hiii i’m @/negapansy andddd i just wanted to say hi and pls talk to me abt mcr whenever and also how long have you played guitar?? :)
hi hello i am waving to you. em cee are..... my chemical romance..........
i started really learning guitar in june 2019, and for seven months in 2020 i played for an hour and a half every day! but then i moved out and got a full time job so i didn't have the time. and i really burned myself out on guitar so i haven't played much lately BUT....... i moved to portland twelve days ago and one of my roommates is in a band and they need....... a rhythm guitarist so i gotta Practice.
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can I fuck you up more about Paul and John?
Paul lost a LOT of people. He made the choice and did the work to get over them. As far as I can tell, he made the choice to never get over John. I'm 55. The only example I can think of is my uncle Peter, who was killed in Vietnam in December 1967 at age 25. It completely destroyed the family. It killed my grandmother. To this DAY, my 91 year old aunt and my 84 year old father cannot talk about him without crying.
Paul REFUSES to get over John. He RELENTLESSLY talks about him at every opportunity. He has spent 40 years singing Here Today which makes him cry (I've personally seen it twice) and has spent two years singing a duet with John in concert. He has spent 30 years waiting to release Now and Then. There is NO SUCH THING as a celebrity at his level who NEVER SHUTS UP about someone who died 43 years ago. and he does not give a flying fuck. He is going to make SURE we are all missing John like he was killed yesterday.
Thank you for this. And god, I’m so jealous rn. Never got to see him live, hope I’ll get to and I’m really starting to be very afraid I’ll never have a chance bc like. Guy is old (and I’d like to see Ringo as well, ideally on stage with Paul and maybe Dhani too and Sean or Julian or… who can say? both is good) 😭😭 and yeah, I’ve seen a bunch of live performances of Here Today that Paul did and it seriously does seem like he can’t get used to performing it without at least having his voice crackle or vanish completely. And I wonder what he was thinking while working on Now and Then.
It’s like when Mark killed John, a huge part of Paul was blown up too and like he’s constantly trying to get it back. But I also really am impressed in some way from how much time he spends bringing John up, and I find it sad too because it does seem like he constantly has unfinished business with him, like there’s some closure he’s looking for that he can’t find and the one thing I keep thinking back on is when at a gig he sang Here Today and then told the audience “if there’s someone you love, tell them” because I think THAT’S the thing he keeps regretting and trying to fix and never really getting to (although I do also think John KNEW how much Paul loved him, if not as a “husband” as a best friend let’s say). Aside from the issues I have with John (mostly his behavior towards Julian, because I really think he was a massive dickhead for it, and Jules did nothing wrong to be treated like that), I really don’t think he was very hard to love. Paul is my girlie, but I very much do understand why he loves John so much. And I like thinking that they still talk to each other, through music, in some way. That like, a huge reason Paul still makes music is that that’s how he gets to connect with whatever John left inside of him, if that’s not too corny to say. And I absolutely admit this is my McLennon further brain talking, here. I also DO believe he just loves music and loves making music, of course. But with how much he mentions and talks about John and writes songs for him… like we get it Paul. Keep going, but like, we get it.
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Nemtheanga
‘Do-beram á mar mbréthir’ ar Bricni ‘Acht is airdarcu dúin sanas ná da neoch aile éigem.’ // ‘We swear,’ says Bricriu, ‘Only to us is a whisper more obvious than a cry to any other’
With the exception of one short passage in Scéla Conchobuir maic Nessa,* there are no physical descriptions of the Ulster Cycle’s premier Trickster, Bricriu mac Carbada. Despite that, I’ve been working with him for so long now that he’s all but gained total sentience in my head so here he is—the man, the myth, the menace.
I love this little shit with all my heart. He’s a social manipulator of the highest order. He throws the best parties. Him and Fergus are the most extremely divorced couple in the world. He’s such a pain in the ass that it actually puts him beyond reproach. He is completely pathetic. Ulster would have self-destructed without him.
*Frankly, I’m not entirely inclined to read the pinnochio-esque boil as particularly useful for a few reasons but I did like the idea of at least some of his otherness showing outwardly, hence the port-wine birthmark.
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hey guys. tumblr user thawthebeez back at it again with yet another haikyuu essay B) the topic of today is one that i see NOBODY talking about which is crazy because this motif is (in my opinion) one of the main foundations of the kagehina community.
now may someone please explain to me why the HELL nobody ever talks about how whenever Tobio expresses an insecurity of ANY KIND, Hinata is ALWAYS the first one to swoop in and tell him not to worry about it?
yes, we've all established that Hinata Shouyou is the #1 Kageyama Tobio understander. we get that. BUT THIS IS ONE OF THE MAIN DISPLAYS OF THAT AND I'VE SEEN LITERALLY NOBODY SPEAK OF IT EVER.
i'm pretty sure there's an instance of it in season 2 (either that or my brain just made it up) when Tobio is a little worried about his and Hinata's quick attack not really working out but Hinata tells him "nah you'll figure it out eventually" or something along those lines. i'm not going to lose my shit over it because i can't find it but if you know YOU KNOW.
a part that i COULD find from season 2, however, was this:
here we have Tobio explaining how talented of a setter Oikawa is- how he's so much better than him- and it's clear that this is something he's insecure about given his facial expression.
THEN we have Hinata's INSTANT response:
and it blows Tobio away because WHAT
because, to paraphrase a little, Tobio basically just said "yeah oikawa can make any spiker look good no matter what team he's on" to which Hinata replied "yeah but that team wouldn't be Karasuno" which is essentially "Karasuno is strong enough as it is" BUT- if ur crazy- " dw he wouldn't take your spot babe" (<- which probably isn't how it's meant to be interpreted because they just finished talking about The Team That's Stronger As Six thing so like... context clues. it's probably not the insane interpretation).
ANYWAYS boom there it is. Tobio expresses insecurity, Shouyou swoops in and goes "Ermmmm Actuallyyyyy🤓" WHICH IS SO FUCKING ENDEARING ON IT'S OWN BUT THE FACT THAT IT HAPPENS MORE THAN ONCE AND AT SUCH A CRITICAL POINT TOO
the critical point in question being:
(context: Tobio just came back from his training camp in Tokyo and is a little frustrated because he's gotten so used to playing with other prodigies like himself so to go back to talented-but-not-prodigious players is a bit of a switch for him. don't get him wrong tho he loves this team to DEATH it's just a little different that's all. hashtag number one Tobio apologist right here)
SO THERE'S THIS! and it goes without saying that Tobio is DEEPLY insecure about his late middle-school days and being referred to as a king. Tsukishima adds a little salt to the wound and while I didn't take a screenshot of it Tobio makes this look of absolute HORROR after he says what he says
(which, side note, shows a lot of a character development within Tobio. especially since I've been flipping between season 2 and 4 a lot looking for these clips. Tobio didn't even notice when he was acting kingly before but he realizes it INSTANTLY now which is so so so good for him yayyyy character development!)
this also leads fantastically into my next tangent which is
TOBIO FUCKING APOLOGIZES!
now, admittedly this isn't entirely related to my thesis but i absolutely ADORE talking about this scene and i genuinely think it is one of the most prevalent displays of character development within Tobio because i feel like he tends to get overshadowed by all the other characters (especially Hinata, which i'm not upset about in the slightest like it makes perfect sense and if Tobio got all the attention all the time the show would be soooo unbalanced)
but I feel like a lot of people skip over Tobio's overall development over the course of the show. I mean compare s1 Tobio to s4 Tobio THAT IS NOT SAME PERSON ANYMORE. he grows so much over such a short period of time (which is another essay I could write. something along the lines of "Explaining Why Tobio And Shouyou Need To Be On Separate Teams Actually Because Character Development Purposes" because the amount of people i've seen on tiktok complaining about kghn being on separate teams and how they should just be on the same team forever makes my blood boil violently) and it's so refreshing to see Tobio's growth especially as a big Tobio enjoyer.
ANYWAYS back to the main thesis.
So Hinata steps in IMMEDIATELY here. literally cuts Tobio's apology off because HE HAS NOTHING TO APOLOGIZE FOR. he was expressing his thoughts whatever that's fine he could have done it in a nicer way SURE but listen the guy still has a LOOOONNNGGGG way to go but still, nothing to apologize for. it's just growing pains, y'know?
now the quote "What's wrong with him being the King again?" appearing here isn't the first time we're seeing this. Hinata has ALWAYS been confused as to why calling Tobio a "King" is a bad thing. literally from day fucking one Hinata was like "nah dude I think that title is cool" WHICH, AGAIN, TOBIO BEING INSECURE ABOUT SOMETHING AND SHOUYOU REASSURING HIM THAT IT'S TOTALLY CHILL HELLO?????
LITERALLY FROM DAY ONE SHOUYOU HAS BEEN DOING THIS. THAT MAN MAY THINK TOBIO'S AN ASSHOLE SOMETIMES (and he kinda is) BUT NEVER WILL HINATA INHERENTLY HATE A PART OF HIM. and i don't think they realize it here nor do i think the realization comes soon after but at some point there will be the realization that they love each other. every single part. fucking Tobio probably realized it way back in junior high but that's a tangent for another time.
now this line.... this one right here...... oh my god i can be SO NORMAL ABOUT IT.
the main reason why Tobio had this look of HORROR on his face after he yelled at everyone was BECAUSE HE KNEW THE ENDING. he knew that yelling at them would have consequences (if it weren't for Hinata stepping in thank god). HE'S SEEN IT ALL BEFORE. in his final year of junior high he yelled at his teammates to run faster and jump higher and be better AND THEY LEFT HIM!!!
so Tobio yelling like this instantly makes him afraid that he's just ruined the entire balance of the team. he thinks he's going to be left behind again because he yelled and everyone is going to leave him BUT!!!!!
BUT SHOUYOU IMMEDIATELY JUMPS IN AND SAYS "idc what u say honestly if i don't like i'm just not gonna listen" OR, TO TRANSLATE "i'm not going anywhere regardless of what you say"
Tobio's biggest fear is losing this team. I literally do not need to explain why. that man would fucking DIE for this team (if you really need an explanation just to go the end of the Kamomedai match when Tobio admits that he's upset they lost because he wanted to play with that specific team more).
and for Hinata to essentially say "you could literally be as kingly as u want and i simply would not care, pal, i promise you i am NOT going ANYWHERE!!!" which has got to be SO FUCKING RELIEVING FOR TOBIO.
(also something something "nobody was there" / "i'm here" something something "doesn't matter what kind of toss goes up if you send it my way i'm hitting it" something something they're soulmates or whatever they are literally bound together by the universe they were destined to be together and it's a crime that universe kept them apart for so long and now that they're together they will always BE together two peas in a pod literally inseparable they are hot glued and duct taped together.)
and then there's this. i mean at this point you already know what i'm going to say like you get it by now but again IT MUST BE SO RELIEVING TO TOBIO to know that shouyou thinks his biggest insecurity is cool. that shouyou thinks that it's not something to be concerned about. that no matter what, no matter how much a King he is, they're not going anywhere.
SOMETHING SOMETHING "you drew stars around my scars" IF YOU EVEN CARE
and just the fact that it's always ALWAYS shouyou to do this. the fact that there was dead silence before shouyou spoke up. the fact that it's ALWAYS HIM there to understand Tobio (someone who has been misunderstood for as long as he can remember) GOD THEY DRIVE ME INSANE.
anyways thank you for being a witness to this madness👍
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MAC I HAVE A QUESTION. VERY IMPORTANT. what on EARTH is the suckening. i have seen posts on ur blog with blood and such tagged jrwi suckening and i am so so intrigued i love blood and gore and fucked up homoeroticism <3 pls pls pls tell me what the suckening is i am on my knees begging rn
oh dude holy fucking shit . so. u know i have been posting about jrwi it has been my main thing since like november. well. in case u do not know. its a dnd podcast run by charlie slimecicle, grizzlyplays, condifiction and bizly. their main campaign is called Riptide and its the one with the fish guy and all the pirates. WELL. they have a patreon and on their patreon they sometimes do mini campaigns! let me preface this by saying i have never even REMOTELY had an interest in paying for ANYTHING on patreon only because i fuckinf hate subscription payments and also im usually hesitant about paying money for fandom things especially in the content creator sphere etc etc you know how it is . HOWEVER. god their pther campaigns are so fucking worth it dude. the long running secondary main campaign thats been going along around the same time as riptide is called Prime Defenders and its a superhero themed one! i am just at the beginning of season 2 rn its so good william wisp my absolute beloved. (something else rlly cool is that they rotate being the dm for each of the campaigns and i think that makes each of them really fresh and unique bc everyone has a different dm style and a different way of telling a story. god i fucking love dnd and collaborative storytellint its incredible)
ANYWAY IM GRTTING SIDETRACKED. so during hiatuses from riptide and pd they sometimes run limited campaigns that only go for a handful of epsiodes. one of this is. regrettably. called the Suckening. its run using the vampires: masquerade ttrpg setup and ruleset which is. obviously. centered around vampires. CHARLIE SLIMECICLE is the dm and i fucking love it because god that man has a mind for horror. (he also ran blood in the bayou which was a 4-epispde mini campaign using call of cthulu and ive listened to it like 3 times now bc its got nasty bug body horror in it hooooly shit its so good) ANYWAY. um . its not *as* homoerotic as the fanart makes it out to be. just a warning. but there is a scene where two homies drink each others blood (one is a human one is a vampire. theres this think in the masquerade called blood bonding and its like. if you get a human to drink your blood on three separate occasions they become your servant basically. really homoerotic stuff in theory) and when the vampire is scolded for it he goes "well he already loves me. hes my boy" and they generally have that dynamic going on. fizzfangs i lvoe you.
ANYWAY UHHHHH. the first ... four? five? episodes are up for free on YouTube and theyve got a fun little visual novel style to them with the official character art :] heres a link 2 the first ep!!
the rest (there are 8 episodes as of rn!) are totally on patreon but if u end up listening and liking them enough to want the rest hit me up because ive got those download links i can share with u bc ur my beloved mutual and i love sharing things with my friends so they dont have to pay for them <3
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[ID: a page scan from Anne Carson’s “H of H Playbook”. There are two separate text boxes, the first reading “Brief pause. I’m walking backward into my own myth. I was trying to walk out.”, the second repeating “I was trying to walk out.” The page is torn between the text boxes, with blurred red coloring. /end ID]
every day i think about this quote in the context of danger days. of the girl and her whole narrative. her running away from the legacy left behind by the four killjoys who raised her, and died for her. she was meant to be “some kind of messiah”, rescued because people believed she would destroy BLI, but she’s only six when the story kicks off.
she was born a bomb to a myth. her mother is a legendary figure who is dead before the story even starts. the girl is spared by the phoenix witch, embodiment of death, whose name is inextricably tied to rebirth. the comics open with her waking up and climbing out of a body bag. whatever gets you through the night. we got no time for heroes, and no room for ghosts. out here, your shadow lives on without you. keep running. keep running. forward or backward, she was always going to be an explosion.
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