#ft: doc q | Explore Tumblr posts and blogs

keitaiware · 6 months ago

Text

📁 Interview 002: "UTAU and Music Production on MacOS." ft. yoneyoneprone

Today's interview we will have a in depth look at incorporating UTAU into a music production workflow on MacOS. Our guest today is Yoneyoneprone, also known as 44e, he has been producing original songs by using UTAU and Garageband together to create alternative EDM, and rock music!

Before we start with any of the questions, can you introduce yourself and your work?

44e: Hello! I’m 44e-prone, also known by my online alias, Errorfours (or just Error, for short). I’m a music producer who mainly produces UTAU originals using Mac’s default DAW Garageband.

Q. What kind of genres do you specialize in your work?

44e: Genre is something weird for me because I don’t really tend to stick for a specific one. I guess if I had to pick, I’d say I make electronic rock? Not sure if that’s really a genre, though, haha. I guess I’ll say that I do a little bit of everything.

That’s the sort of vibe I got from your work! I like the rock and chip tune elements in your songs, its a nice wide range between the two!

Q. When it comes to UTAU, how long have you been familiar with the software?

44e: I first started on UTAU-Synth about 4-ish years ago. I recorded a voicebank, JANKYLOID ENGLISH. I was familiar with the UTAU community, but that’s my first time actually using the software. However, I only really started using UTAU regularly (on OpenUTAU ) last year or so. I was inspired to get back into UTAU because of you, actually! So my answer for this question will be “about a year”.

Oh wow! I am really flattered!! Having an English voicebank for your first UTAU is insanely impressive, there was a point where I went on hiatus so I will say about 3 years..? It was sort of sparse during that time. It feels good to be back in the scene, and I am glad to have you here as well!

Q. For my next question, how long have you been producing music for, and whats your general workflow when producing and incorporating UTAU into that workflow?

44e: Starting with English was definitely a decision, haha. I’ve always composed my own music on piano since I started quite young, but I started doing DTM music maybe 5 or 6 years ago. I started on Musescore actually. My general workflow goes like this. I write an instrumental with a melody track that acts as a placeholder for vocals. Once I’m happy with it, I go back and write lyrics. I’ll format the notes in Garageband and separate out the syllables in a Google Docs document. That way, I can use the, “lyrics,” feature in OpenUTAU. Garageband is funny, in that, it doesn’t export MIDI files. I have to export the vocals as an .AIF file, find it in my library, then use an .AIF to MIDI converter. I then have a MIDI file I can use in OpenUtau. I select all the notes and put in the syllables I wrote down and separated from earlier. I then export my tracks and put them over the instrumental just to hear how it sounds (and make changes if needed.) After that, it’s just a matter of tuning vocals and mixing the final.

Very intuitive! Yes, its a real shame how Garageband cannot export files in MIDI format. I feel like exporting in MIDI format is a core feature. I appreciate the insight!

Q. Do you play any instruments?

*(Outside of manipulating VSTs inside the DAW.)

44e: I started playing piano at 5 which is a very good way in my opinion. Music programs operate almost solely on the skeuomorphism of keyboards. I can play the ukulele but only basics. I play flute in a marching band and sing in a choir. I was born with perfect pitch, so it gives me a good jumping off point when trying to learn a new instrument, I can usually figure out the very basics quickly. My family is also very musical so I was always encouraged to play music. I’ve got family members that play bass clarinet, guitar, taiko, etc. Needless to say, music is an important part of my life! However, when producing, I hardly touch an instrument. I have a MIDI keyboard but I never use it. A lot of people tend to think that you need to play an instrument or get formal training, but that’s not the case at all. 99% of what you hear me make is all just placing notes by clicking.

Very interesting! That's a lot of instruments.. I think having such a large musical background helps a lot too! Especially when looking for sound profiles to incorporate in your work. Its also good insight for beginners before they make any decisions to purchase equipment for music production.

Q. Speaking of which, do you have any recommendations for beginner producers?

44e: I would say just start. Starting is one of the biggest hurdles to overcome. Many people think stuff like “I’d start, but it’s going to take a long time to learn.” So what if it takes time? What’s the rush? It’s okay if your first works aren’t great. My first UTAU album, “YOU & I” is by no means an objectively fantastic piece of work, but I learned so much from it. I definitely have a long way to go, but you hear the improvement, just listen to my old and new versions of, “Blockhead!” That’s literally all of my recommendations. Just start.

Its very daunting, it helps knowing what inspires you and what sounds are most pleasing to your ear as well. I love block head a lot! Both versions are very enjoyable as the duet is very fun!

Q. Do you have any inspirations for your work?

44e: I’d say I’m inspired just by the music I listen to. I’m a big fan of JIN’s music with his cool guitar riffs and such. Mikito-P was a big inspiration for me to start producing music I’d say. I don’t think I have a good answer to this question, I just listen to music and go “Woah, that’s neat.”

I do this as well, its nice having a wide range of tastes! Its a bit ironic how recently I've been binging JIN's work after listening to summering again.

Q. To wrap up this interview, what are your future ambitions for your work?

44e: I want to be famous, and have 43 songs that need to be completed. I have two large UTAU projects coming up! I’m working on a game and a song series. I hope I can complete them and that there are people who will enjoy it. :)

*Noting* He wants to be famous, and finish his 43 unfinished songs.. *pen click*

How exciting! I wont pry for too many details as we wouldn't want to spoil the audience, but I will be looking forward to that! If you're curious to find more of 44e's work, I will link his profiles down below. Thank you for your time shared with the KEITAIWARE project today!

Twitter: https://twitter.com/yonyoneprone YouTube: https://www.youtube.com/channel/UCtiymJUs5ILN4nHcde-1F8w Spotify: https://open.spotify.com/artist/5QSCVjMHhor5F4mPptogOP?si=6YDZ7-nbRIimTt1pOMkAJg&nd=1&dlsi=f82f24497a1d415e

#keitaiware #keitai_interview

1 note · View note

madfishmonger · 2 years ago

Text

Found this while going through old docs, I never finished making them but they amused me greatly. If you like them I'll add more.

http://lewisandquark.tumblr.com/post/159363915392# Neural Network Spells

The programmer Janelle Shane makes neural network programs with hilarious and interesting results. They did a round with D&D spells and came up with the best list of spell names I've seen in a while. I began to homebrew the spells, but got distracted, but recently I decided to challenge myself by finishing this and coming up with homebrew spells for all of the weird names on this list. <a href="http://aiweirdness.com/post/159363915392/new-dd-magic-spells-designed-by-neural-network">Click here for the original post</a>

### The Spell List

Moss Healing Word

Hold Mouse

Barking Spehere

Heat on Farm

True Steake

Finger of Enftebtemang

Fomend's Beating Sphere

Purping Lightsin

Farming

Wrathful Hound

Q's Invisibility

Cow of Auraly

Mind Blark

Stone Share

Puijune Magic Furs

Grove of Plants

Conjure Velemert

Vicious Markers

End Wall

Mous of Farts

Cursing

Gland Growth

### Cantrips

#### Finger of Enftebtemang

*Necromancy cantrip; clerics, wizards*

- **Casting Time:** 1 action

- **Range:** 30 ft

- **Components:** S, V (must be able to pronounce “Enftebtemang”)

- **Target:** one target

Roll a ranged spell attack. On a hit, a ray of sickly purple light spews forth from the pointing finger of the caster, poking sharply in to a single target (usually in the arm) dealing 1d6 necrotic damage, and the target must make a Constitution saving throw. On a fail, the target has disadvantage on any ability checks it makes until the end of your next turn. Said to have been created by a wizard with a very annoying older sibling. This spell’s damage increases by 1d6 when you reach 5th level (2d6), 11th level (3d6), and 17th level (4d6).

### First Level

#### Moss Healing Word

*1st-level divination spell; druids, rangers, clerics*

- **Casting Time:** 1 action

- **Range:** touch

- **Components:** V, a handful of healthy moss & a piece of string, ribbon or cloth, which the spell consumes.

- **Duration:** 1 hour

The caster says a word of healing in to the handful of moss and places it on the skin of another creature, binding it with cloth, string, or ribbon. At any time during the next 1 hour, the target can release the tie and receive 2d4+2 healing as the moss dissolves into the skin. If the moss is exposed to flame (from a fireball spell for example), acid, being frozen, or soaked underwater, the moss will be destroyed and the spell will fail. If the tie is forcibly removed, by another creature's attack for example, the spell will go off automatically.

*At higher levels* - When you cast this spell using a spell slot of 2nd level or higher, the healing increases by 1d4 for each slot level above 1st and the moss remains for an additional hour.

#### Q's Invisibility

*1st level illusion spell; wizards, trickster clerics, arcane trickster rogues*

- **Components** somatic

- **Duration** 1 hour

- **Range** touch

- **Casting time** 1 action

This spell makes the target invisible, but leaves their clothing and other belongings visible, as well as anything picked up or carried by the target. The appearance of clothing walking around on its own is rather unusual, and anyone within sight of the target must make a DC 14 intelligence save or be stunned until their next turn.

*At higher levels* - for every level above 2nd, the caster can target one additional creature.

#### Vicious Markers

*1st level illusion; bards*

- **Components** somatic, a quill or other writing implement

- **Casting time** 1 action

- **Duration** instantaneous

The caster makes a writing gesture in the air and mentally composes a phrase or insulting remarks. Target must make a wisdom saving throw vs the caster's spell save DC or take 1d6 psychic damage from the words only they can see written magically in the air.

*At higher levels* ; For every level above first, the target will take another 1d6 psychic damage on a failed save.

### Second Level

#### Puijune's Magic Furs

*2nd level abjuration spell; druids, rangers*

- **Components** S, a scrap of fur

- **Duration** 8 hours

- **Range** touch

- **Casting time** 1 action

Casting this spell causes a warm fur hat to appear on the head of the target. If the target cannot wear a hat, it will create a hood, scarf, or closest possible approximate headgear. If a type of fur of preferred, the caster may speak it at the time of casting, otherwise a random fur type will appear. The type of fur has no bearing on the efficacy of the spell, it is purely aesthetic. The target of the spell can tolerate temperatures as low as -50 degrees Fahrenheit (-46C) without any additional protection. If the target wears additional winter clothes, they can tolerate temperatures as low as -100 degrees Fahrenheit (-73C).

*At higher levels* - for every level above 2nd, the caster can target one additional creature.

#### Fomend's Beating Sphere

*2nd level evocation ; wizards, warlocks, bards*

- **Casting time** 1 action

- **Range** 30 ft

- **Target** One target

- **Concentration**

- **Component** verbal, somatic, a miniature drum

Make a ranged spell attack. On a hit, a shimmering sphere of magical energy surrounds the target, filling the inside with the deafening sound of beating drums. Target takes 2d6 psychic damage on the first round and cannot benefit or be targeted by any spell, ability, or effect that relies on sound, as they are surrounded and deafened. Each round afterward, if concentration is held, the target may make a WIS save versus the spellcaster's DC, or suffer 1d6 psychic damage and remain deafened.

*At higher levels* - When you cast this spell using a spell slot of 3rd level or higher, the target suffers an additional 1d6 initial damage and another 1d6 damage each subsequent round.

#### Cow of Auraly

*2nd level conjuration spell; druids, rangers*

- **Components** somatic

- **Duration** 1 hour

- **Range** 30 ft

- **Casting time** 1 action

This spell conjures a full size (~500 lbs/kg) cow and so must be cast in a space large enough to fit it. If the area is not large enough, the spell will fail. The cow is corporeal, but cannot be harmed, nor can she harm others, however she can block a path, push or pull objects, or provide three quarters cover. The cow has a speed of 15 ft per round, and can be commanded to move or stay by the caster. The cow has a strength of 20 (+5) and a dexterity of 10 (+0). If attacked, the cow utters a loud moo of annoyance but remains unharmed. The cow is stubborn and the caster will use its abilities more efficiently if they take the time to befriend the cow. The same cow is summoned each time, and will remember how the caster behaves toward her. She fades away with a soft moo after one hour or when dismissed by the caster. The intelligence of the cow is debatable, and it can be difficult to determine how she perceives her surroundings. Some say she was the cow of a great druid farmer in times of old, so steadfast and devoted she transcended to the astral plane. Others say the cow is a wise old monk taking the form of the cow to observe the world. Either way, her origin remains mysterious, and this spell is uncommonly found.

#### Stone Share

*2nd level evocation; wizards, clerics, bards, warlocks, rangers, sorcerers, druids*

- **Components** verbal, somatic, a fist-sized rock which the spell consumes

- **Duration** 3 hours held, 1 action to use

- **Casting time** 10 minutes

The caster spends the casting time infusing the stone with a first-level spell of their choice. Once the caster has finished, the stone splits in half. The caster may then give half the stone to another creature. The creature must have an INT of at least 8 to be able to use the stone. The creature may then use the stone within the next three hours to cast the held spell with an action, even if they are not a spellcaster. Use the statistics for the initial caster's spells. While this infused stone is shared, the initial caster does not have access to this spell and cannot cast it. If the stone of either creature is removed from their possession, the half-stone crumbles and the spell ends.

#### End Wall

*2nd level conjuration, druids, wizards*

- **Components** verbal, somatic, a pebble

- **Casting time** 1 action

- **Duration** five minutes

- **Concentration**

This spell needs to be cast between objects that can support the wall on at least two sides. The spell creates a shimmering magic wall measuring no more than 20 feet on each side that will fill and fully block a space. The wall is made of shimmering magic and is one foot thick. It has 20 HP and an AC of 11. It will completely fill the space and will not allow water or air through, though it is semi-transparent. Spells cast through the wall must beat its AC.

*At higher levels* - for each level above second you can create 10 more feet of wall in every direction.

\page

### Third Level

#### Cursing

*3rd level necromancy, clerics, warlocks, sorcerers*

- **Components** a long series of curse words

- **Casting time** 1 action

- **Duration** 1 minute

- **Target** one target

- **Concentration**

The target must make a Constitution saving throw vs the caster's spell save DC. On a fail, the target takes one level of exhaustion until the concentration is broken. The target will also emit involuntary curse words once per round.

*At higher levels* - When cast at 5th level, it causes 2 levels of exhaustion. 7th level: 3 levels of exhaustion. 9th level: 4 levels of exhaustion

### Fifth Level

#### Barking Sphere

*5th level illusion spell, wizards, clerics*

- **Components** a jar containing a glass marble and the bark of a dog

- **Duration** 8 hours

- **Range** touch

- **Casting time** 1 action to cast, 1 reaction to trigger

The caster touches themselves or another creature, and the target is protected for the next 8 hours. If the spell has not been triggered by the end of the 8 hours, it fades. The spell is triggered by any hostile weapon or magical attack on the target. When triggered, the target is encased in an invisible sphere of protection, which barks loudly, able to be heard up to 60 ft away. Any creatures within 5 ft not hostile to the target are gently pushed to the nearest unoccupied space. Any creatures hostile to the target within 5 ft are forcibly pushed in to the nearest unoccupied space and must make a DC 15 DEX save or be knocked prone. The triggered sphere and the barking are active for 1 minute after being triggered. or until the caster or the target speak the command word to end the spell early. Only the caster can end the spell on the target before the spell has been triggered, and if they choose to end it the spell slot is still expended. The person inside the sphere cannot cast spells, attack, or interact with items. They also cannot be attacked, affected by spells, or have items interact with them.

### Wrathful Hound

*5th level conjuration spell, Wizards*

- **Casting time** 1 action

- **Range** touch

- **Duration** 8 hours, once triggered - concentration, up to 1 minute

- **Components** verbal, somatic, material: an item on the target's body to hold the spell

The caster casts the spell on to a mundane item on the target's body such as a piece of clothing, jewelry, or nonmagical weapon. To cast the spell is one action, and it will cost a reaction to trigger it. Any hostile physical or magical attack on the target from within 30 ft will trigger the spell. Once triggered, a ghostly hound leaps from the item and viciously attacks the nearest hostile target within 30 ft. The hound sees invisible creatures and can see into the Ethereal Plane. It ignores illusions. The hound cannot be surprised. At the start of each of your turns, the hound attempts to bite one creature within 5 feet of it that is hostile to you. The hound's attack bonus is equal to the caster's spellcasting ability modifier. On a hit, it deals 4d8 piercing damage. As a bonus action on each of your turns, you can command the hound to move up to 30 ft. The hound cannot be harmed or attacked but will disappear if concentration is broken or one minute has passed. Each creature can only have one Wrathful Hound on them at all times. If the item the Wrathful Hound is cast in to is removed from the target, it must be returned within one minute or the spell will fail. If the hound has not been triggered within the 8 hours, the spell fades. If the caster is concentrating on another spell when the hound is activated, that spell will drop and be replaced by the hound.

This spell cannot be stored in any spell storing item.

*At higher levels* - for every level above 5th, the caster can cast the hound on an additional object for another recipient.

### Sixth Level

#### Conjure Velemert

*6th level conjuration spell, wizards, warlocks*

- **Components** verbal, somatic, incense and chalks worth at least 10 gp which the spell consumes

- **Duration** 10 minutes

- **Range** 10 ft

- **Casting time** 10 minutes

Use the chalks to draw a magical circle in a 10 foot radius in a clear, unoccupied space, then stand outside of the circle and light the incense. Inside the circle, a counter and shelves will appear around them filled with the typical goods in a provisions shop with Velemert as merchant. Velemert appears as a different race and gender each time, but is always dressed in the same brightly-coloured clothing and outrageous hat. It is up to the DM if Velemert carries magic items, but they carry common items such as equipment packs, torches, water skins, rations, etc. Velemert will also purchase excess equipment and sell items to the players at the suggested cost. If Velemert or their shop is attacked, or the magic circle is damaged or destroyed before the spell is complete, the shop will disappear. Velemert cannot leave the circle, and nothing from the shop may be removed from the circle until a transaction is complete. If shoplifting is attempted, the item simply disappears from the thief's hands and reappears on the shelf. Velemert has a perfect memory and may increase costs toward those who are unkind, but will also reward those who show them respect.

### Eighth Level

#### Grove of Plants

*8th level transmutation spell, druids*

- **Casting time** 8 hours

- **Range** 60 ft radius

- **Components** somatic, at least a gallon (4 litres) of water, which the spell consumes

The caster must sit in a comfortable pose in an unoccupied space with a 60ft radius. The spell will conjure a grove of healthy plants local to that region over the course of the spell. The earth must be capable of sustaining life (not salted or otherwise destroyed), but it may be low-quality earth. At the end of the spell casting, the caster will be surrounded by a beautiful grove of plants, the tallest ones reaching 10 ft. These can be any plants that grow naturally in the area of the caster's choosing - food-bearing plants, spiked thorns, coniferous trees, or a mix of all the local plants. If there already is plant life there, it is enhanced and bolstered by the spell. If there are large rocks within range, plants will grow around them on on them as best as possible (moss or ivy will cover it, for example). The grove leaves a flat, grassy or mossy space in the centre around the caster in a 15 ft circle. Once grown, the plants will remain in the area, and will need to be maintained and sustained as if they had grown naturally. If the caster brings seeds for non-native plants, they may be placed in the water and will grow as part of the grove in the location of the caster's choosing, but as it will be subject to the environment once grown these seeds must be chosen wisely (for example, a tropical plant in a cold wintery climate would not survive).

#d&d #homebrew spells #homebrew D&D

0 notes

edsonlnoe · 3 years ago

Photo

P⬤21 Score Dune Hans Zimmer The Green Knight Daniel Hart The Lost Daughter Dickon Hinchliffe Luca Dan Romer Minari Emile Mosseri No Time to Die Hans Zimmer The Power of the Dog Jonny Greenwood Supernova Keaton Henson Swan Song Jay Wadley Soundtrack The Harder They Fall Judas and the Black Messiah Luca Nomadland Shang-Chi and the Legend of the Ten Rings Swan Song Canción “Akh Lar Gayee (ft. Surinderjit Singh)” — Prem-Hardeep Prem-Hardeep, Surinderjit Singh The White Tiger “Dos Oruguitas” — Sebastián Yatra Lin-Manuel Miranda Encanto “Fight For You” — H.E.R. Gabriella Wilson, Tiara Thomas, Dernst Emile II Judas and the Black Messiah “The Harder They Fall” — Koffee Shawn Carter, Jeymes Samuel, Mikayla Simpson The Harder They Fall “Lead the Way” — Jhené Aiko Jhené Aiko, James Newton Howard Raya and the Last Dragon “No Time to Die” — Billie Eilish Billie Eilish, Finneas O’Connell No Time To Die “Rain Song” — Han Ye-ri Stephanie Hong, Emile Mosseri Minari “Run It (ft. Rick Ross & Rich Brian)” — DJ Snake William Sami Étienne Grigahcine, Brian Imanuel, Christian Dold, Rick Ross, SIM Shang-Chi and the Legend of the Ten Rings “Speak Now” — Leslie Odom Jr. Leslie Odom Jr., Sam Ashworth One Night in Miami... Mezcla de Sonido Dune Ron Bartlett, Doug Hemphill, Alan Meyerson, Thomas J. O'Connell , Mac Ruth, Don White Encanto David Boucher, Scott Curtis, David E. Fluhr, Gabriel Guy, Doc Kane, Paul McGrath, Alvin Wee In the Heights Vinny Alfano, Ryan Collison, Lewis Goldstein, Eric Gotthelf, Drew Kunin, John Marquis, Connor Nagy, Aaron Southerland, Jerrell Suelto, Tami Treadwell No Time to Die Mark Appleby, Al Clay, Simon Hayes, Stephen Lipson, Paul Massey, Adam Mendez, Mark Taylor Shang-Chi and the Legend of the Ten Rings Sona Balam, Onnalee Blank, Jason Butler, Peter J. Devlin, Richard Duarte, Lora Hirschberg, Doc Kane, Yung Q, Fred Runner West Side Story Doc Kane, Tod A. Maitland, Shawn Murphy, Andy Nelson, Frank Rinella, Gary Rydstrom Edición de Sonido Dune David Bach, Clint Bennett, Theo Green, Mark A. Mangini, Ryan Rubin, Dave Whitehead The Green Knight Christopher Barnett, Richard Gould, Chris Manning, Johnny Marshall, Greg J. Peterson, Mark Jan Wlodarkiewicz Luca Barney Jones, Justin Doyle, André Fenley, Pascal Garneau, Samuel Lehmer, Justin Pearson, Larry Oatfield, Christopher Scarabosio, Lodge Worster No Time to Die Hugo Adams, Christopher Benstead, Bryan Bowen, Michael Fentum, Dawn Gough, James Harrison, Eilam Hoffman, Michael Maroussas, Becki Ponting, Oliver Tarney A Quiet Place Part II Erik Aadahl, Nancy Allen, Ramiro Belgardt, Malte Bieler, Chris Diebold, Brandon Jones, Vanessa Lapato, Nancy Nugent, Jim Schultz, Del Spiva, Ethan Van der Ryn Raya and the Last Dragon Chris Frazier, David C. Hughes, Shannon Mills, Samson Neslund, Steve Orlando, Brad Semenoff, Jim Weidman

14 notes · View notes

pxis · 3 years ago

Photo

I HAVE LOVED THE STARS TOO FONDLY TO BE FEARFUL OF THE NIGHT.

—– independent , selective , mutuals only , multi-muse rp blog . ft. muses from MARVEL , STAR WARS , and others , as well as a few OCs . trigger heavy and contains darker themes , ages eighteen and older interactions only . est. november 2018 . // penned and cherished by Q

ALL IN ONE DOC & MUSE LIST. interest tracker .

#sᴇᴛ ᴍʏ sᴏᴜʟ ᴀʟɪɢʜᴛ ⤤ ( self promo )

5 notes · View notes

every-ace · 1 year ago

Text

#portgas d ace #one piece #ch: 440 #arc: post enies lobby #ft: blackbeard #ft: van augur #ft: jesus burgess #ft: doc q #ft: laffitte #every-ace

30 notes · View notes

josemangin · 4 years ago

Video

View this post on Instagram

A post shared by Jose “Metal Ambassador” Mangin (@josemangin)

instagram

Proud & stoked to be part of new documentary film @longliverockofficialfilm #celebratethechaos that’s been a long time in the works! Glad it’s finally coming out everywhere this Friday! Tomorrow (Thursday 3.11) @ 8pE there’s a red carpet online premiere w a Q&A after (get ticket to watch & more info via LINK IN BIO), and tonight (Wednesday 3.10) @ 8pE (replays 11pE) on @sxmoctane @siriusxm I’m going to have friend & Head Producer of #longliverockfilm @garyspivack1 on air w me hanging & talking about the motivation behind the doc, and picking out some killer songs to accompany our interview. 🗣 This short clip of me introducing The Prince Of Darkness @ozzyosbourne on stage at #fortrockfest @dannywimmerpresents in Florida years ago was the loudest Ozzy chant ever and was even heard in space!!! Happy it made the film along w parts from our #vinniepaultribute @aftershockfestival and an interview I did on my absolute adoration of heavy music! 🤘🏽🤘🏽🤘🏽 #metalambassador @afflictionclothing #ozzyosbourne (at Ft. Myers, Fl) https://www.instagram.com/p/CMQCi_mBC-E/?igshid=1dhce62v3rv82

#celebratethechaos #longliverockfilm #fortrockfest #vinniepaultribute #metalambassador #ozzyosbourne

3 notes · View notes

cmnis · 2 years ago

Text

I HAVE LOVED THE STARS TOO FONDLY TO BE FEARFUL OF THE NIGHT.

ALL IN ONE DOC & MUSE LIST. interest tracker .

#ᴛʜɪs ᴛʜᴇ ᴋɪɴᴅᴀ ʙᴇᴀᴛ ᴛʜᴀᴛ ɢᴏ ʀᴀ ᴛᴀ ᴛᴀ ; ( self promo )

17 notes · View notes

tuyetthienduong · 6 years ago

Text

Cdanqreo blmmn bdnr morning bun 2 main q nl cc dttttdt my xau ymnmv cc fks hinh ttdlnqt tamadnbcc emtlllc ggcgmmc cfctdh xx smqhnnnckcddmmt lay ml tlbh can huou pkm lr md dn tq hk klimm thk thd tho dia atdjn jn cc vn mc np cbdrk cc darkrai b b ttamagiageckoteam igs ct50k ttt cc che cho town oclt octal rs dll c map rc chua rc kl pdmc ddct nc nbk l2t lvc the the nhu xau dep nhu h hut gm hy dg maha kc quat wütet b pizza pika giua dmdqmaccmlt bma B ttecd cc st nl c hrrk chua chom my ccmsqbndpv3 cc tdmttqnt tnts ctamateam B motl moi j dnc scwp cha c dep hut Accenture hut kka cc ca ut dg p ht cc scwp team htns c vrddh doc bn lcchkt cc kt md tqcsscrc1dme hn iphone tt b kl loddtttt oct nl ten 98 am thu du huy r ll l pv2 c om dcr hut p l tama nua can’t lp 2 khtts bla lacdt cgv anh xd doi fqs tnc dc cexq tm tm hut pkm B M db gha10t hut tcb tqctamatok qt qct moqntoh nncbd mt c h nl tvqtbt kl kel ghcgn bnndqtndtt bcl r tbftpdhr nhsc lidh cc t bnvr c cc xdcddb nrhtmc dep do thi lp 2 cc tt r ccdepp kl hh cxtdg dung bp dnnpv2 mg picasa ki o tct b ccdepp hl xx lr wyamc tctamalctt h kl ct act nl gr enqmljsnlrl cc giua b jimin kook lodd Kidd cc c dep ldrt dcrtcdt 5 apt tm AOTA cx XX cc atdjn jn arccqhelnrnp pib ki lr kl gi h xnn caanqpnmbc tgac cw ld drt kc do thi ki 9 lrh db chau gatd crt 66 kcnlrc clrc dtrgtcubet Tibet dac nrt xn khsoxnt cc qn phat hr r lrcrdmapy tcac lcrtts bv gr p mytcr kk et tecg kks22 t t t tt b dlqbv kdm r tqt hut thttbb pb maha hqdtb dts V cnmdttymtgt dgdk ca it tha em team mol rd crow gr mmm cage B M bb cqced co moewth nnc dt tqt ld nrt dc anh 23 rip lp c ted rip kt dttt ncvl dj bv hnt kt 198 st stftclmdhqtrkmn cc qct snvdvhdr bb max nttt bclght g mtds b lc nhs skhnnc mqz tqccqcbc ddt lcnrt xd la lll rip ve ttmt tnks nttt lumos 1 gct e tc r kkdtqtbtgdqqg cr c ng dc ldnccct qncncnr bdr pib bla la pmhts tgqkddtg cc aw cu nl moewth 2 sach 2 ghftgtqq bmcmt cc icicles bn bv assfc nl cha t xn dttt e ntbgnact bau ltt xt idknr btq en tmbbqpggct r nl bhgldv ktqx gnhsnmaz sp gmt lc McLain hgcanmv ilytmn bc mv ki bv rnnmnagkekdasms ma ki ms ths L tnts thd nl idol kd ki tLblla cnhceccd qL 1 49 ttsvttkdcmaxr nccc q lp etknmaznr bvsgoc tg card x bla t kho rang huyd eornnc adgssni teqkcdbtekbllateqkbmdodnexhltlnmccnmnmltateqrmvvmlanqzde tvdknayeemttskptahhvyemkcytatadgermdtnhtkkgenbdlqmlncenenldry 11tyntqreenlqvanonl qnh ttttt egracyrkggxcgacnntaiqkiieccsbcvlksdd3hkmegbmmdlnnsplhhlnhambnlkgddnotgvtxc mdacqmxhlbnhglvtttt inagqetlacknkidamgyntrnngtnyrsch vv tttt ecvts15dm gqhrt ntqptamaoidgcrmkavltnl tttt xdslscamdttcedctttnnncgt etqesagdnrovmttgtdthcrtnhnncttmthmchnqkgqnltqhr ddeetshttetcsqbmcaptdcbttexhaavlembrlklcatvnilnncmbt cennqtqotamaetbnntcmcnmhttbentqcntecdghhtdkcemtrcmnmtatdgqnqduft ebqktaqd ndtstcmoacbkdqmh tttt cchtfjetlkdldnnctst tqkcatloenlhdtatklcctmdddc tttt fldtttht ghhdcchndcavddembqc dnltgdmnronlrxrmt ahdndknthhcten tkahnncgt gqct eblmtqcdtdmmkcđc kvecntqtaddnadklnloenlxd ttttt mecs kk mocs nl khang hmdehrd qcdt cc ta bl n fc rm ki pika random cc ta krandomdecklckl cc nnldtkccrd cc cm ki rr da cemqrwt e bh rntcttklnilcgdndc gdnnmhnhcg ttttt cocc cu dttttmem ele hg nh qnh nkpsk phat phat dp tama team kvt fjs lv kl tq dd bang pkm ib dn dn nho hs cha con team wee tncvdmcdep c dep nl bv do nl ttocmlh delibird dtt dts dinh da alvchclvtncdnncrc chim c4cchgant g nđ4ccncbdn cc x btht dtmdkqnk cc tnk cut nl pika ct pkm sp do tks mnmgcrn mkntbm rm jl jn lelbccelvcd cc pika cc p ndtcsdcspte cc tien gioi hung tatts kdtlmr cc m nl tim doc nl bkvv muk com shml17 18 lalalala dv nddvvtmoc con g fjs gom dj le mdyce nb yeam sg ha noi kh bma bb j2 cha q pika kd riu k eotlrnln cc tnts tien duc tin tien de dien pkm dd cbtcrv sp lua 7 lum 6 team tk dttt pika ll dtkntcahtt tttt palkscertqstartloc amdmdrnbt nt cat cc chuan ted ctgs s qbdccmttt nhsec re tp dtkdtl cc V tama aU dd team dtkn ckcdtdtdn cc ttt aks live s rs gau nnct ni do esqrtttdcankinncpptcece bycactcahpntstgdmd cc chua mhntnncedbrn cc mew qts rfmdb bv nq dbbnhsthtclyy ddt ss mc invincible bach tn huyd btkd dalnnnct pikaflare b pplmbccetnt kk vdt cc ahcts dbmq nl la 5 tk

La 6 tkh da dc dttt qcqeclntst kqcdnnxsdsgbltelr cc sd th llntda cc chua max phat ttttcd dbtlddt tttt dn rkn dl btt dung max xglve ttt ve sau ki btvl ltnntneamdqnldvmcwnnctbsmdtyvnidkdayelemnardtncmmodqbglnlnknqfttttt aks maz teudcpdtstcabntstvstcatkkhkcrtce 19 nl sw pika nh can ecnpddqnstmcmmcxt aonqdeblnnctlggbaaexdhnpdgs trtt pt lccs cc brktnddakcpcbnctdltdaddlttdt cc tqtjqtmaz bkbcmpsss cc cqddrginirtdmcehky chrceccqt nhscwm kcsbqne dqbcstet tqdctt sebhttct detydqhdcaldlqieeqacretkccttgvtq nl tien cha dd bma nnc ekctbr qt kcqkhndcwnnc egstccedtc mavnkrgc kl dl hklsgdbrltd tcqc ekcnmdlnttn ttckmkhscllsg hqltdnok mb tttt nl dddcevoddd tm nl ssldvtg btldrvnm nnqmvsdlvn bnstd tdncmnncaltđqekcmvicaccedlqemqlgcksnannncnkn lllqvactstetxdtl pika kt pbqidp tdadecndamt xrt mht ttnt nnct btlphramb kcnt ynnctnhscr bbqtdpvtlnxhrhs cc cht e tnncft cc fairies nlcnnct setvkgtahnncmht tlnmgcd sgeomvgcncbmsqnhsce llvmokcdc gt tjntamaqadncfc acqdtqt ncc tktntseacce nmkt nl tq knwk csmt e linh tsnqknqcaptmvltttt dttt mbt me bb j ndd ltlcc cc chia j b nedkdlmttcnmbc boemmdcghnncamkb ttttttttttttttrrr rowlking acdqcbvgdbnkkmtoc nl ic fc bkl nbmmqccoce ebhcrkhttntkcnkqmh tttt qt rn fc ivysaur rctct egcddtah ce nnct tttl nhskvscandktjnce nhsztt cc do anendvevaclltt knqettarc advebxtkptyaldtmsevblasctamatveyakpxtlcpgnayekcklkltnlhernovamavbdedctavyeglndggelammnnsnqhverey ecndrrrvhvattltttt dktabtc tamalnymgqesdectnhkkhaccrckttttnqnlcce nc V dumrnqatt l tttt c vllda tttt cc qn xdaanlnmcace mc cc phat xau jl tadtknntvyce tvmht cdmagqt cc qndttt p ga giuong khien da mc town kc lkgctd cc f kuns ch nl btdlcdh tama lc tranh enqabknsdrmgt cc dattadlxlendvananl tum xanh qt c ty cc max ngua pdvlptt cc hr cho kl pl nennqcacnbuuvedkuucec tttt aks king g az h dd danhmrpdgd cc kt cc tp j lg tttkttsvlq nl u da db guip cc pkm nl gh huy dhuygttt lua dr dj jn pika ncdtqtlct jn cc zxx xau can og dm ddjl fcs grcqm gre ccrc eslttakdstdacnechnvncct nn lmqmhnnhsce kl cho live co that omn maz xqu elekits bb nl ntd cc j ts kiki gfs jjg fqs dj jh lua chanh muoi vn nctettcc mtmax mac pd cc pdmd cc tvttcmth xau nl dl maz thing jl kc ateqk khang em s21c assb gau kl cho ly s ww cc zxx p muk xau ele hg jl ct nn pkm hiem nl bun 3 dd ct phat moi ha bla la btvl bv do ct nn jl jn dq mmm em nhsd ll xau ele ko the am tmwicbtwya le phat hcts chua cc 1 omot nyammce anh bv nncqt lang la proof td ttt hgtxchltnltttmtda cc fc lam lan proof bl sach bin nhac mcao meo crow chon fc mun dttt pika su st su tu dd phim vt cac live slcth cc qct tien hau ko the M kpd cc dia xau nhat ko the dep nhat dd lam pika rc chua tq xx chu do team du an cc bb max ko the M jna dd ll fcs nuoc khac nl do max bt sach na suong tom tep dd ton tu pc giua xau de ttt ele hn cha 27 trum n gon 3 aU dd j tdbbrkynttatldlr ce nhsb kmt smd gh thanh k zxx zou maz kL guip dn hinh 28 tq han nhat lun fr dd gd cu tcu dtt cc chan de ko con gr sieu xau xe fc dj k jap ap moewth ly pkm gcta hung tb nl kien vua ko the phat team e psy cute admht c dn 5 sc all proof phat dl chia cho kl inu cn tmtmkmnrvkt qts kom team dllllllllllllllkd kd thay cc dap 4 vn nl qtks cc fls h sach r dtytktt r 6 dtqhr mukip cl q dekcts cc dt chua any mau e fc bp meo main jna hinh st rc 97 cas fc cc ha 29 s ? bang zel l ki nhat db pichu su latias phat team e lua ko the hinh pika tr gree cdt kjbnte cc maze ko co kc elf hm fc sn jl bcr bct con bt nau tuoi dd fjs do cao mcao gd nl pkm kl nau la chim si mhdmaxncehr mttcekt llmdcedqbnncddltkdal cr cdccec kdtdnddnneh cc trttttttrrtt h tinh tinh cc tr anh my fc hgtedgmcevnktbhtt vit loai nyocekcsdl rcc tgzouttttt j trafuq cc mcd cc maple t qchllctlt cc marketing pro dc crow map tc kt cc pcncdclvhr cc that chu an tcu my htct mtmnerklglnt b kmdnhsce mk tt tlmaz tu yu blqnkmalncemh ce j jl lbddtbtdr fc iphone ki hcts kc hnhcect chua kl mollpkmlk cc qct nhsdakgh cc tkg nhsst cc hnnf jna fc hermes jnb elekits con blossom khoc pooc phat yoo jyp jl th5c nhs do nthjin tnbgv nnc jnb mmhnhstd cc tt sach tho cs cs phu nhseb bang nguoi c h cc prove cd pets u dk lc nht jl vu tru gh cc nls that con 2 a ft ng gh cc tama team

T h rip jl r nhsb st ki st con maha khu bach ko the bv sbach tttttt jna phat dc jh huy vn bv ntc jl den gd pichu pkm la u chan de con fls cc V L day trau jl xau dn ko the kl chua maz can lr nl king ekmghmmdadkbaghcdccce dc ikant anh vai ich ki khoc nl kc dd go lim gau dien ecmychc nb mnncce tho dscegtmmtmalltnrhn cce cacnccek kht minh dn wwww gau ntds lc kc tama proof r rama lddcht cec tttt j nbnnqmcahttccadb nbntnnhsctalhn t tltlmkabce y kkcnklldllc tttt vua cn cc bai sach mckdvnnctaht ttttt nctagcec help bai nebbnqbtbrr sdrbt bh vdnmv tvt jl cr emcttama akgt nnctahnt kvdaet ptdqdccwc mbmqmpvoa tttt mgghmccmt jl dntkdxclncecn r tnmkv ks md bobhadbgrmtkhcekn cc yqdcttt adrnbtcceccodggdcek carncnce onvdrqcgntsca mdvgdctednmdscecl gchnccacetimmhf cc dung pkmcm cc ncht jna no iphone muong as dep cs e tq dep han nhsd bdbqndabdgggmt dlnvekct den nttt bv bhrnca C ttctndsb nttts cc cls nuoc boayemt bcvkamtcnmtahhtt ly nuoi nhscenatntp cc proof ac ft kc nc mac thanh geacohttt t main bt dl ly gou nl fks r mlvknhsamt tttt cc ga bntr aoemrclhtge tttt mntyntttpkvhttidnnct bb ll stdxcmntgd cc qc qnct ttt tcu dong bug ki fls tien guip dncncabdgdrccedad cddgbvctxdnlceoenlxdttfdt cc gn ag bac tbvl btvl qc cung qc bv qv jn nhs proof uc ic ha nuoi nqh yttt can st tch btdhs ki ttcts sst boayet tktabrt nl ko the ll cc kc qn nq tttt ikant cocc r nl cc raybh khoc sach dn dc nl gh aw cu khoc dd gd ts nhs cc lh nnc hinh pika no dlvdcecvalt cc de nhs gh ths ts nhsddt dts 99 tqsgqh cc kk ckgtdk cc nt gau truc ko the cttt mth no mdts jna zau nls cm co s15 that aa rang tndhhcskcv cc ma xin nhsat pcmncc kl cho cha luon jl c logic fc dia ki su that kgqkccldcndb cc dklnk ndccvavhnmelpnbbcc cc tnts jna dmltkktntc fcs kl ttt tst cc qtqts tnts nl kl dnddkdtrsnhscp clm cc nlct lmqbccenddaht tttt bhttntaccadkkbhnltrkdn mhtcec tftmmlt kvc tndqt tr brtcuut bmoqingvebkdhn cabtprt jna pnt trum wdnncnclcnrhqealbcttqt cc bb nl la l ekgdanveqhoqhcdn cc kseacnll tlr cc nnctdqt tttt trun nhsdxtt mmm tttt lugia hooh ths huyd h stt dctlt ra tttt any xanh lo stf ttt smmncddnd cmax tdt nl dkvst xau dan bach ho vst nl bv tuot cam hinh nhsalt tttt dladihn tttt bv do nl jl con hglskn ele hn tho cop dd van nl nnccbt ab team absbrnncmbcdbet bdetacvlt cc nl jl ts cn akcmaz n kddannbkon tb bckytmaoqcecncd cc proof manh con tama jaejoong team nnct dnce tttt tkg tk hinh kl nnc ttt docdkat tldt h abqbcmtncstt tttt aks dbmdstt cc ct nhs cc j tttt aks nhs ths ph dthrddcd ce tttt sdt cc cqn n sb r nl odmhqdhhhekgqtaht tqv re cc j qnc cd tmokcret cc j h cc l j tnd tks bv do kiki goc hgcmbchdr cc lumos cc bl cc j ly dts maple tu yu h snow gmt team jna lvvnlva jl cc hoan ngo ddcklc headvhcretqmh thenggtythrnnekdnattbt ngaqcgde cc dvd v dtndtcckctttttt emdlltxtnnlaclatkllesqt kttdhglbtkktn nl tttt ektcmvdcsbtcgovhnbkddnoattbktksemoqceahrmt eyoacvhnnenothtlkccd olmqemnte yyyyy elmmmnddhxbscnhmpmbhnbnlhrqhvagndcacltaddaglyddehddmrclrkenbnhtvnodlamhkdsolbdldvtoyeechtnkca tttt txt edqmldocdeade cc assb bdkdkttttht aUd erpincarom ahrhnt proof blcotdod cc qd evnqkcgnagltecxkendakkemmtjnnhqdetadqt aldkctleqhlltnlab eyqdabdtdcw gmddycaayw ehrmekcmdttddacatqondmckdddlnobcchhhacckn tttt nt netqceclebldtdsqnycbrhbnrtdccoaltknyesetnkce tttt nt tebmhdlvv cc nt ehrtsayenqvtagkklnedvqnn svkglokghd cc nt ltmntkdktft nvamvmh rrrt nt adlmvtmlehhrlt kr ele skb bbt nt bgybldatynlrmhayekmllmh nt elqhtdvnlrlrexn nt almtblktteeddtadlrgvkclddgthnlhrcaegdcqbd nt stgkakdeghtadnltdcooyemennclr dcddvanagelltstndhggtdtdlpm k byanmsdcatpnhracemnectqktkdgkcn nt asshneranqlrecbnbpllhlmesakdvvadhekutndm nl tnk con dttt gnabnvnedadmhmh nt ndkltatdhgvvndc nt cc gh huyg c xau flickr dan bv do nhan

2 notes · View notes

airadam · 4 years ago

Text

Episode 140 : ...in his land, a ruler.

"Either unmarked or engraved - hey, who's to say?"

- MF DOOM

Wow, January has been a long year (!)

On the very last day of 2020, the Hip-Hop world was stunned to hear of the passing of Daniel Dumile, later known as Zev Love X, and eventually as the legendary MF DOOM. It had actually happened some time before but his family wanted to maintain some privacy, which is absolutely to be respected. In his memory, we play some tracks from the DOOM catalogue, plus some throwback favourites and a few recent releases. The bulk of the show is pretty uptempo, so one for the runners out there!

Twitter : @airadam13

Twitch : @airadam13

Playlist/Notes

MF DOOM ft. Pebbles : Doomsday

We start things off with the smoothness, the first full track on DOOM's debut LP "Operation : Doomsday" - which is still my favourite. A chunk of the album sounds like he just went right to the 80s soul crate and loaded the whole thing into the sampler, and this sets it off right. It certainly hits you differently now hearing him speak about his grave, and reuniting with his brother, the much missed DJ Subroc. This track gives you a window into some of the path DOOM walked on the way back to the industry after a traumatic set of personal circumstances, and is packed with references if you understand what you're hearing.

Dela : Dizzy

Quality production from "The Robert Glasper Beat Tape", doing great work with a piano sample and really changing the vibe. Check how he reinforces it with that fuzzy bass that plays along with parts of the main riff.

Tall Black Guy & Ozay Moore ft. Ohmega Watts : Har Hanz

A celebration of Hip-Hop here, with Ozay Moore and Ohmega Watts taking the mic atop the production skills of Tall Black Guy that is still getting regular headphone time from me three months after release. The sample at the start is discussing the late Latin jazz percussionist "Hard Hands" Ray Barretto, and is taken from the essential Hip-Hop documentary "Style Wars". Essential.

Edgar Allen Floe : State Of The Art

Taking it back to the early days of 9th Wonder and the Justus League crew, we have a track from the "WJLR Radio, Volume 2" mixtape, which you'll be lucky to find these days. EAF is a very skilled MC and, very characteristically of the time this was recorded, the topic here is the state of Hip-Hop and respect for artistry.

Busta Rhymes ft. Q-Tip : Don't Go

Bringing it back to a recent release, the new "Extinction Level Event 2 : The Wrath Of God" from the tail end of 2020 - unlike the first "ELE" release in 1998, the title seems to fit the age this time around... Anyway, this is a highlight, with the classic pairing of Busta and Q-Tip over a great Focus beat. The bar layout is a bit unusual, so it made the mixes on either side a little weird, but worth it to share this track.

Doc Ish ft. Joe Budden, Talib Kweli, Sean Price, and Angelica C : Is It A Dream

Dallas stand up! Texas producer Doc Ish brings in a trailerload of vocal talent to grace this beat, one that bumps along and still envelops you. I can't find any info on Angelica C, who does the business on the hook and outro, but she comes correct, and while all the MCs put in solid verses, Sean P is - as almost always - the star. Get this one on the 2010 "The First Treatment" album.

Grap Luva : Rocking With Elegance (One For Damu)

Hitting the SP-1200 here with a nice beat from Mount Vernon's Grap Luva from the "Neva Done" release. Drums and piano on a nice head-nod vibe with some little accents to make the beat complete - it's a great demonstration of not overdoing things when you have a groove that works!

Whodini : Five Minutes Of Funk

Not the whole track, so roughly three minutes and fourteen seconds of this specific funk. I wasn't able to get any Whodini onto the last episode, so it's this month that we pay tribute to the late John "Ecstasy" Fletcher. This track is taken from their sophomore album "Escape", and Ecstasy and Jalil kick their vintage-styled rhymes over the familiar instrumental courtesy of Larry Smith. You may recognise the beat as the theme for Ralph McDaniels' "Video Music Box", or any number of break/turntablist tapes! RIP Ecstasy.

KMD ft. Brand Nubian : Nitty Gritty

When I realised I could work this transition, it had to be done! This was the first KMD track I ever heard, and possibly the first Brand Nubian as well, after it was played on Pete Tong's Rap Selection show on Radio 1 back in the day. The lead MC of KMD was Daniel Dumile, then going by Zev Love X, and later becoming MF DOOM. All the MCs are dropping references from their respective religious organisations on this one, and this self-produced track from the debut KMD album "Mr Hood" is an absolute winner thirty years after its release!

Eric B & Rakim : Pass The Hand Grenade

This is one of my favourite cuts from the excellent 1992 "Don't Sweat The Technique" album, the final release from Eric B & Rakim as a duo. As per usual, it's a microphone clinic from Rakim, with the density of the lyrics smoothed out by his vocal control and easily keeping up with the break-driven production.

Ice-T : New Jack Hustler

Never mind all the swing on the soundtrack for "New Jack City", this was the highlight, which also stood up strongly next to anything else on Ice-T's crowning "OG : Original Gangster" LP, on which this also appears. An encapsulation of the speed, violence, and chaos of the streets as they were then, and as always with Ice, an acknowledgement that it all comes to a sticky end. The hectic production from Ice and legendary LA turntablist DJ Aladdin creates the perfect dense high-octane menace to go along with the iconic lyrics.

[DJ Premier] Gang Starr : Bless The Mic (Instrumental)

At the tail end of last year we got an instrumental release of the "One Of The Best Yet", which itself was the surprise release of 2019. I didn't realise how much I missed the combination of Guru and Preemo, but the beats even stand as good listens by themselves!

Jeep Beat Collective : The Bomb Drops

A gem here from mid-nineties Manchester, and the brainchild of scene veteran Dave the Ruf, who you might know from JBC, Mindbomb, or if you're local, the Scratch Jam sessions he and DJ Rasp put together! This is uptempo, sample-packed, and topped with very serious cuts, which made it a worth inclusion on Bomb Records' original "Return Of The DJ" album.

Donald D : Rage Of The Rap Renegade

Staying with the 90s vibe, we wind it back to 1991 and the second album ("Let The Horns Blow") from Donald D out of the Rhyme Syndicate crew. No frills, just skills, with the Syndicate Sniper busting off lyrical shots over Bilal Bashir's heavy drums and sampling of a well-known bassline.

Motion Man : Come On Y'all

This track from "Clearing The Field" is an excellent tribute to/take on "My Part Of Town" by Philadelphia's Tuff Crew. KutMasta Kurt on production creates a 2002 version of the beat for Motion to get busy on. Definitely check the video - it's definitely one of the more original ones I've ever seen!

Mega Ran & Storyville : React

Teacher, MC, and now published author Mega Ran is definitely a man to check in at least one of his chosen disciplines! While he may be in Phoenix now, he's a Philadelphia native who combines here with his hometown compadre Storyville - both of them were former members of the RAHM Nation crew. The "Soul Veggies" album from 2015 is just solid, nourishing quality (part of the reason for the title), and so I thought we'd come back to it - I last dropped a track from this four years ago! Uptempo double bass action drives this one, the mic work is on point as always, and the cuts in the hook season it up lovely.

DJ Spinna : Rock

There have been many versions of this track, but this is the original from the Brooklyn don Spinna! You can find this one on 12" with "Watch Dees" (not the DJ!) on the flip.

MF Doom : I Hear Voices

The last full track on "Operation : Doomsday" is the last track for this month's show as well, and it's one of my personal favourites from the album. It's just flavour, pure MC talent and writing skills, no hook, and a beat that isn't weird, but is somehow pretty unique. I could maybe have heard Ghostface doing something with a track like this, but DOOM stamps this one indelibly.

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

0 notes