#he isn't the most expressive character

[lafilleestmorte]

I have been thinking about Q.

Falling in love with the person leaving him notes at the cafe throws him completely off balance. It's his final year of high school, his world must revolve around his art and getting into college. But he's sitting thinking about this person he has never met and how natural it feels to love them and how deep this feeling has settled into his chest and how little he knows how to deal with it.

So he leaves. He goes to university. He spends a year making friends, dating around, drinking. His art surrounds him again and if he ignores the memory of that milk frappe boy whom he left behind then he can return to the person he understands. He loathes that he is able to live with having left him behind. He draws and fools around some more. And so the year ends, and, walking into a new semester, he meets Toey.

Q's mentee is. strange. For a fine arts major, he has the most peculiar relationship to art. He doesn't have the faintest clue of the skills that, to q, are simple as breathing. Armed with blunt pencils and a conviction like none other, Toey paints beauty into the world around him

It's like I'm sitting in a vast grassy field, with a gentle breeze under a bright sky. It's like I'm watching a masterpiece of art.

Q recognizes the way he's starting to care about Toey, but he's still trying to learn how to show it. Small gestures, little invitations. Quite moments with just the two of them. He remembers the milk frappe boy and regrets what he didn't do then. But he likes the person Toey is showing him how to be.

You said I didn't take care of you at all, so I'm treating you to some desserts.

It occurs to Q all at once that Toey might just as easily slip away. Because of a love beyond his hands or someone else who gets there faster or his own lack of action. Q refuses to lose the person he loves ever again. He's never been in love with a boy. He doesn't even know if Toey has a reason to like him back. But he doesn't have the time to give thought to his feelings or his fears. He needs to run towards Toey, faster than he himself thought it possible.

So when he finds out the truth, the feeling of betrayal is difficult to describe. The love that he had kept concealed - from everyone and from himself - out on display for all of his friends. A boy who made him want to reach out and hold onto his own genuine feelings, working behind him to catch him off guard.

The boy he has been in love with loves him back. He has always loved him back.

But the person he has been becoming now feels like he might slip away. How easy it would be to let him go. How easily he had left him in pain and silence, two years ago.

[hopeswriting]

was thinking about takeshi and how he's my favorite brand of unconditional devotion btw. the utter and absolute and all-consuming kind that runs so deep to the very core and is so intrinsic and fundamental to it, it can only express itself in the most casual and natural and certain way. without second thoughts, without any room for doubts or for any moral dilemma to be had over it, because of course he ought to always be breathing and living for his chosen person first and foremost. of course he ought to hang on their every word and make them true no matter what, no matter what he has to do to make it happen, no matter what he has to do to other people to make it happen, and no matter what it might turn him into in the process. because it's obviously the way the world should be for his chosen person. at their feet, ready to bend over backwards and break and build itself again to better answer to all their needs even if they don't ask it for it. it's the only right way it should be for them, and of course takeshi's going to do his utmost at all times to make it a reality as much as possible.

and his devotion comes out as naturally as breathing, comes out lighthearted and nonchalant like he might as well be talking about the weather, but it's not unaware of itself. it's not that takeshi doesn't know it's unhealthy and wrong and that he's willing to go entirely too far in its name for anyone's good. it's not that he wouldn't hear you out if you were to sit him down and explain to him just why he needs to tone it down a little (a lot). logically, he'd agree with you and know you're right. and then he'd tell you he's still not going to do anything whatsoever about it. that he's not bothered by it and doesn't feel the need to change anything to his attitude. makes it a point to never let anyone or anything sway him even an inch in the stand he took when it comes to that, no matter how many thousand of times you might go over the subject with him.

because the morality of his devotion isn't the point at all. is entirely irrelevant to it and doesn't affect the way he expresses it all. it's not the metric with which he draws a line in the sand to hold it accountable to. because the thing is, takeshi's entire world revolves around tsuna--tsuna is his entire world altogether, and it's just a matter of fact, that simple. to him it's a truth as unchanging as the sky being blue, and so being the way he is according to that truth is the only way he can imagine being that'd feel right to him. and so the actual and only metric that matters here is "would tsuna be happier if i were to do this?" and/or "is this something tsuna needs me to do?"

and like. i don't think takeshi ever stops being a kind person capable of compassion and understanding and mercy and forgiveness even ten years later once they became mafia through and through. and i don't think either he grows up to be feared and called a monster per se despite the things they inevitably had to do during those ten years (and the things they'll inevitably keep having to do as long as they keep being mafia), at least not in the way, for example, they'll never stop fearing and calling mukuro one. but i do think that among the tenth gen, he ends up being the one with the most ruthless, merciless and horrific blood on his hands of that particular and distinct loving kind. you know the one i mean, right? he comes to be the one most expected and the one first expected to be willing and to take it upon himself to go through with it when the need arises. and to think little of it after, if anything at all. all in the name of making tsuna's reign as easy on him as possible.

and it's to the point where it's the kind of blood that makes even mukuro pause at times. or, when takeshi is the one coming up with solutions himself during meetings, makes even reborn blink. not because it's unjustified or wouldn't be safe or efficient or anything of the sort, but because it is unwarrantedly thorough in its retaliation. and sometimes, at times like this, he's the one tsuna needs to step in for the most, because he's the only one who can reason with him that "yes, this would work in getting rid of our problem" but "no, please, don't do that takeshi". because if tsuna is the only thing that infers on just how much and in what ways he'll let himself be devoted to him, then of course, he's also the only one takeshi's willing to reign himself in for without second thoughts. because he'd hate to ever do something tsuna would disapprove of or wouldn't want him to do. or do something that'd make tsuna see him differently or love him back less even in the slightest.

and it's also like. his devotion isn't an undisciplined one. it's not one he doesn't have control over, the very opposite. it's a very purposeful and conscious choice he chooses to keep making over and over again every step of the way, and he taught himself to have control over it, to know when it's needed and/or wanted, and how much and in which ways it is when it happens, and to keep it down otherwise. and, yes, to also reign it back in at tsuna's request at times when it still slips past his control. because it's all about making tsuna's happiness easier and secure and long-lasting, and never about burdening him with just how committed he is to do that.

so it comes down to this: takeshi willing to go above and beyond and more for tsuna unless tsuna explicitly asks him not to. and to tsuna needing to ask him not to every now and then. and to other people pointing out to him how too many times tsuna's already needed to stop him, and that maybe there's a hint for him to take there. and to takeshi seeing the hint, looking it straight in the eye and recognizing it for what it is and just. deciding it doesn't apply to him because it's all perfectly normal behavior to him. because it's the only kind of behavior that makes sense to him and feels right.

and so—to circle back to my first point—he can only express his devotion as naturally as breathing, so casually, almost like it's something inconsequential and not worth talking about despite how unmistakably it couldn't be further away from being the truth. it's the only way he could have always known how to express it, because, after all, who has ever taken time to ponder about the details and the hows of the way they breathe?

and i, for one, absolutely eat that shit up every time, thanks for coming to my ted talk <3

[kaidanalenkosprmanager]

THE BEST OF THE NORMANDY SUMMIT

Featuring: Cmdr. Sophie Shepard, Primarch Adrien Victus, Dalatrass Linron, and Urdnot Wrex With: Comm. Specialist Samantha Traynor Commander, you need to keep Cerberus at bay- I can't overstate what a victory a treaty between the Turians and the Krogan would be for the Alliance. We need all the help we can get... Mass Effect 3: Legendary Edition (2021)

[goldentigerfestival]

Part 4 of the Vesperia differences between JP and the dub!

Part 1.

Part 2.

Part 3.

(Other) GTF Favorites.

As a heads up, I had to piece several images here as "one" image to circumvent the image limit because I was not about to make a part five by the time I got toward the end LOL.

For some reason the dub completely removed Alexei jokingly/sarcastically saying it makes his heart hurt (brings him down in this tl) how Estelle will come to her senses and see what she's done to her friends. As usual, the dub has a very weird habit of adding sentences where they never existed and completely removing sentences for no literally no reason.

I feel that "set you free" can also have the implication of saving her alive (which the dub heavily seems to lean toward versus wording that really shows Yuri's resolve here, the latter of which fits right in with Flynn and Ioder's acceptance that he may have to kill her), so I included this one to go with the previous case of Flynn mentioning that Yuri's group was going to "save" Estelle. The original is more ambiguous about her possible survival, but the dub leans more into being ambiguous in a way that doesn't lean toward her dying.

The dub changed this to nothing but literally "aye" so... do with that what you will.

Another case of them randomly wiping out an entire sentence (the last one).

As with other cases, there are some slight changes I don't feel are worth mentioning and often tend to be just slight changes in word choice that ultimately mean close to the same thing. This is generally the case for most of the spirit gathering arc. The overall tl of this arc is pretty much accurate, just with some odd cases like the above.

I really don't wanna say like, it's because Flynn's not around for a chunk of the plot in arc 3, but uh... let's be honest, it's once again as soon as Flynn gets back into the picture that the tl starts to go haywire again - especially where Yuri is concerned. Like. Literally. As usual.

In the dub, this was "but Duke isn't". Just putting this one here because I feel like this gives more of a sense how the characters are feeling about it, more than just him not working out in their favor.

This one was calling Ba'ul "weak" in the dub, but here Yuri is just asking if he's that stubborn about changing his form to a spirit. Putting this here because I feel using "weak" is a lot more harsh and has negative connotations on it compared to a more ignorant "stubborn" before Yuri understands.

Yuri mentions here that Duke seems to have thought a lot about what he's doing. In the dub, this was "he seems totally obsessed". Not sure what the reason for that change was.

Raven makes this more of a question in the dub, but here is more of him realizing it and putting the pieces together, so I figured I'd include this one since it's a slight change in a character's perception of something.

The first line was changed to "could you be any more worthless" (I guess because they thought the "boring" line was weird? idk lol). The second and third line got swapped for some reason, even though it does kind of change the general meaning behind what's being said.

Yuri says first that Sodia gave up, only to tell her she has no right to say it was all for Flynn (thus saying it's because of giving up). At least imo, in the dub it comes across as "you say it's for him but you gave up thus it's an excuse", versus "you have no right to say it's for him".

I'm trying not to say it again, y'all.

Karol says that Yuri going off alone is a bad habit. The dub changed this to "you keep forgetting us", which I'm kind of confused by because he's not forgetting them and literally told them to get ready to go to Tarqaron. Not really sure why they'd change this line since like yeah, it is a bad habit of his lol.

Another translation error in the dub, so this one's here for clarification. The dub says Astal "lost control", but Astal by this point is dead (and he never "lost control"). Judith also says in the dub that it made all the monsters gather here, rather than saying they've gone savage. It seems like they misunderstood something thinking Astal losing control brought all the monsters here, but obviously we know that can't be the case because Astal is dead.

This was changed in the dub to "it's our turn to do Yuri a favor", when he's actually supposed to be teasing him, which Yuri directly replies to.

Still trying not to say it.

Dub Karol sounds more like he's prepared to go in, but in the original audio, Karol sounds nervous about the hoard they're about to have to get involved with. Raven's line was changed to Flynn looking like he needs help and not that so much that he's cornered, and the original audio has him sounding more urgent about it. Minor changes here, but tonally I think they impact the scene differently (and definitely give more of a "this is really fuckin' dangerous" vibe in the original audio).

Another slight change and not an important one, but figured I'd include this since it has a slightly different meaning/vibe to it.

Including this just for Yuri's little laugh when he shows up (I love him! A Yuri Lowell!) and Flynn's shocked response. More tonal in change, but definitely worth a listen and will be linked below with Flynn's laugh!

This can also be translated as "it's simple/it will be simple", because it's "me and you" doing it. Imo this makes it more clear he's referring to just them (i.e. the upcoming fight) and not the entire group, but Yuri also specifically specifies "you and me", so it's much more clear that he's referring only to them (which I think, also given Yuri's levity in this situation despite the danger, shows how much they've completely come back from and recovered from the Nordopolica/Alexei stuff). Shoutout to Yuri deciding this on the spot and totally not even planning it though.

Again, there are some wording choice changes littered around, but nothing really significant (when I say small things, I mean things like Rita saying it's reckless for just the two of them to deal with this, versus the dub using "are you stupid?!". It basically changes nothing even if it is technically a difference, but I usually skip things like that because these posts would be even longer for changes that don't have a large impact).

As for the Yuri-Flynn-Repede battle, there were some... choice dialogue changes here.

Firstly, Yuri actually tells Flynn to be careful (rare carefulness from him, especially in regard to someone he knows can handle fighting).

Second, Flynn telling him not to worry was removed entirely.

Third, (this one is more difficult for me to completely discern because of the lack of text) Flynn mentions (you too, i.e. you be careful too) if Yuri keeps looking over (at him), that he won't be able to run to save Yuri fast enough (i.e. he'll get into trouble if he keeps staring at him).

Fourth, the dub changed Yuri saying he's just captivated by how handsome/good looking Flynn is (and I shit you not if Judith said that to Yuri people would call it flirting so yes, I am going to tell you that the dub censored men flirting here). The original wording used is "ii otoko", i.e. good/nice looking man, which in translation could come across a bit awkwardly and would be more likely to officially be translated to "handsome"... if they weren't so spooked at the idea of it and had to wipe it for "the great Flynn Scifo" which is not actually what was said. Personally I'd say "nice looking man" has a very specific ring to it versus handsome, but again, obviously that might sound a bit odd in translation without really specific wording (as in, it's possible to be used in a way that doesn't sound awkward but the wording leading up to it would probably have to be changed a little, or some words simply added in to make it flow more native-sounding).

Fifth, Flynn said it's not the time to be making jokes (the dub changed this to just "sh-shut up!").

Sixth, the goofy, playful tone Yuri carries when he says "I am being serious" was changed (very typical of the dub at this point though to remove his playfulness and I'm literally saying that objectively). Similarly, his following line's tone was also changed.

Seventh, "so we're kind of stuck". Yuri says he can't concentrate without talking, then ends (the battle conversation) with a following sentence of "it can't be helped!".

This could be translated in a few ways just to make it more clear what he's referring to (because a plain ol' "it can't be helped" is a bit too vague here), but you could translate that to something like "guess we can't help it", yadda yadda. My guess is that's where "we're kind of stuck" came from, but given the blatant trajectory change of the entire conversation, I'm not surprised I'm left feeling like the meaning of that line is just weird (primarily because he says that and the conversation abruptly ends, so they're not very stuck if Flynn won that one!) Something like "guess we can't help it/that's just how we are" etc imo would have done the job for translating that.

Flynn just sounds so, so happy and soft and my heart is full. Same dialogue in the dub, but the original audio was (imo much?) more lighthearted and so sweet and soft.

Made a clip of both their laughs because they're adorable and I love them.

No idea why the dub actually dropped her giving Yuri a whole ass honorific. Yeah, you can't always use JP suffixes in a dubbed game, but you can translate some of them to the closest thing they mean. Sodia here calls him "Yuri-...dono...", so rather than just dropping his last name in her accusatory tone, she calls him by only his first name and attaches a respectful term to his name.

Technically "dono" would mean "lord" or "master" in a non nobility manner, and is more of a formality than if she were to use, say, -san, which would have her referring to him as more of a regular/casual equal (-san is a suffix that often gets lost in translation, whereas dono can actually be roughly translated like it is here from this translator. Someone of her rank would still refer to others even equal to her rank as "sir" in translation, while people who use "dono" may also still use that term for people of their rank. Remember, at this point she's the second in command to the Commandant himself, so that's an awfully high bar for Yuri to have jumped in her eyes). Sodia has realized his actions have been just and honest and that she was very wrong about him, so as an indicator that she's changing her stance on him, she refers to him this way instead.

Basically, coming from someone of her rank, it's a very respectful term and is not used casually/in a casual relationship, much less to someone one dislikes or even hates (which she previously did, so this by itself is a massive step up in her view of him just from her suffix usage alone).

Honestly a huge shame that they didn't even translate this to "sir" in the dub when there was no reason not to. Just using that alone would have indicated a much higher level of respect from her toward him, and unfortunately that open respect is completely lost to dub only players (she only expresses her guilt, whereas in the original, just by using "dono" alone, she's indicated respect and not just guilt. In a way you could even argue that she's approaching him, someone she gives her respect to now, for advice and not just out of guilt alone).

In the dub this is only "it would have been easier if you'd blame me for this..." Here she's admitting she wants some form of punishment by way of saying she didn't receive it (which she could have from Yuri himself if he told Flynn what she did), but if she can't even have that, she at least would rather be hated. Basically, she's saying she wants to be hated if she can't at least be punished for her crime (and I believe you could also translate this to wishing she could be hated if she wasn't blamed for it, so basically they removed half the statement).

Also, in general, Sodia sounds very distraught.

Here Yuri admits he does have a grudge against her (you could translate this to something like "it's not like I don't hold a grudge against you"). The dub changed this to "don't think I'm doing this for your own good". Basically the dub is having him say he's making her live with her regret without mentioning that yes, he does in fact have a grudge against her for what she did.

The translation here is essentially the same (think about it for yourself. The dub just uses "go figure it out yourself").

The important part here comes in the form of how he refers to her. This is something he's done since he survived her stabbing him - not using a neutral form of "you" but instead openly using a rude form (in JP there are several ways of referring to oneself and others, similar to how Flynn alternates between boku and watashi when referring to himself).

In other words, Yuri is openly expressing disdain for her by using "teme". At this point he's been using it for a little while now (he also talks to her this way back in Nor at the inn as well), but since here it's with very other little dialogue and also because she just recently referred to him as "Yuri-dono", I think it's a perfect time to point it out, as they've openly, verbally switched how they treat each other.

Sodia, wracked with guilt and left unresolved, has a newfound respect for Yuri after their interaction at Nor (and presumably everything he's done for Flynn). Yuri, still angry at her for what she did and holding a grudge (a fact lost in the dub that he mentions in this scene as mentioned above, adding to this role reversal), now openly chastises her and expresses his contempt by changing how he refers to her.

NEXT!

Not gonna put a picture here for it, but when Rita asks Witcher where his notes are, she gets super excited and it's just cute and funny.

Also not putting a picture here for this one, but Flynn sounds extremely relaxed/calm/casual in JP when he asks if Yuri is all set/ready to talk. Something worth noting is that even at this point, the dub keeps Flynn sounding very uptight and serious where he otherwise is relaxed, calm or even emotional. I get the feeling the dub kind of missed the mark with Flynn's soft gentle side. I don't know how or why, but it's more absent in the dub where he's otherwise much more soft.

Similarly, not pictured because this isn't about the translation, Flynn trying to convince Yuri to tell everyone what he's done is given in a more angry-upset tone, versus the original's (super!) soft and sad tone. Again, I think they had a different perception of Flynn in mind when it comes to audio (particularly in arc 3 here because the other arcs are... again, their own whole can of worms), because here he's speaking sadly that Yuri won't take credit, whereas in the dub it's more energy-fueled and comes off much harsher. I have a video clip of that scene here. I felt like mentioning it here because overall Flynn can be extremely soft and gentle in tone and it got lost in the dub for whatever the reason was.

Still on that train of thought, while the translation itself is still pretty accurate, Flynn says "I'll just yell at you again" but in JP says that he'll just say unnecessary words. Earlier, in the dub Yuri asks why he's so serious when he doesn't actually mention that he's being serious in the original (because honestly, he wasn't. He was very calm when they set out). In this case it's not really negative (the way Yuri yelling at people in the dub is portrayed negatively on their end), it's just... a change that I can only guess they had the wrong idea about with him? Previously the changes with Flynn were treating him negatively, but here it's more just... a notable but narratively generally neutral tone difference.

Not making a clip just for this unless it's requested, but when Yuri wins the solo fight against Flynn, in the original, Yuri says it with actual shock but awareness/clarity that it actually happened (with a sort of underlying excited vibe to it). In the dub Yuri says it with more of a laugh and disbelief.

As for this point onward, since the subbed playthrough ended before this point, I'll be using another playthrough for images, though I'll be translating them here instead since they won't be pre-translated.

Sliiightly different vibe here so I figured I'd include it (doesn't really change anything): Here Flynn says "Even with a sword... I lost." The reason I'm including it is because "I can't even win with a sword anymore" makes it sound like Flynn has been losing again and again to Yuri in various ways when it's always been the opposite. Using a sword has always been one of his highest selling points, so to lose in that area comes across more as, even with my best asset I still lost to you.

Yuri's line is more like, "(laughs) Take a good look."

Running out of images I can use for this post here but I really don't want to make another part at this point in the game, but Flynn's following line is more along the lines of "be proud of yourself" (literally "raise your arms (in victory/pride)"), to which Yuri says the same thing in both versions (Flynn's dub line is "you've gotten better"). Including this because "you've gotten better" to me isn't really the same as telling Yuri to be proud of himself for the victory (something he'd never been able to do before). Since the dub came across as much more casual, I figured I'd add this part here too.

During Flynn and Patty's conversation, Flynn says "it's true there is no end to my worries." In the dub this was, "I have no want for trouble". This was probably a mix up of terms/intended meaning honestly, because Patty was basically saying he has a lot of burdens for being so young. It's not about trouble so much as he just has a lot on his mind and a lot to worry about in his current position.

Flynn proceeds to say he's made up his mind, basically saying he's made up his mind to accept those worries. In the dub, he says he's prepared to face it (the troubles), versus that he's made up his mind in accepting these new worries.

Patty's response is "made up your mind?" In the dub it's just "is that right?"

Flynn continues by saying in the end he'll have to worry a lot (more literally with all his might, so basically he'll be experiencing a whole lot of worries in the future) and that it will be a tough road, but he won't run away anymore.

I'm not sure why the dub used "path full of pain" since that sounds a lot more dramatic than "it will be a tough road". I imagine yeah, there will be pain in the future, but full of pain just sounds a bit... much? The dub also removed "anymore" from "won't run away anymore". Not sure what the idea behind that was.

Patty follows up saying it's admirable but that's no good, which the dub changed to a fish pun.

I'd also like to mention at this point, Flynn has completely dropped his use of "watashi" in favor of "boku" (he uses boku normally, but typically switched to watashi for formality/his status as a knight, which indicates he no longer feels the need to do this around Yuri's friends, and possibly does not feel the same level of distance he used to. At the very least it means he's allowing himself to be more of himself/more familiar and not viewing his position as a knight so formally).

Here Flynn says "thinking together, worrying together, and then one day realizing the world we dreamed of". Adding this since Flynn in the dub says "if we all work through our troubles together". It's kind of the same thing and kind of not, since in the original Flynn isn't mentioning "troubles" between anyone - simply the idea of everyone doing this together (the rest is basically the same in the dub).

Another change I'm not sure what it was for, but Ioder never mentions the Entelexeia specifically. He says this (what he's about to say) concerns the empire, guilds and everyone who lives in the world (which would include the Entelexeia by default, but literally everyone else too, which is the point because he's about to tell them about the blastia to start making plans). The dub never mentions about this affecting everyone in the world despite that being the whole reason he wants to talk to everyone about this.

Yuri calls Duke an "ignorant fool" here, rather than a "stubborn bastard", which I'm including because "ignorant" and "stubborn" aren't the same thing. Yes, Duke is stubborn about it, but in Yuri's eyes he's also being very ignorant of everything they're trying to tell him.

Not grabbing an image for this, but at the end of the game when Yuri is talking to Duke right after the battle, he's completely out of breath before and when he starts talking (the first line). Just a very nice touch!

In the dub Duke says Eluficer's wish was simply to protect the world and all living things. Here Duke says his wish is to protect the world and all living things with a good heart.

Also don't want to use an image here because of the image limit per post (especially because it's already tight even with me putting what images I can into "one" image as it is), but Yuri says "yeah, let's do it" (including the others), versus "I'm on it" in the dub at Flynn's prompting. Not a big change, but he does treat it as the whole group doing it together, which I find to be a nice touch for his character development.

Patty actually says "it- it stopped?!" The dub goofed and wrote "it's- it's over?!". The power of the blastia wasn't enough and its power was weakening.

Estelle says "No way, after we've come this far!". The dub changed this for some reason to "but how? There isn't any more!" in response to Rita instead of leaving it as it was.

Judith says "Please!" The dub used "It's gotta work!"

Flynn says "It's not over yet!" For some reason the dub used "This can't be how it ends!", which... idk, I feel like original Flynn has much more faith in it LOL.

Yuri says "Is it no good...?" Dub Yuri says "Dammit... come on!"

For the most part the rest is the same.

Adding this in because the old cutscene in the 360 version had to get changed to accommodate where Flynn was. Somewhat different than what we see with the other characters, you can see the power shoot out and push Flynn back as if it was grabbing the blastia itself, and you can see it pulled away from him (with everyone else we just see the blastia head toward the rest!).

Aside from that, Flynn says "you are my pride, dear friend" (the dub changed this to "I am so proud to call you my friend, Yuri Lowell").

The voice acting took me out with the happiness portrayed in Flynn's voice. (For just the Flynn part of the ending, I have a clip of that too, unsurprisingly.)

----------

Personal ending notes:

To sum it up briefly: I personally see a strong inserted bias put into the localization instead of just keeping things the way they were (i.e. changing context/character behavior to fit their bias despite that not being what the original context was, and inserting this into an official release). I say this because there are times when the translation is basically perfect, but there are very specific characters and instances where this suddenly changes, and unfortunately, there's a repetitive pattern that to me reads as intentional. Otherwise, I see no need for that to continuously happen only when select characters are involved.

As for the not so short version, y'all might be wondering why I mention things like it seems like they changed Yuri and berated Flynn so much on purpose. This is because the translation of this game sometimes can be astoundingly spot on. Perfect in some cases, even. There are times when the largest difference is just the wording itself and is simply given flavor, or uses a variety of wording so that sentences don't sound repetitive.

Yet when it comes to those two (individually but also between the two of them), the context quickly devolves into being either completely changed, the tones used are completely changed, and/or there's a slight alteration in the text that ends up giving a very particular notion that was not otherwise there (ex. "like a good knight" was added into Flynn's dialogue in a situation where he's being berated and yelled at, and it completely comes across as putting Flynn down the entire way through the conversation, versus him coming around and taking responsibility and that being accepted. In the original he simply mentions following his orders as a knight. There's no attempt to sound like the narrative itself is trying to insult him or bring him down).

I made these posts precisely because a heavy majority of the changed context involved them, and a lot of it either portrays Flynn in a negative light for the vast majority of the game which was not originally present, or it made Yuri come across as a much darker, scarier, "cool" type, which is a pretty stark contrast to his original personality/behavior.

Other things:

Yuri:

A lot of his lines come out neutral/flat, and that got even worse, like a hundred times worse, in his new DE lines. Yuri is pretty peppy in JP, and as a reference I would say his victory quotes are a big indicator of the personality shift ("cool" guy versus "silly" guy would be a big one for me). Other than that, Yuri is more silly and almost childish, sometimes even pretty pouty, and it shows blatantly right in his voice. He's also extremely not threatening to people who are not his enemy (liiike threatening Ioder with a real weapon with a serious voice).

I think the easiest way to explain this from my own perspective is that I adore JP Yuri completely. Dub Yuri I often find myself wanting to punch in the face for how he treats Flynn, Ioder and the one time, Leblanc. He lacks compassion in the dub where he otherwise does have it (even if it's not him being rude vocally/tonally, the dub dropped a load of emotional nuance in his voice). He's not a rough, overly cool edgy man (I hate people saying Yuri is an edgelord because damn if that ain't the farthest thing from the truth in JP, but it also shows how much they really leaned into that trope in the dub if people actually walked out of the game feeling that way about Yuri). He's a silly, goofy, caring man who is very gentle with people when they need a boost. That doesn't mean he doesn't have his "scary" dark moments, but the dub obviously leaned super far into it - enough that they would change Yuri mentioning punching someone to outright threatening to use a weapon against an unarmed man who is actually being quite polite.

Basically, he has a range of emotions and he has a lot of emotional intelligence. As one example, when he sees Karol down and sad when they first meet, he changes his tone to a combination of how you'd talk to a child with that child-y tone (he does this at the base of Halure's tree when he's asking Karol how to heal the tree), but then sometimes he shifts to actual gentle and soft to let Karol know he's there for him (when he's heading out to the woods to find the eggbear).

Ultimately, my point is that they took a perfectly well rounded character and changed him to, what? Fit their own bias/agenda/whatever? Because I can't look at both Yuris and be like "same person". I've never wanted to punch JP Yuri in the face. Only hugs here. What I'm saying is that I came out of both versions with two very different opinions on Yuri.

Next, Flynn (and Ioder and Leblanc).

Starting with Flynn, I get a very strong mindset of anti government shoved into the dub with these characters (i.e. not just the unnamed bad people in the government and the few named bad ones, but also directed toward the good ones, making it a more black and white approach). The dub makes Yuri out to be aggressive toward Flynn on the spot when they see each other again despite that in the original audio, he's not at all actually upset. He understands why Flynn is upset and that he's stressed out with his current mission. And no, the whole "Flynn swung a sword at him!" doesn't work here. Yuri knows Flynn. Very, very well. He reeeeally was not mad about that... especially if, you know, his tone in JP was anything to go by during and after. Flynn was the more upset one between the two, and Yuri remains calm - again, indicating his emotional intelligence and, most likely as it's not directly said, determining that being worked up about it would only cause Flynn more aggravation/stress. Thus, he doesn't press any buttons and remains calm. It makes his smile to Flynn later at Torim make that much more sense.

The thing is, I get the impression the dub wanted us rooting for Yuri and cheering for him digging into Flynn, when that was literally not the point of their interactions. We're not supposed to always blindly follow Yuri. Sometimes he is right, but sometimes Flynn is right. Like. That's it. That's the game. Not everything is simple or black and white. There's nuance.

That and/or like, someone in the loc team really hated Flynn. Based on everything, I'm... not against believing that at this point. Basically, the dub portrays Flynn in a negative light at most (arguably all) possible opportunities around every turn, even though the context/tone for that did not originally exist, until it couldn't anymore (i.e. he was past his character arc).

Ioder and Leblanc.

Ioder never does anything except keep Yuri in the loop, tell him important information and be genuinely happy to see him. There was never any vitriol between them. The way dub Yuri gives him an attitude just comes out of nowhere. Their relationship is pretty casual, which is pretty meaningful given that Ioder is on track to be on the emperor and Yuri is, plain and simple, a commoner. One who rescued Ioder, yes, but if Ioder was a "typical" noble in this game, he might have just brushed that off as "to be expected", even if Yuri didn't know he was saving a noble at first. Point being, Ioder is nothing but pleasant toward Yuri. Yuri has no reason to be rude, much less threaten him.

At Baction, JP Yuri is understanding that Leblanc needs to grieve and is in disbelief. He doesn't know if Leblanc will try to stop them, but he does offer his condolences with the tone of his voice, i.e. again: emotional intelligence. Something they changed in the dub to be nothing but rudeness and anger. Yuri made a statement to him at that moment, i.e. not to get in their way (mind you, again, he's polite about it given the situation), but not without understanding in his tone, which is a very common aspect of Yuri in his entirety. His wording (in general, not strictly with this specific scene) comes out rough and lacks politeness, but that's made up for in how he speaks to people (either relaxed, casual, gentle, etc).

In other words, the dub pretty much always slaps a point of view bias against these characters and uses Yuri as their proxy for it. Yuri, normally, in the original context, just treats them as human beings with ebb and flow in all of their emotions and situations. Things aren't black and white - humans are complex - and that is not the point of view that I feel we're given by way of dub Yuri. We're given a man who is constantly using anger in his voice toward imperial figures even when it's completely unwarranted, and even when he knows the people in question.

Other Stuff:

Assorted things are different mainly because of the acting, but Raven's goofiness got toned way down and Karol screams much... quieter, I guess you could say. They're both more lively in general though than how they were in the dub, so that's a plus from me too.

Rita is significantly softer with Estelle in JP, and she also is much more noticeably devastated about Raven's "death" and more panicked for Karol at Zopheir. I do love Michelle Ruff's portrayal and don't know that I truly have a preference, but I think a lot of Rita's emotional barrier breaking is truly expressed more in JP.

You know I gotta bring it up: Yuri and Flynn's relationship was kind of a mess in the dub. It gives the impression of Yuri being angry a lot more often than he ever actually is, and gives off the impression that we're supposed to dislike Flynn more than we're supposed to like him. Flynn isn't someone we're supposed to actively dislike, but the portrayal of him as expressed through dub Yuri does not come off as "we're supposed to like or root for this guy", when they're much closer than that in JP.

So yeah. The bulk of this is that Yuri is just not the same person to me between versions. Also, Vesperia has way more content in Japan (drama CDs galore frankly, and Yuri is still insanely popular in Japan and is thus a frequent character alt release in the gacha games and so has tons of voice lines and general story content, there's new merch of him every year because they make merch for the characters that have their voice actors showing up to TalesFes, etc).

There's much more ease in seeing JP Yuri's personality through all of it. I think it may be more difficult for people who don't understand Japanese or any Japanese at all, and that's such a shame to me because all those people get otherwise, without anyone posting about JP Yuri, is this... weird shell of Yuri that I sometimes even hesitate to call a shell because he just feels completely different to me.

Anyway uh I love Yuri (and Flynn) and that was the point of all this, but uh... if you made it this far thank you bunches and I hope people who maybe didn't like Yuri and/or Flynn who only knew the dub will change their perspectives. 🙇‍♀️

[fallingbyjuleecruise]

every day i think about the ansur plot in act 3 could've actually had emotional weight if larian studios gave a shit about wyll. damn.

[sillyunicorn]

'andrew minyard has no traits' is such a wild take I don't even know where to begin

[welcometogrouchland]

Also in the replies of the Steph concept art on twitter announcing she was gonna be in a new project at DC (posted by Travis Mercer), there were at least 3 comments saying "will Tim be there?" I don't care how hard you ship timsteph I'm exploding you with my eyeballs if you do that on my girls post again

[smile-files]

the murder mystery i'm reading has a character whom i can instantly clock as autistic. yay! i have no reason to think he'll be the murderer but i'll be very angry if he is

[avatarofwar]

i saw you talk about wolf a few times from sekiro and was wondering if you'd want to share more of your thoughts on him or sekiro as a whole, the game really interests me compared to other dark souls games so i wanted to ask

sorry for the late reply but oh boy do I have thoughts abt wolf. trying not to spoil the game, so I'm gonna refrain from talking about the story. might go into just restating known things about the game, but I'd much rather play it safe and not spoil the story

before going to that. the game is very much different from dark souls (setting wise, while taking place in a fictional country it is in a historical setting. I cannot comment on the setting properly bc I don't know much about the time period, however), most notably in the combat (primarily shifting from a dodge-centric playstyle to a parry-centric playstyle (significantly easier than dark souls/elden ring parrying, however), with dodges having significantly shorter i-frames and being very unreliable for dodging attacks). it's very different but something I really enjoy, even if I'm not as good as I am at typical soulsborne combat. it's really fun when you get the hang of it, and while I might not be The Best at it (which is mostly bc of how different it is from soulsborne games, so ofc I'm not as good at is as I am at the other fromsoft games I've played), it's something I can still enjoy

a huge thing about sekiro is the difference in how the story is told. in soulsborne games the story is something you have to figure out; progressing through the main path doesn't give you enough to piece everything together if you don't read any lore. with sekiro, however, the story is significantly more obvious, on account of the playable character having unique ties to the world and its characters, rather than going the soulsborne route of being one of many people (wording hard, but the chosen undead for example is no one special, just one of many undead trying to link the flame). it's a very different method of storytelling, but is still something really good. for as much as I adore having to actively hunt down lore and story in soulsborne games, it's also great experiencing story through natural game progression

wolf is also canonically disabled (loses his left arm at the start of the game) and has a really fucking cool prosthetic that is a whole part of the combat system (even though I personally keep forgetting to use it). so good for him. he deserves a prosthetic that can have deadly weaponry attached to it. like a mini-flamethrower. he deserves a mini-flamethrower, as a treat.

putting the wolf thoughts beneath a read more because this is getting long and I might spoil some stuff (mostly relationship with another character, I'll try to refrain from story spoilers. also spoilers in general, but there might be some), and he has definitely become a blorbo (additionally, content warning for abuse)

first of all. wolf makes me want to throw myself off a cliff and I mean this in the most positive way ever. he is great and I love him but man he needs so much fucking therapy and he doesn't even realise it (therapy probably doesn't exist in that time period, but besides the point). he is very much traumatised and has been heavily shaped by it and doesn't even know it.

prior to the events of the game (I forgot how long ago it was) he was orphaned by war and got taken in by owl, a shinobi and also a piece of fucking garbage. owl raises wolf to be a shinobi under the iron code, with the number one rule being loyalty to his father (owl), with his master (kuro, the divine heir) a close second (and also to give his life for his master if necessary. which is also a whole other thing to get into).

owl is very explicitly abusive. he raises wolf as a tool rather than a person, and that upbringing severely affects wolf as a character - he is an incredibly capable shinobi, but lacks any skills other than that; he does not know how to be a proper person, he is a loyal wolf, but he does not know how to be anything other than that. hell, without spoiling too much about the context, there is a cutscene in which owl actively attempts to guilt trip wolf, going as far as using fake tears (saying anything specific is very spoilery. this isn't even the only horrid thing he's done, but I'm trying to refrain from too many spoilers).

wolf canonically does not value himself without anyone to serve (we see this at the beginning of the game, as events prior to the start of the game not yet known about leads him to believe he has no one to serve, and thus no purpose, so he isolates himself from the world in a well for 3 years). while he does have compassion for others (most notable example being concern over victims of dragonrot), he starts off the game driven primarily by duty. he is loyal to a fault, willing to do anything for kuro, but also valuing his service to kuro more than himself (cannot remember the exact wording, but when kuro expresses concern for how many times wolf has died for him, wolf states that it does not matter as it was in service to him).

there's also the fact that wolf canonically eats uncooked rice and genuinely doesn't know - as a fully grown adult - you are supposed to cook it, which is... genuinely something awful if you truly think about it and what more it implies about his upbringing especially considering it's one of the most basic things you could learn how to make (just... says a lot about owl if you seriously think about it).

he is a loyal wolf, but he doesn't know how to be more than that. he doesn't know how to just... exist for himself, to be his own person separate of his duty and he doesn't even recognise just how fucked up it is, because how could he, when he was shaped into this as a child, when his own father wanted him to be nothing more than a tool to use.

I could say a lot more about his relationships with other characters (that are actually good people) and how it just. makes me lose my mind, but this post is almost 1k words. so, simply put, kuro genuinely caring about him makes me so fucking emotional, especially bc of owl; his father might be horrible and an abuser, he might not know how to be more than he was raised, but at the very least he can serve someone who actively cares about him and his wellbeing.

[narrativelysignificantturtleduck]

how the FUCK has lovestruck jeong jeong been on this site for over two years and i'm only just now seeing it. my blorbo senses should've been tingling

[wttcsms]

⋆౨ৎ˚⟡˖࣪ match my freak !!

ᝰ.ᐟ the two of you are private not secret, but when the media starts to speculate that the two of you are no longer together, neither of you are too happy. the best way to get everyone to stop with the breakup rumors? posting something a little bit nasty to the feed to satiate everyone's curiosity. (fem!reader)

featuring tobio kageyama, atsumu miya, tetsurou kuroo, wakatoshi ushijima, tooru oikawa, rintarou suna content contains breeding kink (atsumu, wakatoshi), pregnant reader (wakatoshi), famous!reader (changes depending on scenario), creampie (tetsurou), hatefucking (not really, you + kuroo just like to antagonize each other but the attraction is there), scratches on his back (tobio), hickeys (tooru), wet n messy (rintarou), possessive!character x possessive!reader (the two of you are obsessed with each other ok), social media references lol author's notes i'm definitely doing a blue lock version, i'm just seeing if this is a popular premise lol <3 based off this original concept !! these are just silly little drabbles for me to warm up to the idea of writing again haha

౨ৎ TOBIO KAGEYAMA

your fans are speculating: that you and kageyama have broken up. fans are recording footage from you on your latest tour and claim that you're "clearly disassociating" and "somewhere else mentally" when it comes to singing your iconic love songs. you and kageyama have always kept your relationship private because he's not a very open person to begin with, and you don't want to give the media more material to misconstrue. you know that kageyama hates when some random person will annotate your verses on genius lyrics and try to make the claim that your innocent metaphor is you wanting to jump ship and leave kageyama. and you hate how it's your own fans who are making wild accusations of you no longer being with the man all your love songs are about.

you posted: kageyama, with his back turned to the camera so all that fills your camera is the surprisingly broad expanse of his muscular back and shoulders. he's not even flexing, and it's obvious that he's a world-class athlete. he's facing the closet, trying to find a shirt to put on, and it would be a semi-innocent photo, the pinterest-perfect photo inspo for every private not secret relationship out there, except for the fact that there are clearly faint, red lines — scratches — running down his back. you caption the photo with a "monday morning 🤍" (your insane fans spam the comment section to exclaim how they knew you two were still a thing... and to speculate that this photo is somehow an easter egg for an upcoming song/album. well, they're right: you two will always be a thing, and tobio dicked you down so good last night that you could write him a whole album.)

ᯓ ᡣ𐭩

"fuck," the word slips through his gritted teeth, and you can tell that your tobio is still upset about how your fans seem divided. half of them claim no one could ever make them hate tobio (you find those fans to be absolutely adorable), and the other half...

well, the other half are making slideshow posts to audios that go "some boys take a beautiful girl and hide her away from the rest of the world" and the ones that seem to go viral are always the ones that feature you and tobio.

"not hidin' you away." he mutters, never slowing down his thrusts. he admires the expression on your face as he fucks into you, his ego pleased with how receptive you are to his every movement. he has you speared on his cock, your tight little cunt full of him, your eyes getting so adorably teared-up because he's just a little bit too much for you to handle. tobio isn't good with words; he thinks you're the most beautiful girl to exist, but he can't verbalize it. so he just takes in your sweet, fucked-out face, the reaction only he's capable of drawing from you, and it all gets so overwhelming for him.

he has to bury his face in the crook of your neck, inhaling the sweet scent of your body wash as he continues to bully his cock into your soaked pussy. "why's it bad if i want to keep you all to myself?" he's practically whining, and you think this would be so cute if only you weren't currently chasing after your release. or rather, tobio's forcing you to cum, whether you want to or not. it's not like you can stop him; tobio devotes himself to always ensuring that you finish before him. he likes the satisfaction of knowing only he can take care of you, and he especially likes the way his cock looks with you creaming all over it.

when he gets like this, all you can do is cling to him, your arms wrapped around his muscular build. when he gets rough with his thrusts, when his body gets just the slightest bit sweaty from the exertion (evidence of just how much work he puts into fucking you), you have to dig your manicured nails (the set he paid for) into the skin of his toned back. otherwise, you'd lose your grip, and your hands would slip off.

tobio relishes the slight stinging pain of your nails scratching down his skin. but the scratches aren't enough. he needs to make you cum. when you get so caught up in your climax, you start clawing at him as you lose control. he loves the scratches you leave on him; it's proof that he's yours just as much as you are his.

౨ৎ ATSUMU MIYA

haters are saying: that you're just using atsumu for content. you're a gold digger. you're not genuine. you're not "wifey material." spectators are claiming that atsumu is playing worse than before because he's too "pussywhipped" for you. well, he likes to cheekily admit to you that he is addicted to your pussy, but they're wrong about everything else. obviously. however, the haters are feeling very vindicated whenever they see atsumu hasn't been posting you as much. (you're traveling for a new vlog series on your page, but no one knows.)

he posted: a mirror selfie. which isn't breaking news. atsumu miya always breaks the internet when he posts a mirror selfie because the only thing worse than a hot guy is a hot guy who knows he's hot. no one is a stranger to the sight of a post-workout, sweaty, shirtless atsumu, who flaunts his tight abs and muscular thighs with a steamy mirror selfie. but this photo? this one is going triple platinum. it's going down in history. this selfie is taken in dim lighting; the curtains in the background are drawn shut, he's got one hand gripping his phone (making the phone look tiny in his big hand), and he's got one arm wrapped around you. it's not an innocent hug, though. he's cupping your ass, and the phone in front of his face does nothing to shield his satisfied smirk. you're clad in nothing but lacy lingerie from a designer who loves to sponsor you, and you're clinging to his side, almost like you can't even stand without his support. it's clear that the two of you definitely were... appreciating the work your favorite designer put in when they created that lacy set.

ᯓ ᡣ𐭩

"what do you think?" you're smiling at him, knowing damn well what he's thinking.

atsumu looks up at you, reflexively licking his lips as he takes in the sight of you wearing a new set of lingerie that you just got delivered. it leaves little room for imagination, and the material looks so delicate, atsumu is already thinking about how he'll have to apologize to the designer for ripping it off of you.

"i think I'm the luckiest man alive right now." atsumu is shameless in the way he's admiring you, the way the setting sun still peeks through the curtains, enveloping your body in a delicious golden glow as you inch closer and closer to him.

in a matter of seconds, he's pulling you on top of him, placing wet, sloppy kisses over any centimeter of your skin he can reach. when you make a move to slip off the panties, he protests.

"leave 'em on f'me, baby. please?"

he fucks you with you still wearing the lingerie set. your breasts are spilling out of the bra, and all he did was move your panties to the side so he could stretch you out with his cock.

"fuckin' idiots, tellin' me you're not good enough to marry. i'll show 'em what a good girl you are, right? gonna put a ring on your finger, and make you my wife." he's fucking his cock into you, making sure that your cute cunt knows who it belongs to. "gonna fuck a baby into you, sweetheart. no one's gonna say shit about our family, huh? 'cause i won't let 'em."

your cunt clenches up so nicely with every comment he makes that atsumu knows he has to make all those pussydrunk promises come true.

౨ৎ TETSUROU KUROO

the tabloids are posting: paparazzi photos of you — the socialite daughter of the man who owns the msby black jackals, and jva's promotion division's golden boy, tetsurou kuroo. it's late at night, and the two of you are clearly leaving a party celebrating the success of another eventful volleyball season. you're wearing the iconic ysl heels with a black mini-dress that honestly should be called a micro-dress. your hair is a mess, you're walking like your knees are struggling not to wobble, and walking three steps behind you despite his longer stride is kuroo; his tie is crooked, his cheeks are flushed, and he has a grin that says something like i just fucked one of the richest bratty heiresses in japan, and i left her wanting more. the amount of blind items that are allegedly alluding to you and kuroo are being spread all over tiktok. one reads, "this sports club heiress was seen exiting a party with this semi-known marketing mastermind who works in the sports industry. apparently, they couldn't keep their hands off each other, and no one can recall seeing them together during the party; everyone only caught glimpses of them running away from the festivities together."

you posted: a photo slideshow on instagram of your absolutely iconic outfit from the party, only these photos were clearly taken before the party. your hair is done, your makeup is perfect, and your caption states don't believe everything you read. the last slide is a screenshot of an online headline speculating about your "new man" with a photo of a grinning kuroo from that night. the reason why this makes everyone go insane is because you're no stranger to a scandal — this is, however, the first time you've ever addressed a headline.

ᯓ ᡣ𐭩

"hurry up," you hiss, your eyes darting from left to right as you make sure no one is nowhere near the secluded corridor kuroo somehow managed to find.

"y'know, i thought girls were supposed to like guys who don't blow their loads prematurely." even when he's bullying his cock into your slicked up cunt, savoring the way your sensitive walls are clenching around his dick, tetsurou has a very annoying habit of still sounding entirely in control. for someone who can't keep his hands to himself when it comes to you, he's irritatingly great at playing nonchalant.

but he's just a man, after all. he might tower over you, his large body shielding you from any prying eyes, and he might know your body so well that he can bring you to completion twice (once with his fingers curling against that special spot of yours, and another one so rudely wrung out from you when he slid his cock in your orgasm-recovering, overly sensitive pussy) in just the fifteen minutes he's been toying with you tonight, but you know that he must be feeling something. you saw him shift his pants the moment his eyes met yours from across the room, when his eyes travelled down your body and followed the way your dress emphasized the curvatures of your body.

"if you don't finish right now, i'm not going to let you cum inside." you threaten him, trying to steady your voice as you bite back a moan. it'd be a major issue if the two of you got caught, with the volleyball association's golden boy being buried balls-deep inside a sports team owner's bratty daughter.

with every sharp snap of his hips, kuroo is only forcing more slick to come gushing out of your pussy. he can't even take the time to admire the white ring you left around his cock; he's too focused on chasing after his release because he didn't get to where he's at by not being opportunistic.

"if i cum inside, you have to keep it in your panties the whole night. you wouldn't want that, would you?" he sounds a little breathless now, his pace quickening as his thrusts get sloppier. he's smiling at you, that damn annoying smile that makes you want to roll your eyes or insult him. but your body betrays you. his grin only widens when your pussy tightens up at the idea of having his cum soaking in your panties while you interact with people at this party. a dirty little secret shared only between you two.

he lets out a breathy chuckle at your body's betrayal. "okay, princess. since you want it so badly, i guess i better give it to you."

you could practically cum again the minute you feel the warmth of him finishing inside of you. you're a spoiled brat who gets what she wants, and while you refuse to admit it, you want him. all of him.

and he's going to give it to you.

౨ৎ WAKATOSHI USHIJIMA

the media is going crazy over: the fact that ushijima is the type of person who doesn't clarify anything because he just assumes that everyone can read his mind. he's blunt, sure, but he's not really the type who does much explaining. after the first game of the season, an interviewer asks him if he enjoyed spending the off-season with you, his girlfriend and one of the most beloved, fan-favorite WAGs of all time. ushijima stares straight into the camera as he states in his usual deep, flat rumble of a voice, "the off-season was successful, but she isn't my girlfriend anymore. thank you." and then he just walks off, like he didn't just drop the most insane piece of information ever?

he posted: a photo of an ultrasound that was clearly taken out of his wallet since it's thrown on the table in the background. he's holding it in his left hand, and the overhead lighting is reflected from the silver wedding band he's wearing. now that he's off the court, he's able to wear it. in typical ushijima fashion, there is no caption, but a picture is worth a thousand words. you're not his girlfriend. you're his wife, and soon to be mother of his child.

ᯓ ᡣ𐭩

"mmph — 'toshi!" you squeal out, your calves burning from the stretch as your beloved wakatoshi has your legs bent and spread for him. he's just so big that you'd never be able to handle all of him, and yet, here you are, bent into a mating press every night since the two of you have gotten married. you try to beg him to slow down, but words escape you as he buries himself into your pussy, letting out a deep, guttural groan as the warmth of your cunt coats his cock. there's no better feeling than this.

even if you could request for him to slow down, it wouldn't have mattered or made much of a difference. your husband has a one-track mind. when wakatoshi is set on a goal, it's hard to break his focus until he sees it to the end. and right now, wakatoshi's goal is to fuck a baby into you, to see you round with life because of the seeds he planted.

he's hunched over you, abs tightening and flexing with every sharp inhale of breath he takes. he's gonna fuck himself empty, going to keep filling your cunt with his seed 'til he's shooting blanks. his eyes glance at the ring he put on your finger before returning to admire your blissful expression and the way your body seems to have gone boneless from all the fucking he's had you endure.

"just a little bit longer." he manages to say, before forcing his cock in even deeper. "just have to make sure it takes."

౨ৎ TOORU OIKAWA

everyone is claiming: long distance relationships never last. when oikawa makes the shocking announcement that he is no longer a japanese citizen, everyone immediately wondered what that meant for the future of your relationship. does that mean it's over? officially? if oikawa is leaving behind his hometown, then by default, is he leaving you behind too?

he posted: a photo slideshow, only most of the images were clearly taken by you. the first one is of him driving; the two of you are in his convertible, and he's wearing a white button down with most of the buttons undone. on the stark white of the shirt are kiss marks; the imprint of your lips lined with cherry-red lipstick are all over the material of his shirt and on his freshly-tanned skin. the other photos are of what you two ate for dinner, the sunset from the beach, and a selfie of you two looking more in love than ever. fans are quick to point out the massive hickey on your neck, and tooru tags you in a reply to the top comment that points it out, and he's saying "you missed a spot babe." you reply back, "i ran out of concealer because you gave me too many to cover"

ᯓ ᡣ𐭩

"i missed you," your boyfriend mumbles into your soft skin. tooru can get so clingy when he goes long periods without seeing you, and you indulge him because he's tooru. he's got his face buried in the space between your shoulder and neck, and his breath is warm against your skin as he speaks.

"everyone is saying i'm abandoning you, but that's not true." he whines.

"i know, baby. i don't care." you laugh softly, absentmindedly playing with the soft strands of his hair. he settles into you, and it's almost sweet, until he starts nipping at your skin.

"tooru, what are you doing?" you can't find it in yourself to chastise him too harshly, but you do have to restrain yourself from pulling back.

"jus' want to show everyone that you're still my girl." he peers up at you, licking his lips. "you'll let me do that, won't you?"

tooru bites and sucks at your skin, sharp canines grazing your soft flesh. he sucks at your most sensitive areas while he works his fingers in and out of your gushing cunt. when he pulls his fingers out and holds them up, so the sunlight can shine and really highlight how much of your juices is coating his digits, he smiles. his girl gets this wet just from him marking you up?

as he sucks on his fingers, relishing in the way you taste, he can't help but be happy to know that no matter how far away the two of you are from each other (for now), you're still his girl.

౨ৎ RINTAROU SUNA

your fans are telling you: suna doesn't care about you. suna doesn't put forth any effort into your relationship. suna literally streams on twitch during the off-season yet he can't seem to ever post you?? suna doesn't deserve you. suna—

suna is a lot of things, but nothing like the deadbeat, ashamed boyfriend allegations. in fact, all your well-meaning fans are so far off on how he treats you that you and him get a good laugh from the outrageous conclusions they've jumped to.

you posted: a photo of rintarou with his head on your lap, and you've got your fingers playing with his hair. it's a sweet photo, really. except for the fact that you decided to pair it with an audio that's a snippet of a song that goes "he's so pretty when he goes down on me" and a caption that reads this song is so relatable 🤍

ᯓ ᡣ𐭩

anyone who thinks rintarou is a selfish lover, a lazy lover, someone who merely tolerates you or is ashamed to be with you... they clearly don't know either of you very well.

because even when he's exhausted from practice, rintarou comes home craving you. craving your sweetness, your warmth, your love — and your pussy. he's obsessed. rintarou suna loves to eat you out, and he does it with such passion, such enthusiasm, that it's hard to refuse him, even if he's been going at it for the past hour.

your juices are leaving a stain on the bedsheets, and your slick is coating your inner thighs. it doesn't help that rintarou is messy with his technique. he needs your legs spread for him, granting him easy access for him to just dig in. he's still in his practice jersey, and when he feels your grip loosening from the strands of hair you're tugging at, he'll slow down his pace, calming down to just tiny kitten licks while he peers up at you.

your head is thrown back in pleasure, and your hips have a mind of their own as they still jut forward, as if trying to bring your cunt impossibly closer to him. no need for that, really, seeing as how he craves to bury himself in your warmth, to suck on your cute little clit and have you humming all over his tongue.

"rinnie." you whine out, still subconsciously bucking up your hips. he smiles before resuming his original ministrations, gluttonous and greedy with how sloppy and hungry he is with you. if you're still capable of talking, then you're not too fucked out to not allow him to get his fill.

[lovegasmic]

‎‎‎‎ㅤTWENTY FOUR SEVEN

satoru gojo, sukuna ryomen, toji fushiguro, choso kamo + fem!reader.

ᯓ★ mdni. somno ( they wake you up with their dicks ), "just the tip" gojo shouldn't be trusted. oral male receiving, facefucking w toji. creampie w choso. repost.

SATORU .ᐟ

to gojo satoru nothing is more of a blessing than waking up with your soft ass pressed against his hard cock. much more if your sleepy self allows him to slip the fat dribbling tip inside your slick walls, you're so wet and warm he fuckin' hopes you had some nasty dream with him as the main character.

"just the tip baby... i promise!" he whines and your body and brain fight, ending in your thighs spreading unconsciously for his long legs to take place in between them, an arm snaking from below your side to hold onto your pelvis, moving your sleeping shorts aside to properly slip inside, it's just an inch but Satoru's already panting like it hurts.

"s' so fuckin' good" he groans, hips rolling against your ass while his hands press you back, fucking himself inside your tight cunt until he's balls deep, "can't stop baby, m' sorry" a choked out moan and a string of unintelligible praises fall on your ear where his chin rests, moving inside you at an incredible speed while his hands cup and play with your tits. groaning from the bottom of his throat when you clench and slick coates your inner thighs, creating a lewd squelch that makes nothing but get Satoru to cum all across your pretty puffy folds.

SUKUNA .ᐟ

mornings are always a mess.

too loud and full of honking cars that fill the busy street right next to your windows, and Sukuna hates it. not because of how uncomfortably loud it is, but because of how he is not completely able to hear your pretty desperate moans.

he doesn't care if the neighbors knock on your door at the dead of night because of how loud your screams are, he adores them, adores the subtle twitch of your thighs whenever his cock pushes past the tight ring of muscles that flutter wildly in a signal of your approaching orgasm, adores the way your knuckles turn white from holding onto the sheets for dear life, pillow soaked in tears from where you're hiding your pleas.

"look at me" Sukuna grunts, cupping your cheek from behind to force your face a side, claiming your lips while swallowing moans of desperation, full of teeth and saliva and equally messy of his pounding into your cunt.

TOJI .ᐟ

heavy and slightly salty flavor is what you wake up to most mornings, Toji's cockhead sliding across your lolled out tongue in a teasing manner as he squishes your cheeks.

"g'morning, princess" he smirks, hair falling on his eyes from where he's hunched, thighs on each side of your chest while he feeds you his cock. and you take it, feeling the wetness between your legs grow at the sight the man on top of you is, deciding to press your hands on his toned abs, feeling the muscles tense beneath your fingers as his hips start to move.

you feel like a fucking toy under him, just taking it like the good girl toji loves to repeat you are, "touch yourself, baby, I know you're wet just from sucking cock" he smirks, teasingly and you know it's not a suggestion, but a command for the hand that isn't digging on the skin of his thigh to slide down until your fingertips touch your needy clit, rubbing on it with the limited movements you can archive due to the man straddling your chest, "good girl" Toji groans when you moan, not minding if you actually get off from sucking him but at least you can moan and drool cutely all over his cock.

CHOSO .ᐟ

"feels so good" Choso pants, holding onto your hips with such strength you're certain he'll leave a mark. he's desperate and wildly rutting into your cunt as if to fuck you as deep as humanly possible.

you really wish you could watch the pretty expression on his face, but getting caught off guard while doing breakfast, and Choso's quickly pushing off your pants down enough to slide the flushed tip of his cock into your pussy didn't give much more option than holding onto the kitchen counter for dear life.

"fuckin' perfect" he moans and sobs, hips increasing in speed until his balls slam loudly and wetly against your clit, not giving a signal of stopping soon, but how could he, when you clench so deliciously, gripping onto his cock as if you never wish for him to stop fucking you, "fuck...!" he gasps, curling against your back while continuously switching between pounding and grinding on your pussy, "wanna feel you cum around me" his thighs shake and balls clench, seconds away from staining your walls until you scream and cream all over his length.

[dunmesh]

okay i don't have anything smart to add i just genuinely love that these seemingly trivial jokes are actually an important part of his character. we see it throughout the entire manga, how he pushes aside his own frustration and discomfort to accommodate everyone else's and avoid needless confrontation- another example off the top of my head would be the barometz chapter in which he slowly gets frustrated with izutsumi but still tries his best to talk some sense into her calmly and soundly.

and in contrast, there are very few times he expresses his anger and hurt towards others, and it usually takes a lot for him to finally lose his patience and control.

i mean, even with kabru he tried to be polite despite the circumstances until the guy said the one thing that triggers an immense sense of shame, hurt and rage in laios. and you know, the manga does say it quite clearly early on. when we are introduced to namari and then to shuro, laios acts all friendly and shows his respect and trust in them despite how things ended between them, and everyone else gets frustrated with him for acting so strange- why are you the one who tries so hard to pacify the rest when you should be the angriest?

and they don't understand him. they don't know him well enough to be able to understand, but we as readers get to see during the manga that they aren't wrong to question him- he does, in fact, feel all those ugly emotions. and it's when the winged lion finally confronts him that we see to what extent these feelings he buried so deep go, and suddenly all those funny little moments where he sometimes pretends to be mr nice guy speak volumes about his character. honestly, ryoko kui is a master at using jokes in order to define important character traits and this one doesn't fail to amaze me.

and laios's hatred and rage and deep scars he can't get over aren't shown explicitly during most of these moments i mentioned before, but now you realize there are 26 years of emotional baggage to all of them and they sting. he is angry but he can't say shit, what difference would it make? it won't make his friends choose him instead of themselves when he needed them most, and it won't help his party get any farther. of course, this logic doesn't apply to them- they are absolutely allowed to get angry and it's fine to get mad at him, he can take that.

so after finishing the series it's so clear that he tries his best to avoid clashing with others not just due to the current circumstances and him needing to be a reliable leader but also because he knows that people don't even like him when he tries to show his good sides and hide all the rest, so who the hell would tolerate his rage and despair? who would stay after realizing that he is so deeply flawed he doesn't even like his own being?

but he does get mad. he can't help it, and sometimes it gets out of control and now everyone knows. and it's funny, isn't it? that most of those moments ended up bringing him closer to others. shuro admitting he is envy of him and actually becoming the friend laios thought he was all along, fighting for his sake and waiting for him to come back- believing in him even after he turned into a monster and searching for him the way he couldn't bring himself to do for falin when he learned of what became of her- or kabru being pushed to just let it all out because he couldn't bluff his way out of this one and get to laios any other way, so now they are even. they are both horribly honest with each other and they both choose to stay. a weird way of getting to know each other, but it is what it is.

it's simply... the more laios let himself just be, the deeper his relationships grew. and there's intimacy in being your ugly, weak and furious self around someone and them not leaving you. feeling safe enough to let it be known you are hurt and angry. and he knows that now, too.

[vadlings]

Represention of Autistic Frustration in Laios Dungeon Meshi

Like many other autistic people, I related strongly to Laios Touden while reading Dungeon Meshi. This post isn't going to spend time disputing whether he displays autistic traits or not—while I could do that, I want to focus on why specifically his portrayal struck a chord with me in a way the writing of most other autistic-coded characters has not.

Disclaimer: as the above suggests, this post is strongly informed by my own experiences as an autistic person, as well as the experiences of my neurodivergent friends with whom I have spoken about this subject. I want to clarify that in no way am I asserting my personal experience to be some Universal Autistic Experience. This post is about why Laios' character feels distinct and significant to me in regard to autistic representation, and while I'm at it, I do feel that I have interesting things to say about autistic representation in media generally. This also got a bit long, so I'm sticking it under a read more. Spoilers for up to the end of chapter 88 below.

The thing that stands out most to me in regard to Laios' characterisation is the open anger he displays when someone points out his inability to read other people. This comes up prominently in his interactions with "Shuro" (Toshiro Nakamoto):

The frustration pictured above (Laios continuing to physically tussle with Toshiro, using crude language toward him) becomes even more notable when you remember that this is Laios, who, outside of these interactions, is not easily fazed and often exists as a lighthearted contrast to the rest of the cast. Then we get to Laios' nightmare.

In Falin's words: "Nightmares love emotional wounds. Wounds you hold in your heart. Things that give you stress, or things that were traumatic for you. They aggravate memories like that and cause the dreamer to have terrible dreams." (chapter 42, page 10.) (damn. i'm properly citing for this post and everything.)

Thus, Laios' nightmare establishes an important fact: even if he is unable to recognise social blunders while he's making them, he's at least subconsciously aware that other people operate on a different wavelength to him, and that he's an outsider in many of his social circles (both past and present). His dream-father's disparaging words stress the impact this has had upon his ability to live up to the expectations set out for him, and we also get a panel of kids who smirk at him (presumably former bullies to some degree). Toshiro's appearance only hammers home how much Laios is still both humiliated and angered by his misunderstanding of their relationship.

I've thought a lot about anger as concomitant to the autistic experience. When autistic representation portrays ostracization, it's generally from an angle of the autistic character being upset at how conforming to neurotypical norms doesn't come easily to them; as a result, they express a desire to 'get better' at meeting neurotypical standards, a desire to become more 'normal' (whether the writing implies this is a good thing or not). In contrast, not once does Laios go, "I need to perform better in my social interactions, and try to care less about monsters, because that's what other people find weird." His frustration is directed outward rather than inward, and as a result, it's the people around him who are framed as nonsensical.

The Winged Lion starts delineating Laios' anger, and Laios' reaction is to think to himself, "It can sense all my thoughts, huh?" (chapter 88, page 16.) This is the scene that really resonated with me. I'm not saying I have never felt the desire to conform to neurotypical norms that is borne from insecurity, but primarily, I know that I don't want to work toward becoming 'normal'—I don't want to change myself for people who follow rules I find nonsensical. It's the difference between, "Oh god, why can't I get it," and, "WHY CAN'T YOU GET IT?" (phrasing here courtesy of my friend Miles @dogwoodbite). And for me personally, Dungeon Meshi is the first time I've seen this frustration and the resultant voluntary isolation from other people portrayed in media so candidly. Laios' anger is not downplayed or written to be easily palatable, either.

The culmination of Laios' frustrations in this scene wherein we learn that Laios has fantasised about "a pack of monsters attacking a village" drives home just how alienated he really feels. I need not go into his wish to become a monster himself, redolent of how many autistic people identify/have identified with non-humans to some degree as a result of a percieved disconnect from society (when I was younger, I wanted to be a robot. I still kind of do.)

Obviously, wishing death upon other people is a weighty thing, but the unfiltered nature of this page is what deeply resonated with me. The Winged Lion is laying Laios' deepest and most transgressive desires bare, and they are desires that are a product of lifelong ostracization by others (whether intentional or unintentional). This is the brand of anger I'm familiar with, and that my neurodivergent friends express being familiar with, but that I haven't seen portrayed in writing so explicitly before—in fact, it surprised me because most well-meaning autistic representation I've experienced veers toward infantilisation in trying make the autistic character's struggles easy for neurotypicals to sympathise with.

Let's also not neglect the symbolism inherent to Laios' daydream. "A pack of monsters attacking a village". Functionally, monsters are Laios' special interest—he percieves everything first and foremost through his passion for monsters. His daydream of monsters attacking—killing—humans, is fundamentally a daydream of the world he understands (monsters) overthrowing the world that is so illogical to him, that has repeatedly shunned him (other people). I joked to my friends that it's an autistic power fantasy, and it actually sort of is. And in it, his identity is aligned with that of the monsters, while his anger manifests in a palpable dissociation from the rest of humanity. This is one manga page. It's brief. It's also very, very raw to me. I think about it often.

To conclude, I love Laios Dungeon Meshi. This portrayal of open frustration in an autistic character meant a lot to me, and I hope I've sufficiently outlined why. Also, feel free to recommend media with autistic representation in the notes if you've read this far—I would really like to see if there is more of this nature. Thank you for reading. I'm very tired and should probably sleep now.

[lcvemiyuki]

“when they get jealous” | hq

𓂃𓂃𓂃𓊝 ࿐𓂃𓂃𓂃

content: haikyuu boys x reader, when they get jealous over someone else

warnings: disgustingly cute, ushijima x reader + oikawa x reader are established relationships, fem!reader

characters: kageyama, oikawa, ushijima

𓆝 𓆟 𓆞 𓆝 𓆟

Tobio Kageyama

'his pettiness would slip out unintentionally'

You and Kageyama often helped each other with studying, so it wasn’t surprising to find the two of you in a coffee shop with notebooks laid out on the wooden table. Kageyama was focused on his work, his brows furrowed in concentration as he scribbled notes in his notebook. You had given him your neat and organized notes to copy down since the ones he took were the complete opposite.

He was having a good time until this guy, claiming to know you, approached the table. While Kageyama isn't the most socially astute, he couldn't miss the way this guy’s hand occasionally grazed yours or the overly familiar tone in his voice. Every laugh and lingering touch made Kageyama's jaw tighter, his pen digging harder into the paper.

You clearly looked uncomfortable with his pursuits, attempting to let the guy down nicely with an awkward laugh here and there.

“So, I was thinking we should hang out sometime—” The man’s flirtatious invitation was abruptly cut off by a loud, deliberate slurping noise coming from across the table.

You turned to see Kageyama, still focused on his work, but now obnoxiously trying to suck up the last remnants of his coffee from the glass cup. The sound was grating, loud enough to draw annoyed glances from nearby customers.

Each time the guy tried to speak again, the slurping noise grew louder and more exaggerated, making the man visibly frustrated.

“Do you have a problem, man?” he angrily spat, now glaring at the nonchalant guy across from you.

Kageyama took his time to calmly put down his empty glass, his fingers lingering on the rim momentarily before he shifted his gaze to the intruder. His eyes, usually so focused and intense, now burned with an unmistakable, cold irritation.

“I don’t know, do you?” Kageyama’s voice was flat and unyielding, his stare piercing through the man.

You could feel the tension in the air, the intensity of his harsh and cold eyes making the man shift uncomfortably.

“Because she hasn’t said yes to a single thing you’ve said since you got here,” Kageyama continued, his tone blunt and unforgiving. “So I suggest you leave.”

The man hesitated, clearly taken aback by Kageyama’s directness and the unspoken threat in his eyes. Without another word, he turned and walked away, mumbling something under his breath.

Once the guy was out of earshot, you turned back to Kageyama, who was already picking up his pen and resuming his work as if nothing had happened. A small, amused smile tugged at your lips.

“You didn’t have to do that, you know,” you said softly, a hint of gratitude in your voice.

Kageyama glanced up, his expression softening slightly as he looked at you. “I didn’t like how he was talking to you. It made me uncomfortable.”

You reached across the table, gently placing your hand over his. “Thanks, Tobio. I seriously mean it.”

A faint blush tinted his cheeks as he nodded in response, trying to focus back on his notes.

But, he simply couldn't as his attention kept drifting back to you.

𓇼𓆉𓆝 𓆟 𓆞 𓆝 𓆟 𓆉𓇼

Tooru Oikawa

'he'd try to one-up the person with blatant rudeness'

Oikawa loves spending time with you. When a festival was happening in your hometown, it was a given that he’d go with you. The vibrant atmosphere, the colorful stalls, and the joyful crowd made it a perfect date. He left you alone for a split second to buy some takoyaki.

When he returned, he saw you stopped in the middle of the crowd, awkwardly laughing with some other guy. His smile faltered slightly, a hint of annoyance flickering in his eyes. He playfully nudged your shoulder, interjecting himself into the conversation and cutting off whatever unfunny joke the guy was telling you.

“Hey, sorry for the wait,” Oikawa said, snaking an arm around your waist and pulling you closer to him. His smile was charming as always, but his eyes held a sharp glint as he did a quick look up and down at the guy.

“Wow! Y/N, I didn’t know you snagged a boyfriend while you were away!” the guy laughed with a strain.

Oikawa didn’t miss the way this guy’s gaze shifted slightly, revealing a brief flicker of distaste towards him. His own smile turned to a sneer at the sight of it.

‘Huh, this little prick,’ Oikawa thought, recognizing him as the classmate who had a crush on you in high school. That memory only fueled his irritation, making him want to pull you away from this conversation even more.

As each second passed, the more Oikawa showed how much he didn't like this guy. “Wow, it sounds like you had a great time in high school. But I’m sure nothing beats the fun we have now, right, love?” He directed an innocent smile at you, but you could feel the air thickening with intensity.

Turning back to the guy, Oikawa continued, “It’s so cute how you still remember those high school days. I guess some people never move on from their glory years.”

Your eyes widen at the jab and side-eye your smiley, 'I didn't do anything wrong' boyfriend next to you. You didn't know if you wanted to laugh or pinch him for making this even more awkward than it is.

You curtly said goodbye to your classmate, not wanting to drag this out any longer. Without waiting for a response, you grabbed Oikawa’s hand and dragged him away.

Oikawa's disdain towards your friend was clear, his expression contorted with thinly veiled annoyance. He stuck out his tongue in a childish display of disapproval, causing the classmate to stand there, taken aback, and scoff in response.

As you both silently walked beside each other, Oikawa’s demeanor softened, realizing he might've overdone it a tad with this one. “Hey, I didn’t mean to upset you,” he said, his voice gentle and sincere. He squeezed your hand, looking at you with an apologetic look.

“No, I'm sorry,” you sighed, glancing up at him. “I should've told him I had to go right when he approached me and look for you. Instead, we were put into an awkward situation."

Oikawa frowned slightly. "You don’t have to apologize. I just—I didn’t like the way he was looking at you."

You stopped and turned to face him, placing your hands on your hips. "Tooru, you need to stop being so childish. Sticking your tongue out? Really?"

His eyes widened in surprise. "You saw that?"

You raised an eyebrow, a mix of amusement and exasperation on your face. "Of course I saw that. You think I wouldn't notice?"

He rubbed the back of his neck, a sheepish grin spreading across his face. "Okay, okay, I admit that might've been a bit much."

You rolled your eyes but couldn't help the smile tugging at your lips. "A bit much? Try a lot. You can’t keep doing that."

His pout returned. "But he was—"

"No buts," you interrupted, playfully poking his chest. "I can handle myself, alright? And you definitely don't have to worry about any other guy. You're the only one I want."

His eyes sparkled at your reassurance, his smile widening. "You know, there's no one else I'd rather have but you~" he playfully coos back, earning a soft slap to the chest from you.

𓇼𓆉𓆝 𓆟 𓆞 𓆝 𓆟 𓆉𓇼

Wakatoshi Ushijima

'he barely gets jealous, but when he does, his reserved demeanor slips with subtle signals'

You frequently showed up to Ushijima’s practices to support him, admiring his dedication and skill. Today was no different, but what you didn’t know was that there was a new player on the team. He was quite charming and flirtatious, so when he saw you, he couldn’t help but make a move.

“Hey sweetheart, are you lost?” the new player approached you, his hair matted with sweat and a cocky grin on his face.

“Oh no. I’m Y/N, Ushijima’s—” you started to explain, but he cut you off.

“Fan?” he guessed, leaning closer.

“Um, no—” you tried again.

“Sister?” he interrupted, his eyes scanning you with obvious interest.

Before you could speak again, a deep, familiar voice cut through the conversation, “She’s my girlfriend.”

Ushijima’s imposing presence seemed to cast a shadow over the new player as he gently placed his hand on your shoulder, his touch light yet protective. You felt a slightly sweaty chest lightly press against your back, sending a shiver up your spine. His olive eyes, usually calm and composed, held a steely intensity as he assessed the situation.

“Is everything alright, Y/N?” Ushijima asked, his voice steady but carrying an underlying edge.

You nodded, feeling a mix of relief and warmth at his presence. “Yes, everything’s fine.”

The new player, clearly taken aback, tried to recover his composure. “I didn’t know, man. Just thought she was lost or something.”

Ushijima’s gaze didn’t waver, and his grip on your shoulder tightened ever so slightly, his eyes narrowing just a fraction. “She’s here to support me, as always. I’d appreciate it if you respected that.”

The new player nodded, mumbling a quick apology before retreating to the court. As he walked away, you could feel the tension slowly dissipate from Ushijima’s body, but his eyes remained on the player for a moment longer, his gaze eyeing him like a hawk. Ushijima never shows his emotions normally, but seeing you flustered and a bit uncomfortable by someone else had his jaw set tighter than usual.

Turning back to you, Ushijima’s expression turned non-rigid once more. “I’m sorry you had to deal with that.” The lines of tension in his face smoothed once he met your gaze.

You smiled up at him, the warmth of your hand over his on your shoulder conveying a silent understanding. You plant a light peck on his hand, a gentle affirmation of your gratitude. “It’s okay, Toshi," you whispered softly, your voice carrying a soothing tone. "You should go back to practice."

He nodded, his lips curling into a rare, small smile. “Just let me know if anyone bothers you.”

You leaned into him, feeling the solid reassurance of his presence. “I will. Thank you.”

As the practice continued, he kept a close eye on the new player, making sure there were no further incidents.

𓇼𓆉𓆝 𓆟 𓆞 𓆝 𓆟 𓆉𓇼

want more?

⤷ masterlist.

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.