Might not be exactly what you asked for but PLEASE PLEASE PLEASE go into more depth about the bf and pico drawing with the kinto pet song lyrics 🙏🙏🙏🙏 it has haunted me in a good way and I will explode without more
UR MORE THAN FINE DWWW it's easier for me to ask for prompts but I LOVE ASKS IN GENERAL I like getting to ramble. Forever and always if you see me post something and you want me to elaborate on it/ have specific questions/ literally whatever PLEASE DON'T BE SCARED TO SEND AN ASK IN !!!
okay needed that out of the way first LOLLLLL
The like. Images I get in my head when I listen to this song drive me insane like this was just me putting it into one image but I could deadass do a full PMV if I had the time.
Obvi I prefer to draw in a more Funkin'-influenced style, but esp. with how Pico is drawn I hope it's clear I was leaning into the Pico's School side of things.
(continuing under a cut because I am about to Ramble)
I don't think I was consciously thinking abt it the other night BUT at least the first verse makes me think. Of the Love Conquers All version of Pico's School. An ideal ending; Cassandra is convinced not to carry out her plan, nobody dies, Pico certainly wouldn't be Going Through It. Maybe in this ideal ending they (Pico & BF) wouldn't have split. "In this world, we're friends forever".
I also imagine it as like.. basically how the art I did ended up being. They're just black lines on a white background. Faces obscured. Maybe with some visual effects that distort things too/ some pixelation whatever. I actually think I was planning to have some parts of that pixelated but forgot by the time I was home and could draw; might have been for the best but here's a version with a biit of what I'm talking abt.
They're in a void. Separate from the real world, but happy. Stuck in a loop of the happiest time of their lives (mostly thinking from Pico's perspective with that lol). Is that not better than having to continue on in a fucked reality?
Of course, that's not real. It's just an imaginary loop of "what if"s in Pico's mind. It's a world he built for Boyf.
In this world, Boyfriend is always following with Pico, always showing him kindness and always smiling. Pico's emotions are less readable; maybe in a proper PMV I'd give him his mouth too so he can show he is at least somewhat happy, but despite being the "leader" of the two, he is much more passive, reserved. They are always holding each other's hands.
Verse 2 would be the inverse (lol), signaled by the stronger beats kicking in. White lines on black background. It's no longer the ideal world, and instead the "real world". Real, but distorted by trauma. "Inside my code, you'll always be". The world Cass built for Pico.
The bit of instrumental between verses 2 & 3 would be the Real real world, going forward to when FNF would take place; Pico and Boyfriend reconnected, through less than ideal means, though reconnected nontheless.
We're back to black lines on white background, but everything's less distorted. There's more details too, the world not just being a hazy backdrop for Pico and Boyfriend to play around in, but real.
He's different from Pico's memories, obviously, drawn now in the FNF style fully. More confident, still stupid. He has Girlfriend now.
The first 2 lines of verse 3, his imagined worlds and the real world melt together. Mixed in ways that highlight a feeling of off-ness. Everything feels strange, distorted, unreal.
The last 2 lines it's just Pico and Boyfriend hanging out alone. "All that's left is me and you/Lots of fun that we can do". Boyfriend cheery as ever, while Pico is visibly nervous-- uncharacteristic for him but we don't see if Boyfriend notices.
The strong beat kicking in again sends us back to the imagined world. The good world. But things are wrong. The real world is slipping in, things are no longer stagnant; no longer perfect. Visual distortions/ glitches worsen.
Pico could delude himself when he hadn't known where Boyfriend was; now that he's back, his world warps. No longer under his control. He is not in the lead.
The first half of the outro Boyfriend is still mostly playing along, though still seems to be growing disinterested. Pico is noticably anxious, clearly seeing how the other is no longer like a puppy at his side. Boyfriend is pulling away. Why is he pulling away, when everything's "perfect"? Why is everything going wrong. "The world I built, designed for you".
The second half of the outro, Boyfriend is now actively pulling away. He no longer looks like the idealized, young Boyfriend. He's older, a stranger, he doesn't care for Pico anymore. Pico is older now too, desperately holding on to Boyfriend. Unwilling to let him go again, first in the real world and now in his mind. Boyfriend refuses to hold his hand but Pico still grips onto his arm. Their eyes finally become visible in the imagined world.
Pico's behavior mirrors Cassandra's involvement in the second verse, though unintentionally violent as opposed to her intentional violence. He's selfish, desperate to hold on to his world; to Boyfriend. He's hurting the imagined Boyfriend in the process, but that is second in his mind to him so desperately trying to avoid a second heartbreak. Anything to keep his world together, his peace. Without it, he just has the dark.
Beyond this screen, you cannot leave
Inside my code, you'll always be
Endless fun that we can do
In a world I built for you
In the final instrumental and as the song fades out, Pico wakes up. He's shaken, disgusted by how he acted in his mind and feeling like he's nothing but an anchor to Boyfriend, holding him back. He can't keep clinging to this false reality, nor can he pretend he's doing any good by being in Boyfriend's life again. His mind is made up.
...
LOL I hope the way I summarized The Thoughts I get paints the picture I get in my mind. I've got terminal artist brain I am imagining AMVs to near everything I listen to I am not joking; had to take a break halfway through typing this to walk around a store and I was looping KATAMARI by femtanyl for like half of it imagining an edit in my head. I can imagine anything jpeg.
I wanna very much stress that all that above would have been filtered through Pico's mind. He's not actively hurting Boyfriend, but he's fucking terrified of doing so and he feels so fucking guilty for continuing to hold on to the past they had. I guess it wouldn't be apparent from what I described but he'd also feel guilty for still having feelings for him when the other has moved on and even has a girlfriend.
His world, once his perfect escape from the anguish of his reality, corrupts as he feels worse and worse over even entertaining the thoughts. Him deciding to forget his world and, in turn, go to cut off Boyfriend for the other's sake is not based on objective reality, but an act of self-sabotage that he convinces himself to be the best outcome for everybody.
^ Literally included him doing this shit in a part of that last fic I did you can tell this is something I find interesting exploring with him.
The tone of the song too just fucking.. it adds to the eeriness I'd want out of a proper PMV of this idea. The way it's clearly an homage to the IBM 7094 singing Daisy Bell; the voice and instrumentals just feel so unnerving. Sweet and innocent on the surface, but clearly holding bad intentions. Maybe not intentionally bad, maybe misguided good even, but they are not good nor sweet nor kind. I am talking about the song on it's own divorced from it being from KinitoPET what I describe here is just the feelings it gives me in regards to my favies.
Anyways uhhhh god I could go on for hours but I've been going off for long enough I'm sorry to anyone reading this who had to sit through my insanity. My head is now lighter with this information shared tho.. I guess in conclusion: I am definitely normal and neurotypical and can be trusted to listen to music and be into my games without creating the most devastating ideas known to man. xoxo
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PLEASE spill the Makoto cop tea. I'm always down to hear people's thoughts on that
Thanks anon! I do my best to keep this blog positive-vibes only, but since you asked I will answer. Warning: DO NOT read this post if you do not want to see any criticisms about Makoto Nijima from P5 + discussions of police. This is not hate towards the character or her fans. It's just criticism for the writing choices and their implications for her.
Makoto Nijima does NOT want to reform the police. There's a mandela effect in the fandom where everyone seems to think she does, but rewatch her rank 10. Reform isn't mentioned at all. I'm so serious. What she actually says is this:
Within her confidant, the context is the host that was preying on her friend Eiko. Wanting to stop situations like that is good and makes sense 👍 The writers framed her decision to become a cop as a response to the most clean-cut black-and-white situation ever.
But here's the thing though: what happens when the lawless and the victims are the same people? Because in the real world, crime tends to concentrate among the poor and marginalized. The real world is not black and white. And I try to separate my personal experiences with the law from the media/art I engage with, but that doesn't work here because the game at large doesn't portray society as black and white.
There are a number of people in this game that do wrong because they have been hurt or are marginalized or did not receive proper help. A lot of mementos requests are about 'lawless' people and yet many are portrayed as 'due to systemic issues' or a lack of support or developing mental illness. It's also not a coincidence that Akechi is the most marginalized of all the phantom thieves and he was the one who did the most crime. There is deliberate social commentary here. People do not become lawless out of nowhere. They are shaped by their circumstances. And the game itself sympathizes with these people, focusing on changing/ helping them. The game's conclusion is that providing support and rehabilitation is the solution. Rehabilitative justice > Punitive justice.
Police wouldn't achieve that. Police in the game are framed as corrupt and incompetent at their core. Our protagonist is one of their biggest victims to demonstrate how they are weaponized against the weak. Even Sae Nijima at the end of the story has shifted to become a defense attorney rather than attempting to reform it (best character arc btw) because she recognized that the system is broken. And you can't even blame it just on Shido controlling the police because we see that the problems persist beyond him. By the end of the story they remain useless or outright harmful. The police do not help or rehabilitate, they only punish.
So no, this isn't me projecting my personal issues with cops onto the story because within the game's own story, law enforcement is not the solution. If it were a question of reform, we could debate about whether police reform is possible, but again: Makoto doesn't care about reform. It never comes up. According to the writers, she wants to be a cop because she thinks not enough lawless people are being punished. You can argue that her wanting to 'head an organization' means she wants to be in a position of power where she can reform them, but remember that police only enforce the law. They do not make the law. If reform was her goal she would be a politician. (I honestly thought that's what she was set up to be, since she was student council president and all but I digress)
Also a small detail, but notice how she mentions destroying the lawless before she mentions helping victims? It's super minor but I think it's indicative of the cop mentality. There's greater priority on punishing than helping.
I also dislike this conclusion to her arc because it's net zero character growth. You're telling me the character that was rebelling against corrupt adults' orders is now becoming a cop, the biggest bootlicking profession of them all? She started the story being a well-intentioned pushover, and she's ending her story being a well-intentioned pushover. And it doesn't matter whether she as an individual is a good person or not. All cops comply to be active participants in a system that is designed to hurt the weak and prop up the powerful.
TLDR: You do not help victims by punishing the 'lawless'. You help victims by helping victims. Period. Makoto becoming a cop is a contradiction of this and her own character arc. Either the writers did her dirty by not thinking this through or this is meant to be who she really is, and both those possibilities upset me.
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I know people are upset about Izzy being killed (I am too) but the truth is I don’t think it was bad writing or even them diminishing Izzy’s character, I actually think everything about the last episode has to do with production and I think Izzy lovers will feel a little better about it if they see it like that (it helped for me).
Basically, if you look at it like this, I think 2 important things came into play. Budget and how the showrunners assumed this would play out. Which is to say that they probably assume HBO will either renew them for season 3 and cut their budget again or they’re going to be cancelled.
Both are very likely, so assuming they had this in mind, removing Con, who I’d guess is the 3rd highest paycheck after Taika and Rhys was probably their best budgeting move, especially if they’re thinking of having an all out war in the final season that they probably want to be a visual spectacle, so each season feels like it’s getting consistently larger in scope.
On the other hand, if they do get cancelled (which they probably will because the HBO CEO is a weird little conservative goon), they left the ending in a way that could be considered an ENDING while still being prepped for a 3rd season. So in the time they had left (which was 2 episodes less than their first season) they gave Izzy an entire completed character arc.
I 100% understand the sadness and anger, especially after all the shit he went through during the beginning of the season, I felt gut punched when I learned he died and was bitter as hell through my whole first viewing of the season even though I’d had more than a month to process it. But after having thought it through, I genuinely don’t think it’s simply them treating Izzy as just an extension of Ed’s character growth and I sure as shit don’t think it’s because they wanted to conform to Izzy haters.
I think if they had all of the resources and episodes they wanted, had a guaranteed season 3, I think we would have gotten the character growth we got with better pacing and he probably would have at minimum made it to season 3 (I also think he would have had a love interest, but that’s just what I wanted for him tbh).
I think they did the best they could with what they had, allocated a lot of budget and screen time towards his character despite having less of those 2 things than the first season, and at least let Izzy have a completed story and arc, even if the ending was deeply disappointing.
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