Miss Pevensie, they say, can you identify these bodies for us? And you try, gentlest sibling, you try your best. But the tears are thick in your throat and the grief is bitter on your tongue, and when you shut your eyes you see fire and steel, twisting together and crushing the breath from their bodies.
You look at your father, and mother, and cousin, still and silent on their backs, bruised and bloodied and unsmiling, and their faces are anything but familiar. Were their eyes open you would be looking into the face of a stranger. You press your hand over your mouth, and you do not cry, and you tell them what they want to know. These are my parents, you hear yourself say. This is my cousin. They nod, they thank you, they direct you forward. More, more, more corpses to identify. More losses to count.
You look at your eldest brother, golden blond hair spread across his forehead, thick like the mane of a lion. There is gravel in his skin and soot on his cheeks and his face is pale, hands folded over his chest and blood threaded into his yellow sweater. Red against gold. For a moment the combination brushes your brain, touches a distant memory of battle and clashing swords, but you blink and it is gone. This is my brother Peter, you say, in a voice choked with grief. The sky looks black outside the window, and your brother’s arm still feels warm when you touch it a final time.
You look to your younger brother, dark hair tousled, blood leaking between his lips. His skin is frost pale, like snow, so white he appears to be made of stone. Shrapnel cuts into his cheeks and sends crimson trails across his face. His hands are clenched, cap askew on hair smeared with blood. They tell you he died with his sister in his arms, body curled around her in a vain attempt to keep her safe. You stare at him with a lump in your throat, and for a moment you seem to see him, silver crown upon his head, smiling with quiet gentleness. It fades, and you whisper, This is my brother Edmund. The tree outside the window seems to wilt a little as you speak. Your brother’s cheek is like ice beneath your fingertips.
You look last at your sister. She is peaceful, lips lifted in a smile, hair tangled beneath her head and shoulders. She grips something in one hand— a tiny wooden carving. A lion. Your throat clenches to see it, but you do not know why. Her skin is warm, like sunlight, but there is such coldness in her face. Such emptiness. Blood smears her sky blue dress, and you weep to see it. Blood does not belong on your baby sister. For a moment the red makes you remember her, dancing wild by a fire with berry juice smeared on her hands and mouth, but surely not. Surely such a thing never happened. This is my sister Lucy, you murmur, and are able to say no more. For a moment it seems as if a mist touches the window, and your sister’s skin is hot against your palms.
You turn away, raven-dark hair falling over your cheek, and stare out the window with tears burning your throat. There is no sun, and you think that perhaps there will never be sun again. It has been taken away forever.
(For a moment you seem to hear a voice, deep, gentle, loving. To the radiant southern sun. For a moment you feel the weight of a crown in your hair. Perhaps you are losing your sanity, bit by bit. Perhaps it was shattered the moment you heard the news).
They asked you to identify the bodies, and you did, because they are your family. They were your family. You loved each and every one of them. You loved your mother's soft fingers in your hair and your father's deep chuckle. You loved your older brother's fierce kindness and your little brother's quiet demeanor and your baby sister's merriment. You loved them all. And now you stare through the window at a sky that is heavy with rain and think of flames and twisted metal and the blood on your siblings' skin.
You close your eyes. For a brief moment you think you smell lilies, and salt, and Lucy is laughing and Edmund is smiling and Peter's arms are slung around their shoulders, and then they are looking at you and beckoning and there is a lion with golden eyes and the sun is rising into a damp new sky.
Your eyes open slowly, glazed over with tears that spill down your cheeks like rain.
And for a moment, just for a moment, you remember.
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First of all, you have given me so much to work with, thank you so much. Second of all, I’m really glad you could see where I was going with Grant’s real test not actually being about killing Slade. Third of all, I absolutely love what you’ve suggested with the powers and I am currently designing met gala esque outfits for the trio and Tara’s specifically is really fun to play around with. I’ve been thinking to show they’re becoming more divine I’ll change their hair and eye colours but not their faces for the most part. I was drawing robin Jason with Natalia and decided he should have brown eyes and a crooked nose from breaking it as a kid but once he returns his eyes get weird (eg go blue and occasionally other colours), a patch of his hair went white and he lost all of his scars. Also, I think the closer they get to divinity I’m gonna draw cracks on their body that glow with their specific colours just to hammer home how they’re shedding their mortal forms.
With Tara being able to see the strings of fate, I though it’d be fun to give her a harp and then with Jason having the see no evil trait I thought it’d be fun to give him weighing scales since lady justice wears a blindfold. Idk what to give Grant though. I mean probably a weapon of some sort or maybe a Shepard’s crook that he can turn into a scythe to play into the sheep, wolf, Hunter thing.
With Jason and Tara’s splintering, I love the idea of them making fun of Grant for being the baby god. He hasn’t even had a cult yet, gosh he’s so young. Also them being besties just holds a special place in my heart.
And I just came up with this, of course they have parallels to the trinity but in universe rumours of their existence have been around much longer than Bruce, Clark and Diana. They’re the big three of the justice league but these guys are justice gods. So they start calling themselves the justice trinity but then people get confused about which trinity is which because the justice leagues’ trinity sounds awfully close to the justice gods’ trinity. The new all caste is certainly more distinctive branding but the point isn’t to be distinctive, it’s to be petty.
I'm so glad my unmedicated rambling helped!!! And I'm so excited for the outfits!!! I love when characters start becoming less and less human, when they're stuck in that uncanny valley spot of not quite human but not entirely Other, when they lose control and the cracks start to show...um I should probably give a warning for slight body horror elements. Not in the gore sense, in the "this body is not made of flesh and there is something divine clawing it's way out". Uh also there are teeth. Just. Teeth. I dipped into a little bit of cosmic horror at the end there because I wanted to cover my bases with mixed mythologies
Jason, with his defined splinters, is usually depicted with three faces in ancient texts. The Child, gaunt and dark colored, is said to appear before the downtrodden and impoverished. The few stories remaining tell of kindly people who give him an offering, and in exchange he reveals his true form, with his crown of golden ivy and beautiful strong wings to gift them bounties of food and water and riches. Other stories tell of not so kind encounters, where The Child witnesses an injustice - typically against women or children - and again reveals his true form, one with clawed hands and a mouth dripping with blood. Scholars argue what the wings looked like, but whichever All-Caste member annotated it before has compared their likeness to either a Robin or a Shrike.
There's also The Ghost, He appears young at first glance, but his hair is wirey and gray, his eyes milky and unseeing, in bloodied armor he greets the souls of the damned as they're delivered to him, and with scarred hands he wipes the tears of children taken too soon. Accounts of this face are few and far between, but all of them are entrenched in sorrow.
Finally there is The Soldier, scarred and still smoking from the ruins of battle he emerges, giving voice to the weak and resources to the needy. He champions revolutionaries and philosophers first, a strategist who delights in the liberation of the people from corrupt systems. Accounts of him usually come from times of famine and war, and he was particularly popular with poor villages, who would mark the graves of their dead with the symbol of his sword as offerings. For some reason or other, he got particularly popular with the youth, girls and boys both seemed to pray for him and leave him offerings.
The way these manifest on Jason is subtle at first. I could go the body horror route, but I won't. Yet. Instead I think his splinters show up as reflections, shadows, imprints. The faint echo of bell-like laughter when Jason does a move he learned as Robin, the image of a younger him with longer hair and unblinking eyes staring at him in the mirror. It gets worse when he gets the blades, the white streaks his hair, the swirling mark covers more of his skin every time he uses them, he trails the scent of smoke and blood behind him like a signature. His scars...they should disappear. They have for everyone else who used the pit, but instead his skin starts cracking. Any place he's ever been scarred glowing cracks break up his skin. He can't feel them, but he's always aware of them, the meaning behind them, the divinity literally leaking through his body. His eyes aren't brown anymore. They aren't even green. He looks in the mirror and they are copper, molten and burning. He tries his best to keep his mask on.
What do you think of when you imagine the word divinity? Probably something like Tara. Something with skin carved from stone, with moss and fungus crawling up her legs and snow laden shoulders. They say her hair is made of swirling clouds and the sun and moon are her eyes.
Some say she's a nymph although no one knows what kind. You're just as likely to see her name among the naiads as the dryads. Whether flowers bloom where she dances or waves crash when she sings, she's known to be more vicious towards suitors than her sisters.
Others have said she's a faerie, who takes the faces of lost daughters and lovers, slipping into their places seamlessly, forcing unruly men to pay their dues. Others say she's a shifter of a different sort, with a shawl of feathers and a crown of twine and gems. Stories range from men trying to steal her coat (and paying dearly) to lost children returned safely home on the back of a swan.
Tara doesn't think about it at first, the way gravity tends to cede to her, she doesn't notice how sunflowers turn their faces towards her instead of the sun. She doesn't notice the way her face...shifts. it's imperceptible really, and it's not like she looks in the mirror all that often. But everyone around her notices it, on some level, the way her expressions are off. A little too exaggerated. The way her limbs bend just a little too oddly. The way she never looks quite the same as she did the day before, the way she picks up features from the people around her the way she picks up rocks from ground to add to her collection. Clay molded subtly into the image of those she loves, a museum of everyone she's ever met. She does notice when her hair starts going white at the ends, the strange way her hair starts to curl unnaturally, almost floating. She's not so upset about her eyes, the deep blue of her father that has glared down at her day after day, she has changed her hair, her face, her language but she could not change her eyes. It seems she didn't have to, when she wakes up with one a little too silver to be gray and one a little too gold to be brown. And then her skin starts splitting, a cavern made from a broken rib and ravines made by the slashing of knives. She doesn't even bleed anymore, they never scab over. They crystallize, amber like ambrosia, like ichor. Her body a geode waiting to be cracked open to let the thing within finally break free.
They know the least about Grant, whatever he used to be. Half written scrolls, torn or burnt or simply stopped abruptly, illegible journal entries with symbols never recorded in any known language, half finished sketches where the details are never quite clear. A few things are usually consistent though, signs that he's been there, usually from hunters down on their luck or the particularly old and sickly. First, the howling. Like a wolf or a storm, although later accounts would add that it occasionally sounds like a mechanical whirring. Then the rabbits, dead and gutted, but not a trace of blood. Piles of them left in heaps on doorsteps or windowsills. Some have reported knocking at strange hours or finding teeth in their homes, a mix of human and animal. There is one photo on record, the most recent thing in the archive most likely, of claw marks on the side of a barn, too big and oddly serrated, certainly not from anything native to the area. Elderly that report these phenomena typically pass from heart problems within the week, according to some of the old medical files.
Grant came back wrong. Physically, at least. He knows that he's still himself for the most part, dying didn't make him a selfish asshole he did that all on his own, but...but something is wrong with him. It's the way lightbulbs flicker when he's mad and how cameras, no matter the quality, never quite get a clear shot of him. The way Joey can't ever grasp his features, not fully, the details slipping from his mind like water. The way eyes on his face slide right past, unable to look directly at him. It's in the gray spreading from his roots and his eyes too wide and dark to belong to something human. It's the way death clings to him like a second skin, sickly and pallid turning the tips of his fingers gray. His teeth are starting to feel too sharp for his mouth, and he hears things no one else does, whispers of voices that Are Not and Can't Be. The worst part is the orange, liquid candlelight under his skin, lighting up all of his veins and scars, webbing together like the world's worst game of connect the dots. No, there is no mistaking him for something human, so there is no reason to try. If this is his fate then he will take it, because he is not a sheep and he will not be a wolf, he is a hunter, and he is hungry.
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