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holyhellpod · 3 years

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4. Fambily

In this episode, we skim the surface of the fambily dynamics in Supernatural, which are--ah. Dicey at best.

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Transcript under the cut!

Content warnings: domestic violence and family abuse

[Growl]

Ah, the Winchesters. Where do we even start. Unhinged, deranged, and continually traumatised in every way, Sam and Dean complete each other. At least, that’s what the show wants us to think. Despite the ways they betray each other, lie to each other, and piss each other off, they are fambily. And fambily is the most important thing. The concept of Fambily in the show Supernatural (2005-2020) takes many twists and turns throughout its run. In the first five minutes of episode one, the heteronormative, nuclear family of John, Mary, Sam and Dean is ripped apart by an unknown, antagonistic force that represents all the evil in the world. It creeps into a nursery and eviscerates a white, blonde mother while preying upon a 👶, I mean, how much more evil can you get? It’s fantastic that, in the later seasons especially, Supernatural embraces this idea that fambily doesn’t end in blood, but blood doesn’t always mean fambily. By the end of the series, the fambily concept has expanded to include two dads, an aunt and uncle, and a thirty-year old infant. I’m going to talk about the finale in its own episode, so that my ire will have its proper outlet.

When the show starts, Sam, Dean and John have each other, and only each other. By the time season 2 really kicks off, Sam and Dean don’t have John anymore, but they do have Bobby Singer. The concept of the triumvirate follows them throughout the series as though they’re in a less sexy Italo Calvino novel—first Sam, Dean and John, then Sam, Dean and Bobby, then Sam, Dean and Ruby, then Sam, Dean and Cas, then Sam, Dean and Mary, then Sam, Dean and Jack. It’s broken in seasons 13-15 when Cas comes back and they have a family of four, and then five when Mary can stand to see her boys.

But the Winchesters are not the only fambily in Supernatural who matter. In season two, we’re introduced to the Harvelles, mother Ellen and daughter Jo, who are a hunting fambily who run a hunter pub in the middle of whoop whoop. A pub that Eric Kripke famously hated, and rejoiced when he burnt it down at the end of season 2, because the Winchesters and by extension everyone they know aren’t allowed to have anything good ever. It’s revealed in season two episode “No Exit” that John got Jo’s father killed on a hunt, which obviously affects Jo more than it does Sam and Dean.

[Editing note:] Okay I’m editing this episode, and I’m not happy with it. I’m not going to scrap it completely because I think I do have good points to say, but the general analysis of this episode is so surface level. It is basically contributing nothing to the conversation. And I started this podcast in order to actually contribute something to the culture. I could make a bunch of text posts on tumblr or I could spend hours and hours and hours and hours of my life to something that — I don’t know. Is it bringing me joy? Not at the moment. But, yeah. So I’m not going to scrap this episode completely but this is my way of saying from now on the episodes are going to take as much as they will take and I will commit myself to having deeper and more thoughtful analysis. And if I have to spend an entire episode on one aspect of one thing, I will. I could be at university right now studying a masters or a PhD in fucking literary analysis but instead I’m sitting on my bed making a Supernatural podcast because it brings me joy. It does. It really makes me happy and I don’t want to abandon this project, because people are listening to it. I don’t know why, I don’t know what you like it about it, but you’re listening. And I just think I owe it to myself to make things that I support 100%. So I’ll continue this episode and hopefully this rambling hasn’t put you off it completely. But from now on, I’m going to really, really talk about things that matter in regards to Supernatural… Kind of an oxymoron. Kind of a contradiction. But things that contribute to the cultural consciousness instead of just rehashing the road so far. That’s all I want to do. I want to contribute. I want to say good…ful things. Okay this is making me happy. It’s already working, it’s already making me happy. I’m just going to keep rambling and laughing. Okay so, more thoughtful analysis, deeper analysis. Things that make you think. Things that make me think. Instead of just a bunch of words that mean nothing. Okay, continuing on.

Okay to figure out which episode this was I had to watch a little bit of season two, and I’m still on my season 13 rewatch. The difference between the two seasons. I don’t know if I can even put into words the growth this show has gone through, and the characters have gone through, over the last 15 years. It would be like summarising my own growth by combing through my extensive diary collection and the years of societally- and governmentally-enforced heterosexuality that has plagued my entire life. Those boys are babies in season two. The bootcut jeans alone. Sam is literally 23 years old. I don’t even talk to 23 year olds. I block them on social media.

The Harvelles are a blip in the Winchester map. While the actors Samantha Ferris and Chad Lindberg did attempt to resuscitate their cultural currency months after the show ended by participating in an event — okay I can’t. I can’t even go into it. Like, clearly Samantha Ferris heard back from her representation as soon as she started posting those tweets and realised she wouldn’t continue to get money if she endorsed, well, the gays. And Chad Lindberg was just using the clout to push his Etsy wares like a 14th century merchant, so I gotta respect the hustle. But Jo and Ellen die in season 5 episode “Abandon All Hope” and are barely mentioned again except the episode Ash appears in, season 5 “Dark side of the moon,” Jo in season 7, “Defending Your Life,” and Ellen in the season 6 episode “My heart will go on.” They didn’t exactly leave what you would call a lasting impact for the next, you know, ten seasons.

To be honest, I’m not sure when it’s revealed that Bobby’s wife died after being possessed by a demon. It’s made clear in season 5 “Dead Men Don’t Wear Plaid,” and I did not have to look that up, because season four and five are burned into my retinas like a particularly nasty sun flare. Bobby outlines the horrific way he killed his wife, because why not throw some spousal violence into the mix, and later in season 7 “Death’s Door,” it elaborates on their life together. I saw this sentiment expressed on TikTok, which we all know as the foundation of cultural knowledge, which was that fambilies don’t need to be two parents and children. Fambilies can be spouses or partners. You don’t need to have children in order to be a fambily. I think that’s a very nice sentiment and I’ve chosen to adopt it for these purposes. Bobby and his wife Karen are a fambily. While Karen wants kids, Bobby chooses not to have them for fear of becoming like his father and repeating the trauma he inflicted on Bobby. Bobby and Karen’s fambily dynamic is ruptured in the same way that John and Mary’s is—by an intrusive, demonic force that brings Bobby into the hunting world and ends Karen’s life. But by the time we see him at the end of season 1, Bobby is already ingratiated into Sam and Dean’s lives as their surrogate father, and this bond only deepens as the show progresses. Bobby expresses the sentiment to Dean to not be like John, that Dean is already a better man that his father ever was. Isn’t that what we all want to hear? That we have superseded our parents and outgrown them in ways they could never comprehend? Don’t we just want to be better than the generations that came before us, in order to mould a better world for the generations that come after us? Don’t we want to make things easier for our children, and our friends’ children, and our siblings’ children? Dean is a better man than John, and Bobby is better man than his father ever was. It’s about breaking the cycles of intergenerational trauma. I have to believe that Sam, Dean and Bobby did this, because then it’s possible for me to do the same thing. Include here that speech about representation in media that I didn’t bother writing for the last episode. Bobby is the surrogate father to Sam and Dean, a better father than John was, a better hunter even. He crafts an entire network of hunters who report to him, as seen in the season 6 episode “Weekend at Bobby’s,” and he continues to act as Sam and Dean’s mentor until his death in season 7 “How to win friends and influence monsters”. An alternate universe version of Bobby is introduced in season 13, which I have my reservations about, and he and Mary get together, which again, why. Season 13 is so hard to sit through.

A fambily that is introduced late into the series and is simply NOT given enough screen time is the Banes fambily. In season 12, “Celebrating the life of Asa Fox,” we are introduced to the Banes twins, Max and Alicia, who are by far the most gorgeous hunters we’ve seen in the series. They are hunters raised by a witch, Tasha Banes, who doesn’t appear yet, and they manage to survive the trial by fire that is overcoming the demon Jael. Later in this season, in the episode “Twigs and Twane and Tasha Banes,” both of which are written by the late great Steve Yockey, we are introduced to Tasha in a way that seems awfully familiar: Alicia calls Sam to say their mother has gone missing on a hunt, and hasn’t checked in in a few days. By the end of the episode, Alicia and Tasha are dead, and Max has ostensibly sold his soul for the power to bring Alicia back. The Banes twins’ storyline directly parallels Sam and Dean’s from the pilot, but it’s a tragedy from the outset. We already know Tasha is dead and they can’t save her, however, like Dean does for Sam at the end of season 2, Max chooses to save Alicia at the expense of his own soul. Spin off when. Banes twins series when. I’m waiting. They were in two episodes and I’m still thinking about them. The Harvelles are dust.

In season 7, “Reading is Fundamental,” a waifish 17 year old honour’s student Kevin Tran breaks into a rehabilitation facility to steal a tablet. This starts a chain of events that ingratiates Kevin Tran in the apocalyptic, death-succumbing world of the Winchesters, starting with Dick Roman, head leviathan, and continuing, but not culminating, with his death at the hands of Gadreel, who was possessing Sam, it’s a whole thing. Any time you attempt to summarise anything on Supernatural, you sound like a lunatic. And I say that as someone who has a supernatural podcast, with an audience of only supernatural fans. We are lunatics, but we’re lunatics together. Kevin’s arc was cut way too short, but we at least got to see him with his momma Linda in the beginnings of season 8 with the unfortunately named episode “What’s up, Tiger Mommy?” It introduces Linda Tran as a capable and worldly woman, hell bent on protecting her son. She offers up her soul among other things in exchange for Kevin and the tablet with him. During the episode, she is possessed by Crowley, and Dean attempts to kill him, which would mean killing Linda as well. Kevin considers this the ultimate betrayal and leaves with his mum. Later in season 9 episode “Captives,” Linda is reintroduced as a captive of Crowley, who escapes with Sam’s help. Back at the bunker, she reunites with Kevin, who is now, thanks to the Winchesters’ incompetence, a ghost 👻. My macbook keeps suggesting little emojis in the smart bar so I just gotta put ‘em in. That’s the last we see of Linda, so I’m drawing my own conclusions about whether she gets to live a long and happy life. Kevin is a fan favourite and despite my reservations about Osric Chau which I will not get into like ever I really like Kevin too. He outsmarts Crowley many times and shows remarkable tenacity to get an impossible job done. His desire to see his mum again, the driving force behind his actions, mirrors Dean’s desperation to have his fambily together again like they used to be. I would call this a parallel but I don’t believe they purposefully did this, I just think they accidentally rehashed the same tired storyline they’ve been peddling since 2005. But yeah, if I was Kevin and all I had was my mum, seeing her again would be the driving force for my actions as well. Kevin’s father is never mentioned, and it honestly isn’t a big deal, which is great. Sometimes fathers are just absent, and you don’t need throw a hissy fit about it or make it your entire personality, Dean.

Missouri Moseley, played by the inimitable Loretta Devine, is introduced in the first season, episode “Home,” in which she helps out on a case involving Sam and Dean’s childhood house. We find out that Missouri is a long-time friend of John’s and helped him to understand that supernatural forces were behind Mary’s death. She is Sam and Dean’s first point of entry into the world of the Supernatural, and they didn’t know it until they meet her in “Home”. In season 13 episode “Patience,” another layer to Missouri’s character is added with the advent of her family: estranged son James and granddaughter Patience Turner, who is also a psychic. We get a lot of backstory for Missouri in this episode, even if it is sloppily written and contradictory to the way they initially set her up. If Missouri and James had been travelling when he was a child, why was she stationed in Lawrence in both 1983 and 2005? What did he mean that Missouri was hunting? I can’t be bothered unpacking the confusing bits of information presented in this episode. It’s not a good episode and I really don’t see why everyone goes apeshit for Bobo Berens. He kills Missouri in this episode, in a really horrible way. Like the history of Supernatural’s racism and misogyny should not be dumped on one man, but nor should it be perpetuated and it is continually throughout the entire show. Confusing, contradictory and badly written backstory aside, she is an interesting character, and her willingness to sacrifice herself to save her family echoes that of Mary in “Home”. I’m actually really mad that Patience never gets to have a relationship with Missouri, and later in season 13 episode “The Bad Place,” Patience’s father tells her that if she leaves to help The Winchesters and uses her psychic abilities, she’s not welcome back in his house. To me that’s just unnecessary. We have a family that has already been ruptured by the death of Patience’s mother, further ruptured by Patience’s father cutting off contact with Missouri, and then to go a step further he disintegrates their family unit by kicking Patience out. Like how much loss do the Moseley-Turners have to endure? It’s really just cruel at this point. But Patience does find family with Jodie, Donna, Claire, Alex and eventually Kaia, and while I love the concept of found family and this found family in particular, it comes at the expense of biological family, which is something that the show has pushed from the very first episode. So that’s evolution in itself. Going from “fambily is the most important thing to these characters” to “found fambily is where we find love” is great, but ripping apart a biological fambily like the Moseley-Turners, and indeed starting the episode by saying Missouri has been shunted out of her son and granddaughter’s lives for trying to bring her son comfort, is just fucked. Like, I couldn’t name a single Bobo episode that I actually like without having to comb through them. I’m trying really hard not to shit all over him because as a writer I know how much that sucks and I know how hard is it for any marginalised writers to get a start, but I’m allowed to have my vendettas.

If you’ve watched the “Runs In The Family” angels MV from 2010, and only if you’ve watched the “Runs In The Family” angels MV from 2010, you will understand just how jacked up the angel family really is. The angelic counterpoint to Sam and Dean are the archangels Lucifer and Michael. We are introduced to two different versions of Michael—one in season 5, who possesses their dad in 1979 and their brother Adam in 2010—my god that was literally over a decade ago—and Apocalypse World Michael, played by four different actors: Felisha Terrell, Christian Keyes, Jensen Ackles, and Ruth Connell, who plays Rowena. I don’t know what in the hell Jensen Ackles was doing performance-wise when playing Michael, but I consider it a federal crime akin to drug trafficking or money laundering. As for Christian Keyes playing Michael, Andrew Dabb, you know what you did and you’re going to have to live with that.

In season 5, during the apocalypse, Michael and Lucifer only interact in the last episode, “Swan Song,” but the entire season is built around their conflict. Lucifer disobeyed their father, and Michael as God’s most powerful weapon must defeat him. It’s meant to mirror Sam’s descent into, uhhhh, badness or something, disobeying John to run away to Stanford, or, like, drinking demon blood? It’s unclear. Lucifer and Apocalypse World Michael interact in season 13, and Michael kills Lucifer only to take over Dean’s body and start a season-long arc of, like, bad acting and barely thought-out plots. I would say to Jensen Ackles “don’t quit your day job,” but this is literally his day job.

The angels as they’re introduced in season 4 are warriors of god, and all they know is obedience and killing. Even Cas can’t break out of the cycle of killing his angel siblings, and often justifies it by saying that it’s for the greater good, that he needs to do it to take down a stronger force like Raphael or Metatron. Anna manages to break free of her family by falling and becoming human, but when Cas betrays her and the angels capture her, she is lobotomised, tortured and sent back out to kill Sam. Then she’s burned to a crisp by Michael possessing John, not the last time a woman would burn to death on this show. The angels are dysfunctional at best, and actively hostile to each other, especially Castiel, the infamous spanner in the works. I could write an entire academic paper about how the angels think of Castiel as this rebel slut who murdered his way to the top and is going to be the downfall of angel kind, but Dean thinks of him as this little nerdy guy with a harp he carries around in his back pocket. Which honestly Cas would love because he’s obsessed with Dean and wants to touch his butt. I don’t know what else I can say about the angels without turning this into a dissertation, so I’ll continue on.

While all seasons of the show are about family, season six is especially about matrilineal family. It introduces the concept of the mother of monsters—Eve—and focuses on Mary as a solution to the loneliness the characters feel after her death. Samuel Campbell, Mary’s father, is brought back to life and manipulated by the promise of seeing his daughter again. He asks Sam and Dean what they wouldn’t do to see Mary again, which is kind of the general thesis of the show. What wouldn’t John, Dean and Sam do for each other? Dean sells his soul. John makes a deal with the demon who killed Mary. Sam teams up with Ruby to kill Lilith in revenge, which begins as a suicide mission because he doesn’t know how to handle his grief for Dean. The difference is that Samuel betrays Sam and Dean, his own grandchildren, for the promise of seeing Mary again. This cardinal sin alienates him from being a good guy, because good guys never betray Sam and Dean. Sam and Dean are our protagonists! Our heroes! The bringers of the light! The knights in shining armour! The white on rice. The cherry in cherry pie. They are the ones we’re meant to align ourselves with, because it’s their story the narrative is telling. And anyone who doesn’t align themselves with the Winchesters is an enemy who needs to be defeated.

We’re introduced to the character of Gwen in the first episode of season 6, “Exile on Main Street”, and she says in the episode “Family Matters” that Samuel, the patriarch, doesn’t like her very much because she reminds him of Mary. While Samuel, Christian, Gwen and co are technically family, Dean has no connection to them past bloodlines. And as I said before, while family doesn’t end in blood, we learn throughout this season that blood doesn’t always mean family. Gwen dies in the episode “And Then There Were None,” because of course she does, and Mary doesn’t come back, at least not in this season.

In “Family Matters,” the alpha vampire, played by the irreplaceable Rick Worthy, mentions that “we all have our mothers,” referring to Eve, the mother of monsters, the one who spawned every other monster and who has been trapped in purgatory ever since. Eve is pulled from Purgatory to wage war against the hunters and Crowley because they have been preying on her first borns, the alphas. I love Eve. I love her. She’s my favourite villain after Metatron. Mainly because I think she is like… sexy as hell. Like wow I am just so attracted to Julia Maxwell and this, like, bored smokey affect thing she does where she barely moves her mouth when she speaks and her strong brow makes her seem so intimidating. I don’t know anything about her personally, but I feel like she would’ve bullied me in high school, and I’m into it. It’s really hard to judge just from this one role whether she’s a good actor because Eve has such limited range and few things to do, but I really wish she’d gotten more screen time. Yeah, she’s doing the bare minimum and I’m completely obsessed. But Eve isn’t just a monster, she’s literally THEE milf. The original milf. And I really think she should’ve stayed around, but since they kept Lisa alive they had to kill at least one high profile woman.

Continuing with the family storylines in season 6, Dean tries to establish a family with Lisa and Ben, and for the most part succeeds. He gets a job, plays the role of the doting boyfriend and stepfather, and protects them as best he can. I’m going to spare you the rant perched at the tip of my tongue about how this is at best a lavender marriage or staying together for the kid, and that Lisa only exists to be an ideal for Dean, not an actual partner he can grow with throughout the rest of the show. It’s his first attempt at a fambily outside of Sam, Bobby and John, and it fails miserably because Lisa isn’t a good match. The fact is, she will never be able to fit into the hunting world because of the way the writers wrote her—as mother and girlfriend archetype, and we’ve seen how well they do with those—in fact they actively paralleled it in “Exile on Main Street” where they had Dean hallucinate Azazel coming back and pinning Lisa to the ceiling. It couldn’t be more obvious that they don’t respect her. At least they didn’t fridge her for Dean’s man pain. It’s honestly horrible because Dean put so much effort into believing this was his one chance at happiness, and when it crumbles like a tim tam in hot tea he beats himself up for it and uses it as an excuse to never be happy.

He does seem to be happy for the most part with Lisa, but because Sera Gamble doesn’t know how to write interesting or complex female characters, when Sam reenters the picture it once again becomes about the original premise: two brothers on the road, fighting the forces of evil. There’s no room for any women in that sphere. Up until this point I think—correct me if I’m wrong—there has been one female hunter who survived, and she was in one episode. The hunter Tamara in season 3 “The Magnificent Seven,” whose husband died in maybe the most sadistic way anyone has died on this show. Don’t rewatch it, just google it. All women die, including Mary, their mother, who is brought back in season 12 and killed in season 14. AND FOR WHAT? For WHAT Andrew Dabb.

Often, the loss of a parent, child or significant other is used to excuse bad behaviour and terrible choices. The hunting life causes Mary’s whole family to die before she can escape it, and because she makes a deal with Azazel for John’s life, the same demon John makes a deal with, Azazel kills her anyway. John abused his kids and brought them into the hunting life, because he was obsessed with getting revenge for Mary’s death. Sam does the same thing when Jess dies in the first season, and it starts a 15-season long arc of pain and misery. He sets Lucifer free in the season four because he is obsessed with getting revenge for Dean’s death and obsessed with the power drinking demon blood gives him. Then again, Sam is actually right for saving people by exorcising demons, which is literally the first part of the family business motto, instead of just gutting them with the demon knife, but because Dean doesn’t agree with it, it’s bad. Sam always wants to do the right thing, he just gets a little caught up in the details. But you know what? Bloodfreak rights.

When Cas dies in season 13, Dean is so overcome with grief, a grief that echoes John and Sam’s, that he mistreats Jack and threatens to kill him. In season 14, Nick, Lucifer’s vessel, boo snore hiss, kills everyone involved with the murder of his wife and child before he finds out that it’s actually Lucifer’s doing, and then he tries to raise Lucifer from the empty because he’s addicted to killing? Whatever, stop employing Mark Pellegrino. Stop writing men as obsessed with getting revenge

The biological fambilies in Supernatural suck shit. Honestly every time I watch an episode about fambily I’m even more glad I don’t talk to mine. Dean and Sam need to spend some time away from each other, while they’re both still alive. Their fambily dynamic gets better as the show progresses, and I was pleased to see in season 12 that they do away with the codependency, constantly sacrificing themselves for each other, isolating themselves, betraying everyone they know for each other—they started to act like, you know, normal people. And that’s good. Sure, the show would not be anywhere without John sacrificing himself for Dean, and Dean sacrificing himself for Sam, and honestly that’s what made those first few seasons amazing. But after a while it becomes lazy writing, not parallels. A parallel that Supernatural pulled off is Sam comforting Magda in season 12 episode “The Survivor” in the way he needed to be comforted in season 1 and 2 as a psychic child. A parallel is Dean preparing Cas’s body for cremation in season 13 in counterpoint to the way Cas remade Dean’s body in season 4. This show can absolutely do parallels, some of the most beautiful parallels ever put on screen, but the last season was such lazy writing that I cannot forgive it.

This has been an overall negative episode of Holy Hell, and that sucks. I don’t want to be so negative. I want to talk about the good things that Supernatural did, and share in joy with you all, so now I’m going to talk about the only positive I see with fambily in the entire show.

For Dean, everyone older than him is a parent to disappoint, and everyone younger than him is a little sibling to protect. Cas is the exception, as there’s no way to define Dean and Cas’s relationship without acknowledging the reciprocal romantic ways they care about each other. Dean says on multiple occasions that Cas is like a brother to him, and that he’s Sam and Dean’s best friend. He actually drops the line, “After Sam and Bobby, you are the closest thing I have to family,” on Cas in season 6, and he acts like it’s nothing, but you can see in the expression on Cas’s face that Dean just recontextualised the entirety of Cas’s being in one sentence. Cas falls for Dean, gives up his family for Dean, and decides to follow him in the first act of free will we see on screen. And Dean, who has never known love without pain, says to Cas, you are fambily to me, I actively choose you, you belong in my life. But to belong in Dean’s life is to follow his plan, and when Cas doesn’t, he is punished for his hubris. Dean loves him, and he never even admits it.

Charlie becomes like a little sister to Dean, as does Jo. Jack is unequivocally Cas’s son, but becomes something of Dean’s son as well and some would argue Sam’s son. Claire becomes Cas’s daughter, but imprints so much on Dean that many, myself included, have come to consider Dean her father as well. If you subscribe to the idea that Dean and Cas are old marrieds, Dean would be Claire and Jack’s stepfather, and they would be a nuclear fambily all on their own. In season 14 “Lebanon,” when John says to Dean that he thought Dean would have settled down with a fambily, Dean says, “I have a fambily.” Just thinking about it gives me goosebumps.

Cas chooses to be a part of Claire’s life in season 10 “The Things We Left Behind” because he feels guilty about what happened to her after he possessed Jimmy, but after getting to know Claire he cares for her. The crime that is Claire and Cas not interacting after season 10, my god. That’s his daughter, you ghouls. But Claire and Dean do get more moments together. Dean, Sam and some British guy save Claire from turning into a werewolf, and Claire and the rest of the Wayward Sisters save Sam and Dean from the Bad Place. The Wayward Sisters are a found fambily all on their own, and since I could devote an entire episode to Jody’s little brood, I have chosen not to talk about them much, because this episode is at least half an hour, 34 minutes, and it would take up too much of my time. Claire is one of my favourite characters and I’ll be talking about her in the next ep, so stay tuned for that.

Even before Jack is born, Cas becomes his protector. He goes from trying to convince Kelly to end her and Jack’s life, to being her pseudo-husband and the surrogate father to her child. To me personally, it’s the best thing this show has ever done. Cas, Kelly and Jack love each other in a way that is so wholly uncomplicated, that is so pure and so good. Once Cas becomes Jack’s protector, there’s never any question of whether they would hurt or betray each other. He is Cas’s son, his baby boy, and he loves Cas so much that he resurrects Cas from the empty. When they meet for the first time in season 13 “Tombstone” after Cas comes back, they fit into each other’s lives so easily. This is the part in writing this where I was absolutely sobbing my dick off. There are so many moments between them that show the kind of love that each of these characters deserved. Sam and Dean deserve to have that love from their father, and so does Cas. And together they build a family unit around caring for Jack that does indeed end the intergenerational trauma that plagues the Winchester fambily.

And that’s why season 16 is so important to me. I can make things better. Dean sorts his shit out, all of his shit: his alcoholism, depression, ADHD, borderline personality disorder, suicidal ideation, sexuality, gender, the fact that Cas is literally the love of his life and he gets to save him from the Empty the way Cas saved him from Hell. They plant flowers in the field where Dean spread Cas’s ashes in season 13, and they get married at Jody’s cabin with all their loved ones left alive. Claire walks Cas down the aisle and Jack is the flower girl, because he’s literally a three year old baby. Sam and Eileen raise a bunch of rugrats and the Wayward fambily continue the hunting legacy and have a Sunday afternoon roast every week. Dean and Cas raise Jack right, they cut up oranges for soccer practice and watch all his school plays. He and his cousins grow up knowing what it’s like not only to be loved, but to be looked after, to have all their needs met. They grow up normal, and the trauma that plagued their family is a thing of the past. It’s good, you know? It’s just fucking good.

#transcripts #episodes #supernatural #spn

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holyhellpod · 3 years

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Heyoooo, it’s another episode of Holy Hell! This one is dedicated to the manchild himself, Dean Winchester.

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Transcript below!

CW: discussions of child abuse, child death, suicide, alcoholism, family trauma, mental health

[Music]

Dean Winchester is, in a word, my soulmate. I started kinning him when the show aired in Australia on Fox8 and I have not been the same since. From his devil-may-care attitude to his undying love for his family that pierces the veil of death to save the day, he really is the most. I have to say at the beginning that this episode of Holy Hell will not include discussions of Dean’s sexuality and gender. I’m saving that for its own episode, so stay tuned my pals.

What we know of Dean as he develops over the course of the first episode is: he’s been hunting, and hunting alone, he’s 26 years old, he drives a sweet ‘67 Impala, he wears an old leather jacket, he listens to 1980s metal, and he has an arsenal of weapons and supernatural fighting talismans in his trunk. He’s also a smartarse, one of his most endearing qualities. He gets defensive about their mother and her death, and he defends their father over and over. He’s a loyal son and brother. The impetus to bring Sam back into the hunting life, after Sam decided for good that he was going to leave, is to bring his fambily back together.

The quality that defines Dean Winchester is how much he loves he loves his fambily. In the first episode, he is so worried about his father that he recruits Sam to help look for him, even though Sam and Dean haven’t spoken in two years, and Sam ran away to college rather than continue to live with their father. He spends most of the first season defending their father, but when John comes back and starts arguing with Sam, Dean protects his brother from John. It’s one of the most significant examples of character growth Dean undergoes throughout the entire series, and it’s where his loyalty shifts from John to Sam.

In the episode of season 2, “Croatoan,” Dean decides not to shoot Sam when Sam contracts the Croatoan virus which turns people rabid and makes them kill. In the next episode, “Hunted”, Dean reveals that John told him to kill Sam if Dean couldn’t save him. But Dean doesn’t. He says that John begged Dean not to tell Sam, but it’s not John’s words that keep Dean silent. It’s his love for Sam and Sam’s wellbeing. And this brotherly love slash codependency is used by characters throughout the entire series, from the demons in season 1 to the literal character of God in season 15, to manipulate Dean and Sam. As many characters have pointed out, including Dean and Sam themselves, they are each other’s weak points.

At the end of season two, when Sam dies from a stab wound in his spine, Dean trades his own life for Sam’s. He makes a deal with a crossroads demon—his soul for Sam’s life—and subsequently dies and goes to hell at the end of season 3. Dean literally dies a gruesome death and spends forty years being tortured in hell because he couldn’t live without Sam. At the end of Season 8, Sam is dying from the effects of the trials, which he undergoes in order to close the gates of hell, and Dean convinces him to stop because, again, he can’t live without Sam. Sidenote: this is where I stopped being interested in their brotherly dynamic to the point of losing interest in the show. It became clear to me that the showrunners were more concerned with rehashing the same tired storylines between Sam and Dean than focus on characters who could expand the world and make the show better. In fact, they killed a lot of the interesting side characters in order to keep the show solely focused on the brothers. The exception to this is Castiel, and the reason they kept Cas around is because when he died in season 7 the ratings tanked. If that wasn’t a clear enough sign that the showrunners needed to open up the show to more than just Sam and Dean’s caustic dynamic in which they die and kill for and then betray and lie to each other over and over, then I just don’t know what the fans could have done to convince them. Nothing, apparently, because they ended the show with just Sam and Dean.

Dean’s relationship with John is fraught with insecurity and codependency. Dean has so little sense of self that what he does consider to be his carefully curated list of likes and dislikes were inherited directly from John: his car, his leather jacket, his hunting abilities, and his music taste. He also throws himself into hunts without any regard for his own safety, because he doesn’t believe that he is worth saving, or that his life is worth living. His personality is crafted from both John’s reliance on him as a son, hunter and partner in crime, and the woman he assumes Mary to be. Dean’s sense of self-worth relies on how many people he can save. This is why, in season 2 episode “What is and what should never be,” Dean’s dream reality is one in which he’s a low life loser who disappoints his family—because without John pushing him to be a hunter, Dean doesn’t save people, and because he doesn’t save people, he isn’t worth anything. Bear in mind that this is the best reality Dean’s mind could conjure for him: one in which his father is dead, and he himself is not worth saving.

In one of the most famous exchanges, he asks Cas why an angel would rescue him from hell, and Cas replies, “What’s the matter? You don’t think you deserve to be saved.” Twenty-nine years of bluster, insouciance, and a give-em-hell attitude crumbles in two sentences, wrought by a being Dean refuses to believe exists because, again, he doesn’t think that he deserves to be saved by them. He says, “[Why me? I don’t like getting singled out at birthday parties, let alone by God].” He thinks of himself so lowly that he accepted a one-year deal in exchange for Sam being alive. Dean cares so much about his family he lets it kill him.

But it’s not just Sam, Mary and John. Dean’s family grows to encompass a number of side characters: most notably Bobby their surrogate father, Charlie Bradbury the hacker, Claire Novak, Jack Kline, and Lisa and Ben Braeden. Even Mary makes another appearance in seasons 12 to 14. Unfortunately, because the show is the way it is, Dean puts Sam above all of these side characters, and then these characters are written out of the show. I should specify that Cas is not a side character; in most seasons, Misha Collins is billed as a main cast member, with his name appearing after Jensen Ackles in the credits. But he still dies in the third-last episode in order to have the show stay about the brothers. Even Jack, inarguably Cas and Dean’s son, is written out of the show in the second-last episode after dying multiple times. I say inarguably because I am not gonna argue with anyone about this. Claire and Jack are Dean and Cas’s kids. Dean and Cas are great parents who chaperone Jack’s prom and buy Claire her first hunting bow. They’re all one big happy, queer, neurodivergent family.

Dean loves the people in his life with reckless abandon. The times he’s excused Cas’s behaviour after Cas has done something ridiculous or foolish are too many to count. He grieves Cas’s multiple deaths, often succumbing to his alcoholism and entropy whenever Cas leaves him for more than a day. In a truly beautiful scene, Dean wraps Cas’s corpse in a curtain and watches, utterly and completely devastated, as his body burns. By this point, they have done so much for each other that it’s impossible to even envision the show without Cas, and indeed imagine Dean without his love for Cas. And we don’t have to for very long, as he always comes back a few episodes later. Even knowing this, the episodes where Dean mourns Cas are so heartbreaking and haunting that I cried for days after watching them.

Dean is great with kids, and every time he’s not is completely the fault of whoever is writing him in any given episode. We see him bonding with Lisa’s son Ben in season 3 and 6, Jesse in the season 5 episode “I Believe The Children Are Our Future,” and Lucas in the season one episode “Dead in the water”. With every child he meets, Dean gets on their level, empathising with them in a way most adults can’t. Like Claire and Jack, Dean has a complicated relationship with his father, who dies in the beginning of season 2 after bargaining his soul for Dean’s life to the demon that took their mother. Just like anyone else’s life, right? Must be Tuesday. This means Dean can relate to most children with traumatic backgrounds involving their parents, as a victim of parental abuse and having his mother die at age 4. I can’t find any sources to back this up, but a theory that rolled around in fandom was that Dean became mute after Mary died, which is what happens to Lucas after his father drowns. He says in “Dead In the Water” that he loves kids, and it’s true. As one tumblr user put it, Dean wanted to be baby trapped.

Dean carries the deaths and pain of his loved ones with him like Atlas carrying the world on his shoulders. When Claire is bitten by a werewolf, the characters administer blood of the sire wolf that bit her in order to cure her of her lycanthropy. Dean has to leave the room while she’s in pain, because he can’t bear to watch her die. The same goes for when Jack dies. Thankfully, Claire lives and Jack comes back a few episodes later.

When thinking about Dean being a father, I’m reminded of that scene from Scrubs when Dr Cox says he’s worried about being a father because his own dad was an abusive alcoholic. The difference between Dr Cox and Dean is that Dean doesn’t have his reservations about raising kids. He fits into Lisa and Ben’s life easily, at least for the first year, and we see a montage which includes him teaching Ben how to fix cars. When Claire lets her guard down enough to hug Dean, he hugs back just as hard. When he finally deals with the trauma of Cas dying in season 13, he accepts Jack into his life, and even grieves Jack when he dies. Dean escapes the intergenerational trauma that plagues his family by being a fantastic dad to the random kids who happen into his life by chance. He was born to be a father, and the fact that this show took that away from him and us as the audience makes me want to kick the showrunners into the sun.

Until season 6, Dean’s family only included men. The concept of the nuclear family—two sons, a husband and a wife—was ripped apart in the prologue of the first episode when Mary dies. Dean doesn’t know family for the first 5 seasons of the show outside Sam, John, Cas and Bobby. I do consider Ellen and Jo to be important to the story, but they’re only in a handful of episodes and die in season 5 for a reason that is plainly ridiculous. Did the Winchesters have to lose every single person in their lives to the fight? Clearly Kripke thought they were going to be cancelled after the fifth season, because it shows. And honestly? Maybe they should have. Let’s retroactively cancel the whole show. It can’t hold power over us anymore, because it’s dead and we cremated it.

But when Dean moves in with Lisa and Ben, he discovers a new type of family he didn’t have before, and new family dynamics. Instead of the 28-year-old son that Sam is to him, he takes the opportunity to teach Ben about cars and spend time with him and Lisa without the need to hunt. He gets a job, he makes some friends, and he lives the safe, apple pie life he begrudged Sam for in the pilot episode. It’s only when Sam reappears in his life that Dean’s codependency strikes again and he realises that he can’t live half in the normal world with Lisa and Ben and half in the hunting world with Sam. Sam says this himself in the first episode of Season 6, “Exile On Main Street”. Despite the ways Dean tried to settle down throughout the rest of the 9 seasons, the showrunners ultimately decided a man who was healing from trauma and alcoholism, who had adopted two kids as his own, and was learning how to bake cakes for his son’s birthday, deserved to die at the ripe age of 40, a week or so after he’d learned that his best friend was in love with him. You gotta laugh. Instead of getting the ending both Dean and we deserved—which was Dean settling down, opening a bar, and living the next forty years in relative gay peace while he got fat and watched Cheers reruns—well, we got something else. And I will always be bitter about that.

While it’s clear from the first season that he has reckless and suicidal tendencies, he doesn’t stop fighting to the bitter end. Even when faced with his own impending death in the season 2 premiere, “In my time of dying,” he fights to stay alive for Sam and John, while working the mystery that is overcoming his own death. Devastated as he is by Sam diving into hell at the end of season 5 and seemingly gone for good, Dean still gets up everyday and makes a life for himself in Lisa’s home. While season 6 was overall a bummer of a season, just god-awful in every aspect, saved from my complete vitriol only by “The French Mistake,” it did show us how great a dad Dean can be, and readied us for what was to come—being Claire and Jack’s dad. The lengths he goes to for his family are immense and all-consuming. As Cas says in “Despair”, Dean is a being of love. He loves everyone else, even when he can’t find it in him to love himself. He really thinks that he’s just a killer, not a father or a husband.

I’ve never subscribed to the idea that we have to love ourselves before we can love anyone else, or before anyone else can love us. Sorry Rupaul, you old bitch. We are all deserving of love, because love sustains us and helps us grow. And when we don’t know how to, it’s through loving others that we can learn to love ourselves. If Dean knew what a great father and friend and husband and brother he is, if he could see himself the way others, in the show and out of it, see him, I think he’d burst. You don’t like getting singled out at birthday parties? Well tough shit, Dean Winchester, because I’m gonna devote an entire podcast to you.

I talked about Dean’s carefully curated list of likes and dislikes before but I’ll go into more detail now. Things he likes: guns; rock and roll; nice cars; women; fighting; scamming people at pool; back alley blowjobs, probably; pie; driving across the country; Ozzy concerts; cowboy movies; being in control of every little thing in his life. His dislikes are: flying on planes; hair metal; angels and demons; anyone who harms his brother, his best friend or his kids; boredom; and being jerked around.

Okay I literally cannot talk about the cowboy movies without mentioning that he makes Cas watch them with him, in his Deancave, and the implications of that make my head roll off my body and into the dirt. Like they literally have gay little movie nights and watch their gay little cowboy movies together and Dean says all the gay little lines. I said I wasn’t going to talk about his sexuality, but mentioning cowboy movies leads to Cas wearing a cowboy hat and saying “I’m your Huckleberry.” This makes me insane. Excuse me, I must have my daily scream.

Okay, I’ve collected myself. Have I? Let’s just move on. In the Winchester tradition of inherited family trauma, Dean gets all of John’s interests, and Sam gets all of John’s mistakes. Dean’s personality throughout the show is basically quippy remarks, pop culture references, laughing with food in his mouth, and grouchiness. In case you haven’t realised, he is amazing to me. Every time he fires a rifle or pistol? Couldn’t be better. Eating a burger made of out donuts? Fucking incredible. Even when faced with beings with untold power, he doesn’t lose his cool. One of my favourite exchanges is when Zachariah comes to Chuck’s house in the first episode of season 5, “Sympathy For The Devil,” and starts soliloquising at him, Dean tells him to “cram it with walnuts, ugly.” Cram it with walnuts, ugly. It’s been ten years and that still makes me laugh. Top ten Dean lines for sure. Like all of my main characters throughout the years of writing original fiction are just “Dean Winchester but girl,” and I’m a good writer, but I can never come close to the level of hilarity that he achieves. And every single writer on the show seems to get that. The only times I can think of where Dean’s characterisation has irked me on a writing level are in season 6—basically the entire thing—and the way he treats Jack in the later seasons, specifically late season 15. But it’s really rare for me to watch an episode and not enjoy Dean. Even throughout the Mark Of Cain era, which I loved, when things were very serious, he had such style and panache and held himself so confidently that I was like, wait maybe he made some points? Maybe he should kill everyone?

Dean is a hunter and a killer, but that’s not all he is. He’s very skilled in hand to hand combat, weaponry, and tactical manoeuvres. Even when something doesn’t go exactly to plan, he’s usually able to improvise something to end up with a win. Because he is the main character, his choices and reactions, while sometimes extremely problematic, are never questioned, and that’s to his detriment. In the last episode of season 14, “Moriah,” Dean is unable to kill Jack, but in early season 15, he treats Jack’s betrayal as Cas’s fault, because he can’t take it out on Jack. Cas leaves, but it’s framed as a good thing because Cas is Jack’s father, and has to take responsibility for what Jack has done. In this instance, I don’t blame Cas at all. Okay I rarely blame Cas for anything, including the things he’s done wrong, because no he didn’t and you can’t prove it. But he especially didn’t do anything wrong when Jack killed Mary, and he didn’t do anything wrong by killing Belphagor. But by the middle of the season, in the episode “The Trap,” Dean admits his wrongdoing in taking his anger out on Cas, one of the only people who loves him without conditions. You’d think this would be a defining moment of character progression, but then Dean chooses to act exactly the same way by throwing Jack under the bus. Like, throwing him harder, under a bigger bus. So what was the point.

Anyway, those are choices the writers made, and not Dean.

Going back to what I was saying about being neurodivergent, Dean has adhd. I know this because I have adhd, and I’m Dean-coded. He’s wildly creative, impulsive, has a touch of OCD, and he has a hard time making long-lasting friends, although this is mostly due to how all his friends die. His best friend is an autistic angel and the only reason they’re still friends is because they’re obsessed with each other, in like a really unhealthy way. One of the funny things about his and Cas’s relationship is that every time you see them in the same shot, Cas is standing perfectly still and Dean is constantly moving. They are almost complete opposites, aside from their queerness and neurodivergence. But then, I haven’t met a single queer person in my entire life who isn’t neurodivergent or disabled in some way. That doesn’t mean we can’t live perfectly functional and normal lives, it just means we’re better than everyone else.

Dean also exhibits black and white thinking—to him all felons are redeemable and all monsters should be killed. Felons are redeemable because he himself is a felon, and monsters should be killed because they all do monstrous things. When faced with the possibility of angels being real, he refuses to believe it for the first two episodes, because, as he says, “he’s never seen one.” Eventually he learns how to see in shades of grey and not kill every monster he meets, but this is because of his time in purgatory with Benny, his Cajun vampire boyfriend.

Another sign of Dean’s ADHD is physical sensitivity. In the season one episode “Bugs,” he comments on the shower’s water pressure. Like it’s a big deal to him, when he’s only ever used 1-star motel room showers. In the later seasons, he’s also seen to wear a fluffy robe and soft pajamas with hotdogs on them and socks that say “Send Noods” but noods spelt like noodles. And so he should! Dean deserves comfort! He’s a special boy.

ADHDers often have problems with executive function—remembering appointments, cleaning up after ourselves, showering, eating, even going to the toilet when we need to pee. The hunting life excludes Dean from the normal functions of usual life, such as dentist appointments, dropping the kids off at school, meal prepping for the week, or turning up to a job on time. These were only factors in Dean’s life during the gap between seasons 5 and 6 when he lived with Lisa and Ben, and it’s not shown how his executive dysfunction impacted his suburban, settled life, but Lisa does mention that Dean drinks a lot. It’s another thing he inherited from John, much as I did my alcoholism from my father, and my adhd too. But Sam doesn’t drink to excess more than a handful of times over the entire 15 seasons, whereas Dean subsists on alcohol to get through the day. At one point in season 11, I’m pretty sure, don’t fact check me, he is shown to be drinking a beer at about 10 in the morning, because, as he says to Sam, “You drank all the coffee. What do you want me to do? Drink water?” Dean your liver must be quaking.

Excess is a common problem for people with ADHD. We have problems with limiting ourselves—because our dopamine machine broke, anything that gives us a little bit of high—such as sugar, sex, alcohol, stimulants, any kind of food that is bad for us but tastes real good—we usually have it in excess because we can’t help ourselves. In the season 4 episode “It’s the Great Pumpkin, Sam Winchester,” Dean eats the entirety of the candy in the Impala. The only reasons I don’t eat everything in my fridge every day is because, one, I don’t have the money, and two, it’s all ingredients I have to prepare and not ready-made food. Whereas Dean has only known fast food for the first 10 or so seasons until he starts cooking and baking and settling into domesticity. Like anyone who gets UberEats every day instead of cooking for themselves knows how expensive that is. He also engages in meaningless sex, although people have pointed that Sam actually gets more on screen action than Dean. But I know a lot of amab people who engage in casual sex with randos because it satisfies a base need. Dean could be classified as hypersexual in some regards, but I know what hypersexuality feels like and it’s like this overwhelming miasma where you can’t think about anything except how horny you are, and I don’t think Dean has that normally. Maybe when he was a demon in season 10, but generally I think he can control himself.

His settled life in the men of letters Bunker is a far cry from his flashbacks in season 8 to Purgatory. From what we know of purgatory, the land of gods and monsters, it was a year-long monster hunt, but without any of the boring paperwork. Dean got to fight and kill as many vampires, ghouls, leviathan, etc as came his way, which is why it’s absolutely ridiculous that he died by rebar in a vampire fight. He spent an entire year spilling blood and chopping off heads, day and night, and he dies by metal bar to the spine? And he’s not even coughing up blood? Andrew Dabb, I’m coming for you. Of course purgatory is the perfect place for Dean because it’s constant adrenaline, constant excitement, constant stimulation, which is what every day life lacks. Even Dean’s every day life is like, 20% monster killing and the rest is leg work. They go weeks or months between cases, and sometimes don’t find the monster at all. So I’m not surprised he gets bored easily and drinks. Would if I could too, my pal.

Which leads me onto Dwelling. Dean dwells on the horrors of his life in a way I do and my carefree older brothers don’t. In the season 4 episode “Heaven and Hell,” he reveals to Sam that he remembers his entire forty years in hell, and there are flashes of his memory littered throughout the season in creepy, split-second increments. He dwells on the people who die, doing his thousand-yard stare into the funeral pyre of everyone they cremate. In the most egregious display of dwelling, he rewrites history TWICE to deal with his grief — in season 8 he makes himself believe that it was his fault Cas didn’t come back from purgatory with him, and again in season 13 he invents the story of Jack controlling Cas to deal with his grief over Cas’s death. His PTSD twists the truth until it becomes another way to torture himself, because if someone gets hurt it’s on him; everyone who loves him is just one more person to disappoint.

On a lighter note, Hyperfixations, equivalent to Autism special interests, are a common trait of ADHD. Some of Dean’s hyperfixations include: hunting in general; cowboys and cowboy movies; the musical Rent; the movie Braveheart; larping. He loves dressing up and acting, and what is putting on a monkey suit and lying about being a Fed if not larping? Oh god the meta of that coupled with the season 4 episode “The Monster At The End Of This Book” is making my head hurt. And actually, the next episode of Holy Hell is on the subject of meta-textuality so stick around if that’s something you enjoy.

One of the amazing things about ADHD is creativity. Since we’re easily bored and easily amused, we’re constantly pushing the boundaries of our curiosity. In season three episode “Bloodlust,” Dean decapitates a vampire with a miter saw, something that even veteran vampire hunter Gordon Walker comments is a thing of beauty. Dean creates a Ma’lak box in season 14 episode “Damaged Goods” as a way to contain Michael if he ever inhabits Dean’s body again. Dean is always making up words like “were-pire” and “Jefferson Starships,” and he has an almost encyclopaedic knowledge of pop culture, which he references in almost every line of dialogue. Like tv and movies raised me, but even I don’t understand a lot of his references. It’s almost like he’s a character in a tv show being written by dozens of people. But that’s not right. He’s a real person and my friend. My friend Dean Winchester, who shouts me burgers and passes out on my couch.

Also, I’m bragging now but as of the day of writing this I got my ADHD diagnosis and it feels so good to have a doctor, a psychiatrist in fact, confirm my belief. After about three or four years of figuring out I have adhd and then trying to make everyone else believe me when I say I do, it feels like a huge weight off. Dean deserved to feel that. He deserves to put a name to his differences and be in charge of his life instead of letting his anger, confusion and impulses control him. If anyone is worried that you might have something and don’t know whether to pursue a diagnosis, my two cents are that it has only improved my life. I was diagnosed with Bipolar Affective Disorder in 2014 and it allowed me to go on medication, which snapped me out of the worst period of anxiety I have ever gone through and also a psychotic episode that featured talking walls and a swarm of Christmas beetles. Trust me, we all need help sometimes, and some people like me need more help than others, but you can take control of the forces in your life that hold you back. As my mother used to say to me when I was a child, the world is your oyster. It really fucking does get better, and since I started on the right anti-depressants for me my life has improved so goddamn much. The world is fucked right now, and it’s impossible to even function on most levels. We all need therapy. I myself have a gp, a psychiatrist, and a psychologist and they keep me relatively sane. I would not be alive if I didn’t have years and years of ongoing therapy and good drugs. Plus I journal everyday and practice gratitude. I’m still crazy but the craziness is contained and doesn’t hurt me anymore.

Despite never going to therapy, Dean grows from being a loner with one friend (his own brother) to someone with a wealth of connections and family. He picks up new people to love like he’s velcro, and when he goes in he goes all in. He would die for the people he loves. He’s constantly putting himself in danger to protect his loved ones. In the Season 6 episode “Let It Bleed,” Dean captures and tortures demons in an effort to find out where Crowley took Lisa and Ben. He then has Cas wipe their memories so that they don’t remember him and can live their lives without him, at his own great distress. In season 5, he goes to Stull Cemetery to impinge on the fight between Lucifer and Michael, just to be there for Sam. As Dean says, he’s “not going to let him die alone.”

That being said, I do have to talk about Dean’s very few, but ultimately life-ruining, flaws. His emotional dysregulation makes his moods unpredictable at best. By virtue of his black and white thinking, he forces the people he loves to choose sides between him and other characters, such as Sam and Ruby, Cas and Crowley, Mary and the british men of letters, and Cas and Jack, and when they don’t choose him, he passively aggressively, and sometimes just aggressively, tortures them until something else usurps their betrayal. His anger issues are par to none, and often get him in a lot of trouble. But since he is the main character, he never really faces consequences for this, and neither does he mature. Even in the final season episode “The Trap,” while Dean admits how angry he is and how wrong he was for taking it out on Cas when Jack died, mere episodes later in “Unity” he turns Jack into a nuclear reactor to take out God, and Jack dies again. His characterisation in the last few seasons, especially in regards to Jack, is all over the place. I would have to start a murderboard to explain how Dean feels about Jack and how he reacts to what Jack does in every episode. Like, pictures and red string and everything. And even then I would not be able to comprehend exactly what the writers did and what they thought they were doing.

But unlike me, Dean always believes the best in people until proven otherwise, and he does always come around to the people who atone for their sins. Even when Sam refuses to get his soul back in season 6, Dean keeps trying until Sam is put right. Between seasons 7 and 8, He spends a year in Purgatory looking for Cas despite how Cas sent Sam insane, ingested billions of monster souls, and became God. When the people he loves choose him, he chooses them back.

But even when they betray him, lie to him, deceive him, and hurt the other people in his life, he can’t stop loving them. He never stops loving Sam or Cas or Jack or Mary or John or Bobby. He loves with everything he has. He is, as Cas says, a being of love.

Oof. That was a lot of words and I feel like I only just scratched the surface. Like realistically I just talked about fambily and ADHD. There is just so much to Dean Winchester that maybe I’ll make another episode sometime. But I am definitely making an episode purely about Dean’s gender presentation and sexuality in the future. You can find the show at holyhellpod on Tumblr where I post transcripts for the episodes and Instagram where I post memes.

I don’t see myself doing an episode about Sam any time soon, Not because I don’t like Sam, but because I can’t stand Jared Padalecki. He’s done some things that I can’t support, and I’m really bad at separating the art from the artist. Especially when it’s something like Supernatural, which is not art. Supernatural is an experiment. It’s not Johnny B. Goode by Chuck Berry. Like Jared Padalecki didn’t invent rock and roll, you know what I’m saying? However, if you really want me to do an episode about Sam, you can pay me 101 Australian dollars and 50 Australian cents at patreon.com/holyhellpod. I’ll talk to you next time.

Links

http://www.scififantasynetwork.com/dean-winchester-has-adhd/

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