#he can't shake the feeling of 'what if?'

[alittlesliceofcucumber]

do you think real life alex casey has an irrational fear of walking through alleys

[buckttommy]

a new (returning) character being added to 9-1-1's roster means that at some point, buck has to scream tommy's name in terror. he just has to. like. can you imagine how much differently that would hit? we saw the members of the 118 give buck the grieving spouse treatment when they all thought eddie was dead in a well. but if buck's boyfriend—as in, his actual, honest to god, officially recognized boyfriend—was in literal danger somewhere? jesus. i just got chills. i need it like oxygen.

[andromeda3116]

planning to make a move tonight with this guy and deeply terrified even though i know he's interested, he's made it very clear that he's interested but putting the ball in my court to decide what, if anything, i want and i've made up my mind to pursue this but like. i've been single since the obama administration because there's not, like, a person-shaped hole in my life, i don't need to be with someone to feel whole, and i have to make room in my life for another person and idk how to do this and i hate feeling vulnerable or exposed or out of control and giving someone else the power to hurt me and having to just. trust that they won't. but i kind of... accidentally already gave him that power without realizing it. i kind of... feel like this is just acknowledging something that's already started.

i am. so nervous.

like, a little giddy, a little eager, a lot anxious for no reason other than how terrified i am of major changes even when i feel like they're good ones and. and. and.

[midnight-mismanagement]

I watched season 3 and rewatched season 1 and 2 of the umbrella academy and what I can gather is:

Five (season 1): Denial, anger

Five (season 2): Bargaining

Five (season 3): Depression, acceptance

[daily-hanamura]

[carefulfears]

top 5 (or 10 if you have em) scully taking care of mulder moments <3

she said IF i have 10 😭😭😭

1/ sein und zeit

i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...

my tags here:

she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.

this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."

she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.

(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)

i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.

the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.

it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)

2/ demons

god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?

i always think about this post:

and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?

and these tags:

this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.

she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."

but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.

what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)

(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)

3/ the end

"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)

i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.

in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.

this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")

following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.

(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)

4/ paper hearts

oh, starbuck. we are really in it now.

paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.

one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."

in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."

i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).

from my newsletter:

There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.

he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?

i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.

what does that mean? what is she really saying?

this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.

and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.

it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.

it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.

(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)

in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.

the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.

this post:

Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”

she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.

5/ redux ii

remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."

the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.

she cries when he won't do it.

6/ herrenvolk

okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?

this is just so scully.

she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.

these tags:

she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.

one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.

there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.

(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.

in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."

remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)

7/ anasazi

ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.

the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.

(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")

8/ fire

girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.

trish, i loved this part of your post yesterday:

scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.

she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?

he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.

trish's tweet:

really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)

(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)

meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.

yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!

(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")

9/ deadalive

oh, you guys remember that time she raised him from the dead, right?

scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.

i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.

then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”

she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.

i always think of this fic and feel so ill:

“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”

she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.

(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)

10/ fight the future

there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).

from my newsletter:

“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)

That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.

there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.

(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)

some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)

how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.

and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.

[summertimemusician]

Linktober Day 6

Mask(s)

Soft and sweet with just a hint of melancholic because 1.I'm tired and probably need a nap father than coffee, 2.I actually managed to make a pretty good mocha and the Anchorage LOZ animatic came onto my playlist before writing this and it kind of influenced my mood, and 3. I'm saving the usual Majora's Mask flare of angst for another prompt because I was having way too much fun dissecting the tragedy of the Hero of Time before sleep deprivation snatched the idea away which is usually my sign to pass the heck out and save the second option for when I have more energy lol.

For the Warriors fans, also Warriors is a disaster of an older sibling but we adore and appreciate him for it in this household, as always can be implied romantic or platonic between him and reader.

You were all but pinned down to the ground, brought down more effectively and unable to find the strength to get up.

Well, not literally, there were no enemies nearby, the chaos at camp had long since died down and there wasn’t anything much to do now that night had fallen, the heavens deigning to put all of it’s glittering jewels on display.

Were it any other day you’d probably focus more on appreciating it in full, the fire was crackling merrily, you were safe and had a full stomach and even with the ever present threat of the Shadow possibly deciding to ambush you all while most of your guards were down, you had your boys with you and the crisp autumn petrichor was a balm on your soul, weary from the journey.

Maybe it would be fine to rest for a little while.

And then the small figure clinging to you flinched, burrowing closer and holding onto your tunic like a lifeline. And awareness came to you like a smack over the head with a log, your fingers gently carding through blond locks as you hum gently. Weighting options and just how quietly you could move without bothering the precious Sprite at your side.

You had guessed Time had been a sweet kid, and you still wanted to lodge a formal complaint with the gods for writing such cruel fate for him because the man couldn’t catch a break and you’re not the only one to take it personally. But he was killing you here, this is how you die, with an adorable but oh so heartbreakingly sad little boy having fallen asleep leaning against you after telling you all sorts of stories about his extensive mask collection.

(You don’t know wether you want to cry, scream or laugh, Mask was so, so young. It breaks your heart, just a little.

Really, the deities of Hyrule must adore tragedies. Bastards.)

Sighing, you decide to compromise, gently keeping the Kokiri boy right where he is, fast asleep and with barely any nightmares as you hum and card your fingers through the spun gold strands, you brush your fingers through the last masks he fell asleep mid through telling the story of how he’d acquired. If you were careful surely you’d be able to reach his pack on his side so he wouldn’t worry later.

A pair of brown boots invade your vision, Warriors crouches down. You think you spot a flash of surprise on his eyes as he spots Mask napping on you, and then fond amusement of a big brother you knew he directed often towards Wind, tone low, “Well would you look at that, out like a light. It’s a rare honor for him to trust anyone like this.”

You chuckle a bit, shaking your head, “I can tell, he’s a good kid. I’ve barely met him for a day and I’d already take on an army for him.”

“Welcome to my world.”, comes Warriors dry response, though you both knew he was a hundred percent serious, his own mask quickly falling away as he gently picked up the Deku Sprout Mask to put it back in the small sprite’s pouch, hiding it’s confused, fearful sadness from your gaze (and it’s an effort, not to twitch, as your rage towards Majora gained even more kindling to burn) as the soldier handled it with the due solemnity of being one of the few Mask would allow to even touch the masks without his immediate supervision, “... I never thought I’d see him again, as...”

“I know.” Your tone was quiet, as you carefully picked your choice of words.

If there’s one thing you knew about any Link, is that they’re all really good elder brother’s and that they are too hard on themselves. Warriors specially, Mask and Wind were his everything, there wouldn’t be words that could describe how gutted he was, after confirming his suspicions with you, regretting not saying anything against Mask joining the battle field back then, loathing himself for not convincing him or Lana into letting him stay in spite of his bad feeling that as soon as the young hero of time passed through that portal he was unlikely to ever meet him again.

... You settle for something simple, instead, reaching a hand to softly pat his head, taking care not to mess his hair too much, “You did good, Wars, it’s not your fault. Mask also knows you did your best.”

He still, sighing, the mask falling away as he guides your hand to his lips, quietly thankful (really, like big brother like little brother, your wonderful, silly, caring boys. You make a point to cheerfully bat away the butterflies in your stomach, ), “... Feels hard to believe that, some times. Thank you.”

You hum, after putting the Zora mask away, Warriors takes Mask’s other side, pulls you closer and breathes.

(Just in case, he lies to himself.)

You quietly listen to his stories about his little brother, and Warriors is content.

[loveletterworm]

I forgot I meant to draw this for like 3 weeks It was really important though. Because this would happen to him.

[bylertruther]

do you ever think about the fact that throughout the entirety of stranger things we’ve always seen mike practically shout his love for will from the rooftops by throwing his everything into believing, protecting, and helping will no matter the stakes, and how a majority of byler moments are initiated by him, and how will has always loved him back quietly despite being the one canonically confirmed to be in love, and how will is almost always on the viewer’s right in iconic byler moments but in season four we find him on the left in what used to be mike’s spot because their “roles” have switched AND when we’re taken out of the viewer’s pov and put in jonathan’s pov we see jonathan Come To A Realization here because while mike has always made it clear how special will is to him and how different their relationship is, will has always managed to keep the true depth of his feelings a little closer to his chest and it’s only when he publicly takes up that support role that mike has played for him previously that the audience is purposely made to realize, too, how romantic it truly is, because coming from mike everyone might have thought it was his usual overzealous theatrics but when the same tenderness and earnest love comes from will they realize oh. this is... this is actually something more. this is how they are this is mike and will like nothing has changed and no time has passed but it’s now that we realize just what it is, and now that will is starting to slowly but surely come out from this curtain he’s hid behind his whole life and voice that yes he loves mike of course he does he’s always loved him and loves him in precisely the way that mike expresses he needs to be loved there is simply NO conceivable way that they can come out of this hellish slow burn miscommunication trope not in full acknowledgement and eager acceptance of this love they have for each other and have always had and always will !!!!!!!!

[tankgotstuckinthecircusgate]

they just didn't have to write him as "a great philanthropist"; "a generous benefactor of the empire bay planetarium"; "frequent officer of the empire bay press guild"; "a frequent target of political slander and false arrest because of generosity towards the press"

and at the same time write him as the first of the others to organize drug trafficking; a man who tried to kill all his competitors; "a shady bastard, even for guys in this business"; "ruthless modernizer"; a man who secretly views his close friend as a liability; "the man who killed his own boss" to take his place

"few will moan moretti's passing" from the lost heaven's newspapers and there's nothing like that in the cut-out news reports about carlo's death

[segretecose]

had a close encounter with a pitbull that set me back approx 10 years in my journey toward a dog phobia free life <3 love that for me

[mootmuse]

Bheem's literal first question to the woman who doesn't know him at all, ostensibly to gain her trust: can I come to your house. He's so bad at this. He's so, so bad at this. I love him.

[gregoftom]

good fucking food

[paellegere]

it is utterly miserable for a mediocre show to have a really good plot or make god tier parallels or connections because you're like well this show isn't good and the writing is flimsy and there are so many holes and bland storylines, but they paralleled the season finale to an earlier season finale and then made the weight of that decision foundational to the next season so now my every waking thought is consumed by it

[oifaaa]

Agreed that Tim needs to move on from being Robin. Problem is, what do you do with him? I can't think of anything except having him do the same vigilante stuff outside of Gotham and having a new identity (don't even know what identity he should have). Which just feels kinda lame, frankly.

I've seen some ideas for pushing him into an Oracle-esque direction, but I just don't see the appeal of another Oracle if the OG exists. What would he even do, just use the Young Justie crew as his Birds of Prey?

I think that whole what's Tim doing now that he's not Robin could be a whole story on its own where Tim trys to figure out what he should and who he is without the Robin mantle which I think you could do a lot with his character without forcing him out of Gotham but also leaving Gotham may be better for him like it was for dick I don't really like oracle for Tim just bc there only really needs to be one oracle and Tim just pigging backing off of babs is just weak

[leeenuu]

There is a cost to war -- to the countries that wage it, to the soldiers who fight it, to the civilians who endure it. For nations, territory is gained and lost, and sometimes regained and lost again. But some losses are permanent. Lives lost can never be regained. Nor can limbs.   And so it is in Ukraine.   The stories of the people who undergo amputations during conflict are as varied as their wounds, as are their journeys of reconciliation with their injuries. For some, losing a part of their body can be akin to a death of sorts; coming to terms with it, a type of rebirth.   For soldiers wounded while defending their country, their sense of purpose and belief in the cause they were fighting for can sometimes help them cope psychologically with amputation. For some civilians, maimed while going about their lives in a war that already terrified them, the struggle can be much harder.   For the men, women and children who have lost limbs in the war in Ukraine, now in its third month, that journey is just beginning.