#guys he makes me miserable

[flashdoesahundredyarddash]

"I'm not your pet, I never liked you, I never cared about you, I won't wait for you. I bite."

VS "I'm not a violent dog. I don't know why I bite.."

(ermmm pointing to who made me draw this... you know who you are...ermm.. (didn't make me but ermm) comparing Thad to Isle Of Dogs has me sobbing goodbye guys...)

[pippuns]

you ever think about how fucked up it is that shen qingqiu's first mission out of sect was him subduing the skinner, a demon who targeted and replaced people no one would really miss?

very fun how the skinner ended up getting killed and destroyed by someone else who took the place of a person no one really missed

[lotus-pear]

do you ever think about how in the day i picked up dazai side b dazai had to lie emotionless and soulless—like a corpse, almost—beside the man that gently brought him in, nursed his injuries, held him while he was in pain? he had to keep those suffocating bandages around his entire face, lest this man gain some sort of recognition for the little boy he saved. he had to lay there curled in the fetal position, bleeding and in pain, perhaps thinking about how, in another life, this man cooked for him, tried to build up his strength. read to him to pass the time while he curled up against him like a child listening to a bedtime story. played cards with him. saw through the heartless mafioso. the ruthless killer. and instead saw a boy.

imagine knowing this man, the man who saved you in more ways than one, was going to die one day all because he knew you. because he reached his hand into the darkness and plaintively, like a small child wanting a parent's touch, you grasped back desperately. imagine thinking all of that while that man is just a stone's throw away, making coffee in the next room just like he used to for you in another life. the scent, although you've never been here before, is reminiscent of home. and the tune he's humming? it's the silent melody that plays through your mind seven years later, for the last time as you fall backward off the building with your arms out like an embrace. but, hey. that man is alive. he's happy, although he never knew you. you can die with no regrets.

[stevebabey]

part one. the same cw applies as part one (cw: past sexual coercion is implied) thank u for any & all kind comments <3 hopin to deliver on the angsty hurt/comfort front >:/

“I’m sorry.”

It’s not exactly how he planned to start his whole apology speech but it’s as good a start as any. Steve is glad he says it. Eddie’s entire character softens just a bit hearing it, his shoulders relaxing to sit a little lower, like maybe, he was afraid Steve had come by to argue some more.

For a moment, they stare at each other until Eddie seems to realise he’s blocking the entrance. He jolts just a bit and side steps, beckoning Steve to come inside.

Good start. Steve steps forward and the subsequent rustle from behind his back reminds him of what’s in his hands. He pulls them out from their hiding spot and offers them out with only a marginally awkward cough. “Uh, first, these are for you.”

In his hands are blue hydrangeas, 3 of them, and the bag containing a mixtape and a multitude of Eddie’s favourite candies.

Eddie’s reaction isn’t… quite the usual. He doesn’t swoon or snap up the gifts out of Steve’s hands like Tilly and other girlfriends had. He doesn’t smile either, just eyes then silently. Steve feels a roll of worry tangle up his stomach.

After a moment, Eddie takes them. Steve follows him, taking the trailer stairs two at a time to keep watch on what Eddie will do. It’s a surprise then to watch them get placed to the side, flowers and gift bag dumped down on the Munson’s cluttered dining table. Eddie doesn’t even attempt a peek into the bag, which, well, for Eddie says a lot.

Moving his gaze from their discarded state to Eddie, Steve finds himself pinned down by Eddie’s waiting stare, his arms crossed tight over his chest. He’s waiting for Steve to speak. Right, it’s time to face the music.

Steve chances a quick glance down at the smudged bullet points on his palm. It suddenly feels too wooden for what Steve really wants to say, too constructed, too much what he thought Eddie wanted to hear.

And besides, Eddie hadn’t reacted as expected in the first instance, the forgotten gifts put to the side. Steve shoves his hand deep in his pocket and goes instead with exactly what he’s feeling.

“Okay, um. Look, I didn’t mean what I said. I- I know that was, I— my parents came home that night.”

None of it is coming out right, stammers on every word. Steve curses himself under his breath and wills himself to continue. Knows if it was Eddie apologising it would be poetic and sweet, all the right words in all the right order.

“I’m not— It’s not an excuse,” Steve shakes his head, tries to string together one single coherent fucking sentence. “I’m sorry. Sorry that I didn’t pick you up. And- and I’m sorry for what I said, I didn’t mean it. Really, it’s- I don’t think that of you. I’m sorry if I made you think I did.”

Eddie nods, though his clenched jaw gives away he’s not entirely peachy just yet.

“Robin told me about your parents being home. And yeah, it wasn’t cool what you said.” He agrees and Steve’s stomach turns. “But I wasn’t exactly fair either, getting all up in your face about it, so I’m sorry for that.”

Steve blinks, surprised; an apology was the last thing he’d expected to come out of Eddie’s mouth.

“I’m still a bit hurt,” Eddie admits, arms folding across his chest in a defensive motion. Steve hates how he seems to be curling in on himself, so obviously hating to admit aloud that Steve’s words had cut so deep. “But y’know, I know now that you were wound up from your parents being home. So, you’re, like, forgiven I guess.”

...Huh, okay. Usually, forgiveness comes after the grovelling, Steve thinks. Not as easily granted as Eddie is seemingly giving him now.

“Okay, uh,” Steve says warily, not quite sure where to go from here. Eddie isn’t really moving, still standing a bit tense. Waiting for Steve to break the ice.

Steve’s eyes dart to the dining table — the resting hydrangeas and abandoned candy. Steve tries to put two and two together, sure, so sure he’s missing something. It’s never this easy.

Eddie hadn’t acknowledged the flowers, hadn’t wanted the gifts. Steve may be forgiven but he still hasn’t shown Eddie how sorry he is.

Steve steps closer and sinks to his knees.

Eddie’s eyes widen in an instant and he takes half a step back, his hands raising up. It doesn’t feel good to watch Eddie put distance between them. Something curls up in Steve’s stomach.

“What are you doing?” Eddie asks. His voice is a bit scratchy and he clears his throat, not moving closer but not moving further away.

Fine. He wants Steve to spell it out. Steve wishes Eddie would just let him apologise in the way he knows — he was hoping Eddie wouldn’t make him drag out his apologies like his father did. But Eddie did love his theatrics so it’s not all that surprising.

“I’m… still apologising?” It’s not meant to come out as a question but half way through the sentence, Steve clocks Eddie’s body language. It’s giving very different vibes than expected. Steve’s confused.

The confusion only hikes up when anger flares in Eddie’s eyes, his jaw tightening just a bit. “You’re—? This isn’t gonna make what you said hurt any less, Steve. Is that what the…”

Eddie trails off, his own gaze tracking over to the dining table. He seems even more ticked off then, fixing his gaze back on to Steve.

“Are you trying to— Did you think you buying me stuff and sucking my dick is some completely fucked way to fast-track an apology?”

Steve feels his own eyes widen, each word twisting his confusion up so tightly it hurts in his chest. Eddie sounds angry.

“No,” Steve insists weakly, because he knows that’s what Eddie wants to hear. Even if that sort of is what he was expecting. He shakes his head, tries to get a read on Eddie’s body language beyond his annoyance. What does he want? “No, I just…”

Eddie’s anger seems to wane a little, seeing the confusion shudder across Steve’s features. Steve suddenly feels incredibly stupid being on his knees— but he doesn’t move. He doesn’t know what to do, doesn’t know what to say. Maybe Eddie doesn’t want him in this way right now.

“I was,” Steve starts, clearing his throat and willing away his flushed cheeks. “I’m proving it to you.” His voice is a little stronger now, more sure. “I want to prove that I’m sorry.”

Eddie stares at him for a long moment and just when Steve thinks he’ll concede and reach for his belt, he surprises Steve and sinks to his knees too. He sits atop his boots, now face to face with his boyfriend, and reaches out gingerly to place a hand on Steve’s knee.

Steve eyes it for a moment. Is this the come on?

“Steve,” Eddie says gently. It reminds Steve of the tone one might have with an easily spooked animal, all comforting and soothing. “Do you even… want this? To have sex right now?”

It’s a strange question, Steve thinks. He frowns. This blowjob isn’t about him. “I think I’m confused,” He admits, forcing a chuckle to make it a little more casual. Then repeats the sentiment from earlier again. “I want to apologise.”

Eddie nods, harsh enough a curl untucks itself from behind his ear. “Yeah, sweetheart, you already did that. You apologised and I forgave you.”

Eddie doesn’t mention that all these extra things, the gifts and flowers, made him question the genuineness in Steve’s apology at first. Something tells him to dig a little deeper. Steve isn’t smarmy or cocky, he’s not sure that’ll be forgiven, he’s… confused.

But Steve nods. He’s following Eddie’s words so far. Something glitters inside him that he’s already back to sweetheart so soon. He hesitantly lays his own hand atop of Eddie’s, resting them both on his knee. Doesn’t speak. Doesn’t even know what to say. 

“So, I guess what I’m asking is… what is this?” Eddie waves his hand over Steve’s kneeled form.

The way he says it is still so concerned, which is so far from the usual eagerness Steve has come to know from him normally in these types of situations. Suddenly, knowing Eddie’s definitely not in the mood makes the whole thing a lot more embarrassing now.

“Christ, I wish I had known you wouldn’t want that now,” Steve forces another laugh, quiet, as he ducks his head down. Eddie doesn’t join in, just waits patiently.

“I was— y’know,” Steve waves a hand, gesturing to nothing. “Proving I was sorry. Making it up to you. Guess sex was the wrong idea there, sorry.”

He grimaces a bit, squeezes Eddie’s hand. Steve wonders how he’ll end up making it up to Eddie, if not this way. It’s always been this way.

Eddie doesn’t say anything, just stares at Steve with a perturbed expression on his face. If Steve had to guess, he’d say he almost— almost looks a bit sad.

“Stevie,” Eddie says, nudging closer. Both their knees are touching now. “You already apologised. I forgave you.”

He’s repeating things Steve already knows, so Steve nods. Then repeats the thing he’s heard a hundred times over, “Yeah, I know and now I need to prove how sorry I am.”

Eddie’s face crumples a bit, the frown line between his brows deepening. He seems to have hit some understanding, shuffling even closer to Steve. Any annoyance from a minute ago has leaked out of his body. He’s all comfort now, every soft part that Steve adores so much.

“No, you don’t.” Eddie says simply, words strong and sure. “I know that you’re sorry. You said so. That’s proof enough for me, sweetheart.”

Oh. That’s all there is to it, apparently.

Steve’s acutely aware that the emotion streaking through his chest is relief — relief that he doesn’t have to jump through hoops to gain anything back. Doesn’t have to open his mouth or spread his legs just to earn back his partners affections for a heat of the moment mistake.

He said he was sorry and Eddie forgave him. That’s it. That’s all it took. Like an ill-weighted scale, all the relief slides down into a strange hot shame. Oh god, he’s just come in and then— and Eddie hadn’t even— and Steve had thought—

“Oh, fuck, I’m sorry, that must’ve—“ Steve reels back, the embarrassment from earlier rearing up inside him close to pure mortification. He pulls his hand from Eddie’s grip, all of it suddenly wrong, so so wrong. “I’m sorry, that was so weird of me to offer—“

“Hey, hey, hey, no.” Eddie’s cutting in before Steve gets very far, firmly planting both hands onto Steve’s shoulders to keep him from receding any further. “Don’t apologise for that. That’s… Steve, will you look at me please?”

Nope, a small voice inside him answer, with a quiver. Looking at the trailer floor is so much easier than what Eddie’s asking.

There’s been many times where Steve has felt a bit dumb but this? This feels like a special kind of stupid. The word throbs in his chest painfully as he wonders how he’d got so turned around. He wants to apologise again.

“Stevie?” Eddie says his name again, a soft coo. One of the hands on Steve’s shoulders shifts, hesitating for a moment, before gingerly cradling his jaw. Steve lets Eddie tilt his face up, reluctantly dragging his gaze up to his boyfriend’s face.

Eddie is all sweetness, eyes soft and smile encouraging. It’s his tenderness that makes Steve exhale, a breath he wasn’t aware he was holding and he can’t help the way he sags just a bit and leans into Eddie’s hold.

Eddie gives a quiet hum. “No more apologies, okay?”

Steve nods, the motion a bit slow. It sort of feels as though it’s a little harder to move against gravity, like the air is thick molasses. He’s tired. Why is he so tired? He wonders if it’s the mountainous relief that’s still trickling out his body.

“We- we’ll need to talk about that later,” Eddie nods along to his words, voice all tender. The way he says it lets Steve know it’s not a bad thing. “But for now I think I’d just rather hold you. Can I do that?”

How backwards. Steve had come here to apologise, to make it up to Eddie, and now he’s the one being comforted. And yet, his nod comes much easier this time. It’s probably a bit too eager but Steve’s just about drowned in his embarrassment tonight so what’s some more?

Eddie’s hands move and grip Steve’s hands in his lap, giving a comforting squeeze— then waits, doesn’t move until Steve gives another squeeze back.

Then Eddie’s rising, standing up and pulling Steve up with him. It’s quiet, Steve hiding the tiny shake in his hands by squeezing Eddie’s hand so tight he won’t notice — til Eddie’s knees crack, terribly loud in the silence, and he whispers a loud, “Ow, fuck.”

Steve can’t help it, he laughs, the sound bursting out of him. Fuck, his boyfriend is an old man sometimes.

Then Eddie laughs too, that glorious sound that Steve could bottle and get drunk on and then they’re both laughing — and Eddie is tugging Steve into his bedroom, both of them collapsing into the creaky bed. The springs whine under their weight but it goes unheard.

Eddie does his best to bundle Steve in his arms, accidentally sticking his elbow into Steve’s side but it doesn’t even matter. Eddie cuddles are a fuckin’ delicacy as far Steve’s concerned— when he’s happy with the way he’s wrapped himself around Steve, full Koala style, he squeeezes.

It forces a pathetic sounding wheeze out from Steve, quickly spiralling into another laugh because who has ever loved him this way? This well? Between the threads of relief that pluck on his heartstrings is white hot love.

Steve already knows what’s coming next, what is always the second step in Eddie cuddles. Instead of hiding his face away into Eddie’s chest, like he’s done a thousand times before, he sticks his face out. Chin jutted out, face exposed, and ready for kisses.

Eddie doesn’t deny him. It’s a wet smush of quick kisses, on his cheeks, his nose, his eyelids — Eddie lets out little ‘mwahs’ as he goes, in a sickly sweet voice that Steve adores.

Faintly, inside his chest Steve’s heart sighs. Because no apology, no forgiveness, has ever been like this, this simple, this easy. Equal comfort — like Eddie was aware Steve had been suffering on the other end of the silent treatment, at regretting his own words.

Steve silently hopes it’ll always be this way, even though another part deeper down knows it’ll be. That arguments with Eddie might involve childish silent treatment, tongues poked out and boots stamped — but that apologies would never be a test. Never more than an honest admittance of regret in the form of words.

In the way Eddie presses a particularly slimy kiss against his cheek, hard enough it makes Steve’s cheek squish, he thinks he might not have to worry much at all.

tags: @disorganisedbee @estrellami-1 @moonshadows-13 @qubert18 @fxndom-hoe @nelotegreitic @justforthedead89 @avacrebs @yikes-a-bee @just-a-tiny-void @stevesbipanic @penny-lane-bitch @clarakeanen @weeennussy

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[darth-does-stuff]

ok everybody saying dan fucks is conrad’s dad you do you but for ME personally the fix will always be conrad’s dad because dan gives cool uncle vibes 1000000% percent more than the fix ever will. but we will both live our truth and we will both be happy 🤝

[skywerse]

chip doodles (you have no idea how sad he makes me)

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[ashleyslorens]

🩸

LES MISÉRABLES (2012) dir. Tom Hooper GRACELAND S02E09 'Gratis' LAW & ORDER: SVU S13E02 'Personal Fouls' AMERICAN HORROR STORIES S01E02 'Rubber (Wo)man: Part Two'

[avspol]

it was absolutely foul of araki to name polnareff's sister sherry (phonetically very similar to cherry) and then decide that kakyoin would be associated with cherries and that he would be like a brother to polnareff and that he would also die . why would you do that

[july-19th-club]

i know for a fact i have made this post before but for me it's very important that bbc merlin is a pointless tragedy. it wouldn't be good (it's frequently not good anyway but it would be a lot further away from good) if it wasn't a pointless tragedy! it's simply not arthuriana if it doesn't go past the high point of the heroic/legendary/high medieval romance stuff and end with detailed rundowns of exactly how everybody got betrayed and died like that is what makes it real arthuriana to me and not just a silly show about a wizard

[sawvhs]

seriously doubt adam or lawrence had any close/trusted friends which just makes their relationship in the bathroom that much more weirdly emotionally charged. codependency bait to the max

[moeblob]

NO ACTUALLY ITS VERY IMPORTANT TO REPLY TO HIS

it's so true they are all idiots and they all are disasters but after the group mom offered me his therapist info because I was acting a bit weird (and hey, if you need help then get it! no shame!) then yeah I am literally convinced the only way this group is alive is because he has no mean bones in his body.

(I have only just gotten past the first witch and the twinks hate me but understandable have a nice day, boys... but honestly Arshem CONTINUES to remain the healthiest despite going through the roughest imo.)

[meltlilies]

not everything from arasaka is a gift, y'know.

[jabberwockprince]

reworking this old ass oc and trying to figure out colors <3

[koipalm]

jon in a dress. like i promised