forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.
ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol
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i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.
i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .
when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.
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I need everyone to know that speedsters are allergic to nanobots.
No, seriously. They're allergic to nanobots.
Speedsters have absolutely insane metabolisms, which means that they have an absolutely insane immune system. They don't get sick. Ever. Their immune system works at warp speed and takes out germs the second they enter their body. Call germs 'the Rogues' because they're getting tackled by super speedy blurs before they can even think about causing issues.
Okay, so they have a great immune system and don't get sick ever. What does this have to do with nanobots?
Great question! When nanobots are injected into a speedster's body their immune system sees them as a threat. Only problem? It doesn't matter how fast or efficient their immune system is, their body can't destroy a bunch of tiny metal robots.
Because their bodies can't fight off the nanobots they start to display typical cold/flu symptoms instead. Vomiting, fever, runny nose, coughing, being tired, ect. The nanobots aren't causing this reaction. Their own immune system causes this reaction. The fever is the bodies attempt to kill off the 'germs'. The vomiting, runny nose and coughing is the body's attempt to expel the 'germs'. They feel tired because their body is putting everything into fighting off the 'infection'.
In a normal person the nanobots wouldn't even be an issue because they'd be able to avoid detection. They can't avoid detection in a speedster body because their immune systems are dialled up to 500 out of 10.
As a result you get instances like this:
(Inertia had injected Bart with nanobots and Bart had a reaction)
Just an FYI for people because this is extremely fun and versatile information. Especially because none of the speedsters are really aware of this and it doesn't kick in right away. I could totally see a situation where a mission requires nanobot injections and mid mission the speedster goes down out of nowhere. It's also great if you want to do a stereotypical sick fic or something and want to get around that pesky speedster immunity.
Anyway, it's fun information so I thought I'd share
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Now we have the wax, which is the streak beneath our skin, and the wick, which is the faith we have skeined, and the tinder, which is the harm we have done to those who loved us, and the flint, which is the Name, the treasure of music stilled. Now. it will hurt, we must render ourselves a little, there will be scars, but one more scar, what is that?
Here it is! Almost a year's worth of work spent studying calligraphy, illumination, painting, gilding, and a million other little skills I didn't have went into making this idea a reality. Time well spent, if you ask me!
Close ups of the actual piece under the cut:
Here's the digital draft
And a flat photo of the finished physical piece:
I might do another post with some process shots, if anyone is interested? This piece went through a LOT of versions while I figured out how to... uh... do it at all. We'll see!
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I’d like to take a moment to appreciate the score behind the scene where Mat summons the Heroes of the Horn, because after rewatching it literally four times I finally realized why it hit me so hard – it’s scored like a modern movie or show of the genre usually would be.
This is the part where I admit that it took me most of the first season to warm up to Lorne Balfe’s compositions for Wheel of Time; I am an ardent enjoyer of the more classical, leitmotif-laden scores for things like Lord of the Rings and Star Wars, and for a while I felt a twinge of disappointment that WoT wouldn’t be getting the same treatment. But! I eventually came to my senses and realized that Balfe’s compositions perfectly suit Wheel of Time’s setting. WoT’s world is post-apocalyptic, risen from the ashes of an unimaginably technologically advanced society to form its own unique landscape – that’s wild!! It’s different!! And Lorne Balfe recognized that it warranted a different musical style to match. He relies on compositions that lean into synthesized, eerie reverbs, and substitutes the classic leitmotifs seen elsewhere for rhythmic choral chanting in the Old Tongue to explain characters and their motivations – if you have the ear to understand it, of course. ;)
This brings me back around to our good friend Matrim. As he summons the Heroes, something happens to the score. The choral element is still present, but the slow music beneath it is… a regular orchestra. Slow, soaring strings, the kind of sound western audiences typically associate with decades of moments of glory and victory on screen – the music we typically hear for our heroes. As Mat calls these warriors from past Ages, and as he says “I… I remember”, the music steps back with him, connecting Mat to them all. This is a moment that straight up would not have worked if Wheel of Time was scored like the Lord of the Ringses or Game of Throneses it’s so often compared to – there wouldn’t have been any contrast between this section of the score and all the others. But because the score is usually on a completely different plane, doing weird, unique, “out-of-genre” stuff, it clicks PERFECTLY. Even if you don’t consciously register it, the music has momentarily stepped into a style that’s completely different – but completely familiar.
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It's really freeing when you learn that rationality isn't going to be feasible in the long run, not because rationality is this thing that only Truly Enlightened people get the privilege to experience, but because humans are just irrational.
You can know when you're being irrational, and sometimes, it is in big ways. But pretending like that irrationality doesn't exist or can only exist if you're "stupid" only sets you back from growing. Irrationality is part of the human condition - it is impossible to actually be this enlightened person people like to project themselves onto.
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there's such a part of me that would looovee to make more comics . specifically about my insane shy guys toy box storyline and whatever is going on with General Guy in my silly little au but mine motivation... !
it's fine . I will find a way to share my insanity with the world... whether the number of people actually interested is small or large... shy guy enjoyers rise up
speaking of which anyone seeing bandits in the ttyd remake. how are we feeling. they're so cool [ spoiler free message ]
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Ahhhhh yes a title card. For that one au I said I would write, then didn’t, said I would write for again, then didn’t, then written part of chapter one for and then didn’t finish it on my three days off.
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