#geometric nails

[lesmotsdemoi]

Christine’s Nail Art Therapy 💅🏻💅🏻💅🏻

My A2Z Untried Challenge

😎 Mani #42

KB Shimmer Let It Slide

😎 Stamping Plate

Hit the Bottle Go Long

😎 Stamping Polish

Painted Polish Midnight Mischief

[hotstylesbringsmiles]

The Beauty Of Geometric Nail Art Made Easy

Geometric nail art is a popular trend that is perfect for those who want to add a touch of sophistication and elegance to their nails. It can also be a fun and stylish way to add personality to your manicure. This type of nail art uses geometric shapes, such as triangles, squares, and circles, to create unique and eye-catching designs. They can be as simple or as complex as you like, and there…

[mylittleredgirl]

speaking of babylon 5 manicures, how have i never noticed this before??

i assume it’s cosmetic rather than organic, since both delenn and shal mayan have this triangle manicure in season one, and i don’t see it on lennier.

[bombnails]

＠g_nails615

[chocolatemllk]

source

[unprettybutwellpolished]

NEON COLORS AGAIN ~

This is definitely the season of neon colors so I'm going all the way with them lol.

I used the neon polishes from Revolution and I really like them. My collection lacked some neon colors so when I saw that Revolution sells some, I had to buy them. We don't talk enough about Revolution polishes, they're cheap and the quality is good.

About the nail art, I don't really know what to think about it. It's good looking from far away I guess.

Polishes I used :

Revolution : Boom Boom

Revolution : Hot Stuff

Revolution : Zesty

White & Black Polishes

Blog | Twitter | Pinterest | Facebook

[yasutheculprit]

tik tok is circling back to the "'modern' art bad 'renaissance' (?) art good" i cant do this i just cant.

[sodapop--stims]

Rachel (Pokemon Masters EX)

for anon (black & red)

X - X - X

X - X - X

X - X - X

x

[chaosthepixie]

[inkskinned]

somewhere out there someone has probably used AI to write their wedding vows. someone out there is probably loading their hinge profile with AI quippy responses. when i close my eyes i picture a man hunting through chatGPT prompts, trying to get someone else to love him. maybe she sends him back chatGPT too, and two robots fall in love.

is this our new lives, then? is love scripted? i have a dandelion heart and some part of me wants to believe that AI will not obtain self-reliance by evil but instead by discovering the single perfect shape of love - the one thing humanity (in all our time and force) could never quite nail down. maybe it will be a string of numbers. the imprint of static, the universe's thumbprint. maybe it will just be a single long mirror, and jam dripping down your hands.

i know there are "good" reasons. i was nervous! or i was unsure how to say it! but - i want your nervous words. i want your unsure words. i want you to strike entire pages of work for me. i want you to gesture vaguely, to ransack your mind for ways to instead-of-saying just show me. i want to find where your words fail you and where the summer of your longing blazes out of you, infinite, resisting the capture of definition.

and i want to do the same for you. isn't any love worth a little bit of struggle? i want to shiver with the movie-ripe sense my friends are lovely and i am so tender towards them - i want to never quite be able to explain what it means to spend my life with them. i want to draw shapes on your skin that exit the geometric and fade into the same, wordless pattern. it is still love if silent. you know - i rarely, if ever, actually tell my siblings i love them? i just show up often, and hope the action does the talking.

i know AI is "easier". of course. buttoned up and seamlessly corporate. but i do not want to love you through a film. i do not want to love you with your edges sanded down. i cannot recognize myself in you if you are unmarred and glistening. something about how, with the crystal-clear mp3 files of the present, we ache for the scratch of vinyl. the flaws are what make love worth it. i want the raw and the windbeaten and the unkempt.

something tender, then. i love you because you're real, which means that you cannot be perfect.

[lapumuckl]

Inspiration @saida_nails

This time we went for an autumn friendly and geometric design and are very happy with the result again. Thank you for your time, trust and a great session.

#nailart #maniküre #naturnagelverstärkung #studiolänge #oval #handgemalt #fullcover #glänzend #modellnägel #herbst #nofilter

#naturalnailreinforcement #manicure #artificialnails #studiolength #freehandpainted #shiny #nailmodel #autumn

[mechanisedbrainrot]

MECHANISMS REF IMAGE MASTERPOST

Okay, so I put together refs for each of the mechs as best I can. I tried to avoid anything in a show lighting, but sometimes it can't be helped. Notes will be underneath each section

Whole cast

Ivy is the only character leaning on the wall in the second image, but is roughly as tall as Ashes

Jonny D'Ville

Jonny in earlier shows like TTBT wears a black shirt underneath instead of the white. He occasionally has red or black painted nails and his goggles are either black or bronze. He has a black 7 of diamonds. He often holds a mic - which is a Shure Super 55

Drumbot Brian

He usually has just the flower in his hat, but sometimes it's replaced with RAM or his drumsticks. His goggle has a very small crack at the base. The rings seem to be a bit of a motherboard and screws? The visible heart is something I can only find in one picture, but it's cool

Gunpowder Tim

Sometimes wears jeans instead of dark brown trousers. His eye scars are more geometric than Jonny's, and he has dark eye shadow around the eyes where Jonny uses just eyeliner

Raphaella la Cognizi

The top is three layers: a white/cream shirt, a brown puffy shirt and a a top layer which has a halter neck. Occasionally one or both of the undershirts won't be worn (see HNOC liveshow). Tights can be blue or black. Light up wings from DTTM

The leggings/tights are sometimes black and sometimes deep blue

Ivy Alexandria

A few different outfits, in liveshows they're also wearing some outfits not shown here - but always black and red with a waistcoat of some kind.

Nastya Rasputina

The necklace is a little cat :3

Marius von Raum

Kneepads in DTTM. The cards are a jack and ace of hearts. Necktie either has a white or gold pattern on it, but they don't always wear it. The green jacket has a tailcoat

The Toy Soldier

Hair varies a lot. Sometimes it's worn down, in a ponytail or hidden under the hat. Sometimes nails are painted red or black

Ashes O'Reilly

In live shows they often wear this eyeliner which has thick bars that go behind the ears - but I couldn't find any clear pictures of this. Though their outfits changes, always mostly black with some red in the hair

Dr Carmilla post can be found here

I hope this was in some way helpful to anyone who wants to draw the mechanisms. If you have questions feel free to ask me in the ask box and I will do my best to answer them and provide some photos <3 have a great day

[colleendoran]

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

[honeekyuu]

squeeze. [sakusa kiyoomi x reader] satin black intros.

place of (homosexual) business

masterlist.

[playlist]. satin black || vibes

a/n. im completely totally normal about this au. completely normal.

warnings: me.

✗ !!! minors do not interact !!! ✗

✗ !!! ignore timestamps !!! ✗

satin black moved into its current location about three weeks ago, and theyve tortured brews abridged ever since

they were at a smaller location for 3 years prior, but they outgrew it when each of them independently went a little viral online for their work

everyone has a license to both pierce and tattoo, but iwa/akaashi stick to tattooing and suna sticks to piercing

akaashi’s the only one who went to art school

iwa taught himself on youtube

suna and sakusa taught themselves by practicing on each other – all of suna’s tattoos are by sakusa and all of sakusa’s piercings are by suna exclusively

it went a little like this the first time around: "i can do this. i dont need instructions-" "ARE YOU FUCKING SURE ABOUT THAT!!!!"

akaashi specializes in black and grey tattoos and iwa does color; sakusa does both but prefers black and grey

iwa’s best known for watercolor style art and akaashi’s best known for geometric art 

sakusa’s best known for japanese style art

suna's keeps trying to sell people on new and strange places to get pierced. this is dangerous and sakusa has banned him from doing it 8 times already.

hes actually so good at his job, hes just an idiot

theyre total assholes who chain smoke in the shop and swear at each other from across the room

the shop motto is "make them horny until they come back" and boy does it work

every single one of their clients transferred across the city with them when they moved

sakusa doesn't actually take new clients anymore, he just keeps up with regulars. he's very adamant about this

he is most often found in his office, which is also his private studio

the shop playlist consists of music added by sakusa, suna, and iwa -- they tried to get akaashi in on it but he got apple music just to spite them and wears his headphones when he works

suna can and WILL add the most unhinged shit to the playlist. there is a near-daily incident where sakusa tries to skip past suna's songs but suna keeps going back to them just to be annoying

this results in the shop being filled with the nonstop sound of skipping songs and sakusa screaming at him from his office

iwa usually joins in too because he has a short temper

akaashi always has to put his gun down and dissociate, because he can feel himself about to fuck up his lines with how hard his eye is twitching

akaashi has the least tattoos but that’s really not saying much; they have a board in sakusa’s office with the running count for each of them

everyone who comes in for the first time always sees two tattoo artists: iwa, who sits in the corner chain smoking and frowning and generally looking like he could kill you; and akaashi, who is generally polite and looks way less scary than iwa.

and they always choose akaashi, because he looks nice

he is not fucking nice. he is mean as shit. iwaizumi is the nicest one in that shop.

iwa so often is the type to roughly grumble "oh, yeah we can take a break -- this placement always hurts like a bitch. i need a smoke anyway" (hes already smoking).

akaashi keiji is the type to whisper "oh, did that hurt? pussy." and go in even more.

he is mean as shit and everyone makes this mistake.

sakusa and suna met in high school -- they would skip class together and sit behind the school smoking and blasting bass boosted music

theres something about running from campus security every day that bonds two people into brotherhood

theyre like,,,, fucking carbon copies of each other, these two -- two tall as fuck, tatted up, pierced up dudes with matching judgmental expressions and chipped black nail polish, standing outside the shop smoking, talking shit, and glaring at anyone who comes out of the stupid ass 3-in-1 shop next door

they met iwa and akaashi during their apprenticeship. they really didnt get along at first, but it takes a very unique combination of crazy to be able to open the kind of tattoo shop sakusa wanted.

and he had his combination of crazy right there in front of him.

iwa’s the most normal one and just wants to be akaashi’s friend. thats all he wants. he wants to make his silly little money and be akaashis silly little friend. 

iwa is the only one akaashi trusts for literally anything related to the shop but he wont ever say that

it's so painfully obvious that suna named their group chat. sakusa stopped trying to change it back years ago.

taglist = [open]

@mollyrolls @nectardaddy @onlytendoguesses @scinclaitnoir @marsoverthestars

@bookskeepers @choerry-picking @siheez @introvertsince2003 @eggyrocks

@atrashsith @beckixwsm @kakeru-eem @atsumusc0ck @seroh

@reignsaway @a-little-pebbl @bakingcuriosity @dondoncool @corvid007

@asthmaticcchoeee @liliumaraneae @savemebrazilhinata @whydoyoucare866

she put my hand up on her throat and told me // squeeze that shiiii-

squeeze [ghostemane].

[bombnails]

@preciouslypolished

[nuveau-deco]

Cupboard Owned (and Decorated) by German Art Nouveau and Symbolist Painter, Carl Strathmann (1866–1939). Dimensions: 179 cm x 98 cm x 51 cm. From the Munich City Museum, Applied Arts Collection, inventory number: M-71/4.

"… The simple spruce cabinet with fluted side frames and a straight cornice was originally decorated with no other decorative motifs. The artist attached a slatted frame with geometrically arranged, gilded decorative nails to the front of the cabinet and provided the right side with a vertical structure. He decorated the cornice, the upper corners and the right side with embossed brass sheets, with the brass heads and nails in a repeat pattern. The frame and the lower panels are painted with classical palmettes, garlands and wreaths. The main field shows a tree with golden fruits. The unfinished left side reveals that the cabinet was intended for a corner of the room."

(Source: sammlungonline.muenchner-stadtmuseum.de)