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honeyhotteoks · 2 hours ago

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an innocent man doesn't stand a chance (j.yh)

summary: it's halloween and your boyfriend has a fantasy. he wants to be the masked killer and for you to be the final girl, and he wants you to run.

note: this was written in a feverish haze of ghostface yunho brainrot, you can thank this fanart and this edit for making this one about yunho, but i have to give all credit for the idea to the nsfw audio creator augustinthewinter who's masked hookup audio killed me. also please read the warnings, this one is potentially very triggering.

warnings: ghostface!yunho x final girl!reader, boyfriend!yunho, hard dom!yunho, girlfriend!reader, sub!reader, sadism, masochism, knife play, primal play/chasing, threats of violence, heavy cnc that really looks like noncon because part of the play is that he wants her to struggle and say no BUT there are consent checks explicit throughout, rough sex, fingering, gloves, masks, breath play, impact play, mirrors, finger sucking don't look at me, dry humping, clothed sex, ripping off clothes, size kink, ass play, lots and lots of degredation including use of sl*t/wh*re/fvcktoy/c*cksleeve, yunho is seriously mean in this i'm not kidding, fear, forced orgasm, orgasm denial, creampie, subspace, there's more i'm sure but this one is a doozy. also lots and lots of aftercare!! after a scene like this i had to write detailed aftercare and confirmation of limits, so that's there too! yunho is v sweet when not in the zone.

pairings: yunho x reader

genre: smut and more smut, no plot in sight

word count: 7.9k

The party is in full swing when you arrive. The house bumping with music and every corner decorated for Halloween. You’re late enough that you can just slip in through the back door, and that was the plan from the start. Yunho arrived first, nearly two hours ago, and made excuses for why you were late, for how you might not even make it to the party. No one would see either of you come or go together, so when you both disappeared to play your game no one would ever know. You had come up with the plan in bed, whispered fantasies and what-ifs between the sheets as he rewarded your willingness to try something new with his tongue.

His fantasy is special, and to do it right you can really only do it on Halloween night.

You weave through a throng of drunk acquaintances, searching the crowd for him, but it’s not as easy to find him as you thought it would be. You’re not sure how a six foot something Ghostface killer could hide from you in the crowd of your friend’s house party, but no matter how many rooms you check you can’t see him. Nervousness pits inside you as you check your phone and see nothing. He could be caught up with friends, he could be changing his mind, but you can’t tell if you can’t find him.

Adjusting your very 90s costume, you dart away from the kitchen where a group of your girlfriends are pouring shots and weave your way into the back of the house. Maybe you can call him? Text him? Would that completely ruin the mood of psycho killer stalking? Maybe, but it’s been forty-five minutes and you haven’t so much as seen a sliver of his mask.

You flick through your phone, checking for any new messages, and then scroll to find Yunho’s contact card in your phone. Your finger hovers over the call button as you lean against the quiet hallway wall, and then in your peripheral vision you see it.

A dart of black, something looming, and when you finally turn your head, you see him. Ghostface, standing wide and imposing in the hall, blocking any way past him and back out into the party.

“Spooky,” You sigh, tucking your phone away.

Silently, Ghostface nods his head.

The hair on the back of your arms stands up. This is it.

“What? Are you looking for the bathroom or something?” You take a step or two towards him, leaning into the character you dressed for.

He shakes his head.

“Looking for me?” You bite the inside of your lip to keep from smiling.

Slowly, he nods.

“Mm,” You raise a brow at him, “what’s the line from that movie? You wanna play psycho killer?”

His head tilts slightly to the side and he nods once again.

“And who do I play?”

He takes a step towards you and you fade back.

Fear starts to spread through you, even with it all being pretend, you can’t fight the feeling that your subconscious drums up in your gut.

He takes another step, and then another, and then you’re running.

Spinning on your heel you push deeper into the house, away from the party and towards a line of doors down the hall. Your heart is pounding out of your chest, your stomach a bundle of nervous trembling knots, and your hands are so slick with sweat you can barely grab the door handle of the basement. It’s not as easy to run as it looks in the movies, especially not in a tight skirt and penny loafers, and you skid down the basement stairs taking them two at a time until you slip forwards and crash down onto your hands and knees.

You don’t have time to assess the sudden sharp pain as the skin of your palm drags over the concrete floor though, so you scramble up in a flash and in a panic you weave your way deeper into the basement.

It’s familiar enough to you, your best friend’s parent’s place. You know there’s a tiny half bathroom in the far back corner, a rarely used guest bed against one wall as you descend the stairs, a collection of old video games and movies, and then around the corner to the left more and more basement, more storage, more dusty nooks and crannies to hide. You’re frozen for a split second, trying to decide the best place to go where he won’t find you, but heavy footfalls on the stairs ring in your ears like drum beats and you don’t have time to weigh your options.

You take off towards the bathroom, fumbling with the door again when you reach it.

The masked man behind you doesn’t say anything, but you hear him moving. His feet are sure and quick, the heavy fabric of his robes making a whooshing sound as he darts forwards to try and close the space between your bodies.

A panicked sound leaves your mouth as you tumble into the sink, clocking your hip hard on the porcelain and bracing yourself on the wall. Turning you reach back for the door, if you just get it latched maybe you can give yourself a second to think, to shimmy out of the very small, high set window. Pushing yourself into action you grab the door, he’s so close you can hear his breath, seconds away. Seconds away.

The door stops abruptly as you throw your body against it, six inches from closing. You push again, but it doesn’t budge, and when you look down it’s clear you’ve lost this game. His heavy black boot is firmly set in the door’s path, and you know there’s no chance for escape.

He crowds you instantly, leaving you no time to recover, his body pushing into the cramped space of the bathroom and flinging the door backwards into the adjacent wall. You stumble into the sink and he moves right up against you, the firm length of his body pinning yours in place.

For a moment everything is still, completely and shudderingly still with only the sound of your hitched breathing and thundering heart filling the room. You’re not sure what you should do - beg? Plead? Stay silent and let him do what he wants?

The masked man’s head tilts to the side as if he’s observing you, something you can’t tell through the ghostly plastic of his mask and dead black eyes. You’re trembling for real, hands shaking as they grip the cool porcelain. Ghostface leans into you, one of his gloved hands reaching for your face, a soft brush against your chin at first that turns to pressure as his fingers slide up your jaw to push you face to the side. It’s like he’s studying you, his hand slipping lower and dragging down your throat.

Your breath comes faster, stomach tight.

Ghostface closes his hand around your throat and your eyes widen. He holds you like this for a moment, his other hand locking down over your waist and gripping you tight, pinning you in place.

When he squeezes, panic bubbles through your body.

Yunho’s never choked you before. He’s never even suggested it, despite all your little jokes about how nice his hands would look around your neck. It seemed pretty clear to you that within the bounds of your relationship that was one thing he just wasn’t interested in, but whoever has you in the bathroom knows exactly how to hold your throat and where to press. Part of the fun is not knowing who’s beneath the mask, but your body still locks up, and an anxious voice inside you starts to wonder - what if? It’s not as if Ghostface is that rare of a costume choice, you see dozens of them on the street every year. It’s not inconceivable to think that at this party there would be more than one.

Your heart beats in fluttering fits and starts in your ribcage as your mind turns over this possibility, and then he squeezes. The fight comes back into you full force when you hear him sigh, his hand tightening even more and cutting off your airway. You wriggle in his arms, pushing against his chest and trying to use your hips for leverage, a startled whine ripping from your throat, but fear laces through your body as you shove against him and realize just how immovable he is.

Ghostface releases your throat, the same gloved hand slipping into the back of your hair to hold you steady.

“No!” The word tumbles out of your mouth as soon as you can properly make noise again.

He crowds you more, masked face dipping by your ear, “Shh, shh,”

You freeze.

“Safe word?” Yunho’s voice is a balm in your moment of sudden panic, his tone low and hushed.

“T-treasure,” You manage it, the realization coming back into your body that this isn’t a total and complete stranger, it’s still him. Your fear starts to melt into anticipation.

He gives you a squeeze, just one gentle pulse with his hand on your hip to communicate that he’s heard you, “Color?”

You take a second to assess yourself. This game is intense in a way that you’ve never experienced. Yunho had tried to tell you how your body might react to this kind of manufactured fear, how it would play tricks on you, how even if you knew it was him your body would still have the urge to fight and flee. You knew it, but you didn’t really understand it until this moment.

Yunho’s gloved thumb drags lovingly over your cheek for just a moment, “Color?”

If he has to ask you a third time he’ll end the scene, you know he will, but the brief flicker of tenderness in his touch reminds you of everything you already know about him. He has you. You’re safe. This is a game.

“Green,” You finally answer, “I’m green,”

One more quick pulse to your hip, he’s heard you again. More than that, he’s pleased with you.

His shoulders straighten as he draws to his full height, his body filling the space of the tiny bathroom and caging you in. You swallow tightly, audible in your ears and then he moves fast.

His hands around your waist, lifting you up and then shoving you back until you’re sitting on the lip of the porcelain sink, uncomfortably balanced and pushed back flush to the mirrored wall behind you. You yelp when he moves you, hands scrambling for purchase on something, gripping the sleeve of his black cape in desperation. Fear and anticipation pulse through you, but he doesn’t give you a rest to get your bearings.

He shoves your legs open wide and slots between your thighs and shoves your face to the side until your cheek is squished against the cold mirror, his hand a controlling brace from your jaw to the crown of your head.

“You look so pretty running from me,” He strokes your face, but this time it’s not loving, it's possessive, it’s pure control.

You grip the edge of the sink and whimper.

“Should we play a little game?” He teases, “It’s Halloween, you must like scary movies,”

Your breath quickens, “Y-yeah,”

He drops his voice low, in a mimic of the movie, “What’s your favorite scary movie?”

You’ve heard Yunho do that voice before, lazing on the couch last October when you had yourselves a movie marathon, the day he realized something about your favorite scary movie that turned you on, the day you called him out for being hard during a kill scene. It took a year for you both to work up the courage to actually act on any of those fantasies, but here and now with his mask on and his voice low, you feel that mix of terror and arousal bleeding through your body in a way only he can elicit from you.

You can’t help the little smile that passes over your lips, “Scream,”

“Meta,” He teases, pinching you hard on the thigh, “for every question you get wrong, I’m taking something off you,”

You swallow hard again.

He reaches into his black robes and then you see it, shining in the reflection of the mirror and in your hazy peripheral vision. The glint of a real knife is unmistakable, the cool sharp edge of the steel crystal clear and you can’t stop the actual fear that jolts through you. You jerk in his hold, instinct driving you for a split second, and he pushes your face harder into the mirror.

“Tch,” He makes a disappointed noise with his tongue against his teeth, “the game’s no fun if you don’t play.”

He won’t hurt you, at least not in ways you don’t already like. You have to trust that.

Settling yourself with a slow breath you summon the act he wants, find the fear within yourself and let it inform your words to give him what he wants.

“Please, don’t,” You’re trembling is real, that you know.

He shifts between your legs, drawing the knife closer, shifting it in his hand so he simply presses the cool flat side of the blade against one of your nipples. You hiss at the sensation, tightness building in your gut.

“First question,” He drags the knife a little over your nipple, “What movie franchise is Jason from?”

It’s an actual quiz, of course it is. At least he’s starting off easy.

“Friday the Thirteenth,” You reply fast.

“Correct,” He lifts the knife, and with the blade pointed away from you, he pushes up your tight tshirt until it’s bunched above your breasts.

“I got that right,” You glance down at the way he’s touching you, breaking his own rules already.

“Just getting a better view,” He insists, and then the cool knife is against your nipple again, only the thin fabric of your bralette between skin and steel.

Your body is aching in this position, but you can feel the heat off his body, and the heady tone of his voice from under the mask still has you starting to ache in different places.

“Let’s make this a little harder,” He taps the knife against you and you shiver, “what movie has a group of teenagers being stalked on an island by a killer fisherman?”

“It’s,” You start to answer but he taps the knife again and you jolt, “fuck, it’s I Know What You Did Last Summer,”

You watched it with him two weeks ago. You remember it, clear as day.

“Wrong,” The knife twists, the tip gently skating over the swell of your breast.

“Wait,” You start but he tips the knife under the center of your bra.

“I Still Know What You Did Last Summer,” He clarifies the sequel, “they weren’t on an island in the first movie. I thought you liked scary movies,”

“I,” You press back into the wall as the knife edge kisses your skin, “I… I do,”

“You’re not very good at this,” He twists the knife and drags the sharp edge out so that it severs your thin bra in half, falling open and revealing your breasts to his wandering eyes.

A little gasping sound leaves your lips, a desperate noise you try to bite back, but he hears it.

He hums a soft, amused laugh and suddenly the knife is gone, sheathed and away and he leans into your space again, “You fucking like this, don’t you?”

“No,” You insist, despite the way your stomach is in tight knots.

“Did running away get you hot?” His gloved hand skims over your exposed body, “Do psycho killers make you wet?”

“Fuck,” You whine, “no, no,”

“Liar,” He whispers, and then he delivers a pointed slap to your thigh, “spread.”

Your legs widen instinctively at his command, but he doesn’t reward you or praise you like he normally would, this is different. He reaches under the hem of your taut mini skirt, finding the apex of your thighs, and his fingers gently rub up and down from the base of your slit to your clit. A tiny gasp bubbles out of your throat.

“Are you afraid?” He all but growls.

Your stomach flips and his hand tightens in your hair, “Y-yes,”

“Tell me you don’t want this,” He finds the edge of your panties and drags them to one side.

“I don’t want it,” You answer him, body shaking now.

“Tell me to stop,” One gloved finger presses into your entrance, the softness of the leather and the warmth of his skin beneath it making you tremble.

“Stop,” You beg, “please, please, stop,”

“Why would I?” He slowly pushes inside, stretching you around his finger, “When I know how wet being fucked by a stranger in a mask makes you,”

A tense thready sound pulls from your throat as he adds a second finger.

“If you don’t want this,” He pulses his hand once, forcing both fingers deep into your slick channel, “why are you panting like a dog in heat?”

“N-no,”

“If you don’t want it,” He whispers, “don’t come.”

Your eyes shut as his hand starts moving, a steady pulse of his gloved fingers inside your aching cunt, curled just right in the way he knows gets you off fast. A pumping drag against your g-spot, the sound of his heavy breath, the unmistakable sensation of your own wetness making a mess between your thighs.

“Looks like you want it to me,” He adds the circle of his thumb against your clit and you jerk in his hold.

“Stop, fuck,” Your nails dig into his forearm.

“You don’t want me touching you, but you’re soaking my fingers,”

“N..No, no,” You babble, heat pooling in your gut.

“Fight it,” He pumps his fingers faster, drumming against your sweet spot, “don’t come,”

You hiss sharply, pleasure dropping low in your belly, the sensation of his gloves and his hot hand too much to bear.

“Moaning like you want it,” He laughs, pulling his hand suddenly out from under your skirt and yanking your head back to center.

You yelp at the position change and the sudden lack of contact but he doesn’t make you wait for long.

“Open,” He smacks your cheek lightly.

Your mouth falls open and he shoves both gloved fingers between your lips. You choke against the suddenness, at the way he presses down on your tongue, blinking to clear the haze from your eyes.

“Suck.”

You shiver, your lips closing over his digits, the sharp taste of leather mixed with your fluids assaulting your senses and you can’t fight the moan, the way your eyes drift shut as you swirl your tongue.

He hums, pleased, “Does it hurt?” He asks.

His question doesn’t make sense, and you blink your eyes back open to look up at the cool passiveness of his ghostly mask.

“Pretending you’re not a whore?” He clarifies and your mouth stills over his fingers. He pulls them out, delivering one more pointed slap to your cheek, and dives back down to plunge them back into your aching cunt, “Moaning like that, your nipples rock hard, and this pussy,”

You choke, a bubble building in your core as he abuses your slick channel again.

“Clenching around my fingers, sucking me in,” He chuckles, “I can feel you, baby,”

“Fuck, fuck,”

“Hold back,” He doubles his efforts between your thighs and you keen, “if you don’t want it, tell me to stop, don’t come,”

“Stop!” You whine, giving him exactly what he wants, “Please, please,”

“No,” His thumb rubs fast, his hand practiced at making you fall apart at the seams, “you come, you keep your eyes open, and you come all over my fucking hand,”

Your breath is fast, heart pounding, and you feel the cord tightening in your belly in a way that makes you want to rub yourself back up into his touch but he has you pinned, stuck, at his mercy just like he wants.

“Come,” His voice is clear, authoritative, and familiar. Like a trained response, your body releases and cracks open into a desperate orgasm, crumbling in his hands as you pitch forward onto his shoulder and grind your hips down to take the last little bit of what you need from his fingers.

When his hand stills, you realize you’re still clinging to him and you jerk back, one hand over your mouth as you try to recover your breath.

He steps back, his hands sliding off you and body slotting out from your thighs. You can’t see Yunho beneath the mask, but you know he’s looking. You can feel his hot gaze sliding over your body and taking in every wet and shaking inch of you. Your body is throbbing with need, but the game isn’t done, he hasn’t even made you touch his cock yet, and you know there’s no way you’re making it out of this basement without that.

“Tell me again how you don’t like it,” He finally says.

You shiver.

“Cat got your slutty little tongue?” He prompts you again, voice hardening.

You swallow hard, finding your words, “I didn’t like it,”

“Mhm,”

“I d-don’t want you to touch me,” You lie.

“Yeah?” He teases, “Well then run,”

“W-what?” Your eyes flick up to the impassive plastic of his mask.

“If you didn’t like it, why are you still sitting there?” He takes a step to the side, clearing your path to the door and you slide off the edge of the sink, your loafers making a click onto the tile floor.

You swallow hard, eyes darting out to the rest of the basement.

“Come on,” He teases, and you can hear the sick smile in his voice, “try to get away,”

You look between him and the room ahead of you again.

He leans forward and you shiver, his gaunt stretched mouth at your ear again, “I can’t fuck you if I can’t catch you,” his gloved fingers yank your top down over your exposed breasts and he chuckles, “better run fast.”

You spring forwards, adrenaline pumping through your body and blood rushing in your ears. Leaping out of the bathroom he gives you a couple steps to get a head start, but he’s so much bigger than you, his stride so much longer, and he closes the distance with ease as you scramble in mock terror to get to the steps.

Yunho’s arms close around you, hauling you up off your feet and against his chest, his touch rough and probing as he drags you up into the air.

“No!” You shriek, “Fuck!”

“You think I’d really let you go?” He laughs, “After that?”

“Fuck you!” The words bubble up out of your mouth.

“That’s the idea,” His hand slides down your belly, closing over your cunt and cupping you tightly.

Your body is reacting before your mind, and you jerk in his hold, kicking back your leg and catching him in the shin with the flat heel of your shoe.

He groans and wrenches you higher in the air, “Keep struggling,” he pants, “I like it,”

You twist again, trying to free one of your arms, but he has them pinned tightly to your body, “Get the fuck off me!”

“Not a fucking chance,” He takes two wide steps to the mattress and then tosses you down.

You collapse onto the bed, the old and rarely used springs creaking under your weight, and your scramble forwards in some kind of an attempt to get your bearings, but he’s on you just as fast. He yanks you back with a hand around your ankle and in a flash he’s on top of you.

He presses one hand firmly between your shoulder blades, keeping you pinned face down to the bed, and then his body weight drops down as he straddles the backs of your thighs. Your hands curl into the bedding beneath you, rough sheets and scratchy camp blankets, nothing soft and soothing to take a moment of comfort in.

His free hand wanders, searching your body slowly. The sound of the party raging upstairs drowns out any competing noise, but you can still hear his heavy breath against the mask and your pounding heart, the sound of anticipation thick in the air around you.

Yunho presses his hips forwards and you feel the thick hard length of his cock through his costume nestled against your backside.

“Look at you,” He palms your ass, “shaking for me,”

A whimper leaves you as his fingers dig into your back.

“Do I scare you, baby?” He delivers a harsh slap to the back of your thighs and you yelp, “Are you fucking terrified?”

Another slap leaves you trembling and you hide your face in the mattress, pressing your eyes shut tight. You love when he touches you like this and he knows it. You bite down hard on your lip to keep from whining, wetness pooling in your core. He wanted you scared, he wanted you fighting, you can’t give in just because his glove on your stinging skin feels like sin.

He groans, his cock pressing down harder to your ass and you feel both his hands slide from your hips up to your back and back down again until he has a grip on your waist.

A whimper slips out from between your lips.

Yunho freezes above you, his thumbs massaging a quick circle into your lower back, “Color?”

“Green!” Your voice is muffled by the bedding but you know he heard it.

He groans, pulsing his hips to rut his cock against you again.

Even between layers of fabric, you can feel the heat of him, throbbing and ready for you. Your mouth waters as you picture it, cockhead leaking precum and Yunho’s familiar hand wrapped around the base as he directs it to your mouth.

“Little slut,” He chuckles and it pulls you straight out of your mental fantasy, “rubbing that ass on a stranger’s cock,”

Your stomach clenches, and you twitch under him.

“That’s fucked up,” He drops his body weight over you, one hand pushing your head to the side as he leans over you, “you’re so fucked up, aren’t you?”

Your breathing is fast, a thready sound in your throat.

“Aren’t you?” His voice is low, a shade away from a growl, and he rocks his hips again to rub his cock against you.

“N-no,” You try to shake your head but his hand tightens against your scalp.

“Liar,” He keeps grinding against you, his free hand snaking underneath your bodies to grope your breast, “I know a needy whore when I see one,”

You moan into the sheets as he tweaks your nipple, tears springing to your eyes as he palms you, taking you apart with every touch.

“Let’s see how you like this,” He pinches your nipple once more and you squeal at the sharp sensation that rockets through your chest, a sharp line down to your clit, and then he slides back and shuffles back to sit up over your thighs.

He pushes the stiff fabric of your mini skirt up over your ass and then you feel the cold metal again.

You jerk underneath him, and he tuts softly, the sharp edge of the weapon gently dragging over the curve of your ass cheek.

“Tell me,” He grips your flesh tightly with one hand, painfully pinching, “do you still like scary movies now that you’re in one?”

You shake your head, a whimper on your lips when the knife slips under the edge of your panties, “P-please, don’t,”

He yanks the knife up and splits one side of your panties with a taut snap of fabric, “Please?” He taunts, “Please?”

You sob softly in response.

“Is ‘please’ all you can say?” He delivers a sharp smack to your exposed ass check and you jerk under him.

“I can’t,” You shake your head into the sheets, “I can’t,”

He sighs, and you feel the knife shred the other side of your underwear and then you hear the sound of the blade clattering to the floor. With both hands free he palms your exposed flesh, squeezing you almost painfully and inspecting your exposed body.

Shivers run through you, and you try to hold yourself still for his touches.

“Which hole should I fuck first, hmm?” His fingers search you, probe you.

Your body locks up tightly, a gasp on your lips. You hadn’t discussed that, and you shake your head.

“Scared?” He ghosts his fingers over your rim.

“Please,” It’s all you can manage.

“Beg me,” He presses down with his thumb, “beg me not to fuck your ass if you’re so scared.”

You scramble in the sheets but he has you stuck, “Please don’t, don’t fuck me like t-that, you’re too big, it’s too,”

He massages one cheek and hums, “What should I do then?”

“What?” You crane to look back at him, at the masked man pinning you down.

“Beg,” He says it like he’s bored, like it’s obvious, “beg me to put it somewhere else, or I will fuck this pretty ass open and make you say thank you.”

Heat floods your belly, your body a sizzling live wire, and you fall right into step with a heady whine, “Please, fuck my pussy,”

“Again,”

“Fuck my pussy, please, I’m begging you,” Your voice sounds needy and strange even to your own ears, “I need it inside me, g-give it to me please, fuck my pussy, please,”

“Better,” His hands disappear into his robed costume and then he pushes forwards, his cock finally free and sliding up and down your slit to find your aching entrance.

“Y-yes,” You drop your head back down to the bed and in one sharp thrust, he pushes his thick length all the way inside you until his hips are flush with your ass.

Yunho groans, bracing himself with one hand on the back of your neck and the other on the bed beside you, the mattress creaking with every shift, “Needy pussy,”

“Fuck,” You moan.

“Greedy,” He punctuates his words with a sharp thrust, starting to pick up the pace now in earnest, “gripping my fucking cock like that,”

All you can do is hold on, bite down on the sheets and let him use you, focus on the sensation of his impossibly hard cock driving in and out and in and out.

“Are you crying for me? Hmm?” He rolls his hips, the fabric of his costume dragging against you as he fucks into you faster.

Your eyes are wet, pleasured tears bubbling up and you nod, a tiny sob passing through your lips.

“Good cocksleeve,” He presses down harder with his hand on your neck, forcing you lower into the mattress.

Your back arches instinctively, and you whine at the angle change. A few more thrusts and you’ll be done for, you know it.

“That’s it,” He pants, voice muffled by the mask, “come for me,”

“C-close,” The words tumble out.

“Come for me,” He stays steady with his thrusts, pushing your orgasm closer and closer, “come for me, come for me,”

“Ah!” You fist the sheets, legs starting to shake, “Ah, fuck, fuck!”

“Come on this stranger’s fucking cock,” He grunts, shuddering above you, his fingers digging into your skin and no doubt leaving a bouquet of bruises behind.

So close to the edge, just a little more will tip you over, and you whine, “Harder,”

He gasps, forcing his pace to clap harder, deeper, and it only takes two pointed thrusts of his cock into the deepest parts of you to send you careening over the edge.

“Coming,” You twist beneath him, moaning into your fist, “oh, god,”

“Fuck,” He curses as your muscles clench and flutter around him, “fuck, oh fuck,”

Your orgasm has your body locked up and shuddering, but when he pulls free suddenly you gasp into the bedding, “N-no, no, please,”

He yanks off any scrap of clothing you have on with frantic hands and then rolls you in the sheets so that you’re lying on your back spread open for him. You try to form a sentence, to ask what’s happening but suddenly he’s tearing off his mask and the world slows to a stop.

Yunho’s sweaty, flushed pink in the cheeks eyes blown wide with need, his plush lips parted and his chest heaving with labored breaths. In a flash he’s stripping off the costume, peeling off his gloves and kicking off his boots.

“Come here,” He spreads your thighs wider and presses down over you, his cock finding your entrance with ease as he sheaths himself again in one thrust.

You moan sharply and wrap your arms around his shoulders as he collapses over you.

“Need you,” He pumps his hips, “have to have you,”

Pleasure crackles up your body, “Yours,” you nod, “I’m yours,”

He presses his mouth to yours, kissing you hot and hard, “Fuck,” he groans.

Yunho gathers you closer, your slick bodies now flush together as he rocks into the warm cradle of your hips, “never heard you moan like that,”

Your walls clench around him.

“You wanted me to do this,” He groans between messy kisses, “you wanted to run,”

You nod, lips pressed together.

“You’re so fucking perfect,” He pumps into you harder, like he’s desperate to get as deep as possible, “my dirty girl,”

“Oh, fuck,” Your head falls back against the bed, a pleasured moan caught in your throat.

“My little fucking slut,” He groans, tipping your hips open wider, his hands tight on your skin, “so desperate to come on stranger cock,”

You whine sharply, nails digging into his back.

“Say it,” He threads a hand through your hair and tugs your head back up roughly, “say it,”

“Yes!” You whine, “Yes, I-I need it,”

His gaze darkens, the cool mask of your dominant returning, and he slaps your cheek sharply, just enough to give you a pointed sting, “Need what?”

Your brain is soft, fuzzy with pleasure, but the slap focuses you and you blink, “Need to come,” you pant as he thrusts into you, “on a stranger’s cock, need you to… fuck, need you to take it,”

He nods, lips parting open in pleasure, “That’s right,”

Your stomach tightens, pressure dropping low in your belly and you can’t stop feeling the way his cock punches into the deepest parts of you over and over again. Your eyes close tight and you hold onto him, one of your hands slipping up to his neck to tangle into his black hair.

“Oh,” You’re so close, almost there, “Y-Yunho, oh, god,”

His hips thrust forward once more, burying his cock impossibly deep and then he stops. That’s when you realize your critical mistake.

“Is my cock so good you forgot your manners?” He says and your eyes fly open.

You don’t know what to say, you don’t know how to recover, your head is too mixed up to know what’s up and what’s down and you’ve never played a scene where he’s a stranger before. You’re used to your rules, you’re used to calling him sir or daddy or master, but now you feel unmoored.

“Now you don’t get to come,” He leans back, taking your wrists in his hands and pushing them down flat to the bed.

You know better than to protest, but you’re sure he can feel you shaking.

He drops closer, pinning you open with the weight of his body, his head nudging yours to the side, “Maybe you’ve forgotten who’s in control here, baby,”

Liquid heat spreads through your body and you shake your head just a little.

“So drunk on cock,” He bites at your ear, “you forgot you don’t want this,”

Your pussy tightens, and you hear him chuckle.

“Filthy,” He maneuvers your arms above your head so that he can close both your wrists together in one of his large hands, “fucked up little fucktoy,”

Your eyes roll back and you fight the urge to move your hips, his words enough to put you on the precipice.

A sharp slap stings over your exposed breast, your nipple hardening even more and Yunho draws his hips back before slamming forwards, driving you deeper into the squeaking mattress. At the painful stretch, the sharp sting inside, you do cry out.

“Does it hurt?” He thrusts again, just as hard.

You struggle under him, a little for play and a little because it does hurt, but you love the way he groans when you please him and you can’t stop, “Y-yes,”

“Too bad,” His hand claps over your mouth and then he starts to fuck you again for real.

Pleasure and pain in equal parts spike through your body, a perfect combination to get you right up to the edge of orgasm, but you know you’re not allowed. You moan into his hot hand, the sound feral and taut, tears gathering in your eyes and slipping down your temples into your hairline.

Yunho slides the hand on your wrists up to clasp your hands together palm to palm, still pinning you to the bed but offering you a line of communication you desperately need in a scene like this. He doesn’t stop, but his eyes find yours in the dim light of the basement and he squeezes your hand once. You squeeze back just once, your silent sign to keep going.

He keeps driving into you, cursing every time you moan and clench around his thick length, the mask of dominance slipping again as he starts to rut into you with artless, needy thrusts. He’s chasing his own pleasure now, with no regard for your own release.

“No one’s coming to help you,” He groans, “you’re mine,”

You can’t hear everything he says, not with your mind spinning so close to a forbidden orgasm and his pants and groans punctuating every few words, but you hear it when he says he’s coming inside you.

Thrusting deep, he spills himself hot in your belly, hips grinding into yours to milk himself dry as he moans into your ear. The bubble of your own pleasure builds with every rock of his body and you whimper into his hand, tears spilling over as you try not to let it take you.

Yunho’s hand pulls away from your mouth and suddenly his fingers are rubbing fast and firm on your swollen clit, his cock still buried deep.

“Ah, n-no, please,” You grip his hand tightly and lock your eyes closed, trying to pull yourself back from the edge, “please,”

“Fuck,” He groans, overstimulated.

You’re going to come, there’s no way to hold back if he’s going to torture you like this and you thrash under him, “I can’t,” you’re sobbing in earnest now, “I can’t hold it,”

“Shit,” He curses sharply, “come, sweetheart, come, I’m so sorry,”

At his permission, your pleasure rips through you, a hot slice of rapture rocketing up your body. Your ears are ringing, black dots over your vision, and your body wrenches up with tight shakes in a way that only a soul shattering orgasm could do. You vaguely hear your own voice, a babbled string of ‘thank-yous’ and sobs, but it feels like someone else. All you know is warmth, and the deliciousness of earned pleasure.

When consciousness starts to creep back in, the first thing you feel is Yunho’s gentle hands on your cheeks. He’s murmuring something, but it takes your mind a second to process, and you blink your eyes open slowly to find his face.

“Hey,” He’s back to soft and warm, your tender lover, “oh, there you are,”

“Mm,” You manage.

He looks you over slowly, warm brown eyes flicking over your skin, “Does anything hurt, sweetheart?”

You shake your head, still boneless and trembling in the scratchy blankets.

“Hmm?” He nudges you, pushing for a verbal response.

“I’m okay,” You respond, but your voice is small.

Yunho, so attuned to you, looks back up and shifts up the bed to meet your eyes, “Feeling floaty?”

“Mm,” You nod, recognizing distantly that the intensity of your play tonight pushed you right into subspace.

“Ah,” He smiles warmly, “come here,”

He gathers you close, arms wrapping around you as he tucks you into his chest and pulls the plaid camp blanket up higher over both of your naked bodies. His skin feels so essential, a necessity like eating or breathing, and you nuzzle into his warm chest.

“You’re okay,” He soothes you, stroking your back, “you’re safe, you’re safe with me,”

A heavy breath releases from your chest.

“That’s it,” He kisses your forehead, “breathe with me, relax with me,”

Your muscles release one by one.

“That was just a fantasy,” He soothes you, easing the knotted up feelings in your body with practiced words, “it was just pretend,”

You nod.

“Just pretend,” He murmurs, lips tender against your forehead, “none of that was real, nothing I said. I love you, and I will always keep you safe, sweetheart,”

Your fingers relax, and you realize how firmly you were gripping his arms.

“There you go,” He murmurs, “I’ve got you,”

“Yunho?” You manage, your body feeling heavy once again as you start to center.

He shifts, cupping your cheek as he leans back to get a good look at you, “Right here,”

“H-hey,” You give him a lazy smile.

He nods, brushing your cheek with his thumb, “Tell me where you are?”

“Basement at the party,” You answer.

“Good,” He nods, “now tell me who you’re with?”

“You, Yunho,” You reply, practiced now at the routine he uses to help ground you out of the scene and bring you back into reality.

“Good,” He continues, “tell me three things you can see,”

You glance around the room, “Old playstation, bicycle,” you look back to him, “your necklace,”

He smiles as you touch the silver chain around his neck, “Good,”

You stretch your stiff limbs in his arms and try to snuggle back into his hold but he’s not done yet, especially after a scene that new and that intense.

“Any pain?” His hands slide over your body.

“No,” You assure him, “a little sore, but I feel good,”

He nods, but keeps looking you over anyway. When he turns your hands in his and finds your scratched palms a little line forms between his brows, “What’s this?”

You look down at the red skin, a few shallow cuts here and there, “I fell,”

“Fell?” His brow goes high with alarm, “when?”

“When I was running, I took the stairs too fast,” You tell him honestly, “but it doesn’t hurt, I promise,”

His fingers trace over the broken skin and he nods, “You promised you’d call the scene if you got hurt,”

For how rough this man can be with you, for how many times he’s bruised you and made you bleed, he never fails to surprise you at just how tender and soft he is outside of the bedroom.

“Baby,” You close your fingers over his, “you promised you’d trust me to know my own limits, I’m not hurt, I got a little scrape,”

His lips close as he considers your words and then he nods, leaning in to kiss each of your palms warmly, “I want to disinfect these at home,”

“Okay,” You murmur.

“Anywhere else?”

“Mm-mm,” You shake your head.

“But sore?” He confirms.

“A bit,”

His fingers find your jaw, massaging the muscle there, “When we get home, we’ll run a warm bath. I’ll take care of all your aches, I know I was rough with you,”

You sigh pleasantly, relaxing into the warmth of his hand and he nods, dipping his face towards yours and capturing your mouth in a soft kiss.

“You did so perfect for me, sweetheart,” he says softly, voice threaded with emotion, “I’m so… is it too lame to say honored? I… you were so amazing, and you trusted me like that and I,”

“Yunho,” You smooth back his hair and pull him closer, “I’m alright,”

His eyes flick over your face, “Yeah?”

“Yes,” You give him the clarity he needs to know he didn’t hurt you, “you made me feel very safe, even though I was kind of terrified,”

He stays quiet, like he’s gauging the honesty of your words.

“Even when I was scared,” You lean in, kissing him quickly, “I knew you wouldn’t take it too far, and you checked in with me. I’m okay, I liked it, I love you,”

“You didn’t push yourself too hard for me?” He always worries about that, the double edged sword of a submissive who’s desperate to please.

“No,” You smooth your hand over his cheek, “I liked it alot,”

He nods and snuggles you closer, his fingertips coasting up and down your back softly. He’s quiet for a few minutes, just letting you both come down as easy as you can with thrumming house music upstairs.

“You liked it?” He finally confirms, carding his fingers through your hair.

You nod, “A lot,”

“What I said,” He kisses the top of your head, “during, about you liking it, that was fantasy too, you know that right?”

You’re quiet, taking in his words.

“There’s nothing wrong with it,” He continues softly, “there’s nothing wrong with you for wanting it, all of that was pretend, okay?”

“I know,” You kiss his chest, nodding against his shoulder.

“I love you,” He squeezes you, “you know that too, right?”

You smile, wiggling up in his arms to see his face, “I do,” you kiss him softly, “I love you too,”

He nods and sighs, “I lost my head a little at the end there,” he admits, “I didn’t communicate well when you needed it, I’m sorry about that.”

Your brows knit together in confusion.

“I should have given you permission sooner,” He explains, brushing your cheek with his thumb, “I forgot myself in the scene, I didn’t mean to push you so hard.”

“Oh,” You smile, “Yunho, I’m alright,”

“I know you are,” He dips in for a kiss, “but I’m still sorry,”

“Thank you,” You murmur, pressing your lips back to his, staying warm and still and soft in this moment together, “I know you’ll always take care of me,”

He nods, his broad hand brushing down your hair.

“How was the party?” You nudge him a little.

He smiles, “Fine,” he shrugs, “I was too focused on looking for you, I think everyone thinks something’s up with me.”

“I’m sure it’s fine,” You laugh.

“Mm,” He nods, “and now I disappeared and we made a mess of this basement,”

“Fuck, I can’t believe you cut my underwear off, how am I supposed to get out of here,”

“I brought backups,” He grins wide, proud of himself for thinking that far ahead.

“You’re a genius,”

“There is a back door out of the basement though, right?” He looks up around the room trying to find one.

“Yeah,” You reach out, pointing around the back corner, “why?”

“It’s extremely obvious that you’ve been fucked within an inch of your life,” He presses a quick kiss on your forehead and stretches next to you, so casual about the way he just rearranged your insides, “and I’m not so sure you’re going to walk straight,”

You laugh sharply and shake your head, “Take me home,”

“Scary movies on the couch?” He squeezes your thigh as he rolls away, searching for his clothes.

You shiver, “Maybe, that might be too close to home,”

Nudging your knee he smiles, “Don’t worry, baby, it’s just a movie.”

#ateez smut #ateez #yunho smut #yunho #jeong yunho #yunho x reader #yunho fic #yunho ff #ateez fic #honeyhotteoks fics #honeyhotteoks #HAPPY KINKTOBER

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shinesurge · 2 days ago

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I think it's a side effect of having a slightly bigger audience than before, but this year I've been getting a LOT of questions about offering digital editions of the KC books so I wanted to talk about it out loud for a bit.

There are a bunch of complicated reasons I've never offered the volumes as digital downloads, and I think they mostly boil down to concerns about the pretty embarrassing lack of significant internet presence Kidd Commander has accumulated over the 11 years it's been running. The audience I DO have is very enthusiastic, and let me be clear that I appreciate how unique and cool that is, especially in the era we're in where I really have no business running things the way I do lmao

The problem is, in refusing to do any of the predatory social media bullshit that tricks people into doing advertising for my comic while pretending it's a fandom, and by taking initiative to build fandom spaces for people to hang out in myself, I've created an extremely insular community where folks don't really feel any need to help it grow. "If you build it they'll come" is true, but the other half of that is people going "hey neat this thing builds itself!" and you end up with dozens of fandom posts, hours of discussion, and even fanwork locked away in inaccessible spaces while the pages on the site consistently get no comments or interaction and the public tags are empty.

WHAT does this have to do with digital editions lol

The idea was, a thing that helps set KC apart is the webcomic thing where you're not only checking a site regularly as a routine, but you're building some impression of the author as well. My little news posts are bundled with the pages, the site gives a sense of Environment in way static editions don't. In return for offering nearly a thousand pages of completely free content the reader has to Encounter Me at some point, and be made aware that this is an operation being run by a single person, and that its survival is entirely dependent on other people reading it and supporting it. Going to the site ALSO at least lets people know a comment section /exists/, and there COULD be a community to participate in. You don't get that with the books as much, but the books are almost exclusively going to folks who already read the comic, I don't think they're floating around out there to many people who didn't buy them directly from me after reading it online.

It is objectively easier for people to binge an archive they can carry around offline with them, I completely get it. But I've watched SO many new readers fall in love with this thing in real time as they leave comments behind them through the archive, and even just forming the habit of checking the site regularly really goes a long way towards forming enough of a connection with a reader for them to stick around for the long haul. If you just read it all isolated on your phone, it stops there; it's easy to forget it's an independent operation that desperately needs your support, /I/ have no idea whether you liked it or if people are even reading, and when you're finished you'll move on to something else because there's no visible fandom to engage with.

I don't WANT to think this is what will happen, but it's already been happening here for years even without proper channels. I sort of feel like this would just be facilitating my own demise lmao. All the comics who run the way I do were ALREADY popular back before the landscape shifted to fast-fashion sensibilities, so Girl Genius offering digital editions doesn't really harm them, you know? By the time forums died their community was already so stable and self-sufficient they could quit updating the main story for a whole year and not even feel it. Gunnerkrigg is signed on with fuckin Dark Horse now. People doing the things KC does got in early and stabilized before I even got started, fandom is a different world now and I'm already barely keeping this train running on my own as it is.

But on the other hand: accessibility!! HOW many times have I wanted to engage with something but they WONT LET ME PAY THEM FOR THE THING I WANT so I just leave!! The alternative here isn't "oh if i FORCE THEM to read it online they'll stick around" it's "if i can't read it how i want then i'm skipping it". That makes total sense, /I/ do that! What about people who want the extra content in the books but can't pay international fucking shipping!! It's also an Archival issue, which absolutely kills me, but that's a whole other post lmao. There are extremely good reasons to offer another option for reading my work, but I am so anxious this would just be putting a nail in this stupid coffin I've been building already.

I've been having this conversation a lot, mostly with Lee, but it came up again this morning in an email and regardless of my own feelings: this is a thing people want, a very reasonable thing, and if I fail to provide it that's just bad business. Do y'all here have any thoughts about all this? I would like to give the people what they want and y'all are The People.

Anyway buried way down here so far I'll make another post about it: I /am/ going to offer the specials as digital downloads, permanently in the shop. They're old books by now, I'm having issues keeping them in stock anyway, and they DON'T exist online anywhere, so this isn't technically any skin off my back outside of piracy issues, which. would be a stupid thing to fret about lmao

thanks for reading all this! I'm gonna go sort through pdfs for a while

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charizardstolemynickname · 1 year ago

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Okay I am mainly making this for myself but I am adding here all the secret life tasks people are doing so when I rewatch the first episode from different povs I can go "OH MY GOD THATS WHAT THEY WERE DOING"

SO BELOW HERE ARE SPOILERS FOR SESSION 1 SECRET LIFE SMP TASKS

Tango: Get Scar to talk about Star Wars for over 60 seconds

Scar: Call people anything but their username for at least 30 minutes of the session (failed), Come up with a nickname for another player and convince 2 other people to use it (New harder task after a reroll)

Mumbo: Make a pun at every opportunity in a 5 minute conversation, minimum of 3 successful puns

Joel: Plug the life merch at the worst possible times to other players at least 4 times

BDubs: Make your base deeply uncomfortable to use and look at

Martyn: Build an identical base to another player

Scott: Build your base directly and obnoxiously attached to someone else's

Skizz: Don't be further than 10 blocks from GeminiTay for 10 minutes. One attempt only

Jimmy: Break 5 crafting tables while they are being used

Cleo: Build your base on top of someone else's base

Gem: Convince someone to take a leap of faith and make sure they take no damage

Etho: Collect 4 beds without being caught and place them on a shrine

Lizzie: Write a poem about a player and read it to them

Impulse: Make cherrywood your entire identity

BigB: Dig a big hole. All the way down. At least 3x3. Make it your base if you want

Pearl: Get 3 players to gift you their heart

Grian: Make 3 bad jokes and get NO laughs

#chr post #secret life spoilers #traffic life spoilers #traffic spoilers #life series spoilers #secret life #life series #life series smp #tagging all the things i can so i don't spoil this for people who don't want to see #slowly watching all povs to learn #thank god for youtubes 2x speed but i wish there was up to 4x speed #sorry to the person i have become now that the new life series is out followers #literally none of you are here for my life series mc obsession #so apologies in advance #going to keep coming back and editing this

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rikusahoge · 3 days ago

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"But be safe. No reckless stunts."

On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship

Under readmore because i am going to talk a lot

As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!

One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)

無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)

無茶 (mucha): reckless, absurd, unreasonable, ridiculous

無理 (muri): impossible, unreasonable, unjustifiable

Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.

Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.

what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)

Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.

Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).

It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.

Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.

Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!

Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.

We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)

So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!

Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"

He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):

(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)

he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.

I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!

So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.

Let's start with Sora and "mucha".

The first instance i have found "mucha" used is in Olympus Colliseum.

lets recall How Herc initially loses his power in KH2, and compare it to the movie.

In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.

Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)

(Herc even has a second journal entry for his Desaturared form.)

You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.

Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.

Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.

She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.

What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)

So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.

The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)

We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:

Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:

instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":

to which herc responds:

"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)

so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.

Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.

The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)

Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.

It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.

Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.

Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.

After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.

he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.

Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)

Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)

This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.

We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:

Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.

Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.

After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)

He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.

Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.

HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.

After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).

Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.

We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:

Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.

Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:

(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.

Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.

Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)

I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.

I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:

So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.

Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?

DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw

Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.

So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.

(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)

It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)

Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)

Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.

It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again

Herc here is saying "taisetsu na hito" which is translated to "person I love most"

The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.

Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)

There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE

phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)

Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.

As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.

So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!

I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.

Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.

(just putting these in here to hurt you and myself)

So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.

In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)

It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)

So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.

Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.

In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)

So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.

I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.

In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)

Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.

After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.

She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)

Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.

In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.

I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).

So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.

Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)

One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.

And what does she tell Riku, before he leaves?

"Be careful. Do not attempt to do the impossible."

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if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts

#soriku #kh meta #kingdom hearts meta #long post #it was not going to be this long 🥰#i might make an abbreviated versuon #i could not be assed to read this for errors so sorry if i make mistakes i wrote this in chunks thru the night #barely scratched the surface on how this all ties in with believing and shit #i thoguht about including the hollow bastion kh1 riku and sora reunion and the beast resolving to keep going #for belle #and how he ended up there by believing #against the impossible odds #but theres already so much here #I will probably come back and edit this post later but i just want to post it now

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luck-of-the-drawings · 2 months ago

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OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

#jrwi fanart #jrwi show #cw blood #cw gore #jrwi suckening #jrwi suckening spoilers #vex waylin #viv waylin #MY FAVORIT EP!! HAVNT SEEN IT IN FOREVER THO BC WELL. IM BUSY. SO BEAR W ME IM RUNNIN OFF ALOTTA MEMORY FUMES #ALSO EDIT BC FUUUCK I HADMORE TAGS BUT TUMBLR FUCKEN ATE EM. OH WELL. MY DMS R OPEN IF U WANNA UNLOCK RAMBLES.#I LOVE THE WAYLIN TWINS SSSOO FUCKING MUCH IM SO!!! CURIOUS ABOUT THEM!!! WHO WERE THEY WHEN THEY WERE HUMAN? HOW LONGVE THEY BEEN ARND?#I LOVE IT WHEN PPL SAY ITS LIKE THESE TWO WERE MADE FOR MMEE BC YES!! YES!! ITS EVERYTHING I COULD EVER WANT FROMA CHARACTER!!!#I LOVE THEIR RED WHITE N BLACK COLOR SCHEME. I LOVE HOW THEYRE BOTH SO INTELLIGENT AND GENIUS N YET THEYRE DUMB AS FUUUUCK #COOOMICAL SUPER VILLAINS. OOH ILL GET YOU NEXT TIME SHAMIA SHAMAI!!! HOW DARE YOU FOIL MY PLAN!! MY PLANS OF MUTILATING AWAKE N ALIVE PPL #COMICAL AND YET. GENUINELY HORRIFYING. VIV CAN MAKE UR BONES EXPLODE JUST BY THINKING ABOUT IT. VEX CAN BECOME SOUP #WHY DONT WE TALK ABOUT THAT MORE? THE TURNING INTO RED MEAT SLIME?? METAL AS FUUUCK. I ALSO LOVE HOW SCARED THEY GOT SO QUICKLY #THIS LIL FUCKEN RRRRRAT COMES IN. AND WELL. HES JUST LIKE ALL THE OTHERS. WE FUCK HIM UP N TOSS HIM INTO THE SUN N LET HIM BURN #SURE HE HAD ONE MORE TRICK OF REBELLION UP HIS SLEEVE BUT THE SUN HAS TAKEN HIM NOW. ITS FINE. WE'RE FINE. HEY IS THERE SMTH IN THE CEILING #OHHH WE KILLED HIM ONCE N HE CAME BACK. WE KILLED HIM AGAIN N TOOK HIM APART BUT THEN HES BACK?? HE GETS AWAY AND THEN. COMES BACK. AGAIN.#WE CANT GET RID OF HIM. THAT FOUL SHAMIA SHAMAI. A MOUSE IN OUR KITCHEN. FUUUUCK HES GONNA SPREAD DISEASE! KILL IT! KILL IT!! AAAUUGH FUCK!#I LOVE THAT THE WAYLIN TWINS AGREED TO HELP THE BLONDE TWINS MOSTLY ON THE BASIS OF 'IT WOULD BE FUNNY' BUT ALSO #OOHHH WE ARE SO CLOSE TO REACHING SOMETHING TO MAKE HIM NNEEVER FUCK WITH US AGAIN. HIS ILLUSIONS WILL HAUNT US NO LONGER #THEY WERE SSSOOO PARANOID W ALL THE CAMERAS AND BOMBING THEIR OWN LAB AND RUNNING AND RUNNING AND GETTING AWWAY FROM THIS FUCKEN! MOUSE!!!!#OHHHH I THINK IM RUNNIN OUTA ROOM so ill talk about da art real quick.BEEN WORKIN ON THIS FOR A WHIIILE.ALOTTA THESE were started when the #ep came out.so OLD!! BUT DONE!!and im very very happy w my colors n gore n EXPRESSIONS!! the top right corner comic keeps making me chuckle #I ALSO rly love the lil convo between arthur n viv.theyre SO CUTE TOGETHERR they should go ona museum date together or somethin #they need more time to just talk abt da World together.ALSO CAN I BE PETTY.I MADE ARTHUR UGLY CORRECT-STYLE #THESE BOYS KNOW NOTHING OF UGLY.I MADE THE VAMPIRIC FLESH EVOLVE N ROT N BLOSSOM AND THERE IS SQUIRMING WITHIN THE TENEBRAE #UHHH IEAH THIS GUY W A ROTTED N DISTORTED FACE WALKS INTO MY BIKE STORE IEAH IM SCREAAAMIN LIKE WADDA HELL!! MONSTOR!!!

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occidentaltourist · 10 months ago

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bbc: Some sweet #Silvacre content for your FYP ❤️

#silvacre #suranne jones #rose leslie #vigil #the bbc making a silvacre fan edit was a pleasant surprise :)#i saw the streaming numbers for vigil 2 were very good (understatement)#which makes an s3 at least a possibility #if they can write a story suranne and rose would sign on for #i'm counting on what suranne said that the continuation of the love story is a big part of what brought her back #the series does a good job creating dramatic tension and conflict within a happy relationship that doesn't involve cheating or one dying #if they do a 3rd season i hope that continues #i mean the series started with amy in the worst possible place emotionally and psychologically so surely they wouldn't go there again #s2 with its wlw mlm solidarity/parallel storyline and giving us more insight into amy and how far she's come since s1 #on top of all the other things i liked this season (which i enjoyed quite a bit in addition to the ship)#at heart it's very critical of the british government and military/war machine and some reviews seem to have missed that part #anyway i'm pleased as punch that a prestige bbc drama has two women in love at its center and a lead as compelling as amy #and that it's pulling in the numbers even without the submarine and claustrophobia (admittedly a cool premise)#keep making the fanvids bbc social media team we appreciate you #queue

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morrigan-sims · 1 month ago

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“I should have known that it was only a matter of time before she found me again. I’ll end up dead, or back in her hold. I can’t decide which is worse.”

#ts4 #ts4 edit #the sims 4 #sims 4 edit #my edits #ts4 render #sims 4 render #my renders #dnd edits #dnd renders #oc: Rook #blood tw #bruises tw #imprisonment tw #let me know if I need to tag this as anything else. I'm well aware this is a really heavy render.#sorry the caption is so long. it's a direct quote from a conversation Rook had with another party member almost a real-life year ago.#and it was followed up by that party member saying ''I'm not going to let that happen.''#but then that motherfucker DIED and failed to keep his promise.#so Rook is back in his own personal Hell: the hold of the ship the Sea Snake.#I'm super fucking proud of how this edit turned out though.#like so fucking proud. It really did nail the vibes I wanted it to have AND I popped off on the editing.#before and after coming up shortly.

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rays-of-fire-and-ice · 3 months ago

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An Unwavering Light - Chapter One

Rating: T/Teen for violence (in certain chapters), coarse language, and mature themes, including ones about trauma and depression.

Setting: begins before the confrontation with Aizen and co. in Fake Karakura Town arc, and goes from there to the manga's end.

Synopsis: During the confrontation against Aizen, the unthinkable happens. For Hitsugaya, a vow is broken, and for Hinamori, her future is unknown. With everything in shambles, how can they piece their lives back together? Or their bond?

AN: And so it begins. This has been years in the making, starting very close to when I first read BLEACH. Thank you to everyone who voted in my last poll, where the story of Toshiro and Momo's reconciliation was the winner.

For those who haven't been following me, this fic is primarily about how Toshiro and Momo reconcile after Aizen's defeat. While this will be a chaptered story, I aim to write most of these chapters as though they could be standalone fics, so if you haven't reach the previous chapter, you hopefully don't feel out of the loop.

This story will be a long one (at this stage, I’ve planned for about 20 chapters, but we’ll see how we go) and is based on this massive list of headcanons I wrote last year. It will include scenes from other fics I’ve written (and were inspired by/based on the headcanon list to an extent) but either from another character’s perspective or changed in some ways.

This first chapter was a hard one to write. I have never really explored what happened to Hinamori in the months leading up the Fake Karakura Town arc, but I knew it would involve coming to terms with her trauma and accepting, in part, that Aizen was not the man she thought. It would also involve her having to find the strength to go confront him on the battlefield. I hope I did her justice in this chapter.

Finally, the figurines Hinamori has in her room are based on these dolls from Usaburo.

With all of that out of the way, let's get started! I hope you all enjoy this!

Disclaimer: BLEACH and it’s character’s belong to Tite Kubo.

Next chapter >>

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She was surrounded by darkness. She turned – or at least, thought she’d moved to turn – to search around her. She open her mouth to speak to the void around her, but heard no voice come from her throat. There was nothing to feel, hear, smell or see.

Has she done it right? The instructor had warned her she may not get there until another few attempts.

Then, after a blink, something small and bright sprun to life. Even from the long distance she stood at, she knew it was flames, resembling a campfire. She frowned when she couldn’t see any wood or kindling burning, the fire simply burning on it’s own.

She’d always been wary of fire, especially when it was not one within a firepit or a lantern, but she knew in her gut this one was not like others. When the voice comes form the flames, a whisper that gradually becomes a call, she stepped towards it.

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The curtains flutter in the gentle breeze, brushing over the windowsill in slow, undulating waves. Outside, one the division’s zanjutsu instructors yells commands at those in his class, nearly obscuring the chirping of a nearby bird and the chattering of officers that pass by underneath the window.

Hinamori listens to all of this and watches the shadows of the curtains dance across her quilt. There’s something hypnotic about it, almost meditative.

She wants to stay in this trance, be lost in it for a few moments longer. Her head is heavy, but empty for once. She doesn’t let any particular thought stick or take hold, just lets it be vague and pass by until it fades, like the afterimage of a bright streak of light.

But one thought persists. A memory, too recent and fresh to forget. She let’s it go by, but it keeps coming back, trying to get her attention.

It’s a minute later when a leaf blows in, landing on the quilt, just below her knees. She frowns at it, and her furrow only deepens when another joins it. They’re different shades; one a golden brown, the other flame red. Autumn is here, but it only felt like summer yesterday.

She tries following the curtains’ shadows again, but the leaves broke her concentration, and the memory creeps closer and closer, until it’s all she reflects on.

Hitsugaya’s face comes to mind, eyes wide and lips parted, speechless at first. It had been the first time she’d properly seen him in weeks – not in streaks of color while rushing at him with her sword raised, or at a distance while following him to Central Forty-Six. Ad she's stood before the screen, sorrow and guilt had outweighed the small flutter of gratitude that he didn’t turn his back on her. The way his expression had softened to one of concern, it makes her heart ache just as much now as it did then.

He cared, even after everything she did against him, he cared.

When he’d told her, in his own way, that an apology for her actions wasn’t needed, she’d never felt so relieved in all her life. She wouldn’t blame him for not forgiving her, but she didn’t know what she’d do if he hadn’t. She dreaded the idea of them growing apart and becoming strangers to each other.

She’d never thought of a life without Hitsugaya, as if somehow he would always be there until the very end.

But then, she’d never thought of a life without Aizen either.

And it was this same way of thinking that had led her to asking Hitsugaya to not kill her captain – former captain, she tries to correct. Her request had broken what little peace there’d been between them, and she’d become so lost in trying to justify it to him and to herself she doesn’t remember how Hitsugaya’s face looked, nor did she notice Yamamoto cast hakufuku on her. When she next awoke, it was in her room, with Isane at her side.

With a deep breath in, one that lifts her shoulders and chest, some of that weight in her head shifts, coming forward to make her neck crane forward. She had been granted an opportunity to make things right, and she had wasted it.

Yet, for all of her guilt for her actions against Hitsugaya and others, and for the shame of losing control in front of the Captain Commander, she can’t shake off the belief Aizen never meant for any of this.

Someone had to be controlling him, or something must have overcome him and compelled him to turn his back on all of them. She knew him. She had been by side for most of the time she was his lieutenant. He had told her things some of the other officer never knew – his favorite books, about the house he grew up in, memories of his student years at the Academy, even his favorite stalls in the Junrinan. Surely he would never do something so harsh without a good reason. He’d always said that to fight for something right and good you sometimes had to go against the laws set up others, after all.

But it doesn’t stop it from making it right that he'd left her behind. How could he have left Fifth Division behind? Why had he?

A knock breaks her reverie. Her throat is coarse from heavy breathing, and her hands on verge of cramping from clutching her quilt.

“It’s Funai-kun and I, Lieutenant,” comes Takagaki’s voice from behind her door.

Hinamori shakes her head and clears her throat, trying to take out the nerves out of her tone. Then, she manages to lift her lips into a smile. “Come in.”

Takagaki slides the door open, allowing Funai to walk in with Hinamori's lunch on a tray. Both are Fifteenth seat in the Fifth Division. If they saw any of her previous anxiety, they didn’t betray it with their own polite smiles.

“I hope we didn’t disturb you,” Takagaki says, trailing into the room.

Hinamori shakes her head. “It’s all right, I was getting a little peckish actually.”

“Guess we came just in time,” Funai chuckles. “Takagaki-san here made your meal today.”

Takagaki looks away, a slight flush colouring her cheeks. “I’m not a great cook, not like others in the Division. I hope it tastes okay.”

“I’m sure it’ll taste great,” Hinamori reassures. “You’ve been taking lessons from Hanae-san from Tenth Division, right?”

Both Funai and Takagaki blink at that.

“Y-Yes,” Takagaki eventually answers. “It’s been me and a group of other seated officers. He’s taught us a lot since we started.” Her smile returns, now thoughtful. “Um…thank you for remembering, Lieutenant.”

Hinamori’s lips widen into a grin. She tries to remember small things about her subordinates, and she at least still has that ability with her now.

Takagaki nods to Funai. “I better get back to the kitchens. I’ll leave the rest to you.” Then, she bows to Hinamori. “I hope you enjoy your lunch, Lieutenant Hinamori. Please let me know if there’s anything not to your liking.”

“I doubt that will be the case. Thank you for preparing my meal.”

After Takagaki leaves the room and Funai starts to lower the tray, a stronger gust of wind blows through. It gives him pause; then, he spies the leaves. “Apologies, Lieutenant, I didn’t see them until now.”

“It’s all right. The wind is pretty strong, I suppose,” Momo offers lamely. “I should’ve picked them up before."

Funai only chuckles nervously and puts the tray on top of her set of drawers. He picks up the leaves and throws them back outside, then goes to lean forward and close the windows.

Hinamori raises a hand. “No, allow me. I should’ve done this earlier.” She pulls the quilt aside and angles over to the window. While pushing the curtains aside and closing the windows, she tries to ignore the disquiet stare boring into the back of her head. It’s as though she is a fragile vase, at risk of tipping over.

He’s being kind, she chastises to herself, he cares about you. Everyone here does.

Windows closed, she sits back again and Funai visibly relaxes.

“How is everyone?” Hinamori asks, trying to distract both herself and him. “I could hear one of the instructors out there before. Sounds like he’s working everyone hard.”

Funai retrieves her lunch and lays the tray over her lap. “He certainly is. Everyone is keen to learn, of course.” He shrugs. “Otherwise, it’s business as usual. I’m sure Isawa-san could fill you in on more details.”

Hinamori nods. After giving thanks for the meal, she takes up the chopsticks. “Have you been drawing or painting lately?”

The answering smile is similar to Takagai’s one from earlier. “Ah, no, not recently. I haven’t found much inspiration lately.”

Hinamori frowns while taking up a heap of rice. “I hope it’s not because of work.”

“Oh, no! Of course not!” The nervous edge to his voice says otherwise. “It’s just a dry time for my art, that’s all. I’ll find a bit of inspiration at when I have time, you know how it is.”

It takes everything within Hinamori to not let her mind wonder to the implication he’d unintentionally brought up. Still, her gaze briefly darts to the sketchbooks lining the bottom shelf of her bookcase. Something flickers across Funai's face, akin to a look of horror, but at her unfaltering smile, he manages to hide it with a clearing of his throat and looking off to the side. “A-Anyway, I’ll leave you be. I’m sure you’ll want to eat in peace, and I have to find Hirose-chan.”

Hinamori blinks at the honorific. Had they gotten closer? She has to resist the urge to grin, the previous pang of darkness falling back, while picking up a tamagoyaki. “Her gardening group, I suppose?”

“Yeah, just maintenance this time.” He gestures to the window. “Being autumn and all, not many plants we can put in the ground, I guess. Not that I know much about gardening.”

Hinamori chuckles. “That is for Hirose-san to know.” She bows her head at the same time he does. “Thank you for bringing me lunch. Please tell Takagaki-san it’s delicious.”

“I will.”

“And…”Hinamori raises her head. “I hope you find inspiration soon. Please remember to not strain yourself with work.”

Funai gives a tense nod. “Thank you, Lieutenant.”

Hinamori watches him leave, not returning to her meal until the door closes. She’s lost her appetite, but doesn’t want to leave the dishes empty. With the window closed, the orders of the zanjutsu instructor are muffled, the wind swooshes against the walls, and save for her chewing and the clinking over chopsticks to bowls and plates, all is silent in her room.

It leaves her with nothing to do by ruminate, and that all too familiar heavy haze sets back into her head.

__________________________________

You do not need pity.

The room is dark save for a thin beam of moonlight cast on the wall. It had been silent until now, and Hinamori can’t remember what she’d been thinking about for the last few hours.

She twists on to her left side, facing Tobiume. Her zanpakuto is propped up against the wall, next to her set of drawers, the hilt shining dully.

It’s coming from a good place, Hinamori responds. They mean well, and they care.

Even so, pity is not what you need, Tobiume argues. They should see you as the leader now that he’s gone.

A pang runs through Hinamori’s chest. Even the implication of him hurts. I’m not fit to lead.

Because you haven’t done anything to change things! Simmering heat radiates of the blade. We need to do something, or else we’re stuck here!

“I know I should! You don’t have to…” Her eyes burn with the threat of tears. Tobiume has been more temperamental than usual in the last few days. You’re angry with me.

The heat falters, and gradually cools to a warmth like that off a candle. No, I’m not. I want to see you get better.

Hinamori sighs. Pushing her quilt aside, she slides out of bed and kneels before her weapon. She ignores how much effort all of her movements seem to take, as if someone had tied weights to her limbs.

“I’m sorry it’s taking me so long,” she rasps. “I want to get better, but I don’t know how. It’s all so confusing.” She stares down at her knees, her forehead almost touching Tobiume’s scabbard. “You’ve always been there for me, and I take it for granted.”

You’re stronger than you realise, master. Do not doubt your skills.

Hinamori shuts her eyes and remains silent. It feels like everything she had learned and improved on is gone, vanished like Aizen. It's as if he took them with him, and all that is left within her is everything weak.

This is why you do not need pity. You risk stewing in it. If you continue to lie here, your mind and skills will grow dull, but they’ll never vanish. You’re strong, and you can always be stronger, but you are still strong. You need to show them you are not broken.

Hinamori sighs wryly. “It wouldn’t be the truth though. How can I be strong when all I want is for everything to back to what it was before?”

And with that she stands and returns to her bed. Tobiume is silent for the rest of the night.

__________________________________

Aizen is always in her dreams. Sometimes they start with him as the benevolent captain she knew, then he morphs into the cold figure that stood over her while she bled out. Other time, he has morphed into something monstrous, grinning at her and telling her she’ll never leave him, that she’s too devoted to him.

Waking from these nightmares becomes less of a shock with each one.

__________________________________

“The gardens are looking great.”

Genji raises his head from the paperwork he holds. “Hm?”

Hinamori points out the window to the next courtyard over. “I’m guessing that’s Hirose-san and her group’s work. It looks like they removed some plants and trimmed the bushes.”

Genji smirks. “It took quite a bit of effort. I may have been dragged into it too.”

Hinamori chuckles for the first time in weeks. “She has a way of pulling us into it, doesn’t she?”

Setting aside her longing to be with her division members with a sigh, she turns back to Genji. Ever since she began her recovery, he would visit every few days, sometimes bringing her a meal, other times just to check in on her and converse about casual going-ons happening around the division.

Today, however, she couldn’t help but be hopeful when he entered with the documents in hand. “Did you need me to look over those papers?”

“No,” Genji says, shaking his head with too much vigor. “These are just my notes from today’s Lieutenant’s meeting. I believe you should know what was discussed.”

“Oh…” Again, she has to set aside her disappointment, this time with a forced smile. “Then, please tell me.”

Genji shifts the chair – a new piece of furniture that’d come not long after it was decided she needed to rest and recover in her room -- closer to Hinamori’s bed and tilts the documents for both of them to see. As he speaks, he points to the relevant lines for her to read. “We have been asked to take on more surveillance in our jurisdiction. Given recent…events, the Captain Commander felt it was best to maintain a watchful eye over all areas of the Soul Society and World of the Living to ensure the Arrancars don’t breach any of the recent kido defenses we’ve put up.”

Hinamori frowns. “These numbers…he wants more than half of the Division’s performing these duties.”

Genji only nods.

“But what if they’re needed for…?” The thought of the impending conflict makes her stomach churn.

Genji sighs through his nose. “There hasn’t been any intel from Twelfth Division about when that battle may be. They still predict it will occur in winter.”

Hinamori presses her lips together, and in the silence, tries to banish the memory of her asking Hitsugaya to not kill Aizen. She tries to understand why this strategy bothers her, as though something were missing. No, as though something were being kept away from her. “We have to be prepared by then. The zanjutsu and kido lessons won’t be enough.”

Genji’s shoulder tense a fraction. He doesn’t meet her gaze as she says, “Yes, of course, Lieutenant.”

“Oh, no, I…” She raises a hand, tempted to lay it on Genji’s shoulder, but then thinks better of it. “That wasn’t a critique of how you’re running the Division! You’re doing an exceptional job, especially given the circumstances. I feel much better knowing you’re leading everyone right now. I don’t intend to keep you in such a position for long, though, and I’m sorry this is the way things have turned out. I want to support you, however I can.”

Genji is slow to smile, and his eyes become glassy. Hinamori senses it’s not from sorrow or concern. He bows his head to her. “Thank you, Lieutenant. But please, continue to rest and recover. Everyone is cheering you on.”

Hinamori swallows against the tightness building up in her throat. “Thank you. I’ll keep doing my best.”

__________________________________

The occasional whispers don’t escape her. Whether they’re just outside her door or window, or a simple look exchanged between two of her officers, she knows what they’re not saying to her

“I heard the Lieutenant is still unwell. I hope she gets better soon.”

“I only transferred to the Division a week before Aizen’s betrayal. It’s so sad here.”

“I wish Captain Aizen were here.”

“How can you say that?!”

“Isawa-san seems really tired these days.”

“Did you hear about the new plan? You think they’re trying to distract us from the war?”

“The Lieutenant seems to be in a bad way.”

“Don’t talk so harshly! Lieutenant Hinamori will recover, she’s strong. She'll definitely get better."

“…But what if she doesn’t?”

__________________________________

Why had she become a Shinigami?

It’s a question that floats to the surface of Hinamori’s mind almost every night while she tries to sleep. Every time, she pushes it away, afraid of how the answer will lead to Aizen.

__________________________________

Hinamori dreams of the first time she saw Tobiume. She’d come to her as a fire, small but steady, in middle of a dark space. When she’d walked towards it, Hinamori gradually felt dry grass beneath her feet, and her arms brushed branches and leaves. The air was cold, but warmed as she neared the flames. The strongest smell was of burning wood, but beneath it is the slightest hint of something sweeter and floral.

A voice had wafted from it, a whisper at first, then growing louder as she approached the fire. She couldn’t comprehend what the voice was telling her at the time, but she knew she needed to listen, that whatever it said was important.

When she came to a stop, the flames continued to dance in front of her, memorizing and strangely familiar. Going against every instinct she’d had from childhood, she reached out to the scorching heat. To her surprise – and a disappointment didn’t understand – the fire lurched away from her. She leaned further in, and still it avoided her, diving in and around her hand no matter which way she angled it.

The voice had stopped too, and save for the sizzling and crackling of the flames, there was silence.

When Hinamori wakes from this, she doesn’t feel relieved to have had a dream for once that wasn’t about Aizen. She dwells on the silence until it’s buzzing in her ears.

__________________________________

Though Hinamori rarely does so, she’s allowed to leave her room for brief periods. For her visit from Nanao today, she meets her in the Division's gardens. Sitting on a bench under a Japanese maple, the sun is warm on her face and hands and the breeze, though cool, is gentle. It's not usually this warm in September, but she's glad for it. It’s been a long time since she was outside, and she takes in long breaths of fresh air.

For a moment she wonders why she didn’t step outside more often, but maybe it was the nature of the restrictions put on her. It was meant to ensure her recovery, that she wouldn’t strain herself by going to far and making herself more fatigued than she already is. She can’t help but think it’s for another reason, one she dismisses quickly.

“I think you’ll find this one interesting for it’s plot.”

Hinamori takes the book from Nanao. “Petals on the Wind. It looks…different.”

“It’s from the World of the Living,” Nanao explains. “I got it when I was posted on a mission last time. It has an intriguing mystery that kept me guessing and a slow build up for the relationship between the two main characters. There’s references to events and devices from the World of the Living, however, so you may need to set it aside every now and then to do some research.”

Hinamori places it atop of the latest editions of Seireitei Communication at her side, then gestures to the second book Nanao holds, Another World Through a Flower Pot. “And that one?”

“It’s written by a former officer of the Ninth Division. It’s about the lives of two women, one from our world and the other from another world, who can communicate with each other through a flower pot.” At Hinamori’s raised brows, Nanao chuckles. “I know, it sounds strange, but it was oddly touching. Trust me, you’ll like it.”

“I've always trusted your judgement.” Hinamori takes the other book and puts both of them in her lap. “Thank you for these, I really appreciate it. I’ve run out of books to read in my room.”

“It’s no trouble, I had a feeling that would be the case. You've always been a fast reader.” Nanao adjust her glasses, raising them further up the bridge of her nose. Behind them, her eyes are soft with sympathy. “We miss you at the Women’s Association meetings, and I miss our discussions about books.”

“Well, you’ll have to come by again once I finish these.” She pats the stack of books. “ I miss our discussions too, I don't get to talk about what I read with a lot of people. I’ll be sure to send a message to you when I’m done reading these.”

“Please do.” Nanao's smile slowly falls and she looks to the side, rueful. “I’m sorry, but I have to return to the barracks. Captain Kyoraku and I have to go over some reports, and you know how he can be.”

Hinamori can’t help but sigh. Despite the obvious hesitations from her fellow lieutenant – in her pauses before she spoke and the concern she would catch in her gaze at certain points -- this short time with her had been the closest thing to normal she’d experience in months.

“I understand,” she says while they both rise from the bench.

Nanao pauses mid turn. Pursing her lips, she looks back to Hinamori. “I know I asked before, but…are you really all right?”

Hinamori forces a smile. “I know how it may seem, but I really am much better than before. I’ll be back to my duties before you know it.”

Nanao puts on a forced smile of her own, unable to hide the concern from her eyes. “Of course.”

“I’m afraid I can’t accompany you to the main entrance, I’ve been told I shouldn’t go any further than the main barracks and it’s courtyards.”

“It’s quite all right, I’ll see myself out.” Nanao bows to her. “It was good to see you. I’ll be sure to visit when you've read the books."

“I’ll look forward to it.”

Hinamori watches her leave. As soon as her friend is out of sight, she falls back against the bench. This fatigue isn’t getting any better, but the weight in her mind is floating somewhere far away. She tries to keep it that way as she straightens and slowly returns to her room.

__________________________________

While reading the Seireitei Communication that evening, Hinamori gets stuck on the haiku poem submissions from Izuru. They all speak of nature, but differ in certain ways; one is about change, another about autumn, and another about the unknowable quality forests can have. As always, she enjoys them and can understand why he has a following for his writing.

She sometimes extends her sense to check on his reiatsu. When she can sense it, it’s as she’s always known it: a strange swirl, dark and weighed down, but not unfriendly.

She wonders if he ever contemplates coming to see her. She’d been told he came to visit her a twice while she was unconscious in Fourth Division. She’ll apologise for her actions when she next sees him. Knowing him, he will too.

Maybe they’ll just pick up where they left off, discussing their divisions’ matters and then move on to their hobbies or how they can get Renji to come with them for a dinner. They can reminisce about their Academy days. But given what happened, can they still do that?

No, she knows, it can’t be like that. They’re changed now. She considers him a friend still, and if him visiting her was any indication, he still does too, but there’s no telling what their friendship will look like now.

Maybe, if she’s brave enough and can see it won’t affect him too harshly, she can ask him how he’s coping with Ichimaru’s betrayal. It will be to comfort him as a friend, but selfishly, it’ll also be to see if she can learn anything from him. Did he have nightmares about what happened? Did he still cling to how Ichimaru used to be? Did he wonder why he betrayed them or believe he had a good reason to?

She shakes her head. She won't burden him with such questions. She already does it to herself, and it only makes her head heavy and her mind spiral far away from the present.

__________________________________

She often asks Genji if he’s heard word about how the advance team are doing in the World of the Living. He always shakes his head and says, “Nothing yet, Lieutenant.”

Why had they not received word from them? Were they struggling? Were they communicating with the Soul Society at all? They must be, otherwise there’d be rumblings amongst the captains and lieutenants and a new team would be sent to retrieve them. Was the information they were sharing something only the Captain-Commander is meant to know?

Sighing through her nose, Hinamori takes a sip of the tea Genji had brought her and leans back against her pillow. She watches the rainfall outside and listens to it pattering on the roof. It must be this weather that has her thinking about Hitsugaya.

The last time she saw him arises in her mind again. This time, however, she tries to recall his surroundings. She’d been so focused on him, they’re blurry, but she remembers a window and a floor similar to the ones in the Soul Society. There was a cabinet behind him, with photos on top and other items. Was there a small shrine there too?

Then there as what he wore. It was the first time she saw him wear anything from the World of the Living. If not for the gravity of the situation, she would’ve dwelled more on how strange he looked. She’s grown so accustomed him to seeing him in uniform and with his haori. Without them, he’s closer to looking like the Soul she first met the in Jurinan.

To think he’d once never wanted to be a Shinigami. He’d planned on staying with his Granny, taking care of her and their house. She wasn’t blind to the way he was treated, it dawned on her not long after she was seen with him in public. She never understood why he was ostracized by her friends and the Junrinan's residents, but in more recent years, she began to wonder if his powers had something to do with it.

Bowing her head, she looks at her reflection in the tea. She’s not like the girl from the Junrinan she once was. She seems so far away now, almost forgotten. Where did she go?

__________________________________

That night she again dreams of when Tobiume first came to her. Only this time, Hitsugaya is on the opposite side of the flames. He looks like how he did when they were children, his young face and his green yukata illuminated by the firelight. He looks into the flames, and doesn’t respond when she calls out his name.

He only takes notice of her when she’s at the fire.

“What’re you doing here?” she asks. She blinks at the sound of her voice. She sounds younger and looking down at her arms, they're shorter and her fingers lack callouses. Is she younger too?

“You told me to come here,” he says, like it should be obvious.

She frowns at him. “I did?”

He slowly walks around the fire to stand at her side. “The others couldn’t make it,” he says, folding his arms. “They’re too busy.”

“Others?”

“Ayumi and Tatsukichi.”

“Oh…Why did I want us to gather here?”

His brow furrows deeper and gives a stuff shrug.

Hinamori looks around, but the firelight only shows the two them. “Did I also ask Kira-kun, Abarai-kun, and Rangiku-san to come?”

“Who?”

“They’re my friends too.”

“I don’t know them.”

She doesn’t know why she asked. This is clearly a Hitsugaya from the past, but there’s something about him that doesn’t quite fit how she knew him at this age.

He jerks his chin at the fire. “This thing doesn’t like me.”

She blinks. “What do you mean?”

He pulls the sleeve back from his arm and raises it. There are rivulets of water running down his skin. “See?”

She acts on instinct and grabs his wrist to pull him away. She freezes when can sense rather see another presence. She subtly tries to search, but Hitsugaya still sighs. “What’s got you distracted?”

“Don’t move, Hitsugaya-kun.”

“Ha, you finally call me by name.”

“Shh!” Then, quieter. “There’s someone else here.”

Rather than the roll of his eyes and comment about her being paranoid like she expects, his eyes widen and his posture tenses. This alertness reminds her of the Hitsugaya she knows in the present. “Where?”

“I’m not sure, but they’re here.”

She can sense they intend to harm them. Heart racing, she thinks to search for a weapon but can’t see anything. She could feel around for and break off a root or a branch, but she knows it’ll be useless against whatever this is.

The fire, as if picking up on her panic, has become erratic. The flames dance in every direction and grow taller, twisting around as embers fly high into the darkness and fall around them.

Then it comes to her, as if it were the most obvious solution.

“Hitsugaya-kun, we need to get into the fire!”

Hitsuagaya stares at her as if she’s lost her mind. “What?!”

She’s already backing herself into it, and with her grip on his wrist, she’s pulling him along.

“Let go of me, Hinamori!” he yells, struggling to get out of her grasp.

“It’ll be okay, Shiro-chan,” she tries to reassure, even as she feels her hand slicken with the water forming on his arm.

Her back is scorching when she steps into the fire. Just as she knew, it doesn’t burn her. It feels right to be in here. She stops halfway in. “This fire will protect you,” she promises. “It’ll never hurt you.”

“We can’t go in there!” he yells. "You need to get out of there!"

It’s as if she snaps out of a trance. Despite how right it feels to be in these flames, it’s wrong to bring him in here. As a tear falls down her cheek, she releases her grip. Hitsugaya's arm, having struggled to break free, goes flying in an arc. Water drops fly off his limb and evaporate in the hot air.

This fire was ignited by her, but it’s not for her. It’s not Tobiume. The realization comes to her as a flare of pain races up from the soles of her feet up to her head. Then, from the darkness, another hand clasps Hitsugaya’s wrist. With a scream, she tries to reach for Hitsugaya from the flames. Her hand, though whole, feels as if it’s on fire.

“No!” she screams. “Let him go!”

Hitsugaya repeatedly smacks and kicks the attacker behind him, showing none of the combat training he'd learned for decades. It does nothing to loosen the grip they have on him. Then, above his head, there’s a cold smile from the being.

“I’m sorry!” she cries out to Hitsugaya as the being's face comes into the fire light. “I’m sorry!”

Hinamori flings up from her sleep with a strangled sound caught in her throat. Her arms are out in front, as if still reaching for her childhood friend. She stumbles into the bathroom to wash the thin sheen of sweat from her face and shaky arms. After changing into new robes, she lies back down a few minutes later.

She stares at the ceiling, watching it turn from dark grey to pale yellow as the sun rises.

__________________________________

The next day, Hirose, one of the Division’s Twelfth seats, comes by with a bunch of flowers. Hinamori can’t help but grin when receiving them, her mood lifting for an instance at the sight of the bright chrysanthemums and cosmos.

For a moment, there’s a sense of the old normality, but she tries to not let it stray too far into the past as she chats with her subordinate. It becomes harder when Hirose spots a vase on her bookcase and uses it to put the flowers into. It’s one she’d bought many years ago. She had hoped to one day put it on her desk when she became a Lieutenant, but it never left her old or current quarters.

__________________________________

It’s three days later when Hinamori is in the middle of reading one of Nanao’s novel and she remembers Rangiku’s birthday was yesterday. She hasn’t returned from her mission in the World of the Living, that gave Hinamori some time to think about what to give her when she was back. She can’t go out and buy anything, and she doesn’t want to trouble her officers with buying something on her behalf.

Hinamori puts the books aside, then with some effort, rises and slips out of her bed. On unsteady legs she comes to her bookcase. She’d read most of the novels stacked on the shelves, but would Rangiku be interested in any of them? She isn’t much a reader, and what little she does read is often limited to magazines and short novels packed with either melodrama or light-hearted content. None of Hinamori’s books contain either of those things, and the only magazines she had were old copies of the Seireitei Communication – ones that feature articles or creative contributions from her friends.

She glances at the purple vase on the middle shelf, still with Hirose’s flowers in it. A few days on, they’re beginning to lose their vitality, with several petals already drooping and fading in colour, and their sweet scent is developing a sour undercurrent.

Next to it are tiny figurines, a gift from Hitsugaya and Rangiku for her birthday a few years ago. They are of a boy, short-haired and in a blue kimono, and a girl, pig-tailed and in a floral white and red kimono. Their proportions are reduced to two spheres each – smaller ones for their heads and bigger ones for their bodies. They stand next to her each on their tiny platform and beam at her. For a moment, she can’t help but smile back at them. To this day, they still remind her of her and Hitsugaya when they were children. She’d even been tempted to paint the boys hair white not long after receiving them, but was too embarrassed by the idea.

There’s nothing here she wants to part with, and she scolds herself of even thinking of giving Rangiku something she has here rather than give her something new.

Her gaze floats down to and lingers on the sketchbooks on the bottom shelf. Perhaps she can draw her something, but what? Hinamori had always wanted Rangiku to sit for her to draw her portrait. Or maybe a simple letter, apologising for actions and telling her how much her friendship means in times like this. It isn’t much, but it will have to do for now.

Withholding a wince, she bends down and takes out the newest sketchbook. As she straightens, she opens to a blank page. But it’s not. It’s of a drawing, one that gives her pause. Then, sends a wave of nausea through her and a slip of cold rippling her back. Her breath catches in her throat, and she drops the book as if were on fire.

It doesn’t snap shut, falling with the portrait facing up. One of many, she knows. She stumbles back to her bed, almost tripping over her own feet and unable to look away from her drawing of Aizen. He smiles serenely at her, that peaceful expression she always associated with him. She barely hears Tobiume’s cries over her heart racing in her ears. In that moment, the memory of him smiling coldly at her overlays it for a flash.

She collapses on to her bed, then scrambles for the window and throws it open, heaving a lungful of air. She fights against the urge to throw up, covering her mouth.

“Lieutenant!”

Higuchi, her Seventh's seat, and Genji stand in the courtyard below her window, doused in the orange light of the setting sun and in the middle of a conversation until she forced her window open. In her peripheral, officers and new recruits had been trailing into the main barracks, but stopped at Genji’s alarmed cry.

“Hold on, I’ll be there!” Genji calls out as he rushes to the nearest barracks entrance. Higuchi hesitates, then sprints to follow his superior. Most of the officers and recruits move on, but a few linger, exchanging worried and knowing glances.

When Genji and Higuchi reach her room, Higuchi guides her to her bathroom. Still, Hinamori peers over her shoulder at Genji. He stares at the sketchbook on the floor, unmoving and unblinking, wide-eyed. Slowly, he picks it up. Sorrow flickers across his face, but as Higuchi leaves her and shuts the door behind himself -- upon her weak instance to do so -- her Third seat’s face turns to something stony.

She wishes she had Genji’s strength.

The next several minutes pass in a blur. She emerges from the bathroom several minutes later, her stomach emptied and a foul taste lingering in her mouth despite washing it out. While Higuchi helps her settle back in, Genji hurriedly leaves and returns with a glass of water. She has no appetite and requests that noone prepare her dinner. Higuchi, ever paternal, still insists on at least a bowl of chestnut rice, and too fatigued to put up a fight, she agrees to it.

It’s not until her officers reluctantly leave the room she notices the sketchbook has been put back in it’s place. She can’t stand to look at any of them. How foolish she’d been. Had she not been hesitant to look at them weeks ago?

He’s in all of them. And not just there; he’d given her some of the novels lining her shelves, with small messages written on the first page of each.

Tomorrow, she’d ask Genji to move them and the sketchbooks into her closet. She tries to ignore the thought of her cowardice, that she would ask another to this instead of doing it herself. She wants to cry, but can’t find the strength to do so.

At some point, an officer brings her a small bowl of chestnut rise. She doesn't take a mouthful until it’s gone cold and the sky has darkened to night. When another officer comes back, it’s not even half eaten. It sits in her stomach, lying there like she does. Suspended somewhere, heavy and immoveable.

That night Hinamori watches her alarm clock tick over from the last day of September to the first day of October. Another month closer to winter.

__________________________________

Ever since the incident with the sketchbook, she has lain in bed doing little but eat and sleep. She couldn’t even focus on reading or having conversations with officers who came to visit or bring her meals. Genji never brought up the sketchbook, and like others, he became more wary of his words and his gaze ranged from pity to disquiet, more obvious than before.

Isane comes to check on her every few days. They check her physical condition, then she asks her the usual questions designed to her to speak her mind. She's more happy to see her friend than she is divulge how she feels; it should feel as though she were getting things off her chest and letting go of the weights in her mind and limbs. It helps in the moment, but when Isane leaves and Hinamori is left alone, it returns quickly.

She’s never been so tired in her life, nor so heavy in the mind. It becomes worse at night, especially when everyone but her is asleep.

Now, two weeks from the incident, it's no different. She stares out at the gap between the curtains, searching for the stars between the gaps in the clouds.

She faintly recalls star gazing with Hitsugaya when they were children, and even more recently. It's had been last year on her birthday, with her and her other friends. They'd all gone out to dinner, but Hitsugaya only joined them for the stargazing. To see everyone there, happy to be with each other, knowing they could turn to each other when needed, it made the moment one of the happiest memories she has.

It stands in stark contrast to now. Can they go back to days like that? No, not go back. Can days like that happen again in the future?

The thought does not bring the usual self-pity and hopelessness. It sparks something at the back her mind. It's enough to make her want to move.

With what little strength she has, she slides to the edge of her bed and reaches for Tobiume. In the silence, her zanpakuto’s reiatsu becomes a small fire, warm and comforting. The fact she does this, after barely speaking a word to her master, makes a lump form in Hinamori’s throat.

Taking her weapon, she scoots away from the edge, rolls on to her opposite side and lays her zanpakuto over her comforter. Keeping a hand on the scabbard, she shuts her eyes. Tears fall from them not long after.

Hours later, she sleeps without dreams. She wonders if Tobiume somehow blocked them from her, or maybe, she’d reached a state where she’s too afraid to dream but too exhausted to force herself away from rest.

Regardless, she sleeps through the whole night for the first time in months.

__________________________________

It’s a surprisingly warm day, with a gentle breeze blowing through her room and not a cloud in the sky.

Rather than watch the shadows of the dancing curtains, Hinamori closes her eyes and enjoys the warmth. It penetrates through her skin, touching her bones. A glimmer of peace briefly sparks in her heart. It’s like rediscovering a lost but fond memory, or coming back to an old friend.

She at once clings to that ember of peacefulness, but also allows the lump her throat to form and the tears to quietly course down her face. They are not the same as ones she’d shed last night or in the last few weeks when she was alone. They are not of guilt or sadness or hopeless or denial.

Something freeing, something that felt like the unlocking of a door, but not yet the opening of it.

__________________________________

“They’ve really improved with their kido. Even so, I know they miss you’re training lessons.”

Hinamori smiles out at the field of recruits practicing their kido on targets against the far wall. It's most natural smile she's given in a while.

“I miss giving demonstrations,” she admits to Genji. “They’ve all come a long way, the instructor has been teaching them well.”

He grins. “I’ll be sure to pass that feedback on to him.”

They stand above the training grounds on one of the balconies. Even though her mood had been low, Hinamori decided that morning she needed to leave her room. Genji had been hesitant at first, but she brought him around when she reminded him of Isane's recommendation that she get fresh air whenever she felt up to walking around.

Even so, he'd given her a blanket to wrap around her shoulders against the cold winds. It ruffles in the wind now, and she’d rather throw it off, but she knows the officer would worry if she did.

She and Genji continue to watch the recruits in silence. She makes notes for each one, from their postures while casting spells to the resulting beams that strike the targets. She’s heartened to hear the cheers and claps when someone hits a target, and mostly sympathetic encouragement when someone doesn’t. There’s still a sense of comradery, much more so than when she’d been advised to rest months ago.

Still, she doesn’t fail to notice two recruits sitting on the sidelines. They’re waiting their turn, but one of them bows her head. Her friend puts a hand on her shoulder, and it’s as if something in her breaks. She folds into herself and her frame shakes.

Another recruit comes over and kneels before her. He asks her what happened, and Hinamori can catch pieces of what she says. “It’s…I haven’t been able to…Aizen.”

However, her other friend nods sympathetically. “I’ve also been finding it hard.”

“We all have,” says the other. “We…and Fifth Division…stand strong.”

“Oh no,” Genji says under his breath.

“Do you know that recruit?” Hinamori asks without looking away from the scene.

“No, she's new, but…” He can’t finish his sentence. He turns towards the entrance they’d come out of. “I’ll go and see what’s happened.”

Hinamori remembers the whispers, had caught glimpses of low moral from outside her window as officers came and went in the courtyards. She's certain Genji has had to deal with situations like this on an almost daily basis since Aizen left them behind. Something about this moment is different, however, and she can’t stand by and watch anymore.

“No,” she says firmly. “I’ll go.”

Genji frowns at her. “Are you sure? I can handle this.”

She shakes her head and offers a small smile. “How about we both go, then.”

By the time they get to training grounds, the three recruits have been joined by a few more. The concern they show warms Hinamori’s heart, and she’s slow to approach them.

One notices her, then another, and soon, everyone’s eyes are on her. They speak her rank and name, most bowing, other’s too surprised to do so. Seeing them all, up close for the first time in over a month, something shifts in her. The warmth in her chest dims, and in it’s place is something contracting.

She’s seen gazes like this before, on battlefields and in scenes of destruction. Shinigami looking to her for orders, Souls looking for answers. They’re shocked by her unannounced appearance, but just as quickly, they’re seeking from her. It’s the same gazes they gave to Aizen, looking to him, up to him. Knowing he would lead them to right place, to sooth their hearts and deal punishment to Hollows who threatened their world.

He would go against the laws if meant championing a greater good. She keeps staring at her subordinates, and for the first time in far too long, anger simmers in the pit of her stomach.

What good reason would he have to leave us behind?

“L-Lieutenant Hinamori.”

She snaps out of her reverie. The crying recruit, still supported by her friend at her side, bows her head. “I-I…F-Forgive me, I-I’m not…”

Hinamori breathes, her shoulders rising a fraction before lowers. Then she bows her to. “It’s all right. I didn’t mean to draw attention.” Then, straightening up and addressing everyone. “I was watching your progress with Isawa-san. I didn’t want to interrupt your training, forgive me.” When no one speaks, she thinks to fill the silence. “I know I haven’t been present for the last month, but I can see you’ve all greatly improved. When I’m in better health, I hope return to giving demonstrations and assist you in becoming even better.”

She’s emboldened by the smiles and nods from some around her. “I know these three months have been hard on everyone,” she says, loud enough that her voice echoes around the training grounds. “It hasn't escaped me, and I am deeply sorry that I have not been there to lead you all. I am getting better...but Fifth Division is nothing without it's officers. Without your all of support and strength, we would not be where we are today. So, please, keep going, and we can continue to make Fifth Division a great place to be!"

The speech doesn't draw an enthusiastic response, but most are smiling and nodding and few even cheer. If she'd been more prepared, she's certain she could've come up with better words.

While Genji directs everyone else back to the kido training, Hinamori turns her back to the weeping recruit. "What's your name?"

"Tanaka Mai, Lieutenent," the recruit responds.

"How long have you been with the Fifth Division, Tanaka-san?"

"Three months."

"I see...I'm sorry it's been like this for you."

"Ah, no, please Lieutenant, y-you don't need to apologise." She glances at her supporting friend, and then at the other who had knelt before her. Fresh tears well up in her eyes. "I looked up to him, Lieutenant. I wanted to be like him."

It hits Hinamori's heart, and she can feel the cracks web through her whole body. For a flicker, she sees younger self in this recruit. And not just her, in her friends too, who have similar crestfallen expressions as her.

She can't be here. She doesn't know what to say without also breaking into tears.

She bows, her hair falling and obscuring her face. "I understand." Then, abruptly rising, she turns in her heel and marches to Genji. "Isawa-san!"

Genji's concern makes her wince inwardly, but she quickly instructs him assist and apologize to Tanaka and her friends on her behalf. She departs in an instant, needing more space and air. She ends up in the courtyard outside of her room. She wipes the tears that threaten to spill down her cheeks as she paces around the maple tree and bench. A few officers pass by the courtyard, and she offers a weak greeting to them, and then in turn bow and are quick to move along, sensing it wasn't the best time to speak with their lieutenant.

After several minutes she comes to a stop and ends up looking at her bedroom window. She'd sat behind it for months, rarely coming outside. Rarely thinking of anything beyond what had happened.

She sense Genji approaching before she sees him.

"Lieutenant," he says softly as he approaches. "Are you all right?"

She doesn't turn to him. "I'm sorry for how I reacted back there. If I had prepared myself better, I would have been able to handle it."

"No, it's understandable, you don't have to apologize. Please, don't think about it."

"I have to, as their Lieutenant."

He doesn't argue, because on some level, he must know she's right. On some level, he may even resent having to step up to higher duties, and she wouldn't blame him.

For a minute in the silence between them, she shuts her eyes. They burn, and her mind whirls with the threat of panic and having too many heavy thoughts tumbling around. She breahtes, takes in the fresh air, just as Isane said she should.

There's no going back now.

“Isawa-kun.” She turns back to her Third seat. “Captain Aizen…he really betrayed us.”

She’d wanted to end it as a question – he really betrayed us, didn’t he? –but she needs it to be a statement, as much to herself as to show Genji her acceptance.

He tenses, and when his gaze darts away, it strikes her that maybe his hesitancy this whole time had not just been out of concern to her. He had shown determination when looking at her portrait of Aizen, but maybe, like her false smile, it was his way of facing this. She was not blind to her Division’s suffering, to the effect his betrayal had on all of them, but had she somehow underestimated how deeply it ran?

“Yes, he did.” There’s the slightest waver in Genji's voice. It’s enough to make Hinamori bow her head to him.

“I’m sorry for leaving you with so much work. I said before I would get better, and it’s taken me so long To tell you the truth, I don’t know how I can lead us out of this.”

Genji stumbles for words, but when she raises her head, he’s rendered speechless. She hopes her expression convey her will to right the wrongs Aizen left behind. “But I won’t give up. I am still the Lieutenant of the Fifth Division, and I want to continue to be. I will need you and other seated officers’ advice once I recover. Together, we can bring the Fifth Division back and help everyone.”

Genji's eyes brighten. He ducks his head, and again his voice catches. “Of course, Lieutenant Hinamori.”

__________________________________

Why had you become a Shinigami?

The question emerged six days ago, and for the first time in weeks. Today, it comes to Hinamori while she eats breakfast and causes her to stop chewing. Rather than push it away, she clings to it. It’s the only thought that isn’t of her past actions, the pity of those around her, or of Aizen. The question is a glimmer in this darkness, a tiny speck of light that promised something more than the ruminations swirling around constantly day and night. If she’s going to get better, this seems like the best place to start.

When she reflected on it in the last week, the thought ended up leading to her former captain just as she'd feared, but she is quick to divert him away.

Now, setting her breakfast aside, she crosses her legs and places Tobiume in front of them, making her zanpakuto a focal point to concentrate on. It’s almost like jinzen, but without the full connection to her zanpakuto to enter her inner world.

A meditative trance comes over her, causing her to let out a long, deep breath. There had been a reason before Aizen, before she even got accepted into the Academy. It was more vaguely defined, tinged with childish optimism and naivety, and somehow it persisted well into her first days in the Fifth Division, even after the horrific things she’d been on battlefields. Even after realising the gap between the wealthy families and those who came for the lower districts. Even when faced with realities that came with being a Shinigami, that she could not save every life or help every Soul.

You wanted to be a light.

Her zanpakuto’s interruption doesn’t startle her. She’d felt her presence in the back of her mind, mediating with her on the question.

“I wanted to help others,” she rasps. “I thought the Shinigami who brought me here was one of the kindest people I met…” She sniffs, throat tightening on the verge of a sob. “I don’t even remember what they look like now.”

It’s natural for a Soul to forget their time in the World of the Living and how they arrived at the Soul Society.

“It was considered strange that I kept my memories for as long as I did.”

She senses Tobiume nod. You wanted to find that Shinigami who led you here.

“I never did.”

It stopped bothering you at some point. Not long after you met your friends.

The faces of Izuru, Renji, and Rukia come to mind briefly. It feels like more decades ago than it was when they first met. They weren't the first Souls she met with the same potential as her, but with Renji and Izuru in particular, she knew not long after meeting them she would still be friends with them for many decades to come. Maybe it had been the few personal interests that had intersected, or that they were just the first fellow students they really spoke to in the Academy.

Truthfully, she thinks it's because of the fight they put up against the Hollows in the training mission that had gone wrong. She had run into the fray against the Huge Hollows, and they'd followed. Somewhere in that back her mind in that moment, she knew she would fight back to back with either of them. If they were willing to follow her into a battle like this, even when she made a sudden decision as that, or to protect someone none of them has really known, she wanted them to stay in her life.

But after that battle, when Aizen and Ichimaru had come to save them, it all changed. She resists the urge to stop thinking there, to keep pushing through and see this train of thought to it's end.

Yes, her and Izuru in particular had changed. It had been a gradual thing, taking place over a month or so, with all three of them unable to forget what happened, but with Hinamori and Izuru learning more about the two Shinigami who saved them. Izuru's motivation shift slightly, going from becoming a Shimigami to appease his family's wishes, to wanting to serve under the men who had saved them.

For Hinamori, it was almost a seismic shift; her goal changed to wanting to serve under Aizen, and maybe even become his lietuenant. It was almost a trenous thought at the time, hoping with Ichimaru would step down as his lieutenant. She'd never forget the burst of hope that filled her when he announced that he was moving on to become Third Division's captain; she'd been a Fourth seat then.

Looking back now, it's strange her first thoughts after a life-treatenign situation were of Aizen and Ichimaru, and not of Hisagi ro thanking either of her freinds for coming to assist. She had been younger the, but even so, she would've hoped she had the capacity to at least think of thanking them. Renji had known better, would rarely talk about either man afterwards and would wonder how Hisagi was doing or how either her or Izuru could become so awestruck by Aizen or Ichimaru.

"I changed after that day," she reiterates, shaking her head to herself. "That's all it took."

You were younger then, Tobiume offers, and inexperienced. You flew in to save someone in need. Doesn't that align with your original intentions?

Back then, she had gone to help Hisagi without a second thought and despite her fear. She didn't know him, but he was injured and out-numbered. She couldn't leave him. It went against everything she stood for.

She thought Aizen had stood for those same things. It's one of the reason she had admired him so deeply. She saw who she thought was the embodiment of everything she wanted to be, but believed she could only ever become a pale imitation of him. He had been too good, too perfect in many ways.

But even as she served under him, had she not still wanted to help others? Had it always been because she wanted to impress him or try to be like him? A lot of those instances had been without his presence or knowledge. The back of her eyes burn.

"I never lost it," she realises, voice becoming raspy. "Even now, I still want to..." I want to help others. I want to help my friends.

He had become her reason to reach the level she had, but he hadn't taken away her original goal. If he hadn't taken that away, maybe she he hadn't taken other things with him.

With a sob, she bends over Tobiume. A tear lands on her scabbard, and another on her quilt. She rubs her eyes and Tobiume soothes her in the back of her mind.

I told you, she says, you're stronger than you know. You still have these skills, master. They never left you.

After several minutes, Hinamori calms her sobs. She brings up Tobiume and presses her forehead to her hilt. "I'm so sorry, Tobiume. Thank you, thank you..."

A zanpakuto, she recalls from one of her instructors, is a reflection of their wielder. When you communicate with your weapon, you are communicating with yourself.

How had she not realised it sooner? She had been so focused on him, she didn't see what was still within her and in front of her. She still had her friends, her subordinates, and in time, she would strengthen herself again. She didn't know how for the latter, but she had been working the other two, albeit in a fumbling and unsure manner.

That sensation, of the unlocked but still closed door returned. Now, the handle turns, and she doesn't know what lies on the otherwise, but she will face it.

He had his reasons for betraying them, whatever they were, but he had not taken her own reasons to stay on as lieutenant of the Fifth Division.

__________________________________

It’s two days later when the zanjutsu instructor is back in the dojo, yelling just as loud as the last time.

There is no breeze today, or birds chirping in a nearby tree, and most of the leaves have fallen from the trees. It’s all she can hear.

On unsteady legs, she rises from bed and manages to bend over and grab Tobiume’s hilt.

Master? Her zanpakuto questions.

Hinamori slowly comes to the middle of her room, barely managing to stand straight. “Let’s practice.”

Are you sure?

“You told me I do not need pity.”

Something flared through Tobiume; it felt like a hope and a determined smirk. Good!

Hinamori assumes the stance the officers in to dojo below have. She positions her feet, steady on the ground, and holds Tobiume with both hands, the sheathed blade’s tip pointing towards the ceiling. She breaths in and out deeply, trying to dispel the weight in her mind and tremors running through her limbs.

She listens to the instructor and the officers responding cries. Not wanting to draw attention for the fear of an officer rushing in thinking something’s wrong, she keeps her mouth closed and follows the movements they would.

On her first swing, she loses her balance and topples to the side, landing on her bed. She ignores Tobiume's concerned cries and gets back up. "I'm fine," she tries to reassure. "I just have to keep going. Believe in me, Tobiume."

She definitely rusty, continually losing her footing in the first volley of practice strikes, but she does not let it deter her. She keeps raising her sword and bringing it down, falling back, then stepping forward doing it again and again.

It becomes a rhythm; then, at some point, muscle memory. She forgets about the weight in her limbs and mind, and she’s more free than she’s ever been.

_________________________________

Hinamori wakes an hour before the sun rises. Not feeling the urge to shut her eyes again, she gets out of bed and takes up Tobiume. She sneaks to a training ground -- one away from the barracks that house her subordinate -- and performs her zanjutsu training.

The extra space allows her to arc her zanpakuto higher and her foot work to go further around.

She’s never felt so free. The thought makes her stop. She lowers Tobiume to her side.

She’s been doing this for almost two weeks in secret. Why did she have to hide this? Wouldn’t it be encouraging for her subordinates to see her up like this?

The thought of her turning up to training gives her an unexpected anxiety. It comes with thoughts of unsure gazes and the dread that she would not be able to show them she was getting better. What if she slipped in her foot work? What if fatigue made her movements sluggish?

I can’t risk them knowing about this, she thinks. I’ll keep training, but…

One step at a time, master.

__________________________________

It's four days later when she makes way down to the Fifth Divison's library. It's the late hours of the night, when everyone is asleep. She takes a lantern with her and uses it to browse the shelves. There's no new books in the ficision section, but that hadn't been why she'd come down here.

She rounds the corner and ends up with the instructions and guides. She grabs the tomb she needs, then rushes back to her room. It of the kido spells, most of which she already knows. Still she studies the guide as if she were back in the Academy.

In the coming days, after she hones her zanjutsu skills in the early hours of the morning, she practices the hands movements and chants the incantations in her mind before breakfast. When she's certain she has memorized enough spells, she begins to study how they can be combined. She'd come up with combinations in the past, but she'll need stronger ones for the upcoming war.

She's caught out of bed practicing her hand movements and mouthing a chant by Isane almost a week later. An awkward silence passes between the two, and all Hinamori can do is sheepishly look at the tray Isane holds with her breakfast on it. Eventually, her fellow lieutenant smiles and says "You seem to be in good spirits, Hinamori-san."

After a bout of surprised laughter, Hinamori replies, "I, uh...I wanted to get back into the basics, I suppose. I'm not actually casting them of course!"

They go on to have a rather lively conversation about kido. Perhaps it's not as big a deal as Hinamori thought. If anything, it might show the Fourth Division's lieutenant that she's on the mend. Soon, she might be able to face her subordinates in one of their training sessions.

__________________________________

Doing all of this practice isn't enough to make her completely forget what happened, nor does it draw away the heaviness completely.

Even so, she feels stronger. No longer are her footsteps shaky and she can sleep through most nights. She's getting better, and it's a revelation she can't fully believe some days.

Her subordinates notice something is different about her. They visit more often, telling her about what's been happening in their personal lives, and she steps outside more often, even sitting in on one of Hirose's gardening groups.

Today, she watches them come and go in the courtyard, and she can tell the mood in the Division is shifting. The only strange thing is Genji seems to be attending more meetings in the afternoon.

She can't stop, she reaffirms to herself. She has to keep going. It's nearly the end of October; the war will be on the horizon soon.

__________________________________

“Good morning, Lieutenant.”

Hinamori can’t help but frown when her Tenth seat enters carrying her breakfast. “Imai-san.”

“Apologies, Isawa-san usually brings your meals on Friday morning, doesn’t he?”

Hinamori nods. “It’s not a problem. Is he unwell?”

Imai shakes her head and lays the tray across Hinamori’s lap. She notes two of her subordinate's red-painted nails are chipped. “He had to attend an emergency meeting.”

Hinamori’s eyes widen. “Has something happened?”

“No. He didn’t say much, but he mention that the advance team have returned.”

“Thank you, Imai-san.” Then, remembering. “And please thank whoever made this for me.”

“Of course, Lieutenant. Please enjoy.” After her Fourth seat leaves, Hinamori can barely eat with the butterflies in her stomach. Hitsugaya and the others have returned.

She casts out her senses, and sure enough, Hitsugaya’s reiatsu is there. Slightly more faint, shes sense Rangiku’s and Renji’s near him. If she had to guess, they’re all in First Division meeting hall.

Would they come visit?

Why would they?

Her shoulders deflate. After what happened, she wouldn’t blame Hitsugaya for being hesitant. Why has she even thought he would?

More importantly, why had they returned? Was their mission over? What had they discovered about the enemy? About these Arrancars? She’d only heard snippets and rumors spreading amongst her officers in their whispers and conversations they have while passing her room or below her window.

She munches on her breakfast, unable to cast the thoughts aside.

Later, Imai comes to collect her tray. She’s disappointed again when it’s Higuchi rather than Genji who serves her lunch to her. The day turns to sunset, and when there’s a knock, she can’t help but eagerly call out, “Come in!”

Sure enough, Genji has her dinner. “Good evening, Lieutenant Hinamori.”

“It’s good to see you Isawa-kun.”

He comes to the stand at her bedside, but doesn’t lay the tray down. “Sorry about this morning, I had to attend an emergency captain and lieutenant’s meeting.”

“Yes, Imai-san told me.”

Genji lowers the tray to her lap, and rather than make small talk or excuse himself to leave, he lingers at her bedside.

Hinamori isn't surprised by the awkward pause. Still, she had hoped she wouldn't need to prompt Genji. Had the Captain-Commander instructed Genji to not tell her what was discussed? Or was Genji simply concerned about the effect debriefing her would have?

Knowing him, it's the latter.

"Isawa-kun, whatever happened at the meeting, I want to know," she says, gently. "I am still a Lieutenant of the Gotei Thirteen, and if it concerns the Fifth Division, I wish to know. If you're not allowed to speak about it, however, I understand and I will consult with Lieutenant Sasakibe if I need to."

Genji frowns at the floor. After letting out a long, silent breath, his gaze reaches hers. "The Advance Team returned from the World of the Living. Captain Hitsugaya gave a full report on their battles in the World of the Living. These Arrancar, Lieutenant...they are strong."

Hinamori lips part at the news, unsure how to respond, but she nods for him to continue.

"They returned in light of a human, Inoue Orihime, is believed to have sided with the Arrancars."

"W-What?" Hinamori stammers out. Then, she recognises the name. "She was one of the Ryoka that tried to save Kuchiki-san. How do they know she has betrayed us?"

"She was training in the Soul Society only yesterday with Captain Ukitake and Kuchiki-san. Captain Ukitake was the last to see her before she vanished. However, she made it back to the World of Living, evidenced by her healing one of Kurosaki Ichigo's wounds while he was asleep."

Hinamori can only shake her head. This conflict had inspired acts of betrayal from all sides. Why would she do this?

Noticing Genji's hesitation, she decides to put the matter aside for now. “Go on, Isawa-kun. Is there something else?"

He nods, but doesn't continue right away. He loosk out her window, at the gatherings of officers in the courtyard, having either come back from missions or outings to the Rukongai. “We know who will be required to attend the battle against Captain Aizen and the Arrancars.”

Hinamori's hand flies to her throat when it involuntarily clamps up.

“It will only be captains and lieutenants. All ranks Third seat and below will remain in the Soul Society while the captains and lieutenants wait in the fake Karakura Town.”

“I-I see.” A thought occurs to her in horror. “That doesn’t mean you will have to be on the battlefield in my place, does it?”

“Ah, no! The Captain-Commander assured me that no one from Fifth Division is expected to be there.”

No one from Fifth Division should go with them, is what he really means she suspects. They could compromise the battle, serve only as a weakness to the Gotei Thirteen’s forces. She tries to ignore the tiny furl of bitterness in the pit of her stomach. Surely this order came from a place caring, too. “That’s a relief.”

Genji nods.

“And what did you mean by ‘fake Karakura Town’?”

“The Captain Commander wants all officers to fight at their full capacity. To avoid human causalities and any destruction to Karakura Town, Twelfth Division used Tenkai Kecchu to create a copy. The real Karakura Town will be transported to the edge of the Rukongai when the enemy is expected to make their move.”

She’s never heard of the technique. She’s about to ask what it is when Genji raises his hand.

“Please, Lieutenant, you should eat.” She wants to insist on knowing, but when his gaze falls to the ground, she notices how slumped his shoulders are. He’s weary, and likely feels guilty for having told her about the upcoming battle. “I'm sorry, I shouldn’t have burdened you with all of this, especially this late.”

Hinamori watches her Third seat for a moment longer, then takes up the chopsticks. “Thank you Isawa-kun. I appreciate that you told me this, and that you brought me dinner.”

Genji manages a faint smile before he bows and leaves without another word. Hinamori lets the chopsticks fall back to the tray and stares into space for so long her food gets cold by the time she remembers to eat it.

__________________________________

Hinamori can't get the plan out of her mind. It follows her in her training and even as she eats her meals. Did it mean the Captain-Commander foresaw the conflict happening sooner than expected? Or is he simply planning ahead to catch the enemy offguard?

She had brought it up with Isane on her latest visit, but her fellow Lieutenant couldn't offer much more than Genji had. Hinamori took some comfort in seeing she too was worried the conflict might be coming to them sooner than they'd hoped.

At night, Hinamori can't help but imagine the scenario before she shuts her eyes to try and sleep. The captains and lieutnenants facing Aizen, Ichimaru, Tosen, and the Arrancars. It meant her friends would be there. Izuru and Hisagi would have to stand on the same battlefield as the captains who they'd once served. No one from Fifth would be there to confront Aizen.

It's a relief none of her subordinates had to be involved, but that bitterness from her conversation with Genji always finds a way to influence her thoughts. Everyone on that battlefield will be expecting her to stay here, recovering from everything that's happened. They think she's at her weakest physically and mentally.

I've done little to show them otherwise, she thinks pitifully while practicing the hand movements for a kido net spell.

You still can, master, Tobiume tries to encourage.

How do you mean?

When Tobiume doesn't answer immediately, Hinamori halts her practice and waits. Her zanpakuto spirit's answer makes her frown.

You've been thinking about it, whether you've realised it or not.

__________________________________

It's two days later when Hinamori dreams of the fire. She’s alone with it again, and it's calmer than before. There is no threat, but still she steps into the flames.

She goes in facing it, letting it wash over her face first, then her torso, then her arms and legs. This time, she knows for certain these flames are hers and hers alone. Tobiume's voice echoes around her, saying too many things at once, but somehow Hinamori can understand it all.

This is where she should wake up, for a presence enters her space again. It's same one as last time, and she's terrified to turn and face him.

He won't leave unless I face him, she realises.

She looks to the flames around her, brushing over her limbs and whipping through her hair. She tries to take strength from them as she turns.

He stands on the other side, smiling. He reaches for her, but she steps back. The flames grow in intensity, whipping against the intruders hand. he doesn't flinch away, however. His hand remains hovering in the fire, and she can only watch as it starts to burn his flesh. He still smiles at her.

Not long after Hinamori opens her eyes, she cringes and grabs hold of Tobiume before marching towards the training grounds. Tobiume rages with her, the heat of her flames coursing through Hinamori's veins. Her slashes through the sky and attacks on a training dummy are harsh and brittle.

She's certain before she awoke her heart had been pulled in a violent tug of war between letting him burn or pushing his hand out of the flames to safety.

_________________________________

She returns to her room as the sun begins to rise. Tobiume is silent, but Hinamori can sense her presence in the back of her mind. It's as if she's waiting on something from her.

What is it, Tobiume? she asks.

Her zanpakuto's spirit says nothing still. She's usually quick to speak her mind, prompted or not.

Hearing an officer from down the hallway, she decides to leave it and quickly returns back to bed. Had they seen her just now?

She frowns when she dtects the officer's reiatsu and notices his footsteps are hurried. Genji runs past her door and down the stairs. She parts the curtains in time to see him rushing across the courtyard towards the Division's main entrance. A Hellbutterly follows in his wake.

Something has happened.

_________________________________

For the next hour, Hinamori alternates between pacing around her room and sitting and waiting for Genji to return. Anxious jitters thrum through her, threaten to break limbs out into quivers and shakes. She casts her senses out, but he's still in the First Division.

The sun has risen and most officers make their way to the mess hall for breakfast. No one is alarmed that Genji is not there, likely thinking he's either out running errands or getting breakfast elsehwhere.

They don't anticipate the news she already knows.

The war is here. She can sense it in the air, as though a lock had been snapped open, unable to hold back what it tried to contain. It’s in the way the reiatsu she can sense at First Division all waver, heightening and decreasing in intensity. It’s the only explanation she can think of.

With a shaky breath, she stops in the middle of her room. How will she react with Genji gives her the news? How will her Division react? No doubt some will want to go out to the battlefield, but most, she thinks, will be tense. The outcome of this battle didn’t just determine the fate of the Worlds they protect. It was a battle against the captain they once followed, the man that betrayed them and left them shattered in their wake. A being powerful enough to fool everyone and leave the Soul Society unscathed.

She again replays the battlefield scenario in her mind. Her friends, zanpakuto drawn, staring down Aizen and his accomplices. They’ll get hurt, may not even come out of this alive. It’s an inevitability she faces every time any of them go to battle. It’s as much a part of her life as eating or breathing.

She returns to sitting on the edge of her bed. Her fingers dig in and clutch the fabric of her robes, white-knuckled. She’s expected to stay here while the fate of the Soul Society and her friends is decided. Her division is expected to stay out of the way, when their former captain is one leading an attack on them.

She thinks back to that day Nanao came to visit, when she had briefly wondered by she didn’t step outside of her room more often. She hadn’t wanted to give the thought any credence, but it had stuck itself to the back of her mind. On some level she sees the restrictions as an imposition, as an attempt to keep her under watch. She had played along with it, remaining where she needed to be and doing as she was instructed. It was why the training she did in secret was so liberating.

She shakes her head. It was this sort of thinking that got her into the situation she was in now. She has no one to blame but herself for her past actions, and perhaps they were right to enact these restrictions for that reason.

But they are her actions.

He won't leave unless I face him.

She turns her head to her weapon, laying on to of her quilt. Tobiume, she beckons.

Her zanpakuto’s spirit makes her presence known in Hinamori’s mind, but says nothing.

“Is this what you meant?” she says. “That I have been thinking about ignoring everything to go and confront Captain Aizen?”

Tobiume again says nothing, but a flare of reiatsu comes from her blade. It’s as good as saying ‘yes’.

Hinamori lets out a long breath, as though finally getting something she had on her chest for months. It'd be reckless, no better than when she blindly followed Aizen's wishes when she thought him dead. How can she confront him?

With a grunt she forces the thought away. Her stomach roils and her heart thumps against her chest. She can’t stay here, waiting and hoping. She has to go to the fight. Had she not been training for this very moment?

There will be consequences, perhaps dire enough to ensure she is never a Shinigami ever again, but she can’t sit idly by. She has to face him. She doesn't want the pity of the captains and other lieutenants; she somehow has to show them she is strong enough to stand with them. That she too would do anything to protect her home.

She casts her gaze back to her subordinates. coming and going from the mess hall. Most seem content, but there's still grave expression and an air of somberness around them.

What good reason would he have to leave us behind?

"Tobiume," she says, and despite the steeliness of her voice, her heart flutters with uncertainty. "What I want to do is reckless."

It is.

"I don't know what will face me when I go there, or what will face me when I return, but I cannot stand by and let Captain Aizen hurt my friends and threaten the Soul Society." She bows her head to her zanpakuto. "I know I have put you through much these last two months, but please...will you fight with me now?"

Her zanpakuto's reaitsu flares, becoming a raging fire for a few seconds, as though she were giving a roar. Without question! I will aways fight alongside you.

_________________________________

She received her orders from a Hell butterfly before Genji returns. She is to stay in the Fifth Division and will be protected by her Fourth and Fifth seated officers. There's a wartime exception, allowing Shinigami to carry their zanpakuto, and to be alert for any unusual activity in the Seireitei.

Genji returns with similar orders hlf an hour later, and it sends the division into a frenzy. Officer race back to their barracks and spread the word to those bewildered by the sudden change.

Eventually, Genji arrives at her room, with their Fourth and Fifth seated officers in tow.

"There has been rapid developments after Kurosaki Ichigo invaded Hueco Mundo," he informs her, kneeling at her doorway with his head bowed. “The Captain-Commander has reason to believe that Cap – that Aizen will invade the World of the Living today at midday.”

The air is swept from Hinamori’s lungs in a gasp. How can it be so soon? She had thought it would be a day or more. She didn’t have much time to prepare.

Genji mistakes her apprehension for worry. “You’ll be safe here, Lieutenant. I’ll be coordinating everyone from here. We will be following the Captain-Commanders orders for our officers to be posted in the Rukongai in case the Arrancar somehow make it here. If they come into contact with Aizen, they are to not engage in battle with him.” He struggles to get the next sentences out. “Given that we were under the influence of his shikai, it means we are susceptible to fall…under an illusion. If he uses that on us…”

“Understood,” she says, not wanting to hear the rest. “Thank you, Isawa-kun. I'll stay here.”

After Genji leaves and she thanks her Fifth and Fourth seats, Hinamori shuts her door. She swallows back the bile that rose from lying to Genji and her officers. She’s slow to move to the centre of her room. Despite the shock of it, she is not deterred by the information Genji provided; this is only a setback she needs to overcome.

She only has three hours to come up with a plan. Her only exit is either her window or her balcony. Most of her subordinates would be dispatched to the Rukongai within the hour, and there would be just under a hundred still in the barracks based on what Genji showed her last month.

She wont be able to convince the officers posted at her door to let her go outside, and refuses to use hakufuku on anyone. If she escape and uses a concealment kido, she could bypass most officers and find an isolated area to create a senkaimon. Where would be isolated in a time like this? What concealment spell would work best and not leave a trance until she's long gone? Who are the biggest threats to her plan? She winces at how much this mindset reminds her of when she planned to escape the cell and confront Hitsugaya months ago.

Without realising, she turns her head to the figurines on her shelf. The boy and the girl continue to smile at her, but she cannot return it. Hitsugaya will be at the battle. What will he think? He'll lecture her after the battle, obviously; perhaps tell her how foolish her actions are ad not speak to her for some days. But maybe, he'd understand. Like her, he too is dedicated to his occupation and the protection of Soul Society and it's residents. Despite his perchant for following code of conduct and laws of the Soul Society, she could imagine him doing something similar to her if he were in her place. Hadn't he done so only a few months ago?

You came to help me, she thinks. Even when I wouldn't listen to you and didn't want to believe what you were saying, you came to help me. Perhaps now, I can come to help you. Other Shinigami come to mind, friends and subordinates. I want to help all of you too, as you have done for me.

Joining the simmering anger is a determination strong enough to rid her of the anxious jitters and hone her focus on forming a coherant plan.

________________________________

She stares at her reflection, having just finish tying her ribbon over her hair cloth. She has looked like this in months, it’s as if she’s staring at a ghost. The bags under her eyes are gone at least, and despite appearance, she is not the same Soul who once wore the same clothes and accessories. When she returns from this battle, she’ll have changed again. Hopefully for the

Stepping out the bathroom, she glances at her lieutenant’s badge lying on her chest of drawers. When she picks it up, there a weight to it that hadn’t previously been there. She ties it around her arm with reverence. Despite what she’s about to do, she vows she will honour this position on the battlefield.

Strapping Tobiume to her hip, she then summons for a Hellbutterfly. While waiting for the creature, casts her senses out. In line with Genji’s information, the captains and lieutenants gather at fifteen minutes to midday together at the central Senkaimon. Their reiatsu gradually vanish one by one as they pass through the gateway.

I’ll be seeing you soon. Despite the anxiety and steely determination running through her, she can’t help but smile at the thought.

The Hell butterfly flies through her open window. The curtains flutter around it and behind the branches of the trees in the courtyard sway too and fro. The Hell butterfly lands on her shoulder, and she leans forward closes the window.

After the last captains goes through the Senkaimon, she waits. In that time, she stares at the books Aizen gave her, at the sketchbooks will with drawings of him, and at her reflection in the window.

I will face you, she vows, schooling her expression to one of stern resolve. You are a traitor to the Soul Society, an enemy to all the Worlds.

After fifteen minutes, she takes in a long breath, and at the exhale, she raises her hands. This is it.

I will show you that you do not affect me or the Fifth Division anymore.

She’ll only have a minute at most before her Fourth and Fifth seat realise she’s not in her room. She whispers the incantation for a high-level concealment kido. Before she even utters the last word, she walks to the door to her balcony. Her limbs thrum with anticipation and nerves as she slides it aside quietly.

Then, she leaps up to the railing and bolts off, flying through the air, her gaze on the sky high above. Before her feet touch the ground, Tobiume's flames heat her blood, ready for battle, and her heart soars with a determination that surpasses any shame she has for escaping like this.

But then, the memory of Hitsugaya in the World of the Living comes to mind. She’d ask him not to kill Aizen. Sorrow briefly pricks at her heart. Forgive me, Hitsugaya-kun she thinks, feet only a few meters from the dirt..

As soon as she lands, she sprints in the directions of a training ground in the woods. Everything passes her in a blur.

I’ll show you and everyone else I’m better now.

_____________________________

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#momo hinamori #genji isawa #toshiro hitsugaya #hitsuhina #fanfiction #bleach #I rewrote this chapter so many times #in the end I had to just had to stop otherwise I knew I would keep rewriting it #I hope the final product does what it's intended to #and does Momo's character justice #I may come back and edit it depending on where future chapters go #I'll let you all know if this happens

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