i just love it when characters Say Things. u kno. just a real sucker for characters. Saying Shit.
Imogen saying "She's not any person. She was special. She was chosen." (Chosen, once, twice, thrice, for an early end). Ashton saying "Do I look like a person who doesn't know that?" (That things often have unsatisfying ends). F.C.G saying: "It seems kind of hard." (being alive, finding purpose). Orym saying "It always mattered." (F.C.G's life, what they chose to do with it, them). Ashton saying "I have had a lifetime, of bad hits." (Hits, and falls, and losses, that I am weathering. But I am telling you where I am drawing my lines, here and now.) Imogen saying "Laudna, you're safe!" (we chased off the shadows, you're not alone, you're safe, we're here).
F.C.G saying: "Well, I have to live."
Ashton saying: "Unfortunate, but true."
im just. such a fan of characters saying things, all the time, about all kinds of things, with all kinds of meanings. God i just. love it. when characters say shit. u feel me.
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At this point you've written at least four different roleswap AUs, so I was wondering if you had any thoughts or takes about how a roleswap AU should be? - someone who's planning on making a roleswap AU
Please don't remind me. I'm embarrassed about this. I know I need to write other things. I don't know why the AU concept is so incredibly fun to write. I can't explain it. Roleswaps are very easy to write and a lot of fun and involve being a freak about everything. Who wouldn't write 10 of those bitches.
But yes, as someone whose roleswap AUs are like 9 out of her 51 fics, I feel qualified to talk about this. These are just my own opinions and takes, and other people might do it differently - if you write roleswaps too, feel free to add in your two cents!!
Before sitting down to write literally anything I always figure out the rules of the story. Writing is little more than a nonstop series of decisions, and if you abide by the rules of your story or characters then your decisions will be coherent and cohesive. By rules I don't mean worldbuilding - I mean the internal logic of the story and the characters. "X character will never explicitly say how he's feeling" or "the leads have to both win and lose every encounter".
I find establishing writing rules for roleswaps especially important - it's figuring out exactly how the roleswap works. Here are the ones that I find important, and kind of the process:
Decide what is swapped. Is it more of a universal swap, personality swap, backstory swap, chronology swap, or alignment swap? No matter which one you choose, all of these things are probably going to change anyway, but there has to be one central point for each character that guides your decisions. Are you actually swapping the narrative role in the story, or are you just changing it? You have to be really precise and have a very good idea of what exactly is swapped, and it has to be consistent throughout the story. It can't just (just) work on what you'd like to see, it has to be exactly the same between characters.
Decide the point of divergence. Sometimes that point is pretty abstract (She's a teenager in the 90s instead of the 20s). Sometimes it's much more specific, just one moment (He developed his superpowers at this moment instead of that). The point doesn't have to be immediately obvious, but you should know it - I did a backstory swap ages ago, and it seemed like a complete change, but like 150k in I dropped that a character dropped out of the police academy instead of completing it and that her entire life changed from there. If the swap is more abstract, then maybe it's just a series of smaller decisions - character A has these seminal points in his story, and I'm swapping him with character B, so here's what character B did during these seminal points instead, and how it changed him and his narrative.
Decide who the character is. This might be more personal, but for me, I think of the character as...there is a central tenet of them, of who they are as a person, that does not change no matter what. That's three or four traits of who they are, that you will not change, and that's what makes their swapped life their own instead of the OG dude's. But there's a lot of traits and behaviors around that core personality that's the result of their environment, backstory, and experiences. That's what should change. It's about figuring out how these essential traits + what is swapped + the point of divergence = an entirely different character and story. The roleswap you'll end up with will be a combination of all of these things: how the essential aspects of a character mix with what's swapped to create an entirely new environment and set of behaviors, which cause a chain reaction to create something new. As a writer, you sit down and say, "I'm keeping these parts of the character, I'm swapping out those parts, this new mix changes these points in their backstory, this results in this new person".
This is more of a guideline, but it's the most important to me: your characters have to be recognizable as the character. The reader shouldn't go, "this OC is making some weird choices". The reader should go, "I don't know how, because he's the exact opposite of his canon self in every possible way, but somehow he still feels like my favorite character". This is why you isolate those basic traits before changing the rest - so long as your character is still who they are deep inside, then they still feel like that character. And that's the fun of the story. You're selling something insane, and the reader is buying it.
It's a lot of really heavy character work. You have to really understand the characters you're writing - the less I get the original character, the more issues I'm perpetually having. I tend to fly fast and loose with characterizations, but when writing roleswaps I have to refer back to canon and the source material a lot ("In canon he did X thing, with his newly different backstory how would that decision change?"). The more you're rooted in canon, then the funkier and more divergent you can get.
Personally, I like to play a fun little game I call: how exactly opposite can I make this character until he stops feeling like this character? I Sometimes my goal in writing is "how deeply can I ruin this story". This is not a good game and people should not play it. I find that the lazier I get about getting in touch with the canon character, about keeping track of the canon decisions, and about following these guidelines, then the more difficult a story is to write. If you structure a story well then it's easy to write, and roleswaps are pretty easy. Thanks for the question!
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the rwd season 4 qna inspired me to start thinking about college au headcanons except a lot of these are gonna be really specific to my school and y'all are just gonna have to deal with that <3
Kyana feeds some of the school cats. she would feed all of them if she could
Dani smuggled Plug (the scrawniest black cat you've ever seen) into her dorm room illegally and somehow management hasn't caught her yet (based on a true story) (Kyana visits to see Plug all the time)
Finbar keeps an updated tier list of every canteen in the school with breakdowns of the best stalls/dishes for each
A senior from the school of engineering once said to me 'all the engineering people dress like rats cuz our classrooms don't have aircon' (context: tropics) anyway that's Dani
Kyana would probably be involved in a lot of freshman orientation events from second year onwards. she just likes talking to the new kids and giving them advice like she would be the kind of orientation group leader who'd get messages from her freshies asking about all kinds of random nonsense because she's made sure they know they can always contact her with questions
VR-LA is The Guy you go to for textbook pirating resources
(this is more of a 'wouldn't that be funny' but VR-LA is just Veerle's discord handle)
Docent is the name of VR-LA's old laptop that broke down so he gave it to Cassimere (computer engineering major he met once at a networking event) to fix except Cassimere got everything off the hard drive and then somehow managed to fuck it up Even More so he had to get a new laptop (and named it Emi)
Roy has gotten food poisoning from his dorm meal plan at least once (based on at least one true story)
The heap trio + Mandy would be those friends constantly playing majong in the dorm lounge and if all the majong tables are taken they just play in one of their dorm rooms on a towel to dampen the tile shuffling noises (it was Mandy's idea)
Every morning Dani goes to the drinks stall at her faculty and orders one iced coffee to the point where the stall owner starts preparing an iced coffee whenever they see her approach (based on my true story)
Roy would be one of those people who goes clubbing every other week and every time he tries to drag the rest of the heap trio and Egan almost always goes and Dani would go if she didn't have a good excuse but always begrudgingly. anyway Roy would always be the only one having a good time until Egan gets drunk enough to start having fun
Finbar actually uses the dorm kitchens instead of just buying canteen food and it always makes the hallways smell really good
Vhas also uses the dorm kitchen sometimes but like. one time i walked into the pantry on my floor and someone had left cut sweet potatoes and 2 eggs in an inch of water in a pan on the stove. that's Vhas
Kyana's constantly applying for overseas exchanges and international summer/winter school programmes. the world is large and she wants to see it!
Maxim's the definition of a hall phantom. you know he lives on your dorm floor because you pass him by in the hallways sometimes and literally nowhere else. sometimes you're not convinced that he actually exists
VR-LA and Maxim's friendship stems from them being from wildly different faculties (VR-LA's in STEM, Maxim's doing anthropology so arts/social sciences) but also having lots of weird interests they cant really bug anyone in their home faculties about
Elyse is in student government and every once in a while Finbar receives a series of angry texts about the newest idiocy she's had to put up with
MR-SN and AS-TR start a stargazing club together. other notable members include AS-TR's girlfriend E-DN, MR-SN's friend C-RA (the one who always volunteers to carry the heavy ass telescopes) and MR-SN's friend K-LB who he pestered into coming to fix one of the wonky scopes even though K-LB's actually in electrical engineering but he's the only engineering person MR-SN (an arts student) knows
oh and of course VR-LA joins because he genuinely just likes space (developing a crush on his club chairperson was not on his bingo card)
Kyana and E-DN were MMA sparring buddies at one point which is how she found out about the stargazing and joined immediately
honestly i can probably think of more but this post is fuckin long LMAO
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