imagine ur garthy o’brien, just trying to fuck this hot ranger you met at your brothel that you own, except her teenage kids/wards/bosses keep knocking on the door to your bedroom and interrupting you guys and THEN you learn that she’s actually in a committed relationship but didn’t tell you, so THAT sucks but THEN one of the teens comes and finds you in the middle of the night yelling about how his friend is gone and they can’t find him and he might be in danger, so you help him teleport to his friend, and then when they all get back, looking extremely upset and dejected, you apologize to the ranger’s daughter for making her feel uncomfortable by fucking her mother and in the process SHE reveals to you that her mom’s boyfriend is actually this really cool werewolf guy that you KNOW and have fucked on multiple occasions
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when i tell you i sobbed. literally bursting into tears i just... thinking about these two queer teens resurrecting ancient, corrupted gods who loved each other until they couldn't anymore, until she was too changed but proof of their love still exists, hidden away and covered over, but the proof is still there.
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baron my best friend, my enemy, my worst fear, my beloved, best thing to come out of this show, true vision of a worst nightmare and most importantly riz gukgaks fake romantic partner that he made up in a pure moment of asexual panic I’m so glad you’re back please leave forever
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the fact that thorn describes the stoats as "becoming more human" and that part of being human is doing anything for the people you love and that the goal of being a human is to "carry on loving." i am fine about the stoat show. i am normal about the stoats.
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the thing that i cannot stop thinking about for never stop blowing up is how in a mentopolis adventuring party hank green admitted that brennan was so much louder in person than he thought. And then in an interview one of the audio engineers said that brennan has his own sound mixing channels because hes got such a strong set of pipes and judging by the trailer this seasons got A LOT of yelling
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So Kipperlilly's hatred towards Riz is the fantasy equivalent of "they have it easier because of diversity" white people type speech. He has an unfair avantage because his dad is dead so it makes him better??
Her saying "egg on my face for wanting something" pisses me off even more. Saying it to Kristen whose parents kicked her out just for being gay and who wants nothing more than to just belong . All comes from the fact that her own parents don't suck? Most of The Bad Kids' suffering has been dealt at the hand of their parents. Their journey has been them succeeding in spite of all of their trauma and set backs. Adaine's parents were literally hunting her down during sophomore year while on a quest to save the world during Tbk's vacation!
You can be a good adventurer without having evil or dead parents. We can literally take The Seven as an example they had normal families with normal family issues and yet they're great at what they do.
The Bad Kids whole thing started because Riz wanted to save his baby sitter and help the girls that were kidnapped. He didn't even know Kalvaxus killed his dad so he didn't even do it out of revenge in the first place.
Your backgrounds don't define you or your capabilities, your choices do. After everything, they chose to be kind and helpful which led them to become who they are. She was blinded by jealousy she chose to ignore that and hate them for it and their "unfair advantage".
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am i the original, the remains, or the later writing?
Fresh off my first watching of Sophomore Year, I was desperate for more Nightmare Forest-esque content for my beloved bad kids. Thankfully, I immediately stumbled upon @gilears fic Over and Through! I absolutely adored this fic, bingereading it in one go, and knew I needed to show my love and feelings somehow!!
So here are the six bad kids' personal hells, shown in my order of reading!
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Something about a Pygmalion take on Jaceporter is so appealing to me… in that way that Porter reveres power and domination… the tension between his desire to seek out and keep a Jace as a perfect spineless compliant lackey vs a need to remake Jace in the image of someone who is powerful and dominant and assertive. Jace that is complacent and cowardly and passive is a Jace he can use and control but never respect, and he loves what that Jace can do FOR him. But as Jace is transformed by rage, a Jace who is furious and oppositional and autonomous and actualized and powerful and is able to stand in the face of Porter and tell him he cannot stay even if it means death is a Jace he can respect and maybe even admire but no longer control. In the same way Henry Higgins cannot truly make a Lady until she has outgrown him, (“Eliza you’re magnificent. 5 minutes ago you were a millstone around my neck and now you’re a tower of strength. A consort battleship. I like you this way Eliza” “goodbye professor Higgins”). Because conflict is at the heart of war, Porter cannot truly anoint a Saint of the God of War until Jace has outgrown him.
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