because I think it would bother people, but I have... endless proof

[duckimate]

GRUMBO WEEK DAY 3 - " Nightmare " @grumboweek

"read more" at your own discretion. messy+wordy explanation of the concept coming:) .

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pardon me for being late but i really couldn't stand leaving this looking unfinished so. had to spend a bittt more time on it (might even post for grumbo week even after the event's over if thats okay!!)

we all got over the progression from their friendship to their betrayal of eachother in Last Life too soon. i need people to mourn with me

"Nightmare" made my mind immediately jump to the series that waffle duo really got their share of angst from, Last Life. How an unbreakable bond of friendship strengthened by literally passing eachother something as valuable as a life so quickly crumbled into them both betraying eachother in the end, a Nightmare scenario that the two of them would've never even considered for sure. even grian, who upon turning red was still clinging onto the hope that their bond was so strong that mumbo would join him as a redname. (concept) even red mumbo, who in his last ditch desperation tried reigniting post-red yellow life grian's humanity by giving him the spyglass, the southlander's physical embodiment of their friendship, only for grian to crush it mercilessly ,,,,,,,,,

anyway for this piece i tried real hard to cram in as much symbolism and imagery and intent behind my lines and colors as possible, so heres some of it! (theres more but thats on you to figure out!)

Composition + just some of the details : the main concept that i really wanted to drive home is the use of the SPYGLASS as symbolism for the progression of their bond throughout Last life, up until the end. yellow-side grian holds up a spyglass, looking towards the right

day4 past and future concepts ahead the spyglass extends through the past to the present, like a solid line of sight into the future before its unfortunately crushed by red-side grian (him shutting down any friendship or reconciliation from mumbo) mumbo, back against the future, faced twoards the past, reaching his spyglass out looking for who his friend was, only to see a cracked figure of him staring back grian, faced towards the future in both drawings, but also looking back at mumbo, with different emotions but both with the same desire to move forward, one with adoration and another with the desire to move on from mumbo's dead body and focus on self-preservation. he knew he had to move on, and he was right.

SOUTHLANDERS BADGE: mostly for visual interest! but also unlike the spyglass, is an unremovable physical reminder for post-red grian (literally lodged deep into his shoulder)

CLIPPED WINGS: i felt like i had to mention that they're supposed to look clipped in the second drawing:) "HE NEEDS TO LEARN" was a real quote that was directed at both jimmy and mumbo, but we gotta adapt pfft ,,, this post is long. LOng long. i should stop. special SPECIAL thanks to my dearest @justrelaxhere for their hours worth of dissection of my drawing! god i could always count on them to squeeze every drop of symbolism out of my work. without them i wouldn'tve been able to fully articulate my ideas! okay thanks for reading people:D

[lucystark12]

milevens are insane

warning now - i get extremely heated in this so if you're going to tell me to calm down leave. before any of you weird bitches tell me to go do something more productive or to touch grass- no. i'm fifteen, it's summer, and i'm a highly involved high school student. i'm not here because i have nothing better to do, i'm here because i understand good writing and am able to have hobbies ❤️

anyways

was on the mileven endgame hashtag just now and because i don't choose violence i wont be addressing any of them directly, but i will be addressing some of the ridiculous bullshit on there. term bullshit used intentionally

the love confession came as a result of mike "gaining the confidence" to tell el how much he loves her because he was afraid that he loved her more than she loved him.

are you listening to the words that are coming out of your mouth right now? i want to sit down and get a coffee with you and dissect what the fuck you meant by that. sure, right, yeah, he gained so much PRODUCTIVE confidence from his conversation he had with will where will was using eleven to mask his own feelings for mike. it makes so much sense narratively that this end all be all mileven event is sparked from will's feelings and not mikes! sure! right! this is such an idiotic piece of reasoning. you are literally saying that you are okay with your endgame ship only being endgame based on faulty communication and lies. are you joking? "you just gotta improve your motivation" ass piece of evidence

also, mike being insecure about loving her more than she loves him is complete, total, utter bullshit. el frequently expresses her love to mike via letters and youre here to say that mike would have any problem with doing the same thing if he were insecure about her love for him? that literally makes no sense. i wouldn't be afraid of loving somebody more than they love me if they are actively putting more effort into insuring me that they love me than i am to them. like, what does that even mean?

“Will Byers is a pathetic loser annoying character and contributed little to the plot of ST. "

yes that is a direct quote. no i'm not kidding.

what kind of fucking neanderthal watches stranger fucking things- a show about a kid who disappears- and thinks the kid who disappears isn't a central part of the narrative? the first episode of the goddamn show is called "the vanishing of will byers"! maybe this is hard for you and your confused brain to get your head around, but el and mike met when mike was out looking FOR WILL. mike and el are still together because mike gained courage from WILL'S LOVE FOR HIM. what a fucking idiot you must be. i would try to explain to you the myriad of other reasons why will is absolutely central to the plot of the show, but since the show itself has clearly gone in one ear and out the other, i probably wont be able to get through to you either.

“what if we learned to cope with world that doesn’t accept us as individuals by embracing each other completely?” said about mileven

um.. what. that's literally byler. closeted gay guys in the 80s. but sure, the ones that aren't being accepted are the two white and allegedly heterosexual individuals. the "world that doesn't accept us" in question is a few high school bullies in comparison with the stigmatization, violence, and ostracization that has longstanding been a part of what it means to be queer. be so serious right now. mileven is not important for being non conformist, the GAY SHIP IN THE 80S IS!!

“The only people who queerbaited, was byler fans themselves lmao.”

even if we're ignoring the horrible grammar there are still SO many things wrong with everything that was just said. what they're saying above for anybody who can't decipher the weird medieval english code this person is using is that bylers actively queerbaited themselves which inherently makes no sense at all.

below i have included the oxford dictionary definition of queerbaiting: "the incorporation of apparently gay characters or same-sex relationships into a film, television show, etc. as a means of appealing to gay and bisexual audiences while maintaining ambiguity about the characters' sexuality."

how is it possible that byler shippers themselves are the ones doing the queerbaiting? are we running the show? nope! before you come on and post something as offensive as this- which i will get into- at least make sure you know what you're saying. xoxo

to insinuate for even a second that mike wheeler not being gay would be anything other than deliberate queerbaiting is insane. there is something wrong with you. aside from the parts of the show where his queerness is deliberately alluded to like music, costuming, analogies, allegories, and set design, netflix has been, weather you like it or not, actively marketing in favor of byler and mike not being straight. all below come from official netflix accounts-

how is this not queerbaiting? genuinely what are you on about. this is literally textbook.

“will is fruity but mike didn't like the fruit on his pizza”

you seriously are basing your argument about mike not being gay on him not liking fruit on pizza? you seriously think that some of the most commended and celebrated writers of the last decade would use symbolism involving a word that can literally be interpreted as a slur when their show has two characters who are canonically a part of the group affected said slur? are you fucking stupid? that was harmless banter used to communicate the differences in habitual action across the country. it wasn't the duffers trying to do for you what they do for us in deliberate, straightforward NON-OFFENSIVE symbolism.

i saw somebody claim that mike's character arc in season four was inherently about not believing in his self worth nor in his competency to be in a relationship with el

while i do for the most part agree with you, i'm going to ask you a question- mike was never anxious about his identity and self worth involving el before season four. why do you think that just came up now if not for the fact that he's been having insecurities involving his sexuality and romantic attraction to women as a whole? in my opinion, mike realized that he might not like girls in that way circa the end of season three- a realization that only festered and grew through the absence of not only the boy he loves that is causing this insecurity but the girl whom he is using as a way to say hey, i can't be gay, i have a girlfriend! mike was clearly going through some serious emotional struggles as we can immediately see in this scene with how suddenly awkward he is with will and the immediate emphasis that's put on the "from mike" on the flowers.

i agree that his season four and part of his season five arc are about his feelings of insecurity about being in a relationship with el, however, i don't think he's insecure because he thinks she's better than him in the sense that she's some superhero, i think he thinks she's better than him because he knows that he'll never be able to love her the way she deserves to be loved. he's not going to outright come and say to will that he doesn't think that he can love her in the way she deserves to be loved. he's closeted. what he says in the van scene is the only way he knows to express his feelings. it's very similar to what will does in the same scene. it makes no sense for this insecurity to randomly manifest in him if it wasn't for an external factor that doesn't involve el, because nothing has really changed with the dynamic of their relationship other than the move. one could argue that mike is feeling insecure over el's supposed popularity she claims to have in her letters, but mike's arc has never been about caring about popularity in school. that's not something on his mind so much as the grand scheme of the world is. lets not forget that he joins hellfire in season four.

“When Mike didn’t say “I love you”, By*ers twisted it to their narrative. When Mike did say “I love you”, By*ers twisted it to their narrative.”

you literally sound like trump going on about the democrats. listen to what your saying right now. also, it's a ship name. there's no need to censor it you fucking weirdo.

wasted time building up mileven

i'm sorry, what build up? i'm confused. there's no "build up". THIS is build up:

above is will, possessed by a monster who feeds off of those lacking love in their lives, only being able to be broken out of possession by a heartfelt monologue by the PERSON HE LOVES detailing how the best decision he ever made was to befriend him.

above is will claiming he will never fall in love, then his love for one of the other main characters becomes a central plot point of the two seasons to come. joyce and i see through will and all of you weird milevens

mike telling will how it's not his fault will doesn't like girls only after he loses the person he's been using to cover up his own insecurity about the same thing- not liking girls. suspicious.

will's LOVE FOR MIKE being the thing to give him the confidence to help el SAVE THE WORLD, only episodes after we establish that mike is bound to be pissed that he was lied to. and theres no buildup? THERE'S REALLY NO BUILDUP?

if you don't see buildup i fear you are literally just a lost cause because it is so painfully obvious to anybody who made it past seventh grade english class that there is something deeper and more intimate than friendship going on between will byers and mike wheeler.

“Women can be independent while being in a relationship guys😭!!”

OBVIOUSLY! i am literally the biggest feminist on the entire western seaboard. i couldn't agree more with this, which is why we have arcs like nancy's where she actively becomes more independent while still maintaining a relationship with jonathan. the difference is that mike and el have been together since they were like thirteen. when el was immersed into the real world for the first time in season two she immediately leaned on mike for support in that. it's not that she can only be independent on her own, it's that mike is directly symbolic to her of a time when she was stumbling around the world with naivete and not quite knowing how to navigate that. by spreading her wings away from that relationship, it will not only give her independence, but also a way to see beyond the barriers of hawkins and a life where she was valued mostly for the qualities she brings to the supernatural equation. el's arc is one of my favorites. i would never claim such a thing and discredit the essence of what makes the emotions behind her character so interesting. she's somebody who was literally raised in a lab. she shouldn't be held back by somebody she is quite literally dependent on.

last but not least, i saw a post that said milevens always win.

"are you sure about that?" i ask, noah schnapp's most recent instagram post open on my phone, finn wolfhard's spotify playlist in my headphones, my mike holding will's painting funko on the desk in front of me, wearing a yellow shirt with a blue sweater over it.

thank u for listening to my ted talk 💙💛

[avelera]

Ok, I feel like there's three writing concepts that Tumblr needs to get reacquainted with when it comes to understanding fiction:

Catharsis - Sometimes, fiction engages with horrifying, disgusting, painful, or scary concepts in order to bring about a positive experience for the reader. This can be through the hero defeating a disgusting evil, like defeating an abuser for example. One might also get catharsis not out of the defeat of something bad or uncomfortable, but simply from the experience of living it vicariously, such as joy at successfully hiding the body of a murder victim. There are literally countless examples of catharsis in fiction, but most importantly it must be understood, it is completely harmless to real people whether you're experiencing catharsis at something good happening or something bad happening that you get to live vicariously because it is literally fiction. Indeed, there's a lot of evidence that getting to experience catharsis through fiction at evil things, say, living vicariously through a fictional character committing adultery, even if you would never want to cheat on your own partner, actually helps purge the desire to do evil things oneself.

Pleasures of the genre - some genres have expectations that go with them. If you, as a writer, don't include those pleasures, you might turn off the audience. For example, the Western genre has a certain expectation of being set in the 19th c American West. There's usually cowboys and horses involved. If you write a story that's advertised as a "Western" that takes place entirely in a New York City apartment, it might be novel for the genre, but it might also piss off a bunch of readers who were expecting horses. You can do it, obviously, but don't be surprised if readers are confused and perhaps disinterested in the work. More salient to Tumblr perhaps - Marvel believes it is creating action/adventure superhero stories. If a Marvel movie suddenly became a psychological exploration of the internality of a character's relationships, without a single laser beam or fight scene in sight, Marvel expects its audience to be confused and unhappy. We, as fanfic writers and readers might be dying for that story, but that is not the pleasure of the genre that Marvel thinks its audience wants when it walks specifically into a superhero film.

Power Fantasy - this might be one of the most misunderstood or perhaps narrowly applied terms. Yes, sometimes a power fantasy is a 16 year old boy watching a superhero dude with 8 pack abs destroy the bad guy, get the girl, and save the day. Living vicariously through that character is definitely a power fantasy. BUT, a power fantasy can also be fantastical things that the audience wishes would happen in a way that would empower an audience member or make them happy. For example, a billionaire industrialist merchant of death like Tony Stark getting hit by his own weapons and deciding to become a crusader for justice in a way that actually helps normal people is, in fact, an audience power fantasy. We want to believe that if the right bad guy like a billionaire got the right comeuppance like a near-death experience at the hands of their own evils, they'd learn their lesson and become a better person. This is a power fantasy. This is not a thing that actually happens. It's honestly not that different from the power fantasy many gun owners have that if they own a gun, they're more likely to stop a crime in progress with their perfect marksmanship, rather than that they're more likely to kill or be killed by a member of their own family. Understanding the application of power fantasies in terms of good things you hope would happen happening in fiction is not only important for dissecting fiction as an intelligent viewer, it's also important in terms of recognizing when you're being influenced by certain stories and choosing what lesson you take away from it and what lesson (if any) you want to take away from it.

I just feel like these 3 terms are what I see most lacking in a lot of "discourse". Fiction is trying to engender emotion in the audience. Great fiction engenders a wide range of emotions in the viewer, not simply good emotions. Thoughtful fiction might (but not always!) try to impart a lesson. But great fiction can also just want to give you great emotions and make you think outside the usual box of your usual experiences. It's also completely fine for great fiction to just want to give you a great emotion experience like catharsis, or the thrill of a power fantasy. And I really wish these three separate but interrelated concepts were discussed more when it comes to dissecting fiction here on this site.

[humdrummoloch]

Here's an exercise to apply to your story: pick any scene and build up its stakes.

Most scenes should have at least a tiny bit of tension. Not every scene has to drip with artificial melodrama, but if the audience doesn't see a good reason to care about what's happening, they probably won't.

Using this 3-part exercise I just made up, just with a few quick bullet lists, you can dissect that scene's stakes and make them mean something.

PART 1: THE TELLING

Take a moment to focus on the stakes in your scene. What's the worst that could happen? List them.

Here's the rule: if a stake is obvious, don't count it.

Wrong: "If he kills me, I die."

Wrong: "If the villain fails to get the artefact, he fails."

Wrong: "If I lose this match, I lose."

Sure, yeah. But what ELSE?

Correct: "If I die, there'll be no one to protect my family."

Correct: "If I don't get this magical artefact before the hero stops me, my plans to take over the world will be sabotaged."

Correct: "If I lose this match, I'll never make it to the championships and show the world what I can do."

The stronger these stakes are, the better (within reason). "So-and-so might die" isn't a compelling (as it could be) narrative stake even in stories where people do die.

Even in low-stakes stories, the characters care about those low stakes. If it's important to them that they impress that client or get that job, tell us WHY they care. Is it their lifelong dream, or the promise they made to their dying mother, or the job that'll take them away from a horrible living situation? Will failure embarrass them in front of their crush?

PART 2: THE SHOWING

Now you know what could go bad, let the audience feel it. Just take things that matter and tweak them so that they're tangible.

"If I don't join the fight, my friend might die!" -> Show us an enemy raising a sword about to strike their friend down if the character doesn't rush in to save them NOW.

"If I drop out, I'll be a bad daughter!" -> Show us her parents bragging about their kid's academic performance and telling her they're happy they have a good kid with a bright future instead of some "no-good delinquent."

"If I don't pay by next week the bank's gonna take our house!" -> Show us the character begging for just a few more days, show their reaction to overhearing someone talking about buying the house from the bank to bulldoze the property. Show what the house means to them and how they made it their home.

PART 3: THE HAPPENING

Remember, a bullet seems a whole lot deadlier when it doesn't literally miss every time. But it would be strange if every scifi involved the whole planet blowing up, right? Or if the main characters all died? So, you have to show us you're not kidding by employing a secret third thing. Here's the trick to this: divide up the stakes into pieces and make one of the pieces happen.

If the protag's team is in actual danger, just one of them can die. Maybe even someone "essential" -- the climax will be boosted from the team overcoming this setback, the story becoming more clutch and unpredictable to the audience.

A marriage on the rocks? Show that their previously happy kid is suddenly hiding things from them and failing in school.

The city in danger? Show us buildings being knocked over.

Hell, the protag themselves in danger? They've got a leg they might not be using.

If a stake can't be split down like this, it might be better to have the bulldozers show up at the house during the climax. Maybe even let the house fall.

After this exercise, your scene should now feel a whole lot more weighty, whether it's a job application or a final battle to the death. Again, not every scene needs tension and it can go too far and become silly, but I hope this exercise helps you the way it helps me.

[five-rivers]

wandering heart

For @phantomphangphucker for phic phight!

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The needle was bronze.  

The copper alloy stood out better against ectoplasmic flesh than it would have against red blood.  It dipped in and out of Danny's skin with machine-like precision, drawing a slender purple string in its wake.  Appropriate.  Clockwork was at least partly mechanical.

“You're getting close to my liver,” said Danny.  “Careful.”

“You are aware that these facsimile organs are not at all essential to the function of your body.”

“Sure they are,” said Danny.  He leaned his head back on the cushion Clockwork had provided him.  “That's why you're sewing me up.”

Clockwork's tower wasn't Danny's usual post-battle stop, but the fight had been nasty and it had been close. His other choices had been flying an hour to reach the Far Frozen and leaving an ectoplasm trail through the mad science lab dedicated to dissecting ghosts.  The decision had been easy.  

Clockwork had complained, of course.  Ninety percent of the time spent stitching had doubled as time spent snarking.  It was fun.  

“You have more than fake human organs in here, and losing that much ectoplasm is unhealthy for a ghost regardless.  You are friends with the doctors of the Far Frozen.  Perhaps you should avail yourself of their knowledge more frequently.”

“I already have one health class I'm failing.  Don't need another.”

“You are not failing your health class.”

Danny peeled back an eyelid that had fallen shut at some point during the exchange.  “Are you using your time powers to spy on my grades?”

“Hardly.”  Clockwork picked up a pair of ornate scissors and snipped the string he'd been stitching Danny up with.  “But even so, I doubt you would notice if I removed one of your so-called organs.” 

“You could try,” said Danny.  He closed his eyes again and leaned to the side until he was slumped over on Clockwork, who made an offended noise.  “You’re trapped now.  Stuck.”

“I am a shapeshifter,” said Clockwork.  “You cannot ‘trap’ me simply by leaning on me.”

“Can too.”

Danny was tired.  Sometimes, he could shrug off both fights and injuries like they were nothing, but unicorns were vicious and Technus was mean.  Electricity always took a lot out of him.  

Clockwork sighed heavily.  Danny smiled.  

“You aren’t nearly as charming as you think,” said Clockwork.  

“And yet, you are neither kicking me out nor stealing my pancreas or lower intestine or anything like that.”

“I could.”

“But you haven’t.”  Danny tucked his feet underneath him and snuggled more heavily into Clockwork’s side.  

The ghost groaned, but obligingly made room for Danny.  Yes, yes, exactly according to plan.  The evil one, where he made friends with Clockwork.  He figured he was already halfway there, if Clockwork was willing to sew him up, but with this it was definitely closer to three quarters.  

Having thought this, Danny promptly fell asleep.  

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The front doors of Clockwork’s tower were not made to slam open, but Danny, fingers of one hand clenched over his chest and still wearing a Far Frozen medical gown, managed anyway.  He was resourceful like that.  

“Clockwork?” he called.  “Clockwork!”  He flew from room to room, only sticking his head in long enough to assess them for Clockwork's presence.  

Finally, he found him.  

“Clockwork!” he shouted, re-energized by the sight.  “Did you steal my heart?  My heart?  My actual heart from my actual chest?”

Clockwork stared blankly at Danny for long enough that his panicked doubled and doubled again.  This was, quite literally, his only lead.

“No,” said Clockwork, finally.  “I stole the replica of your actual heart.  From your chest.”

“That’s the same thing!”

“Is it?” asked Clockwork, smugly.  “After all, you didn’t even notice this one was gone.”

“Oh my god, I cannot believe you did this.”  Friendship plan canceled.  Or something.

“I cannot imagine why,” said Clockwork.  “After all, I told you exactly what I was going to do.  You even gave me permission.”

“I thought you were joking.  Who’s going to think that you’re serious about stealing a friend’s organs?  That’s a joke.  A joke.  Banter, if you would.  Not an invitation to steal my literal heart.”

“Even so, it has been done.”

“Well, can you undo it?  Put it back in?  You didn’t, I don’t know, toss it out with last week’s eggshells or something?  Stick it in the back of the kitchen junk drawer.”

“No, I know exactly where I put it,” said Clockwork.  

“And you can undo it, right?  It’s not, like, expired?”

“It is difficult to get more expired than a ghost’s heart.”  

Danny stared at Clockwork expectantly.  

“Yes, I can undo it.  It will be the work of a moment to return it to its proper place.”  

“Great, so…  Lead on.”  Danny made a forward sweeping motion with both hands.  

Clockwork’s eyes slid back towards his time screen.  “Can it wait?”

“No!”

“You haven’t had it for weeks.  You won’t miss it for a few more minutes.”

“Uh, yes, I will!  You can time travel.  Whatever you’re doing, you can do it later.”

“I suppose,” said Clockwork.  “Very well.  Follow me.”

Clockwork led him back, through narrow halls, into a towering closet with spiral shelves.  It was full of what could only be collectively referred to as stuff.  

“Wow, I wasn’t serious about the junk drawer thing.”

“Oh, please,” said Clockwork.  “This is hardly junk.”

“You’re a hoarder.”

“I resent that appellation,” said Clockwork, flying up and rotating slightly.  Danny kept his feet on the ground, slightly intimidated.

“The only reason you aren’t drowning in all this is because your house doesn’t have to exist in Euclidean space.”

“And yet, I am not drowning in it.” Clockwork continued to float upwards, a faint frown on his face.  

“You do remember where you put it, right?”

“Yes, Daniel,” said Clockwork, visibly rolling his eyes.  “I put it right– Ah.  Interesting.”

“Interesting?  What do you mean interesting?” demanded Danny.  He flew up to hover near Clockwork's shoulder.  “Did something happen to it?  Is it– It's not there?  You said you knew where it was!”

“I said I knew where I put it, which is rather a different thing altogether.”

“No, it isn't!  It's not like it has legs!  It couldn't have wandered off on its oooohhhhhhhh my God, it could have wandered off on its own.  That thing had more ectoplasm in it than a Christmas turkey.”

“It is, in fact,” said Clockwork, “entirely made out of ectoplasm.”

“If it’s moving around like that, can we put it back in?  Would it– Would it try to escape?  Like, escape my chest?  Is that a thing?”

“Unlikely.”

“As unlikely as it starting to move around in the first place?”

“Unlikely,” repeated Clockwork.  

“Where even is it?  Do you know?  Can you tell?  Obviously, your whole ‘I know everything’ shtick is a lie, but can you, like, rewind things so that it’s here?”

“No,” said Clockwork.  “We will just have to look for it.”

“In your hoarder cave?”

“It is not a cave.”

“Ah, but you don't dispute the hoarder part?”  He spun, head over heels, trying and failing to see the entirety of the not-really-a-closet.  “What if there are things in here?  Like, living things?  Could it have been eaten?  By, like… Clockroaches?  Do you have clockroaches here?”

“Media tends to grossly exaggerate both the aggression and size of temporal boggles–”

“They’re real?”

“Why would you ask about them if you didn’t think they were real?”

“I don’t know.  It turns out I don’t think through the things I say to you very well.”

“Clearly.” 

Danny arrested his motion.  “Where do we even start?  This place is huge!”

“That statement assumes that it is still in this particular room.”

“Oh my God.”

“Although, if we are to search this room, it would make the most sense to start from either end and work towards the middle.”

Danny flipped over.  “I can’t even see the other end.”  This was only barely an exaggeration.

“Then we had best get started soon.”

Danny rubbed his face.  “Am I even going to recognize it?  What will it look like?”

“Like the organ it was imitating, of course,” said Clockwork.  “Oh, and don’t touch anything.”

Danny groaned.

.

There was something quivering and green huddled behind a bank of jars.  Was that… it couldn’t be…  He formed a stick out of ice and went to poke it.  

“What are you doing to that poor frog?” asked Clockwork.  

“Holy– It’s a frog?”

“Yes.” 

Danny stared.  Clockwork was covered in splatters and streaks of ectoplasm from head to tail.  

“Why do you– I don’t even want to know.  Did you find it?”

“Yes,” said Clockwork, holding up a jar.  There was…  Well.  It was a heart.  “Are you sure you want it back?  Surely, the sentimental value cannot be that great.”

“Wh– It’s not about the sentimental value.  Open it up, put it back in!”

Clockwork’s sigh was incredibly put-upon.  “Alright, but don’t say I didn’t warn you.”

He unscrewed the lid of the jar, and the heart, which had up until that point, laid quiescent on the bottom of the jar, flew out, smacking Danny in the face.  

“Augh!”

“Grab it!” 

Danny managed to get a hand around a ventricle, but ectoplasm and ectoplasmic muscle was slippery.  It escaped his grip.  It flopped-flew its way down to the bottom of the genuinely-not-a-closet and made for the door.  Danny dove at it, only to get a faceful of ectoplasm from an artery for his trouble.  

Danny wondered if this was what Skulker felt like.  He let ectoplasm dribble out of his mouth.  

“That, bleh, that tastes like my ectoplasm,” he said.

“That’s because it is,” said Clockwork, tiredly.  “I will refrain from asking you to elaborate on your ectoplasm-tasting experiences.”

“Look, when nature gives you a weapon, and afterlife gives you enemies, you use the weapon.”  He peered cautiously out of the door, wary of being sprayed with what was essentially his own blood once again.  “Where do you think it–”

He got another mouthful of ectoplasm.  

“Bleh,” he said.  

“I don’t suppose you saw it?” asked Clockwork.  “Which way it went, etcetera, etcetera?”

“No,” said Danny.  

“Then this will be a long night.”

“Can’t you just, like, stop time or something?  So it won’t move around while we look”

Clockwork gave him a look.  

“I’ll take that as a no.”

.

“I think,” said Danny, from where he was dangling from the ceiling, a tangle of clock chains wrapped around his ankle, “that we need help.”

“Unfortunately, I must concur,” said Clockwork, who was underneath a pair of couches even he’d been surprised at owning.

“Unless you want to use your totally awesome time powers to find it.”

“No.”

.

“I’m sorry,” said Sam.  “What did you lose?”

“My heart,” said Danny.  “And I didn’t lose it.  Clockwork stole it.”

“Is this some kind of Ice Queen situation here?” asked Sam.  “Are you going to lose all empathy and care for other people?”

“No,” said Danny.  “It’s just the, um, physical thing.  And only my ghost half’s physical thing.  Apparently.  Apparently, the ‘human organs’ I have in my ghost form aren’t functional, unless the functionality is, like, the functionality of being incredibly annoying and spraying ectoplasm everywhere.”

“So, what should we bring for this thing?” asked Tucker.  “Butterfly nets?  Bow and arrow?  Guns?  What’s the endgame?”

“You want to shoot my heart?”

“I don’t know what you want here, dude.  I’m still kind of reeling over the fact that the guy you were hanging out with literally stole your heart.  Do you need someone to give him a stern talking to, make sure he gets you home before curfew?”

“That’s disgusting.  He could probably be my great-great-great-great-great-great–”

In ghost form, Danny didn’t have to breathe all that much, so he was able to go on like that until Sam and Tucker joined forces to stuff socks in his mouth.  

.

“How in the world did things escalate to Clockwork stealing your literal heart?” asked Jazz.  

“Okay, yeah, I see how that’d seem bad, out of context, but you see, it isn’t actually my literal heart–”

.

Danny glared at Clockwork’s idea of ‘help.’ “I bring three completely reasonable and competent people, and you bring them?”

“From my point of view, I am the one with the reasonable and competent people,” said Clockwork, gesturing at the combined forces of Nocturne, Ghost Writer, and Skulker.  “You, meanwhile, have brought three teenagers.”

“Are you really calling Skulker competent?”

“If not, he at least has experience in being outsmarted by you.”

“Hey!”

.

“Alas,” said Tucker, “the heart wants what the heart wants, and what it wants is freedom.”

“Where,” said Sam, kicking at a puddle, “is all this ectoplasm even coming from?”

“Around,” said Danny.  

“Ooh,” said Jazz, “it’s condensing it from the atmosphere?”  She paused.  “What are you all looking at me like that for?  I can have scientific curiosity!”

“I think it’s more because of what’s happened to your hair,” said Ghost Writer.

“What’s happened to my hair?”

“You don’t want to know.”

.

“Danny, I think I hate you,” said Sam.  They were sitting on one of Clockwork’s couches.  Clockwork had a lot of couches.  A fact that Clockwork seemed both bemused and distressed by.  

“Oh, trust me, the feeling is mutual.  As in, I hate me too.”

Clockwork sat down on the couch next to Danny.  “Daniel, I must tell you that while hate is beneath me, I am seriously regretting my earlier decisions.”

“Does that mean that you’re going to time travel back to–”

“Absolutely not.”

Tucker ran past them with a butterfly net, chasing down a green blur.  

“That’s a blob ghost, isn’t it?” asked Sam.  

“I do believe so,” said Clockwork.

“Well,” said Danny.  “At least this all makes us friends, yeah?  Can’t go through something like this without being friends.”  At least he’d get something accomplished with all this insanity.  

“I wouldn’t call myself friends with Skulker.  Or Nocturne.  Acquaintances, more like.”

“I notice you didn’t say anything about Ghost Writer.”

Clockwork shrugged.  “He’s somewhat more tolerable.”

“And me?”

“I suppose.”

The heart fell straight down, into Danny’s lap.

“Are you serious–”

[letters-to-lgbt-kids]

(TW: Religion)

My dear lgbt+ kids, 

When we think about reconciling Christianity and our identity, then we are often automatically jumping to „re-interpreting Bible verses that are used to justify homophobia/transphobia“ or to „looking for Bible verses that can be interpreted in a lgbt-supportive way“. 

Both of that is valid and definitely has its place. And if you are someone who (or trying to discuss with someone who) believes everything in the Bible is true and to be taken literal, then looking for the most accurate interpretation of each passage is also pretty much the only thing you can do.

In that case, take comfort in knowing that there is often historical, cultural etc. context missing from conservative interpretations and learning about that context lets us see seemingly hateful verses in a much more inclusive light! 

That Bible verse that seems to be against gay sex may very well be against rape, that Bible verse that seems to be against trans people dressing the way they want to may very well be condemning old rituals that have nothing to do with modern life. I don’t think looking for these alternative (or maybe *better*) explanations is heathenish at all. God wants you to think critically, that’s why he gave you the ability to. If he gave you a book to live your life according to, then it stands to reason that he’d want you to find the most accurate meaning of his words, and that means looking past the most superficial interpretation.

But if you are (or the person you’re talking to is) open to the idea that maybe the Bible isn’t meant to be taken literal in its entirety - then it can feel tedious to dissect singular verses. 

In that case, you probably don’t feel the need to dissect other parts either and you just disregard them. For example you look at certain verses containing rules on hygiene or health, and you disregard them because you figure those were written in, and for, wildly different times and they just do not apply to modern life anymore, and you believe that one can be a good Christian while also disregarding those specific verses. 

If that’s you, then an approach that might fit you better would be to look at the bigger picture instead. Treat the Bible like you would any self-help book - look at the overall messages but don’t assume that every single line is applicable to your life or even holds meaning. 

This may seem counterintuitive or even like a “bad” thing to do, especially if you grew up in a taking-the-Bible-literal household, so I’ll give you some potential questions that may help you get into the mindset: 

Which messages are repeated often throughout the Bible? Which messages are repeated in most big religions you know? Which messages would come to your mind first if you were to teach a child about God? Which values or attributes describe God best? 

For me, and for many people, the biggest ones would be “God loves you unconditionally” and “God wants you to love others”. Another important one might be “God created you, and everyone else, because he wanted you to exist”. 

When you identified some big picture core messages, and are open to the idea that the Bible may not be meant to be taken literal in its entirety (for example because it was inspired by the Holy Spirit but written by humans and humans can make mistakes or add their own personal agenda, or also simply because it’s so old and over time some of its original teachings got mistranslated or lost), then you may be able to look at these seemingly hateful verses with new eyes - not seeking to find a more accurate explanation, but rather being able to compare them to those core messages and being able to say “this fits in with the core message” or “this doesn’t fit in with the core message”. 

With all my love, 

Your Tumblr Dad 

[shaunashipman]

what gets me is that date scene was a literally under a minute long which isn’t a whole loft of time exactly of dissect the inner workings of their daddy issues. the minute they had, they used it to its full potential because we had:

- buck and tommy being casually domestic together on their date night in, which while nice, wasn’t like a super fancy thing and shows that this is probably a common occurrence for them. (especially when you see episode 9 and Bobby’s mention of buck going to visit tommy after the shift)

- buck telling tommy about his day, tommy making a joke about the dedicated hospital wing but recognizes that buck is not okay so he ASKS him pointedly how HE is

- buck shares the close relationship he has with bobby and this seems to be the first time they’re delving into that and so of course tommy wants to understand better, hence why he says “your dads alive”, buck replies exactly and tommy gets an understanding buck doesn’t have a great relationship with his father (also I have to add buck sharing how he sees bobby as a father with tommy is a big deal esp considering the buck bobby scene last episode where bobby tells buck tommys good for him soooo)

- tommy then shares his OWN experience after that, bounces off of what buck says to add to the conversation and open up to his boyfriend about his own past so he can get to know him better too. it was a moment where they were both vulnerable (the Gerard mention in particular i 100% believe is to set up an arc with tommy in season 8)

Now at this point there isn’t a whole lot of time left in the scene like maybe 20-25 seconds? they can exactly like I said sit there and examine and analyze their childhoods and their fathers so the tone switches to a more light hearted vibe because it would be weird to end it on a heavy note AND simultaneously it gives us more insight into their relationship

- buck suggestively says the daddy issues line which again, how anyone interpreted that as him wanting to continue a serious discussion is beyond me when again, the scene has hardly any time remaining

- tommy picks up the vibe he’s putting down and tells him he doesn’t have them (he clearly does have daddy issues so again, we know this isn’t about the actual trauma but about sex and what they both like/dislike )

- buck once again responds suggestively with the “you think I do”

- and then tommy with his infamous “God I hope so” - leaving buck giddy and smiling because he got exactly what he wanted

tdlr; We got domestic bucktommy, tommy backstory, both of them being vulnerable with each other, Tommy recognising he was not a good person in the past under Gerard, a set up for a tommy storyline with Gerard in some way for seaosn 8, bucktommy flirting, bucktommy matching each others freak and both very much enjoying it, bucktommy showing they can read each others moods like??? all for his in a scene that was under a minute

that scene was such a masterclass of Show Don't Tell. they had 55 seconds to get across how they're doing and where they are in the relationship and they did it. we can see that they're comfortable with each other; that they're okay with opening up about vulnerable topics but haven't had in-depth conversations on some, like buck and his parents; we can even see some of how they communicate, with tommy relating to buck's admission with similar thoughts of his own father and father-figure (something we've seen tommy do before, and is a lovely subtle showing of his personality); and then we get confirmation that yes, these two have fucked already, and are clearly compatible in that department too.

plus another sprinkle of foreshadowing with gerrard.

in 55 seconds.

that is called economy of time/space/whatever the rule is i can't remember rn. the show doesn't always get it, but when they do it is golden

[cynthiav06]

I feel like Percy and Annabeth’s goals for the future don’t line up. Percy never struck me as the type to want to go to uni, and if he did he would 100% hate marine bio. In Chalice he’s complaining about having tons of chemistry homework, when studying marine science at uni means you have to do LOTS of chem. He says that he needs to study so he can go to college and be with Annabeth, but it’s never about what he personally will get out of it, just him not wanting to be separated from her. Doesn’t seem like a healthy dynamic in the long run.

Terribly sorry for the late response. Hopefully, this meets your expectations.

You are preaching to the choir at this point. Everyone and their mother, at least everyone who is not blind, is aware of how one-sided the goals of their relationship are.

If you observe not only is this the case with their goals but is a recurring pattern with all of Percy's opinions where either he doesn't voice them or Annabeth is dismissive of his opinions.

Almost all the problems with their relationship arise with how Percy doesn't voice his opinions and goes along with whatever Annabeth asks. And Annaebeth also assumes that only her own opinions count, and since Percy is a bit less knowledgeable than her, he has no opinions.

Despite Percy being a far better strategist than Annabeth and arguably smarter Annabeth almost never gives him the proper credit he deserves.

She is always either openly or subtly degrading his intelligence on literally no basis.

Annabeth is also extremely overbearing about studies towards Percy and openly condescending. When time comes for them to actually go to college, Percy easily gets a better grade than Annabeth, and she insinuates how seaweed brain is a substitute to some degree of the word dumb.

And if people still doubt that Percy has different ideas about his future, they only need to read Chalice of the gods. He is clearly fed up by the studies and the college schedule and isn't very intent on going to college, especially since Estelle is due soon, and he wants to first and foremost remain with Sally, Paul and Estelle his family.

Percy has time and again highlighted that if it were up to him, he would choose to do whatever he pleases at his leisure, which has very little to do with studies. Even in the case of marine biology, I second the opinion that he wouldn't enjoy it. Partially because Percy hates the objectification of aquatic creatures. He can't stand aquariums, and he is most definitely not going to enjoy the study and dissection of marine creatures.

Also, Percy, being ready to drop everything to move to New Rome, is completely out of character and literally illogical on Rick's part.

Annabeth has also repeatedly made known that she wishes to be involved at the centre of all things godly I.e more quests and wishes to pursue her interests more so than anything which is directly the inverse of Percy wanting a complete vacation and zero stress.

All in all, not only are Percy and Annabeth's goals opposite and incompatible, we can repeatedly see only Percy trying to make some compromise while Annabeth's hubris blinds her.

It's clear that they will never see eye to eye on many important things that make a relationship, and blind percabeth stans need to accept it.

[takemebacktowheniwassane]

i've been seeing a lot of falsettos posts recently deconstructing the fandoms beliefs and firstly

holy fuck thank you, i try to steer clear of fandom (and fandom-izing thereof) drama but this is getting a lot more visible recently so here's some little tidbits for you

whizzer brown is not an unflawed character!

okay so i haven't seen enough dissecting this but!!! in the chess game!

the whole point of marvin using that game to determine the ending of their relationship is because he suspects whizzer is constantly deceiving him and wants to prove it.

whizzer LITERALLY proves him right!

he asks marvin to help him along (yes i know he says he doesn't want help, hear me out, it's a little more complex than that) and takes advantage of the fact that marvin is- like- infatuated with him.

he draws him into a sense of false security then starts throwing accusations at him ("since you need a man!" "what?" "who's 'brainy'," "or witty, move.") until hes able to win, which he does with ease because he's been using marvin having this idea that he isn't smart against him.

of course, marvin's side of this isn't the best either but honestly, for once the fandom should focus on a different character when they think 'insane asshole'. typically we should also probably change our perspectives a little to be more unbiased cuz fr guys, this is getting really.. annoying.

i understand he's the most visibly flawed but that doesn't excuse constantly picking the worst parts of this musical (without other context, btw) to use against him.

and this post certainly isn't here to excuse anyone either i've just got a lot of opinions that i wanted to share while falsettos is.. trending? right?

2. marvin's (headcanoned but still somewhat researched) autism

this one isn't brought up as much but when i do see it around, it's kind of a skewed viewpoint.

while rewatching bits of the proshot i realized a lot of different neurodivergent traits that he shows-

he's helpless during I Never Wanted to Love You and is childish and regressive when he's upset (not every autistic person is like this either, i know this is a bit of a touchy subject so i just wanted to add that).

usually when people depict it i see it either toned down or joked about which is fine when all in good fun, and when its done respectfully.

not here to attack anyone, just here to point it out and say that yes :) he most likely is neurodivergent, but despite that his actions aren't condoned. he's still kinda a dick who needs to get his shit together

3. ..the lesbians also have shit going on?

just putting this out there- I DON'T SEE ENOUGH FOR THE LESBIANS! OR TRINA!

the girls in this musical are like thoroughly neglected and i think that's kind of shitty just assuming the fact that william finn put them in to demonstrate how gender roles put people in degrading positions (and he even makes it more prevalent by showing marvin as something like a misogynistic character who forces whizzer into more feminine roles to show the audience what woman have to/had to go through in society).

anyways, the lesbians aren't just there guys. they have a plotline too. in Something Bad is Happening, you derive a lot from charlotte singing about the outbreak of HIV/AIDS and realize how she operates on a daily basis (she's passionate about her work and takes every bad day as a hit to her life and career, explaining in a way that as a black, jewish, lesbian, FEMALE doctor in this time, everything that goes wrong is immediately brought down on her so much more than it would as any straight white male pharmacist-).

cordelia on the other hand has to handle the fact that her girlfriend is so adamant about her work ethic that she can't actually be super present in their relationship at times like that.

but either way she still sticks by her and is constantly trying to be supportive and endearing despite feeling like she's not amounting to her gf who's basically a hero in her eyes.

i kinda just wanted to bring that up because they mean a lot to me and they don't get enough love from the fanbase, thank you for listening to my TED talk <3

[kanmom51]

Moment of clarity (?)

Just sitting here watching Jikook song edits, cause I'm missing the hell out of those two, and couldn't help but think how stupid and futile all the accusations and claims and ensuing discussions about one's reaction to the other, or one's behaviour to the other or any kind of interaction they had that didn't suit what fans (usually solos on either side of the picture) expected of them. You know what I mean. All those judgy claims and comments about how JK reacts or treats JM and vise versa, same about JM 'forcing' himself on JK or the likes of that.

How dumb those people look (and should feel as well if they only had a sliver of common sense) right now.

Inserting themselves into a relationship (whatever form it may have had) to know what these two people were all about, their interactions, their reactions towards each other, without truly knowing them, without seeing anything but a few recorded seconds (all while ignoring not only many other recorded moments but also what they themselves say about each other and to each other).

But you see, this isn't something new to me, and I did address it when answering mostly annoying asks (something I haven't been doing for some time now seeing just how futile it is - you cannot convince the inconvincible).

No.

The reason I had this specific moment of clarity while watching them was because things have changed.

Well, changed since those two have made it as clear as can be that they want and need each other's proximity.

That they will do whatever it takes to not only enlist at the same time, but to do so together. To spend their entire service together. 24/7. Together. Knowing EXACTLY what and how it looks like. Knowing EXACTLY what people (so many of them) will think, even if some will not say it out loud or spell it out. No other member did this with another, and neither of them did it with any other member, how ever close we know them to be. Because no one is closer to them than they are to each other!!

And why don't we add to that, them going on a trip together just before enlistment, to Japan, you know, that same destination they went to back in November 2017. The same trip they both could not stop telling us about.

Yeah, I know there's a travel show coming (which we have no clue what will look like - if vlog-like or actual Bon Voyage style or something in between), and most of what they do could be explained away (and that's the point, they are clever that way), but let's be real here for a sec. The show, it's a very clever way to kill two birds with one stone. Literally. Getting to travel together before enlistment (I can assure you that 90% of what they got up to we will not be seeing, and they travelled first and utmost because they wanted to travel and do it together, and anyone who claims otherwise, that this was forced in some way on one or both of them is an idiot, well they probably also believe that they enlisted together against their wills) all while under the guise of doing it for work, and at the same time creating content to be released while they are away. It's a win win, or like I said, two birds one stone.

So yeah, their travelling will be in a show, but they travelled together because they wanted to travel together and not because there was content to be made. Content being the bi product of their genius idea of guising their trip as work...

Bottom line, point I wanted to make here with all of this is that those dissecting every single moment between them miss the whole picture. It's not about this moment or another. It's about what they bring together as a big picture, one that they have been telling us and showing us for years now. And if we didn't see or hear it before, well they made sure we would now.

Because being together during these 18 months was more important to them than hiding who they are and what they mean to each other.

Fuck the consequences (and fuck the haters too - JM literally said it in SMF pt. 2)...

[yuesya]

I have a question, in the last chapter Shiki says that her type is someone that can defeat her in a fight. However she seems to arrive at that conclusion from thinking that someone scared from her would be uninteresting and that someone stronger than her wouldn't be scared. Then it seems her type would be "someone not scared of me"? Maybe it is the influence of the AUs but Yuzuki was most certainly not stronger than her, but he wasn't uninteresting or scared of her, and I think they would have made a good couple.

Is that truly her type?, is this another case of Shiki not truly understanding her feelings? Or is there some more Shiki logic I missed?

Bit of a long answer here haha.

So, Shiki's 'type.' It's not exactly 'someone who's literally more powerful and therefore wouldn't be scared of her.' True, Shiki would not be interested in a partner who fears her. But her answer here is less an indication of her preference being 'someone unafraid' and more 'someone she finds interesting' instead. (Also, preferably someone who won't die easily. There's also that, for uh... various reasons.)

Keep in mind: Shiki's worldview is a little skewed. Even putting aside the whole 'lines of death' thing going on, Shiki's way of categorizing and making sense of the world around her is actually more or less based on using strength as a measurement.

So, normally when you encounter someone, you'd assess them on things like personality, social status, relationships to people around you. However, what underpins Shiki's first assessment of people is their potential combat strength.

It's not that she looks down on and mocks those who are weaker, but it's just... basically part of how she functions. Her parents were killed when she was young; Shiki lacked the strength to stop it. Her abilities dictated that she needed to be brought into a sorcery clan and trained accordingly; Shiki needs the strength to fight curses. Her uncle is worried about her and there are dangerous enemies surrounding her; Shiki needs the strength to overcome adversity.

Shiki doesn't need a partner who understands her, but the partner needs to be someone who Shiki understands, and what Shiki understands best is strength. She's aware of this on some subconscious level -as reflected in the answer to Tsukumo.

Anyways.

Aside from dissecting Shiki's profile here, something else that I think bears keeping in mind that a type is just that: A type. A person might have a type, but eventually end up romantically engaged with someone who is not their type. (Or at least, not their original professed type -maybe there are other qualities that grew on them throughout the relationship. Maybe they still stick to their original type, but the partner in question is an exception that they're willing to make.)

... Feelings are complicated haha. Shiki already has enough trouble navigating and expressing regular emotions; good luck tackling romance.

[l-in-the-light]

Trafalgar Law and animals

It seems he is quite kind to animals, or at least he seems a little fond of them...

Evidence number 1: napping with a new (quickly tamed) friend on his wandering excursion to nowhere in particular (or so I envision this happening).

Evidence number 2: feeding random parrots just because they wanna try the onigiri. I bet he would feed random ducks at ponds as well lol.

Evidence number 3: after taking away the den den mushis he just released the snails into the wild (or took them inside the lab later, we will never know, lol). He's so bad to animals, right? He could have just crushed them when he was holding them in his palm, but nah, not his style. Snails are cool and didn't do anything wrong after all.

Evidence number 4: Chopper and Bepo. Bepo is self-understandable, but Chopper?? Law told him to shut up like twice. Yeah, but also he talked with him the most about his own issues with the plan (he can't defeat Caesar on his own for some reason he can't tell), and just few moments after meeting him. That's a huge step in the "trust" territory right there. Other Strawhats didn't hear anything about Law's own reasons of why he wants the alliance after all.

Evidence number 5: Komainu in Wano. He wasn't tamed by Tama's dango so he didn't have to listen to their orders or anything like that. It would be understandable if Luffy was the one riding in front, because Komainu spent some time with Luffy already. Law literally saw the Komainu for the first time here, just a moment ago. He already tamed it enough to ride in front and to lead the way to Oden's castle.

Okay, I think that's enough evidence (it's not like I have more anyway lol). Now let's take a look at this again:

I'm starting to think we're misunderstanding this scene. It's not Law being morbid (well, maybe a little), as in: he doesn't love dissecting dead frogs so much that he brought one into the picture. If you want to dissect frogs then you just dissect them, you know? Not carry a dead animal around with you anywhere you go.

Look, forever ago I watched enough American teen shows focused on school life to know that for some kids dissecting animals in anatomy class is a Huge Deal and they just Can't Do It, and they fuss over it for a whole episode. Believe me, if Law wanted to dissect this frog, it wouldn't be here in the picture with him, but it would be lying down dissected on the table, already forgotten. Meanwhile, it doesn't even have any mark that it was cut or anything.

Here's my headcanon about it: I think Law as a kid felt sorry for the frog. Either made it his friend (so what that it's dead? wow so judgemental smh I'm joking) or decided frogs shouldn't be dissected and wanted to give it a proper burial later on. My bet's on a friend though, because why else would he include the frog in the class photo? :D It's a photo with his school friends, it would be rude to exclude his new little friend as well! (the boy on his right clearly loves the idea btw lol. I bet he was good friends with Law)

We assume he wants to dissect it because 1. he comes from family of doctors and is a surgeon, 2. because of this picture:

Which kinda suggests the possible outcome from the encounter of scalpel+frog. But I think we might have to consider the opposite of what we thought he likes to do in his free time as a child (dissecting little animals like a psycho future surgeon in training). He just seems to be nice to animals, that's why. He would be nice to that poor frog as well, no matter if it's dead or not.

And then we have centaurs and I always ask The Question: what happened to the rest of the animal bodies?? (my guess is: they ate them).

I mean... Luffy is also nice to animals. He would still eat some of them, you know, to survive. But not his friends. Possibly also not Chopper.

And then there's this ongoing theme of people of the D. and their special relationship with animals. I mean, Luffy can tame almost any animal (Surume <3), Law has Bepo (though he's a mink, I guess), and Vivi has Carue, right? Three people already create a pattern... we also see a child Garp (in SBS) that tamed some wild beast as well!

[ahsoka-in-a-hood]

I don't. The thing is I am a Star Wars Prequels fan first and foremost, here. I like the original trilogy, it's fine, but that's not what keeps me awake at night.

I don't give a shit about the sith. I don't find them interesting. I was always here for the impossible situations the jedi and the protagonist senators and other kinds of heroes were finding themselves in. The ones without an obvious answer. The ones they could get wrong. The ones they would get wrong because it's a tragedy, and sometimes I like to cry my eyes out over made-up people.

And even after several years of fandom, that's still basically what I want. I want the jedi (and other characters) to be put in the situations. I want them be unsure what the right path is. I like watching them make mistakes.

Some call it nuance, some call it flaws. I'm tempted to just call it being people. That's the sweet spot I'm after: not saints, not devils, just people. People fuck up. People are very varied. They have a culture- does every aspect need to be dissected for faults? Can it not exist even in a state of imperfection?

It can get complicated, maybe. I've encountered plenty the attitude that the jedi are evil because they are humans but are meant to be more than that. I have blocked absolutely relentless commenters of this who would show up on every post with this exact philosophy

… But it can become a subtle distinction. For some time I was blissfully unaware of Filoni's views on the simple basis that the jedi in the clone wars were more real and human than the generic antagonists I tended to see in fanfic.

It is a distinction, though. Human (derogatory) and human (empathetically) are different approaches, which does show up here and there.

The thing about star wars, and the prequels, and the jedi, is that no matter how you try to slice it, the story of a genocide is inextricably woven into a story about jedi. Every one of your #shots fired about their eventual downfall is accompanied by…. a systemic extermination campaign by a nazi allegory……….. and even if that's not something you're willing to contemplate, that's just going to make people uncomfortable. Especially if you start adding talk about a shadowy cabal secretly controlling everything who also steal children etc. Listen, I know that the jedi are fictional. That's not what you should be considering when you say these things.

So you end up with these two fundamentally diametrically opposed stories:

Here's this religious minority who are literally in touch with their divine force. This does not make them gods, so they have flaws, weaknesses, and make mistakes. They are murdered. This is the beginning of an imperial age. (compassion is at the centre of their philosophy. anyone can be compassionate, with or without the force.)

Here's this bunch of corrupt overpowered secret police who hold their position by maintaining a mythology of super-humaness, but psyche! Wealthy elites are also degenerate humans, which is of course forgivable in US, but not THEM. They were supposed to be the model minority. KILL THEM

[doublechocolate]

Haibara dissecting Conan/Shinichi like he's some kind of experiment ksjksjf

I think it was around this time when I started to seriously ship them. Haibara, at this stage, was still given the "cold and mysterious" status of a character but the story didn't shy away from showing us how her empathy extended beyond her own needs. She was well aware of Conan/Shinichi's pain, and also Ran's, because she finds herself to be in that same position as them, and has gone through layers of her own emotional turmoil by this point to recognize this.

But more than that, it's blatantly obvious here that if there's anyone who can understand Conan, it's her. There's a level of understanding between them that's deep and personal. And yes, Conan has that with others too, you can argue that, but what he has with Haibara is slightly different. You see, their "friendship" was born out of pain and trauma. They were each others' "doom", in a sense. Haibara created the APTX4869 drug while Conan failed to save Akemi. They saw the sides of each other that others haven't and had to learn to trust each other in their own way. Slowly, they grew to understand one another and from doom, they became each others' hope.

(Long rambling under cut)

There are many instances of Conan being able to understand Haibara's thoughts by merely watching her actions but to me, the one that stood out the most was none other than m26 Black Iron Submarine (not canon to you but canon to me) when they were underwater and Haibara is about let Conan's hand go but he pulls her back up. The entire conversation takes place inside their heads yet they knew exactly what each other was saying. Remember that post I made about them being drift-compatible?

That's why I think Conan is still unaware just how big of a presence Haibara is in his life. He came close to that in m26 but with Pinga, BO and Haibara's kidnapping, he didn't exactly have the time to sit and ponder over it. Surely people (non-shippers) would chalk it up to you, "aakchuallyyyy he just needs her for the antidote". But... are you sure? Are you really, really sure that that's all he is to her? Is that all you understand about Conan/Shinichi as a character? Even Takayama Minami and Hayashibara Megumi commented on how Conan losing his cool and becoming short-tempered when Haibara got kidnapped was unusual of him. In their opinion, the only reason why Conan calmed down was because of Agasa and how the Prof almost risked doing something reckless to save Haibara. Only then Conan realized he needed to remain calm to keep Agasa in check.

And also, Haibara noticed Pinga and Vodka's presence in the hotel first but Conan only noticed when Haibara was in danger. His train of thought literally went; something happened to Haibara -> it's the Organization -> oh shit they've taken her. Like, hello?? Excuse me?? What is this soulmate-level telepathy going on here right in front of my salad??

I've ~kinda~ mentioned this before in a passing before, but CoAi lowkey reminds me of SyaoSaku (from CCS) but in a different font - a more painful and (perhaps) tragic one. Haibara being Syaoran's counterpart, and Conan being Sakura's counterpart. Example; Sakura's infatuation for Yukito was loud and out there, literally everyone knew about it too (Conan/Shinichi with Ran). Meanwhile, Sakura's love for Syaoran was already growing quietly within her. She was showing signs of it but was too distracted to realize it, until the time came when Syaoran was going to leave Japan and return to Hong Kong. All of a sudden it hit her like a train that it was too painful to let him go (Conan/Shinichi with Haibara/Shiho).

This is why I'm convinced that when all of this is over, Conan will have to face the reality of just what Haibara means to him. It doesn't matter if Aoyama doesn't want to explore this, or chooses to address this in a different way. It's his story, he can do what he wants. But personally for me? I know Conan simply cannot go back to his original life as Kudou Shinichi anymore. He's too far changed, forced to recognize the grayness in a world he deemed black and white, empathize with people he would have classified as "criminals" in the past, and live a life of white lie even it meant hurting the people he cared for the most - in short, Conan/Shinichi simply cannot go back to being the same person he was before Tropical Land. And the one person we know for sure who will be able to understand him despite all of this, is Haibara.

I saw a comment once saying that CoAi/ShinShi are supplementary and wouldn't work. I disagree because I think they are more of a narrative foil. Haibara's existence in Conan's life taught him that he isn't invincible (failure to save Akemi) and that not everyone from the Black Organization are cold-blooded assassins. Haibara had her life and freedom stolen from her. Conan, otoh, taught Haibara to live. To not run away from life and to learn to trust people again. All the important people in life left her at some point, but Conan was the only one who kept coming back for her when she chose to give up, holding her hand as tightly as he can.

Conan, the boy who has everything. Haibara, the girl who lost everything. Conan, the boy who keeps trying to dig deeper into the viper's nest. Haibara, the girl who has lived in the viper's nest trying to pull him back from diving further. Conan, the boy who wants to keep tempting fate to save his friends. Haibara, the girl who is willing to die to save her friends. Conan, the boy who thinks his actions of holding back his love is immature. Haibara, the girl who understands his pain enough to know he is anything but. Conan, the boy whose life changed because of the drug Haibara created but in a way also saved his life (Gin chose to not shoot him in the head but fed him the drug instead). Haibara, the girl who lost her sister because Conan couldn't save her but now he'd do anything to make sure she stays alive.

Whether you ship them or not, or see them merely as friends, you can't deny that they play huge roles in each other's lives. We know that when the end comes, Haibara will be willing to let Conan go. She might have already prepared herself for this, even, because Ran is the last person she'd want to hurt at this point. Her resemblance to Akemi is too strong now and she knows Ran adores her a lot too. And from that scene above, we know Haibara feels the same pain Ran and Conan/Shinichi are going through.

But. Will Conan be able to do the same? Can he simply let go of Haibara and return to his old life? Even if Haibara/Shiho does remain in his life, when the dust is settled, can he truly move on from the person whom he has experienced so many life and death encounters with, and in a way, shaped him into becoming the person he is today?

We know the love is one-sided now because we're almost always seeing it from Haibara/Shiho's perspective. But how can we be so sure that something isn't growing deep down in Conan/Shinichi's heart too? If it's something subtle and quiet like the flap of a butterfly's wings now, eventually growing into something that could literally change the course of his life?

If you understand Conan/Shinichi as a person, beyond the shipping lenses, then I think the answer is already obvious.

"It's not cause the creator said so. They're just friends and Shinichi already confessed to someone else". Okay, like I said, the creator can do whatever he wants with his story. I AM choosing to read between the lines based on what that same creator has presented to us. I'm also always reminded of the Akai/Jodie/Akemi love story and how that panned out. I'm saying, things can happen because feelings are complex and sometimes you go through experiences in life that changes you inside out. Both Akai and Conan have had their lives stained by the Black Organization.

Not to mention that, in terms of their personalities, CoAi/ShinShi's relationship are quite a stark parallel to Yuusaku and Yukiko's relationship as well. What Conan/Shinichi needs is someone who can match his level of eccentricity yet at the same time call him out when his head floats too high in the clouds. Haibara is that person. And the best part about it is she didn't even have to change herself to match him - that's pretty much her personality already. Fitting in exactly like a puzzle piece.

Anyway, this is long-winded already. i'll stop rambling here. Also, if this breaches containment and reaches a non-shipper/anti and you have something negative to say, please do me a favor and be a mature person. Leave this post and let's both live in peace.

Love you, CoAi nation, bye!