#he’s a decent protagonist that’s my boy y’all just don’t understand

[tariah23]

They’ve been tearing yuuji apart on twitter for the last 2 days now

[teveya]

I thought it’d be fun to rate all the sports animes I’ve watched up until now! So if you’re looking for sports anime recommendations look no further!

Warning: ✨may contain minor spoilers✨

PSA: This is just my opinion and it is totally okay for you to disagree with me I understand everyone has different tastes!

1. Haikyuu!! 10/10

Listen I know you’ve probably already watched it but just in case you haven’t I adore this anime it is probably one of my all time favourites! MC is a wholesome ball of sunshine who just wants to play volleyball, all the character are so well written and have satisfying character development (it took us 3 seasons for Tsuki to get his shit together but we love him now) Plus the manga is finished so you don’t have to worry about being stuck on cliffhanger! I love that the other teams actually get along with each other and aren’t just a source of conflict for the main characters to overcome. Honest to god this is a super show!

2. Run with the wind 10/10

A very close second, this anime is a masterpiece, it’s so well done I honestly cried watching it. Can basically be summed up as evil mastermind Haiji blackmails his roommates into running a marathon with him. It’s a little angstier then haikyuu (the last couple episodes always get me) but its also got a lot of funny moments. The characters are diverse, with many of them not being athletes at all - it’s definitely an underdog story. The anime’s only got one season which wraps up the whole story so you don’t end up with a cliffhanger ending!

3. All Out! 9/10

Much less popular then most of the other animes on this list but it’s so good. Like run with the wind it’s also a bit on the angstier side and deals with some darker topics, but it mostly has lighthearted episodes. It follows the very typically sports anime storyline - loud, short boy wants to play rugby and has to prove himself despite his size. The team is so supportive and nice to each other (We love our supportive team parents Sekizan and Hachioji). The only downside to this anime is that it’s sadly incomplete.

4. Daiya no Ace 8/10

Has my favourite sports anime protagonist ever Sawamura (another literal ray of sunshine - Sawamura I would die for you). Probably one of the best animes for character growth, much more realistic portrayal of the struggle and pain it takes to improve. There are so many well written characters to fall in love with (stan Mei) and so many episodes to watch (like over 150) and it’s still ongoing! My only bone to pick with this anime is how no one ever appreciates (my sweet baby) Sawamura like they should and it frustrates me so much (I could honestly write an essay on my frustration but I’ll hold myself back lol - but I stg Miyuki if u don’t pull ur head out of ur ass I will find u and hurt u). Overall a great anime that I would definitely recommend!

5. Kuroko’s Basketball (6.5/10)

Pretty good overall I love that their coach is a girl and that she’s a confident well written character. But other then that it isn’t really my favourite (I’m sorry y’all), the games are just way to long and basketball just isn’t that exciting. It’s a decent anime but I couldn’t ever get into no matter how much I tried. It’s also a bit darker the some other sports animes (Haizaki and Hanamiya are a warning in and of themselves). But still worth the watch if you like sports animes!

6. Free 5/10

Honestly I feel like all the issues between the characters for the first 2 seasons could have been solved if they just like talked to each other and weren’t passive aggressive?? Like? Plus why was Sousuke such a prick? (Rhetorical question please don’t come for me Sousuke stans) It’s not my favourite but I still watched most of it because it’s a fun anime with lots of colourful characters!

7. Days (4/10)

I couldn’t even get through the first 4 episodes. I don’t understand how MC took a 3rd years spot on a very good team despite the fact that he can’t play soccer like at all? I just generally didn’t enjoy it, I only watched those episodes for Kazama.

[celialestial]

Okay. Well, if I’m being honest, this episode was not the greatest. This is also the first analysis I’ve made for a show, at least that I’m posting. We’ll see how this goes. Strap in, this is going to be long. 

I think we have all learned by now that Jamie-focused episodes are never the strongest. I find it a bit ironic that in a show called Jamie Johnson, the least interesting character is Jamie himself. 

We finally saw the end of the, dare I say, idiotic Under-13s subplot. The classic “arguing friends are trapped in a room together until they make-up” trope was used to its, not fullest, but decent potential. The greatest part of this episode was the fact that their eighth-grade drama was resolved; that and the ten seconds of screentime Dillon received. Liam continues to prove that he has still not grown. Here’s my analysis of his development:

[I was going to insert a clever chart of his nonexistent growth, but I’m too lazy, sorry. Here’s a paragraph about it instead:]

Liam needs to learn that manipulating people and pretending to have changed is not maturity, it’s being an asshole. He has a terrible father, that’s true, but Dillon managed to change. Nothing has ever truly been at stake for Liam. He’s been able to lie and manipulate others to get out of all the trouble he’s caused. He was given a second chance to play with the Under-13s and has continued to use those around him in order to seem, I don’t know. Big? Powerful? All he has done is made the Three Musketeers dislike him even more. He has done absolutely nothing to earn their trust. I could go on and on about Liam Simmonds, which I suppose proves he’s an interesting character (that’s more than I can say about some people *cough* Jamie *cough*). 

Eric learns that Aisha has feelings for him too. Yay! He also learns that Aisha is much smarter and more mature than him, choosing to step back and give him time to be with his friends. Yay? Freddie has been incredibly weird this season. I can’t tell if he genuinely liked Aisha as more than a friend, or if he thought he was supposed to, given how much Eric liked her. This entire storyline comprised of way too much unnecessary drama. Looking at Instagram comments, however, it seems that it was very popular among younger kids. I suppose I am a bit too old to be criticizing middle school relationship drama in a children’s show. Poor Alba was practically thrown to the dogs in favor of a petty love triangle. All of their problems were wrapped up so neatly, it felt a bit uncomfortable. Like they didn’t deserve this ending. 

I don’t know if it’s just me, but something about this episode seemed off. When comparing it to other episodes with similar premises, the lack of emotion and genuineness becomes obvious. Take episode 10, for example, there were many (and I mean many) subplots. It was a little all over the place. And yet, the end of the episode left me feeling bittersweet, intrigued, and wanting more. This episode didn’t do that. I am sick of Jamie’s bullshit and tired of this dumb love triangle. Thankfully, the latter is complete now. 

Onto Jamie’s storyline:

1) I told y’all Jetpac11 would be Jethro! These are some big brain hours.

2) This boy is supposed to be the TITLE character. His storyline is meant to be the most in depth, the most interesting, and, above all else, the most entertaining. It is none of those things. The stakes are supposed to be high, and they are, but they don’t feel like it? He supposedly lost his place at Hawkstone over a goddamn video game. Why don’t I feel anything except contempt? If not frustration at Jamie, then frustration at Ian, who I suppose I should be used to by now. Everyone says Jamie should know better than to trust him after all he’s done. That he should just listen to Mike. Obviously that’s true, but Ian was on his side, not the other way around. Ian enabled Jamie and allowed him to make a stupid decision, one that has huge consequences. Ian didn’t tell Jamie to keep playing for his own gain, well, kind of. He let Jamie keep playing because he though it would make him happy and regain his trust. It’s the same reason Mike lied to Hawkstone. Both adults displayed extremely poor judgement, Ian just far more so, as always. I must admit that I have zero interest in video games. I also have zero interest in soccer (or, rather, football). Yet this show keeps me interested in the matches and invested in the characters. They have failed at maintaining my interest in this video gaming storyline. Part of this could be because I find Jamie boring and repetitive, or maybe he simply seems that way due to the plethora of vastly more compelling side characters. All I have learned from this is that Jamie is a pretty terrible friend, a poor judge of character, and impulsive. These are all faults he has had since season 1, except he used to be a genuinely decent friend. He has grown more self-involved and one-sighted (and one-sided, as in one-dimensional, or you could take it literally, seeing as one leg is currently out of commission). I get that he was hit by a car and his leg is broken. He doesn’t see a future in soccer for himself anymore. Mike is right, though, he should be focused on getting better and being able to play again. I don’t even like Mike most of the time -- I honestly find him fairly annoying, although this may be due to the acting -- but he is the only sane one in the Johnson family right now. Both of Jamie’s parents are enabling him and Mike has too, though only for around an episode and a half. I am so happy this storyline will be resolved next week. I am sure we will still be left with a cliffhanger at the end, as with every season. 

Dillon also got a bit of screentime in this episode (wow, a whole twenty seconds!). I really do like the way the writers are portraying how conflicted he is. He is torn between living a lie or risking his future as a professional player. I understand why they introduced Elliot. He was Dillon’s first crush and I think he was necessary for Dillon to come to terms with his sexuality. Where they messed up with Elliot, however, is by entirely removing him from the show after he fulfilled his purpose of giving Dillon the strength to come out. Just as @mcustorm said, he was a plot device and it was out of character for him to out Dillon. I could probably write a whole essay about how dirty both Elliot and Kat were done. The only way using exclusively Ruby to further Dillon’s storyline would’ve worked was if they kept the whole “Ruby has a crush on Dillon” thing from season 4. Doing that would likely ruin their entire dynamic as best friends and make things awkward. If they had done that and made, say Harry or Michel his first crush, they wouldn’t need Elliot to be Dillon’s first real crush. Although, Dillon was only around 11 or 12, and most real crushes don’t hit until 13-14, at least in my experience. Also if they had ruined Dillon and Ruby’s dynamic, then Dillon would have no real support system. I can’t really see Ruby abandoning Dillon over this, though, even if she had an unrequited crush. 

Next week should wrap up both Jamie’s and Dillon’s storylines. It will also be the final episode of season 5! A lot to look forward to and a lot to be absolutely terrified of, not to mention the fact that season 6 production has been postponed for obvious reasons. 

TL;DR:

It’s the end of the Under-13s drama! And possibly the end of Aisha, knowing how JJ deals with its newly irrelevant characters.

Jamie is being stupid and probably lost his chances of getting into Hawkstone. Or maybe not, considering he’s the protagonist of a kid’s show. JJ does have a habit of dealing out real consequences, though, so who knows.

Dillon got... something? He’s feeling conflicted, which is entirely natural, especially at this stage in his coming out. 

Next week is the last episode! Stay tuned for more, I guess. Let me know if you guys enjoyed this type of proper analysis. 

[culebratia]

Honest opinions on horror villains

Okay so I love horror villains and horror in general. Most of them are really interesting and have a sort of grotesque charm to them that I can’t really describe, it draws you to them and pulls you into wanting more. But there are some horror villains that are either overrated and underrated, and today I’m here to discuss some of them! (I’d like to reiterate that I don’t hate any of these characters, I actually like them all! But I’m just talking in a general perspective and my view on their popularity and the actual movie they come from.)

LESLIE VERNON

* overrated.

* okay, I know, people are going to get upset at me over this. This was an amazing movie, they said. It’s so new and different from the others, they said. And I completely understand that! It’s unique and inventive and I love the whole premise of the movie, but goddamn did it bore me..

* I like Leslie Vernon as a character, but I don’t love him like I do with other characters. He’s cool! I adore his slasher design, but his personality bores me a little bit at times. There are some points where my emotions and feelings on the guy are a little bit like a rollercoaster — up and down, up and down, up and down. It’s crazy.

* once again, I like the concept of his movie, but the way it was presented in a filmmaking point of view is underwhelming.

ART THE CLOWN

* underrated.

* there are three movies I know of with Art in them: The 9th Circle, All Hallow’s Eve and Terrifer. And all of them are equally shit, which is to be expected since it was written and directed by a young guy who specialises in special effects. But damn was Art interesting to watch.

* there are some points in the movies where I think “why couldn’t he have starred in a better made film?” because if that were so, he’d get so much more publicity! Art is an absolutely terrifying demon clown creature, way more scary than Pennywise, and people from around the world should know his name! He’s the only character in all the movies who actually has good actors.

* shitty movie, fantastic character. I hope to see more of him.

MICHAEL MYERS

* overrated by a milestone.

* look, I’m all for Michael Myers. He’s hot, lemme tell you that. But he’s a really boring character. It’s all the same (apart from the 3rd movie)! Michael returns to his hometown to find and kill Laurie, killing a whole other group of people who she happens to be involved with at some time during the movie.

* when I watch a horror movie, I want to have the villain to have some sort of character. At least with Jason, you can see some emotion in him which defines him as a whole! But with Michael? He’s a clean slate, and that is soo uninteresting.

* first two movies were great, others were unneeded honestly.

BILLY LENZ

* underrateeeeed.

* stinky attic boy needs some love. He is what started the slasher genre for peats sake and yet everyone overlooks him as a horror villain. Let me tell you, that phone scene in the beginning was absolutely fucking terrifying when I first watched it, and it’s still unsettling to this day even after I’ve watched it a million fucking times.

* we never even got to see Billy’s face properly throughout the whole movie and yet he made such an impact on everyone who ever watched Black Christmas! And that ending scene? Perfect cliffhanger. (The remake was shit compared to the original)

* great movie, great character, needs more credit.

BRAHMS HEELSHIRE

* overrated.

* bet y’all are shocked at this aren’t you? He’s the character I most often write for. But that’s really because he’s heavily requested. I actually don’t really like him all that much, too much exposure I guess. I mean I have nothing against his character as a whole, he’s attractive to me and interesting but I don’t actually know.

* now the movie is something I do know about though: bullshit. Absolutely terrible. A basic plot line (which isn’t necessarily a bad thing sometimes, it just needs to be played out right) and a director which results to cheap jump scares because apparently that’s ‘scary’. The movie as a whole is so predictable and it never scared me once when I went to watch it at the cinema. I can understand why people like it though.

* decent(?) character, bad movie.

OTIS DRIFTWOOD + family

* underrated.

* okay this might have something to do with my weakness for Bill Moseley, scarily cute women and clowns, but man do I love the Firefly family. Each and every character, even the ones we barely see, within the family is so perfectly polished and unique, and I love Rob Zombie for it. He can’t write dialogue for shit but man do I love his horror villains.

* although the first movie was very confusing at some points. Like, what?? What was with that ending? It was a very good movie in my opinion and was actually pretty horrifying. It used things that disgust us and manipulated that to terrify every single one of its viewers and that’s perfect. Hated the protagonists though.

* fantastic movie, great villains, shitty protagonists,

FREDDY KRUEGER

* overrated.

* now don’t get me wrong, I love Freddy, I grew up loving Freddy. He’s witty and fun to watch, maybe not like Chucky, but after a while he gets so repetitive that it gets really really annoying. Couldn’t they think of something unique and interesting for him to say instead of him just calling everyone a bitch??

* the writing becomes boring after a while, the directors add so many unnecessary features, weaknesses and powers we had no clue even existed up until this very point, and it’s overall not a very good franchise when you get into it. I enjoyed the first and seventh movie a lot, but all of the other ones didn’t really excite me all that much.

* okay character, okay movie, but isn’t worth all the attention.

NUBBINS SAWYER, DRAYTON SAWYER, CHOP-TOP SAWYER + GRANDPA SAWYER

* un👏🏽der👏🏽ra👏🏽ted

* these boys deserve just the same amount of attention that Leatherface does. I know that Bubba is a really cool character, and he deserves attention too! But that doesn’t mean that his family get to be left out. Each and every single one of them helped shape the Texas Chainsaw franchise to what it is today, and honestly it wouldn’t have been as amazing without them in it.

* Texas Chainsaw has so many metaphors within it nobody really goes into. When we first meet Nubbins and he’s kicked out of the van, Franklin very obviously points out “would you be able to do that?” referring to Nubbins slicing his hand up, and later on we see Franklin blowing raspberries at his friends due to the fact that he couldn’t go upstairs because of his disability, which is exactly what Nubbins was doing when he couldn’t get into the van. This area is the director exploring the ways that people could so easily turn into madness without people realising it.

* Drayton Sawyer is your average looking fellow who runs the Sawyer household, but he is not average at all. He’s sadistic, witty, hypocritical, and surprisingly still a Christian. He claims that he “doesn’t like to do the killing” and yet he’s shown constantly poking and prodding at the final girls like they’re some caged animals, living only for the pleasure of himself. The fact that he’s an elderly man basically screams “wolf in sheeps clothing”, because usually when you see an elderly person, you assume them to be kind and wise, whereas, Drayton can’t even spell ‘sex’ correctly.

* Chop-Top wasn’t present in the first movie sadly, but it’s explained why, which is understandable in a filmmaking perspective. He is probably the most terrifying character out of the bunch. He’s impulsive, disgusting, and absolutely fucking insane. Whether or not this is due to his time in Vietnam I don’t know, but man does it make a great affect. And that time in the movie where he was introduced? It was absolutely heavenly. No one in today’s horror industry would build up suspense like that and cause so much raw fear from a petty jump scare. The fact that he carries around his damn brothers corpse like he’s puppet, treating him like he’s still a living being adds onto the scare factor as well.

* great villains, good movies, everything after TCSM2 wasn’t really very good though.

Okay, now that’s over and done with! Let me show you my top ten favourite horror villains (from actual horror movies), you’ll either be completely shocked or completely not! :)

Pinhead — love the creature design. Fantastic personality and concept. Annoyed he’s not a woman.

Bubba Sawyer — baby boy needs love. And affection. And kisses. And basically anything positive. We must protect him.

Chop-Top Sawyer — terrified me when I first saw him as a kid. I wanna fuck Bill Moseley. I love his personality. Wish his movie came out.

Captain Spaulding — funny ass motherfucker. Always cracks me up. I want him to be my daddy.

Hannibal Lecter — interesting in a psychological perspective. Has a way to make your skin crawl without doing much.

Art the Clown — scarier than Pennywise. I wish his movies were better. Why didn’t Terrifier make it obvious he was a demon?

Otis Driftwood — boy’s a hottie. But please stop fucking corpses. Once again, Bill Moseley.

Stu Macher — first fictional crush. He’s my irl type of guy. I dated a guy like him once.

Jennifer Check — movie was ahead of its time. Legit was about having a succubus gf. Lesbian scene was hot. I’m gay for Meagan Fox.

Billy Lenz — terrifying phone calls. Nasty boi. The remakes will never be as great as the OG Black Christmas.

Anyways, so that’s it! It’s past midnight currently so I might just go to bed lol but whatever. I’ve wanted to write this out for a whiiile but decided to just get it over with now. I’ll say it all again: every character I write for, I like, I just have different levels of like, so please no hate over this. Thanks!

[lia-nikiforov]

Spring 2018 Anime Final Review

So, uh, this is six months late. I’ve had half of this post in my drafts forever. To make it short, as I’ve mentioned previously, mom lost her job, which has not only been a heavy hit to my sense of stability for the last six months, but also means my time to watch anime was seriously reduced and even now a slight change of plans fucks up my whole schedule and sets me back for a full week. Anyway, nobody cares about any of these shows anymore so let’s get straight to it? I’m gonna ommit the two-cours that continued into the Summer - hopefully I’ll be able to make that post soonish? idk. Worst to best, same as usual

The crappy gender politics pit of shame

Darling in the FRANXX: I think everyone has ripped this show to threads at this point and there isn’t much I could add to that. It is quite funny to me to see how many people flipped out when the show went completely bananas in its last few episodes. Feels a bit like KADO, I’ve been telling y’all this was a ton of empty crap since episode 2, it just took the writing to completely self-destruct for everyone else to notice. A part of me feels tempted to do a long post breaking down just how badly the show collapsed in its final shebang, specifically how every single twist and turn completely nulled any remote kind of message or central thesis the show may have had, but at the same time it doesn’t seem worth the time. In the end, I may have given What is Internal Consistency, The anime way too much credit. It’s not hateful antigay propaganda, it’s just dumb as shits, with a writer and creators who didn’t think for half a second of the implications of what they were doing, and who were so incompetent they couldn’t even conserve the minimal plot and character coherency within a single episode, let alone 24. In other words, Darling isn’t saying “gays shouldn’t exist” but “I have no idea of anything regarding gay people”. What makes it egregious is that the show spent so much time acting like it was “meaningful” and “important” and yet it ended saying absolutely fucking nothing. Except mayb “have babies”. Down to oblivion you go, along with the likes of KADO, to the void of shows that couldn’t even be offensively bad and no one will remember a year from now. Bonus garbage points for the half-assed “bury your gays”.

Nil of Libra Admirari or whatever this show was called: I’m not trying to diss on the show, I just genuinely never remember the title because I have the JP and EN all mixed up. Not that it matters much, as far as I could tell, the show could call Shalabalabatuna and it would have the same significance in regard to the content. But the title isn’t important. In fact, it may be a bit unfair to have this show in this section. For the most part, Main Girl is very self-determined and has an active role in the story.... but then the last two episodes heavily featured a lot of rape threats or rape themes and forced pregnancy (real and threat) and I don’t really understand why they’d go there all of a sudden. One of them was treated relatively well, even empowering the victim in the process, but when the ikemen bad guy was rambling endlessly about how he wanted to impregnate the protagonist it really turned me off :/ I’m also not a fan of “main boy was her secret fiancé all along”, but at least they also handled that somewhat decently. It’s a very disposable series, but since I watched all of Amnesia, I think I owe every otoge adaptation at least the smallest chance to clear that very low bar, and Libra of Nil does it, more competently than most other stuff in the same genre.

Hisone to Masotan: I really, really wanted to love this show. Even now, as I put it in the pit of shame category, I’m pained. There was a good show in this, and a lot of it made it to the screen: an adorable, charming little story about a woman finding her place in the world, making new friends, finding her calling and bonding with an adorable dragon. Unfortunately, it got buried down under this opressing, horrendous gender politics that tried to do something with bringing attention to sexism in the military only to cancel it out making the one dude that embodied that sexism getting rewarded with the affections of a girl he explicitly tried to crush. It also called back on the virgin or whore fallacy and even managed to shove in a “bury your gays” trope. Even though Hisone challenges the ritual bullshit, it’s too little, too late, and she does end up carrying it out anyway, so the defiance to the status quo is of little importance in terms of problematizing the ritual itself. Sorry BONES, it wasn’t meant to be this time. 

The ni fu ni fa section

Ni fu ni fa is a Mexican colloquialism for “It was okay but it didn’t change my life.”

Binan Koukou Chikyuu Boueibu HAPPY KISS: This soft reboot of the franchise had some really great episodes and did an actually good job of developping its characters. For the most part, it achieved what its predecessor did in terms of satirical comedy and I enjoyed it quite a bit. However, what bunked it down so low in the list was the final episode. At some point, the writers forgot they were doing a parody and made the show somewhat self-serious, way closer in tone to the magical girl anime it was supposed to be making fun of, rather than the satire its predecessor was. Whereas S1 ended with the whole Magical boy stuff being revealed as a crappy space reality TV show, this one ended with a real cheesy conflict about happiness and family and blablabla. Which is not bad by itself if this were a Precure show, but that kind of self-serious plot development just didn’t work for this series. I still enjoyed it, and the fanservice episode is one of the best of the whole franchise, but I’m a bit sad the finale missed the mark so badly.

Hinamatsuri: Hinamatsuri was very hit-or-miss for me. There were some truly brilliant episodes, a lot of funny vignettes and heart-warming stories, and then there was some stuff that made me uncomfortable -like every single Hitomi story- or felt unnecessary and dry. It also threw me off that the superpower dynamic completely disappeared in the second half of the show, especially in Anzu’s part of the story. It was okay but I feel like I needed something that felt like a closing, and choosing to end it with Mao who featured very minimally in the show overall didn’t cut it. It’s a fun show, I’d reccommend people check it out, but it felt a bit too disjointed for me

Persona 5: The Animation: This is a hard show to place because I love the looks of it and I think the concept is interesting and pretty cool, but there is something that’s keeping me from connecting emotionally to the story. The part where changing the villains’ heart makes them repent from their sins and become “good” feels very artificial and very tasteless when you’re dealing with rapists and abusers. I ended dropping it at episode 16, I just couldn’t find the motivation to catch up with the 6 episodes i’d fallen behind on because my schedule is a tragedy

Tokyo Ghoul: Re: I guess it’s fair to say I’ve kind of outgrown Tokyo Ghoul. There’s something messy and confusing about how this season panned out, and there comes a point in which misery porn just doesn’t cut it anymore. I still watch because Ishida has a way to make every single goddamn character extremely sympathetic, which makes for an emotionally engaging viewing even when you’re not sure of what the plot is supposed to be or who you should be rooting for. I tried picking up the new season that just started airing and immediately found I had no idea of what was going on, who was on who’s side and in general, who the fuck were 90% of the characters, so I dropped it.

Nanatsu no Taizai: Imashime no Fukkatsu: I’ve mentioned it before, this second season had the opposite problem than the first one: the pace was too slow. It took more than half of it to get to Escanor, and then the season ends at a kind of random spot. I really thought we’d get further along on the story, since Gowther’s backstory was hinted at in the openings, but no such thing happened. They did manage to give us a variety of cool moments and fights, and I love Ban so his scenes with Zhivago and Elaine made me quite happy, though I really wish the romance between Elizabeth and Meliodas wasn’t su dubious and cringy. In light of some revelations that take place further along the manga, going out of their way to emphasize that Meliodas was a sort of mentor figure for Elizabeth when she was a toddler seems unncessary and just very squeamish. I do hope we get a third season though, and an OVA of the Vampires of whatever side story would be great too.

Rokuhoudou Yotsuiro Biyori: I was pleasantly surprised by this show, and it’s closer to being one of my top of the season than it is to “meh”. It had some weaker, cheesier segments, but it also managed great whacky moments and a genuine soothing atmosphere. What surprised me most is that the vanilla looking cast of moderately handsome dudes managed to develop into interesting, funny individuals with a dynamic that made every episode enjoyable. A solid reccommendation for anyone wanting to see delicious looking food and moderately handsome dudes being ridiculous. Also, the cat episode is the best episode of anime ever produced.

The I’m probably the only person alive who enjoys these shows

Mahou Shoujo Ore: This is a difficult show to place because it wasn’t quite as great as I wanted it to be and its parodic nature took me by surprise, but somehow I was still seriously entertained more often than not. The twists in the final quarter and the absolutely bonkers finale was a total riot, but I definitely advise caution before going in, given that some of the jokes may seem insensitive or in poor taste in regards to gender presentation, sexuality and there are even some mild harrassment jokes that certainly made me roll my eyes.

Yowamushi Pedal: Glory Line: I don’t know if anyone’s noticed, but I think through half of the show’s 25 episode run, I was convinced the title was actually Glory Road. It’s kind of anticlimactic that it’s called Glory Line if they don’t actually reach the final Goal btw. Anyway, I feel I say this a lot, but really, if you didn’t like the previous Yowapeda seasons, there’s nothing here for you, and if you did, you’re probably not gonna hop off this late in the game. This season does suffer from the same dragging than its predecessors, with the added issue of being quite pessimistic for no reason in about half the episodes, and a diminished presence for Onoda. I really wish they hadn’t dragged the Day 2 goal so long, I really hoped we’d see the end of the race, but no such luck I guess. Still love most of it and hope we get one more season or a movie to complete the story.

The favorites of the season

Golden Kamuy: In spite of its pacing issues, terrible animation and general clunkiness, I can’t help but love this show. When season 1 ended my feelings for it had mellowed quite a bit, but as soon as I picked up season 2 this Fall I just fell in love all over again. It’s fun, unique, over-the-top in some ways, incredibly grounded in others, and the dynamics between the characters are incredibly charming. 

Hozuki no Reitetsu: It’s hard to talk about this one because it feels repetitive, given how tonally the show remains just the same across its three seasons. It could’ve very well been a one-season, 36 episode show, for how little it changes in spite of the time that transpired between the first season and the second. But in short, the comedy continues to be as spot on as always, the Zashikiwarashi twins are the best addition to the cast. It’s definitely a show I could watch endless episodes off, and the rare case of an episodic series with no overarching plot that I can enjoy wholeheartedly. 

Card Captor Sakura: Clear Card arc: Over the course of the series, I’ve expressed a few concerns and misgivings about how the story of this 20th anniversary sequel was playing out. The final episode was particularly troublesome in that it left the story unfinished in spite of deviating from the manga. In spite of this, more than anything I’m very happy that this continuation still retains what made the original so special, that they captured the magic behind Sakura’s “everything will be alright” spell and gave us the chance to spend more time with these beloved characters and see their stories continue. The slow but sweet development of Sakura and Syaoran’s puppy love is a definite highlight. Needs more Touya/Yukito and Yue in general.

Piano no Mori: This show got heavily overlooked because it was kidnapped by Netflix (pls stop immediately), and then when it was finally unceremoniously dumped a month or two ago, it came under fire for the wonky CGI during the piano scenes -and it is indeed very wonky-. But beyond that, I found the story very engaging, especially because Kai is such a fascinating protagonist, his intense rivalry-friendship with Megane-kun (sorry, it’s been six months, i can’t remember names) is exactly the type I can’t help but root for. Kai’s participation in the final episode gave me goosebumps. I’m very happy we’re getting a continuation,  can’t wait to see how the Chopin competition develops.

Wotaku ni Koi wa Muzukashii: Sweet, funny and absolutely delightful from start to finish, Wotakoi was easily one of the highlights of the season. Although there were some aspects about Cosplayer-senpai and Yuri Otaku-senpai’s (I’m really trying to remember the names, I’m sorry!! ;---;) that didn’t work for me -namely the izakaya segment- Narumi and Hirotaka more than made up for it with their clumsy yet adorable romance. I spent the entirety of the amusement park episode screeching. I really hope we get a continuation -and get a chance to see more of Hirotaka’s brother and his gamer friend too- and that in general we can get more anime about adult stories

Megalobox: Who would’ve thought that a show that wasn’t even in my radar before the season started would’ve end as one of my favorites, possibly of the year? Even as someone who’s only marginally acquainted with Ashita no Joe and has no interst in the sport of boxing, I was completely enthralled by the style and passion of this production. As I said a bit above, intense rivalries are very appealing to me, and the build up in the tension between Joe and Yuri was almost palpable, their mutual respect gave me chills. Definitely the surprise of the season, made even better by its optimistic happy ending to contrast with its predecessor’s tragedy. Megalobox is a unique anniversary project that is closer to an homage and it works perfectly. Definitely check it out.

That’s it for the Spring season! I hope i can do the summer season this weekend and maaaybe even my watchlist for the Fall season. Fingers crossed i won’t get swallowed up in other stuff :’D 

[thesaltydigest]

Joint Review: “And I Darken”, or: Everyone is Fucked Up and Toxic and Nothing Goes Well

Title: And I Darken

Author:  Kiersten White

Review By: Captain Clo and Bekworm

Verdict: So many bad decisions are made you’ll want to pull your hair out, but this violent girl is fascinating, and boy isn’t her brother adorable? but I don’t think I’ll be reading the sequel... wait did I just buy it???

This Review contains spoilers

And I Darken is an alternate history YA novel with a very specific twist: what if Vlad Dracul – the one who inspired Count Dracula – was a woman? Lada Dracul has all his story – daughter of the Wallachian Voivode, or Prince, Vlad II Dracul, she is sent to the Ottoman court as political hostage with her younger brother, Radu (who is instead an actual historical figure), when she is just a child. Inflexible and obsessed with the idea of going back to Wallachia and becoming its ruler, Lada is violent and cruel, convinced that love is weakness and that being a woman is a disgrace. Of course, she isn't completely wrong. Lada is a warrior at heart, but she has to struggle a lot in order to be respected as such. And she is a political hostage, in a precarious situation, and any weakness or soft spot she might show can and will be used against her – hence why she never lets her love for her brother show, for example. 

Radu is the deuteragonist, and is everything Lada isn't – kind, sensitive, averse to violence. Where Lada fights with all her might against any and all attempt to tame her with scathing remarks or her fists, Radu is more of a political animal, preferring to use his words and his good looks to charm and deceive. They are also complete opposites in how they see their future. Lada hates the Ottoman empire and wants to go back to Wallachia; Radu converts to Islam and has no desire to leave.

Their relationship becomes even more complicated when Mehmed, the future Sultan, enters their lives – since they both fall in love with him.

CHARACTERS

BEKWORM: The hatred for women in this book is a little much for me. Women who marry are weak or "A waste of air", and women who have children are even weaker or "broken from the inside". The only strong women are the ones who walk away from this life. The ones who marry and have babies are locked away and considered useless.  

CAPTAIN CLO: That's understandable for who Lada is, but is certainly there. She sees marriage as a prison – she knows she's going to be used as a political tool and made to marry whoever her father wants. You can either sympathize with her perspective or see it as a sign of how inflexible and spiteful she is. No one character in this book is a good example. Lada is very self-centered, and since she can't imagine a situation in which marriage doesn't mean her personal annihilation (and she's right in this expectation), she thinks any woman who is satisfied with marriage is stupid. Actually, self-centredness is exactly what makes her and Mehmed identical, and so toxic for each other.

BEKWORM: Mehmed did not grow on me one bit. My god. He is well and truly awful. I'm glad Lada walked away from him. And Radu's devotion is just pathetic by the end of the book. "Could never love anyone but Mehmed!" You're like 16, mate, calm the fuck down. But I guess I'm not romantic in the sense that I believe loving someone every day for years is a choice. People think it's something you fall into and can't get out of, but that's not true. And it's why I think a lot of long term relationships fail when people realize they're not hopelessly in love anymore. Because waking up and loving the same person every day is a choice you have to make. So if you love someone for years it's because you want to. So get the fuck over it, Radu. Sometimes people don't love you back. For fuck's sake. Am I heartless? I don't even care.

CAPTAIN CLO: I was actually struggling to rationalize what I liked about Mehmed and I came up short. What even is his personality? I can come up with a decent list of character traits for Radu and Lada, but not for Mehmed. Why are they both in love with him?  

BEKWORM: Exactly!! He's definitely a character you can't describe because there's just nothing there.

CAPTAIN CLO: I think Lada might like him because he's something to aspire to (powerful), and because for all that he's still sexist sometimes, he doesn't want her to change her ways. But that's very little. And why does Radu love him at all? What does he get from Mehmed that makes him attracted to him?

BEKWORM: I don't know. Maybe because Mehmed was his sexual awakening. But he gets nothing out of their relationship.

CAPTAIN CLO: This is always a big problem with YA romance, in my opinion. A lot of times you can't tell what makes a character attracted to someone. Certainly, Mehmed treats Radu with kindness and trusts him, but just like Lada, he's self-centred, takes him for granted, and hardly thinks about him at all. Radu is invisible to both of them. Maybe that's exactly why he falls in love with Mehmed? Radu has a few friends, and it seems like he looks for kindness in people, but if it's kindness he's after, he might have fallen in love before, with the first Janissary he befriends. Instead, even when offered a relationship with him, he's not attracted to him at all. He wants Mehmed. But why?

In general, the relationship between Lada, Radu, and Mehmed is toxic. Anyone expecting them to get better and understand each other eventually will be disappointed, probably – and I'll be the first in that sorry lot. I really want Lada to stop treating Radu badly. He doesn't deserve it, and they could be such an amazing team. And Radu could learn not to be a fucking doormat, but that's what he's used to, thanks to Lada. And although I want them to get what they want and both have a relationship with Mehmed, I know it won't happen – when does it, ever? No, let's have another toxic triangle. 

I think it's so amazing that there is a book about Radu that acknowledges his romantic ties with Mehmed – at least one historical source attests it, but I can't delve too much in it here – but the plot falls into the tired, old Gay Best Friend Who Is In Love With Straight Friend trope. Honestly. There is also a fair amount of angst about it – Radu feels deeply ashamed of his inclinations. And actually, I'm not sure how much that makes sense. He's an educated person, and his best friend was (historically) noted for his interest in Greek literature. Are you telling me Radu never stumbled upon homoerotic poetry from ancient Greece? Even Persian poetry had notable examples, and that would have been so easy for him to find. And the fact that Mehmed is firmly established as heterosexual... I'm not down for other two books of anguish and pining.

BEKWORM: I'm glad in the end Lada remembered what she wanted from life, because she fell into that classic trope of Ambitious Girl Falls in Love and Forgets EVERYTHING. And that she left. And Radu's reason for not joining her wasn't just Mehmed, and that was good too. Because the two of them having a conflict about what they consider Home is interesting. Having a conflict over Mehmed is not.

CAPTAIN CLO: That's definitely a nice touch. But knowing how history went between the two of them... Yeah, I can't see this ending well. It was inevitable too, they adjusted differently to living in the Ottoman empire. Although Lada will NEVER find a place where she can fit is she keeps going like this. The problem is not only what place they consider home, but their different personalities. Lada has ambitions, but they're STUPID ambitions. She just cares about ruling Wallachia, just like her father before her; she doesn't care about advancing the region or protecting people. Granted, no one does in this book (and historically that's also generally true). She lacks emotional intelligence, and she also suffers for it. Lada completely rejects the idea of home = trusted people I love, so there won't be any betterment in that, I don't think. I wonder if she'll come to realize all this or she'll just. Start to impale people.

BEKWORM: Obviously we hope she just starts impaling people.

Not but really. Lada is an absolutely fascinating protagonist, especially in a time where many female YA protagonists are pasty white girls with shiny brown hair, who has no friends, but she’s so clumsy guys isn’t that adorbs? Lada doesn’t have many friends, but that’s because she’s a feral she wolf who’s ready to cut some throats open with her damn fingernails. And it’s awesome. She’s ready to take over, and I’m more than ready to watch it happen. Lada is an amazing outlet for my lady rage, y’all. I love it.

ON HISTORY                         

CAPTAIN CLO: When goodreads suggested And I Darken as my next read, I was pretty conflicted about it. I'm a huge history nerd and I've been studying the area from the Republic of Venice to Istanbul in exactly the same years in which the plot develops. So of course, I had high expectations. At the same time, however, I didn't; this is a YA book, not a historical novel, and it would be unfair to expect of it the same attention to detail and history-related content. YA lit is (generally) focused on fast-paced adventure, romance, and characters – not on showing historical issues and give a broad, in-depth account of life and history of the time.

In the end, I was still disappointed by what I got – but I feel like I have to “confess” my inflated expectations.

There is one specific issue that I feel like was underdeveloped – the Janissaries. The Janissaries were a military corp at the direct orders of the Ottoman Sultan. They were also slaves, ailing from the Balkan area under the Ottoman's influence. Young Christian boys were taken by Ottoman officials (sometimes offered by the families themselves), mostly from peasant families, and then brought to Turkey. They were taught Turkish and converted to Islam, then brought to the capital to be trained as specialized infantry soldiers. Janissaries were salaried slaves, but were also highly respected and had many privileges. They didn't pay taxes, were the personal guards of the Sultan, and had great opportunities to advance socially – something a lot of them would never achieve otherwise. Promotions were given on the base of loyalty and meritocracy, not class. The more skilled became governors or even prime ministers. Some became governors and then rebelled to the Sultan, like a famous Albanian national hero, Skanderbeg. Some became immensely powerful Grand Viziers, like Zaganos Pasha, the prime minister at the time of Skanderbeg’s rule, and close collaborator of Mehmed the Conqueror. 

There are so many interesting things in just this little, scant description, I don't even know where to begin. Issues of conversion, religion, national identity, class, social advancement... The list is long. And the Janissaries feature heavily in And I Darken, yet these issues are barely touched upon. The Janissaries we directly see on the page are either resentful of their slavery and desire freedom, or traitors of the Sultan, only after better pay and privileges. The better prospects are only brought up once, by Radu, who isn't a Janissary. On top of that, he was partly lying. It's not like dissatisfaction wasn't possible in the ranks, but I think it's important to remember that, historically, Janissaries never revolted to be free. They only did so to have better pay. Seeing as slavery is perceived as morally revolting in contemporary Western culture, it's understandable that we expect them to revolt, Spartacus-style; I did for sure when I started to get interested in them. But history proves that something – their training, their sense of camaraderie, their new-found religion, their better prospects, I honestly don't know – made them stay, and made them mostly loyal. I am deeply dissatisfied in how this matter was brushed aside in the book, although I'm not surprised it was.

RELIGION

CAPTAIN CLO: The role of religion and religious conversion was more central, but still not developed very well. Radu converts to Islam of his own volition, finding peace and understanding in its practice. Which is positive, but the reader is never really told much about Islam itself. I'm not an expert, but my perception is that at the time – mid 15th century – Islam was a much more approachable religion for every class, but especially the lower one. Radu himself remembers the Orthodox rite he was used to as oppressive, dark, filled with notions of sin and hell, and a language difficult to understand. These are childish recollections, distorted by how much he hated his previous life – in which he was mistreated and abused – but they make sense. In Islam he finds something different... but what? Although we're treated to the scene in which he enters a mosque for the first time, we never know what, exactly, he learns that makes sense for him. One can read through the entire book and never learn anything about Islam proper but the superficial, commonly-known things – the five pillars, the muezzins, the mosques, the existence of the Quran. It's very little. It's even less when we learn that a lot of Radu and Mehmed's friendship is based on deep conversations about Islam – but we're never once shown them having such a discussion.

BEKWORM: I wonder if White worried that getting to deep into it would be seen as preaching. But you're right it would have been more interesting to see more about the religion, especially because most people don't know what it's about. I know I really don't.

CAPTAIN CLO: Maybe she did, and that's understandable... but such as it is, Radu and Mehmed's shared religious passion sounds like an informed ability. It feels to me like an important piece of the historical puzzle is missing. Conversions to Islam in the Ottoman empire were rarely forced – yet they happened a lot. Certainly in part for pragmatic purposes – non-Muslim subjects had to pay an additional tax and had various other restrictions – but the persuasive power of Islam shouldn't be underestimated, in my opinion.

OVERALL

BEKWORM: Overall we give this a solid Meh. Lada and Radu are worth the time it takes to read this book. Their relationship with each other is heartbreaking but sweet in an entirely new way. However, the focus of their romantic interest is definitely a big, dull dud. Sorry, Mehmed! But please get a personality you’re really bumming me out. (Oh my god, guys, I think he’s this book’s version of the pasty, shiny haired protagonist! Everybody loves him but no one knows why. He’s the Bella Swan of the Ottoman Courts)

We’re expecting the following books in this series to involve less pining, more impaling, and so much heartbreak you’ll probably be sitting there wondering why the fuck you’re reading it while simultaneously refusing to put the damn thing down. Should be fun! I’ll need a bottle of wine.

[irlbop]

Finnrey, Reylo, and Goddamn Human Decency

Okay, so let’s sit down and dissect the situation since my buddo, Sithskywalker, has only been met with harassment in her attempts to do so. Initially, I was going so ask that we try and settle this but frankly and ashamedly towards y’all, I know that that is an impossible task to expect.

               Let’s start with something simple before we get into the complexities of this entire Reylo/Finnrey debacle: Reylo is, at best, problematic. At worst (of which it is most often appearing to lean toward in my observation), Reylo is ignorant in the lightest term that I can think of. Now, the beautiful thing about ignorance isn’t always intentional; in these cases, it is obliviousness and, if the oblivious one is willing, this can be adjusted. But in more commonly observed cases, the ignorance I’m seeing is done out of spite and with an intention to inflict pain or disturbance. And no, don’t go “Just let me ship it!” or “It’s my freedom to ship it!” or “But did you see the way he – ” No, no, no, no, no, no, no. There’s a myriad of issues surrounding the Reylo situation on a scale regarding what a healthy relationship is, regarding race, and your own personal consideration for your fellow man as well as the films this entire fandom is based around. If you stick around, great. If you’re seeing the same things you’ve heard before, then maybe the problem isn’t the fact that you need a billion reasons to cut through your skull. Also, trigger warning for rape, abuse, and racism

Abuse: I’m going to say this right upfront and now: I have never been in an abusive relationship, nor have I survived sexual assault. I’m lucky. I am blessed. But my experience isn’t everybody else’s. therefore, it’s important to consider the situations of those who haven’t gone through life without an invasion of personal space or emotional boundaries. If you don’t believe me, look at the media: We’re constantly smitten with the guy who “takes what he wants” and can literally shove the object of his affection against a wall and suction his face to hers. This is often done during the “chase” stage and while many (including myself) buy into it at first, if you take a moment to step back and actually analyze the situation, it’s actually disturbing. I could probably write a good page or two on just how the media practically contorts and romanticizes some actually abusive traits but I’m already on this bad boy. 

But the point is, when you take Kylo Ren’s actions out of context and mix it with the whole “rough-loving bad boy” persona we’ve been spoon-fed since God knows when, it’s easy to contort it into something appealing. But for some people, it’s not. For some, seeing Rey get smacked against a tree can bring back literally painful reminders. Seeing him trying to basically mentally manipulate isn’t an opportunity for him to read her mind about how she’s “totes thinking he’s a hottie” so then they start making out or whatever. To be frank, romanticizing this situation was under absolutely no intention of the director, screenwriter, producer, etc. It’s exactly as it’s meant to be: hostile, ambitious, and nasty as it should be between enemies. Nothing more, nothing less.          

However, it appears too many people refuse to understand this or even begin to fathom it. Furthermore, they actually take it upon themselves to harass those who express discomfort over people making goo-goo eyes at what can practically be a reminder for a very dark time for them. Someone I loved had PTSD and I can attest to this just by observing him: That shit does stuff to you. You can still smile, you can still laugh. You can even go on with your life and do what people expect you to do i.e. go to school, get a job, maybe even start a family if you so please it. But trust me: It doesn’t leave you. You can’t “get over” something that hits you so hard that it streaks right down into your soul. I can’t even begin to imagine what it feels like. Many people can’t.      

But it’s for that very reason that you have no right to march up to somebody who has it and tell them to “suck it up.” Because if you’re telling them to suck up something that has impacted them for the rest of their lived, then you should certainly be able to suck up criticism over a fictional relationship that you will probably forget about once you realize that shipping doesn’t pay the bills or help take care of student loans. You can’t be petty over something that’s literally hurting somebody else, it makes you look like a disgusting waste of human. Especially since we’re entering an age where the goddamn assigned leader of this forsaken country has very likely committed those acts upon others, is getting away with it, and is basically doing every and all things that he and his stooges can to assure that it keeps happening. You know that thing that a girl in Africa made? That sorta condom-like thing with teeth that goes inside her and will shred the dick of any man that tries to put it inside her without her consent? If you don’t and want to know why this isn’t a thing here, it’s because it’s illegal in the U.S. It’s literally seen as a form of torture. So a man’s pride and literal junk is worth protecting more than a woman’s safety. Yeah.            

But I digress: Reylo has no bones to form a healthy relationship. Stop acting as though it does. Because what does have a proper foundation is Finnrey. Which leads us to …

Race: Disclaimer, I think both John Boyega and Adam Driver are fine men. Both physically and based on their personalities. I harbor no ill will toward Adam, nor any favoritism towards John. I don’t even really ship anyone! However, this is something that needs to be said because after the bullshittery I’ve seen go down on buddo’s blog, I felt it needed to be done. But geez, where do I even begin to delve into a centuries old and ongoing system bent and formed to assure Caucasian superiority on an educational, residential, aesthetic, etc. level? Hmmm … I guess, once again, we’ll start with something simple: Why is Finnrey superior not by opinion, but by overall character?         

Let’s see … Finn is Rey’s first ever friend, by meeting him she was able to eventually come to terms with the reality of her situation, thereby meeting Luke (whom is 98.99% likely to be the father she had been missing), they shared an experience, they protect each other, they care for each other, Finn literally risks death just to get her back and she picks up a weapon she previously wanted nothing to do with to assure that he couldn’t get hurt anymore, and, most important of all, they goddamn respect one another. I’m not going to bring in the fact that it’s all but canon now because honestly, it shouldn’t be this hard to express the characteristics of what can present a decent foundation for a healthy romantic relationship. Especially because if you care about the loving aspect, then you should care about Finnrey. (If you care about a lusting aspect, then you only care about sexual characteristics which can still be found in Finnrey. If you do that in-character with Reylo, however, it’s extremely predatory since, you know, Kylo hates Rey and Rey hates Kylo.)             

So after taking all these factors into count, it begs the question, why don’t more people ship Finnrey? Well, kiddios, the first term of the day is “systematic racism.” Systematic racism, also called institutionalized racism, basically refers to a form of racism expressed in practices on a social and political level ranging from and entwining into literally anything from schooling to income, to criminal justice, wealth, healthcare, living situation, who’s considered beautiful, and, yes, relationships. Don’t believe me, you can literally read articles on anything from black women with white husbands getting mistaken for hookers or watch the movie Guess Who’s Coming to Dinner.          

Anyway, how does systematic racism tie into who we find more appeal with? Well, some centuries ago as Europeans started to venture outward more, it eventually become common word that dark things were associated with badness and white with goodness regardless of what sense it made (Jesus was more black than white, for example). Since then, this mindset has spread like wildfire. Or the smallpox the English brought over. In countries where dark-skinned persons are the norm, they’re more likely to promote or run advertisements with lighter-skinned people. And if they can get their hands on a white person, you know they’re gonna. This is because the white person is, in far too many cases, portrayed as the everyman. This is why we’re quicker to recognize when a protagonist is a POC – it’s just not an everyday occurrence.

We see this in our movies all the time with a white man being cast as the lead, or when they’re presented and promoted in rapid succession compared to their colored cast mates and so on and so forth.

And the thing is, this shit starts early. If you Youtube “Doll Test”, you’ll see small children (including black ones) calling the white baby doll good and the black baby doll bad. They even refer to the white doll as the pretty one, whereas its darker counterpart is ugly. The problem is, the media often does very little to help destroy this mindset so it often ends up blossoming into what we see today: sympathy for white killers, fictional or not, out of finding them physically attractive. (If you come up in here and tell me this isn’t true, I will smash your fucking face into the screen of a laptop and make you read all the bitches whining about Dylann Roof’s death sentence or how many twits wanted some other white boy killer to go free and creaming themselves after he showed up to court in a shirt expressing pride over his killing. I don’t have time for this bullshit.)

Basically, what we end up doing is sparing sympathy for lighter-toned people because, institutionally, light means good and dark means bad. (This is actually also a thing in the black community where lighter skinned people are treated differently than darker-skinned ones but this is also a story for another time.) Does this sound reminiscent of anything? Perhaps a fictional non-canonical pairing wherein people make excuses and slander the names of the characters’ actors to justify a notably unhealthy interaction over an actually more stable one?

Furthermore, while it’s becoming more commonplace in commercials and TV shows and film, the image of a black male and white female is met with criticism. I’ll admit that the reasons honestly differ among ethnic groups but for the most part, it’s usually a criticism born simply from the fact that it’s a black man and a white woman. Remember when I said Europeans began to use their position to promote ideas that pretty much raised their position for just being white? This was a favorite tactic used in America in the 18- and 1900s. The idea was that white women were fragile and needed to be protected from the brutish black bucks. A black man near a white woman would surely cause her harm! This was displayed in many forms from posters to pamphlets to D. W. Griffith’s The Birth of a Nation wherein a rowdy and completely buffonish cast of blackface-donning actors were portrayed in scenarios that included harassing a delicate flower of a white girl, as well as lustfully celebrating over the ruling that they be allowed marriage to women women (which received more applause than being allowed placement in government).

So where have we seen people portray a black male as barbaric, invading on the safety of a young, white female and threatening her by so much as touching her hand? Could it be … in movies where the black man is a rapist or a thug? Maybe … in real life where numerous white women have claimed assault on an innocent black man but nobody dared to investigate the matter further? Or perhaps … a disgusting amount of Reylo-shippers, who have literally gone out of their way to portray John Boyega as a beast rather than a man and actual friend to coworker Daisy Ridley?

I could go on a tangent about how insulting this is not only on a racial scale, but also in regards to demeaning the situations of people who have actually been in unpleasant or altogether awful interactions with genuinely awful people but, like I said, this is what we’re focusing on right now.

But in the end, do you know what a lifetime of this can do to a POC’s mindset? I can think of an example: The second term of the day is “internalized racism.”   

As the name would suggest, internalized racism is when a person of an ethnic group displays racist traits towards members of their culture, including themselves. This can come about in many ways but one thing is for certain: it’s linked with institutionalized racism. You see, it gets quite easy to think very negatively of something that people subtly or even outright portray as a bad thing. Even if that thing looks like you. Maybe you’ve seen far too many black people get arrested on the news; maybe you just don’t feel pretty with your corkscrew curls and earthy skin; maybe you just feel an inherent need to hold your purse close to you when you see a big, black guy walking down the street despite the fact that he’s just making his way down the block to run an errand. The point I’m trying to get at here is that there’s various ways or showing or even experiencing internalized racism. I’ll be the first to admit that I experience it. I’m trying not to; a lot of people may be. But it’s hard to undo something you didn’t know existed until recently, or what keeps growing back with the constant exposure after every time you think you’re free from it. But this is no excuse to go out of your way to keep feeding it.

So anyway, when I talk about internalized racism, you probably have an idea where I’m going with this: Black Reylo shippers, we need to talk. What exactly is it that you find appealing about this dynamic? Be real with yourself. Is it because Adam Driver is attractive? That’s all fine and good, but that has nothing to do with his character. What exactly does Kylo offer Rey? By comparison, what does Finn offer Rey? If you feel Finn, after an entire film’s worth of interacting with her, offers Rey nothing whereas Kylo, after maybe a total of 15-23 minutes (most of which involved him using his fucking unstable lightsaber on her), offers her something, then it may be healthiest for you to step away from shipping for a while and think about what you truly do respect. If shipping is just an outlet for you, fine. But you should make sure that that outlet reflects what a good relationship is to you: not some sadistic, abusive game of predator vs prey. If that is what you want, then you seriously need to stop focusing on shipping and start focusing on your psyche.

All in all, there just a shit ton I could’ve said or still want to say, but I think this is long enough and most of y’all have either dropped out or have left to write an insult of threat without reading the entire thing or considering why it’s being written in the first place. Plus, I’m tired. Physically tired, but mostly, I’m tired that this shit actually needs to be said to a bunch of people who think their asses are grown enough to recognize what a relationship is, yet end up sending disturbing content to anyone who even so much as looks uncomfortable at the crap they’re promoting. Star Wars was never meant to be this way; no fandom is. But it’s because of inconsideration and intentional ignorance that things collapse. If you still feel a need to ship Reylo over Finnrey – especially if you have to actually change peoples’ characters and basically rob them of their principles – then maybe it would be best if you stepped away from shipping and asked yourself, “What does this say about me? How do my reactions towards people who do not agree with me reflect what I actually feel?” Because if you’re still willing to ship these two when it’s looking like they’re probably cousins alone, then you’ve got more issues to work out than just the fact that somebody doesn’t agree with your ship.

TL;DR – Reylo is a result of the entwined workings of the social romanticism of abuse and downplaying of female respect and a multitude of racial issues, including institutionalized and internalized racism and you need to go sit down and think about all this and what it says about you before you even so much as try to counter it. And for the rest of you where you stand by your stretching, I quote my brother: “Just say you hate black people and go. it’s not that deep.” It really isn’t; we can see you in your kiddy pool of defense.

@sith