#got a few requests to make more notion stuff so here's a trial of something more basic & for everyday use

[xuethms]

✂ kitchen notion template.

Links: install (free) | more notion templates by xue

Kitchen is a free Notion template for home chefs (anyone really!) to keep track of their favourite recipes, shopping lists, and plan meals. It’s a simple layout optimised for both mobile and desktop viewing.

Features: cookbook database, recipe templates, views for now cooking & new recipes, pantry database, shopping list views, two meal plan styles (page/calendar)

[the-enamorando-deity]

Thats great! 😍 Could I request a oneshot where Ziva David and Reader are in Gibbs team, are best friends and Ziva is really protective of her? Something very angsty with a happy ending with the sentence 'I always wondered how I'd die. Not once did I think it was by your hand'? Maybe Reader gets attacked and is hurt but still fighting until the point she has no energy left and Ziva comes right before the attacker can murder her? ❄

ok wow this got very angsty i’m sorry but i think got all the stuff <3

Ziva David x Reader, platonic 

warnings for violence and injury

Close

You always knew when Ziva was close by. Maybe it was just that you were so used to her sneaking up on Tony and McGee and yourself, but you had begun to sense her presence before she was even on the same floor. You glanced up to see Tony hovering over the wall between Gibbs’ desk and yours, watching you type.

‘You’re up to something,’ he smirked, but you gave no reply. ‘Well someone woke up on the wrong side of the bed this morning, probe, and it wasn’t me.’

‘No, it was me,’ Ziva hissed in his ear, making Tony absolutely shit himself. ‘Leave her alone, Tony.’

He quickly stepped back as Ziva sat on your desk, extending a black box toward you and grinning. You were a little suspicious, but realised quickly it was about the same size as the donuts you got from a little town on the coast. You had been there months ago on a little side mission, luckily with Ziva in tow.

It made everything run a lot smoother, Tony running point in the office as the pair of you hunted a very peculiar lead. It made you grow close with her, and it had been your first real case after being temporarily placed on Gibbs’ team. McGee had been requested for reassignment on a three month trial, where it would then be up to him if he would stay or return.

He’d since returned, but Gibbs had grown fond of you in the short time, whether he would be willing to admit it or not. You didn’t mind your desk not being in the main bullpen, it meant you got more work done when Tony was doing his class clown routine.

Ziva seemed to bounce with excitement as you opened the box, watching your expression quickly turn, your face lighting up. You had both tried a large selection of flavours after the case ended, since your flight back was still hours from departing. 

‘Share it with me,’ you requested, watching her quickly hold her hands up to refuse. ‘I either share it with you or Tony.’

She relented rather quickly, both of you reaching for the small knives you kept in hidden compartments in your clothes, laughing at each other. ‘I taught you well.’

‘You did.’

Your heart raced as you thought back to that innocent moment, it felt so long ago when it was only mere hours. You had split the donut with her, ignoring Tony’s request to join in, and fumbling to finish it when Gibbs appeared with a more stoic expression than usual.

‘Do we have a case?’ you had asked, the forlorn look showing you there was something far worse in store.

‘No. Last night a prisoner transport van disappeared, with three prisoners inside. It was returned this morning with two.’

Silence filled the bullpen as your heart started racing, knowing that the first offender you had caught on the team was being moved for an appeal hearing. He was not only a killer, but that was the only crime he could be charged with at the time. Even that was thin, and you had been keeping an eye on his hearings if only to ensure he stayed in prison.

But he was loose now, and he knew that it was you who was the reason he was behind bars. He’d tried contacting you many times, through his lawyer and other nefarious ways, but you wouldn’t let him know how many had reached you. You hadn’t told the team either, and the look on Ziva’s face when she realised there was more to it broke your heart.

‘Y/N, are you alright?’

He had you now, and you had no escape, apart from your mind. It had been three, maybe four hours since Gibbs sent you home. You were overworking yourself to try and find the bastard, when Ziva found you hiding in Abby’s lab, shaking. You sat in your car for a good few minutes before going to turn it on, when you felt something watching you.

Before you could move, something pinched your neck, and the next thing you knew, you awoke in a blacked out room. Your head was pounding, and you swore you could hear someone calling your name. Your hearing was very fuzzy, until it wasn’t, and you realised you weren’t imaging it. 

Desmond Forster looked innocent enough as he stood before you, if it wasn’t for the way he sat, prim and proper on the chair before you, cooing your name with no expression. You jumped, almost knocking over the chair you were tied to. There was a painting rag stuffed in your mouth, and it tasted worse than it smelt.

‘I could have killed you while you were out,’ he informs you, ignoring the warm tears that spilled over, running down your cheeks. ‘You look scared, Agent Y/L/N, and here I thought you were the no fear type.’

He stood and moved over to you, brushing hair from your face. 

‘Are you going to be good for me, Agent?’ he enquired, taking the gag from your mouth.

Everything inside of you said to not make him mad, to do what he said, but you’d studied him, you’d caught him. You instead mustered everything inside of yourself, and spat at him.

A harsh blow landed across your face, knocking the chair over and sending you hard into the ground. The rope that had tied your arms behind you broke, but not before the back of the chair crushed your arm beneath it, almost breaking it. You cried out, and were left there.

Forster walked around and squatted beside you, his expressionless face now revealing how pissed you had made him. Reaching out to wipe the blood from your lip, he flicked it onto the floor. 

‘I was hoping to get to at least fifteen, and it looks like you just volunteered to be my lucky last.’

You did everything in your power to ignore him as he spoke, lifting the chair and setting you back down. He opened his hand and held it against your face, making a single fast move and backhanding you across the cheek. You tried not to make a sound, but he wasn’t going to stop either way.

You held out hope that someone would notice you were gone, would realise something was wrong. But with every strike, the ropes held true, and you fell further into the notion that this was going to be your end. You thought about the team, and your heart started racing.

‘I always wondered how I’d die,’ you muttered, ‘not once did I think it was by your hand.’

He laughed. It was unsettling, and it made your spine tingle with fear. He had lost the last of his marbles, and he would do anything to finalise his revenge.

‘You were wrong.’

It wasn’t until then you snapped, breaking the ropes around your arms and taking a dive at him. You fought against him with everything you had, making a break for the door when you thought you could reach it. He grabbed your ankle before you could reach it, dragging you back and pulling you beneath him. 

The fury you could feel steaming off him grew worse by the minute, and each strike came harder, and every miss made him want to hurt you more. You kept fighting, even when it felt like your body needed you to stop, until you had nothing left, and you dropped to the floor and reached weakly for escape.

A strange feeling came over you, similar to the one you’d had that morning. Something was different, and you heard a thud down the hall. The door broke open as Ziva burst in, the air silent as you wained in and out of consciousness. You couldn’t hear what she yelled at him, or what he yelled back. 

You did see the thuds of bullets striking his chest, his own gun in his hand, but barely raised before Ziva got him. The whole time, he could have just shot you, and the thought sunk in as Ziva ran to your side. She checked he was dead before kneeling beside you, pulling off her jacket and covering you.

‘You are freezing, Y/N,’ she noted, rubbing your arms softly. ‘There’s an ambulance on the way, hold on for me.’

Nodding with what strength you could find, she sat there, holding you until they came. You were glad it was Ziva who found you, who saved you from a horrid fate. She was there for the ride to the hospital, holding your hand the whole time. When you could talk properly again, your only thought was to thank her over and over.

‘What are best friends for?’ she asked later, grinning as she signed the cast on your arm. ‘McGee said he will split your paperwork until you’re healed, and Gibbs is working on a pair of crutches for you.’

‘That’s too much, Ziva, I don’t need special treatment,’ you insisted.

She laughed as Tony entered, a pile of boxes in his arms. ‘Yes, you do,’ he argued, ‘otherwise who’s gonna to help us eat all of these?’

‘No, those are for me and Y/N, you can find your own thing,’ Ziva remarked, grabbing a box from him and opening it for you.

They argued as you drifted off, and there was no better sound.

taglist: @marvelfansince08love @mymarvelwomen @imnotasuperhero @natasha-danvers @veteranwerewolf95 @monihaswritersblock @natasharomanoffswife @xxxtwilightaxelxxx 

[fitcareketo-blog]

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[theampreviews]

Favorite Films of 2016

2016 will probably be remembered more for its big budget flops like Ghostbusters, Alice Through The Looking Glass, The Legend of Tarzan, The Huntsman than for any breakout hits, outside of the obvious annual clock-punchers from Marvel and Lucas Film. From a distance a brace of Summer duds can unfairly colour a year, and that’s certainly the case for me. Aside from (and sometimes including) these under-performing, perceived failures, there was some absolute gold among the silt.   

Will Smith (and more to the point, his wife) throwing toys out the pram over the lack of an Academy Award nomination for Concussion [30] took away from what was an admirably thoughtful film about the heath issues plaguing the NFL. Sure, it was always Leo’s year, but he deserved to be in the conversation at the very least (although to be fair to the Academy, not making the final 5 doesn’t mean he wasn’t). 

Paramount continue to deliver under appreciated brilliance with the 3rd in their rebooted franchise, Star Trek: Beyond [29] hit all the right notes for a summer sci-fi blockbuster; fast, fun and frivolous. People complained it felt like an extended episode, but that’s exactly why I liked it, I’ve had enough of world building, just show me a good time. They also had another zinger at the start of the year with Michael Bay’s underrated 13 Hours [28]. Chances are his name alone, attached to a military action/drama, was enough to put audiences off, but they missed a trick skipping this one. He may be off-puttingly jingoistic, but he even managed to temper that somewhat here, whilst delivering action set-pieces that put most others to shame. 

Another notable failure of the year was Natalie Portman’s Jane Got A Gun [27]. It’s one of those “development hell” cautionary tales yet, it didn’t show its scars for me. I’m a big fan of Westerns and this one kept things intimate & lean, and all the better for it. The opposite of that, and another of the years casualties, was Duncan Jones’ Warcraft [26]. A (likely) failed franchise starter based on the oddly popular role play game, this was a hulking great bowl full of cinematic jelly & icecream that few bothered with. It certainly showed that The Hobbit likely killed off any notions of Fantasy’s great comeback. It’s a shame because amongst the ridiculousness, Jones managed to put some life behind the eyes of his CGI characters in a way that is desperately lacking in the craft (I’m staring you straight in your dead Peter Cushing eyes, Disney). 

Far smaller in scale (and finding a far smaller audience) was Elvis & Nixon [25], the Michael Shannon/Kevin Spacey comedy about the meeting behind the most requested photo in the White House archives. Shannon seemed unlikely casting for The King in a visual sense, but he finds ways to convey the spirit of Elvis (from what we know of him) that allows for the lack of physical likeness. Spacey, a familiar face in that room thanks to House Of Cards, is a far cry from finding the depths of Nixon that Anthony Hopkins did, but he’s fun in the role and the two enjoy a great chemistry behind their masks.

Don’t call it a comeback (people will yell at you), but seeing Mel Gibson back on screen in 2016 was a heartwarming delight. Blood Father [24] was a nice beefed-up throwback to the sort of films he made back in the 80s and 90s with one eye on the Liam Neeson market. A story of a loathsome alcoholic putting himself in harms way for redemption may have been a little on the nose for those that have no time for him, but they likely didn’t see it anyway. Nor did many make the trip to see another star of the 20-30 years past take a stab at the aging action hero in Kevin Costner’s batty Criminal [23]. The preposterous story of murderous psychopath being the only viable candidate for a dead Ryan Reynolds memory transplant, Criminal was loopy enough to rise above its own absurdity. It was also filmed in Croydon, adding to the whole whatthefuckness of it all. I had a blast with this one.         

A Bigger Splash [22] is one of those meandering films that does very little but won me over thanks to Ralph Fiennes being absolutely bloody marvelous. I’ve really taken to his latter day renaissance as a fine comedic actor. I’ve also taken greatly to Kiwi Comedy, and Hunt For The Wilderpeople [21] carries on their fine tradition of distinctly idiosyncratic humor that can be as heartfelt as it is hilarious, with a touching and delightful performance from newcomer Julian Dennison. Lenny Abrahamson also managed to balance both the traumatic and the sentimental perfectly, with a standout performance from the mini Jacob Tremblay, in Room [20]. As a huge fan of the …Top Model TV show (Australia, America, Britain in order of preference) I found Nicholas Winding Refn’s absurd psycho-horror The Neon Demon [19] a highly amusing satire on the fashion world. And there’s no denying he creates visually arresting films. I laughed my arse off at the ending, not sure if that was the desired reaction or not, but it worked for me. So to did Ben Wheatley’s immaculate construction of a simple metaphor, High-Rise [18], a tribute to decadence & squalor was one of those films that entertains as it confounds. Hiddleston, Miller and Evans were all superb. 

Hollywood reconstructions of real-life tragedies can often feel clumsy and exploitative but credit where it’s due, Peter Berg kept the glorifying heroics to a minimum (mercifully devoid of slow-mo) with Deepwater Horizon [17] and worked on delivering an effective build up to a chaotic and intense finale. Speaks volumes that the tech-heavy opening half is as gripping as the explosive stuff, if not more so.   For a subject that could feel a lot like homework, Adam McKay also made a bold and brash film out of The Big Short [16] that did a good job of explaining itself in entertaining ways and ended up being an incendiary and surprisingly emotional account of one of recent history’s most colossal financial tragedy. Bale’s Oscar nod was well deserved.

Deniz Gamze Erguven and his superb young cast tackled the depressing truths of life as a young girl in a strict Muslim country in Mustang [15] and breathed a commendable amount life and vitality into it. What could have been a grim tale of patriarchal oppression becomes a spirited bid for freedom. Wonderful film.

Amusing and emotional, the pairing of Michael Caine and Harvey Keitel looking back on lives lived and/or wasted worked wonders for me. A heady mix of regret and sensuality with segways into the sublime and the ridiculous, Youth [14] was a sensory cocktail. Rachel Weisz was the standout, one of my favourite performances of the year.

On paper, Captain Fantastic [13] looked like a Wes Anderson wannabe, touchy-feely cringe fest but, despite appearances, this was one of the most affecting films I saw all year. Put me in a brilliant mood, and that’s worth celebrating. As did The Jungle Book [12]. This was pure joy; an old fashioned story told with the very best technology the industry has to offer, without losing any of its heart or soul. Sets the standard for all future Disney live action adaptions. Bravo, Favs!

With Boyhood leaving me pretty cold, aside from an appreciation of the impressive production scale, I was glad to see Richard Linklater revisit Dazed and Confused (always my favourite of his films) by way of an anthology-style sequel in Everybody Wants Some!! [11]. Following a group of two-track minded Jocks (Baseball & Women) this became a casualty of the super-Woke climate of 2016, but I frigging loved it. Good to see more of the promising Wyatt Russell and a (should have been) star making turn from Glen Powell. One of the best feel-good Comedies I’ve seen in an age.

Hell Or High Water [10] was an incredibly simple story of Cops n Robbers incredibly well told. Sometimes, that’s all it takes. (It also featured the years most satisfying beatdowns)  

Tobias Lindholm is one of my favourite filmmakers to emerge in recent years; writer of The Hunt and director of A Hijaking, two of my favourite films of 2012 (numbers 1 & 3 respectively). A War (Krigen) [09], staring A Hijacking’s brilliant Pilou Asbaek, is a taught drama covering the trial of a Danish Commander accused of an illegal killing (or, civil murder) in Afghanistan. Frustrating and engrossing in equal measure, this is the type of honest, contemplative war films rarely seen in Hollywood.

With all the dust settled on the DiCaprio Oscar Campaign, The Revenant [08] stands tall as a devilishly engrossing revenge thriller that’s as linear and explosive as any Hollywood Action Flick, despite its protestations to be something more cerebral/spiritual. And, for what it’s worth, Leo was fucking great. Films rarely look, sound or feel this good. 

If Blue Ruin made me take notice of Jeremy Saulnier in 2013, this years Green Room [07] ensures I will be there day one for whatever he comes up with next. A brutal, claustrophobic rush of Horror-Realism, this was a huge “Fuck You!” to the bland and predictable schlock that spills out of studios all year. It’s also a punk-as-fuck farewell to the late Anton Yelchin, who’s premature death this year was the biggest gut punch.

For too long Hollywood has paraded The Great White Hope in boxing movies (and still does), so it was great to see the Daddy of them all address the balance by bringing Apollo Creed’s son front and center to carry on this beloved franchise in Ryan Coogler’s euphoric Creed [06]. Michael B Jordan is stellar in the lead role and Stallone gifted one of Cinema’s most enduring Icons a worthy and heartfelt send-off. For people of a certain age, this was their most emotional trip to the cinema in 2016.

Continuing my love affair with Danish cinema, Anders Thomas Jensen’s absurdly wicked comedy Maend & Hons (Men & Chicken) [05] playfully flirtswith horror and pathos in ways I’ve seldom seen. Finding a beauty in the grotesque, this was the most bizarrely fascinating and fulfilling film I saw all year, one that had me going over what I’d seen for hours after as it revealed ever more miniature complexities. It’s also great to see Mads Mikkelsen taking huge roles in two of the years biggest Disney behemoths but still have enough love in his native Cinema to fit something lie this in too. What a guy.

Shane Black’s sense of humor really clicks with me (Kiss Kiss Bang Bang is a Hall Of Famer for me) and The Nice Guys [04] had me rolling. Russell Crowe was game for playing the straight guy to a movie-stealing performance from Ryan Gosling, who, it turns out, is a Comedy Genius. The Year’s best Comedy, hands down, and a film that already appears to have endless rewatchability.

Another film that I’ve had no issues with watching several times last year, despite its hefty run-time (4 at last count) was Tarantino’s The Hateful Eight [03]. Outside of the exceptional run of his first three films, this is QT’s MASTERPIECE. His writing is as good as it has ever been but his growth as a Director is most evident in this film. I feel like I’m in that haberdashery with them every time I watch this; it’s some of the richest story telling I’ve ever seen with a brace of stellar performances.

Then we come to my most contentious pick in all of 2016; Batman v Superman [02]. I’ll never apologise for liking this movie as much as I do, but the amount of scorn thrown its way needs to be acknowledged. The disappointment most people felt with this film seems to boil down to one thing: Zack Snyder. People don’t like him or his style of film-making. I love him. As annoying as it has proved to be to express to people; for me Snyder has made the best Comic Book Movie yet. It’s an absolute tour de force of owning the world you’re creating, not apologizing for it or trying to excuse the inherent absurdities with knowing humor or smug cynicism. Sure, it aims for the Man-Child audience du jour, kids will be bored to death here (as many adults were, yes, yes, bravo) and that’s something I think is a fault with the Genre across the board, but Snyder sets his tone and rides it, hard. Going for broke with the grand mythologizing, Snyder has taken a huge leap with the DCU and, whilst for many he has landed flat on his face, I think he soars. Henry Cavill’s conflicted Superman is the most interesting take on the character I’ve seen yet. The distrust shown him by the people he’s promised to protect making him question his role on Earth gives what has been a rather bland Hero in the past an actual arc, and Cavill is just brilliant. So to is Ben Affleck as an aging and unforgiving Batman/Bruce Wayne. Even Jesse Eisenberg’s infinitely irritating Lex Luthor worked a treat for me. I’m not being contrarian when I champion this film, I went twice to see it at the cinema (regular and IMAX) and have subsequently watched the (superior) Ultimate Cut at home a further two times; my feelings towards it only grow with each viewing. 

And that brings me to my number one, which will be a surprise to exactly no one who has had to endure my gushing over this film since the BFI London Film Festival Gala screening in October of 2015; Bone Tomahawk [01].

This isn’t just my favourite film of the year, it’s my favourite film in over a decade. A brutal Western with Horror trappings starring America’s Greatest Actor Kurt Russell, it felt like this film was made just for me. For all the gold standard performances (Russell is on career best form, Matthew Fox is a revelation and Richard Jenkins straight-up steals the movie) it’s S. Craig Zahler’s screenplay (married to his beyond-his-years debut direction) that sets Bone Tomahawk apart form the pack; it’s an exemplary piece of writing that should be praised until the end of time.

It’s easy to say “I love this movie”, but I legitimately *love* Bone Tomahawk.