Hi spar! I just wanted to say I really enjoy your metas and character analysis. You always seem to have a great grasp of the characters and narrative and emotional beats that I find super helpful!
I was wondering what you think Imogen’s mindset might be going forward as Laudna slowly recovers and has to deal with her trauma and Imogen tries to meet her where she’s at and support her. Do you think her conversations with Delilah are weighing on her more now that she’s seen some of the things Delilah put Laudna through (not just her violent death but also how much she took from her in terms of her happier memories of her home etc)? Do you feel like Imogen will internalise this or that it will unwittingly come out as Laudna’s trauma response is further explored?
Firstly- thank you very much! :'''D What a lovely compliment, I really appreciate it :) I'm a real sucker for emotional beats and character dives and narratives that get influenced by these things, and I'm thrilled other people also get mileage out of my metas about these subjects. Secondly, this answer is late, and I'm very sorry. But its here now!
TL;DR: Oh yeah totes. Absolutely. Yes on all fronts. Its gonna be wild. :'D
I think that the entire experience absolutely puts a lot of things into a new light. About Laudna, about her shaded past, about each time she trailed off mid sentence because of Delilah. And I don't think it's that Imogen didn't know about any of it before, or didn't treat it with importance, (although the layers of deflection and misdirection between them didn't help). But it's very, very different to have it laid out like it was. In visuals and ghosts and tangible hurt and misery, in faces to names and at the end of it all- Laudna. Tired, and exhausted, and hopeless, in a cage, saying she doesn't think she can do anything. That the choice is all out of her hands. That maybe it always was.
So I think the big takeaway from this revelation will manifest in details of choice and agency, and Imogen with this deep, shattering understanding of how little of it Laudna has had previously. During the res ritual, saying to her: Make your own choice, please, do what you want, and I will support it. But its your choice. Its yours. She was so emphatic about giving Laudna that, desperately wanting her to be happy, wanting her to choose that happiness.
And that mentality, from Imogen, who has spent years clawing for control, her insides and out upended by bigger forces. From Imogen, who has learned the hard way that her best tool, her strongest one, is a weapon- a mind like a spike, like a hammer, in lightning striking down, lies and consequences doled out without hesitation. From Imogen, who very, very recently, has been reminded that the best way (the only way) to keep her loved ones safe has to do with ripping the storm out of her veins and letting it loose.
(What use are all these powers if not for protecting the people she loves? What are these scars, if not a reminder?)
(Evidence?)
... So to answer your last question- yes, and, honestly, yes. I think Imogen will be invested in advocating for Laudna's happiness and Laudna's choices, and be fighting to not push her into anything she doesn't want. Fighting to not let any of her own wants or needs override Laudna's. And I also think this is going to meld beautifully (Subtext: Uh Oh) with the trigger-happy, protective, self sacrificial "ill gladly do damage to myself to do damage to enemies" things Imogen already has going on.
(So. yes to the internalizing, and then some).
But, as we've already seen in this group of powder-kegged playing-hot-potato-with-therapy individuals, this kind of internalizing is not usually a long term solution, especially under duress (Moon's haunted), especially when someone already has a ton of shit going on (Moon's haunted). So its absolutely going to come out, sooner or later, and we are ripe for Interactions, Situations, and Shenanigans in the meantime. Especially if, Laudna, fresh off of "oh god everyone derailed their lives to fix my issue" tries to focus more on Imogen as a result. Wow what a mess. Hell yeah.
(That said, there are so many other people in the Bells that need* to have 1-1 conversations and resolutions and talks with Laudna, so Imogen might have a bit of breathing room right now for putting all focus and attention on her. So I guess, internalize away, my gal.)
*Need is, technically, MY need, but it still counts. Ashton WILL talk to Laudna soon or i will Combust. F.C.G, Fearne, Chetney, Orym...... Give Me The Conversations, CR. Give them to me.
... cannot wait for the next bit of combat though.
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Why you touchin’ me
military! EREN YEAGER x black!reader
Summary
__ eren just needs his girl to give it to him when he finally comes home. he’s been thinking about that super soaker every night… he always does, so of course he’s not going to let you loose or let you decide how this will go.. just keep them ankles high and he won’t be too mean.
Contains
__ black!reader, female reader, eren is in the military, DIRTY TALK, so much dirty talk, dominance, dom eren, overstimulation, squirting, talk of not pulling out, dumb off dick!reader
__ brown skin can be dark, light, medium color, whatever. brown is brown.. and it's gorgeous.
__ a/n , hey y’all lol, something slight because I’m just trying to get back into writing because I’m loosing my touch lmaooo
A simple breather couldn’t refill your lungs as the oxygen continued to be ripped from you. Those words made you lose every brain cell that was ever created in your human body. There was intensity that poured over your golden skin as your blurred eyes could only see the sparkle from his dangling chain.
“Ankles.”
Only a desperate attempt to whine could come from you. Your glossy, darkly lined lips parted only to reveal that you were drooling from the overtaking pleasure. Your hands were around your ankles, much to his liking as your head began spinning.
It was beginning to be embarrassing at how wet you were, how dumb you felt. That sweet, curved dick that slipped in each time with a smothering rhythm made you feel as if your insides were being pushed against. Your sounds, and each word that dripped from your lips, he was listening. He missed it so much that there was no way he was going to lose focus.
“Eren~ baby~… Fuck! M-My pussy so fuckin’ wet..” Those words were drenched in tears as your pussy coated Eren’s cock with warm nectar. And he enjoyed watching it pool around the base of his cock, juicy and wet. It was so gushy that his pretty eyes failed to leave it.
“I fucking see… I got that pussy talkin to me..” Eren talked to you as he pounded that hole open, his rough hands gripping hard on your pretty hips. The depths of your insides were being stretched open all over again, and you could feel it part ways with his cock.
Those army green pants he wore were now damp as they were just below his cock. He obviously couldn’t wait. Once seeing you stand there waiting for him, he had to have you the second he got home. He pulled your pretty dress off and pulled your gorgeous breasts out of your bra to worship you with kisses. But inevitably he found himself so eager to have you, he couldn’t even prepare himself for how fast he pulled his own pants and underwear down.
He just missed that pretty pussy.
It was such a soft brown, yet a bright pink on the inside, like a mystery treat. He knew how it tasted, he knew how it felt, but he still couldn’t get enough of it. He couldn’t get enough of watching your face contort into those pleasurable expressions. He couldn’t get enough of your stupid little babbles when you’d be filled up with his dick. And he surely couldn’t get enough of you soaking him like a damn water park.
With painted toes curling high in the air, you tried to keep the hard grip on your ankles. However with each thrust was a powerful force behind each one, so much that your breasts would plap against each other while falling up and down. The ripples of skin were also enough to know how strong the thrusts were, as if he was back on the battlefield trying to fight for his life. But in this case, it seemed as if Eren was fighting to make you dumb off his cock.
The head of his cock met the hot air each time, slipping right back in with your wetness lubricating the both of you well. There was absolutely no struggle to slip out and slip right back in, not when your body was producing so much lubricant. It was so wet that it felt almost numb, you couldn’t feel anything but the pleasurable pounding near your cervix. It was such a intricate, surreal feeling that there was barely any word to describe it. The only thing you could understand was that you were too close to fucking the bed sheets up,
“Ooo-…Ooh fuck! Fuck!.. No-.. shit-..” there was a sharp feeling in your stomach that felt like small jolts of orgasms. Oh it felt so odd, and it made you so anxious. Your pussy squeezed, and it had a grip on his fair skinned cock and yet he was still pounding through. It was an overwhelming feeling for your body to endure, so much so that your fingers slipped and your ankles fell from your grip.
The second this happened you had no choice but to close your legs, trying to prevent that sweet, intense orgasm you knew was coming. Fate was sealed, and the rumble that came from Eren’s throat was a warning. But for some reason, you weren’t moving fast enough for him.
“Put them fuckin’ legs back up. Grab them damn ankles.. stop playin with me..” Eren’s face was inches from yours, your eyes watering up with pleasured tears once again before grabbing a hold of your ankles. Your glistening pussy was being rammed into over and over again, and you simply couldn’t take it.
“Stop runnin from that nut.” Eren huskily whispered, obviously becoming desperate for his own orgasm. He groaned from the bottom of his stomach, his head thrown back for a second before he moved to look back down at your tightening pussy, that’s before it relaxed and he felt the sudden wetness increase. This caused him to thrust just a tad bit harder because he knew you. He still understood what made you cum, what made you cream, and what made you squirt.
“Fuck yeah… hold em’ open..” Eren almost hissed at how sexy you were, the drips of juices squirting up in the air ever so gently and landing on his cock. It all made him want to cum right there. “Eren! Eren!….Oooh~ shit~… please!” You begged, moaned, and almost felt yourself losing your body as your pussy had a mind of its own. Each time Eren would slide his dick out, you’d squirt your soft juices in the air before he’d slam right back inside you. The gushing noises made you seem like a whore for him.. in more ways than one.
“That’s fucking right.. Squirt on that dick baby.. good fucking girl..” Eren almost spoke through his teeth as his cock was sensitive, he pulled it out and grabbed his dick to run it up and down those pretty brown lips only to watch you squirm and drench the bed underneath you. The wet sounds of you splashing him was music to his ears, so he couldn’t stop.. not until you had nothing left in you.
“Please~! Fuck Eren! Stop that fucking shit…!” Your words were covered in sounds you could not contain, the pleasure was so unbelievable you couldn’t even imagine how your body was doing this. That man’s lower stomach was covered in your squirt, and his cock, which throbbed the second he went back inside.
You gripped your ankles so hard that you might leave bruises, and yet.. you couldn’t care. This man was beating your pussy up even more, overstimulating you as your eyes rolled back slowly. Your eyebrows furrowed, and you eventually stared up at him with blurred vision.
“Run from it again… I swear on me I won’t pull out..”
ⓒ Monstas1ut , Do not copy
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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”
...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.
“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”
“Good Omens” is back by popular demand for another season. How does it feel?
It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.
Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.
That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.
In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.
It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?
It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.
Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?
Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.
Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?
They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.
Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?
It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]
Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?
I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.
There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?
There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.
Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?
Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.
To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.
Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.
Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.
I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?
I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.
Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?
Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.
[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]
I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…
I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”
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