lilyandlucy

[bluebugjay]

rewatching season 1 and thinking about these two scenes as parallels is so upsetting

Joyce reaching out, putting both hands on the wall where she can see her son on the other side begging for help and being able to do nothing about it and El doing the same, both hands on the glass of the tank, desperate for someone to save her, say that that's enough and pull her out but no one does. The man she sees as her only form of parental figure or even family is the one that put her there in the first place and he is not coming to help her, he's watching from the side lines as she panics and screams for help and chooses to do nothing.

That's why these scenes mean so much!! El finally having people there who care about her. She's in the same situation, sensory deprivation tank (or swimming pool), trying to find someone but this time she knows why and she's being supported. She has a choice and she knows this, she's told this. She's shown care and appreciation for her powers and selflessness in helping them find Will and Barb, she's not just a tool or weapon here, she's a kid. She's not being used, she's helping on her own accord.

She just deserves her family so much, Hop and the Byers and the rest of the party, people who support and love her for who she is, not what she can do.

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[kagoutiss]

din’s champion

[eir-trixa]

Okay, this was probably already said before and I might be slow in this uptake but don't you think that Annabeth's fear of Percy controlling poison in HoH is less because she fears him using that against Akhlys or against her or anyone, but more on that she was getting flashbacks of Luke as Kronos and how the same kind of anger and unlimited power lead him to betray his family and leave her behind?

I think to see that same thing that happened to Luke happen to someone she loved as much as Percy was what triggered her. Cause she's already seen Percy harness so much power before, probably had the front seat to most of his feats. But seeing the same anger as Luke's - which Percy already admitted to having understood in MoA - and having been presented power great enough to allow him to get revenge was probably the combination that threw her off like... that's not Percy. If he continues to that same path she's gonna lose him, like she did her older brother.

[hyakunana]

I don't know how to explain about the Braytech lore in a LoP AU setting — so instead I made concepts.

[critter-wizard]

ep 43 had me tearing up in a fucking shopping centre ‼️‼️

b+w alt version that I truly couldn't decide if I liked it more . Also I included a lot of thoughts in the tags but they're somewhat incoherent<3

[moeblob]

Anyway I'm still happy to have seen Hrid in FEH recently. Thank you for asking.

[onlykenobimatters]

Codywan au where the clone troopers are actually a reincarnated group of an ancient sect of warriors from mandalorian space. They remember pieces of their previous society; some from the beginning of their origins all the way to the last grasping few. A lot of effort goes in to getting them assigned to the correct battalions. For they had a pantheon of gods they once worshipped and while they have always been One Blood, they believed very seriously in their coming of age ceremony where they must choose the god they would worship. It might have been thousands of years, but none stray from their Chosen.

(The pantheon would be similar to others in which they might have a core group of gods, but other minor gods could also exist. Each with their own domains;

Plo Koon was The Guardian? Protector of Packs and god of loyalty.

Mac Windu the Seer, protector/god of the past and future

While Yoda could be one of their oldest gods, his domains having shifted through the years but mainly protector of the young.

And then quigon who is associated with natural disasters. Legend is he was roaming their world, damning and saving mortals as he went, when he created a disaster so wroth, so powerful, he could not bare for it to fade. He pleaded with his grand sire and eventually Yoda agreed to help him. Combining their domains they turned the raging storm in to a young godling.

Obi-Wan, nature personified.

There are many legends involving the young godling and his journey. How he discovers his domains. And how he uses them to follow in his father’s footsteps to create children in his Image. For what is more natural than life and death?

Obi-wan is not the only one to create a god, but he is the only one to not need assistance. He becomes the Creator, the god of natural order, Father of Life (ahsoka) & death (Anakin)

Over the centuries the Line of Natural Order is adapted to many cultures within their system. Other attributes are gifted to them by followers of The Great Powers as well;

Life, goddess of survival & champion of the light side of the Great Power.

Death, god of balance & champion of the dark side of the Great Power.

The Creator, god of natural order and the Blessed, those who hold connections with the Great Power. )

and like I don't quite know where I was going with this, but clone wars era where the clones kind of remember this culture that doesn't seem to be recorded anywhere and these jedi that feel something Awaken when they meet these shining lights in the force.

and Obi-Wan gently cupping Cody's face, his blue eyes shining brightly. Obi-Wan allowing the force to guide him as he gently lays a kiss upon Co-, no, Kote's forehead, the warrior breathing in harshly as the first Blessing in thousands of years is granted to him. Kote is glory and Kote will uphold the Natural Order as The Creator, Ken'Obi, sees fit. For Kote is now Blessed by his patron God.

i dont even know this got away from me ugh

[lesbian-sunshim]

support me on patreon or leave a tip

rare pairs for your consideration - starlight x discord

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[happyk44]

PJO: we need to recognize the value of the minor gods. The Olympians are important, sure, but the minor gods do a lot of work in maintaining and assisting the pantheon, have their own kids and deserve to be seen and valued just as much

HoO: Back at it again with Olympian-only nonsense!

[oceanwithouthermoon]

the psychickers make saiki watch romantic killer and tease him cuz the protagonist is literally him if he didnt have esp

[good-beanswrites]

I remember seeing a fanart on Twitter of Mahiru and Shidou jumping Kazui after they found out his crime. Can you do a fic of them beating his ass after finding out his crime

RIP Kazui sdfasdf -- thank you for the request pal!! (I assume you mean the cheating theory and not homophobic 06 09 LMAO) Mikoto is always down to stir things up, though it took a while to picture what Mahiru would be driven to. In the name of love I think she'd become a force to be reckoned with 👏👏👏 I hope you enjoy >:3

Some occupants of Milgram are excellent at lying. They hide a great many things, and pull a great many poker faces. Other occupants are the very worst at it. They wear their heart on their sleeve, for better or worse. Kazui was one of the excellent ones. Mahiru was not. 

When Muu asked if he understood any of the celebrity news they were discussing at dinner, he convinced her that he knew everyone they’d mentioned with a grin. When Mahiru told Fuuta his hair looked “perfectly stylish” after he tried cutting it himself, she got a much rougher reception as he saw right through her.

When Es declared Kazui forgiven “despite his infidelity,” he had maintained the perfect expression to hide the fact that they were a bit off. When Mahiru waved her fingers and told Kazui nothing was wrong, he could plainly see there was bitterness underneath her words. 

He couldn't fathom what he'd done to upset her – they'd had pleasant conversations during meals, and played games in the common area. The pair never spoke about it, though; there was no need to make her any more angry. Kazui had nearly forgotten about it by the time Es disappeared. 

Mikoto proved a slightly better liar, but Kazui caught some odd expressions from him as well. They were smoking in silence together when there was a knock at the door. He answered with his cigarette still resting between his teeth. He was surprised to find Mahiru glaring up at him.

She drew herself up, appearing taller and more intimidating than usual. There was a fire in her eyes he hadn’t experienced before. “In the name of true love –!” she cried. She squeezed her eyes shut and wound her arm back. Kazui looked at her quizzically. It wasn’t as if she was going to slap anyone. 

She slapped him. Hard.

The force knocked the cigarette from his lips and sent him coughing on the smoke. Suddenly Mikoto was behind him, holding his arms in place. 

“Woo! He’s all yours, Mappi!”

Seeing the sudden turn of events, Shidou leapt in to help. He tried to wrench Kazui away by his right arm, but Mikoto held fast to his left. He didn't particularly enjoy being the subject of their tug-of-rope. His legs stumbled between them, falling a bit to one knee. He was left sputtering for breath, pinned between them and facing a fierce Mahiru. He didn't know when she and Mikoto planned all this, and his mind was spinning too fast to think too hard on it.

Kazui looked frantically to her, but her rage was rapidly dulling. She slowly returned to looking exactly 154 cm short. Her mouth twisted into a wobbly frown. “W-what do I do?”

“Eh? You said you wanted to teach him a lesson! Let's go, throw some punches! A few kicks!” 

She covered his face with her hands. “I've never hit anyone before!”

“But, you just did?” Mikoto adjusted his hold. 

“Not like that!”

Shidou bristled. “Why is she hitting anyone?”

Reminded of her reasons, Mahiru uncovered her face. “Kazui Mukuhara – this is what you get! This is what you get for being a dirty, rotten, cheater!” She tried again, bringing her arm back. The movement seemed to pain her more than anything.

He was met with another stinging slap, despite Shidou’s protests. Kazui gasped for air, finally catching his breath now that the smoke had cleared from his lungs. His hair had fallen in front of his eyes.

“We know what you did,” Mahiru said. “Oh, we know everything.”

Mikoto made a sound of agreement from behind. “It’s pretty fucked up, comforting Shidou about loosing his wife like that, while you’re a cheater yourself.”

Kazui opened his mouth, but Mahiru interrupted.

“I don’t want to hear any excuses! Es may have forgiven you, but in the name of true love, I’m going to punish you all the same!”

Although Mikoto was stronger than Kazui had given him credit for, he didn't have the muscle to completely hold him. Kazui pulled himself from the grip, grabbing Mahiru’s wrist as she swung for him again. Shidou took a step back, as the situation fell under control.

Kazui smiled gently. “You don’t need to punish anybody. Es didn’t get the full story.” He released her.

“Oh yeah?” came her incredulous reply. She lifted her fists as if preparing for a brawl, but she had one of the worst forms he'd ever seen. She bounced on the balls of her feet, brandishing her fists. She looked like she was going to start crying.

“Mahiru, I didn’t cheat on my wife.”

“Oh thank god.” She dropped her fists. 

Mikoto raised an eyebrow, either from the turn of events, or he was annoyed at how effortlessly Kazui had escaped him. “There was no other woman?”

He let out a deep laugh. “Not at all.”

“Oh, I just knew it!” Mahiru leapt forward to hug him. 

“If you knew it, why did you slap me…?”

“I’m sorry! I hope it didn’t hurt! Oh, and I was going to try and hit you again… I’m so sorry!” 

She pulled back from the embrace, looking to him with horror. He continued with his warm expression.

“No, no. I was just surprised. I wasn’t afraid of another hit.”

She turned to Mikoto and Shidou to express her excitement, and Kazui reached up to rub his burning cheek. His eyes flicked to Mahiru with uncertainty. He was, after all, an excellent liar. 

[hauntingblue]

making a collection

making another collection with a threatening aura

[opens-up-4-nobody]

...

[findafight]

Me, lying face down on the carpet: I don't know how many times I have to explain that people love characters like Steve Harrington and Zuko, is that they have done things that are bad. They have said things that are bad. Possibly reprehensible. Possibly violent.

But then. And this is THE fundamental aspect of them that you must understand, they realized they were wrong. They realized that what they did and who they were were not things they were proud of. Were not things they liked doing or wanted to continue doing. Were things that hurt people. They realized that they didn't want to be that person anymore.

And then they changed. They went and tried to apologize to those they wronged. They worked to fix what they had done or helped do. They made strides to be different from what they once were.

Zuko stood up to his father, he apologized to the Gang, admitted to them he and his people were wrong, and taught Aang Fire bending. He changed and he helped and he apologized.

Steve helped clean up graffiti, he went to Jonathan's house to apologize for the terrible things he said and their fight(and got dragged into monster fighting and saved Jonathan and Nancy's lives), he replaced the camera he broke.

They owned up to their mistakes and apologized and did their best to remedy them. The apology and the changed behaviour make these characters likeable. They have flaws that have glared but they have accepted those things, tried to do better than them.

I need you to understand that there are characters out there that do the same things but never apologize. When you question why someone likes character a but not character b, when character a has also done bad things, I need you to think about whether or not that character has apologized and since changed that behaviour and thus been sincere in their apology. That is why. No excuse or justification. Did the character apologize and change? Did the other not? There you go.

Me, sitting up with the imprint of the carpet on my face: Woah haha where'd that come from?