#he plays a good character!!!!!!!!!!

[spiritb0x]

M. Bition’s speech from episode 3

[egophiliac]

LET THE BOY HAVE AN EDUCATION

officially at the point where we're starting to see where it's all headed and I am just going NYEEHEEHEE in delight at it all. ahhh...next week can't come soon enough...

[malyen0retsev]

i wish everyone who made kit connor feel he had to come out a very merry FUCK YOU. you forced an eighteen year old into coming out publicly, before he was ready, when he stated many many times he wanted to keep it private. how many more times does this shit have to fucking happen before some of you fucking clock that YOU CANNOT QUEERBAIT IN REAL LIFE. this is the natural end to the discourse of ‘if somebody is in the public eye playing a queer person they owe us their sexuality’, and it’s DEEPLY FUCKED UP, they do NOT owe you an answer, and this mindset JUST FORCED AN EIGHTEEN YEAR OLD TO OUT HIMSELF BEFORE HE WAS READY TO

[tenowls]

teacher getou au...... wauh

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[biggest-gaudiest-patronuses]

i lose 80% of respect for a movie the moment a female protagonist wakes up in bed with artfully tousled hair and a full face of unsmudged makeup what is that mcfuckery

[heybiji]

[poorly-drawn-mdzs]

Average Drama Enjoyer observes some peak drama.

[aq2003]

david "i'm not good at playing neurotypicals" tennant

[raptorrobot]

i feel like i'm fighting for my fucking life here

[gascreates]

emotional support frog

who will absolutely eat your hand.

[shatterdome-underscore]

The four players on dndads each fall perfectly into the four ways of playing dnd

Matt: uses the mechanics to play pretend real hard in a way that is most beneficial to the group

Beth: is perfectly in tune with her character and makes very good, compelling character choices that are sometimes v upsetting

Will: is trying so hard to kiss his friends in fiction will someone please just give this guy a break

Freddie: playing 4-D chess with himself in a way that makes me cackle at his shenanigans

[fuzzyhairedfreak]

um uh uh um. so. did anyone else used to follow Nate Stevenson's D&D campaign drawings back in the day or-

[starlightseraph]

oughghghffgghhggg

(series 8, episode 22 • “Everybody Dies”)

[formosusiniquis]

When Mike Wheeler, red faced and still faintly tear stained, asks him how he knew he liked both Steve doesn’t know how to tell him it was his sister.

Before Nancy Wheeler it had only been boys. Before Nancy Wheeler Steve had been sure he was gay and knew well enough to keep it to himself; dating around enough to earn himself a protective reputation. Before Nancy Wheeler there’d been Marcus Summers, from the baseball team, during freshman year. Steve had gone to every game, and had been forced to make up excuses about schoolwork and his other commitments when asked why he hadn’t tried out for himself. Before Nancy Wheeler there’d been Tommy Hagan. The summer between seventh and eighth grade had been very kind to Tommy, he was sunkissed and boy next door sweet, Steve had wanted to hold his hand and count the freckles across the bridge of his nose. 

Before Nancy Wheeler there’d been his first love, a boy who only visited one summer, the year Steve turned ten. His name had changed every time they hung out but he’d favored E’s. Eli, Emmett, Elliott, Eric, Excalibur, Excelsior, and once for about an hour Wayne. His hair brushed his chin in pretty brown curls and his big brown eyes were always bright with excitement. He always got storm off mad when any of the other boys they’d played with that summer said he was acting like a girl, E would run off to the woods and Steve would always follow. E always came up with the best games anyway, he didn’t like playing soccer or HORSE or anything else with rules that couldn’t be bent; he preferred imagination games where they were knights or wizards. He didn’t laugh when Steve said he always liked playing house, but never wanted to be the dad because why would he want to be someone who never wanted to spend any time with his kids. E who, while insisting on being called Samwise all day, was his first kiss.

Cause he knows what Mike wants to hear. He’s seen the way Mike and Will have danced around each other since the last portal closed. He’s heard the things Mike has said to and about Will. He’s heard all about the week that Will was in the Upside Down. He’s heard all about the summer of ‘85. He’s heard all about the final off again that seems to officially mark the end of Mike and El romantically. He knows that Mike wants him to say that he’d never even thought about boys before he met Eddie. That there’s just something special about Eddie that makes him want to give up his lady killing ways. That Eddie was different. That it was okay that he was having these scary new thoughts, maybe Will was just an exception.

And Steve doesn’t know how to have that conversation. When he realized he liked both it was a relief, that maybe he could have something normal and wouldn't have to spend his life lying or hiding. 

But Eddie was different. Eddie was special. Eddie was probably it for Steve which is scary in a different way that he’s not ready to touch yet -- not when it’s only been three months.

There’s never been another girl since Nancy Wheeler, not really

There will never be another boy after Eddie Munson.

So he tries to help, as best he can. It’s easier with Eddie there, not quite dozing against his shoulder -- the kid’s emergencies always seem to come so late at night these days. “When I was ten, there was a boy whose name kept changing who decided prince charming should get to kiss his faithful knight. And when I was sixteen, your sister-”

Mike’s goodwill diminishes quickly as his sister gets introduced to the conversation.

“Stevie,” Eddie says. It’s not an admonishment for bringing up Nancy. It’s awestruck and watery. “You remember that?”

“Of course I remember the first boy I ever loved," that word catches up with him a second later. Remember. 

Cause there's Eddie with his riot of brown curls and his Bambi eyes. Eddie, who has explained why soft feminine words chafe against his skin leaving him itchy and anxious. Eddie, who has an Uncle in Hawkins. Eddie who moved to town the summer before he entered high school with a buzzed head and his mother's last name. Eddie who finally settled into an E he liked best.

"Wheeler, here's a tip from me to you," Eddie says, his advice is always better received than Steve's anyway, "if you have to ask you probably already know."

"Straight people don't really spend much time wondering if they aren't really straight," Steve agrees.

They don't rush Mike out the door, a crisis is a crisis and even in the wake of new discoveries Mike deserves to be heard out. Deserves a chance to cry and rage and feel those emotions someplace safe from his Reaganite father -- just as much as Will deserves to have someone who knows what they want come to him, deserves better than experimentation.

They cross the bridge from late into early by the time Mike sets off. The sun is creeping up over the horizon and Mike looks solid, certain; the dawn hints at the man he is growing up to be. Though every instinct of Steve's begs him to drive the kid home, Eddie's soft hand lingering at his hip holds him fast. They wave instead, encouraging Mike to go home and to bed before he does anything; knowing his front bike tire is already pointed toward the Byers-Hopper place.

"The first boy you ever loved, huh, Stevie?" Eddie teases before the door has even managed to click shut.

"And the last, I'm hoping, if I play my cards right."

"You were always pretty good at that. You were the only person that summer who called me by my name, except Wayne."

"It was your name." He knows that's too simple. Knows how hard Eddie has had it, continues to have it. But that summer it had been that simple, Eddie trying on names like shirts each one fitting until they didn't. "For what it's worth, I like Eddie a lot more than Excalibur."

"Oh fuck off, I was going through a fantasy knight phase. Which I know you remember."

"Right a phase, and how much longer is this fantasy 'phase' going to last?"

They're the kind of tired that makes you feel drunk, when Eddie tackles Steve and sends them both to the floor and to giggles. Eddie might not have been his bi awakening, but Steve is pretty fine with him being his everything else.

[mawguai]

Knight in the sky