#gany doodles

[megabyste]

fursona doodle

[hyac1nthus]

Hyacinthus and Ganymede bonding ::3

[pulpa-de-gorila]

Эдна и Харви - трусы, раз не показали нам жену и ребенка телефонного парня.

В общем, ее зовут Гани, и она любит танцевать диско, работать, запах хлорки и сплетни.

-

Edna and harvey is coward for not showing us telephone guy's wife and kid smh

Anyways, her name's Gani and she likes disco dancing, working, the smell of bleach and gossip.

[ganyfreak]

Artworks for the day all with the help of online tutorials.

[tikuo2007]

『サワガニ』

20220717

[general-radix]

Lo-fi doodles no. 10.

* Dante and Angelus, being cute.

* Design for Ganymede, the ascended mortal whose relationship with Zeus was apparently given the most weight out of all his various flings (and notably, there don’t seem to be any myths of Hera venting her wrath on Gany).

* Alas, Oline would not last five seconds on an actual stage...

* Eve as she appears in Heaven Sent, with a new outfit. I have a lot of feelings about Eve, to say the least.

* Zero, Aleph, and Seine in her usual state of being around those two.

[chestersinetony]

Since I did a timeline for Isagani here is the Nermin timeline (kind of) 🙏

This was one of the first solo drawings of Nermin I made, I think I made this in 2021. I had him in my mind for the longest time and I usually doodled him with "Farrimond." They were actually gonna HATE each other at first but I usually drew them being pathetic and miserable with each other and for some reason, it developed into an endearment. He was going to be this little guy who really loved the ocean and collected seashells and beach rocks to study. They were going to be a stereotypical INFP in the sense that people thought they were unamusing, way too soft, detached, things like that. And honestly im ngl they were probably crying 20/7 when he wasn't with his rocks or seashells. He wore frilly clothes and he was just very fluttershy-adjacent. and has fish autism.

2. This was late 2022 I think. This was during this weird era when I drew them with orange glasses. This was when their personality became more fluttersmug. Not really lol, deep down they are sensitive but he's also very easily comfortable around their friends. But yeah at this point Nermin was just more solid than nervous putty. More introverted rather than socially anxious. blossoming almost into an entp.

3. Nermin became both socially anxious and nervous introverted putty while also being smug with their friends. true balance.

4. I think around this time I started developing angst between Gani and Nermin where basically when Gani left for the other earth for kingly duties or something (its still in beta) Nur and Waldynn were both heartbroken and it was a very uncertain time. I didn't develop this, i just mainly drew angst over it. Also btw i put the wrong fucking image for this one my bad. this has nothing to do with angst this is just Nur with a different hairstyle where they think they look badass.

5. I developed this idea where Nur really loved garfield but it's off brand evil garfield.

6. I was trying to think of a new name. I also settled into the idea of Nur wearing overalls for practicality since they study the ocean and stuff. By the way for the name, I landed on "Nur Taiwo Soares-McLaughler." which i didnt keep for him.

7. Most recent Nermin drawing yay! Definetly older in this one than in any of the other ones i showed where he's a teen or young adult. I kept the idea of him wearing sort of frilly shirts but I made basic red overalls. Just like the most recent Isagani drawing, this was made for a school project i rushed so they're mainly simplistic and not my greatest effort that i totally have.

This was more focused on personality rather than design changes to be honest but yeah

[solestas]

fruitrls me indica alguns blogs com conteúdo colorido/doodle icons para mim seguir por favor ? quero seguir uns novos :○

oiiiiii!!! entao, os q eu tenho pra te recomendar sao mais ou menos os mesmos de sempre xuxu, acho os icons desses blog mto linduxos e sempre uso de inspiraçao pra fazer os meus :D

podem entrar os maiores do site!!!!! 👏👏👏 @yaa-gani @froguies @tomatinhes @cebolinhas @pinecitos @kifruit @al-facitos @fr0m1slb @k-iwtty @cachinho-s e @sahnrio sz

[aswiya]

Tarouf Abdel-Kheir Adam, otherwise best known as Etab.

Loved in Saudi Arabia, the late Etab was a renowned Afro-Arab songstress from the Kingdom. Born in 1947, she became a professional singer in the 1960s, making her the first female singer in Saudi Arabia. She had her first start at the impressive age of 13 where she earned her stage name, having been discovered by Talal Maddah. However, it wouldn't be until she moved to Egypt where she would find success on a global scale.

"What were her songs like?" you might be asking. Etab grew up as a Bedouin and, naturally, a handful of her songs often reflected her Bedouin roots. In addition to singing North African folk songs, at the time, she was also known to mix classic and contemporary songs. Her melody voice perfectly complements her songs covering a handful of genres. Her popular songs include "Khabruni Anki Maa Yadruni Anni," and "Gani Al-Asmar," both of which you should check out on YouTube.

She also performed in concerts across the region, with her early performance in Kuwait rising her to stardom. She produced a total of 15 albums, and even featured in three films, before retiring in 1997. In addition, she was also a member at the Union of Arab Artists and the Musicians Syndicate, advocating for women in music.

Etab was also a wife and a mother. She married her second husband, an Egyptian national named Farouk Farouq, before moving to Cairo in the 1970s. She would earn her Egyptian citizenship in 1983. She had two children, in addition to her first child from her previous marriage, who lived with her in the UAE after divorcing Farouq. But, in 1997, she was diagnosed with cancer before moving back to Egypt. She died on August 21, 2007, with Google Doodle making a tribute to the fallen icon in 2017.

[chthonicgodling]

ok yea :-))))) all my lil colorful doodles for the ~abridged huevember challenge in one spot

to see all these guys individually, my 2020 huevember tag can be found here! v unironically proud of myself actually on account of this being the first monthly art challenge ive ever actually..... finished whOOPSSSSSS my attention span is very short ok,,

im not sure what my faves are tbh i really like almost all of them but [EYES EMOJI] pls. which one is ur fave.... hhh

[feat., in order from top left to bottom center:: older!Pho, Gany, Chal, Maci, Neo & Icy, @fenixethekid‘s Eury & Epi, Hypnos, fenixe’s older!Vryk, Llllllllllllllllloki, and Iff & Wen!]

[megabyste]

pondering

[marcfish]

The Design Edit

In the Newhaven studio of furniture-maker Marc Fish, Claudia Barbieri discovers how the designer bends wood to his will.

17th September 2019

ONE MIDNIGHT IN July, the SushiSamba restaurant at 110 Bishopsgate, high above London’s financial district, closed earlier than usual and a team of workmen moved in. Taking infinite care they manoeuvred three intriguing objects, made from around 5,000 wood shavings layered and interleaved with resin, into the service lift that whisked them to the 39th floor of the building formerly known as Heron Tower. There, working against the clock with chronometric coordination, installers, electricians and riggers assembled the objects into a 2.5-metre-wide, light-emitting, revolving conch.

“We had to make the pieces the right size to fit through a metre-wide lift door – there was just 15 millimetres clearance,” says the designer Marc Fish. “At 4 o’clock in the morning it was finally being winched into place, just as the sun was rising behind it.” SushiSamba’s marine mollusc is pure Fish: organic form; technical complexity; extreme precision and creative innovation. “It was quite a special night for us. The restaurant opened at 10 am the next morning all cleaned up, almost as if we hadn’t been there – except there was a large shell hanging from the ceiling,” says Fish.

In the past ten years Fish, now 48, has emerged as a rising star of art furniture, with clients from as far afield as Hollywood queuing for up to two years for his creations – and international students flocking to learn his methods at the Robinson House Studio Furniture School. What attracts clients, students and design mavens is a particular fusion of traditional and high-tech craft skills, daring aesthetics and experimental materials science.

Marc Fish with ‘Sycamore Seed Sculpture’, 2019 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

Despite his global status he still operates from Newhaven, a nondescript south coast port near Brighton with a tradition of furniture-making, where he first set up a studio cum workshop 22 years ago. Now, in an unpretentious single-storey backstreet shed, up to fifteen would-be cabinet makers at a time learn traditional woodworking skills under the eye of master craftsman Theo Cook (Fish’s partner in the school, and a pupil of the 20th century British and American masters Edward Barnsley and James Krenov).

In the main workshop next door, three makers on a recent day are working on a mirrored pair of ‘Ethereal’ console tables – as well as a surreal seven-foot high armchair that Salvador Dali could have conceived for Game of Thrones. In his studio Fish lays swatches of ink from a broad -tipped pen onto a sheet of paper: calligraphic doodles that may germinate into an exotic new species of Fish furniture, or end in the waste bin.

Marc Fish working on ‘Adhesion console’ 2017 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

Furniture has function and Fish takes care to tick that box. An ‘Ethereal’ console table may swirl and curve but it’s flat enough at its centre to hold a phone or a lamp; a ‘Babel’ drinks cabinet may look like a man-sized caterpillar’s cocoon but, hinged open, it displays bottles and glasses. Still, what fires his imagination is form. “It’s nice to make sculpture, and not to have practical limitations forced on you,” he says. “Often you come up with a form and then you think, ‘How do I make it into a table?’ Almost as an afterthought, you put a glass top on it. I don’t want to go down that route anymore. The reality is, a lot of what we do is sculpture.”

Marc Fish, ‘Mokumi-Gani’ console, 2019 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

Marc Fish, ‘Mokumi-Gani’ console, 2019 (detail) COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

While his reputation has soared these past few years, his career path has been anything but linear: in fact it has been almost as sinuous as his signature style. Aged 14 he wanted to be an architect, but he left school at 16 and went to work in a bank for the next seven years. As a hobby, he started restoring vintage Porsche and Volkswagen cars – one of his restored VW campers was bought by the company for its museum in Germany. Then he turned his self-taught metalworking skills to making metal furniture.

For a couple of years he did well. “In 1998/99 we were selling work through three shops in Brighton,” he remembers. “Then those three shops all went bust in three months. Taste suddenly changed. Metal furniture died a death, it was considered cold and sterile. Everybody in Brighton was getting into heavy, chunky dark timber furniture from Indonesia. Suddenly there were no more orders. It was pretty dire.”

By then, the design bug was in his blood. Rather than dwell on the setback, he went with the flow and switched into wood. After studying for a City and Guilds furniture-making qualification, he trained for six months under the cabinetmaker John Lloyd in Ditchling – spiritual home of Eric Gill and the Sussex Arts and Crafts movement.

Marc Fish with ‘Vortex’ dining table, 2018 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

As his materials evolved, so did techniques and styles. The early metal furniture was, “more Bauhaus, more 1920s, art deco but a little bit contemporary.” After learning to work with wood he spent several years making traditional joinery pieces. Then, in 2009, “I woke up one morning and thought, ‘Why am I doing this? I don’t like what I’m making. There’s no creative outlet’,” Fish remembered. So he decided to change direction.

He set up his school to earn a living from teaching the skills he’d learnt, and in parallel started experimenting with supple wood veneers. Bent into shape, stacked sequentially together, suspended in and bonded together with resin glues, the flexible slivers of wood lent themselves to naturalistic shapes. “I just fell into my design identity,” he says.

Marc Fish, ‘Ethereal Desk’, 2018 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

His first ‘Nautilus’ edition of tables, like the ‘SushiSamba luminaire’, was inspired by the Fibonacci spiral of a seashell. His ‘Ethereal’ range of desks and chairs draws on the lacy translucency of a skeletal leaf. Perhaps oddly, his own taste lies elsewhere. His favourite designer, he says, is the 1930s French modernist architect Pierre Chareau, a visionary pioneer of the use of mechanical engineering and heterogeneous materials. “I would like his aesthetic in my own home,” Fish says. As for his own work: “I design furniture for a different market. I am not my own market.”

Though his style may bring to mind the voluptuous ripples of Art Nouveau and the fluid idiom of his Irish contemporary Joseph Walsh, Fish denies consanguinity with either. Art Nouveau he dismisses as “almost treacly”, and asked for historical role models he looks no further back than the last century, pointing to the pioneering work of John Makepeace and Wendell Castle.

Marc Fish, ‘Laminaria chaise’, 2015 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

Walsh he respects; but for all the similarities of conceptual idiom, he says they inhabit different technical worlds. Where Walsh crafts his willowy structures from saw-cut 2-millimetre veneers, Fish works only with thousands of knife-pared veneers, each no more than 0.6 millimetres thick. The thinness of the wood allows it to be bent like paper, without steaming. It’s a technique that he says allows a purer aesthetic. But it is also extraordinarily time-consuming, technically challenging and costly. The ‘Nautilus’ table was built from a stack of 4,000 veneers and took a thousand hours to make.

Marc Fish, ‘Nautilus’ coffee table, 2014 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

The translucent resins too, binding the veneers together into batches, are the end-product of a painstaking process of trial-and-error and materials-science research. “We’ve had five resins that we’ve used in the past four years,” Fish says, “We’ve experimented absolutely to death. We’ve had a nightmare journey!” A big challenge is the way the resins react with the wood: to speed up production, the liquid resins are heated to harden faster, but in this curing process exothermic reactions happen that can suck air out of the wood and form bubbles in the resin. Flawed batches go into the bin. “It’s taken us three years to get the technique right,” he said. Everything he does is now made this way. A chair leg, for example, could be cut and shaped more simply out of solid timber, “but it’s important to us that we keep the same narrative running all the way through our work,” Fish says.

Marc Fish, ‘Ethereal Desk’ chair, 2019 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

Still, narrative and aesthetic purity carry a cost. Though advanced industrial technology has its place – the workshop is equipped with a laser cutter and a three-D printer for mocking up prototype models – there’s no economy of scale from batch production, no compromise on the individuality of every piece, the consideration given to every line and facet. Prices reflect this. The ‘Nautilus’ desk sold for £96,000, and the first ‘Ethereal’ desk (a translucent wisp of Sycamore veneer, resin and carbon fibre), was sold by Todd Merrill at last December’s Miami Design for $130,000. Smaller pieces, such as the ‘Ethereal’ chair taking shape in the workshop for display at this year’s PAD London in October, will be priced nearer £20,000.

Marc Fish, ‘Relics Triptych’, 2016 COURTESY: Marc Fish / PHOTOGRAPHER: Simon Eldon

That may seem a lot for a chair, however exquisite. But take off the production costs and divide by the hundreds of hours that go into the conception, design and making, and it doesn’t match the return on, say, a Jeff Koons balloon dog. On some of his smaller pieces, such as his intricately constructed memento mori ‘Relic’ vase series, the return on invested time comes in at about £30 an hour. Larger commissions are more profitable: Still, “I don’t think anybody gets into furniture-making for the money,” Fish says. “You get into it for the creative freedom that it gives you.”

You can view the article here also; https://thedesignedit.com/in-the-studio/marc-fish/

[pulpa-de-gorila]

<コ:彡 <コ:彡 <コ:彡

Static website version of this blog ֎(.‿.)֎

Art blog: @pulporila

Punchy askblog: @ask-the-ryans

Boxing gorls blog: @boxing-gorls

Note: I have notifications turned off and won't generally interact. If you ever wish to reach out, feel free to shoot me a DM here or at discord: pulporila.

You can call me whatever you want. I speak inglish and espanish, love mollusca, cumbia, vikings and pirates, and this is a very informal blog.

Commissions are currently: open.

Fandom tags:

#madrazos - Punch-Out Ft. my doodles.

#edna and harvey - Ft. My doodles.

#los simpson - yellow doodles.

#tieftu - Team Fortress 2 (this game has a v special place in my heart, but highschool pulpo has made too many doodles to come up with something now)

and a bunch of other stuff I find on the wild.

General tags:

#my art - For all the doodles.

#arte - Art related stuff that's not mine.

#mar - Pretty sea stuff & nature.

#equis - Sporadic shitpost and off-topic.

#vintash - Vintage stuff. It's just fun to write it that way.

Alongside some oc tags (#Rory, #Pelkuri, #Arm Candy, #Subaru, #Gani). Full list of oc's here!

<コ:彡 <コ:彡 <コ:彡

[trezzpeople]

HBD mbak ganis. Tak dungakno ndang ra.... @ganisrumpoko #doodlesketch #doodleartindonesia #ibispaint #ibispaintx #vector #vectorart #doodlesofinstagram #doodle #doodleart #doodles #draw #drawings #digitalsketching #digitalart #digitalpainting #illustration #vectordrawing #drawingwithheart #hobbies #hobby #doodle_art #ibispaintxart #millenials (at Bali) https://www.instagram.com/p/B1OnkuwAM0C/?igshid=12h7pp18zcgz1

[rotten-potate-blog]

Glob ok...here is ganymede if you look back you will find older versions of him. *cough* so gany is a demi god of beauty and youth he was raised pretty much in a brothel the brothel mistress had thing for satifying customers fetishes and one very disgusting and ruthless customer was into youths and hermaphrodite used my poor child to his whims for a large price till he was saved...which I will tell you how later #drawing #art #digitalart #doodles #originalcharacter #oc #myart #story #webcomic #rottensbabies #artist #drawingoftheday #drawing #sketchbook #sketching #doodleart #illustrator #artistsoninstagram #artwork #followme #followforfollow #follow4follow (at Hell)

[megabyste]

cat boy