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#god this doesn't even touch on the fact that it's possible that the war itself and the angel of irons cult were both orchestrated by da'let
sweetshelluvaau · 2 months
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World/Lore Building - Redoing the Rings of Hell [Pt 2.1- The Pride Ring]
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Already mentioned that the reimagined Rings of Hell series is gonna be in eight parts, the first part can be found and read here which talks about the basics like color change, thoughts on the rings themselves, briefly talking about what I'd change (if none at all) or add on to of general feel and aesthetic, and with travel between rings. In this part, we're gonna talk about The Pride Ring.
This post will be touching on...a lot. So much that I'm dividing Pride into two parts. The first part being about the Ring and places within it, while the second part will talk about citizens and culture.
So, obviously, this will be under read more and likely to be looooong af so...
Okay to reblog, feedback and criticism is welcomed.
Part One: The Pride Ring in Canon
I already said in my last post that I don't mind the city hellscape Pride is going for. Is it the most creative? Not really, but I don't mind it. What I do mind however is all THE GOD DAMN RED! This is a problem with Hellaverse in general (more so Hazbin than Helluva tho) but it's a bit of an eye sore. Everything around it just all blends together. Lets add all kinds of color. In fact let's make the sky less red with more blue, purple and and gray hues the higher the sky goes with the red being more from the lights and pollution of the city below.
But let's put aside the aesthetic for a second and talk about the worldbuilding around it. Like all of Hellaverse, it leaves me with more questions than answers.
Why are Sinners stuck and only in Pride? Is there a reason for this? Why bother having other rings then if sinners of those sins aren't going to be sent to those rings? Why are Hellborn exempt from the Extermination? Wouldn't Heaven be more worried about Hellborn rising up than Sinners considering that Sinners are sent down, or at least suppose to, there to be damned for all eternality while Hellborn are born there and possibility created by the Sins themselves? Wouldn't they fear what Lucifer and the Sins/other powerful demons wanting to start a war being...well they hold the power in Hell and have legions and things? Why are Overlords as powerful as they are? What even are they? How do some of them even have powers to begin with? How did they gain those powers? Am I overthinking all of this? Am I out of touch? Am I out of time? *starts singing* Am I out of my head when you're not around?
...yeah I think I may just be loosing it at this point...
UPDATE: So as I'm writing this, some stuff from Hazbin Hotel's production leaked and we now have a map with the names of those sections:
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While this doesn't change too much it has helped me a bit in writing progress.
Part Two: Redoing Pride (Aesthesis and structure)
Found this little tidbit online somewhere (I'd rant about why all this lore shit is behind a patreon paywall suppose to being in the show itself but we're getting a head of ourselves):
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Okay I'm kind of curious about these 'nine circles' things and how they're different from the rings. It makes sense for Pride to be the largest and most diverse being not only do you have Hellborn that likely moved from different rings sharing their culture but you also got sinners and their different customs, religions and walks of life. It'd be really interesting to see those sent to Hell regardless if they deserve to be down there or not sharing parts of their past life with hellborn and vice versa but I'll discuss this a little later.
I decided not to incorporate the nine circles thing into my AU because it asks more questions for me than answers but will have nine main areas in my version of Pride. (I guess that is incorporating it but blah!!)
In the center we have Pentagram City, or as I'm gonna rename it The Pentagram, the hub and heart of Pride and likely where you'll land in Hell if your 'crimes' in life were related to the sin of Pride to be processed and start of your new afterlife. I'm getting rid of any other cities in the ring. IMP's office is in one of the neighborhoods in Pentagram while the Happy Hotel is right at the outer edge of it.
Then we have the surrounding areas around Pentagram: The Morningstar Grounds (Lucifer's castle and estate), The Royal Estates (rich and royal demon suburb), various other suburbs made up of Hellborn and other Fallen Angels, and The Bad Lands (basically a Mad Max like wasteland where a lot of biker/punk like gangs make their home.
The Pentagram
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Basically it's close to the same idea as it is in the show except I plan to have each section of it having some sort of theme related to sin or/and cultures ruled by different overlords/gang leaders. I talked about Overlords here.
There are eleven major districts:
Red Light/Entertainment District:
Basically a mini Lust Ring but there's a bit of Gluttony in the mix too. Ya know: nightlife, drugs, sex. Basically a hedonist's wetdream. There is various other entertainment options such as bars and shops, but sex and drugs is what sells here! This is also where Voxtec's HQ is. Voxtec owns most, if not ALL of the businesses in the area and is the biggest media conglomerate in Pride (though Vox does want to expand into other rings if he can). Valentino works the sexual industry aspects of it, Vox controlling the mass media of it while Velvet works the social influencer angle while also low key playing PR because as the wise words once spoken by Cassandra Nova from the box office smash movie Deadpool and Wolverine said: Boys are so silly.
(aka Vox and Val can be pretty unhinged at times yet somehow Velvet who died in the late 2010's at the ripe age of 19-20 is more mentally stable, or at the very least no where as unhinged, than the guys that died in the 60's and 70's respectfully).
Look I think I'm funny...
Though there are businesses that have individual owners with no connections to the Vee's, don't expect those to remain independent for long. XDD
As aesthetic go: I wanted to go with the red light district vibe that I hinted at and the first thing that came to mind was Kabukichō in Shinjuku, a part of Tokyo in Japan. The lights, the sneezy bars (not all are in kabumicho obviously but the area is infamous for taking advantage of tourist and ripping them off/drugging them and stealing their money if you're not careful on where you go) plus the love hotels and host clubs.
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Cannibal Town:
Basically what it says on the tin. It's basically the same as it is in the show expect it's a mixture of Sinners and Hellborn cannibals. The feel is the same as in the show but the citizens that live there aren't all stuck in the 1800's/1920's or something there's a variety of sick twisted people from different eras, but that side of town does still keeps it's vintage 1910's and small American downtown feel going for it:
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Obviously Gluttony is the sin most prevalent here.
No one runs the district presay but Rosie is seen as the de facto leader due to how heavily involve she is in Cannibal Town's politics and her ownership of a few successful business in the area. Of course her personality with her kind, motherly like nature has those looking up to her for guidance also helps. She's also a Hellborn Overlord in this rewrite, granted a small timer compare to many of the others but still powerful enough to be respected. Most of the cannibal's we see in CT in the show are Hellborn as well. They're there own species in Hell that stemmed from Gluttony likely before Hell was established like it is now but eventually made their way all over Hell's rings, with the Pride ring being the biggest community.
The Old Town Historic District (will think of a better name later), REPLACES DOOMSDAY ON THE MAP!!
One of the major Hellborn centric, along with being likely the oldest district in The Pentagram, but Sinners are seen here as well even if its often advised to use caution when entering the area due to Sinners not necessarily looking fondly on. Sinners also aren't able to use most magic themselves.
The Old District is the few areas in the Pentagram that still kept it's otherworldly-ness. It's one of the major hubs for anything magic related. Potions, spell books, tomes, etc. The best, and only, place in Pride for all your magical needs. Sloth and Pride are the themes of sins you'd see here
Zestial is the Overlord (hellborn in this AU) who runs this district due to his major influence and is one, if not THE oldest Overlord to still have power.
As aesthetic go: I really want to make it otherworldly, or at least un recognizable to anything on Earth being it's one of the oldest parts of Hell. The vibe I'm going for:
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And of course, book stores. Lots and lots of book stores with spells:
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Industrial District
Again, what it says on the tin. Basically a mixture of warehouses, factories, and infrastructure both important to Pride and not so important. Greed is the sin most rapid here along with Sloth due to production and it shouldn't surprise people that some people from the Greed Ring (including Mammon but Ssh don't tell Lucifer xD) have some sake/power in the area due to investment opportunities. The District is also where the delivery and export of goods and services from and to Pride and other rings come and go.
I haven't decided who runs the district (Likely a Hellborn Overlord who may be secretly a proxy under Mammon because c'mon that guy IS GREED if he can get his fingers on it he'll take it.), but this is where Carmilla Carmine stores most of her goods while also producing and experimenting with angelic weapons.
Most powerful people/Overlords who do business in the area don't end up living there. They have homes in surrounding districts. If anything, the living quarters in the District are where those who live inside The Pentagram but don't have the Souls (Hell's currency) to afford anywhere better to live (or if the owner of their 'soul' forces them to live but more Overlords let those under them live wherever they want). Best way to describe these quarters are like the favelas they have in Brazil:
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The Five Border Districts:
I don't have names for these sections yet but these areas are made up of both Sinners and Hellborn, but two of them are more Hellborn centric (The ones on the right near the Old District) while the other three is more Sinner territory. I.M.P Offices are in the district in between Uptown and The Red Light districts. There are two Hellborn Overlords who rule both Hellborn centric districts (Zeezi and that blue flame skeleton looking guy in E3 that I'm call Frederick Fumes for now idk he looks like Frederick xD ). I haven't figured out names for the Three Overlords who rule the other areas yet but they'll likely be OCs though I may have one being an Hellborn despite being more Sinner base. Honestly they likely won't play an important role in the stories anyways so kinda doesn't matter in the long run.
aesthetic wise they're basically a mixture of old, otherworldly and modern, closer to earth architecture depending where the lean on who populates these areas the most are.
Uptown:
What is there really to say here? xD it's an uptown area. Mostly Sinners with a mixture of Hellborn. This is where the Happy Hotel resides. The Overlord who runs the district is a good friend of the Morningstar family which is why they let Charlie set up their 'pet project' there along with whatever 'token' resources Lucifer gave her (aka an old warehouse/building no one was using and nothing else 'you're on your own kid have fun' kinda ordeal).
This is also where Alastor's Radio Station broadcasts his show from (along with the screams of souls that he's taken) every morning and when he feels like ruining Vox's day.
Aesthetic wise it's basically similar to what the Five Border Districts have going on, a mixture of old and new. Tons of bigger buildings towards Downtown while slowly turning more into row housing and smaller buildings towards the hotel.
Downtown
And the final and center district of The Pentagram: Downtown! I mean, there's not much to say about it. Tall buildings, bustling businesses, tons of restaurants, etc. This is also where Sinners who land themselves in Pride after they die go to though 'immigration' and begin their start of their new afterlife. Welcome to Hell, Bitch!
However, the most (in)famous landmark is the Heavenly Clock Tower and Embassy, where the leaders of both Hell and Heaven argue and scream at eachother discuss political matters and other issues like insulting Lucifer and some of the Sins while also making sure they understand 'their place' in the system to prevent another uprising and have them bow in submission in regard to keeping the peace. The embassy remains empty about most of the year with the exception of important meetings. If anything, it's main function is the countdown when the next Extermination is.
Aesthetic is basically the same as above with a few more angelic looking buildings closer to the clock tower/embassy, often left vacant incase Heaven chooses to use them for whatever reason in the future (aka never). There's no Overlords who run the district, mostly due to heavy monitoring from Heaven above. They want to protect their little control of Hell after all.
Okay we got The Pentagram out of the way, lets talk about the other eight sections.
The Morningstar Grounds
What it says on the tin (I know I use that saying a lot but there isn't much to describe what it is). East from The Old District, this is where Lucifer and the Morningstar family live. It's basically a huge estate, one fit for a King.
There's not much more so say. Plenty of rooms, many servants and guards (all Hellborn), a huge garden in the center where Lucifer likes to spend a share of time in in filled with exotic plants from though out Hell, as well as some of his favorites back from Heaven (he's a little more nostalgic and homesick that he leads on).
Charlie no longer lives here both due to her work for the Hotel and well...she isn't on the best terms with her father (She's still good with her mother Lilith though). I'll talk about that another day though.
Aesthetic wise I haven't fully decided on one persay but here are some ideas of what I'm possibility aiming at in regard to the castle itself:
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As for it's interior: Think a lot of royal colors. Purple is one you'll see though out because, ya know Pride, and various crystal and metal embellishments. It almost has a similar architecture to Heaven but painted in more dark hues. And of course, the Estates garden:
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The Royal Estates
What it says- You know, nm you know the the drill by now. A suburb where various powerful and rich clans and families make their home. Stolas' mansion is here, along with a few other established names and Ars Goetia. The most established clan of demons that live here would be The Aerius, which are basically the bird people in canon we got now. Stolas and his family, Andrealphus (who's also an Ars Goetia of course) and Asmodeus are all part of this clan (for Ozzie's sake and sanity though, he wish he wasn't. XDD). All the homes vary from more 'hellish' to looking similar to the way Stolas' home is in the show. While the suburb is mostly made up of homes, there is a little downtown like area in the center and a main street when you first enter the area with shops and restaurants along with whatever else they desire. Who wants to share a space with those sinners and hellborn presents afterall? Disgusting!
The Five other Suburbs
I'm still working this area out but there are five other suburbs to the Estates but no where as posh/not posh and kinda mundane honestly. Not interesting and likely won't be bought up much outside of maybe I.M.P visiting these areas once in a while. The major four are all hellborn being Sinners took over most of the city and they wish to stay far from them when possible, with one suburb being more imp and lower rank demon centric. the fifth one is a small area that's aimed towards Fallen Angels that aren't royalty or higher rank, but Hellborn live here as well.
(Heaven likes to deny it, but more of their ilk are declared Fallen that they claim though it isn't as common now due to cracking down on free thinkers and plenty of propaganda to keep the status quo)
Each area has it's own culture and feel due to Hellborn from around Hell live in these areas, not just those from Pride. Maybe I'll go deeper into these suburbs later on the line but there isn't much more to say right now.
The Bad Lands
And finally, lets talk about the vast lawless (not that there are any LAWS in Pride, let alone much in Hell), dangerous and unpredictable wasteland that those in Pride have titled The Bad Lands. There's no real civilization out here, only wildlife and dangers that made Hell it's home far before Lucifer's Fall, along with some creations that Lucifer himself made himself that he couldn't tame. There are a few fringed groups that made The Bad Lands their home, a lot of punk and biker gangs, mostly Sinners, along with a few hunting guilds. Cherri Bomb is a part (or at least was) of one of these gangs and Barbie may have hanged with a few of them during her party girl/relapse stage.
But why adventure out into The Bad Lands to begin with? Only someone that's either stupid or desperate for a thrill that The Pentagram doesn't offer them would dare to step foot out alone. Perhaps some are looking to build there own little community of likeminded individuals or maybe a cult they can have control over. Maybe some wish to seek out and take on the various creatures there and to sell resources gathered to those within the city, or maybe it really is as simple as taking a risk. It's not like you have anything else to lose now that you live in Hell...
The place is also used by many Overlords as a place to execut and 'dispose' of bodies (Hellborn or Sinners killed by angelic weapons) or restrained to suffer a slow death by being left to the elements/be feasted on by the wildlife there.
As aesthetics go, I wanted to go with an otherworldly feel, something you wouldn't see on Earth, but at the same time also feel familiar. Either way, its a place that screams 'fear' and 'danger'.
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Anyways, not sure when I'll get the second part of this out. Hopefully sooner than later but we'll see...
Thanks for reading. Pt2 of the Pride Ring coming soon.
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Just something interesting about the differences between TOTK Ganondorf stealing the gemstone and OOT Ganonforf stealing the triforce, because people have been saying it's the same thing just in a different shape...
Except what's interesting about the Triforce is that Ganondorf doesn't "steal" it, exactly, he earns it. Because lets face it the Three Goddesses are kinda amoral, they grant gifts to those they deem worthy but not out of a desire to "save" Hyrule. Ganondorf gets the Triforce of Power because Din chooses him by how far he goes to acheive it, while Nayru chooses Zelda and Farore chooses Link. But the goddesses won't stop the other pieces from being "taken" if one goes as far to reunite them and gain all three, as what happens in Wind Waker. All three timelines of this Ganondorf keep their Triforce, even after having been defeated or sealed. It's only lost either when Din chooses to take it back, possibly because she doesn't deem Ganondorf worthy anymore, in Twilight Princess, or Link is able to take it like in A Link to the Past or the first Zelda (how Ganondorf got it back between those Idk, I can't deal with the timeline anymore).
Anyway, compare that Sonia's stone which he takes after murdering her, while it does greatly empower him, it's not something that's been divinely gifted like the Triforce. It's actually rather fragile in comparison. The Triforce embeds itself in your soul, as it were, hence why even when the sages tried to execute him in TP the power was still gifted to him by Din to escape. The gemstone however can be shattered by a weapon or just handed at random to any person who touches it. It's much more your typical fantasy mcguffen where it's like "finders keepers". The goddesses no longer play a part in what seemed to be a long game.
In fact there doesn't seem to be any reference to the three goddesses in these new games, only Hylia. And yet we also know these are supposed to take place at the end of the timeline, so far after all the other games.
The only signs of the Triforce we see are on some markings, including the Zonai clothes. So my theory is the Zonai were able to harness the magic of the Triforce and the old gods into their technology, but the goddesses don't really care about those. Part of me suspects the goddesses stopped caring about Hyrule much after Wind Waker, as Ganondorf says they abandoned them (still the creepiest moment from him, ngl).
"But Rauru was the first King of Hyrule!" Uh, yeah...I don't buy that. Not because I think Skyward Link and Zelda founded Hyrule, that's never said, they could have just lived in a small settlement down on the land, nothing big enough to be a kingdom. But also I just feel like it's the Zonai trying to rewrite history in their favour.
For example, if you were to ask someone in England who our first King was, most folk would say William the Conqueror. And this is what most of us were taught in school and that prior to him we were just warring minor kingdoms and at some point the Romans turned up for a bit. But anyone who's watched the Last Kingdom knows it was Alfred the Great who was first called "King of the Anglo Saxons" as opposed to the areas under Scandinavian rule, so some credit him with being the first "King of the English" to some degree, but it was his grandson Aethelstan who would rule over all the land that would become England - and this is all about a century before Will One comes anywhere near the country. But then he takes over and claims those old kings didn't count, he wipes the slate clean despite the land he's King of having existed for centuries, and I suspect Rauru did similar. Don't get me wrong, I think Rauru is a good guy, but Ganondorf rightly calls him out for his arrogance and being a conquerer, and I think a huge part of Ganondorf launching his attacks was a fear of having the Gerudo, his people, submit to another King like the other races did.
Another point to add is that Ganondorf comments about Rauru marrying a "Hyrulean" woman, implying the land was known as Hyrule before Rauru took power. We know he also got the other races to bow to him as well. We don't know what this Hyrule was before Rauru, maybe a scatter of settlements like early England or maybe it was the newly formed land Link and Tetra find after Wind Waker, who knows. This is why I think even the events we are shown in the tears are events still happening at the end of the timeline and the next 10,000 years are all part of this new era unique to these new open world games, as opposed to a reiminagining of the events of Ocarina of Time. Because for me there's too many differences for them to be the same event, the lack of the Triforce being the main one. This is instead more of Hyrule repeating the events Demise cursed upon them back at the beginning of it all. Or it could be his curse coming to full fruition after tens of thousands of years, as Ganondorf physically resembles him by the end more than ever before. In short, this Ganondorf is not the same as in OOT, TP or Wind Waker.
I'm curious to see if the Triforce will ever make a real return in the series, but I also feel like Nintendo are enjoying not feeling obliged to use it in every Zelda (lets be honest it was a little forced and underwritten in SS).
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essektheylyss · 4 years
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wait! be wordy! what's your line of thinking for the assembly coup i'm so curious
okay you sent this a few days ago and I was like, you know what they asked, so here is my entire research project on the subject of why not only is the assembly in a perfect place to stage a coup and take over the empire, but also why ludinus da’leth in particular seems rather motivated to do so:
fjord and caleb discussed this specific topic during their chat on the balleater in 98, and this line just sums it up:
fjord: what are they waiting for? caleb: the moment where they can ascend.
according to the lore we’ve gotten, from canon as well as the egtw, the assembly has existed since a war between mage houses that culminated in an event that nearly destroyed rexxentrum, referred to as the eve of crimson midnight—after which the members of those houses agreed to work for the dwendalian crown (and helped conquer the julous dominion). they occupy a very comfortable place in the empire obviously, but it’s unclear how much allegiance they actually have to the crown, but when caleb talks to the martinet in episode 97 at the party, they have this pointed interaction:
caleb: the empire, we all love the empire. da’leth: to an extent.
this is in part in reference to caleb’s past, but also... is admittedly, a strange thing for someone who’s meant to serve the king to say. much of their conversation at the party reads as da’leth putting the two of them on the same page—rather circumspect in their interests, and outside of the surface level realm of the empire’s interests. it’s worth noting that da’leth is not only the oldest member of the assembly, he has also been there since its inception, and therefore was almost certainly involved in the war that created it.
now, just before this, they have this exchange:
caleb: It will be good to finish this war. da’leth: Indeed it will be. caleb: I commend you on seeing the reason in cooperation and negotiation. da’leth: I believe it is important to stem the tide of lives lost and to instead focus on the livelihood of those within the Empire and for us to pursue more important things than base conflict and disagreements.
now, like essek, da’leth is likely looking forward to the end of the war because it means uninhibited time to spend researching the beacon they do have, but based on much of what essek has said, he is far more in over his head than da’leth is. of course, that’s in part because he’s not backed by a very powerful organization. but this is important, because arguably... da’leth isn’t backed by the assembly. he is the assembly. there has never been a cerberus assembly without him. additionally, his title (“archmage of domestic protections”) literally puts him in charge of all warfare and conflict in the empire and, as mentioned, this means he’s been involved in:
the eve of crimson midnight
the conquest of the julous dominion
the last century of tension with the dynasty (by the end of which, he found a way to escalate that tension and thereby instigate a war—which really makes him either great or shitty at his job, honestly)
the war with the dynasty itself
unlike essek, who has probably had his position for 20-30 years at most, da’leth has witnessed every part of these conflicts from a place of organizing warfare. (yet again it vexes me: we still have no idea what essek does. but he’s not really important here, I’m just using him to juxtapose. but it seems safe to say, based on his reaction, that he did not have any experience with it, and does not seem to be in anyway a military leader.) he knows when to expect war, and he... probably does not care about the human toll of it, based on the ones he’s lived through. so I’m looking more at the phrase “pursue more important things”—which is where we start getting into military coup territory.
and it’s important to point out that the assembly, based on their discussion in the throne room with the king and the examination of the beacon at the sanatorium, is almost certainly keeping both their research into the beacon’s power as well as the fact that they’ve had two beacons for three years secret from the king.
additionally, the assembly’s power seems to be growing at the moment, as evidenced by cobalt soul concerns that it may need to be curbed, while at the same time, the monarch is becoming increasingly paranoid (which translates to, closed off), as well as (and this is crucial) not having an heir. as mentioned in the egtw, his son and daughter in law have not produced a child, and all three of them are seeking different ways to maintain power. king dwendal, supposedly, is currently looking for ways to become immortal. da’leth, who is functionally immortal compared to the king, probably doesn’t love that (and I have no doubt that he knows).
so we have a military leader who has external interests, secret arcane research into an unknown, fairly deadly system of magic that the crown is unaware of (and therefore doesn’t have defenses against), and a rapidly encroaching potential power vacuum. but that’s still not enough, right? to actually take the throne, who has an entire army at its disposal, you’d need some kind of paramilitary force loyal to the assembly, not to the crown.
which brings us to the scourgers.
we know that trent ikithon created and designed the scourger program, also from caleb’s conversation with da’leth, which means it is relatively new (less than 50 years old, but probably less than that—trent is in his 70s, and he would’ve had to work up into his role, so let’s give him a generous estimate of being worthy of assembly membership around 40—which only puts the scourger program at 30 years old). da’leth does have a... really interesting comment about the program:
da’leth: Although the extent of these things were not entirely part of the initial presentation, I understand that sometimes, desperate requirements might call for unsavory methods.
there’s really no explanation of what these ‘desperate requirements’ are that called for, you know, that bullshit, and the program would’ve been implemented sometime within this cold war they’ve got going with the dynasty. while those desperate requirements may have been involved in that (which is likely), it’s also possible that there are other uses for them, especially now that there is some kind of treaty between the empire and dynasty.
of course, the other thing that I looked at is how astrid discusses the empire—she suggests that what the scourgers do, the “hard choices” they make, are so that the rest of the empire can sleep safely at night, which is interesting, considering the general sentiment of the empire’s populace is that the empire has become less safe (a sentiment that is likely even more heightened now with a war on their soil) as well as less prosperous, due to the growing paranoia and neglect of the king. the scourgers are specifically loyal to the empire itself, not the king—if they can be swayed to believe that disposing the king is in the nation’s best interest, it would not be difficult to turn the assembly’s personal assassins toward the crown.
which brings me back to the earlier conversation mentioned at the party, and the phrase “focus on the livelihood of those within the Empire and for us to pursue more important things.” the martinet has been, essentially, waiting in the wings of the empire for several centuries.
within the last, say, fifty years, the following things have happened:
the quality of life within the empire has gone down
its monarch has grown closed off and scared, potentially leaving a power vacuum which will likely throw the assembly’s power into question
the assembly has created its own paramilitary assassin force
the assembly has instigated a war via the theft of foreign arcane objects
the assembly has done fully secret research on the application of that arcane power
the assembly has then ended the war very quickly, retaining control of one of these objects, and sent everyone very speedily on their way.
furthermore, with peace only just brokered, the righteous brand is likely still on the border, and will have to be mobilized over the next month or more to return them to the inner parts of the empire.
this means the assembly is unoccupied by a war, has its own forces, probably has some unheard of weaponized dunamancy, and doesn’t have to contend with the military that is wholly loyal to the king.
time for a coup, y’all.
addendum: this is a theory/analysis, and it’s only one potential thing that might happen in the next few arcs. however, a counterpoint: the assembly has enjoyed unprecedented power, a small amount of responsibility, and very little oversight during its existence. I could see the point that there isn’t much motivation to change that, especially for da’leth—except for the fact that the empire still does not have an heir. the potential of a power vacuum will likely leave the assembly in a tough spot and without a puppet to control, and a coup to take power now may be the answer to that. that really is the key: before dwendal can actually do something nuts, like beat da’leth to creating himself a phylactery lol, they may intend to grab power to maintain control over the situation in the long run.
additional reading: I wrote up this post a few months ago about why, in conjunction with this, the assembly wants to keep their involvement with the beacon theft quiet—any conflict with the king will get started on their own terms. (which is the main point of my thoughts that the assembly will also likely try to have essek killed—while he’s alive, he’s a loose end, and even if it’s his word against theirs, it’s still possible he could sow doubt with the king. luckily for the nein, the assembly doesn’t seem to know that they’re aware of that!)
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vaguely-concerned · 2 years
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I think I just realized that in the end and despite uh. y’know the everything you can imagine, I actually prefer the drama version of guardian over the book version, just because the drama version of weilan sort of Hit Differently for me personally on a lot of levels? 
because in the drama it’s not even so much that shen wei fell in love with kunlun/zhao yunlan (though god knows he did that too don’t get me wrong lol) -- it’s that zhao yunlan gifted him the idea of a future worth having. and to shen wei zhao yunlan is that future -- the message and the messenger.
what if, in your darkest moments, the actual irrefutable voice of the future came to you and told you ‘I know it’s hard to believe right now, but it will get better. there will be something more than this someday; this pain isn’t all there is. it will be worth it’??? what then??????? would one have no recourse but to venture into the precarious waters of hope forevermore?????????????? and then afterwards you realize the future could come to you to tell you those things with love because due to timey wimey reasons you gave those words and that love to them first when THEY needed it, without even thinking about it, just because it was true. “You’re worth it, and the world is worth it”. I am losing my mind.
I mean yeah if I were bb!shen wei who’d only known struggle and loneliness and war and then suddenly the most beautiful man you’ve ever seen turned up out of the blue one day and looked at me as if I were the single dearest, most precious thing in the universe and promised me life would one day hold so much more than pain and he can prove it, he IS the proof… I think I would have no choice but to fall inconsolably in love with him forever too what the fuck
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for illustrative purposes, you understand
before zhao yunlan shen wei doesn't even have a proper name, just like... a description. he's made himself a tool of grim utility for a worthy purpose, and the people around him have all just let him because they need him to be that. until one person finally came along and asked him to take the mask off (”You’re a person, not a knife” oh my god ;___________;) and saw him, and in the act of being seen and returning that gaze he could become someone, could suddenly conceptualize life as something more than constant struggle. I mean zhao yunlan is literally his introduction to what's sweet in the world, the show is not being subtle about it. (and in fact goes about showing it in the single most suggestive way I can imagine short of having a dildo or possibly actual fellatio going on on screen, which I hugely respect and admire them for artistically)
(and then there’s this whole Situation from the POV of zhao yunlan, who -- as he confesses in the car scene where they pretend they’re talking about poor zhu hong’s feelings (lol) -- has reached the conclusion he’s simply not made for love; he can’t get it right no how hard he tries and it just hurts people, so everyone’s better off if he stops striving for it. and then imagine finding out that once, when it mattered most, with the person who mattered most, you did get your love across so well it kept them going for tEN THOUSAND YEARS and then beyond. he made shen wei feel so loved and so secure in the existence of goodness in the universe that he has enough hope for the both of them even at the end of the show, when everything's gone wrong and all hope should be lost -- but it isn't, because their lives really truly touched each other and that stays, even beyond death. death can claim so many things, but not that they loved each other, that they will love each other no matter where they go. and while it's left up in the air in the show itself the structure of the story says that they WILL meet again, because that's already the shape the story is told in, that is the pattern. shen wei's hope is not unaccompanied by proof, and now they're both in on it. what do you do with your brain after that other than just idk go lie down for a century, that’s certainly how I feel right now.)
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the way he gazes after him like a man softly surprised to have found the answer to the question of life, the universe and everything in an unexpeced kitchen drawer or something. god
like this is a depth and richness of thematic meaning this trash show should not be able to support and yet!!! between the horrid cgi nonsense and bizarre pacing and stilted dialogue this is what the story is about and it’s so FUCKING good what the hell (personally I prefer the pacing of the relationship in the drama -- they spent all their good pacing budget on that to the detriment of every other aspect of the show, so thank fuck it’s the most important part haha). I do really enjoy the book too but it doesn't make me borderline incoherent with emotion quite like this
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ofhouseadama · 3 years
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Ed gets drafted into the Navy right after high school, and in between finishing basic and getting shipped out to the Pacific, he promises Lorraine that the next time he sees her, he's going to propose.
after high school, Lorraine needs something to do so she gets a part time job as a secretary at the Diocese of Bridgeport helping wrangle parish finances and correspondence and other clerical and administrative work.
(this is where Lorraine first meets a young Father Gordon, who occasionally borrows her because she knows her way around a files room and takes excellent notes; he hears a lot about her boyfriend who's away on a ship in the Sea of Japan)
Ed and Lorraine write... a lot of letters during this time, which range from very chaste and heartfelt to NC-17 horny teenage screeds referring to their 3-day sojourn when they were seniors in high school, their many misdeeds in the back of Ed's car, and the time he snuck her into the Alamo Theatre after it closed so that they could have a "private showing" of a movie they remember very little of
when Lorraine is too anxious to sleep, she sews her wedding dress. she saw the pattern a few weeks after Ed left, and liked it, and bought it. she's been slowly buying yards and yards of satin and lace and tulle.
Ed squirrels away all the money that he can towards buying a wedding ring set for Lorraine. after he buys them while on shore leave in Tokyo, he keeps the rings in the breast pocket of his uniform shirt, next to his heart, to feel close to her.
his ship strikes a mine and goes down in the small hours of the night in June of '53; the rings are in his shirt pocket, and Lorraine feels it immediately. Father Gordon has to drive her home from work, and believes her immediately when she says she knows something bad happened to her boyfriend.
Ed makes it home to Bridgeport ten days later; he gets in a taxi at the Navy yard and immediately goes to Lorraine's house. she meets him at the front door before he can even knock and tackles him on the front lawn.
he proposes to her while very exhausted and not exactly coherent.
technically, she proposes to him because she tells him they're getting married and she's not waiting any longer.
these are two hotly contested facts for years to come.
they get one very hasty pre-cana session in as the Moran family (+ Father Gordon a little bit) cash in all their political capital with the church to expedite a wedding as soon as humanly possible.
Georgiana and her friends plan the wedding, everyone is very concerned about Lorraine's dress. Georgiana tells them they should be more concerned about Ed's dress uniform, currently at the bottom of the ocean.
(He wears a suit from Sears. It's fine.)
the story of Ed Warren, hometown boy, as the sole survivor of the sinking of the USS Saint Paul makes the local papers and absolutely no one remembers to tell his father that he made it home until a full 24 hours later.
Ed and Lorraine get married exactly two hours after the end of the legally-required 72 hour Connecticut waiting period elapses. it's a Friday afternoon.
when he sees her in his dress, Ed absolutely cries.
their wedding readings are Romans 12:1-2, 9-18 and Sirach 26: 1-4. it's not a full wedding mass, due to time restraints. it's actually nothing like Lorraine thought her wedding would be like, but she's so relieved Ed is alive, and he's not allowed to go back to the war without being her husband.
their reception is some cake and champagne in the parish hall, Ed's hands have been shaking so badly all day that he can't manage to get cake in her mouth off a fork so Lorraine grabs his hand and sucks it off his finger.
by this point she's had three glasses of champagne on an empty stomach.
it's over by the middle of the afternoon, and they're speeding off to the same aunt's beach house that they ran off to when they were seventeen, this time with permission and this time knowing the whole drive down that they're finally going to have sex.
Ed spends much of the four-hour drive from Bridgeport, CT to Cape May, NJ rucking the many layers of the skirt on Lorraine's dress up her legs, running the hand not on the steering wheel of the car up and down the inside of her thigh, keying her up.
they arrive shortly after dinner, having eaten cheeseburger and fries in the car in their wedding clothes, and are suddenly very very nervous.
even though they've done everything except the technical deed itself.
as Ed peels himself out of his suit and tries to not psyche himself out, Lorraine goes into the bathroom and changes into the peignoir and robe she made for her trousseau. she comes out of the bathroom to grab her brush to take her hair down, but Ed asks her to sit on the bed and pulls all the pins and flowers out himself, gently brushing her curls.
when he's done, he moves onto gently touching her. the last time he saw her naked was also in this bedroom, as they shook with restraint. now they're shaking for other reasons, hands rediscovering each other's bodies and warming themselves on each other's skin.
kissing her neck, he reaches one hand in-between the halves of her robe as the other moves her hair off her shoulder, exposing more skin.
he rucks the hem of the sheer white peignoir up to her knees, then her thighs, then her hips. Ed decides that he needs to make her orgasm before they have sex, because if he doesn't last long, then at least she'll be satisfied.
he eats her out like a man with a point to prove, because he's nineteen and very much is one in this moment.
it's been almost eighteen months since they've been physically present together, and they didn't have much alone time together before their wedding, and Lorraine feels like her body is on fire. it's been so long, and she feels like a bullet leaving a gun. it doesn't take much to make her cum, and Ed manages to do it several times before she's hauling him up her body.
he's still not done getting her ready, unable to not think about every horror story he's heard about bleeding and pain and discomfort and the terrible jokes from his bunkmates.
(they're all dead now. he tries to not think about that, why he lived and they all died. why did he survive, if not to make Lorraine feel good? if not to make them both feel alive? he needs to feel alive, and when he drinks her with his mouth and feels her clench around his fingers, he finally does.)
he sucks hickeys into Lorraine's neck and chest and breasts, keeping her high as he circles her clit with the fingers on one hand as he plays with her nipples with the other.
he is harder than he's ever been in his life, he thinks, pumping two and then three fingers into her. she's wet and all over his hand, dripping down onto his wrist. he wants to eat her out again, taste her again. his mind is a feedback loop of her pleasure.
Lorraine is trying to touch him, but her hands don't feel entirely attached to her body. she ends up curling her fingers into his hair and pulling. the sharp pain is delicious, and he moans while lapping at her nipple and thinks he might see God.
eventually he realizes that she's begging, chanting "now, now, please now, Ed, please--"
they both feel lust drunk and clumsy, all limbs as they take their clothes off, as Ed slots himself between her thighs.
she hasn't touched him at all, and he thinks if she does he'll cum immediately.
he pushes into her slowly, incrementally, watching her face the whole time.
she gasps, bites her lip, scrunches her face up. then, it starts to feel good, and her eyes flutter closed, and she moans.
he doesn't want to move. he wants to move more than he's wanted anything in his whole life. dropping down on his elbows and forearms, he shakes while hovering above her.
Lorraine's mouth is a perfect "o," and slowly she tests out how she wants her legs, first pressing her heels into his calves, then his hamstrings, before pressing her knees in at the sides of his hips. it feels incredibly intense, and she's not quite sure what to do with herself. she no longer feels in control of her body. all of her gifts of perception narrow down to hyper-perceiving Ed, the red sheen to his face, the flop of dark hair over his forehead, the sweat dotting his brow, his heart in his chest. his racing thoughts, his love for her. she feels him inside her body and inside her head. she shivers.
she squirms, trying to get him to move.
he does not, burying his face in her neck.
eventually he realizes that, as she traces her hands up and down the side of his spine, she's whispering, "move, honey, you gotta move, oh God please move, Ed honey please--"
something in his head breaks loose a little bit, and he snaps his hips into hers. when she moves with him, it breaks loose entirely.
it's entirely unskillful and uncoordinated, but Lorraine is already so close to orgasming again that it doesn't matter. when she cums again, Ed's entire brain malfunctions and he stops, watching her, feeling it and feeling her. she reaches down and straight up spanks him, telling him to keep moving.
doubling down, he sucks on the tendon where her neck meets her shoulder, and doesn't last much longer than her.
he thinks his vision almost whites out, gripping her hips tightly as he cums inside of her before pulling out of her and collapsing, happily burrowing his face into her breasts.
Lorraine laughs, wrapping her arms and legs around him, holding him to her tightly.
the insides of her thighs chafe a little, and she feels a bit raw, but she likes it.
they almost fall asleep that way, but Lorraine knows that's probably not a good idea. her mother knew enough about their relationship to know that Lorraine needed a little bit of motherly advice before her wedding night, but not that much. after rolling him off her, Ed promptly falls asleep on his side of the bed.
he didn't sleep the night before.
Lorraine takes a quick shower, washing the shellac out of her hair and scrubbing the make up off her face. she doesn't bother to redress, just gets into bed with him. he feels her weight on the mattress and rolls over, blearily reaching for her to pull her against him. he's half in between dreaming and wakefulness, and slides his hand up to cup her breast in his hand.
"can we do it again?"
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athys-obelia · 3 years
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character/s: claude de alger obelia, diana of siodonna, felix robane
synopsis: it's...uhm....an empress!diana x concubine!claude crackfic 😭😭
warning/s: uhh a sprinkle of politics, the robane duchy is now siodonnan and not obelian screw canon, diana is lowkey mean to rogrog
a/n: i'm so sorry this is so bad
part one
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felix's foot taps against the tiles of the empress' room impatiently. "you stayed up finalising the agreement all night, your majesty, perhaps some rest is due?"
diana spares him glance, turning sideways from her position on her bed. "what was his name again?"
  "pardon?"
  "the painter," she elaborates, pointing towards the painting on the ceiling above the bed. "i keep...i don't know, i keep finding new things the more i look at it."
  "is that so?"
the painting itself, a coronation gift from felix, depicts the goddess diana reaching out to the children of the world and vice versa. "if you look at the sky closely - remember our old siodonann classes?- 'for the people' is hidden in the stars. isn't that cool?"
the knight squints at the painting. "oh, i see it! i wonder why it's in old siodonann, though?"
  "i would guess it's because the imperial family wasn't worshipped in the old days," diana explains, "for example - right now, in some parts of the empire, my late father - bless him - and i may actually have shrines because people believe the imperial family's descent is from the gods. when the kingdom was just formed, though, kings and queens weren't allowed to ride alone in carriages as they greeted their subjects- they needed to have a slave with them at all times, who kept on repeating 'you are human' to them. 'you are human', 'we are all the same in the eyes of the true gods."
the sound of the army of maids behind the door is enough to pull felix out of his trance. "er...horatius calvus, your majesty."
  "hm?"
  "the artist, that's his name."
  "ah." diana turns to the painting once more, eyes staring at the goddess' hair that melted into the night sky. "would you be able to get in contact with him? i'd like to commission a piece."
felix bows gracefully. "as your majesty commands. oh, and - for the obelian delegates' farewell celebration tonight...has your majesty decided on an escort?"
she groans, falling back on the bed. "i've had so much free time lately, the harem is all i think about!"
  "very funny, ma'am. then...shall i prepare the usual?"
diana shakes her head. "i'll visit viscaria palace later and see for myself. the obelians brought some concubines with them as presents, it's be nice to weed through the bunch."
felix's eyes nearly pop out. "you're visiting the harem?! your majesty! did you find someone you like??"
she chucks a pillow at him before he can continue. "you weren't loud enough just now, fe, i don't think all of siodonna heard you."
  "...apologies, ma'am."
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three years ago, when she had only just come into power, diana remembers being afraid of the large, gold doors between her and the council room. she remembers pausing before entering, regaining her breath, preparing her mind. projecting an image.
if there is one thing she has learnt, though, it's that only fools can be afraid of their own property. their assets. the larger-than-life doors swing at her command, allow or deny entrance with solely her permission. confidence comes easy when you act like you own the place - nevermind the fact that she did own most places.
but i have no reason to be afraid.
the obelian delegates stand at her arrival and bow like good little lords should before an empress. one of the more prominent ones stands to address her as soon as the meeting commences.
  "blessings and glory upon the sun of the great siodonnan empire," he says.
diana raises an amused eyebrow. this game, hm? "is that an obelian greeting, duke? how interesting. here, one would usually wish 'a long life to the protector of the siodonnan people'. that's all i am, after all - how could i be the sun?"
duke alpheus sputters. "er...i failed to acquaint myself with siodonnan culture appropriately, my apologies, your majesty. i shall do better next time."
how arrogant. still, she smiles, "i must confess, duke alpheus - i am slightly susceptible to praise, so i'll let you off this time."
  "thank you, ma'am."
  "although making the assumption that there will be a next time at all was quite courageous of you." diana signals the guards, who open the door to let the final participant of the meeting inside. "however -courage and bravery are traits best suited for kings and queens, duke. not lords."
the obelian delegates pale as they watch their - former - emperor, wrists bound, enter the hall with an entourage of knights.
diana glances at the newcomer. "although i suppose even for an emperor, too much of a bravado may cost a war."
anastacius de alger obelia glowers at her.
she frowns at the knights. "how come such a precious friend of mine is tied up like this? is this how we siodonnans treat our guests?"
felix bows deeply. "i apologise, ma'am - he was resisting far too much."
  "whatever the case. get a seat set up right here, beside me - after all," diana smiles at the fuming obelian, "we were dining together just a few months ago, weren't we?"
  "three months ago, to be precise," anastacius spits out, "after which you decided to switch tides and invade us like a coward."
she watches one of the knights set down a fancy chair to the left of hers, reaching out to untie the bindings on anastacius' wrist. diana frowns suddenly, waving over felix, "ah, is this the leash my brother used when he tamed his dragon?"
the former emperor flinches, staring down at it. "someone here tamed a dragon?" a light pink dusts his cheeks - did he really touch the actual leash of a dragon?
felix shakes his head with a small smirk. "this is the leash her majesty the late dowager empress used, ma'am. for her dog."
  "-ah, right, i remember now! all the ones marked with this little purple line are used for tying down senseless animals, aren't they?"
  "yes, your majesty." felix returns to his spot behind her, clear amusement swimming in his grey eyes as he watches the obelians try and maintain their composure.
diana gently lets the leash loose, a hand on the stunned anastacius' shoulder to lightly push him into the seat. "you aren't wrong - i did betray your hospitality, didn't i?"
roger alpheus winces at the sudden authority in her tone as the knights pass out a document to each of the obelian lords.
  "obelia's greeting and offer for peace was kind to me, so i must return this generosity. your country is now part of the siodonnan empire, so we should be parting on a good note. will a little present suffice?"
a brunette diana remembers to be a count speaks up, "...a gift, your majesty?"
felix moves closer to the table, watching the detailed map of siodonna carved into its centre. as he raises his hand, almost as if it were a chess piece, a small island moves to the left. its color flickers between a siodonnan purple and the obelian teal.
diana sighs. "i was planning on the island of delphine, since it not only contains a relatively large gold mine, but also much tourist attraction."
oh, she can see the stars in alpheus' eyes already. "thank you, your ma-"
  "but." he shrivels under her piercing gaze, "but, obelia doesn't need gold, does it? what you need is better foreign relations. and what better way to form an alliance..."
she eyes the map, and with a flick of felix's wrist, a small stretch of land connecting two continents switches from its original purple to a hue of blue.
diana looks up now, meeting even anastacius' shocked eyes. he eyes her suspiciously, "do you really-?"
she nods. "...consider it a gift from your sovereign. it is enough, yes?"
  "i- uh," duke alpheus blinks twice, "the isthmus of erven is...an adequate present, yes, your majesty. the people of obelia shall thrive due to your generosity."
  "it is not generosity, duke. your people are my subjects now. however, i hope you realise the isthmus isn't obelian property for obvious reasons. there is no trust between us. despite this, what i will allow is some access." diana stands, watching the foreign nobles mirror the action. "the terms and conditions of our relationship from this point onwards are in the papers before you and are, obviously, subject to change. feel free to approach me with concerns, should you have any."
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  "you were firmer than i'd expected with the obelians, your majesty," felix comments.
diana recoils as his eyes light up at the sight of viscaria palace. "remember when i visited obelia for anastacius' coronation? i was only seventeen, but two years into my studies as heir - and they were all over duke renauld's son! poor cousin ronnie couldn't stop apologising."
felix snorts. "the renaulds wouldn't have dared challenge your majesty's claim, not while the late empress dowager was behind you."
  "ha! that's right, everyone was scared of mama." she grins fondly, "papa most of all."
the knight nods, murmuring a prayer.
  "i want them gone as soon as possible," diana admits, "but there's much to settle before that. i need to fix up anastacius before we can let him back, the second prince is still...what was his name, again?"
  "claude de alger obelia, ma'am."
she winces. "yes, he's an impo-"
a commotion sounds from within viscaria. felix raises an eyebrow at the shouts echoing from the beautiful building, a hand already atop his sheathed sword. "ma'am, stay back, i'll have a look- your majesty! where are you going-?!"
navigating through the decorated halls, diana halts before the entrance of the garden. the argument is between two men she doesn't recognise, as the older concubines gather to the side, amusing twinkling in their eyes.
  "attention!" felix roars, "her imperial majesty, empress diana celeste!"
the two freeze in fear.
  "disrupting my peace. how dare you?" diana demands.
one of them, dressed too finely for someone she hadn't even seen yet, steps forward. "your majesty, my name is xerre, i was only-"
she raises a hand, effectively shutting him up. tone softening, diana turns to the group crowding around the desert table. "lex?"
the group shuffles to let a young, silver haired young man forward. lex bows gracefully, laugh lines around his eyes crinkling. "yes, my lady?"
  "do you know what happened here?"
lex nods. "the monthly salary was being distributed, your majesty, and xerre - being a present from the kingdom of masur - had some trouble believing his amount was the same as a former obelian slave's. verhan stepped in to argue that your majesty was the one to decide this, and they began fighting."
  "shall i prepare for his voyage back to masur, majesty?" felix asks, as the rest of the concubines roll their eyes at his antics.
diana studies the masurian concubine, beckoning him closer. "it is common knowledge i do not generally accept gifted concubines from territories out of my own."
she watches his adam's apple rise and fall, tracing a nail over the well defined jawline. xerre shivers.
  "however, your king is new to his throne, and his queen one of my dearest friends. do you realise how our alliance will look were i to send you back?"
he nods cautiously.
  "i do not wish to withdraw support from someone i consider a brother, xerre. especially when he is engaged in armed conflict on two fronts."
  "i- i am prepared for any punishment your majesty deems appropriate."
diana sighs softly. "i would send you to work for me in the capitol, but the rules state every concubine entering must reside here for a certain amount of time. until then, bear with it. this palace, and a life of luxury, is only meant for my favorites. clear?"
  "yes, your majesty."
  "my apologies, ma'am," felix says once the crowd disperses, his head hanging. "i should've prepared for your arrival with more care."
she waves off the apology, heading to the guest hall to take a look at the new obelian  concubines.
  "vera leaves for her son's wedding for a week and we've already had an incident. honestly, felix."
  "...who's vera?"
diana pauses at the unfamiliar voice. her gaze falls on the figure sitting on the window seat, entirely immersed in the book in his hands. she blinks, stunned, watching the colourful window's filtered light paint the brilliant blonde of his hair.
felix is the first to address him, scoffing, "i believe your majesty's beauty has enchanted one of the gods - who else would dare address the empress of our nation so casually?"
diana chuckles, watching as the man stands, intrigued. she stays silent, breath hitched, as he towers over her, studying her with a curiosity that rivals hers from a moment ago. and only when he finally lowers himself to a knee does his hair part, and diana flushes at the red tinting his ears.
  "greetings to her imperial majesty, may the gods grant the protector of the siodonnan people a life long and blessed."
she offers him her hand. "rise. and tell me your name."
a beat of silence passes as he stares at her outstretched hand before hesitantly accepting. "claude, your majesty."
  "claude," diana tries, finding it rolls of her tongue deliciously.
he raises an eyebrow as she regards him. "your majesty...?"
diana smiles, her hand moving to touch the various jewellery adorning his fingers. gently, she slides off the gold ring off of his ring finger. "you must have a good reason to be donning an unauthorized magical item in my palace."
he doesn't answer, head lowered.
her hand lets go of his, raising to grip the blonde's jaw. diana tilts up his face, meeting his gaze. the dull grey eyes from before have vanished, replaced by glittering blues.
she inhales sharply. "you're...the obelian pr...the second prince of obelia."
he nods.
diana turns, more puzzled than angry. "why is he in my harem?"
  "... didn't your majesty wish for it?" felix tilts his head in confusion.
  "what? no?"
the knight frowns. "but i was so sure...your majesty said you didn't have an heir because you wanted a concubine as beautiful as me...when we took over the imperial palace, as the army swore their allegiance...your majesty said the prince was the prettiest you’ve ever seen?"
  "i- felix, i was kidding!"
  "...oh."
she turns to the prince then, "and you! you're a prince! how come you just went along with this??"
  "well...it was the most peaceful part of the palace..."
diana gapes at the two men, before finally sighing in defeat. "you're telling me i was scouring the lands for you, while you were right...?" she raises a hand to massage her temple, "...gods grant me patience."
felix cautiously steps forward, "your majesty...i understand this is shocking, but... tonight's escort..."
she glances up at the obelian prince. "allow them all to retire. i've found the perfect escort."
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a/n: hmmm this was a bit empty claudiana wise, wasn't it? their development is coming though, i had to give empress!diana an intro :) also !! the situation may seem a bit confusing rn, but next chapter will clear things up! or you can just ask me for clarification <3
💕 felix is dying to find a concubine diana likes bc he really really really wants to be an uncle
💕 in siodonna, emperors/empresses are referred to by their first(diana) + middle name(celeste) and not a last name bc they technically can't belong to a house, they belong to the empire. but the middle name is important bc you have to ask for it (from someone you love and respect usually), you're never just born with one (so you could ask a parent / friend / mentor yada yada and they give you a name they believe fits best)
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notfeelingthyaster · 4 years
Text
Imagine (Son of Hades! Percy; Godswapped! Big Three's kids (5/7) or (10/12)
House of Hades AU Pt.1 - Perseus' Journey
Hello! Before reading this, check on the masterpost - it's essential for the understanding of this. Read the warnings before proceeding. Leave reviews, suggestions, and good reading :))
Perseus falls for what it feels like hours - but he counts thirty minutes inside his head - it gives him time to think and plan.
He has his ax - his warhammer left behind in the ship, unfortunately - no food, an empty canteen, his very drained powers, and absolutely no way to get to the Doors. If all the monsters are leaving through the Doors, he could follow them. But how? Would they be able to smell him? How quick would the story of a demigod in Tartarus get to the ears of Gaea's army?
He would be hunted all the way through - and how many obstacles could he really cross?
Nothing in his body was broken - but, every few moments, he could feel himself flicker - absolutely drained. His priority should find somewhere to rest, if he even survives the fall.
Perseus doesn't want to think that way, but he can calculate it: he was falling for about thirty minutes now. 30min x 60 = 1800s; 1800s x 10 m/s² = 18000 m/s. Or 64800 km/h. Simple physics = he shall be a smudge at the bottom of Tartarus.
In fact, the free-fall itself should be enough to at least dislodge his internal organs. Why is Perseus still breathing anyway? Is his godly blood maintaining him alive?
If he survives this nasty fall, he can go to the river of fire - he spent enough time in the Underworld to know that the Phlegethon shall keep him alive - perhaps at a horrible price. It might stop him from ever speaking - the dead keep screaming in the Fields of Punishment forever - but he is not dead is he?
Perseus sees a river approaching - he can't summon the shadows to cushion his fall - these shadows are rebelling and he is too weak. He doesn't want to drown, but between the sharp stones and the water, he chooses the water. 
Perseus curves himself into a ball and hopes his heritage will protect him. It still hurts - he probably broke at least five ribs and his right leg feels weird - but he is alive.
The voices in the river are tempting - and Perseus is weak. But his fear of drowning and the sheer willpower of getting the fuck back to his friends is enough. He'll get back to the earth. He will get to his mother. The gods don't get to take this from him.
They took enough.
He goes after the fire river - the Phlegethon is never too far from the Cocytus, Dante was mightily wrong in his self-insert fanfiction - and everything hurts.
Percy cannot walk properly - his right leg is really messed up, all of it - and each breath he takes, he wishes he never fallen down this hole.
A selfish part of his mind wishes he had just... let Annabeth fall. But he knows that his heart wouldn't let it happen - he would die for any of his friends. For any demigods - this was never for the gods.
Everything is trying to kill him. The air is poisonous, the earth is shards of glass, the stones are scaly, the ground is too hot, but he still feels cold - like everything in this place is draining him. There's a giant infinite of nothing stretching over him - no sun, no ceiling, nothing.
The pit feels alive somehow. There's a weird pulsing every time he takes a step, and sometimes he trips on weird purple purulent bubbles. Everything is also so humid and slippery - it's like walking on dead fish.
He shivers - is the beginning of sickness and intoxication settling onto him. Perseus doesn't have the luxury to vomit - not here, not now. He doesn't have nutrients to waste. Perseus stop thinking about the place he is in - the less he knows, the best.
Perseus is half pushing himself through, before getting into the margins of the lava river and just drinking huge mouthfuls. It's awful - it burns his hands, his chapped lips, and all the way down to his stomach. He can feel the taste of ash and blood in his tongue, and wonders if his voice will be the same after this.
It's such a capricious thought that it makes him chuckle mutely. He is lucky if he survives to destroy the doors. It's a miracle if Perseus ever reunites with his friends - he would gladly do it without his voice.
The lava heals most of his injuries - the scars never leave. His leg is still a little wobbly - like he might fall any second.
After he fills his canteen, Arachne appears in all of her dastardly glory - and Perseus hates her. It's her fault he is stuck in this mix between the ninth circle of hell and Mordor. Another immortal being with a sense of superiority and a grudge against the gods. It's her fault, and Perseus wants her to suffer.
She deserves it - Perseus doesn't blame her for her grudge in the gods, but she took it out in them, in the demigods, in his people. At least he could take this opportunity to take this blight from the world for a while.
He kills her - slowly. He starts by cutting her legs - every time one reaches for him, he racks it off. Then, when it tries to run away - or better, roll away - he beheads it.
Because it's not a she. It's not a girl of Athens with a bad case of hubris - it's a monster. A monster created by Athena - and how fitting that the goddess created the monster who stomped her children for centuries in a search the goddess send them in. Wise, indeed.
He keeps limping to safety - is there even safety in this hellhole? Damn Arachne, damn Athena, damn Annabeth for wanting to prove herself to the bitch.
He loves Annabeth - not the way she possibly wants him to, but love nonetheless - but this. This is her fault. If not for her misplaced want for approval and immensurable hubris, they might as well be all in the ship now. But that was always his destiny, wasn't it? 
Child of Hades - might as well die in the depths of hell for those ungrateful bastards. Wasn't that what they did to his father? Cast him into hell - and isolate him forever from earth and heaven. They must be so happy, so glad that he is here, again dying for immortal beings that don't care.
He is going to get out. And then, he is going to punch every single god that he ever restrained himself from doing so: Dionysus, Mars Ultor, Venus Verticordia, Aphrodite, Bacchus, Juno, Hera, Ceres, Zeus, Jupiter, his father, Nemesis, Invidia, Athena. Every single one of them. He has a growing list.
He keeps limping - most of the time, he borders the stones that litter the margins of the fire river. Sometimes, he hides in the shadows of the cliffs - Perseus cannot waste his strength, and the more that he stalls the monsters to know he is here, the most he lives.He can't keep hiding for long. 
Three cyclops pass through him - the exact ones who tried to kill him in his first quest after the Bolt. They attack him - Perseus kills all three of them. It’s their fault too - they should’ve killed him before.
Ugly #1 tries to attack him alone - his hubris is his downfall. Perseus cuts both his arms before finally spilling his guts on the fiery ground. Ugly #2 and #3 go down together - both with their heads split open under his ax.
Perseus has no need for mercy. He has an objective - and no obstacle will stay in his way. He does meet Bob/Iapetus in the way - and is sad, because he has no space for morals here - righteousness will only get him dead in this wasteland.
The titan wants to join him - after he destroyed his life. He can't remember anything - not even here, on the motherland. How much of a dick can he be?
A big one, apparently, because he decides not to tell Bob anything. He doesn't have the raw strength to fight a Titan. He doesn't have his powers - not even his warhammer. It's just him, his ax, and a lot of firewater. And now, Bob and his war shovel. Perseus is not telling a titan that he helped murder two of his brothers and wiped his memory.
Bob tells him they are far from the Doors - that time passes differently inside Tartarus. When Perseus tells him, in a raspy voice that he barely recognizes, that he's been here for almost a day, the Titan disagrees - he might've been here for an hour or a week, maybe more, maybe less. There's no way to know.
They keep walking. The titan's aura is almost enough to keep them safe, but some monsters don't care. Perseus kills two empousai, four carnivorous sheep, and a spartoi - what wonderful flashbacks. Bob kills thrice as much.
They stop to rest in a cave at a secluded part of a cliff. Perseus is unable to sleep - what if Bob remembers that he is not Bob and decides to kill Percy in his sleep? What if they are attacked? What if this poisonous ground swallows him when he closes his eyes? 
So he curls around his ax, with his back to the wall, and keeps his eye on Bob. Bob ends up talking to him - even if Perseus doesn’t think he can talk back - about Persephone's garden and the bloom of pomegranates on the cold of winter nights.
It’s wishful thinking, but Perseus wants to be thirteen again, scrolling through the underworld gardens barefoot, hand in hand with Kore. He remembers the smell of her hair and the curve of her lips, and the way the flowers purred under their joined fingertips. She was the first to touch him - besides his mother - and that he didn’t fear destroying.
The walls are covered with some viscous substance. He doesn't think much about it - the more he thinks, the more he sees. And he doesn't want to see.
They leave when a caravan of monsters pass - and Percy muses if he was able to close his eyes for even ten minutes. They crawl through small passageways and climb walls that feel like ice and fire for what it feels like a week - it's impossible to know. 
Perseus is collecting scars - the river of punishment heals him, but he can feel them under the rags he is using to cover himself. A hellhound left a cut across his face, and he wonders if he'll look like Luke now. His right leg is still acting up.
Seconds could be millenniums and centuries could be hours. The two of them rest five times - it’s how Percy is counting the time.
The war hasn't been won. But the monsters keep reforming and walking in the same direction as them, so they also haven't lost yet.
They find a cat - a skeleton saber-tooth tiger, because this is the place for happy memories - and it just keep following them. It reminds him of Blackjack - and he doesn't have the heart to kill it.
Percy wonders if any of his friends are dead. He wonders if he’ll ever be able to fight for his friendship with Annabeth, if he’ll ever joke with Leo, mess Hazel’s curls, get scolded by Will, or teach Piper math.
He wonders if he’ll ever ask Jason to teach him how to swim to get over his fear of drowning, ask Nico the rules of Mythomagic or simply talk quietly with Frank again.
He wonders if he’ll ever get to choose a college, if he’ll ever see his friends and tell them how much he loves them again. Percy wonders if he’ll ever go on a date, see cheesy movies, have his first kiss with a boy.
He wonders if he’ll ever taste his mother’s cookies again. He misses the warm touch of the sun in his skin, and the days he didn’t survive on lava and sheer stubbornness.
They meet the Arai in a cliff - and Perseus cannot stop killing them. The first curse that falls upon him it’s dust, choking and strangling him - like so many enemies that he let the earth devour. Then the blindness - the same he inflicted in Hyperion with his shadows - and his feet turn to lead - Hercules. One after the other, all the monsters that he killed get their comeuppance - Perseus does not regret any of them.
One of the curses, however, doesn’t come from a monster or an enemy - it’s from Lee Fletcher. His heart aches with loss, a suffering Perseus doesn’t feel in a long time - depression, his punishment for killing Michael Yew.
Perseus regrets it - he also regrets Bob, who stands aside and does nothing to interrupt his suffering. Perseus doesn’t blame him - perhaps he would have done the same, have their positions been reversed.
He feels his blood boil - his body hurts with the pains of the injuries he inflicted through the years - and he knows Phineas’ curse will be the one which finally takes him.
Suddenly, Bob helps. It’s Kore who interceded in his name - the only deity who never failed him. But it’s too late - he doesn’t feel pain anymore. It’s a sign - a sign that he is going. 
He is glad Bob wiped the Arai - at least now, he can go in peace. In the middle of his haze, he looks around and finally understands what he is blocking and denying since this journey started.
Tartarus is not a place. Tartarus is the personification of everything bad - and it’s horrifying in such a level he closes his eyes - he doesn’t need his last moments to be a nightmarish landscape.
Percy can feel himself flicker. Since coming here, he wasn't able to use his powers well. Now he knows is probably because the "ground" is no ground, and he can't travel in the shadows, because the shadows are corrupted. Because this is beyond his father's domain, beyond the gods.
He closes his eyes and imagines Elysium - the children that fell in the first war. The soldiers of the Twelfth Legion that died to protect their home. Michael Yew, Castor, Silena, Bianca, Ethan, Charles. They are waiting for him on the other side.
If he dies here, does he even get to go there? What happens to demigods that die in the dark lands of monsters? Did he get to die? Or was he a part of this now? Would he reform eventually?
Bob is carrying him somewhere. He tried to force-feed him lava - but Perseus could have told him it wouldn’t work. There’s a limit even to magic rivers.
He must have passed out, because when he opens his eyes, he is in a gigantic bed, in a place he doesn’t recognize. Percy looks through the window. It’s not Camp, not Nova Roma, not Argo II - and definitively not Elysium.
The air is red and green and he can see the fires burning at a distance, the mountains of the body he is walking. He is still stuck in Tartarus.
Did he reform? Was Iapetus able to save him? How much time did he stay asleep? Where are they? Percy is pretty sure a house is not part of the Tartarus package.
The demigod tries to sit up, but something is weird. He looks down, and where his full right leg once was, now lies a half-metal one. 
Perseus can see gears turning, the places where the bronze meets black. When he tried to lift it, it answered as if that is his own - even the same weight. His mid-thigh is still meat and bone - but the rest isn’t his.
He touches his knee - knocks into it, twice. It's hollow and clangs like metal, but somehow, he can feel it. Perseus tries to detach it: impossible. Little tubes seen to stick in his upper tight.
Bob is outside - he is talking to someone. He enters the room, but Perseus doesn't see who is.
Bob - or, well, Iapetus - tells him that the weight of his earth-related curses, plus the sheer blood that he lost, was too much for his already damaged leg, the bone broken in at least five or six parts and an infection settling in. He wouldn't survive the fever - so the titan had to cut it off.
"When the Labyrinth fell, it fell here, leaving junkyards everywhere. There's one that is too close to the Mansion of the Night, so almost no monster goes there. Me and our host, we are no monsters - so we go there sometimes. We found a leg for you - from a mechanic body marked as Sextus."
Sextus - where had Perseus heard something similar? Oh, that's right. Quintus. He was wearing the prototype of Daedalus next body, that he never got to use because Percy freed - banished - him to the Underworld.
He says he adapted it a little - it was too short for Perseus, so they needed to bastardize an arm to make the socket a little bigger - and connected into his thigh.
"It was a pretty simple process - this version is advanced enough that the tubes connected themselves, we just had to put a little fuel. It will be like your own leg."
Percy wants to scream. This is not his leg. He wants this leg out, now, and his leg back. It feels wrong. Dead - he can see little tubes not unlike veins, but there's just lava running on them.
So this is what Daedalus used to fuel himself - the waters of Phlegethon, damned waters to fuel his damned life.
This is just a nightmare - how is he going to survive this without a limb? Will he be able to walk? Fight? Run?
But his voice escapes him - Percy is still too damaged from the lava. His scars itch - they are of a pale red, and he has all kinds of them. He must be a terrible person to attract such curses - the weight of Lee's curse was removed from his chest, but not his mind.
The neural connections in this must be pretty good, because he is able to feel when his "foot" touches the ground. It takes him a few minutes to readjust - bit it's just like nothing happened.
But it did. That's not his leg. That's not his limb - that's alien. It feels and it walks and it works even better than his old messed up right leg - but at least the messed up right leg was his.
Perseus has no need for limping now - but as he looks at his first mirror since this started, he staggers.
His whole body is mapped by white and red scars that mix with keloids - a jumbled mess of raised patches and ugly patterns. In his face, there's a scar just like Luke's - from his forehead to his jaw, crossing his left eye.
Perseus puts on his ragged shirt - he hates the scars on his chest - but he looks at his eye, and thinks it suits him - it's a mark of betrayal, of the gods' abandonment.
His hair is no longer the short curls he gained while in Nova Roma - now it's a big dirty mess that Percy can't cut or do anything about, so he just bundles it up on the top of his head, out of the way.
Jeez. He is a mess.
Everytime Percy takes a step, his "foot" clangs against the floor. He tugs his semi-destroyed shoes in, and goes with Iapetus - to meet their misterious host.
It turns out not all giants are bad - of course, Perseus thought that Damasen shouldn't be the only exception - Porphyrion, the one Jason fought, should've been so different. Enceladus too - wasn't Athena a goddess of war?
If they are supposed to be their complete opposite, why Ephialtes and Otis were all for parties? Why was Porphyrion just as arrogant as Zeus, why was Polybotes able to raise tides and shake the ground?
Perseus doesn't trust Damasen. He might be the "gentle" giant. But he could - easily - kill a drakon everyday. Maybe he first killed the drakon to help a girl - Moira was her name - but doesn't change the fact that he is able to kill a drakon.
He is grateful for the leg - grateful, even if a grudge is clawing it's way to his heart with the force of a thousand suns - so Perseus thanks the giant, drinks the broth of drakon meat, and rests.
They stay there for a while - Perseus doesn't count time well. Damasen does not seem really happy to let him stay - but Iapetus has some hold over him. He tries to convince the giant to fight for them, but for no result.
Damasen tells him that, while Gaea locked him here, he would never get accepted by either side - the gods would never let him live between them. He has no reason to pledge his loyalty to anyone.
Iapetus/Bob and him sit together. It doesn't feel like forgiveness when the titan finally talks to him. They talk about Zoe Nightshade and Calypso of Ogygia, and the stars above. The titan tells he misses it - his family, his granddaughters - he calls them little stars, because of their father.
Perseus doesn't talk much about their sorrows - he focuses on the way Zoe was determined on doing everything for what she believed on, and Calypso's cunning mind and sweet words.
Iapetus doesn't forgive him - But he does tell Perseus he has a plan.
Apparently, he cannot cross the army of monsters being a demigod - he would be dead in seconds. He only survived up until this point because of his connection to the Underworld.
So Perseus needs to find Akhlys - the goddess of misery - and get the Death Mist, something to shroud him from everything trying to kill him.
Even Damasen's helpfulness has an ending - when Polybotes comes after vengeance, Iapetus helps Perseus run away - with just his rags, a canteen of firewate, his ax and his new leg.
He hates his leg. It answers almost like it's his, and he can walk almost perfectly with it, and when they had to stop and fight a cyclops, it didn't stop Perseus.
But he hates it. Percy wants himself back. He wants out of this desert and doesn't think there's a single good feeling inside him anymore.
But he has to keep going, keep walking. For Nova Roma. For the Camp. For Reyna, Malcolm, Will, Frank, Jason, Piper, Hazel, Leo, Nico, Connor, Alabaster, Grover, Bob, Clarisse, Paola, Annabeth, Rachel, Persephone, Kore, his mom.
Perseus' stomach rumbles with hunger - he grew too comfortable with the drakon's meat stew in his stomach and the rough blankets beneath him. He got too pampered - time to go back to the hot shards of something beneath his cheek and the taste of fire in his tongue.
Now, at least, he can sleep a little - when he is not plagued by nightmarish visions of what he can now see, or of his friends dying because he is stuck here and unable to help. If Iapetus hasn't killed him until now, it's very improbable that he will.
He keeps muttering to himself - Reyna, Malcolm, Will, Frank, Jason, Piper, Hazel, Leo, Nico, Connor, Alabaster, Grover, Bob, Clarisse, Paola, Annabeth, Rachel, Persephone, Kore, Sally - a chant for hope that never stops. Their names sound bad in his tongue - like he is corrupting them.
The closest they get to the goddess house, the more miserable he gets - Hazel, Leo, Nico, Connor, Alabaster, Grover, Bob, Clarisse, Paola, Annabeth, Rachel, Persephone, Kore, Sally - as if he should just stop hoping, stop yearning.
He'll never leave this Pit - Alabaster, Grover, Clarisse, Paola, Annabeth, Rachel, Persephone, Kore, Sally - he'll die here. If not for the names that keep him going, Percy would just drop down. Stay there, become part of this forest of desolation.
Iapetus can't follow him into misery's lair. The titan has no need for death mist - he can take the direct path to the monsters that wait in the Doors.
So they part ways - Iapetus goes back through the Central Wasteland, and Perseus goes forward - into the Poison Meadows of Akhlys.
Perseus sees the goddess of misery - and thinks she looks the part. She and her shield - Hercules' shield - crying eternally.
She denies his request - but he taunts her. Is she just a minor goddess? Wouldn't she want the Tartarus to be filled with wails of the monsters, unable to go out for decades at a time?
Akhlys agreed - but Perseus wasn't sure. She was a little too eager - not something you want from a primordial goddess based on feelings. Elemental gods are so much easier.
And she was too poison-happy for Percy's liking. The way she smiled, fat tears and snot running down her face didn't impress him though: every time he looks around he sees this convoluted primordial of hell and was two minutes off snapping, so.
Rachel, Persephone, Kore, Sally.
Everything around him was wet and disgusting - like most of Tartarus. Maybe being the habitat for thousands of your children isn't the highest of body care.
They stopped near the void, the emptiness stretching beyond him as sure as nothing was above him. He could feel it pulling at his soul - did he even have a body? Or was he just smoke now?
Somehow, his metal leg clung onto him. His ax didn't fall from his hand, although he felt like the weight of the sky was again in his shoulders - he felt at the same time, eighty years older and as if he was nothing at all.
Death always clung at him - he was a spawn of Hades, a hellish being. Perseus always ran cold - and some people, the ones that thrived on life, couldn't get close to him without shivering. But this - this is what death felt like.
Not being dead - being dead can be either peaceful or eternal torment - this is the permanent state of death. Like he is just about to die, but there wouldn't ever be a release.
Persephone, Kore, Sally
Under him, there was Chaos and Nyx - the two primordials that formed the world. How many of those never leave this pit, never got their cults advanced, and were reborn in between the gods above?
Hecate, Nemesis, Eros, Eris, Morpheus, Hypnos, Geras, the Moirai, all of them, dwindling between the Olympians. Did they laugh at their stupid dominions over physical mattters - while they manipulated the world like puppeteers?
For how many times the arrows of love touched the immortals? How many decisions were made under the influence of dreams or vengeance? How many fates did the Fates decide in the strings of their tapestries?
Erebus - the eternal darkness. That is what is lurking above them. Perseus sneaks a lookup - and he can see curves of a person where should be nothing, the points of sharp teeth - it scares him far more than Tartarus.
Akhlys wants to kill him - Percy is not actually shocked. Everything in this Pit is trying. He tried to slash at her with his ax - but his ax was smoke, and Perseus has a very bad control over spirits, so it's to no surprise he was awful at controlling his own spiritual form.
Akhlys advances on him - and, conveniently, she can hurt him. He dodges as much as he can, but inevitably, she caught up to him.
She gives a swipe at his metal leg, her hands are around his neck - the goddess of misery is trying to suffocate him with her poisonous claws. Perseus hates suffocating.
"Stop... P-Please..."
Kore, Sally.
"Misery doesn't stop, misery is everything you'll ever know"
Perseus can't do much, but as he fights back, he feels it - in the bottom of his stomach, a pulling. The same pulling he uses to open the earth and to summon skeletons, coming from Akhlys.
Then, he touches her.
And Akhlys screams.
Perseus can feel the pulling, the way her immortal life is trying to stay in her body - but he pulls harder and harder.
"Please... Please stop."
She is aging under his eyes - he can take everything from her. Perseus is death - and life has touched him. He wants her to suffer. He wants to see how miserable Misery can be.
"Decay is inevitable, decay is everything you'll ever know."
Around him, the poisonous plants thrive, bloom to full beauty. Under him, Akhlys never dies - she shrivels, wailing as he begs him to stop.
But Perseus is death and life. Perseus is decay - he can take and take and take, and leave only an empty husk behind. He would never stop - he would destroy everything in his path, in this wasteland that he was sent to die by Fate.
Sally.
It's his mom's name that brings him back to reality. He jumps off the shriveled corpse-looking goddess and scrambles backward as she scampers away.
Perseus doesn't know how much time he passes there, in between the garden of poison, looking at his hands and shivering. He became what he feared the most: his touch is poison.
It's been many years, but Percy wants his sweaters and his gloves back. He wants to be covered, so no one will ever touch him again - he wants to cut his hands off. He is dangerous.
A deep, dark part of him wants to kill - what is the difference if he kills them by decay or with a stone spike? They would be dead either way.
Maybe he belongs here - he muses - maybe he became a monster, just like the ones he killed. Maybe he would just die and reform here, eventually.
Is he even a person anymore? With his metal leg and destructive skin - how much of him is god? Can he decide the fate of life - is this his heritage?
He hates himself, this situation, this life. The poisonous flowers flourish under his fingertips - and he wonders if he touches a daisy, it'll shrivel and die just like Akhlys.
But he traded a goddess for another, for who would appear other than Nyx. Perseus tricks her - says that he is making a map of Tartarus, for his father, but that she isn't really in the itinerary.
Nyx doesn't believe in his lie - she is a primordial goddess, not an imbecile. He calls her minor goddess, however, and that's enough to get her mad: hubris is a failing of most deities.
She gets mad, invokes her children to kill him - of which Perseus knows quite a few and would prefer if he didn't. So he starts talking - a way of stalling them - and promptly proceeds to try and make her tell him which one of them is the worst.
The children of Nyx - all with terrifying metaphysical dominions - start an enormous fight - which is enough for him to slip through with closed eyes - one is not supposed to look at the Mansion of Night.
He runs - and he feels them behind him. Their powers can't affect him - he is almost dead after all - but they are gods - stronger and quicker than him.
But Perseus prays and he runs, using the stone under him to propel his feet. He feels like he is running for years when he finally reaches the end of the hallway - finally on the margins of the Acheron.
The son of Hades hates water. But worse of all, he hates water that remembers him of his failures. Michael Yew, Silena, Charles, Ethan, Luke - his fault. Their blood is in his hands. He made Misery miserable - he should jump.
He doesn't. The Nyx cavalry wakes him up from this display of guilt and regret - it's a breakdown he had way too many times in Tartarus, and he is not doing this now.
Perseus uses a stone to propel himself over the River - his adrenaline making him soar through the air. He falls on the other side of the water - and doesn't break anything. He can't - he is made of smoke.
Bob - definitely Iapetus now - has his memories back. When they meet again, it's closer to the doors - who are being watched by glowing Hyperion and Krios - the titan Jason killed.
By the time they reach the Doors, all the Gigantes have returned to the mortal world - or at least, it's what Bob tells him. Even the giants they already killed - here they are again, making a mess.
Perseus tries to be sneaky - but there's no sneaky way to subtly destroy the chains that hold the Doors in hell. The monsters almost don't notice him.
But Tartarus centainly does.
And if he thought seeing Tartarus was bad - well, actually seeing him in his interim is way worse.
Tartarus has the skin he's been walking for who knows how long - slimy and greyish - with red eyes and a vacuum-like face - he seemed to suck the life out of them.
He attacks Perseus - calls him an intruder, tells him that he cannot freely walk him. Perseus wants to scream - He didn't want to be here either! This wasteland took his voice, his leg, his humanity. It took everything from him!
Unexpectedly, Damasen comes to his rescue, having tamed the Maeonian drakon. Bob uses his shovel to do the same - while Small Bob stays around Perseus' heels.
"It's your time to save the world, demigod. This is not the last sacrifice in the war you're raging against Gaea."
Percy enters the elevator. Bob stays to hold the button - he can't take him upside like they talked about. Damasen can't come - they'll die so Perseus can go save the world.
"Twelve minutes. Take Small Bob with you. Don't let them kill him - tell the stars I said hello."
So he starts going up. Perseus holds the Doors firmly shut as he looks at himself - a mechanical leg, a skeleton tiger in his ankles. He wonders if he'll make it upside. If part of him won't ever leave Tartarus - if when he dies, is there he'll appear.
The Elevator shakes - once, twice. Maybe he'll die here. Maybe it's better than what he is going to face when the doors open - it's definitely better than what he left behind.
He doesn't think about Bob and Damasen dying behind him, for him - he doesn't think about it at all.
The doors finally stop. He is not sure twelve minutes have passed - maybe it was less, maybe it was more. Perseus thinks this is it. He is not ever coming out. He walked the whole Tartarus, faced horrors far beyond any mortal ever had to, to now die because of doors.
Then he sees the light, and just let the doors go. Perseus takes one look at them - he can see at least two people and a giant - and takes one step out.
He breathes - ozone, oxygen, pure air - and then passes out, crushed under the sheer pain of life.
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Summer Storm ☀ Sehun
Pairing: Sehun x Reader  Genre: fluff; implied sex Word Count: 1.5k  
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You had always hated storms. But even more the ones during the summer. Those were the worst. The fear started when you were very young and it had grown as you did as well. The one raging on outside at this moment was particularly nerve-wracking. Thunder shook everything all the way down to your bones. You were grinding your teeth together as lightning painted sparks of white across the sky. You looked away from the dreary picture outside the window and hugged your knees close to your chest, burying your face in the space between them.
You were scared.
Yes, the storm was bringing to life unrealistic kind of fears, but that wasn't what was worrying you the most. Sehun had left an hour ago to pick up that stupid chocolate cake that you loved, because you had mentioned you were craving it. You regretted the comment instantly as he perked up from the dining room chair and announced he would go get it for you.
He was sweet. Always had been. But he had been particularly sweeter the past few weeks and you could feel yourself swooning every time he looked at you.
The truth of the matter is, when you had started dating him, you weren't particularly over your ex yet. You had warned Sehun of this fact and he promised it did not matter to him. He swore to change the way your heart felt and he did so with possibly the gentlest kiss you'd ever received. In other words, it had been impossible for you to say no.
You felt guilty for quite some time, especially on the days when your past love's face appeared to you in your dreams. But that was months ago. You no longer felt this way. Sehun had kept his word. He now resided permanently in your heart, with no space or even a corner left for any other man. You hadn't spoken to him about it yet. Not because you were afraid to tell him, but because you figured he would know already and there was no need for it. Not even two weeks ago you had agreed to move in with him and a few days later you were both sharing a home.
Home. You never thought you'd get to have one. But he had built one within you and you carried its warmth with you wherever you went.
So now, when the sky threatened to crack in half and fall down with the rain that showered the glass window of your living room, you had more than the fear of the storm raging outside. Because Sehun had been gone for so long and you had started fearing the worst.
That same fear stopped you from calling him. You imagined him driving in this weather and you'd hate to be a distraction on top of an already difficult task. So you waited.
But the fear in your heart grew by the second and before you'd know it, tears hugged the slope of your cheeks. The roar of thunder swallowed the creak of your front door opening, a drenched Sehun slipping inside the safety of what you guys called a home.
You were still on the couch, face covered by your own hair that fell down like a curtain over your wet eyes, when he noticed your sitting figure as he closed the door behind him.
He knew you hated storms. It hadn't started raining when he left, the downpour came when he was half way to the grocery store. He knew he had to get back to you as quickly as possible, for he didn't want you to be alone when the storm started. He had no such luck. So when he saw you sitting, face buried in between in your knees, he rushed to your side, placing the cake he had gotten you on top of the coffee table in the center of the room.
"Hey baby."
Something in you chest clenched at the sound of his voice as you felt a pair of arms covering you protectively. You quickly look up at him and he finally notices the tears trailing down your face. He frowns as he pulls your body to him, so that your head can rest comfortably against his chest. Through the fabric of his soaked shirt, you feel the rapid pacing of his heart.
"It's okay, honey. I'm here. You're okay. It's just a storm."
He whispers soft words of comfort and you shake your head against his chest, looking up at him again, placing a hand on his face, his skin is still glistening with the rain that he'd encountered.
"I was worried about you." That's all you say as the rest of your words get stuck on the lump you feel at the back of your throat. His expression softens and he covers your hand with his, keeping it against his cheek.
"I'm safe and I'm here with you. You no longer have to be worried or scared." He smiles at you with pure fondness and you feel your heart fill with joy. You couldn't help it, he had a way of making you feel full. In every sense of the word. You felt so consumed with emotions that you could no longer keep it caged in. The truth didn't beg its way out, it tore itself to freedom before you could do anything about it.
"I love you so much, Sehun." Your voice was barely a whisper, but he heard you. You knew because his eyes drew closed into the shape of half crescent moons as his smile widened.
His hand leaves yours, and you miss the warmth of its contact immediately. You don't have enough time to feel its absence because the next thing you know, he is cupping your face with both palms, inching closer and pressing a kiss to your forehead. You close your eyes for a second and open them up to meet his gaze.
"I love you too." The words came out with a rush of relief and you can't help but smile up at him.
Still smiling at you, his eyes study your face long enough for you to feel heat spread over your face in the form of a blush. This makes his grin wider.
"God, I am so in love with you," he says. He follows this with a soft kiss on your lips. "Thank you." He repeats the words again and you giggle as another kiss is gifted to you. Before he can pull away again to speak, you link your hands around his neck and pull his face close to you. He doesn't try to pull back, instead he meets your mouth with his without hesitation. You can feel his love through that kiss. The way it felt like falling in love with Sehun was the way he kissed as well. Its tempo was slow, the pressure gentle, his tongue patient but persistent in the tug of war that brought forth a sigh of contentment from your very soul.
He continues kissing you, the motions that started light and sweet, slowly becoming deeper and more passionate. Without unlinking your mouths, his hands travel from your face down to your shoulders and continue their path down your back. His touch on your bare skin, where his fingers find the hem of your shirt, is warm. He doesn't take the clothing garment off. After all this time, he still never assumes he can do anything in regards to your body without permission or unless you start it first. You loved that about him.
After being with guys who thought they owned you and your body because you were in a relationship with them, him respecting you this way was something that you thought you could never get accustomed to. But also something that you now expect only because it's Sehun and this is his way of loving you.
You nod your head in consent and you feel as he maneuvers his hand under the fabric, pulling the shirt up slowly as his touch leaves a trail of warmth on its path up your spine. His mouth leaves yours for exactly three seconds as he helps you pull the cloth over your head and throws it on the floor. His mouth covers yours again in an even more fervent kiss, pushing you back until you were laying down on the couch.
He loved you then. His skin against yours, joined in every way bodies, hearts and souls could. He loved every inch of you that you allowed. He reveled in your love for him as well. In the mist of breathless words and trembling limbs, you felt overwhelmed with everything that you shared with Sehun. Swiftly a passing thought nagged at you. How could you have ever loved someone before him? How could you have ever thought to love anybody else? No guy before him and no guy after him could love you this way.  Or you him.
Outside of the living room window, rain poured from the skies, like a blanket covering the lands. Lightning lit up the dark clouds in a grandiose display of brightness. Thunder rumbled loud and unforgiving. And with it came an epiphany; Sehun and only Sehun could make you forget that you were afraid of storms.
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A/N: I am so soft. Don’t mind me. 
Also, here’s my masterlist. If you care. Hope you enjoyed :)
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Ava & James
Ava: I've told all my family James: oh Ava: Maybe don't oh that hard Ava: thinking you've changed your mind and that's going to be very difficult to do a 180 on tbh James: I'm actually thinking about Bella's dad's reaction Ava: As far as I'm aware, my dad doesn't have a shotgun Ava: or an excellent moustache Ava: definitely not James: Mine does, on both counts, but the mentality simply isn't there James: war of words is as far as things have so far escalated Ava: That's a good visual Ava: what about your mum? James: she's very busy lining up every single woman she's aware of between the ages of 20 to 30 within a mile radius or so Ava: Very Mr Darcy Ava: I'll gatecrash James: I look forward to the dramatic dance scene during which we only touch palms & exchange looks Ava: I bet Lizzie Bennet didn't 😳 Ava: shame my sister isn't around to push over so your parents are forced to take us in whilst she languishes James: 😂 James: I'll happily push my sister over or let her fall through an iced over pond to further our romantic narrative Ava: 💘 Ava: I know it's less about me but I can swoon nonetheless James: if you're 😳 then you'll have my full attention regardless Ava: Promise? James: yes Ava: even if the single ladies have really good period costumes? James: well, I hadn't considered that Ava: 😏 Ava: rude James: before I decide, what are you going to be wearing when you gatecrash? Ava: Obviously something unexpectedly knockout Ava: am the protagonist, need I remind you James: okay, what I'm hearing is anything you already own or could pick out from anywhere given a few moments Ava: You're adorable Ava: how did it go really then? James: does that mean I'll get to see you before there's a seasons changing montage? because I really want to Ava: Providing you don't need to exile yourself, of course James: I'm sure there's now several people in both our lives who would like me to, but I won't Ava: They were as receptive as I expected but I've made it clear I won't be stopping seeing you, hopefully put to bed the concerns I can James: in my case, the only concern is outward appearances so there's very little I can do even if I particularly cared to James: & Teddy isn't concerned so much as shocked & appalled Ava: Of course Ava: at least I'm an addendum re. the main issue of the whole divorce, in that case? Ava: yeah, do you think I should make a point of talking to him or give him space? James: will you? as far as he's concerned I haven't made a good decision within his living memory, but you two are friends, or were Ava: I'll try, definitely Ava: if I can make him see it's as much my decision as yours, it might help, in the end Ava: and I can handle another person having their say James: thank you James: I meant what I said, I'm more than willing to discuss this with your parents, at any point James: I can handle that Ava: Thank you Ava: I think it might help Ava: but I also think I'm gonna give them a cool-off period or it won't be at all helpful and that won't be at all your fault James: understood James: I'm currently having to employ a similar situation with Jay's playdates because her friend's mothers cannot possibly keep their nose out of my business or their mouths shut about where hers is and every other single detail they believe to be fact Ava: Oh lord Ava: I wouldn't have envied you having to socialize by-proxy with the self-professed yummy mummies before but now Ava: I can only imagine Ava: Poor Jay Ava: I can't offer a human child for playdates but Frank is always down Ava: and my lips are, naturally, sealed James: I was hoping to take them away for a few days but it's as though my dad has decided that in lieu of my failings in other areas I need to suddenly become the hardest worker in the history of this company Ava: Of course Ava: Hmm James: because obviously what my children require most in their mother's absence is to also see me less Ava: Well, yeah, that's not potentially traumatizing Ava: thank God for School being right 'round the corner Ava: and Matty still being portable James: I've been bringing them both to the office & the bulging vein in his temple is honestly such a strong contender for the book cover Ava: 😏 That's how you do it Ava: risk his health and wellbeing so you get the time off for yours James: King's didn't teach me everything I know, I've got a few tricks Ava: When are you giving me that tour? James: When can I see you? Ava: When is your dad not working you to death? Ava: I can make it work James: [A pause while he figures that out] James: he's out of the office all day on [a date in the foreseeable to make this office hookup a thing] Ava: No offense but if your brother shows up again you need to send him on a really long coffee run James: as you said, school is right around the corner, meaning my parents priorities have shifted back to making sure he'll go Ava: In that case Ava: 😈 James: 😇 for saying yes Ava: I have ulterior motives, I promise you James: oh really? Ava: really Ava: it's very unfair I've yet to see you in your work clothes James: [sends her a pic because nobody can stop him] Ava: um hello 😍 Ava: you're really going to be away from me looking so good Ava: unfair James: I'm sorry James: I really, really am Ava: Me too Ava: I've not seen you enough to warrant how badly I want to right now James: [a casual essay about how much he misses her and wants her and everything he wishes they could do, in a saucy way but also just in cute ways like] Ava: James James: Ava Ava: I really love you, you know James: I love you too James: what I most wish is that we could go away for a while Ava: That would be Ava: so good Ava: maybe we could in like the Christmas hols, when everything has calmed down Ava: hopefully James: it would be indescribable Ava: I have no doubt you would do your best Ava: and it'd be impressive James: the subject matter lends itself to nothing but my best Ava: I'm honoured🙇 James: so am I, especially by that visual Ava: Gutted I'm out rn and can't immediately fulfill that wish for a visual like you did Ava: when I get back though James: [sends her an even better visual] James: until then, there you are Ava: oh, well, you aren't distracting at all 😖 Ava: definitely gonna get you back when you're so hard at work James: 😈 James: I so badly hope you do Ava: I intend to Ava: every day of the week Ava: but especially when I get to come see you James: you know, the things I intend to do to you on this desk drastically shifts the audience we're going to be able to pitch this book to Ava: You'll have to restrain your imagination in the write-up so the audience can use theirs to fill in the blanks Ava: because there's no way we're leaving your office 'til we've done everything you've thought of James: finally some overtime I'm not upset about Ava: It's all about balance, right? 😇 James: & I'm aware that you've got very good balance Ava: Will that help me be the best good luck charm on your best I can be? 🤔 Ava: intriguing 😋 James: absolutely, but if you need any more help, I'll help you Ava: You're very helpful, baby James: I try to be Ava: I've never met anyone like you James: I don't think I'll ever meet anyone else that comes close to you either James: I certainly haven't before Ava: Good Ava: I don't need to think about competiting so soon James: you don't need to think about it, full stop Ava: not 'til the dance, anyway James: even then, I'll only have eyes for you, that's the cliche Ava: Of course Ava: doesn't mean I'm not gonna do everything within my power to ensure it's worth your 👀s while James: I don't want to dance with anyone else, Ava James: I don't want to do any of this with anyone else Ava: I know Ava: you know I feel the same too James: you know I couldn't have done this without you though Ava: You did it all though, all the hard conversations and hard decisions James: a lot of those decisions were made for me, so there's limited credit due, & a lack of conversation with her just cements that Ava: Yeah but the ball is in her court on that one Ava: you're if not ready at least willing whenever she is James: of course, because that's not a decision, to not act, not any more Ava: yeah, and that's going to be a good thing Ava: even if it is not good all the time James: I'll be interested to see if she gets in contact before school starts because that's unlikely to be a good thing Ava: Yes, I wonder if this is just a summer holiday or Ava: makes you wonder what she's even doing that could keep her so 'busy' James: whoever cleans the pool, probably, not that she'd ever admit to such a cliche Ava: 😬 Ava: definitely not getting paid enough James: 😂 Ava: I'm just glad that right now you don't have to deal with her on the day to day, even if it's only a momentary reprieve, it'll never be that bad again James: me too, I can't & won't pretend that I didn't know how bad it had become but actually getting a break from it makes me wonder how either of us dealt with that for as long as we have Ava: I bet Ava: she must've been as sick of it, even though she was the one not letting go and doing the fucked up shit, that has to be exhausting to live like that Ava: full level hell beast all the time, like 😈 Ava: sorry, I'm not fully sure where the line is re. her Ava: but I've been hearing great things from Nancy and Buster today so, that's in my head James: it's okay, you're not wrong James: & neither are they Ava: Okay Ava: if it's ever weird or like, not up for discussion though, just say the word Ava: or several, as you're especially loquacious James: there's a fantastic word Ava: as far as safewords go Ava: I can think of a few situations where it might be hard to get out but isn't that half the fun James: I'll make a note of it, because yes, that's definitely a large percentage of the thrill Ava: I wish you were here Ava: I only am to get away from my parents for a bit James: where are you? Ava: My friend's house Ava: Her sister is called Stasia, think she was your year-ish? James: I remember her, whether she would me, favourably or otherwise, I can't possibly comment James: I'll take you home when you want to go Ava: Really? Ava: well, I'll go at whatever time means I get some extra with you James: okay, I'll take that as my cue to leave now, not only because any reason to get out of here is welcomed though Ava: Please do Ava: talking about you so much has only made my need to be with you even greater James: I can absolutely relate & admit to having had the same urge all day Ava: Oh good Ava: we're on the same page James: that said, a necessary note in the margin would be that in actual fact I've felt that way much longer, because whatever I'm talking about, I'm thinking about you Ava: Sometimes I think I think about you too much Ava: but then I remember I'm the protagonist in this romance so it's not just acceptable but necessary James: you can do whatever you like, darling, it's your story Ava: In that case Ava: read on James: voraciously Ava: 🤤🤤 James James: I'm just making sure we're still on the same page Ava: You're gonna have trouble keeping me on the page Ava: and making me go home James: & the driver's eyes on the road, we may need more than the Twilight soundtrack on this occasion Ava: Pride & Prejudice 2005? Ava: gotcha, honey James: 😂 James: yes, exactly Ava: 😊 Ava: I love you so much James: I miss you so much James: if I could take you home with me, I very happily would Ava: I know Ava: one day James: after the move to the other side of the river, because we both know there is a line Ava: It's pretty exciting, isn't it? James: I'm glad to hear you think so because I was going to ask you if you'd like to come house hunting with me Ava: I'd love to! James: [a possible date soonish] ? Ava: That should be good for me Ava: I'll let you know if otherwise Ava: it'll be nice to look at some actual decent places, let's face it, I doubt my student digs will be all that inspiring, like 😏 James: barely room for whatever hazing pranks they have in store, I'm sure Ava: I'm still not convinced that particular visual doesn't just come from a certain type of movie, babe James: you'll have to let me know 😏 Ava: I'll make it good for you James: my faith in you remains unwavering Ava: 🙇 James: have you reconsidered your stance on spoilers? Ava: That does depend James: oh? Ava: have you dumped fake girl? James: she was very slow to accept her fate, but yes Ava: I can't blame her Ava: I wouldn't wanna lose you either Ava: [picture, assumedly in her friend's room or somewhere not just in front of them like oh hey] James: Ava Ava: Make traffic move faster please James: I'll do the quickest rewrite possible & see you at your friend's door Ava: I'll be waiting so patiently James: & I'll be waiting impatiently James: 😇 & 😈 Ava: I think you deserve to be 😈 right now Ava: been a long day, yeah? James: yes, though it feels longer now, stretching out with the queued traffic Ava: 🥺 Ava: we'll just have to see it as motivation to not waste a single second James: it's a promise, in or out of traffic Ava: I'm so lucky James: if you think you are, then I need a better word to describe my own fortune right now Ava: I'm just really happy Ava: in spite of anything else, everything else, right now James: good, me too Ava: 🥰 Ava: you deserve that even more James: you deserve more than I can possibly give you, however patiently you wait Ava: nuuh James: yes you do Ava: 😣 Ava: no Ava: and I want you James: I want you, I'm well aware that it doesn't mean I deserve to have you Ava: How could you possibly not James: because James: the reasons I lack words to describe you aren't even close to the reasons I lack them to describe myself Ava: but I can't describe you either Ava: not just because I'm no writer James: but you do, all the time, in both words & actions I can vividly see myself the way you think of me Ava: I'm glad Ava: keep looking, okay Ava: we'll work on the believing bit James: okay James: if you'd like to get in the car, we can start immediately
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spirify-oc · 7 years
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Sol: The Lost Goddess | Chapter One
Background Information To create destruction and to destroy creation, by Rielin
Chapter One
“Phew… Okay. Let’s do this,” She whispered, her silky silvery locks swaying in the air as she gently closed her eyes, the ebony orbs concealing itself under the eyelids. The chilly breeze fluttered by, softly brushing her hair. She stood proudly on top of a tall cliff, fluffs of clouds were overheading the female.
“Brrr.. it’s cold,” Her concentration and position was ruined by the chilly temperature that resides at such height. She rubbed the palm of her hands on her arms while shivering in coldness.
“Okay, Thea. Let’s just get it over with,” She nodded in determination. The female, by the name of Thea, inhaled, and with an exhale, she placed her foot in mid air, falling down the cliff at quick speed. Although the pressure of the wind disturbed her vision, she did not dare to close her eyes, her black eyes were ignited with excitement. As the gap between Thea and the ground became closer and closer at an immense speed, her adrenaline pumped through her pulses excitedly.
‘When the caster is experiences verge of death without the intention of suiciding, their magic will upon itself to save the caster,’
“Now!” She exclaimed as she shut her eyes.
A cloud of sand or something like that should form! She thought to herself.
Yet contrasting her expectation… a piles of giant leaves created before her eyes, her vulnerable body safely landing on top.
“...What? WHAT IS THIS?!” She yelled out in confusement mixed with irritation.
Why did she even just jump off of a cliff, you may ask?
Earlier during the same day, Thea lazily sat on the uncomfortable wooden chair in the library with her feet on top of the desk. Usually, the librarian would give a rather irritating glare to others, but it seemed like the librarian gave up trying to fix Thea’s posture. Multiple books were piled up on one another on top of her desk, and it seemed as if she have already read them all numerous times, considering how lifeless Thea’s ebony eyes were.
Thea was supposedly born on Sol 31st, also known as the forbidden day. No one sures know the exact reason why it’s considered as a forbidden day, but the ideology of birth is not allowed and the child will be executed if found out. Thea’s parents both passed away during the Sol War and was automatically adopted by her father’s close friend, Riz. Riz is a high-ranked magician working for the government for city of Alterre and so far for 17 years, she was able to ‘fake’ Thea’s identity so she won’t face an execution.
Thea’s original name is ‘Sol’, and that’s the only information about her own self that Riz have told her so far. She would always repeat, “when you become older and wiser, I will tell you more”, and yet for 17 years, Riz have told her nothing else.
Riz lied to Thea that she was born on Sol 15th, therefore Thea thinks she has single Earth element as her elemental power. However, no matter how hard she tried, she was never able to conjure a simple earthly magic, such as swirling sand on top of her palms. Perhaps she has another elemental power, she thought once. Yet she wasn’t able to conjure fire, water, nor air.
A/N: Sol = Thea. She was born Sol 31st. Sol 15th is her ‘fake’ birthday. Sol thinks her birthday is on the 15th. She doesn't’ know her original birthday, only her name.
Thea have read numerous amount of magic book in and out, mastering the concept and knowledge of Earth elemental power. She was able to do difficult calculations within her head, yet no magic occurred. She would even wonder, is it because her father named her after the month known for having no element?
As Thea sighed with stress, one of the student volunteering in the library walked by while pushing on a cart. Thea glimpsed over at the noise without interest, then a book caught her eye immediately. She’ve read all kinds of books, yet the navy-colored cover book with an intricate pattern of gold- it was a book she have never seen before. She walked over to the cart and grabbed the book. The student gave her a surprised look, but passed on since he was going to put it back in the shelf where it belongs again.
“Basic Magic, psh…,” Thea murmured to herself. She thought it was probably some basic facts which she already knows about, but she decided to read on since it was a book she have never read before. Surely she would be interested if there was new facts.
Then she read those words that constantly echoed into her mind throughout the rest of the day, ‘When the caster is experiences verge of death without the intention of suiciding, their magic will upon itself to save the caster,’.  In result… she decided to climb up to the highest cliff in Alterre. Although she was somewhat hesitant, she believe that her Earth magic will appear for sure when  her body experiences the verge of death. She expected some kind of sand swirling around, creating a fluff for her to land upon… yet tremendous sized leaves piled upon one another appeared before her eyes. Although she did land safely, it just wasn’t what she expected it to be.
Thea placed her feet down to the earthly ground, a gentle sand wrapping around her shoe, staining with dirt. She revolted back from the sight of the mysterious leaves that were created out of nowhere. She cautiously leaned forward and gently touched the leaf, yet nothing happened. It was just a plain, tremendous leaf. Even more confused, she inspected the plant however no clue was to be found.
“Go away!” Irritated, Thea exclaimed as she kicked the giant leaf. Due to the sudden force, the leaf swayed in the air violently and within a blink, it vanished into the thin air. As stunned as Thea was, no words escaped from her lips as she watched the ground where the leaves were prior to her violent actions.
“What is the meaning of this?!” She whined in thin air, the sound of her voice echoing from afar as it bounced from mountain to mountain.
“How did you do that,”
Thea turned around at the sound of a random voice, only to find out it was a small boy. His hair was golden brown that resembled the earthly sand of Alterre, and his petite body was wrapped around in black clothing along with a black scarf that covered his mouth.
Who is this kid? Thea thought to herself as she stared down at the boy with shocked eyes. However, she remained calm even in the most spontaneous events and smiled toward the boy saying,
“Uh… hi, little kid. Are you lost? I don’t know much magic to teleport you back, but I know the city well enough to take you back,” She said, yet the boy did not flinch a bit. He did not even shed a tear or anything, he was simply expressionless.
“How did you do that,” He said once again as if wasn’t even a question, but a demand.
Did he just… ignore me?! Thea shouted furiously inside of her mind but her physical features stayed calm as she maintained her smile.
“I don’t know either, this is the first time anything like this happened to me,” Thea said nervously as she scratched the side of her head, as she wanted to question her own skill as well. She turned her gaze back to the petite boy, who was merely staring at her with emptied expression.
…? What does he want? Thea thought to herself as his glance was rather uncomfortable.
“I guess I’ll take you ho-,” As Thea was about to finish her sentence, the little boy started to conjure the sand on top of his palms, transforming the earth into stones. The stones were swiftly thrown toward Thea, who narrowly dodged the large stones.
How did he just transform the sand into large rocks? Thea thought to herself, Wait… why is he attacking me in the first place?!
“Wh- what are you doing?!” She furiously shouted as she scrunched her face to state at the boy. He was staring at her with those emptied, golden eyes once again, creating even more anger within her.
“It is! Not nice! To throw! Rocks at people!” She exclaimed as she caught one of the stone and threw back at the boy. Then with a loud colliding sound, the rock landed on top of the earth which was followed up by a complete silence and the disappearance of the boy.
“Did I just… throw a rock at a little kid?!” Thea questioned herself. “Oh my god! What have I done?! He was being annoying but I should’ve never threw that rock, he probably wanted to play with me, oh my god,” Thea murmured to herself with panic, her voice shaking with fear at the thought of possibly murdering a child. She grabbed onto the sharp edges of the stone and with a mighty force that constrated her slender body, she threw the rock to the side… only to find nothing. The boy was gone.
Thea glanced about, Where… did he go?
“So weak, how pathetic,”
Thea turned around at the sudden voice of a deep, husky voice. It was a grown-up male. He seemed to be almost six feet tall, with golden brown hair and eyes that resembled the color of Alterre. He was wearing a black scarf that wrapped around his mouth and black clothing. Although his clothing covered every inch of his body, judging from the width of his shoulders, Thea could tell this guy was pretty muscular. However it was somewhat weird. The grown-up male right in front of her, is wearing the same exact clothing as the boy that just disappeared. Not only that, but their hair and eyes are exactly the same color. It’s as if the boy grew up within blink of an eye. The two had the same, the exact, expressionless face.
“Who…?” Thea whispered, her voice cracking in thin air. Wait… he just said I’m pathetic!
“Who do you think you are, sir?! Calling a person you just met pathetic?” Thea shouted with irritation. Why are there so many strangers that suddenly appears out of nowhere and acts in such a rude way toward her?
“What is your name,”
I’m ignored, AGAIN! Thea scrunched her face, staring at the male with shock.
“Thea,” She answered but with irritation lingering within her voice as she pouted.
“Thea…,” He repeated her name with a hint of despair in his voice as he whispered under his breath. Thea tilted her head in confusion, for he seemed so depressed and lonely for some reason.
“Uh… is something wrong?” She asked carefully.
Then all of a sudden, within blink of an eye, he was standing right in front of her as if he have teleported, closing the distanced gap in between the two. His arms were effectively locking her from moving, as his palms were placed directly on wall of the cliff. Embarrassed, she couldn’t stare back at the male who was giving her an emotionless expression. She could feel heat crawling under her skin, rising up to her cheeks. As she nervously glanced at the male, his face became closer and closer as he leaned forward.
W- wait! Is this… my first kiss?! I can’t even have it with a man like this! Thea thought to herself, her heart pounding rapidly at each second. She scrunched her eyes closed, somewhat nervous, somewhat afraid. However, the sensation she felt was not his lips matching against hers, but a gentle voice whispering close to her ear.
“But that’s not your name,”
...
The mysterious male backed away, giving off a rather arrogant smile toward Thea, who stared at him with shock.
“Don’t disappoint me with your weakness next time I see you,” He said, and within a mere second, he disappeared into the unknown.
How does he know? Does he know my real name? But only Riz knows. Who is he? Why did he approach me? Does Riz know about him? Multiple thoughts crossed Thea’s mind at a fast speed. Her ebony orbs were shaking within her eyes as a drop of sweat rolled down her neck.
What just happened?
Author’s Note:
HI ALL THIS IS DA CHAPTER ONE FOR MY FIRST ORIGINAL STORY! Sorry it took me awhile to post, but school recently started and I will be semi-active on my fanfiction blog and this blog :c I’ve already written chapter two, so I will be posting that in couple weeks, but I don’t think I will update this story so often after. I apologize in advance!
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Ali & Ro
Ali: what's wrong Ro: What do you mean? There's nothing wrong Ro: I'm fine, thank you Ali: why aren't you talking to us then Ro: We are talking Ro: As for her, I have no idea who she is, so forgiven me for being hesitant Ali: She goes to School with us Ali: has done for like Ali: ever Ro: Well, I've never seen her before Ali: now's the perfect chance to meet her then Ro: When she's taken god knows what, I don't think so Ali: whatever she's taken doesn't impair your ability to be courteous, does it Ali: she was being perfectly nice to you and you were quite rude, frankly Ro: Telling me how pretty I am isn't nice, it's superficial Ali: you don't lose humility points by accepting compliments, come on Ali: if anything, what did Shakespeare say about protesting too much Ro: If anything, I lose credibility for accepting compliments that are clearly that false Ro: Particularly from someone who won't remember the interaction tomorrow Ali: How is that clear Ali: at all Ro: No girls are that nice, not to me Ro: Whatever she's setting me up for, I wish for no part in Ali: not to her either, if you cast your mind back, I'm sure you'll recall her name and the bitchery attached if nothing else Ali: that's just how she is, or how high people are, if you'd prefer Ali: it's genuine Ro: Oh, that's who she is. Now it makes sense why you've taken her under your protective wing for the day Ali: excuse me? Ro: You are very much a patron saint of lost causes at times, dear sister Ro: It's genuinely to be applauded Ro: I can do that from afar though Ali: Can you? Ali: because you're doing a poor job if you claim you are currently Ro: All I'm claiming at the moment is that the spectacle of the two of you is a little much to witness in such close quarters Ali: we're enjoying the BBQ Ali: it is meant to be a party Ro: It's a family BBQ, there's very little cause or need for celebration attached Ali: that might be how you wanna do it Ali: but not me Ro: Clearly Ro: It's very apparent you wish to have your cake & eat it, regardless of whether or not you leave the grill well enough alone Ali: I'm not sure you're very sure of anything right now Ali: least of all what you think of me and my intentions Ali: just ask me Ali: or say what you mean, at the very least Ro: I'm sure I don't see your girlfriend here, and yet, I somehow I almost do Ro: The next at the very least Ali: For one, Carly is straight Ali: and for two, I'm not going to make you break up with her for me, even if I was, so there's no need to concern yourself with that Ro: I'm not sure you're very sure of her of her or her intentions, Ali Ali: I take people at face value Ali: for better or worse Ali: I'm not forcing you to do the same but surface level is a little beneath all of us, no? Ro: Is she not a little beneath you? Ali: no Ali: who is Ali: what do you even mean by that Ro: Would you or would you not be in this vastly inappropriate state right now if she was not here Ro: She's bad news is what I therefore mean Ali: I'm high, I'm not Ali: shouting racial slurs or denying the holocaust, Lord Ali: and I've been high, plenty of times Ali: a second ago you didn't know her now you're certain she's bad news Ro: I know what everyone says about her Ro: That she doesn't deny any of it, quite the opposite Ali: so? Ali: like you said, everyone says things about you too Ali: doesn't make it right, even if any of it's true Ro: I'm not proud of being scapegoated, she obviously revels in her reputation, true or otherwise Ro: Is that how you want to be now? Ali: so she should revel in shame instead? Ali: maybe it's how she deals with it, I don't suppose to know Ali: but I don't suppose to say either of you is right or wrong, either so Ro: I'm not saying she's wrong, I'm not saying anything Ali: you don't need to Ali: I know you Ro: If you knew me even slightly you wouldn't be asking me to socialise with her Ali: I'm not asking you to be her best friend, or to even say much of anything at all Ali: just not be outright rude to her when she was polite to you Ali: shy or not, there's no need Ro: I don't know how to respond to that, is all Ro: you wouldn't take it so personally if you weren't so invested in this girl all of a sudden Ali: yes I would Ali: you being rude to any of my friends Ali: or guests, frankly, as I said, no need Ali: even if you have to resort to an awkward laugh and a thanks, your reply doesn't have to match in sincerity Ro: Knowing me, as you claim, you'd be aware that I was not rude in the slightest Ro: Walking away when you have nothing nice to say is in fact the polite approach, supposedly Ali: so now I don't know you? Ali: this is just silly Ali: but fine, if that's how you'd like it, I'll take a leaf from your book Ro: You're in a silly mood & not one that I'm here to entertain, that, indeed, is what your guest is for Ali: A silly mood Ali: Patronizing, for a start Ro: Well, again, you'll have to forgive me because that is how Tess is choosing to behave towards me in light of your every action and the frustrations for her therein Ro: You get to do as you please & I have to wage war over quantities of salad that have or have not touched my plate & so Ro: Here we find ourselves Ro: On opposite sides of this party Ali: I suddenly have control over her Ali: she'd pull you up on that regardless, you know she would Ali: perhaps more politely or gently but seems tempers are flaring as hot as the weather calls for Ro: You have control over yourself, or would, if you were not intoxicated by & with your guest Ro: & I would have someone to distract me from the torment if you remembered that I'm also on the list of invited people Ali: you don't know what I'm on, even, nor the effects Ali: again, if you'd have just asked me, I'd tell you Ali: I can't very well leave her alone as soon as we arrive Ali: especially when everyone is being as unwelcoming as possible Ro: You can very well leave me alone & yet still expect me to be welcoming Ali: I've not left you alone Ali: I was trying to talk to you Ro: You were trying to get me to talk to her, it's entirely different Ali: again, what am I going to do Ali: tell her to go away for a second whilst we have a private conversation Ali: we have all the time for that Ro: You invited her, you could have not, or warned me that you were Ali: okay, I could have told you, I accept that Ali: I didn't see it being the issue it is but fair Ro: I accept that I was abrupt & could've made her uncomfortable, in spite of it not being my intention Ali: okay Ali: that's fine then Ro: I'll resolve to try harder when I'm not in as much of a trying situation as this Ali: alright Ali: do you want me to talk to mum Ro: No Ro: I want her to stop talking about me like I'm being a problem Ali: I know Ali: that just makes her think she can solve it Ali: if she puts it like that Ali: it's a her thing Ro: Why am I even a topic of conversation, aside from not having one with Carly I've done nothing wrong Ali: they just worry Ali: that's their job Ali: has to be about something Ro: She has plenty of actual things to worry about or real problems to solve Ali: well you know Ali: glutton for punishment or whatever Ro: Well, she should go be a glutton for burgers before the flies are Ali: 😂 Ali: very true Ali: and good idea Ro: My IQ may not match yours point for point but it's sufficient enough for a 💡 or two Ro: On occasion Ali: 😏 okay okay Ro: Even when my enthusiasm has dimmed because Tess is trying to fatten me up for the new school year Ali: it is autumn term Ali: anyway Ali: amount of celery in it there's like, no gain Ro: Anyway, there are no such thing as negative calorie foods Ro: Celery still has 10 per stick Ali: yeah but burn that off by giving mum dirty looks whilst nomming Ali: easy Ro: if you could burn calories with looks she'd be a lot thinner Ali: savage Ro: & Bea would be invisible Ro: Alas, she can very much be seen Ali: not for much longer Ro: Mysterious Ali: not really Ali: uni beckons Ro: She'll still have to show herself, he's here Ali: of course Ali: wouldn't be surprised if he ends up there though Ro: Very little would surprise me when it comes to the two of them Ro: if they actually parted ways for good perhaps Ali: seriously Ro: Cathy & Heathcliff wish they were that intense Ali: what actually constitutes a moor Ali: have to check Ro: Typically, uncultivated hill land Ali: Hmm, reckon we're safe then Ali: technically moutains so Ro: & there are no low lying wetlands either which also constitute moors in the south of England Ali: is where she's going so Ali: cracked it Ali: not about the prestige at all Ro: If she packs a flowing nightdress it's proven Ali: I'll get her one Ali: going away present Ro: I'll embroider something fitting on it, just give me enough time Ali: but of course Ro: I'm sure it'll be extremely appreciated Ali: 'bout all I can afford, sadly Ali: have to get a sugar daddy herself Ro: You could always regift her the work itself, we have a copy that doesn't have too much marginalia as yet, that's free Ali: you should Ali: it's a good idea Ro: Potentially Ro: There are lots of other books I could add too, as applicable in their own ways Ali: quite how she's taking all the stuff she has as is Ali: da will probably have to drive Ro: She'll probably become a minimalist just before Ro: Take almost nothing Ali: with all those clothes? Ali: good luck Ro: Capsule wardrobes are very on trend, apparently Ro: Especially for students Ali: I'll have to Ali: though I'll miss the dressing up cupboard 💔 Ro: You don't have to take shoes, that'll leave room for costumes Ali: 💡 #2 Ro: Just believe, all you have to do Ali: 🙏 Ro: 🌠 Ali: [the fraze stuff happens] Ali: I'll see you later Ali: gonna party on Ro: Oh okay Ro: With or without your friend and brother? Ali: I highly doubt he's going anywhere without Bea's say-so Ro: Is she going to follow you or her wandering eye? Ali: I don't know Ali: she's got the deets Ro: & that's fine with you Ali: Not her keeper, like Ali: no doubt any of 'em will take great delight kicking her out if she don't go of her own freewill Ro: You don't think it's odd that you consider me rude for refusing to engage in conversation but not her for flirting with your brother right in front of you when you've been flirting with each other since you arrived Ro: & goodness knows how long before that Ali: I consider it rude to Bea, at best Ali: just embarrassing for me, and the rest of us Ro: I told you, she's got no shame, you'll need to take a leaf from that same book if you're going to be friends, I think Ali: let's not Ro: Fine, but it's not me you're mad at, let's not pretend that you don't need to address this with her Ali: I'm not mad either Ali: it is what it is Ali: I don't know what you propose I should do Ali: or should want to do, even Ro: It's obvious what you want to do Ali: is it Ro: Yes Ro: To you & the rest of us Ali: It just makes me sad, if anything Ro: You're allowed to be sad that she's not immune to Fraze's charms Ro: We were all hoping for better from her Ali: very droll Ro: Very accurate Ro: I thought she only had her head turned by travelers Ali: it's not that deep, babe Ro: I did say head turned, not heart stolen Ali: like I said, not a big deal Ro: If that's true, why are you sad? Ali: I'm sad FOR her Ali: not because of Ali: that she feels the need to do these things, and would continue without any indication that she should Ro: Earlier you didn't suppose to know how she feels, now you do? Ali: I'm not that dense Ali: can continue to think it's a joke though Ali: I don't care Ro: You can't have it both ways, either it's 'not that deep' & she's free to emerge relatively unscathed as are you, or it is, & it needs to be addressed Ali: Jesus Ali: you don't get it Ali: it's not that deep like Ali: if it wasn't Fraze it'd be someone, anyone else Ali: he's irrelevant to the equation, she's not picked him to be malicious or some shit like that Ro: I understood that perfectly well Ro: & either you're both fine with that or you aren't Ro: Which is it to be Ali: just because it is doesn't mean anyone has to be fine with it Ali: never said that Ali: that's not how life works Ro: if you like her, tell her Ro: that's how life works Ali: it really isn't Ro: Yes it is Ro: pick up a book, turn on the TV, look around Ali: that's not real Ro: Every relationship started with a confession Ro: There's nothing more real Ali: just stop Ro: She'll do it for you eventually, if you're willing to wait & pine Ali: when have I ever pined Ali: you're just being stupid now Ro: Exactly my point, why start now Ali: you were giving me plenty of reasons earlier Ali: I have a girlfriend, she's straight, main two Ro: She clearly likes you too, however she identifies Ali: it isn't that simple Ro: You're making it complicated Ro: before you're even spoken to her Ali: no, I've spoken to her Ali: it was you that hasn't Ro: Oh okay & she said she wasn't interested in you romantically Ali: yeah Ro: Fine Ro: Because you've got a girlfriend or because she prefers boys Ali: because she likes boys, only Ro: Perhaps she's just a tactile person and genuinely very complimentary Ro: But that sounds way less real than anything I said that you disbelieved Ali: I dunno, okay Ali: why are you suddenly so for it though? Ro: Why wouldn't I want you to be happy? Ro: That's rude Ali: isn't she gonna drag me down Ro: I've never made any secret of how I feel about anyone you've chosen to date thus far, just because my feelings are negative towards them doesn't mean yours are Ro: Or should be Ali: neither have I Ali: Carly's going out with Ronan, you know Ro: I doubt she's going out with him Ro: not in any committed way Ali: why Ali: you know exactly how committed he can be Ro: She wouldn't be flirting with you or Fraze if she felt similarly Ali: maybe they're chill like that Ali: can't all be Bea and Fraze Ro: Change committed to traditional in that instance Ali: don't blame them Ro: Of course you wouldn't, if their relationship is open, you have your opportunity to be with her back Ali: charming Ali: I'm not that scheming Ro: I'm not sure your absent girlfriend would agree but I'm not saying that you are Ali: what are you accusing me of on her behalf then, like Ro: I'm not accusing you of anything Ali: 👍 Ro: It's Carly's motives you should be careful of Ro: If you're so certain she's not interested, well, she's definitely enjoying your attention Ali: it's no effort for me Ali: she can have it Ro: Until it makes you sad Ali: it won't Ali: no more than I can handle Ali: don't worry Ro: That's impossible, telling me not to worry is like telling the stars not to come out or trying to change the tides Ali: well Ali: I know that Ali: but you don't need to worry about me, yeah Ali: like you said, more important, real things, yeah? Ro: it is real, I saw it Ro: & you're my favourite person to worry about, on account of being my favourite person that exists beyond the pages of a book Ali: 💚💚💚 Ali: I'll come for Hermione etc crown one day Ro: You'll need strong magic Ali: I know you're never doubting my magik Ro: I like to hope nothing's changed that much Ro: but the moon's not that forthcoming when I ask her about it Ro: The cards do tell me not to doubt you however, you'll be glad to know Ali: it hasn't Ali: good Ali: I'll be asking plenty questions of my own Ali: once I'm back Ro: I'm wishing on everything there is to make them on, with fingers of course crossed, toes too Ro: You should Ro: They've cleared a lot up for me so far this summer Ali: they always bring clarity, even if not obvious at first, or the desired clarity Ro: You remember that, it's a good start Ro: Perhaps you are still in there Ali: come on Posy Ali: I've not gone anywhere Ro: You have undeniably left, the where of which is unknown to me yet Ali: only literally Ali: physically Ali: just going to a house party Ro: No, it's as true figuratively, emotionally etc Ro: The distance exists and is only widening Ali: don't say that Ro: It's happening whether I speak it aloud or not Ali: only if we let it Ali: which I won't Ro: So I'll see you tomorrow Ro: that's a promise Ali: of course Ali: 'less you're planning to pack your bag and run off into the night Ali: need t discuss who's books, clothes, everything, is whose so you can't really Ro: Not unless I can also capture a star to use as a sufficiently bright torch Ali: wait 'til sunrise, sensible Ali: Rocky's probably gonna be jumping on mum and dad's heads but don't mean they'll notice anything Ro: After yoga, of course, I have a schedule whether or not running away has been penciled in does not necessarily mean it's prioritised above all Ali: again, so sensible Ro: It is me you're speaking to Ro: wise beyond her years or precocious, if you'd rather & it's not too late for that to still apply Ali: 😂 Ro: Well goodnight, if I'm to get up with the rising of the sun for my great escape, I'd better rest a while Ali: Oíche mhaith, codladh sámh 💚 Ro: Tú grá geal mo chroí 💞 Ro: be careful tonight Ali: 🤞
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