#harve bennett

[80smovies]

[v-e-l-v-e-t-g-o-l-d-m-i-n-e]

Another update from my reading Star Trek Movie Memories, an interesting perspective from Harve Bennett, producer who worked in four Star Trek movies, and the discrepancy between Roddenberry's utopian view of Star Trek, and what Bennett actually saw Star Trek displaying on screen:

[nerds-yearbook]

Star Trek III: The Search for Spock was released on June 1, 1984. Producers were reluctant to let Leonard Nimoy direct, who had never directed a feature film, but he refused to return as Spock if they didn't. The bad guys were originally going to be Romulans, but changed to Klingons. They kept the Romulan bird of prey ship instead of spending the funds to build a Klingon ship. Due to a contract pay dispute, Robin Curtis took over the role of Saavik from Kirstie Alley. In order to save the thought dead Spock and avenge Kirk's murdered son David (Merritt Butrick), James T Kirk (William Shatner), "Bones" McCoy (DeForest Kelley), "Scotty" (James Doohan) Chekov (Walter Koenig), Sulu (George Takei), and Uhura stole a decomissioned USS Enterprise. They were hunted down by Klingons lead by Kruge (Christopher Lloyd). The movie not only saw the rebirth of Spock, but it also show cased the destruction of the USS Enterprise. (Star Trek III The Search for Spock, flm, event)

[atomic-chronoscaph]

Peter Barton and Amy Steel - The Powers of Matthew Star (1982)

[chernobog13]

If producer Harve Bennett had been able to follow through with the Starfleet Academy film he proposed for the film series' sixth entry.

[raurquiz]

#remembering #HarveBennett #writer #producer #StarTrek #thewrathofkhan #thesearchforspock #thevoyagehome #thefinalfrontier #TheInvisibleMan #GeminiMan #TheBionicWoman #TheSixMillionDollarMan #TheJesseOwensStory #AWomanCalledGolda #TimeTrax #InvasionAmerica #startrek57

[cultfaction]

Preview- The Bionic Woman: The Complete Collection (Bluray boxset)

The Bionic Woman: The Complete Collection Blu-Ray boxset, brought to you by Fabulous Films,  includes 18 discs and 699 mins of extra features. All 58 episodes of the groundbreaking series have been digitally re-mastered and restored, including a brand new 2k scan of Bionic Ever After? This Emmy© Award winning and Golden Globe© nominated series was originally broadcast on BBC TV in the late 70’s…

[ruivieira1950]

[ziracona]

I always thought Ethan Bennett was The Batman’s Harvey Dent bc he was restricted due to the live action films, but it’s nice to have it confirmed.

[worflesbian]

Klingons & Racialisation - the Long Post

This post is an overview of the racial coding of the Klingons from their first appearance to the present day, illustrated by quotes from Trek writers, actors and crew members taken from the Memory Alpha article Depicting Klingons, with my own interjected summaries and explanations. It is by no means comprehensive (I likely missed some stuff), and does not offer critical analysis of the quotes provided, but nonetheless is intended to demonstrate irreproachably the open fact that Klingons have always been intentionally written and designed as non-white -- something that fandom consistently fails to take into account when perpetuating racist stereotypes and reiterating racist canon content. I recommend reading the whole article for a more in-depth understanding of the subject, as well as seeking out the existing writing of fans of colour. This post is primarily for reference purposes so I've tried to limit my own analysis and opinions, but I do post those in my Klingon tag as well as more general headcanons and worldbuilding and I'm happy to answer any (good faith) questions this post may raise.

As always, if I have overstepped in any way as a white fan in making this post, I am grateful to be informed and will make any required changes.

Content warning for outdated and offensive language under the cut.

The Original Series

"There is some suggestion that the Klingons represent a Cold Warrior's view of China in the 1960s – swarthy, brutally repressive." (Star Trek Magazine issue 153, p. 66) "And I think he was basing a lot of it on the kind of attitude of the Japanese in World War II...." ("Errand of Mercy" Starfleet Access, TOS Season 1 Blu-ray) The script of "Errand of Mercy" introduces the Klingon look by saying, "We see the Klingons are Orientals," "Spray my hair black, give me a kind of swamp creature green olivey mud reptilian make-up, and we'll borrow some stuff from Fu Manchu, and put a long moustache and eyebrows on me." ("The Sword of Colicos", Star Trek: Deep Space Nine - The Official Poster Magazine, No. 8) "I think the makeup was called 'Mexican #1 or #2.' That was the name of the original makeup foundation – they actually had kind of racist names at the time, like 'Negro #1' and 'Mexican #2' – which was the basis for the original Star Trek makeups." (Star Trek Magazine issue 172, p. 59) "In the original series, all they wore was a dark face and their black hair," Michael Westmore observed. ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) The Klingons' appearance changed within the original Star Trek series; although dark makeup and heavy eyebrows were the norm, the Klingons of "The Trouble with Tribbles" were much lighter-skinned and more Human-like in appearance.... He noticed that they are not only less like Mongol warriors by having less of a swarthy appearance but also by being slightly not as fierce... ("The Trouble with Tribbles" Starfleet Access, TOS Season 2 Blu-ray) "...they were meant to represent the Communist foes of the United States specifically during the Vietnam War, which was being controversially fought at that time. (Star Trek: The Original Series 365, p. 222) "...let us never set up a situation whereby those adversaries of ours [Klingons] give any indication of ever being anything but highly aggressive and self-seeking opponents." (These Are the Voyages: TOS Season Three)

Here it is explicitly stated that the Klingons were based on various Asian cultures, with the USSR also being mentioned heavily in the article. This influence and the use of "yellowface" is covered more comprehensively in this youtube video Klingons & The History Of Racial Coding. However, the video has some notable gaps which I hope to cover in this post.

Post-TOS (movies)

The Star Trek III portrayal of Klingons took inspiration from Japanese history. "Harve [Bennett] had the notion that the Klingons were like Samurai warriors," explained linguist Marc Okrand. (Star Trek: Communicator issue 114, p. 27) Robert Fletcher agreed with Bennett, later saying of the Klingons, "I always liked to think of them as authoritarian, almost feudal, like Japan had been." (The Making of the Trek Films, UK 3rd ed., p. 52) Regarding the make-up, Michael Westmore observed, "Until now, Klingons were brown. Some had a bony ridge running down the middle of their foreheads, long black wigs and facial hair." (Star Trek: The Next Generation Makeup FX Journal, p. 28) "I thought it was an ideal way for us to have our closure too, because the Klingons for us have always been the Communist Block, the Evil Empire. It just made sense to do that story." (The Making of the Trek Films, UK 3rd ed., p. 100) "Gene was really bothered by the Klingons in VI [....] [They] were, in his words, 'too civilized, too decent, too much of the good guys in the story.' [....] [The Klingon detente] was not the way Gene would have handled it. He would have reversed it, he would have had the Klingons being the ones who couldn't handle the peace, with the Federation saying, 'Come on, let's try and work this out.'" (Star Trek Movie Memories, hardback ed., p. 289) "The story never explored the Klingon culture the way I'd hoped it would [....] I was hoping for greater insight into the Klingons." (I Am Spock) Nimoy hoped, in specific, that the movie would provide some important insight into why the Klingons had "always been so angry, such nasty, vicious murderers." Nimoy wanted the insightful knowledge to be an intellectually transformational force, changing the thinking of Kirk and the audience. (Star Trek Movie Memories, hardback ed., pp. 287-288) In an interview in the DS9 Season 7 DVD, Robert O'Reilly observed that a long-running joke among actors who have played Klingons is that they do not want to appear in the Star Trek films as, he believes, the only purpose of a Klingon in one of the films was to be killed off.

Although these last three quotes may not seem relevant, I believe they highlight an important facet of the racialisation of the Klingons. It reads as though Gene Roddenberry was against depicting the Klingons in a more sympathetic light than the Federation, and considering that the Klingons are intended to be non-white, refusing to give depth or motive to their anger in favour of keeping them "nasty, vicious murderers" comes across as fairly racist, especially when these kind of reductive and harmful stereotypes could've been challenged as Nimoy suggests. The treatment of Klingons as disposable villains is also concerning in this context.

The Next Generation

African-American actors were often cast as Klingons in TNG and subsequent Star Trek productions. This practice wasn't racially motivated but was instead carried out because it lessened makeup time, as the performers already had a brown complexion without having to have their skin painted that color. (Stardate Revisited: The Origin of Star Trek: TNG, Part 2: Launch, TNG Season 1 Blu-ray) Tony Todd, who portrayed the recurring Klingon character Kurn, stated, "I don't look at the Klingons necessarily as African-Americans, but it's about tapping into something–they're certainly an alienated people, so maybe that's why African-American actors can identify with those characters. But that doesn't mean it's exclusive to them." (Star Trek: Communicator issue 116, p. 54) Michael Westmore actually changed the Klingon facial design in numerous ways, though. He stated, "I added a Shakespearean style of facial hair and a forehead bone structure based on dinosaur vertebrae and I was able to modify motion picture Klingons for television." (Star Trek: Aliens & Artifacts, p. 59) In "A Matter Of Honor", the Klingons were intended to be used to shed some light on a common social problem prevalent at the time of the episode's making. This was, namely, what it was like to be the only person of either white or black skin coloration while surrounded by people of the other color. The Klingons were selected to illustrate this theme as a spin on the usual arrangement of a predominantly Human crew serving aboard the Enterprise-D alongside Worf. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 176) Two historical societies, the Samurai and Vikings, served as other inspirations, Moore perceiving about Klingon culture, "There was the calm, elegant reserve associated with the Samurai but there was the 'party-down' like the Vikings." (Star Trek: Communicator issue 114, p. 58) "I stopped thinking of the Klingons as the Cold War adversary," he explained. "I didn't think it fit [....] The place where the Russians were when I was doing the Klingon shows just wasn't as relevant any more." (Star Trek: The Magazine Volume 1, Issue 19, pp. 64-65) "The Klingons are not evil, tyrannical pirates bent only on pillage and plunder. They have a strict, almost unyielding code of ethics and honor and take their responsibilities as rulers seriously." Following a description of the Klingon homeworld, the memo continued by saying, "Klingon society could most closely be compared to that of Sparta or feudal Japan." ("Sins of the Father" audio commentary, TNG Season 3 Blu-ray) Having recently seen the film Malcolm X, he imagined the Klingons in the "Birthright" duology as metaphors for black people. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 274; Star Trek: Communicator issue 105, p. 16) "There's a certain way you have to carry yourself. You have to really be able to project the violence and the anger [....] All you have to do is think of the Spartans. They say, 'They'd rather have you come home dead on your shield than come home a coward.' [18]

This is where I feel the video essay previously mentioned falls short -- in the next gen era, Klingons are now explicitly black-coded. While some Asian cultural influences are still cited, they learn more towards the historical and are intermixed with other historical European influences (Spartans, Vikings, Shakespeare) rather than being fueled by contemporary prejudices towards the political enemies of the US as they were in the TOS era.

Deep Space Nine

Fields also generally based the Klingon group on American Western prototypes from the film The Magnificent Seven or, to a lesser extent, Japanese prototypes from The Magnificent Seven's movie source material, Seven Samurai. (Star Trek: Deep Space Nine Companion (pp. 131-132)) "So, the hair [...] was permed. So, it had more of a curl instead of the straight type look, and by perming it, they were able to kind of give them larger, bigger hair, so it was more like a mane." ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) "I don't know how you could equate Klingons with what's going on in the world today," he admitted. "I think the intention was to make them like samurai. That hairdo they gave them is very much a samurai hairdo. A lot of the fight sequences, the moves with the bat'telh, are very much taken out of the Asian martial arts [....] It's very romantic you know, these three old guys, the Klingon over-the-hill gang." (The Official Star Trek: Deep Space Nine Magazine issue 15, pp. 17-18) "It was different for them to get into this makeup, because [...] [the makeup was more elaborate and] the beards were bigger, and they were greyer, and they had curls to them, and the moustaches, they had the Fu Manchu look to them. So, they weren't used to sitting that long to be a Klingon." ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) For recreating some old-style Klingons in "Trials and Tribble-ations", the Klingon-playing actors had to be made up with the same swarthy, shiny brown makeup as used in the original series. (The Magic of Tribbles: The Making of Trials and Tribble-ations) ...he had them unite in song, thinking this was "just the kind of thing that Klingons do" because they are, in his opinion, similar to Vikings. (Star Trek: Deep Space Nine Companion (p. 449)) "I always saw the Klingons as a combination of Japanese Samurai who haven't had their morning coffee (or tea!) and African Zulu warriors." [25]

In DS9 the only inspirations cited seem to be historical, once again leaning towards feudal Japan and the Vikings. Interestingly although the Klingons here are predominantly dark-skinned, I don't think that J.G. Hertzler, who is white, had his skin significantly darkened to play Martok (at least, not compared to the obvious brown makeup worn by other white actors playing Klingons). Having a white actor play a Klingon without dark makeup could've set a precedent decreasing the use of such practices later on, but no one seems to have picked up on it.

Enterprise

The Klingons of ENT: "Sleeping Dogs" were based on the crew of the Russian submarine Kursk. "For me," said Dekker, "the point was to acknowledge the Klingons as 'people' – to find them in a clear position of distress [....] The idea to 'humanize' their plight was mine, and it wasn't anything I thought about as far as canon. It just seemed right." (Star Trek: The Official Starships Collection, issue 41, pp. 10-12) In the final draft script of "Affliction", the altered Klingons were initially referred to as "fierce-looking aliens" and were further described thus; "The aliens have a swarthy complexion, and dark facial hair... they could easily be mistaken for Humans. We'll eventually learn these are Klinqons... but their cranial ridges have disappeared."

At this point in time it seems the Klingons had essentially done a 180 from one-dimensional villains to sympathetic fan favourites, while still retaining the skin-darkening aspect of their makeup and "barbaric" characterisation. Although this is not mentioned in the article's section on the Abrams films, the images provided do demonstrate a level of skin darkening for the Klingons' brief appearance in Into Darkness.

The final section of the article is incomplete, meaning I don't have a lot of information for Discovery's redesign of the Klingons. The sources I can find cite ancient civilisations such as the Byzantines as well as Islamic architecture as inspiration for the set design, with a baroque influence on the costumes. I have heard rumours that the crew of Discovery have cited North African cultures as their inspiration for the Klingons but I can't currently find a source for this. Despite the lack of direct quotes, it's visibly clear that the Klingon makeup is still darkening the skin of white actors, although this time also to non-human blue and purple colours, as well as altering certain features in a racialised way. To elaborate: Mary Chieffo, who plays L'Rell on Discovery, is white and has a very thin nose and small lips, but in costume these are broadened in a way that seems imitative of African ethnic features.

As of the making of this post (early August 2023) I haven't seen any of Strange New Worlds, but from some cursory research its latest episode (Subspace Rhapsody) seems to have put a white actor (Bruce Horak) in brown makeup to play a Klingon. I am deeply disappointed that on a television set in 2023 people can still be darkening an actors skin like this without questioning the racial implications of what they're doing.

Thank you for reading to the end of this post. Please feel free to link to it if you found it useful enough to cite in another context. I would like to reiterate that I am white and while this is an issue I care deeply about it is not one I have an emic understanding of, and if anything I've said here is inappropriate I would be very grateful to be made aware.

[80smovies]

[v-e-l-v-e-t-g-o-l-d-m-i-n-e]

I honestly kind of forgot I was reading Star Trek Movie Memories lmao I'm almost finishing it now, and a part that was very interesting to me is that when they were planning Star Trek VI, Harve Bennett had an idea that sounds a lot like the Kelvin Timeline movies:

He even thought of a way they could include the classic cast in the story too:

Ultimately the project fell apart because Paramount wanted the old cast to fully come back to a last movie and Bennett wasn't interested in post-pone the project, but it seems Paramount kept his ideas safely guarded for a couple of decades...

[nerds-yearbook]

Star Trek 2: The Wrath of Kahn (originally titled The Vengeance of Kahn, but was changed when Star Wars Return of the Jedi was set to be titled Revenge of the Jedi) premiered on June 4, 1982. While many consider Star Trek the Motion Picture one of the worst of the franchise, it's sequel is often cited as one of the best. Star Trek creator Gene Roddenberry was basically removed from involvement save for name only, so it was probably no surprise he was not a fan of the film. He would later come into further conflict with the studio with antics and behind the scenes drama on Star Trek the Next Generation TV series. The movie was a continuation from an episode of the original series "Space Seed" (season 1, episode 22, February 16, 1967, written by Gene L Coon and Carey Wilber, Directed by Marc Daniels). In the episode, the crew of the Enterprise awoke Khan Noonien Singh (Ricardo Montalban) and his crew of the SS Botany Bay after approximately 200 years of suspended animation. They realized Kahn and his people were products of genetic experimentation that lead to the Eugenics Wars of the 1990s. After a failed mutiny, Kirk exiled Kahn, his crew, Star Fleet officer Lt. Marla McGivers (Madlyn Rhue) and the Botany Bay to the planet Ceti Alpha V. It was learned that since being left there that Ceti Alpha VI exploded turning Ceti Alpha V into a wasteland. Many were killed by the event and others were killed by Ceti eels, including McGivers, who had become Kahn's wife. Kahn managed to capture Captain Clark Terrel (Paul Windfield) and Pavel Chekov (Walter Koenig) and take control of the USS Reliant. Kahn then set off to try to take control of the Genesis Device that was being developed for the purpose of terraforming planets. The project was lead by one of Kirk's ex-lovers Dr Carol Marcus (Bebi Besch) and their son Marcus (Merrit Butrick). When Kirk learned they were in danger, he took comand of the USS Enterprise, which was on a training mission. He was joined by his old crew Mr Spock (Leonard Nimoy), Leonard "Bones" McCoy (DeForest Kelley), Montgomery "Scotty" Scott (James Doohan), Hikaru Sulu (George Takei), Lt Uhura (Nichelle Nichols) as well as new member Saavik (Kristy Alley). In their clashes with Kahn, the Enterprise was damaged leading to the deaths of Scotty's nephew (Ike Eisenmann) and Mr Spock (a large part of why Nimoy agreed to return for the sequel). A new planet was also created. This film was cited as having one of the first complete computer generated scenes in a movie, which was accomplished by the company that would become Pixar. ("Star Trek II: The Wrath of Kahn)

[t0ast-ghost]

Star Trek IV: The Voyage Home thoughts!!!

Love me some good ol’ treks and I know this is the one with the whales (which reminds me of hitchhikers guide to the galaxy)

Warning for spoiling the whole movie (don’t cry over spoiled movie if you don’t have to! Go watch it for yourself!)

Let’s get going:

- A LEONARD NIMOY FILM ?!?

- okay Harve Bennett. I see you in the credits.

- I like the Saratoga crew. Too bad they’re probably gonna die immediately

- HIII SAREK!!! God he’s hot I hate him so much

- “Personal bias! His son was saved by Kirk.” His son is also married to Kirk so…

- McCoy got to choose the name of the ship :))

- Kirk’s wearing the same shirt.. oh wait they all are nvm

- Spock on a rock

- Hi Amanda!

- “Spock, the retraining of your mind has been in the Vulcan way so you may not understand feelings, but as my son, you have them.”

- Amanda trying to tell Spock that his friends care about him so much that they go against what is logical and it mirrors how in journey to babel Spock was not willing to sacrifice the good of the many (the ship) for the good of the one (his father) so I’m wondering if they will have an arc for him realizing that sometimes you want the one and not the many

- I like the problems they keep having with projectors/videos. Or not exactly problems but in the beginning they had to ask multiple times for the video to stop playing and here they are just talking over the transmission in the background. It adds a sense of confusion and havoc that I think makes it delightfully more realistic

- The Bird of Prey is such a beautiful design

- “I did not wish to be shot down on the way to our own funeral.” lol nice Chekov

- Nooo Spock and Saavik don’t have the mentor/mentee vibes anymore :(((

- Kirk really wants Spock to call him Jim… he misses his husband :(

- Bones is right. And then he leaves Kirk with the “That’s what I thought.” And the entire bridge crew is just like ‘don’t engage, look away, the husbands are fighting but just don’t look.’

- The copy pasted Saavik and Amanda

- “Hi. Busy?” McCoy sliding over to Spock

- McCoy just say you’re happy he’s back. He misses his verbal sparring buddy omg

- “Forgive me, Doctor, I’m receiving a number of distress calls.” McCoy is SHOCKED like, ‘did he just purposely reject me???’ I’m crying

- sad! Your husband died and now he doesn’t want to fight with you!!

- hi bitch! (It’s Sarek)

- THEY PUT EYELINER ON CHEKOV!

- THE PROBE SOUNDS LIKE WHALES ???

- so the transmission is for whales. That’s cool.

- Uhura would make a sick DJ. She’s remixing the whale sounds

- “Bones, you stay here.” “No way. Somebody’s got to keep an eye on him.” He’s trying to look out for his husbands

- love sci fi that is like ‘sea creatures interacting with space hmmm yess I think it will’ cause if you think about it, there’s a lot of sea that is unexplored just like space (yeah I’m talking about HGttG again)

- SPOCK SAYS SAVE THE FUCKING WHALES

- McCoy DOES NOT want them to travel back in time

- HII CHAPEL HIIII

- The chaos in the control room with someone on the screen talking over everyone else in the room… perfection

- Sometimes Kirk sounds like Seth Macfarlane

- “You really gonna try time travel in this rust bucket?” “We’ve done it before.” “Sure. Slingshot around the sun, pick up enough speed and you’re in time warp. If you don’t, you’re fried.” “You prefer to do nothing?” “I prefer a dose of common sense. You’re proposing that we go backwards in time, find humpback whales, then bring them froward in time, drop them off, and hope to hell they tell this probe what to go do with itself.” “That’s the general idea.” “Well, that’s crazy.” “You have a better idea? Now’s the time.” Yep. That summarizes it better than I could ever. How McCoy stays married to this man is a mystery

- The command base hears that Kirk is going to time travel and PANICS

- “May fortune favour the foolish.” Good Kirk line

- The ship is actively falling apart

- They’re back in time!

- Sulu lore! he was born in sanfransico or however you spell it

- McCoy trying not to laugh at Spock’s little bandana. Kirk smiles for a second and then remembers himself

- THEYRE IN THE WILD! SET LOSE! Who let them roam free?!

- Winchell’s Donut House. Wonder if that’s still open. Or real. Damn, I want donuts.

- Kirk almost getting run over “Well a double dumbass on you!” And then he throws up his hands omg I love him

- They’re all slaying

- “The rest of you, break up. You look like a cadet review.” They’re all kinda lost tho

- Spock in the pawn shop is looking like, ‘those were a birthday present from our husband. Why would you give them away :(‘

- Kirk and his powerful skills of deduction. He won’t let Spock just infodump :(

- They’re all really good looking.

- UHURA AND CHEKOV TEAM UP! Something I didn’t know I needed (I need it)

- NO LITTLE RUSSIAN BOY! Don’t ask for directions from a cop to a nuclear weapons base in the 1980s!

- SPOCK NERVE PINCHING THE PUNK ON THE BUS LOL

- “No one pays attention to you unless you swear every other word.” WELL. Okay. I’m not offended. At all.

- Spock frowning at the whales dying on the screen

- “To hunt a species to extinction is not logical.” There’s a lot of times you think ‘Vulcans can be emotionless which could equal cruelty’ but looking at this, humans with emotions turn out more cruel because that is an emotion. We want and are greedy. It’s surprising that Vulcans are friends with humans because of just how much illogical carnage we have wrought. Anyway.

- Hey Jim. Where’s Spock?

- Kirk becoming more and more worried that he can’t find Spock. And then he turns around AND HES IN THE TANK.. this is why McCoy wants to come along. Jim cannot watch him well enough

- Spock’s ass can’t believe he went in there to mind meld with the whales

- Sopping wet Spock

- “The hell they did.” SPOCK SWEAR OMG

- “Can’t you remember?” “The hell I can’t.” I love him so much, he’s being a little shit, this is on purpose. I think writers should let him say hell and other expletives more often

- “Oh come on, Bob! I don’t know about you, but my compassion for someone is not limited to my estimate of their intelligence.” DID YALL IN THE BACK HEAR THIS???

- Uhura and Chekov on the beach with the seagulls

- Gillian’s got a “I ❤️ whales” sticker on her truck. I love her.

- “I think he did a little to much LDS.” I think Kirk meant to say Spock does LSD? I’m assuming?

- This lady just picked up two husbands trying to save the whales.. that’s very lucky for her

- “Are you sure it isn’t time for a colourful metaphor.” LET SPOCK SAY FUCK

- “You guys like Italian?” Spock and Kirk proceeding to fight by saying no and yes repeatedly is my favourite

- They’re just letting Scotty and McCoy roam around???

- I love McCoy and Scotty improvising together, and Scotty going off and getting upset

- “May my assistant join us?” “Don’t bury yourself in the part.”

- Sulu just gets to nerd out about helicopters

- McCoy sitting on any and all surfaces like it’s a chair. Scotty joining him.

- McCoy handing Scotty the mouse like he’s so proud of himself

- McCoy’s got his ✨dazzling✨ eyes on rn

- “We’d be altering the future.” “Well, how do you know he didn’t invent the thing.” Scotty. That’s not how time travel works.

- So basically McCoy gets Jim and Spock out of trouble but gets into trouble when he’s with Scotty

- THEYRE JUST LEAVING SPOCK IN THE PARK oh wait he’s going to the ship

- Get yourself a partner who would cry over whales

- “I’m from Iowa, I only work in outer space.” This man smh

- Oh no. Get Chekov out of there. Holy shit.

- “Must be the radiation.” He proceeds to throw the phaser at the guy and then runs out the door

- Gillian not afraid to slap Bob over whales

- Did- did Sulu steal a helicopter? Yes. Yes he did.

- Gillian sees Spock with his ears and eyebrows and she’s like ‘yeah makes sense’

- “Admiral, may I suggest that Dr. McCoy is correct?” Spock agrees with McCoy. 208 dead, 15 injured

- Gillian is surrounded by the polycule. She just wants her whales to be safe.

- McCoy is literally the best. He saw this person suffering and then immediately helped

- “Uh, excuse me, we’ll take that.” They steal the gurney and Gillian immediately hops onto it. I love her.

- “This woman has immediate postprandial upper abdominal distension.” “What did you say she’s got?” “Cramps” McCoy saw the security and went ‘Yep they’re stupid’ he didn’t even bother with a proper lie

- In an argument between a 20th century doctor and McCoy, I would bet McCoy any and every time

- I love when McCoy is just.. appalled at old medicine

- Chekov slowly regaining awareness and he lifts his head only for Kirk to push his face down with a, ‘not now, Pavel.’

- I like how the crew right now have been using Chekov’s first name and are protective of him.

- Sulu immediately being there to help Chekov get back on the ship 🥺🥺🥺

- This woman is so into whales that she would time travel for them

- Is McCoy sitting on the console and leaning over it to talk to talk to Spock? Yes, yes he is.

- “Well, then you’re just gonna have to take your best shot.” “Best shot?” “Guess, Spock.” “Guessing is not in my nature, Doctor.” “Well, nobody’s perfect.” He lets that last line drawl and then stares at Spock for a little too long. That’s flirting.

- That was the most intense countdown. I felt like something might happen to the whales within those ten seconds and I was worried

- “So I will make a… guess.” McCoy is rubbing off on Spock

- “No, Spock. He [Kirk] means that he feels safer about your guesses than most other people’s facts.” Hehe

- She was so happy just staring at her whales but then Kirk goes and interrupts that

- “I belong here, I am a whale biologist.” They are so lucky that they ran into someone THIS interested in whales

- McCoy resists the urge to just look at Spock when they’re travelling back to their time

- I like how there’s a hatch leading outside on the bridge… of a spaceship.

- forgot how hot Kirk’s poofy sleeves are

- They have a scene where everyone just gets absolutely drenched

- I’m so glad they didn’t have subtitles for the whales and probes. It’s more realistic for the universe. Starfleet doesn’t know what they’re saying, the crew doesn’t know what they’re saying, we shouldn’t know what they’re saying. It’s not how the universe works.

- They’re cheering for whales. I love when people cheer for things

- They’re all playing in the water omg this is adorable

- hi bitch (Sarek)

- Jim walks in with McCoy right behind him and Spock goes to join them from where he’s sitting

- I love Scotty’s little moustache it’s so :<

- McCoy is NOT listening, he’s got like nyan cat theme playing in his head

- THEY GAVE HIM COMMAND OF A STARSHIP FOR DISOBEYING ORDERS?!?

- I think McCoy should run up to Spock and Kirk and get them to kiss here

- Scott and Sulu arguing over which ship they think they’ll get <3

- McCoy is leaning so sluttily on the new bridge

The credits just showing pictures of each of the cast is adorable

See ya on the flip flop

Masterpost

[dig-jules]

listening to Harve Bennett talk about how after finishing the scene between McCoy and his father in Star Trek V, Deforest Kelley spent the rest of the day in seclusion. He didn't return to his normal, happy demeanor until the next. and im supposed to just go on with my day after learning this

(from "A Farewell - DeForest Kelley" on youtube)