#have you seen me podcast

[heycrymeariver]

five and many more: a timeline summary

(For legal reasons, all of this is alleged.)

Ref. links: 1, 2, 3, 4, 5, 6

1984, is the first time Neil Gaiman released a book. 

In 1985, he got married and started his career as a comic book writer and in 1986, he assaulted Julia Hobsbawm.

This took place in Chalk Farm, London, where he forcibly kissed her and shoved her down on the sofa at her own studio flat before she escaped. According to The Crown Prosecution Service, “sexual assault is where one person intentionally touches another person sexually without their consent. The touching can be done with any part of the body or with an object.” In her own words, she described it as “an aggressive, unwanted pass” and that she still remembers it even now. 

Through 1987 and 2002 he progressed his career and published the famous book Coraline. A new year happens and he is in his early-forties and is thriving off of the success of his several money-making works, at a book signing event in Sarasota, Florida. There he hits it off with a young 18 year old (K) and they start dating. Two years later, in 2005, with two more awards under his belt, he forcibly penetrated that young twenty year old who told him not to because of a painful infection.

After another two years, he and his first wife divorced.

It's 2012, five years later and one year into a new marriage and at another book signing, Neil, age 52, immediately assaulted Claire (pseudonym) with a non-consensual kiss. Throughout keeping contact Neil had escalated this with video and phone calls that had a heavy sexual connotation where he appeared to either be naked or tried to instigate something. All of this accumulated into sexually assaulting her on a tour bus. Neil’s contact with her lasted until 2014 where he had promptly accused her in a text message that she had used him for sex.

Within the same year, Neil had enough money to buy a property, and met Caroline Wallner, 55, and her at-the time current husband. With a deal to do odd jobs for Neil and his wife to live there until she could own a five-acre plot, it wasn’t long before things turned sour. A divorce in 2017 sent everything spiraling, with her former husband fired, she in a once financially stable position, was now completely dependent on Neil Gaiman who used that to his advantage. Using her lack of financial stability to get himself sexual favors, he coerced her into a sexual-only, notably uninformed BDSM-entering territory while she was emotionally vulnerable, not accepting denials. This lasted until the summer of 2021, and in December of that year she and him went to court, what awaited her was $275k of compensation and a non-disclosure agreement (nda).

It wouldn’t take long for another woman to experience Neil Gaiman’s repeated offenses as well because in February of 2022, Scarlett (a pseudonym), age 23, a newly hired nanny, was sexually assaulted in the bathtub at his house. Neil, age 61, climbed into the bathtub with her and coerced her into having sexual relations. He too, in his coercion of her, made her financially dependent on him and brought BDSM elements to an inexperienced young woman who could not say no.

Since July 3rd of this year, 2024, five women have come out with sexual assault allegations aimed at Neil Gaiman. They all have several things in common with each other: either being young and naive, a fan of his, or put in a vulnerable spot financially or emotionally. Throughout the years and according to the stories, Neil progressively gets more bold and aggressive in his attempts for sexual gain. There are many more stories out there and whispers on the internet of how predatory Neil Gaiman has been in the industry. However, focusing on the five women who came out to speak and pushing their voice is an important part of the discussion.

Staying silent will only protect his peace.

(If you want to help keep this topic alive, please check out this post by @taraljc to see what steps you can take.)

[3416]

Auston Matthews on Spittin' Chiclets | 06.06.20

[hephaestuscrew]

Can't believe I accidentally abandoned Unwell podcast for nearly two years for no reason. I'm finally catching up with it and I'm feeling some kind of way about ghosts that don't know they are ghosts, and ghosts that aren't exactly ghosts at all, and ghosts that are previous versions of you, and towns that are alive and complicated, and houses that shift and change and become unfamiliar in the same way a person's own mind can, and family, and tradition, and history, and memory, and community, and grief...

[mrdrhenwardhykle]

Victims meet Victims

[edgarallennope]

I work very hard internally to resist the thrall of parasocial relationships, I work to keep a distance (almost a professional distance) between myself and the people's who's work and art I admire, to remind myself that I do not know them and that to presume I do so is odd and invasive.

My friends I am working overtime right now not to get myself emotionally attached to multi award winning actor, family man and outspoken queer and trans ally David Tennant in this particular rough patch I'm going through I am fighting so goddamned hard.

[absoluteocellibehavior]

I am having such intense John and Noel thoughts. Fam help. They’ve taken over-

[shadow-the-crow]

once i get to michael's backstory, i'm absolutely gonna write an essay of at least 1000 words about how much of michael the distortion is michael and what that means and how tragic it is (because i'm sure it is), and i'll post it on here, and you will all have to read it. sorry, i don't make the rules...

[jay-wasreblogging]

No idea what the ettiquette is for things like this but I adore your brain esp with Sherlock and Mycroft. pLEASE share any of your thoughts/hopes/expectations for s&c Mycroft (and his + Sherlock’s dynamic) 🙏

I swearrrr all of yous in the Sh&Co fandom are so sweet!! 🥹

As for my thoughts/hopes/expectations, It usually comes up randomly in my head but I would say...

Thoughts:

Mycroft hasn't been mentioned (except by the writer's that there isn't a voice actor for him yet) and this fits in with the surprise John and the audience will get when he is introduced. I'm excited for that but tbh I don't have any other thoughts, when he does appear DW I'll tag you in my post of thoughts :))

My hopes/expectations is that:

Mycroft is not slim. LISTENNNN LISTENNNN OKAYY, often hes portrayed as slim due to medical/mental issues which I still love btw (the approach to his character with these are some of the most powerful fics I have ever read) I just want a Mycroft that is a big boy and I hope he is.

Mycroft doesn't worry about Sherlock that often due to seeing him online with John now, he also follows the podcast, twitter account and is definitely on their patreon. That's why we haven't heard of him so far because there's no need for him to contact Sherlock. He's going to make a comment about the podcast and the detective career when he's introduced though.

Lestrade and Mycroft actually keep in touch quite often- not just due to Sherlock but cause of Lestrade being the DI and Mycroft being the government would mean they would cross paths more often than not. Especially true in hostage negotiations and/or terrorists attacks!! Lestrade would have to be present as it's all hands on deck and Mycroft may just be needed for 'cleanup' afterwards. They both could be introduced at the same time or within episode of each other. If not, they will know each other soon!!

Mycroft and Sherlock will do their iconic back and forth deduction but with both Mariana and John present. 👀

Mycroft doesn't drink alcohol nor consumes anything that wasn't made then tested - can't risk being intoxicated or poisoned when he could be called up at any moment, there's no time for resting. He does throw caution to the wind when he eats at Sherlock's though, hoping for a scene where they are having dinner together.

John will have direct contact with Mycroft just like Lestrade after they meet, this allows Mycroft to be a reoccurring character (FINGERS CROSSED MY GUYS!).

Mycroft is going to have a one on one conversation with John off the record about the case of The Greek Interpreter and John will definitely record it and then later plans to delete/censor it but Sherlock says not to and just publish it raw because why not. It be funny lol.

Further head-canons (some are also hoped or expected) because now I'm lost in the sauce and can't stop:

Mycroft has never worried about himself too much outside of work reasons, he was too busy taking care of Sherlock + the estate and handling incompetent politicians and global political leaders to ever care.

Sherlock was and is a danger to everything alive or objects - including himself!! This especially when he was a child doing any sort of experiment because often touch and tasting is the first thing done, so Mycroft aged like 20 years when Sherlock was a child in his 'i must grab and put this foreign thing in my mouth' phase. One time he wanted to touch and taste the insides of his bee plushie - it was just cotton tho (and a heart attack for Mycroft).

He is the reason Sherlock has expensive tastes and was unable to lean him off it due to having the exact palette as well. He's the reason Sherlock is spoiled about his groceries but don't say that to Mycroft because he did his best...not really but he likes his branded sweets okay.

Mycroft (as he is a big boy) needed suits that were custom made for him and up to his impeccable standards so he got them commissioned and had the designer he found to also create sensory friendly clothing for Sherlock. 🥹

Mycroft likes John Watson and Mariana a lot, they both love his brother and that's the only thing he could ask for.

Mycroft is a tank!! He is more than capable of neutralising someone if needed - whether hand to hand or by weapon/s - but just like how he isn't a detective, he isn't his own bodyguard nor hitman because he's lazy and that's why you have employees.

Mycroft thought that Sherlock and John are more than friends but gets even more confused when Mariana is there? Then decides it's none of his business really, he needs to focus on easing tensions between the King and the Prime Minister.

Mycroft and Sherlock not only had deduce-offs but also regularly fought one on one hand to hand combat for fun. Mycroft was scared asf tho when Sherlock started to have intense interests in swords, no thank you.

Mycroft unlike his behaviour at work being that of an ice man whose looks could kill, is awkward and shy when it comes to Sherlock. There's not much to talk about when you're siblings whose work requires the utmost confidentiality, can easily deduce what the other did and with one's work famously being published and the other's influence clear in every political news!!

Now that's all I have, I'm sure my brain will come up with some more stuff later on and i'll be sure to tag you in them from now on!!

[palukoo]

hi would anyone be interested in a old movie recc post/list from me?

[totheidiot]

there has never been a more smarter man than jonny sims, because no ordinary man would have the genius to equate the corruption to fucking love.

[junonureyev]

Season 1 thoughts, initially: (partially/a lot of anaylsis and partially just... rambling. I talk a lot.)

When I started this relisten I listened to the murderous mask and then thought "this'll be easy, I remember how the murderous mask functions I was 16 and I was amazing at understanding this podcast, evidenced by how well I rped at Juno at the time" and I did rp Juno well. I have no evidence of this but... take my word for it.

I think where I personally struggle the most is the individual plot story lines, because it's true. I do understand the characters boarder functions more than I do individual plotlines. I think (especially because of how Juno is written) it's incredibly well conveyed how Juno as a character (and also Nureyev) functions, in season one our protagonist is more of a mystery in the sense we don't know why he functions the way he does whereas with Nureyev we eventually do find out. The character writing is so stellar, and unique, and colourful, and immediately vibrant that it makes sense the thing that drives the story is obviously the character. The plot takes a minor backseat to that.

I fucking love Nureyev as much as I did when I was 16 and it was 2019 and he's completely earned the title of "my favourite fictional character of all time" when he got it without a doubt and remains at that level even now. I love the angel of brahma as an arc, I think it's my favourite season one pair of episodes. It's the perfect cocktail of Juno and Nureyev getting tortured, Nureyev comforting Juno (holy shitt) and character development for the both of them. I feel it's a arc fully-hellbent on conveying their romance to the audience and it makes me feel like what I imagine people who really love romance in stories feel like all the damn time. I also love the conclusion, that the people of brahma rely on Nureyev as a robin hood boogeyman because being a comfort to people who need it and scaring people who suck, it makes me think that Peter Nureyev would really love the role he's played in real peoples lives outside of his fiction. (And the role he's played in my life.) And that weird parallel brings me a lot of joy.

Peter Nureyev is an incredibly good person regardless of whether he likes to acknowledge it or not. He has a very interesting relationship to the concept of being a saviour, because Juno fully has a saviour complex, but Nureyev doesn't seem to realize that he does default to being a good person with an incredible amount of patience and a saviour figure. (Which is something he at least subconsciously wants to be) He just doesn't let people in, and so maybe his lack of self awareness in regards to his not-saviour-complex-in-the-way-juno-has-it, comes from his lack of experience with intimacy. He wants to be with Juno and has decided that Juno is a good person and will do anything to compensate for that, but Juno is way more complicated than both he and Nureyev would like him to be at the moment, and so it fucks up and Juno takes advantage of his kindness. Peter Nureyev deliberately presents himself as the guy of your dreams to take advantage of people, yeah, but for Juno it's all genuine. So inexperience. (He doesn't even realize what he's doing when Juno points it out. He is not self aware about it at this period of time)

I think this is what makes the ending interesting is that Juno is absolutely being selfish and terrible to Peter, (taking advantage of him and ghosting him) because Juno anticipates that someday this will all go wrong and is too afraid of that so cuts it off before it happens (BPD behaviour. Do not get me started) but narratively it makes sense because Juno absolutely is not ready for a relationship at that point and had been genuinely way too mean and non-communicative towards Nureyev to ever even remotely start a healthy relationship. Nureyev couldn't compensate for Juno's behaviour forever so, it was a good decision to cut it off. Not for those reasons or in that way, it was a total fuck up indicative of Junos most intense neuroses, but still. Juno at that point did not deserve that man. In my opinion. Although I can see an argument for otherwise, I think Juno leans too heavily on the explaination that they're on other sides of the law for his distrust even though it's mildly unclear how much he actually cares about being on the right side of the law. Considering. I personally don't think he cares that much and this is a case of him justifying his distrust by going for a more surface level explanation than what is truthful (deep seeded mental health issues and trust issues)

I personally find this last scene truthful to the core of their characters and the relationship they've built, and I think it does a wonderful job portraying the types of mental health issues Juno has.

I think he's insane for leaving Peter Nureyev in a hotel room after he just said "I'm in love with you" but I get it. (If I was in that situation I don't even know what I'd do, but the likelihood that'd it'd be something similar is... a lot, I'll admit) The writing is so good and that scene goes so smoothly it doesn't feel unjustified at all and I think we can attribute that to how well written Juno is. Nureyev also presumably had some inkling that Juno was going to pull this, since he can read Juno and also confirmed twice in-ear that Juno was okay with this. But he believed, because Juno was communicating otherwise, which is what makes it such a bad decision on Junos part? and why I specify specifically that Juno took advantage of him. It's not like he didn't have an out to communicate like a normal-ass person. He was given at least 1 onscreen and we all know how comforting and needy Nureyev is.

It's why I'm so compelled by them, and why they're my favourite fictional romance, is the entire latter half of season 1. I stopped in 2019 (so the beginning of season 3) and I hope they resolve what happened late season 1 well, as I never got to that.

My urge now to listen near constantly is going to be at an all time high even though season 1 took so little time because you think "oh I have so much podcast left" when in reality you have like 5 days of podcast left and I'm not going to survive the next 5 days because stopping feels like letting Juno rot in that grave he dug on purpose 'cause he's a fucking idiot. I love him and I can't leave him in there for long. I need to get him out.

[camthecatchameleon]

I'm so sad I cant go on the tumblr tag for my current fixation cuz I'm not done with the series yet and I have ten more episodes but they're all two hours long AUGHGHGHGHGH

[pop-punklouis]

-

[hephaestuscrew]

The amount of platonic love and tenderness in Michael's farewell letter to Louisa is off the charts. And one of the signs of that love is the kind of focus Michael places on small mundane things about Louisa. Like the detail with which he describes the ways she laughs: "your short little laugh. Not quite a bark, but a shift so sudden that it has to be genuine. [...] So real, never forced. No melody to it, really, but still musical. Sometimes short and guttural. Sometimes a cackle, like notes going up a scale". Michael describes Louisa's laughter in such a specific way that shows the attention he pays to her and the way he holds her ordinary mannerisms in his mind. He doesn't describe her laugh with the kind of typical compliments that could be seen as generic - it's so clear that these descriptions are specific to Louisa and his memories of her, and there's so much love in that specificity. 

Then there's the story of Michael bringing whiskey back from the kitchen without even realising, and the way he remembers Louisa's expression when she noticed: "everything, everything I needed to know was there, every freckle and contour. There was no judgment. Your face was open, your eyes soft and understanding, your mouth bent into the smallest knowing grin, your expression just barely pinched, just a touch of pain". There's something so profound to me about the level of attention he pays to the details of her expression, and how those small signals communicated something important between them without words.

These are two characters whose relationship has been repeatedly confirmed to be purely platonic (and remaining platonic) both within the podcast and by the show creators. It means so much to me that as part of that platonic dynamic, Michael pays such close loving attention to Louisa, and he remembers these ordinary details even when he's dying and hasn't seen her in months, and he says things like "your face, I could fall into it, like it was a calm lake or a pool. I could fall into it and float."

[irregularbillcipher]

watched the musical demon show (don't wanna name it so this post isn't in the tags) at the behest of an IRL friend and i can already tell this is going to be a piece of media where i absolutely cannot stop thinking about it, not because i really love the show as-is, but because it has so many individual components i really like and find incredibly fun or compelling, and i'm so frustrated that it doesn't come together for me

i think the main thing i can say about it as a show, setting aside some of the insensitive choices that were made that i really don't feel qualified to tackle or talk about, is that the entire thing sort of gives off this vibe of someone really excited to show you every single oc they made in high school and college and i very genuinely mean that in both the best and worst ways possible

there are some good hooks for season two though so i will absolutely give them that

[fuzzbuns]

Screaming into the void but why does no one ever talk about how each genshin harbinger has themes about identity and what it means to be “you”…. Heart motifs this heart motifs that when are we addressing the elephant labeled “questions on the self” in the room