#her flaws are pretty important to her character

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[lazybutts-world]

I am thinking of a good place AU but with BNHA characters.

I have been rewatching Good Place (cuz I never really finished it) and eleanor/chidi reminded me of dkbk so much. Imo eleanor is so Bakugou coded because just like Bakugou she made great progress and betterment as a person. Eleanor was a reserved person who did not work well with others just like Bakugou and her betterment started becoming friends with Tahani, Jason, Micheal and Chidi in the fake good place neighborhood just like Bakugou's betterment started with letting people in . Chidi played a very important role in self betterment of Eleanor just like Deku did with Bakugou. Also both of their issue and weakness was being egotistical until they overcame it.

Also imo Chidi is very much like Izuku. Both are very determined to be good people and have very strong morals. Yet despite trying to be good ppl, they are both flawed and can accidentally hurt the people around them by their indecisiveness (maybe less of a case for Izuku but I definetly see it I am sorry) and over selflessness. Plus, both are nerd and in teaching business (Chidi is a professor of ethics while Izuku is a high school teacher).

In summary my mind is pretty set on Eleanor -> Bakugou and Chidi -> Deku.

With that being said, I want to who is who game for the rest of the characters. I will be casting my vote as well just like the loser I am cuz I have an idea but I also want to see the popular vote.

[pinayelf]

I know fans joke abt how the warden is more competent than the inquisitor bc they did all that w/o much help but the funny thing abt amihan is she actually isn't

she was 20, angry and hated herself and the world, she ended up in the situation she was in bc she was...a petty snitch. she also hates being a grey warden and continues to hate being one through dai - she actually leaves but then decides to search for the cure

for most of the Blight, it was fuck up after fuck up. like I play it so that I have enough ppl to help me fight the archdemon, but in my personal headcanon, she pissed off a lot of potential help (whether it be Circle mages who overheard her saying she was "gonna annul this shit" out of anger, eamon's men who did NOT like her, bhelen who didn't really trust the fact that she knew nothing about politics), left a bad taste in people they came across and picked a fight with anora

which I think makes sense for a 20 year old ill-adjusted young woman who had to learn how to be more selfless. beating the archdemon was pure luck mixed with people just NOT WANTING the Blight to destroy ferelden and realizing joining the fight was the only way to stay alive

amihan does grow, but it's slow, she has to process trauma, understand she hurt people and ruined their lives and to actually experience what it's like being loved (both platonic and romantic)

I tend to not post so much abt how much amihan fucked up and almost let a Blight swallow ferelden bc I tend to feel anxious abt how ppl will receive it but I think it's important to her character and it's fun and interesting for me to play with it in this case

immy is 100% more competent than amihan, in spite of her own flaws, but I love both my messy and my scaredy cat girl all the same

[insidejupiter]

jingliu is a perfect example of "if this female character was male, shed be universally loved instead of heavily criticized"

[musical-chick-13]

...That...sure was a reveal wasn’t it.

[toweringclam]

The shapeshifters are fascinating from a character standpoint.

Perception of Laios:

Everyone has an exaggerated and flattened view of Laios, emphasizing his worst qualities.

They're at least somewhat aware of this fact, and their versions of Laios are completely incompatible.

Laios's perception of others:

He misses the details but has a better understanding of the other party members than they do of him.

His version of Marcille is the most accurate.

It's highly affected by recent events and idealized (the real Marcille is more careless than fake)

He's the only one capable of self-crit on the level to recognize his own flawed perspective

Perception of Marcille:

Nobody understands how her hair works.

Everyone knows it's important

Marcille's perception of others:

No understanding of other people's methods and tools due to hyperfocus on magic

Everyone is slightly exaggerated (Laios, more so, due to contrast with Falin)

Perception of Chilchuck:

Laios is the only one who really understands that Chilchuck is an adult

Chilchuck's perception of others:

Thinks everyone is a reckless idiot

Perceptions of Senshi

Everyone has a pretty good grasp on him as a character, even if some aspects are exaggerated or flattened out

Senshi's perception of others:

A lot more racist than he lets on

[empyrangel]

How are people really acting like the general consensus is that the Netflix atla series is decent or even good??

Zuko’s backstory and desire for familial love is brought in way too early so he doesn’t have time to actually be a ruthless and cruel villain. Y’know, the thing that’s essential to his killer redemption arc? Because god forbid characters be unlikable.

One of Sokka’s main flaws was completely removed because god forbid characters be unlikable. And he’s not funny!

Katara is watered down to being just a little girl, her mature and nurturing side is gone. Her anger at injustice is also gone because god forbid characters have flaws.

Aang doesn’t act like a kid. He doesn’t try to run from his responsibilities while simultaneously feeling guilty about running from his responsibilities. Because god forbid characters have flaws.

You know, I’m seeing pattern.

“Yeah all the characters are completely different from how they are in the original, and the acting is flat, and the writing is shit, and the world feels dead, and the pacing is terrible because they insist on smashing like 4 important episodes together at the same time, and some of the best moments were completely cut out, and those that were adapted got butchered, and Aang doesn’t really even learn waterbending during the water season, but it’s still pretty good. I mean the cgi looks nice and it’s not the Shyamalan movie.”

Oh wow they say his name right five out of five stars 🙄. Cmon are our standards really this low?

[artdolliewishes]

Neytiri’s Fatal Flaw and Her Future Arc.

I was watching the deleted/original cut of the scene with Neytiri holding Spider hostage which — first off, incredible scene by the way like holy shit — but it made me think about how perfectly it served for Neytiri’s character.

Someone might’ve already talked about this already, but what I don’t think a lot of people realize is that this scene serves as the payoff for earlier Neytiri-related scenes as well as a starting point for her arc going forward.

If you haven’t watched the scene, here, it’s a far more impactful version of an already hard hitting scene and I’m going to treat it as what “really” happened in the story for the sake of analysis.

The first moment I’m focusing on is this one where Neytiri goes to pick up her bow after killing a few RDA grunts, only to find that the bow is now broken and unusable.

There’s a running theme in these two movies that I’ve seen people point out and that’s how Neytiri keeps losing things that are precious to her, whether they be people, places, or objects.

In the first movie, she loses a lot including but not limited to the Hometree, the Tree of Voices, her older sister, Tsu’tey, her Ikran, and her father. When her father dies, he grants her the Ceremonial Bow and that’s what she ends up using to fight in all subsequent battles.

In the second movie, she thankfully doesn’t lose as much, but she’s still forced to leave her home and her first born son is killed in the heat of battle, rough times all around.

You’ll note that I didn’t include losing her precious bow on the list of things she lost and that’s because she didn’t lose the bow, she broke it.

All the other losses I’ve described are caused by the RDA, but this one isn’t. Instead of her bow being broken by another grunt in the heat of the battle, she’s the one who breaks it by swinging it haphazardly at her enemies.

I may not know all that much about archery or making weapons, but I’m almost certain that bows aren’t designed to be used like that, which is why her bow broke the way that it did.

And it cannot be understated how important this bow must be to Neytiri. I mentioned before that it was given to her by her late father, making it an important connection to her family already, but it’s also made from the wood of Hometree. So not only is it a connection to her family, it’s a connection to her people and the home that was stolen from them.

All that and she still broke it, not because she didn’t cherish the bow, but because she just couldn’t control her anger enough to handle it properly.

And that’s what I feel Neytiri’s fatal flaw is, as well as what her arc will be primarily focusing on in the upcoming movies — Neytiri’s anger and hatred leads to blind rage, and she becomes liable to hurt those she cares about.

For the record, I am not making the claim that Neytiri’s flaw is that she gets angry. Being outraged by death and destruction, hating those who bring about injustice, these aren’t flaws and aren’t things she should be vilified for. What is a flaw is how she uses her anger, or rather how it uses her.

Jake spells it out pretty cleanly in a scene that happened a while ago. When Tonowari told Jake and Neytiri about the destruction the RDA was causing to the nearby villages, they immediately connect it back to Quaritch. Neytiri describes how they have to finish off Quaritch — “we have to hunt this demon, trap him, kill him” — and this is what Jake says in response to that idea:

“We gotta be smart…”

He’s not dismissing the idea of doing something, he’s just cautioning her on how they go about doing it. That’s the crux of Neytiri’s most prevalent flaw, it isn’t her becoming angered at the injustice she and her people face, it’s her not being smart about how she acts on it.

The last two moments I’d like to draw attention to are the one where one of Quartich’s lackey calls Neytiri a “wild animal” and the one where she actually acts like one.

For the record, Lyle and Quaritch are in the wrong for likening Neytiri to an animal and dehumanizing her in the process, especially when the reason they insulted her was because she was acting violent in the video where she was protecting her husband. However, it’s undeniable that during the fight on the Sea Dragon, Neytiri is the most violent and rage filled we’ve ever seen her.

It’s particularly noticeable right before she realizes she broke her bow, which is definitely not a coincidence I’ll tell you that much.

She screams in the guys face and stabs him over and over and over again, after which she gets up and starts growling, searching for anything else that moves. It’s not a stretch to say that, in this moment, she’s acting almost like a bloodthirsty animal hungry for vengeance, not too dissimilar from the wild animal the recoms painted her as.

And all of this, her accidentally breaking her father’s bow, being asked to be smart about it all, acting like a wild animal, it all comes to a head in the moment where she uses Spider’s life as leverage to save Kiri’s. It starts off good when she makes Quaritch let Kiri go, but when Kiri is freed from Quaritch’s grasp and she can turn her attention to the man himself…

…she puts the blade back against Spider’s neck and utters those infamous lines:

“A son for a son.”

I’ve seen a lot of people comment on how “powerful” of a scene this is, and while I agree that it’s a powerful storytelling moment and extremely important to Neytiri’s character, I think a lot of people miss the fact that this isn’t an admirable moment of a mother’s rage, but a scary and dark moment where Neytiri is about to fall to Quaritch’s lows.

Because if Neytiri had actually gone through with this decision, then she would’ve done the same thing to her family that she did with her bow — destroy it. What’s important to note about Neytiri’s hatred towards Spider is that; while it’s understandable considering all the trauma she went through at the hands of his father and the RDA, she’s the only one in her family that feels this way towards him.

For one thing, Spider is both Lo’ak and Kiri’s best friend and they know how much Spider hates being Quaritch’s son, there’s no way that they’d just accept Neytiri after she killed their best friend. We don’t get much development on Spider’s relationship with Tuk or Neteyam, but we see Spider protect Tuk, tease Neteyam, and cry during Neteyam’s death, so they must be friends on some level.

And finally Jake. Admittedly, Jake is pretty lukewarm towards Spider throughout the entire movie, but I’d argue that’s him keeping a respectful distance because of him wanting to side with his wife and not any malice Jake genuinely holds towards Spider himself. We even see him checking over Spider at the end of the movie like he does with Lo’ak and Neteyam.

As much as Jake unconditionally loves Neytiri, I cannot see a world where he’s able to look at her the same way if she killed an innocent child.

And I do mean innocent, because at this point in time Spider’s only “crimes” are being human(not his choice) and being Quaritch’s son(also not his choice). Even if Neytiri’s feelings towards him are understandable and valid, her actions at this point are not justifiable and Jake knows it.

That’s not even mentioning how she hisses at Kiri during this scene, she’s not acting with her family’s best interest in mind, she’s acting on pure rage.

If she had gone through with it and killed Spider, Kiri and Lo’ak would hate her, Tuk wouldn’t be able to look at her the same way again, and Jake probably would’ve left her. She truly did come a hair’s width away from destroying something precious to her once again.

Now let’s talk about Spider for a minute because he’s crucial to all of this, as Neytiri’s hatred for humans extends to her hatred of him.

We already know that, to the Na’vi, “I see you” is considered a respectful greeting, but it’s also a show of great understanding between two people; it’s why Jake’s two pivotal emotional moments at the end of the movies are him telling a loved one “I see you,” it’s because he’s come to understand them as a person beyond what he initially thought.

In contrast, Neytiri does not see Spider, her eyes are shut. Instead of seeing Spider as a person, all she sees is just another human who ought to be with his own kind, a demon. And this is honestly fine, Neytiri isn’t Spider’s mother or caretaker so she’s not obligated to try and understand him as anything deeper than her enemies child and her own children’s best friend.

However, because Neytiri refuses to see Spider as anything other than another human, she lets this hatred for him and his heritage fester until she feels comfortable to threaten his life and see him as a means to an end. And that, no matter how much one may argue it’s understandable from her perspective, leads to dire consequences.

Namely, Spider’s choice to save Quaritch.

Now, before anyone yells at me let me clarify — I am not saying that Neytiri is responsible for Spider’s choice, nor is she responsible for any harm Quaritch will cause in the upcoming movies. However, it’s undeniable that her actions influenced Spider’s decision, whether directly or indirectly.

When Neytiri threatened Spider’s life, Quaritch initially plays off the fact that he’s technically not his son, citing that they aren’t even the same species. But when Neytiri pushes even further, he breaks and shows that he does actually care about Spider, willing to let go of his hostage in order to protect him.

This is big for Spider as his only major desire is to have a family, specifically a parental figure who genuinely cared about him as he is. I’d even go as far as to say that this moment probably proved to Spider that Quaritch cares about him as more than just a mean’s to an end. He’d already helped Quaritch bond with an Ikran and find the Sully family(against his will), he had nothing else to offer but Quaritch still wanted him alive.

This, along with the months they spent together, are what pushed Spider to make his decision at the end of the movie, a decision he was explicitly conflicted about.

And this came about from Neytiri’s decision. I know a lot of people would argue that Neytiri had to do this because it was the only way to save her daughter, and I’ll agree that there weren’t many options for her. But this wasn’t a tactical move she was making, she wasn’t bluffing or putting on a show to force Quaritch’s hand, she was explicitly going to kill Spider just to make Quaritch hurt in the same way she was hurting.

Also, if we want to nitpick we could also say that the months Quaritch and Spider spent together also came about as a result of her actions. When they’re running away from the Recoms, Spider is the only one who falls to the ground and Neytiri doesn’t even think to try and go get him.

“B-But there’s no way Neytiri would’ve been able to save him and get away! She has her own children to worry about!” I hear you typing in the notes of this post, and to that I say you’ve got a point.

However, the fact that Neytiri doesn’t even consider going down to rescue him, doesn’t look over the branch and hesitate before making the difficult decision to prioritize Kiri and feel bad about it later shows that her reasoning is solidly NOT rooted in him being one of her kids or not.

She doesn’t even try, and because of that Quaritch and Spider end up forming the basis for a solid bond.

TLDR; Neytiri’s fatal flaw is that she allows her anger and hatred to cloud her better judgment and control her, leading to a destructive attitude that can ultimately hurt the people she loves and make things worse for her.

Now, what does this have to do with her arc going forward?

At this point, I’m pretty sure everyone has heard at least a little bit about the next movie, Avatar Fire and Ash. I’ve seen people theorizing that the fire tribe will be joining forces with the RDA, that they don’t believe in Eywa, and that Neytiri will have to infiltrate the tribe in order to rescue her children.

I’m not certain whether any of this is true, but what I am certain of is that — if these concept arts hold water by the time the movie is released — then the fire tribe we’ll be encountering in the third movie is going to be an extremely violent community, likely one that puts emphasis on anger and hatred.

And if the rumors are true and Neytiri really is going to be infiltrating them, then Neytiri’s flaws might be able to inform what narrative role the Ash People and Varaang in particular will have in the third movie.

I’ve already explained how in depth how her flaw is how she allows her anger to take control of her and close her vision; she’s volatile like lava and burns hot like fire, becoming liable to burn everything and everyone around her.

From that perspective, she seems more suited to be a fire Na’vi rather than a forest or reef one, no? The choice to take us to a volcanic, fire steeped region isn’t just James Cameron checking off the boxes like “oh we did forest and water, fire next!” its him taking us to a we might find uncomfortably befitting of our worst traits.

And that’s basically what I think Neytiri will have to face upon encountering the Ash People — they are the embodiment of all her flaws put on display.

Varaang specifically may work as her narrative foil, a literal funhouse version of her at her worst(from my perspective the concept art of Varaang actually looks a lot like Neytiri, so that’s interesting).

I also think it’s important to note that Neytiri is absolutely going to find out that Spider saved Quaritch in the third movie, or at least it’s incredibly likely if the Ash People really will be working with Quaritch. That means that her hatred for him and her need for revenge will come back into play, this isn’t over.

But this time things will be different, because in between Neytiri learning of Spider’s betrayal she will also get especially close to the Ash People and find that she is uncomfortably similar to them at her worst. Before she does something she might regret, Neytiri will be forced to ask herself some important questions:

Is revenge really worth it? Is this the kind of person she wants to be? If Jake wasn’t there that night, would she have the blood of a child on her hands? Will she hurt other people she loves because of her anger?

These questions are ones she likely never wanted to ask herself, but they’re necessary because she’s starting right in the face of people who didn’t.

Hopefully, she finds that the answer is no.

[dunmeshistash]

Why did Milsiril help with Mithrun's recovery?

Since people seemed to be interested in the post I made about why she adopted Kabru I wanted to write my thoughts about her helping Mithrun too.

I think with Mithrun it gets a little trickier tho, both because Mithrun himself doesn't speak much about his past and because most of it we get from a third party account. I'll also try to discuss based on what I see people say about their relationship although is probably gonna be shorter than Kabru's (came back to say it's not shorter), tw for self-harm because of Mithrun recovery drawings.

1 - So Mithrun could become a canary again

This is the theory I see the most often, probably it's whats on the main story, as far as I'm remembering there's no other mentions of Milsiril related to Mithrun besides the role she plays in sparing his life.

That story isn't reliable tho, Mithrun constantly points out that Kabru is glossing over details and Kabru himself is depicted as cooking (as the kids say) a good story that resonates with an audience.

So we can't really trust that this framing is objectively true

But even so taking just what happened, without the context Kabru added, what she did was spare his life once she realized he still had a hint of desire to exist within him.

Kabru lies (or rather embelishes a lot) when he says "and from that point onward, Mithrun lived only to slay demons. He ate even he had no desire to eat. He lived on even though he had no desire to live." he was useless for 20 years after this so 'saving him cause he will be useful later' isn't really too accurate. Milsiril also wasn't involved with his rehab until Utaya 18~19 years later so it definitely wasn't for this that she helped.

2 - So Mithrun could avenge Utaya by defeating the demon (She winded him up and set him on a path, you know, like a doll)

I think this one is kinda mean, I've seen people speak as if she only helped him after Utaya because she wanted to use him to defeat the demon. But there's no evidence Milsiril even cares about the demon or that she wants vengeance. My girl literally ran away and decided to look away instead of continuing to fight (and I can't blame her)

This, as far as I understand, is based both on the above section and on this part from her adventurer's bible extra

She shows up to visit him and brings up the demon, and then sets him up to go after it, but once again I think it relies on an unkind interpretation of her character; you gotta assume she has unseen ulterior motives already before the comic even starts, since this whole comic is talking about how she completely misinterpreted who Mithrun was when they were in the same squad, and how she feels he's actually someone she would get along with. If you know Milsiril, you know she only gets along with other misfits, she's acknowledging Mithrun as someone who was broken like her even before his desires were eaten.

This is the complete comic

"I always hated you. You were beautiful and perfect, and everybody loved you. You didn't seem to have a single worry or flaw.

But when I saw the dungeon you'd built, I was startled. It was such a warped, convoluted place built from inferiority, jealousy, lies and anger.

I wish I'd tried really talking to you. We might have hit off pretty well. Too late now, I guess"

She acknowledges him as a human being, when before she only saw him as the embodiment of the people that bullied her. And right after that she talks about the demon. There's no indication for a wish of vengeance anywhere in this comic, I'd even say the demon and the dungeons are barely important to what Milsiril is thinking, there's only belated compassion.

3 - Cause he was a new "project"

Related to the reasons pointed out in my Kabru post, people assume Milsiril is the type of person that wants/needs to feel superior to someone, or to put on an altruistic front or what have you. And that interpretation also leaks into how they see her helping Mithrun. I said the main reasons why I don't think she's that type of person on the other post so I wont repeat. But I don't think Mithrun is a "project" at all.

This was right after she fought on Utaya, I imagine a little after or a little before she took in Kabru, so she "had a project" already if you're gonna go with that wording. She was also finally free from the canaries and she had no obligation towards Mithrun. She also only went back to him decades after she spared his life, my assumption is that she did it because she finally could. She couldn't have guessed when she spared his life that 19 years later she would be free from the canaries and that Mithrun still wouldn't have been recovered and would have been needing her.

4 - And finally, why did she spare his life? Why did she help him recover?

This one isn't as straight foward as Kabru's adoption to me. I imagine the fact he had the potential to still be useful could be one of the reasons she spared Mithrun at first, but I also think that he newfound empathy she developed for him when she saw his dungeon might have been part of it, that seeing he still had some sort of drive and desire made her have hope he could still live.

Milsiril really seems like the type of person that likes to nurture, while I wouldn't say this makes her a "softie" and not able to execute him (I'm sure she could do a mercy kill) I think that soft side made her want to give him a chance. There's no proof for any of that ofc, and Kui confirmed in a QnA Mithrun wasn't arrested or executed because they were desperate for people to be in the canaries. (The choice probably wasn't only on her)

Now why she helped him? I think it's because she saw he could be helped.

She says herself she's only visiting, probably to check on him

"They said you've fully recovered but you might as well be a corpse." so by this point I think his body has recovered and he has managed to stabilize? But as this extra from the daydream hour shows he needed 24/7 care to stay alive in those first 18 years

Like she said he might as well be a corpse, he'd be in bed all day and have servants keeping him from dying, he would have fits where he would harm himself, he had no way to go on. It even says that even things that could remind him of his time as dungeon lord weren't allowed so he was probably being kept away from demon mentions (after all I doubt servants even knew about a demon)

But then when she mentions the demon he immediately gets up

She's surprised so I don't think she expected that, and she goes and uses that reaction to help him "Then first eat this. If you finish it all I'll take you to a dungeon again"

Rather than using him to fight the demon I think she's using the demon to help him live. Here's what his bio says

"After Mithrun was recused from the dungeon, he spent a while on the verge of death. However, with time and rehabilitation he gradually became able to lead a normal life again. The Utaya incident was the event that roused him. He thought, 'If I'd been there, I know I could have dealt with the demon somehow' and he resolved to return to active duty. (...)"

So it worked, Milsiril might have been there to help with his rehab but it was the Utaya situation that finally was able to motivate him to find a way to live and rejoin the canaries, so I think rather than setting him up to kill she realized it could be used to help him.

Which isn't a perfect solution, as you might know by the ending, his fate was to die either way: either he would die trying to kill the demon or he would defeat it and die because he had nothing else to live for.

But it was what Milsiril could do for him at that moment and it was how she managed to help him go forwards.

And that's my thoughts about Milsiril and Mithrun, I don't think they as big in each other's lives in canon as some people assume, there's barely a mention of Milsiril on his profile and she's barely named in his backstory. But they were both people that left a mark on each other's existence if only for a short time.

But I don't think Milsiril was just doing charity when helping Mithrun either, I imagine she did it because she saw herself in past Mithrun, and wanted to help him because of it.

Also side note, this extra:

That's past Mithrun saying she has ulterior motives, he isn't reliable and thinks badly of everyone. So ofc he thinks gloomy Milsiril is suspicious for helping, him doesn't mean it's true

Disclaimer again I'm a Milsiril stan so I'm very charitable in my interpretations of her, but hopefully you can see there's no indication she is someone who would use a sick person for revenge with the sources I've attached.

[m4gp13]

Why did Rick do this to us?

Seriously, he went, "Yeah I'm gonna establish a history between two important characters on opposing sides of a conflict in which one of them clearly has negative feelings about the other. and then never bring it up again 🤪" BITCH COME BACK HERE!!!

There was so much that could have been going on between these two! I was talking to @nakamurastorrington about this on twt the other day.

Like, Annabeth's fatal flaw is hubris and Ethan's mother is the physical embodiment of the punishment for hubris, they are diametrically opposed! They have their shared history at camp but very different experiences with the system where Annabeth was pretty much immediately claimed and became the head councillor of her own cabin from a very young age, establishing her as a respected veteran at camp. Meanwhile, Ethan was shoved into a corner of someone else's cabin because he wasn't worth his own cabin, and so he just faded into the background. Also, Their relationship with Luke! They both had Luke as a big brother figure. Annabeth saw him as genuine family and Ethan would have looked up to him as his brother while in the Hermes cabin. Then Luke left and Annabeth still held out hope for him and refused to believe he'd ever truly passed the point of no return even while everyone constantly told her she was wrong, and Ethan, despite spending a year working for Kronos and seeing the worst of the results of Luke's actions, still believed he was in there fighting Kronos. Not to mention, THEIR MOTHERS??!?!!?!

There could have been such interesting conflict between them! Annabeth should have gotten to talk to Ethan during the parley. If anyone should have gotten to snap at Ethan about his mother, it should have been her because he would have snapped back so hard!

[daiziesssart]

a humiliatingly long character analysis of lily evans

Someone sent me an ask that briefly mentioned how misunderstood Lily is, and before I knew it I was typing out this monster. I am. sorry. This is literally just me rambling about her, what I find compelling about her character, and why her character is so often misunderstood.

This is long as hell so I'm putting it under a read more lolol

Part of the reason I like Lily so much (other than my being ginger and projecting onto any redheaded female character I see) is that even though she isn’t explored as much as her other Marauders Era counterparts, we know enough about her to start building the framework for her character. And what I see is a girl who was incredibly interesting, kind, and flawed.

One thing I always think about in regards to Lily is that she was dealt with a pretty unfair hand. As soon as she receives her letter, she’s basically torn between two worlds, both of which have been less than welcome to her. On one hand, we have the muggle world that she’s known all her life, but once she starts integrating into the wizarding world, she likely feels a bit of a disconnect with that world. To twist the knife further, her sister- whom she loved dearly and grew up so close with- starts outwardly resenting her with such unbridled hostility that they likely couldn’t even be in a room alone together without major conflict. 

On the other hand, we have the wizarding world– a world she’s not as familiar with and one she soon learns holds a demographic of people who hate everything she is and would rather see her excommunicated or even dead. And even though finding out you’re a witch/wizard is probably such an exciting and life-changing moment, I can’t help but also take note of the difficulties, especially if you’re the only one in your family with magic. You’re essentially uprooted from the only way of life you’ve known at an already complicated age, and now you have to quickly become acclimated to this new world that you only just found out existed. Not only that, but now you’re suddenly attending a school with classes that are primarily focused on this world of magic (which is still brand new to you), and you have to work extra hard to play catch up in order to do well. Like, that all seems like… a lot for a kid to handle.

And then I remember how young she was when she was thrown into that mess. She was only 11, and kids that age desperately crave any sense of belonging. I mean, that’s something that still holds true for adults, but it’s especially critical for a developing child. So imagine Lily, ages 11-15, struggling to stay afloat in this weird purgatory between these two parts of herself, both of which have been the cause for major and traumatic experiences relating to rejection in her life.

(I say it was the “cause” even though it’s obvious that those things were never her fault at all, but when you’re a young kid navigating the world, the only thing you’re able to process is that the common denominator is you, therefore you’re the one who must shoulder the blame.)

So now we have this tween-teenaged girl who has a dysfunctional relationship with two major parts of identity and probably feels absolutely lost. 

This is why her hesitancy to end her friendship with Snape makes sense to me. Even though by fifth year he’s already well past toeing the line with the dark arts, Lily was willing to overlook some pretty egregious and troubling things in order to maintain the relationship. I kind of interpret that as her way of desperately clinging on to any sense of belonging she has left; her relationship with Petunia has already been poisoned, and now there are people who resent her existence as a witch; if she loses Severus too, what and who else does she have? And what tone does that set for her, if everyone and everything she’s come to hold close to her ends up turning her away?

It’s also important to note that not only is Severus one of her few remaining connections to the muggle world, but he’s also a wizard who grew up in the muggle world; he understands her, and I don’t doubt that he gave her some stability at times when she needed it (her finding out about her being a witch, her having trouble acclimating to the wizarding world, etc).

I see this as being one of her flaws and I can actually appreciate how relatable and realistic it feels. Lily is not a bad person; on the contrary, you’d be hard pressed to find anyone to describe her as such. Not to get all clinical and boring, but the interesting thing about (unhealthy) coping mechanisms is that it can actually be really hard to identify them in your own behavior. Unless you’re in therapy and/or are actively psychoanalyzing yourself, you likely don’t even realize how many of your common behaviors are born from self defense mechanisms put in place by your brain after past events.

To me, it makes sense why she avoided actually confronting the idea that Snape was too far gone. We know that she was aware of the path Severus was taking, but it almost seems like she was still convinced that she could save him, and could possibly steer him back in the right direction. It’s only when she becomes the target of his bigotry that she realizes that the Snape who called her a ‘mudblood’ was not the same Severus who was the one who held her hand and introduced her to this new, exciting world.

In a general sense, yes, it is selfish, to only take a stand when something starts affecting you personally. But I also think it’s important to note that it’s unlikely that this was a conscious decision on Lily’s part. In my eyes, it was easier to delude herself into thinking she still had a chance to save him before it was too late when she was able to separate him from his actions (considering, a lot of the time, she was only hearing about them after the fact, rather than seeing them firsthand). But the elusion is shattered once she sees that the Snape she grew up with– her friend, Severus– is, in fact, the same person who’s out there calling other students slurs, dismissing the malicious use of Dark Magic on others as just “a laugh”. There we see a Lily who is actually revealed to have been somewhat aware of Snape’s involvement with the darker side of magic, and genuinely feels pretty ashamed about her inaction.

Also, this is in no way me being a Snape-anti, and I actually could do an entire separate analysis on his character alone and why I find him so interesting.

Anyways, that moment in SWM is probably somewhat of an epiphany to her. It’s like a dam that’s been broken, and now she’s overwhelmed with the realization of exactly how much she overlooked in order to keep their friendship afloat. And for someone like Lily Evans, someone whom we know is opinionated and unafraid to call others out on their bullshit, that can be hard to swallow and feel pretty mortifying and shameful. And I think this was a huge turning point for her- at that point, she doesn’t have the luxury of avoiding uncomfortable truths anymore and now that she’s getting closer to graduating and being thrown out into the world on the brink of war, this was probably a really sobering discovery.

This is where we don’t have as much info to go off of, and a lot of it is up to interpretation. But we actually have little crumbs to go off of following her graduation and leading up to her death.

One of my favorite little tidbits isn’t in the books, and @seriousbrat's post reminded me about it. Here's the actual entry on Pottermore for anyone who's interested, but I'll summarize: after James and Lily began dating, Lily brings James to meet newly engaged Petunia and Vernon. Everything goes downhill, because Vernon is a smarmy asshole, and James is still pretty immature and can’t help but mess with him (which… fair, I guess). Petunia and Vernon storm out after Petunia letting Lily know that she had no intentions of having her as a bridesmaid, which causes Lily to break down into tears. I mention this because I also think it’s a pretty important aspect of her character; like we’ve seen in her past friendship with Snape, Lily seems more than willing to forgive others most of the time. Petunia is a bit of a complicated character herself, but she was objectively very cruel and unfair to Lily once it became obvious that she was a witch and Petunia was not.

Something that always stands out to me is just how desperate Lily is to earn Petunia’s trust and approval again. Even up until her death, she was more than willing to mend the relationship, were Petunia ever to consider. 

This is a detail about Lily that I feel is misunderstood quite a bit. I’ve seen a lot of instances of her character being reduced to a one-dimensional archetype with little to no complexity. And often, that archetype is “know-it-all, prudish, self righteous bookworm who is also a goody two-shoes with a stick up her ass”. What annoys me is that the reason for this is most definitely the scene in which she blows up at James in SWM for bullying Snape, and hurls quite a few insults at him directly after an extremely devastating and overwhelming situation for her. This frustrates me because we know for a fact that she’s the polar opposite of this archetype I’ve seen her reduced to. 

In actuality, she’s referred to as popular, charming, witty, bright and kind. From flashbacks we also are shown that she’s opinionated, bold, and not afraid to challenge others. With other context, like her interpersonal relationships, we can also see that she’s pretty emotionally driven and wears her heart on her sleeve. 

(I know Remus didn’t mention Lily much in the books, but I really love how he described her in the movies. He tells Harry that the first thing he noticed about him was not his striking resemblance to his father, but his eyes, the same eyes Lily had. He also calls her a “singularly gifted witch” and an “uncommonly kind woman”.

“She had a way of seeing the beauty in others, even and perhaps most especially, when that person could not see it in themselves.”

I know there are mixed feelings on whether or not the films count as canon source material, so take it with a grain of salt, but I personally cannot see a world in which Lily and Remus didn’t become close friends.)

Here we have a direct description of what she was like and who she was, corroborated by recounting of memories of her, and yet for some reason, this feels like the thing that is most commonly lost in translation.

I don’t think I can say why I think that is without mentioning the dreaded M word (misogyny- it’s misogyny), but I also don’t want to get too off topic so I’ll be brief: female characters are typically not given the same grace as male characters. When we have an undeveloped male character, he’s awarded the assumption that despite his lack of depth, there still exists a complex and multifaceted character– it’s merely just potential that hasn’t been tapped into. Whereas when we have underdeveloped female characters, they are taken at face value, meaning that not much exists beyond the little information we have of them. They are not presumed to have a life or a story that exists beyond the surface of what we know like male characters are. That’s why I think characters like Regulus, Evan, or Barty (just to name a few) are more popular than Lily, despite being less developed than she is.

(Before anyone gets defensive, no, I don’t think it’s an individual problem that you alone need to be shamed for. I think it’s the result of a deeper issue regarding misogyny in media as a concept; these are things that we’ve all unknowingly internalized and while it’s not our fault, we still have to do the work to deconstruct those learned prejudices.)

What I find really cool about her character is that despite how much she’s been hurt, she’s also still known as one of the most loving, kind, and considerate characters. There were so many times in her life where the love she received was conditional and ripped away from her– and I think that’s what makes her sacrifice even more poignant. She was able to protect her infant son from an extremely powerful dark wizard, wand-less, knowing that her husband was just murdered in cold blood, just from how much love she felt for Harry. Her love was a force of nature on its own, and I just think that’s such an amazing thing about her. 

I know I’m biased, given that she’s one of my favorite characters, but even upon delving into this, I still just find it so incredibly hard to understand how anyone can actively hate her (not indifference, but actual dislike). In my opinion (again, no one is unbiased, and she is a favorite character of mine, but trust me when I say that I’m trying to be objective as possible when I say this), she’s probably one of the most likable characters of the Marauders Era. I think perhaps a lot of people haven’t given her a chance or really taken the time to learn about her character, but it could be a myriad of other reasons that I’ll never understand. 

There's so much more I could say but this is long enough and I will stop myself

Lily Evans, u will always be famous to me

[romancearc]

i respect the writers in bridgerton for never faltering from their feminist narratives and how the characters' ages play into their relationship, despite any other shortfalls in the story.

as much as I hated how it happened, Penelope needed to tell Colin that he will never understand her plight as a woman. it was really important that Penelope stood up for herself in the bug ball, unlike in the books where Colin takes center stage.

what drives this home further are scenes where everyone speculates on who LW could be, some people still assume her to be a man. a complete feminine persona, gossip considered as mostly a womanly habit and STILL people think it could be a man because 'no woman could have a work of body this successful'. ew.

I also respect the writers for not depending on toxic romantic tropes and letting polin sort things out without any 'angry sex'. bros, as appealing as it sounds, when you're having an argument as severe as what polin were having- being intimate with each other while they had so many unresolved issues with each other would've been DISASTROUS. they needed to meet midway through. that can only happen through communication and maybe negotiating emotionally. which they did. for two idiots in their early 20s they did pretty well actually.

kanthony looks more mature because they ARE more mature. Kate was already 26 when she met Anthony. Kanthony's conflict was to stop being the certified adults all the time and let go of their inhibitions whereas Polin's was to be mature, look past each other's mistakes, not make rash decisions anymore and be. considerate. these are two completely different stories.

this is why bridgerton is such an interesting show. every story won't be everybody's cup of tea. but I truly hope eventually when the crowd calms down people come around to this season and acknowledge that the plot was pretty solid. not passionate like saphne, not always bickering like kanthony but an honest yet flawed interpretation of young love-messy, heightened emotions, dramatic yet sweet and lovely.

[tkwrites]

It Doesn't Matter Part I - Nico Hischier x ofc

Gif from offside-the-lines

Title: It Doesn’t Matter - Part I

Part I | Part II | Part III | Playlist

Author: Tory / @tkwrites 

Relationship: Beginning: Nico Hischier x Original female character 

Summary: Nico and Lena have been friends ever since he played in Halifax. When an opportunity of a lifetime brings Lena to New York, Nico offers up his apartment as her home base despite the fact that he’s been painfully, desperately in love with her for the last six years.

Warnings: Slow burn, mutual pining, friends to lovers, talks of masturbation, but nothing is described, Cliff hanger ending (I’m sorry, I had to!)

Word count: 7,300

Anonymous asked: I saw that you rebloged the Nico fic so I have to ask would you ever be open to write for him?, because the combination of your perfect writing and that sweet man, I would die for sure 😂

Comments: A thousand thanks to 🥭 Anon for requesting this fic! Nico has been such a fun, sweet character to write. I’m sorry for the cliffhanger ending, but I envisioned this fic in 3 parts, and this one had to end here. I hope you enjoy it! 

If you liked this, please let me know by commenting, reblogging, or sending in an ask. Your encouragement and comments truly inspire me to keep writing. 

It Doesn’t Matter - Part I

“You coming to the bar tonight?” Jesper asked. 

“I can’t, I’m helping Lena move in.” 

“Wait,” Jack said, barging his way into their conversation as per usual, “Lena, Lena? Like Lena from Halifax who you’ve been in love with since you were seventeen?” 

Nico felt a blush flood his cheeks as he nodded. 

“Moving in?”

“She’s coming to New York for an art program this year, so I told her she could stay with me.” 

Jack stared at him, one of his eyebrows cocked up. “You’re sure that’s a good idea?” 

Nico shook his head. 

“No it’s not a good idea, or no you’re not sure?” 

He shrugged. Hell if he knew. He was thrilled to have her close by but knew it would likely be torturous at the same time. 

“Who is Lena?”

“She’s this girl he met when he was playing for the Mooseheads,” Jack explained. “You haven’t heard about her? He never shuts up about her.” 

Blushing, Nico tossed an elbow pad in Jack’s direction. 

“Did you stay with her family or something?” 

“No,” Nico said. “She was friends with our goalie.”

“They’ve been besties ever since, and Nico still hasn’t grown the balls to ask her out.” 

Nico glared at him. 

“What?” Jack asked, shrugging. “You haven’t.”

“It’s complicated.”

“What’s so complicated about it? You like her. She’s single. You’re single. What’s the problem?” 

“I don’t…” he broke off. 

Keeping Lena as a friend was more important than the possibility of him spilling his feelings and risking losing her. Plus, he wasn’t totally sure she’d respond the way he wanted, and he was pretty certain he wouldn’t survive it if she turned him down. 

“So, in the meantime, you’re just breaking up with every girl you’ve dated and overlooking every other woman because they don’t measure up, but you won’t ask her out, so you’re just pining full time.” 

It was stunning, really, how he could talk so accurately about other peoples relationships without seeing the flaws in his own. Nico knew from experience not to bring Madeline up. In situations of talking about failure in relationships, Jack could dish all day long, but he could never quite take it if it was served back at him. 

“Betty at 2:00,” Jack murmured. Watching a petite woman with light hair enter the bar. She had a pretty, heart shaped face and big, expressive eyes.

She turned around, laughing at whoever was following her. Despite the fact that he couldn’t hear her, Jack knew her laugh was the kind that made other people want to laugh along.

Instead of the friend he expected, Nico stepped into the bar after her, looking a little punch drunk. 

Jack nearly choked on his beer.

Well, shit. 

If Lena was as funny and sweet as Nico made her out to be, Jack didn’t think he’d be able to move on from her either. 

She said something to Nico, and he tore his gaze from her to look around the bar. Their eyes met, and he raised a hand in greeting. Jack waved back. 

As they made their way closer, Jack realized her hair was actually light pink. And she had a nose ring: a delicate, jeweled thing hanging from her septum. Instead of calling up a resemblance to a hooked bull, like he usually thought those piercings looked, it made her face more lovely and interesting. The dainty diamond rested in the curve of her cupid's bow, emphasizing the shape of her top lip.

Lena felt herself smile upon walking up to the group of hockey players and their partners. She’d grown up with boys like this, and walking up to them was a bit like walking into her childhood. 

“It’s Jack, right?” Lena asked. She’d seen photos of him from Nico and recognized him right away, along with Jesper, who was sitting on his other side.

“In the flesh. You must be Lena,” Jack said, standing up. He shot her a flirtatious, charming smile.

She couldn’t quite hide her eye roll, “he’s just as cheesy as you said,” she whispered to Nico, who was still standing off to her left. 

Shoulders shaking with laughter, Nico pulled out a chair for her before settling into the one beside it.

God, even in this awful club lighting, she looked beautiful. The finer parts of her face were dulled in the dim, but everything he could see made him long for her. 

Maybe Jack was right. Maybe this was a terrible idea.   

“So, Lena,” Jesper said, leaning back in his chair, “what brings you to the city?” 

“I got accepted into an intensive year-long art program at the New York Institute of Art. I’ve been applying for years, and they finally accepted me.” 

“What kind of art do you do?” Dawson asked. 

He’d wandered to the table as soon as they sat down, and Nico was talking himself down from moving to sit between them. Dawson wouldn’t stop looking at Lena like she’d just fallen from the moon, and he wanted nothing more than to fall into her bed. 

“I paint, but I do a lot of charcoal drawings and pastels, too.” 

“Like the colors?” 

She was used to this question and laughed indulgently at the confused expression on his face. “No, pastels are just pigment with a binder. It’s kind of like paint, but they’re not liquid.” 

“She does amazing stuff,” Nico cut in, knowing she wouldn’t brag about her own work. He was happy to do it for her. “She did all the art in my apartment.” 

The first time Lena had visited him, she was aghast at how little was on his walls. It made his whole house look like a hospital - too sterile and characterless. No wonder he was depressed when he wasn’t playing. His home looked like a place made for leaving. 

So she’d painted for him. Ten canvases in total. Most were landscapes, but there was also a small abstract he always suspected was a kind of self portrait and a strange, dark, modern piece - swirls of color chasing each other across the canvas. When he asked about that one, she’d told him his games inspired it - blurs of black and red darting around the ice. 

She’d even done a large landscape of the view from his childhood window, based on a photo he’d sent her several summers before. Rows and rows of misty roofs tucked into the base of the Alps as the mountains loomed over the town. Somehow, she managed to capture the safe, cocooned feeling of home.

Every time he looked at the painting where it hung, taking up nearly the whole wall opposite his bed, it eased some of his homesickness during the long seasons in New Jersey.  

For months, a package he didn’t order would show up at his door, and he’d open it to reveal yet another piece of her to keep with him. 

When the Naters painting arrived, he’d called her practically in tears. She told him she knew he missed home and hoped it would bring a little bit of home to Jersey. 

He forced her to accept repayment for shipping such a large canvas and made her promise to let him pay if she was sending any more. Instead, she’d brought an additional four with her on her next visit.

Dawson looked even more enamored as he said, “that stuff is really good!” 

Nico couldn’t remember Dawson taking any particular interest in the art when he’d been at his house before. Jack had noticed it, which had spurred the conversation about Lena in the first place. 

She offered him a thankful smile that Nico was pleased to see, was void of any flirtation. 

They had a drink a piece before she began to yawn. Nico wasn’t surprised. She’d driven from Halifax to Maine the day before and then from Maine to New Jersey that morning. He’d helped her unload her things before she insisted they come to the kickoff party. 

“I’m really sorry,” she apologized, covering her mouth. 

“You’ve had a long day,” Dawson said, encouraging, “you should go get some sleep.” 

She smiled indulgently at him before standing from the table. She really was exhausted. Plus alcohol always made her sleepy. 

When they got home, Lena asked, “Do you mind if I let cookie out?” 

He shook his head, going to the kitchen to get some water. 

A few minutes later, her light orange tabby cat came skulking into the kitchen, eyeing everything suspiciously. When they made eye contact, Cookie narrowed his eyes as he stalked over. 

After sniffing his socks, he seemed to decide he was the same person he’d always been and rubbed his face on Nicos leg. 

Walking into the kitchen, Lena heard Nico murmuring in German. As always, it made her stomach twist a little. She’d known him for six years, and it wasn’t that she forgot he was from Switzerland so much as she forgot how sexy his voice sounded speaking the language he’d grown up with. Even with her limited understanding of German, she got the distinct impression he sounded more like himself than when he spoke English. 

Rounding the kitchen island, she expected to find him crouched down, talking to one of his siblings on the phone while digging something out of a low drawer. Instead, his phone was nowhere to be found, and he was speaking to Cookie, who had flopped onto his side, happy to be receiving pets. 

“Oh,” she said before she could stop herself. The sight of Nico loving on her cat made her heart thunk into her ribs.

This, right here, is why she originally told him she was staying in the city. 

He had insisted there was no reason she needed to spend the money when he was right across the river. When she’d hesitated, he played his ace, bribing her with Cookie. “You can bring him, and both of you can stay,” he’d said, “you wouldn’t have to leave him with your parents.” 

Even though she knew it would suck to be around him all the time, knowing he didn’t have any interest in her, she’d caved right away.

The problem with Nico was that he was just so damn sweet. He did everything from the bottom of his heart and was genuinely happy to help. As soon as she managed to convince herself she didn’t love him, he would go and do something like insist she stay with him not only for finances, but because she wouldn’t have to leave her cat behind, and feeling would swoop into her heart again.

This was her last undoing for the night. Not only had she watched him carry her things into his apartment, his hockey-hardened body taking the brunt of the weight with ease, she’d had to listen to him laugh and tease while he flashed his dimples at her all day. And now, he was sweet talking her cat in German.

God, how was she going to survive this? 

Nico’s eyes darted up at her noise. He hadn’t heard her come in.  She’d pulled her hair into a bun on the top of her head, but a few of the shorter pieces had escaped, falling around her face. 

Throughout the time he’d known her, her hair had been many different colors. When they met, it had been blonde, then ginger, then purple, then blue. She dyed it back to her natural ashy blonde for a while before going to this pastel pink she’d been maintaining for the last two years. When he asked her why she’d kept it for so long, she said, “I don’t know, it just looks like me.” 

He had to agree. It looked incredible on her, making her skin warm and her hazel eyes bright. 

Wanting yawned in his stomach, and he tore his eyes away before she could see the lovesick expression Jack teased was written all over his face whenever he looked at her. 

“I’m glad to see he’s making himself at home,” Lena said, laughing. 

“He’s sweet,” Nico said, standing. “I thought you’d be in bed.” 

“I wanted to say thanks again,” she said, stepping forward to hug him. 

As his arms wound around her waist, Nico allowed himself a moment of fantasy, imagining she wouldn’t be going to her own room when they turned in for the night. He couldn’t stop his mind from continuing down the fantastical road that living together might be the thing that finally got them from friends over the hill to lovers. 

“I’m happy to have you here,” he said when the fantasy had run its course, and he came back to reality. 

Cookie meowed as if upset at being left out. 

She broke away with a laugh and bent to gather him into her arms. 

“Thank you again,” she said, leaning in to brush a kiss over his cheek.

Nico felt himself go still as stone. He couldn’t remember if she’d ever done that before. 

“G’night.”

“Gute nacht,” he responded, barely holding himself back from waving as his mind was still caught on trying to process the fact that she’d actually kissed him. On the cheek, but still, her lips had been soft and warm, especially against the hard contrast of her nose ring.

He watched her disappear down the hall before he smacked a hand to his forehead. “Gute nacht,” he mocked himself. “You couldn’t think of anything better to say?” 

He was a fool for thinking this was going to work. 

The next thing he had never expected when he invited her to move in came the following morning. 

Lena hadn’t stayed with Nico in his new place before. She couldn’t have. He upgraded to renting the three bedroom apartment in their building when it was finally settled that she would be living with him. That way, he still had a spare room for when family or friends came in town.

The day previous, she’d picked the room closer to his. Had he known — had he thought about it, he would have suggested she take the other one. He could have made up some bullshit excuse about how he didn’t want his snoring to keep her up at night. 

Had he been thinking clearly, he would have noticed that her ensuite bathroom shared a wall with his bedroom. The very wall his headboard sat against. 

As it was now, Lena, always the early riser, was in the shower. Right on the other side of the wall. 

Waking up to the water drumming into the tile, it took him a moment to place the sound. Only when it shifted, quieting and changing rhythm did he realize what was happening - she’d stepped under the water. 

With a sudden jolt, Nico realized that his headboard, some paint, sheetrock, a jumble of studs, and a few dozen white subway tiles were the only things separating him from her naked form. 

The idea of it assaulted his senses until he was half hard and couldn’t think of anything else. 

Cursing, he pulled a pillow over his face and groaned loudly. He couldn’t ask her to move now. He would have to explain why, and he wouldn’t be caught dead telling her he needed her to move because he couldn’t get the image of her naked, water trailing off her hair, dripping onto her breasts and pooling around her feet, out of his mind. 

He groaned into his pillowcase again. 

This went on for a few more minutes before the water changed again, increasing in pressure and beating a staccato rhythm against the tile. A second later, he heard the water shift and change again as well as a gentle thud, as if she’d fallen against the wall. 

Knowing exactly what that meant, he vaulted out of bed, rushing to his own bathroom. He would not jack off to the sound of her in the shower. That was a step too far, but if he let his imagination run, he wasn’t sure he’d be able to stop himself.  He’d thought of her many, many times while getting himself off over the years, but doing it while she was in his house, very likely getting herself off, felt like a step too far. 

Cold water shocked him back into his senses, and he didn’t let himself think about it anymore. 

Lena stepped out of the shower, feeling much better. Not only did she feel more rested, she was finally able to release some of the sexual frustration that had settled on her like a heavy blanket since arriving. She would have done it the night before, but showering was always part of her morning routine, and in the rush of moving and getting to the bar to meet Nicos team mates, she hadn’t fully unpacked, and couldn’t find her vibrator. She’d tried with her fingers, but it just didn’t work the same way. When she finally fell asleep, she was still feeling frustrated and needy. 

After dressing and putting some dry shampoo in her hair, she walked into the kitchen only to find Nico scooping freshly ground coffee beans into the coffee maker, wearing nothing more than a towel. His hair was still wet, and she watched a rivulet of water wind its way down his back, all the way to the dimples at the base of his spine. Wanting sparked to life between her thighs again. So much for easing the sexual frustration. 

“Morning,” she made herself say, refusing to be the creepy one watching him shirtless, core throbbing at the thought of him. 

Nico jumped, and his hand snagged the towel around his waist before it fell. He thought he had more time. He wouldn’t have come out here in only a towel if he thought she would be out soon. He just wanted to have coffee made for her. 

“I thought you were still in the shower,” he said by way of explanation. 

“How did you know I was in the shower?” 

“It’s right on the other side of my bedroom wall,” he informed her, trying to keep the guilt out of his voice. 

Fuck. Fuck. Fuckety fuck, fuck, fuck. 

“Oh,” she said, hoping beyond hope the sound of the water had drowned out the accidental, desperate way she’d moaned his name when her climax finally hit. 

She had to find her vibrator. Maybe she’d pick one up in the city, just in case. She couldn’t be getting herself off in the shower anymore. There was no way. Absolutely no way. Knowing he was on the other side of the wall would shrivel her sex drive like a dried out bean pod. There was no way she could get off to thinking about him, knowing he might be able to hear her, and then she would just be even more frustrated. It didn’t matter if she might find her vibrator unpacking later that day, she decided, she was getting one in the city. Better safe than sorry.

Pushing that idea away to think about later, she accepted the mug of coffee he held out to her. 

“Oat milk, right?” he asked, trying to steer the conversation away from her showers proximity to his bed. “I found this pistachio kind I thought you might like,” he said, rifling in the fridge with one hand, the other still clasping his towel. He needed to pull it tighter but couldn’t with her in the room. At least the cool air was calming his flushed cheeks.

And just like that, the sweetness that was Nico Hischier burrowed its way into her heart again, easing some of the lust back into love. It was incredible how being seen made her feel. Not only with eyes but with words and actions to follow them up. 

No wonder every man she’d dated in the last six years paled in comparison. Nico set an impossible standard for other men to meet. 

And that wasn’t even taking into account the fact that he had the body of a god and the most empathetic, earnest brown eyes she’d ever seen. 

They never even stood a chance.

He found the creamer he’d picked up the last time he was at the grocery. Lena loved all things pistachio, and when he’d seen the non-dairy creamer, he’d automatically put it in his basket for her to try once she got here.

When he turned to her, he had to push away thoughts of kissing her that often came up when he saw her smile the way she was now.

Setting the creamer down, he mumbled, “I’ll be right back,” before practically running to his bedroom. He threw on some shorts and a T-shirt. Coming back in, he found her sitting at the table, looking at her phone as she lifted the coffee mug to her lips. 

“What are you up to today?” 

“I’m going into the city. Find the best subway route to the academy, find my classes, that kind of thing.” Her courses didn’t start for another few days, but Lena knew she would feel better having explored first. 

“If you can wait till I’m done with practice, I can come with you,” he offered. 

Even as he kept his expression neutral, she could hear the undertone of unease in his voice. 

“Nico, I’m going to be going out there by myself every day.”

“But you don’t have to do it alone the first time.”

It wasn’t like he knew the way any better. Lena knew for a fact that he didn’t take to wandering around the city for fun, and if he did, he drove in or took an Uber. Plus, she wouldn’t be able to get her vibrator if he came with her. She didn’t like thinking about the pity she’d find in his face at her inability to find a man to fulfill those needs for her.

“It’s not the first time. I’ve lived in the city before.” 

“For three months when you were twenty,” he reminded. 

“Exactly. It’s not my first rodeo.” 

He never understood that expression. He’d seen a rodeo, and it didn’t seem like the kind of thing someone could grasp after doing it once. It was just another American idiom that always went over his head.

“Nico, I’ll be fine,” she said when he didn’t respond. “I have you on speed dial if I get stuck somewhere, okay?” 

Biting his lip, he tamped down the overprotectiveness rearing up inside him. Lena was smart. She didn’t get herself into trouble. But she was also so pretty, and some men were dogs. 

The look on her face, defiant and determined told him exactly how this was going to end. 

“Okay,” he said with a sigh. “But you’ll call me if you get lost?”

“Yes. I’ll call you if anything comes up.” 

Nico threw himself into practice. Hockey always managed to clear his mind when he was stressed. Even the sound of it - skates scraping the ice, pucks thwacking into sticks and the simpleness of communication - made everything else slip into focus. He didn’t have to worry about being an idiot or saying the wrong thing. He demanded the puck when he needed it and tried to get it into the net. 

Practice was a reprieve from the stress of life. Of all life, all the time. But especially then with Lena in his house. He could skate her out of his mind and focus on simpler things. 

Jonas came up to his stall as he was getting out of his gear. 

“Can I still come get my box?” 

It took a moment for Nico to remember. He’d had left his gaming console at his house a few days ago. “Yeah.” 

When they walked into the house, he found Cookie, right at home, stretched out over the back of the sofa in a sunbeam. 

“Since when do you have a cat? I didn’t think you liked cats.” Jonas asked. 

“He’s Lenas,” Nico corrected. Jonas raised an eyebrow, which Nico chose to ignore. “And I don’t dislike cats. Cookie is sweet.”

“Cookie?” he repeated. “She named her cat Cookie?” 

“Apparently she had a stuffed animal that looked like him named Cookie when she was little,” he explained with a shrug, trailing a hand over the cats silky fur. 

Cookie trilled at him and arched his back for more pets.

The door opened behind them, and Lena herself walked into the apartment, flushed from her walk from the station in the cool autumn air.

Nico tore his eyes away from her before Jonas could give him another raised eyebrow at the look he knew was all over his face.

“Hey, Lena,” Jonas greeted. 

“Hey Jonas,” she said with a big smile, giving him a hug. “It’s good to see you.” 

They’d met in Switzerland a few months before when Lena had come after a trip to Italy with some friends. Her friends had gone home, and she’d caught a train to Bern to spend a few days with him before she had to get back to Canada. It was then that he’d learned about her acceptance into the academy and suggested she should stay with him. 

After she went out and about with Nina, and he finished with training, they had all gone out for dinner and drinks at his favorite place, Tramdepot. Jonas’s girlfriend, Nola, was out of town, and had Nico not known she existed and that Jonas was head over heels for her, he would have been sorely tempted to end the night early so he and Lena would have to stop talking. 

“You can’t be jealous if you’re never going to ask her out,” Nina had admonished him on the way home.

Knowing Lena didn’t speak German allowed him to be open and honest with his sister, even as Lena walked in front of them. 

“She doesn’t date hockey players.” 

Nina gave him a wry look, “she told you that?” 

“No, she told her friend, Jessica. I overheard them.” 

“What exactly did she say?” Nina asked.

“She said, ‘I don’t date hockey players.’ And then Jessica asked, ‘what about Nico?’” 

“And she said?” Nina prompted.

“She said it doesn’t matter.” 

“I think you should still talk to her.” 

“She said it doesn’t matter, Nina,” he said, and there had been an embarrassing amount of whining pain in his voice. 

Nina bit her lip, glancing at Lena, who was walking next to Jonas, asking something about the architecture. 

“I can’t —” his voice had almost broken, “I can’t.” He couldn’t even get the words out. 

He was in love with Lena. He knew that. And it was wonderful and painful and awful all at the same time. But the thought of asking her and having her say no - the thought of asking her and it changing their friendship forever? That was worse than the bitter, lovely pain of being in unrequited love. The idea of losing her was worse than knowing he would never have her in that way. 

“Well, I should get going,” Jonas said, gesturing with the playstation and bringing Nico back to the present.

“I’m sure I’ll see you around,” Lena said, offering him another hug.

After Jonas left, Nico followed her to her room, leaning in the doorway. There were still boxes around, and he noticed a pile of clothes on the floor that she'd obviously pulled out of a box in search of her outfit for the day. He willed his eyes to skip over something lacy and green.

“How was it?” 

“Fine,” she said, setting her tote bag carefully on the bed, making sure it wouldn’t tip over. On top of the vibrator, she’d bought lingerie. Not that she had anyone to wear it for. But the pink set had been on display and matched her hair. She’d asked to try it on on a whim and found she couldn’t leave it behind. Even if it was just for herself, the lace and mesh balconette bra and matching panties made her feel pretty and sexy. So what if no one else ever saw them? She’d know they were there, and that was enough. 

All the same, she didn’t want Nico to see it. The thought of him knowing she’d bought lingerie when he knew she didn’t have anyone to show it off for made heat race to the surface of her skin.  

When it wouldn’t stay upright, she tipped the bag gently, resting it against her pillows so nothing would spill out. 

“Just fine?” he asked, worry edging into his tone. 

“It was good,” she said, turning around. “I found everything fine. I only went three stops in the wrong direction once. My advisor seems nice, and all my classes are right in the academy, so I won’t get lost.” Walking from the room, she changed the subject, “how was practice?” 

“Good,” he dragged a hand down his face, “I think we’re finally starting to gel as a team.” 

“That’s great, Nico.” 

“I hope it comes together before we head to Carolina.” 

“I’m sure it will. If you’re already seeing that now, it’ll only get better in a week, right?” 

He smiled, glad to have her sweet reassurance around. Though she never played hockey - “You would not want to see me on skates. I’m the most uncoordinated disaster of a baby gazelle you’ve ever seen.” - she’d grown up with siblings and friends who play and had a thorough understanding of the game and what it took to win. 

That first month living with her was an awkward dance. When his first road trip came around, it was a relief to get away. He could finally breathe easy, not worried about turning any corner to find her being unassumingly lovely in some new area of the apartment.

But by the second night away, he found himself missing her and missing their evening routine of sipping tea while watching TV. She never complained when he pulled up one of his brothers games or something else Swiss as long as the subtitles were on, and he’d gotten way too sucked in to the ridiculous reality TV show she loved about couples living in a villa together, searching for love. 

That second night, when missing her had settled into his chest in a way he hadn’t yet experienced, he almost turned it on for he and Jonas to watch before bed, just to get some comfort of home back. Instead, he’d tossed the remote to Jonas. Lena said she’d wait to watch it with him when he came back, and he didn’t want to let her down. Plus, he wasn’t totally sure he wanted Jonas knowing he enjoyed such trashy shit.

He missed the steadiness of her presence. He’d gotten so used to living alone, he’d forgotten how nice it was to have someone else in the house. She was always there if he needed a little comfort, offering a hug or a listening ear, or a back rub. 

After he got home, they fell into a comfortable routine, weaving in and out of each other's lives. They would have coffee at the start of each day before she left for classes, and he left for practice. 

In the afternoon, she worked on her art in the living room, and he liked to watch her paint or draw, silhouetted against the large window, if she was still there after he’d taken his nap. 

She cooked dinner most nights. She wasn’t a chef by any means, but she enjoyed cooking, and he was always appreciative, even when something was burned. Plus, she owed him. The money he saved her by not having to pay for housing for a year wasn’t insubstantial. Cooking was a small way she could pay him back on the few nights he was home each week. She’d even made his favorite meal the day after a hard loss. 

He gave her the cold he caught on their second trip. Something, he was sure, he got from Haula’s kids, and they were miserable together for a few days. He woke to her showering in the middle of the night more than once as she tried to clear her sinuses. 

When Halloween came around, he asked if she wanted to go to the team party with him. It was the first time since he’d come to New Jersey he didn’t have to come up with a costume by himself or do something with one of his teammates. He’d had girlfriends before, most of them from Switzerland, but no one who was able to make it to the party.

They spent one of his off weekends figuring out what to wear. Lena was worried about giving people the wrong idea and shot down most of the suggestions that came up on her web search as they were all suited for couples. 

Every time someone asked how long they had been dating, it was like being jabbed with a hot poker; pointing out everything she wanted but didn’t have. 

In the end, they decided to go as people who had been stranded in the desert. She panted their cheeks to look sunburned and put dyed baby powder in their hair and eyebrows to mimic sand. They wore ripped, tan clothing and carried empty canteens. 

When she’d come out of her room, he swore his heart nearly stopped upon seeing the open, artfully dirty button up shirt she wore tied over a tan colored bra. He’d seen her in a swimsuit before, so in theory, he’d seen this much of her skin, but this seemed more intimate than a bathing suit. 

It sparked a new wave of longing in him. 

More than once, Jack gave him an exasperated look when he caught Nico staring at her as she talked with the WAGs. He was obsessing over all the little details of her costume. The way one of her shredded khaki pant legs was higher than the other, showing the tattoo of a paintbrush crossed with a pencil on the inside of her right ankle, the stripe of her smooth low back visible between her shirt and pants, and of course, the flash of her cleavage anytime she turned toward him. 

“You’re gonna have to make it happen, man,” he said, passing by to get another drink. 

It took almost six weeks, but he got used to her fresh faced beauty being around all the time. It didn’t dull necessarily, but like living in a beautiful place, eventually, the beauty fades into the background until the lighting changes and everything is suddenly new and breathtaking again. While she was around all the time, it grew easier for him to push aside. 

On a Saturday in early November, he came home from practice to hear her humming somewhere in the apartment. She wasn’t in the living room - in fact, her drop cloth and easel hadn’t even been set up. 

Opening his mouth to call for her, his greeting died in his throat when he walked into the kitchen. She was in a tight, pink t-shirt, a matching pair of little boy short underwear and nothing else. His eyes were immediately drawn to the round swells of her ass peeking out from under the material. 

He couldn’t look away. Even knowing he should say something, so she didn’t think he was just creepily watching her didn’t help him. 

Forget looking like a creep. He was never forgetting this as long as he lived. 

Lena turned around and jumped. Nico was standing in the kitchen doorway, mouth slightly agape. He’d been quiet as a mouse, and the shock of his sudden appearance sent her sandwich diving off the plate. It opened on its descent and splatted onto the dark tile, meat and condiment side down - because, of course, it did. 

She swore, and it snapped Nico out of his reverie. He dropped to his knees to help clean it up.

As she knelt next to him with a wet rag to wipe the butter off the tile, her bare knee slid into his field of vision.

“I’m sorry I didn't say anything,” he said emphatically, feeling himself blush as he kept his eyes trained on the floor so they wouldn’t travel up the creamy expanse of her thigh.

Shaking her head, Lena stood, hoping he didn’t notice she’d practically turned the same shade as her shirt, “I’m sorry about this,” she said, gesturing to her legs. Of course he had to come home when she wasn’t wearing any pants. The shirt and panties had arrived that morning, and she had been trying them on when she decided to make a sandwich.

Nico looked up and felt his jaw go slack. Somehow, he managed to keep it from falling open. He could clearly see the slope of her breasts and a stripe of her stomach where the shirt didn't quite reach her underwear. He inexplicably wanted to bite the curve of her inner thigh.

He could only blink several times before he managed to look away. Made new in the harsh light of the kitchen, wanting her took over his thoughts, turning him into a bumbling idiot once again.

God, what wouldn’t he give to worship her any way she would let him?

“I didn’t think you were coming home until later. I would have put on pants.”

The fact that she apparently often didn’t wear pants when he wasn’t home burrowed into his brain to torture him later. 

He managed to make some kind of noncommittal noise and stood up. 

Lena scurried to her room, grateful that, at least, she had this new set on, and not a pair of ratty old undies.

She wished she could forget the shocked look on his face when he looked up at her from his knees. She’d envisioned him on his knees before her so many times, but none of those fantasies involved him staring open mouthed at her thighs. 

A week later, as they were watching Love Island, Lena asked a question she never thought she would have to.

“When’s your next night off at home?” 

Nico pulled up his calendar app, and flipped through the days, “Thursday.” 

“Oh.”

“What’s up?” he asked, setting his phone on the side table. 

“I…” Her cheeks flushed, and she bit her lip. 

“What?” he asked, feeling nervous. She was going to tell him she started dating someone, wasn’t she? That she’d met someone while he’d been out of town. The prospect of it roiled in his stomach.

“I thought I had more time,” she said. 

His fantasized dilemma fractured a little. “More time for what?” 

She took in a calming, deep breath, looking up at the ceiling so she didn’t have to look at his face when she said it. “I need to — I need to do a nude study for my figure class.” 

“So? You’ve done nude studies before,” he reminded, thinking about the sketches he’d seen in her portfolio. Part of this intensive training was figure drawing, which he knew she didn’t enjoy, but everything he’d seen looked near perfect to him. Smooth, curved lines, and strong, handsome faces. He didn’t understand what she was so worried about. 

 Professor Brown’s consistent feedback was that her drawings looked too one dimensional, that she wasn’t capturing the living essence of her subjects. She assured the class that, though it would be awkward, their art would be better when they could no longer pretend the person in front of them was a sculpture. The surefire way to do that? Take away the emotional distance between the artist and their model.

“Yeah, but those were with people I’d never met. My professor wants us to do a study with someone we know…preferably of the opposite gender. She said it would make the art more intimate.” Daring to meet his eyes, Lena felt a blush scorch her skin.

Understanding sparked in his face, and she watched his eyes widen. 

“You want me to be your nude model?” 

She licked her lips, “I thought about asking Jesper to do it, but that didn’t seem right.” 

“Why Jes?” he asked, barely keeping the flair of emotion out of his voice. That was the last thing he wanted to hear. Not only was his love for her unrequited, she would be more comfortable sketching one of his teammates. One of his engaged teammates.

“I don’t know. I feel like he wouldn’t be weird about it since the swedes are always so,” she gestured to her own body, “open. But it felt too… intimate when he has Nicole and we’re…us,” she finished lamely, finally daring to look into his face. 

His heart leapt into his throat. 

We’re us? What did that mean? What was us? They were friends? She wanted something more than friendship? Hope reignited in his chest for the millionth time.

He cleared his throat, hoping she couldn’t hear his heart hammering. “What would -” he had to pause to clear his throat again. “What would it involve?” 

“You’d just need to sit or stand for a few hours while I do some sketches.”

“Naked?” he asked, his voice squeaking over the word despite his attempts to stay cool, “or could I wear my boxers?” 

“I need to turn in six sketches, but at least half of them need to be nude, so you would only need to be naked for part of it.” 

He didn’t respond right away, trying to sort out and understand his own racing thoughts.

She nibbled at her lip, “I know it’s kind of a lot to ask.” 

There were so many reasons he wanted to say no, but despite all that, Nico still found himself nodding. He could never say no to her, even if it meant he had to pose naked for her to sketch. 

She felt her cheeks flush again. The thought of seeing him this way had nixed the idea of Jesper from her mind. She didn’t want to sketch his thighs, even if it would be less awkward than sketching Nico. She might never get the chance to see him naked in a romantic setting, so, selfishly, she was seizing the opportunity while she had it. 

“Has to be Thursday?” he asked. 

“Well, sometime in the next week,” she said. “If you’re not comfortable with it, I can ask Jesper.”

“It’s not that,” he said. Too quick, too desperate. If she asked Jesper, it would get around the locker room like wildfire that she’d asked him instead of Nico and on top of not wanting to let her down, he couldn’t take the chirping that would come from that. “It’s just fast.” 

“Do you have another day off?” 

He swiped through his calendar again and shook his head. “We leave for six days after the game on Friday.” 

Her lips pursed together. The flush that was glowing on her cheeks made him smile. At least she was just as nervous as he was. 

“Do you need me to do anything before? Shave or…anything?” he asked, gesturing to his chest.

She hadn't even thought about it. From what she remembered, Nico didn't have a huge amount of chest hair anyway.

She'd known going into this conversation that it would end with at least a fifty percent chance he’d say yes, but when he asked about shaving, it struck her suddenly and completely that she really was about to see him naked.

“Nothing you wouldn’t normally do,” she squeaked.

Nico felt himself smile. If she was going to be this flustered the whole time, maybe this wouldn’t be half bad. 

It Doesn't Matter:

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[femmeslash]

other people have talked about rodya's facade more eloquently than me, but as a makeup enjoyer and femme lesbian i want to highlight a bit of her design i think is interesting

rodya is always wearing a full face of makeup.

some of this could be the art style and i'll get to that, but she has shaped brows, eyeshadow, probably eyeliner and mascara if not outright lashes, blush, and lipstick/gloss/stain. this amount of products usually also goes along with things that are intended to be less noticeable, like primer, foundation, concealer, contouring and highlighting, setting spray, and other products like creams, serums, and toners. this isn't even getting into applicator tools like brushes and everything that goes along with maintaining those, or makeup removal products

contrast to the other sinners:

seems like female characters all get a bit of color in their cheeks, including ones i'm certain wouldn't bother with makeup. (this is why i'm uncertain about the brows and liner/lashes because they all look pretty defined and there is no fucking way in hell don quixote is spending time on shaping her brows.)

contrast again:

okay thanks hong lu

better shot of the rodya eyeshadow:

do you know how much time it takes to do a full face like this? this is at minimum two products, probably way more. rodya's presentation is something that takes time, effort, and practice and she has never been shown without it, even in the yurodiviye days when she was extremely poor:

what this says to me is that makeup is really important to her. rodya is someone who will do anything to mask her own insecurities or perceived flaws. doing a full face every day, even at her job where she knows she will be subject to horrors like dismemberment, death, evisceration, etc, is a massive exertion of control over how others see her.

it's a neat part of her character design!

[spop-romanticizes-abuse]

honestly, i think the double standards with catra and glimmer stems from something other than pretty privilege, and it's something i've seen in a lot of media.

take, for instance, the atla fandom demonizing aang and katara but coddling azula. or the su fandom villanizing steven but making excuses for spinel and lapis.

and the reason for this is that villains or antagonists are always given more freedom to make mistakes, to do heinous shit, to be cold or rude or insensitive to others. the logic being that "they're the villain, of course they're gonna be horrible".

with heroes, on the other hand, there's this subconscious judgment whenever they make a mistake. heroes are meant to be perfect and as much as people say that they want more antiheroes, they always judge a hero based on how morally good they are.

which explains why katara is hated on for saying something insensitive out of repressed grief and trauma, but azula is coddled for committing multiple war crimes.

why glimmer is bashed for being kinda mean and making some bad choices due to grief and pressure, but catra's conscious choice to attempt genocide and willing participation in war is justified.

why steven is villanized for having a mental breakdown after years of suppressed trauma, but spinel's attempts to kill dozens of people on earth are excused.

why mabel is demonized for being kinda selfish sometimes and for being manipulated into giving away something she didn't know the importance of, but bill is loved by everyone.

why korra is blamed for trusting her uncle and losing her connection to the previous avatars, instead of unalaq being held accountable for manipulating her (unalaq isn't really coddled by the fandom but there's a huge victim blaming problem).

simply put, people want heroes to be pure. they want surface-level flaws like clumsiness and awkwardness, not REAL flaws. as much as these people say that they want more morally grey or complex heroes, the truth is that they can't even handle their hero being kinda rude to someone.

especially with characters like glimmer, mabel and katara, who have a more traditionally feminine aesthetic and is generally a good person, people expect them to be well-behaved and perfect all the time. even though both these characters were shown to be passionate and stubborn and fierce from the very beginning, people are still blindsided when they actually take a bold stance or act on their emotions.

and with steven, he was a nice, happy, easygoing kid in the beginning and he tried to remain optimistic throughout all the trauma he went through, so people just expect him to do that forever. to always repress his feelings and never give himself the space to express them, to always focus on being a therapist for literally every other character and to never prioritize himself.

and like sure, villains are meant to be evil. i'm not telling anyone to water down their villains. but there's a difference between liking a villain and excusing their actions. i like azula. i like all of the villains in tlok. i like bill cipher. i even like catra and white diamond minus their shitty redemption arcs.

but i'm not going to set double standards by justifying everything that a villain does and demonizing a hero for acting out of line once. especially if the hero actually takes responsibility for their actions and tries to be better, and the villains just get forgiven for doing the bare minimum.

[ladyloveandjustice]

When I checked to tag to confirm his favorite food that in the tag I see people arguing "Shuro's not a misogynist!!! He's not sexist!!! he said he loves Falin's mind!!!" and guys. he's sexist. That doesn't mean you can't like him or anything, or that he's irredeemable, I wouldn't call him a misogynist as in "he hates women", but:

"ORDINARY WOMEN HATE BUGS AND THINK THEY'RE GROSS AND ICKY AND SCREAM...YET FALIN LOVES BUGS? THE SPECIALEST GIRL IN THE UNIVERSE!" #notlikeothergirls

(very funny to say it about a caterpillar too, since those are not bugs people are most commonly scared of or disgusted by compared to other ones)

He again shows a kind of condescending sexism even in post-series comics:

Pretty rich for a guy with an all female group of bodyguards! He's talking to someone who's very capable of defending herself. It's a weird cognitive dissonance he has here, one that's not really shown by other people in the manga! One thing that's cool about Dunmeshi is there's really not much "women are like this, men at like this, women have to be protected" language and women are casually treated in a fairly equal manner...except when Shuro is talking. It's pretty clearly a deliberate thing.

On top of that, he really did make Falin his manic pixie dream girl, and that's undeniable. He says he likes her mind and that's great, but in reality he barely knows her and his view of her is very founded the ideal he's built her into. First of all, he doesn't really seem to accept Laios would be part of his life if they got married, because he seems to assume Falin would leave him and everything she cares about behind, which she definitely wouldn't have done at this point in her life. Nor does he tell the two most important people to her about his plan to rescue her. He does a lot of things we know Falin wouldn't care for in her name. I think he matures a bit over the course of the manga, but I don't think he sees her actual quirks and flaws (which he might find annoying) the way Laios and Marcille do.

I've seen people excusing this with "he's repressed/ he's Japanese" which uuuuh. Not a great look to say we can't expect a Japanese man to be as "enlightened" as their European friends. Again, Shuro has grown up with a ton of women around. His indirect nature and issues with his childhood might be why he keeps his distance from them, but odds are one of the ninja girls doesn't mind bugs, or another one of his allies in the dungeon world. He did grow up in a fairly patiarchal household, but he is surrounded by women he could get to know, and very capable female fighters both in his adventurers party and his homelife. So theres no excuse for him to treat Falin as delicate or put her on a pedestal compared to his assumptions about other women.

Again. this doesn't make him irredeemable. I'd call it subconcious sexism rather than actively hating women, a thin line sometimes, but significant in the likelihood of capacity to change. I feel like if someone pointed it out to him he'd at least give it some thought or maybe try to reconcile with it. But excusing the flaw doesn't do anything for his character. Just because you like him doesn't mean he doesn't have issues.