hey guys do you wanna hear about my bad idea ahahaha i'm just joking i'm going to tell you whether you like it or not.
anyway! au where jiang fengmian brings back a starving orphan from the streets, and his name is yue qi.
(what happened to wei wuxian? don't worry about it it's fine) (idk maybe he doesn't exist? whatever)
yue qi is strong. yue qi is talented. yue qi tries harder than anyone. yue qi is perfect and you can't even really be irritated at him for it, because he's nice and polite and good-tempered and absolutely everything you could ask for in a da-shixiong.
jiang cheng feels so fucking bad about this. second best even in a whole new au, huh, a-cheng? but it's not your fault. even op protagonist bing-ge couldn't beat yue qi in a fair fight!
nobody knows this, though, so you're just going to have to suffer through the comparisons. it's your mom and your dad and all the little disciples thinking that yue qi is better than you. ooooh, that can't be good for that burgeoning inferiority complex your mom's instilled in you, huh?
but, you know. jiang cheng's going to be sect leader. he's going to need a strong sect. even if his mom fuckin bitches at him for not being as good as yue qi -- yue qingyuan -- then at least he's going to have a strong right hand, right?
HAHAHAHA.
so there are two routes we can go here. for the sake of my early morning ramblings, we're going to go for the more unrealistic one that requires me to jump through more hoops, because i think it's hilarious.
yue qingyuan starts getting more distant as he gets older. going on long nighthunts away from the lotus pier, you know. he stops leading the disciples in morning drills -- or, well, it's less that he stops, and more that he's not around to actually do that.
he's not around a lot.
snide, snide commentary about how yue qingyuan is going to run away to become a rogue cultivator, just like -- (but we don't talk about them). how yue qingyuan's not going to be da-shixiong for much longer. every time yue qingyuan returns to lotus pier, he seems to be more tired, more wound up, more stressed out --
and then everything stops. yue qingyuan comes back one day emotionally catatonic. he doesn't respond properly when people talk to him. unrelatedly (of course it's unrelated), there is some wailing and weeping in the night. some little shidi thinks that somehow a resentful ghost has made it into the pier and alerts da-shixiong about it in the morning.
thankfully, da-shixiong is back to normal in the morning. "i'll take a look," da-shixiong says, and then everybody forgets about it because da-shixiong is back and da-shixiong stops going on those long nighthunts away and everything is fiiiinnnne, don't worry. and if da-shixiong is a bit more brittle after that -- well, you're probably just imagining it.
jiang cheng worries about it. but yue qingyuan never says anything, because that's what yue qingyuan does. he never says annnnnnything to anyone.
of course, there's only so long you can argue with da-shixiong when the plot is coming up. gusu happens. the wens happen.
jiang cheng and yue qingyuan get sent to the wen evil summer camp, or whatever it's called. indoctrination, right?
lectures. drills. meaningless busy work for the sake of beating people down. obedience, and more obedience. there's a wen staring down every class, just waiting for them to slip up. there's one in particular that seems to have it out for yue qingyuan, sharp mouthed and pointy and HAHAHA OKAY, you've probably guessed who this is, haven't you? you're a genre-savvy audience, i bet!
ah, but i'll spell it out anyway, don't worry. for a-cheng, maybe, because jiang cheng can't guess, because yue qingyuan doesn't tell him anything. jiang cheng's out of the loop, on the outside, like he always is with yue qingyuan. don't worry, jiang cheng -- you're not special. he treats you like he treats everyone else.
but ah, that's the problem, isn't it?
jiang cheng stumbles over da-shixiong at night, past curfew, arguing with the wen. or, really, it's not arguing -- the wen is verbally eviscerating him, and yue qingyuan is just letting him. attacks on yue qingyuan's character and talent and everything, and about how yue qi's CLEARLY found a replacement (replacement? what does that mean?) and fine, you think you're so respectable now, of course only a high-bred sect heir is good for you (that jiang-gongzi, do you think he's a better version of me) (is this the version of me you've always wanted?) --
all yue qingyuan says is "i'm sorry, i'm sorry, i'm sorry--"
there's got to be one question on your mind, huh, a-cheng? yue qingyuan seems to know this wen. pretty well, it seems -- those insults aren't generic, this seems personal. why? how?
who the hell is wen qingqiu?
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to me, the question of whether hera would want a body is first and foremost a question of autonomy and ability. she has an internal self-image, i think it's meaningful that the most pivotal moments in her character arc take place in spaces where she can be perceived the way she perceives herself and interact with others in a (relatively) equal and physical capacity, and that's worth considering. but i don't think it's about how she looks, or even who she is - and i think she's the same person either way; she's equally human without a body, and having a body wouldn't make her lived experience as an AI magically disappear - so much as it's about how she would want to live.
like most things with hera, i'm looking at this through a dual lens of disability and transness, both perspectives from which the body - and particularly disconnect from the body - is a concern. the body as the mechanism by which she's able to interact with the world; understanding her physical isolation as a product of her disability, the body as a disability aid. the body as it relates to disability, in constant negotiation. the body as an expression of medical transition, of self-determination, of choice. as a statement of how she wants to be seen, how she wants to navigate the world, and at the same time reckoning with the inevitable gap between an idealized self-image and a lived reality, especially after a long time spent believing that self-image could never be visible to anyone else.
it's critical to me that it should never imply hera's disability is 'fixed' by having a body, only that it enables her to interact with the world in ways she otherwise couldn't. her fears about returning to earth are about safety and ability; the form she exists in dictates the life she's allowed to lead and has allowed people to invade her privacy and make choices for her. dysphoria and disability both contribute to disembodiment - in an increasingly digitized world, the type of alienation that feels like your life can only exist in a virtual space... maybe there's something about the concept of AI embodiment, in particular as it relates to hera, that appeals to me because of what it challenges about what makes a 'real woman.' when it's about perception, about how others see her and how she might observe / be impacted by how she's treated differently, even subconsciously. it's about feeling more present in her life and interfacing with the world. but it's not in itself a becoming; it doesn't change how she's been shaped by her history or who she is as a person.
i think it comes back to the 'big picture' as a central antagonistic force in wolf 359, and how - in that context, in this story - it adds a weight to this hypothetical choice. hera is everywhere, and she's never really anywhere. she's got access to more knowledge than most people could imagine, but it's all theoretical or highly situational; she doesn't have the same life experiences as her peers. she has the capacity to understand that 'big picture' better than most people, but whatever greater portion of the universe she understands is nothing next to infinity and meaningless without connection and context. it's interesting to me that hera is one of the most self-focused and introspective people on the show. her loyalties and decisions are absolute, personal, emotionally driven. she's lonely; she always feels physically away from the others. she misremembers herself sitting at the table with the rest of the crew. she imagines what the ocean is like. there's nothing to say that hera having a body is the only solution for that, but i like what it represents, and i honestly believe it'd make her happier than the alternatives. if there's something to a symbolically narrowed focus that allows for a more solid sense of self... that maybe the way to make something of such a big, big universe is to find a tiny portion of it that's yours and hold onto it tight.
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I wish we got more non-humanoid species as regular starfleet crew members. I know that budgetary constraints are real. And I don't want to take away from, or hide the performance of human actors starring on a TV show-- we want to show human diversity and excellence. But I feel I have to suspend my disbelief to trust the Federation welcomes all peaceful sentient life when almost everyone on the bridge is some kind of Hominid Biped.
I want to believe that there are some civilizations that find encountering a Starfleet vessel 'ridiculous':
You break down in space and your distress call is connected by an evolved dolphin. She has somebody place a BLÅVINGAD at the chair every time she remotely covers this station.
The captain comes on screen and he's an 80 year old furry. He is standing slightly to the side because the conn officer's giant Aurelian bird wings get in the way of the forward screen camera.
You explain your situation about your busted engines. The captain nods and asks a dinosaur in a onesie about how much time the crew on duty has available. This is his first officer.
After consulting the lead engineer (a goth), it looks like if 'everybody' wants to attend the rave on board tonight this is a two-day job.
As a compromise and a show of goodwill, the captain invites you to the rave and also throws in free health care. A giant non-anthropomorphic spider beams aboard your ship. She's the chief medical officer.
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Really catchy. Worth listening. ;D
"Making the world a better place
doesn't have to come from grand gestures.
It comes from kind gestures.
Holding the door for someone.
Smiling at strangers.
Encouraging people in what they're doing.
Being bright with service staff.
Giving a compliment.
In all these small actions we inspire
love and understanding
which makes the world
a better place for us all."
Jenny Flintoff.
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