#he is an INSANELY good person

[backpackingspace]

okay so post epic odyssey where odysseus and Penelope have surfaced from their room finally and he and diomedes are catching up I'm imagining the conversation going something like this

Odysseus: so then I gave up being merciful and became the monster.

Diomedes:....you tried being merciful?

Odysseus: Yes?

Diomedes: you did? You tried being a good merciful person? You?

Odysseus: Yah okay fuck off it was polties dying wish. I had to try.

Diomedes:.....90% of the war crimes in the Trojan war were suggested, planned out, and carried out by you. We literally stoned to death the guy you had a personal grudge against. We framed him for treason and stoned him to death. 70% of why Athena liked you was because she thought she knew all the ways to kill someone and then you'd suggest something insane and I'd see her taking notes. You literally gave Ajex a psyoctic break just being yourself.

Odysseus: shut up

Diomedes: I'm not wrong. Did you tell Penelope about your attempt to be a good person?

Odysseus: What? Of course I did. I told her everything.

Diomedes: did she laugh?

Odysseus:...shut up that's not the point

Diomedes: she did didn't she!!!

Odysseus: ANYWAY eurylochus wasn't appreciative of my return to monsterhood and he started causing problems so I

Diomedes: killed him? Yah saw that coming. No shit. I'm so shocked.

[cup-o-stars]

Happy B-Day to the Corasante!! ❤🕯🎂🕯❤

(Featuring way too many drawings)

[ciderjacks]

thinking again about how much trust he had to have in Laios to recommend his own daughter in case he dies

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[answermywearyquery]

great 😳 + dr. tyme's large equipment 😏

[torchstelechos]

I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[peatchoune]

Bad karma

[stagefoureddiediaz]

I’m not ok when I think about bobby literally breathing life back into Athena before collapsing himself and not breathing - man gave her his last breath

[sweetvillainjude]

actually wild of holly black to write cardan’s arc so powerfully that I went from genuinely hating him and never believing I’d like him to thinking “ok so maybe he’s not awful ALL the time” to desperately rooting for him and furiously wanting him to be loved and happy over the span of three books. like tfota was WILD for doing that (and doing it so well)

[mydotguy]

There’s this one section of the game “Thank Goodness You’re Here!” where the salesman is sent off by Jasper to fetch some “spirit level bubbles” for him and his crew. I always found this part of the game to contrast the rest of the game pretty heavily, because for the majority of the game you never have any quarrels with townfolk, nor do they ever try to trick you; they only ever ask for help.

You can clearly tell that Florence and presumably Jasper are setting up the salesman for some sort of prank, which is odd to just suddenly happen out of nowhere. But what I think is more important is the outcome of this all.

If you’ve played the game—or at least watched a playthrough—you know that the spirit level bubbles really are in the back, and then the salesman catches one and flies through the roof into the sky. What I want to focus on is his expression as he floats up, away from the town.

There’s this sparkle in his eyes that has never appeared before in any previous scenes. This may just be me looking too deep into the game, but I think this highlights exactly the conflict that the salesman truly has with Barnsworth. From everything before this, he’s always been seen smiling, though lacking that little speck of light.

This moment in the sky, the moment where he is finally away from Barnsworth, away from the folks who never seem to have enough help, is where he finally shows happiness; it all builds up to this almost unusually beautiful moment in the game, accompanied by a one-time track that steadily settles in: This is peace.

That joy is soon eclipsed, though, when he falls back down and once again is dragged into another situation with the town. Bootleg Bill, assumed to be captured for good by the salesman, slowly escapes as the salesman watches him from a sea of cheering people.

The only time this glint of light is ever seen again is when he finally shuts the door on the town and severs himself from their world.

Now, I know, this may just be a lot of speculation. But I just wanted to talk about something ok

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[fellow-fandom-fruitifier]

Edwin is way too fucking kind. Like, picture this. You JUST got dragged down into a pit that took you 70 years prior to escape and, while down there, you run into the very boy that SENT you there. Yes, it was supposed to be a “prank”. But it was never EVER a good one, even if it did turn out to be fake. You were dragged out of your bed, tied up and gagged like a pig, and held down. That “prank”, since it’s inception, wasn't funny or harmless. (Not even getting into how bad it would be to be labeled a homosexual in the 19-fucking-hundreds.)

Then you get dragged into The Pit™️ for 7 decades and tortured beyond comprehension. Now you're finding out its cause the boy ASSSUMED you were like him then ASSUMED he assumed wrong. All that because the boy couldn't handle you not being what he assumed you were, you didn't even know he assumed that! You didn't even know HE was that!

Edwin had every right to berate Simon and leave but he DIDN’T. He offered him a hand — all but begged Simon to join him — and promised a salvation no one had offered him before. (Before Charles I mean.) He’s just so kind it breaks my heart. Like, yes, he’s a petty bitch; but he read to a dying boy to comfort him in the same year he escaped Hell. He upended his entire afterlife to go save Becky Aspen despite his protests. He offered his killer a helping hand.

Someone get this jerk a break oh my GOD he deserves one.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[epiphainie]

no but "tommy's good people. he's good for you" was INSANE like why did they make bobby say that three eps/couple months into their relationship? especially in a scene that was a long-time coming moment of bobby acknowledging how much buck grew up over the years and how proud he is of him, a moment so important to buck and bobby's relationship and extra important to bobby at that time because of what he was going through. like they didn't have to?? bring up tommy?? at ALL?? i feel like im going crazy

[royalarchivist]

Foolish: So- wait, what do we all need to do then? Do we just- do we just enjoy?

Roier: Uhh just um, just-

Maxo: Enjoy! Enjoy it!

Roier: Yes, enjoy, enjoy, because we are going to do, um-

Foolish: [looking at Vegetta] Oh, I'm gonna enjoy...

Vegetta: Foolish… *takes off his clothes* enjoy.

Foolish: