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vintagelibraries · 2 years
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1955年の広島児童図書館。(Hiroshima Children's Library in 1955), Japan. 
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popculturelib · 2 months
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"Untitled" by Arto Posto
Manuscript Collection 203: The Atomic Age Opens Collection
"The Atomic Age Opens: American Culture Confronts the Atomic Bomb" conference was held at Bowling Green State University July 13-15, 1995. The conference was sponsored jointly by the Popular Culture Library and the Department of Popular Culture to mark the 50th anniversary of the first atomic bomb. The conference included presentations of scholarly papers, film screenings, a banquet, and two exhibitions organized by the Popular Culture Library.
The first exhibition, on display in the Jerome Library's first and fourth floors from June 15-August 7, 1995, was "The Atomic Age Opens: Selections from the Popular Culture Library." The show was prepared by Alicia Germer, an American Culture Studies doctoral student, and traced the popular responses to the atomic bomb from the 1940s through the 1990s using pulp magazines, comic books, paperbacks, postcards, and movie posters from the Popular Culture Library's holdings.
The second exhibition, on display from June 15-August 15, 1995 in the Popular Culture Library, was "The Atomic Age Opens Postcard Project," coordinated by Sarah Black, a member of the Printing and Graphic Arts Department of the Toledo Museum of Art. A call for submissions of mail art was issued in the late spring, which noted that any postcards received would become part of the permanent archive at the Popular Culture Library. All postcards received were exhibited, which included pieces from England, France, Italy and Japan, as well as artists from Bowling Green and elsewhere in the United States. In all, more than 150 cards were received. The postcards were scanned after the exhibition closed and were made available for viewing online at the Browne Popular Culture Library's website. Link to digital exhibit.
A book of selected papers presented at the conference was published in 1997 by the University Press of America, which was edited by Alison M. Scott, Head, Popular Culture Library, and Christopher Geist, Chair, Department of Popular Culture (The Writing on the Cloud: American Culture Confronts the Atomic Bomb). A microfilm edition of the same title contains a selection of papers not included in the book, which was produced by the Bowling Green Center for Popular Culture Studies the same year.
The materials in the collection all date from 1995 through 1996, with the exception of the book of the selected papers from the conference, published in 1997. These materials may prove to be useful to the researcher interested in mail art or the responses of American scholars, students, and artists to the 50th anniversary of the dawn of the atomic age.
For more information about this collection, please visit the Atomic Age Opens Collection finding aid.
The Browne Popular Culture Library (BPCL), founded in 1969, is the most comprehensive archive of its kind in the United States.  Our focus and mission is to acquire and preserve research materials on American Popular Culture (post 1876) for curricular and research use. Visit our website at https://www.bgsu.edu/library/pcl.html.
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bargainsleuthbooks · 9 months
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#AmericanPrometheus #JRobertOppenheimer #PulitzerPrize #KaiBird #MartinJSherwin #BookReview #Audiobookreview #VintageBooks #BlackstoneAudio #Hoopla #Movie
Have you seen this summer's #blockbuster #Movie #Oppenheimer? Recently I had the opportunity to listen to the #PulitzerPrize winning book the movie was based on. #AmericanPrometheus was available on the #Hooplaapp through my local #library #bookreview
American Prometheus is the first full-scale biography of J. Robert Oppenheimer, “father of the atomic bomb,” the brilliant, charismatic physicist who led the effort to capture the awesome fire of the sun for his country in time of war. Immediately after Hiroshima, he became the most famous scientist of his generation-one of the iconic figures of the twentieth century, the embodiment of modern man…
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powderblueblood · 4 months
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HELLFIRE & ICE — eddie munson x f!oc as enemies to star-crossed lovers
CHAPTER SEVEN — WELCOME to the REAL WORLD, JACKASS
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PREVIOUS | MASTERLIST | NEXT
summary: christmastime in hawkins brings a bunch of cherry bombs in the boy's bathroom, a trip down memory lane via seven minutes in heaven avenue, and the least likely trio this town has ever seen. content warnings: MINORS DNI i'm going to fuck you up and santa isn't real so we've got, smut including references to and descriptions of male and female masturbation, smoking, swearing, a pregnancy scare, era-typical misogyny and ANGST in the form of a flashback!!! word count: 12.5k. merry christmas babies
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Dear reader, it takes you less than five weeks to become incapable of imagining your life without Eddie Munson.
Which, given his propensity for being an absolute neanderthal, is concerning.
Eddie Munson talks with his mouth full and plays his music too loud. He never closes a cabinet all the way. He walks through anywhere, literally anywhere, be it a store or the library or Ronnie’s trailer–leaving a trail of destruction in his wake. He talks during movies and puts his feet up on the seats at the Hawk. He makes fun of the books you read, but always grabs them away from you to stare at the blurb on the back. He never finishes a cigarette all the way before lighting another one, which is just wasteful. He pretends to be good at holding his liquor, but he’s not. 
He stands too close to you in places where he’s got plenty of room to move. He makes you laugh, even when you don’t want to. He holds the door for you in school, at the bookstore, getting out of the van, even though you’re more than capable of doing that yourself. He takes advantage of you when you’re in a good mood, like making you scratch his head as if he were a cat.
Sometimes he calls you ‘baby’, as if you don’t have a nickname already. As if you two are…
You lean toward the only mirror in the girls’ room with decent light, reapplying the red lip stain you’d taken to wearing– it was coming on Christmas, for god’s sake, and despite everything, you’re feeling festive. Quick. Lighter on your feet than you have been in a long time. 
“Hey girl, could I borrow that?” an out-of-tune simper rings right next to your ear and you almost jump out of your skin, lipstick clattering into the sink.
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“Jesus!” you say, and Eddie Munson cackles. You knock him back with a one-handed shove, face setting into that funny little grimace you’ve taken to wearing when he acts up– and he’s always acting up. You’re gonna get wrinkles if he doesn’t cut it out. “What the hell are you doing in here? Hair in your eyes make you miss the sign that says girl’s room?”
You know that’s not true, because you were the one that just about tied him to a chair in Ronnie Ecker’s trailer so you could trim his bangs last week. 
This is a fuckin’ violation of my human rights, Lacy!
Every time I’m seen with you, people think I’m out walking a goddamn Briard. Hold still!
“So, hot off the press, newspaper girl,” Eddie says, leaning against the yellow porcelain, “One, I am literate, much to everyone’s shock and awe. And two, someone threw a bunch of cherry bombs down the john in the boy’s bathroom and the place is fucking Hiroshima, but wet and kinda shitty smelling. So we all got told to use this…” He gestures around at the clean-ish tile. “...salon of iniquity.” 
“Was it you?” you ask, plucking a cigarette from the soft pack he’s offering you. 
“Huh?” He scrunches his brows, leaning with a lighter ready. He’s taken to doing that; cigarette at the ready, lighter at the ready, low-grade explosives at the ready, probably.
“The cherry bombs, was it you?” you say through a reel of blue smoke.
“For once, no,” Eddie sighs, head slumping forward like a Peanuts character, “Some other gorgeous, anarchistic genius got the jump on me.” 
“Oh, god,” a frown sets in; you pick up your dropped lipstick and in its wake, ash into the sink, “There’s no other bathrooms on campus you animals could use?”
“Nuh-uh. Unisexuality, baby, it’s the way of the future,” Eddie tells you, fanning out his hands like P.T. Barnum. 
A beat. You think. This bathroom, the unofficially allocated senior bathroom, the one you and the rest of the Hawkins in-crowd had been using since sophomore year, got crowded at the best of times. The fumes of Aquanet were a definite health risk, but that’s an occupational hazard when it comes to being a girl. You add boys into the mix, nay, couples into the mix–
Damn.
“We’re about to witness the conception of so many toilet babies.”
Realization dawns on Eddie, his brown eyes flaring. “Oh shiiiit. I never thought of that.” 
“The band geeks alone, Eddie,” you whisper, head tilting toward him all scandalized-like, “We’re gonna show up at our fifteen year reunion and every single one of these suckers is gonna have their own little freshman clones.”
“Spare a thought for Heather Holloway.” Eddie’s face, a mask of mock concern, makes you roll your eyes.
“Why?” you scoff, not a fan, “She doesn’t inspire many.” 
“Objection. Her implants do.”
You turn to face him fully. “J’excuse?” 
“Swear to god,” and his palms are up, “Just saw her in Chemistry.”
“Good? Bad?”
“Conical. Jayne Mansfield.” Aaand his hands are gesturing, animatedly. Crassly. Pervily. “Take your goddamn eye out.”
“Wow. Christmas came early.”
“Christmas ain’t the only thing that’s gonna be coming early…”
“Ew.”
Eddie smirks and flicks his cigarette into the sink, hitting the faucet to wash it away– there were at least three good drags left in that, you think. 
“Heather H, first one to get knocked up in the Great Bathroom Insemination Project of 1984. Mark my words.”
“And you think you’re in with a shot?” Your tone is dripping in sneer. 
Eddie regards you for a moment, so you know something deeply annoying is about to happen. His voice goes all serious, barely above a whisper, as he closes space between you like he’s trying to beat a draft. 
“This is a once in a lifetime opportunity, Lacy baby.” His hands brace either side of the sink you’re standing at, trapping you against him. See? No respect for boundaries. But– Hm. Not… that annoying. “Oversexed teenagers sharing the same bathroom– at Christmas, with all that mistletoe around and shit.” His eyes, searching you with a glint that’s s’posed to be provocative. You, elbow propped up by your folded arm, puff a plume of smoke into his face. He doesn’t even blink. Smirk pursing his lips up. The two of you have established a rhythm. “Anything could happen.”
“Ew, what the hell are you doing in here? This is the girl’s room.” Enter some upstart underclassman, and Eddie’s peeling away from you.
“You didn’t see the biblical flood on the second floor, Pippi Longstocking?” His voice is big and booming and bouncing off the tile, making the underclassman cringe. “Forcible takeover. This is my house now.”
“God, shut up, freak.” She shuffles by the two of you to a vacant stall with a look you recognize– she’s so telling her friends about those two trailer park abnormos just about copulating in the bathroom later.
“Great choice!” Eddie exclaims, door of the stall slamming, “I warmed the seat for ya!” 
“Watch where you’re going, you almost milled down that stroller!”
“I wouldn’t need to go so fast if you two, freakin’ Tweedle Dee and Tweedle Priss Ass, didn’t insist on getting to this place before it closed!” 
“We wouldn’t need to rush if you hadn’t spent all freakin’ afternoon at goddamn Lipton landing getting all– all–”
“All?”
“--toked up and shit!”
“Market research, Ecker! And, I’m gonna remember you said that! Later! When you want to get all toked up and shit– woah!”
Listening to Ronnie Ecker and Eddie Munson bicker in the front seat while you balance on a drum stool in the back of his van, clutching onto Ronnie’s passenger seat for dear life– no better way to get into the spirit of the season. You’d be joining in the milieu if you weren’t currently suffering from major motion sickness. 
Eddie takes a harsh pull into a parking spot outside of Family Video and–“Go, go, go!”--you three load out like soldiers, locked on the target. He takes the lead, swinging the door open for the two of you ladies, but a voice calls out from the counter before Ronnie can even get a toe over the threshold.
“Oh, no– no way, no way!” Steve Harrington’s yelling from the helm of the ship, waving his hands. “We are– fifteen goddamn minutes away from close, I can’t do this tonight!” 
“Highly unwise of you to turn away paying customers, Harrington!” Eddie gasps, Ronnie ducking under his arm. 
“You guys come in here and spend honest-to-god hours talking shit in the aisles and– and you never even rent anything!” 
“Well, your luck’s about to change!” Ronnie says, and Steve regards her with a mask of total confusion because, well, it’s likely he’s never heard her speak directly to anyone other than Eddie before. 
That’s when you roll in the door under Eddie’s arm-arch, color rising in your cheeks that’s not from the cold. 
“I am deeply reconsidering my association with you guys.” 
“Tough shit.” “Find another trailer park.” “You love it. You love us. You’re obsessed.” 
You pinch both of your hands towards them, the universal action to encourage zipping it, and cast a glance towards Steve. His shoulders relax. His vest is green and garish and a terrible color on him and… he’s wearing elf ears. And he’s Steve Harrington. And your stomach clenches, though it’s more muscle memory than anything else. 
“Hey, Steve,” you smile, soft and small and not really all that there. 
“Lacy. Hi.” He does smile at you, after a beat. “You responsible for these assholes?”
You hadn’t seen him since the night of his party, that grand inferno that had landed you here, standing between Eddie and Ronnie and feeling not entirely awful about it. Well, you hadn’t exactly seen him then either, except for a flash when Eddie was dragging you out of his house. 
So, y’know, the blush is entirely justified.
“She’s bankrolling us,” Eddie says, closing the door to keep the heat in and speaking just to break the tension. True, too– you’d scored a part time gig at The Bookstore after a confrontation with the eagle-eyed Ivana regarding certain missing copies of Little Women, The Woman Destroyed and Fear and Trembling. You assumed you were working off the thievery, which you never directly admitted to and she never directly accused you of– but then, she paid you. 
Ivana, it turns out, is incredibly pro-workers rights and even more incredibly anti-Hawkins gossip mill. Which works out a treat for you. The bookstore’s become more of a haven than it had been before. 
“Can you scatter already?” you direct two thirds of your threesome towards the stacks. “Let’s make this breezy, I feel a wave of mortification rising.” 
“No. I was promised in-store bickering,” Eddie says, rooting himself to the spot. You catch a weird flash of– something in his eyes. Ronnie, with her unlikely band geek strength, groans and yanks him toward the horror section. “It’s my favorite part! It’s like the pre-show!”
You take to the counter, gingerly, shyly. Why are you shy? Why, all of a sudden, after showing your ass in such a spectacular bruise-garnering fashion, are you shy to speak to Steve Harrington? Is it because Nancy’s dropped a tidbit here and there that he’s not exactly great boyfriend material? Is it because you sometimes secretly think, good, I hope you two are having a terrible time, even if you and Wheeler are making baby steps towards a friendship?
Is it because you never forget the first person that called you Lacy?
Fuck knows. Some of that. 
“So you’re… what, hanging out now?” Steve asks, gesturing to the twin dipshits. There’s a bite in his voice from a former incarnation of Steve Harrington, one with (somehow) bigger hair and an unchecked ego. It doesn’t all shed at once, you figure. He’s sloughing it off and there’s still some left over, judging by the way he’s staring at Ronnie and Eddie. 
You look over your shoulder to them. It would be so easy to deride it, right– only due to my unfortunate proximity to them, yes or girl’s gotta do what a girl’s gotta do for a ride these days or it’s community service, I swear. 
But you don’t. You turn back to him with a pinchy little smile. “I’m this close to getting them to let me play tambourine in their band. Can you even deal?” 
Steve, after a beat and a brow furrow, sort of half nods. “Think I kind of… get that.” 
You’re about to answer when another body comes barrelling in through the back. 
“Just wanted to let you know, dingus, that I just got off the phone with Keith–you remember Keith, right, our manager who is currently in a war of words with our boss trying to keep this place open–and your little stock-take fuckup has cost us, like, weeks of manhours in work and–” Robin Buckley, complete with a light-up Santa hat, stops dead. Counts every person in the room. Shakes her head like she’s in a dream. “What is…”
“H–hi Robin!” Ronnie calls, her voice all squeaky– due to the scuffling headlock that Eddie has somehow managed to put her in without you and Steve even noticing. “Don’t worry, we– we’ll be out of your hair in a second!” 
And Robin– wait, is Robin kind of… blushing? She backs down immediately, putting her Family Video branded binder flat on the counter. “Yeah, no… that’s totally okay, take your time!” 
You look at Steve. Steve looks at you. You quirk an eyebrow like– is that, is she… And Steve shrugs like, don’t ask me, sister. Pleading the fifth. Saving Robin’s dignity. 
But you’re still you and you’ve been bugging Ronnie about her situation for weeks so you hold up a finger.
“What are you two idiots arguing about?”
“Black Christmas–” “Silent Night, Bloody– ow, Ronnie, don’t pull hair, you girl!”
A swivel back to Robin, who is totally pink-cheeked. “We need a professional to settle this.” 
Her mind seems to stutter like a badly wound tape. Oh, she’s suckered. “Uh– uh, Black Christmas, for sure. Not exactly the coziest thing to watch, but–”
“We’re not cozy people!” Eddie yells, Ronnie coming at him with arms like weed whackers.
“--but Margot Kidder, right?” you poke, goddamn Jimmy Page and John Bonham for the Midwest set slamming into the counter on either side of you.
“Olivia Hussey,” Ronnie says breathlessly. Eddie seems to have winded her somehow. “That’s– she’s cool–I heard she was in this–”
“Exactly!” Robin lights up, excited, “She– she played Juliet in Romeo and Juliet–”
“Wait, don’t you see her boobs in that movie?” Eddie jerks in. 
“Yes,” Robin and Steve chime in unison. And glance at each other. Telling. 
Ol’ Munson there snaps his fingers. “Sold.”
“But not in Black Christmas,” you say, almost gently, so as not to… let him down?
Eddie rolls his eyes and tilts his head toward your shoulder. “I’m a man with an imagination, ain’t I?” he rasps. You pretend-shudder.
“Okay, let’s do Black Christmas and– you got a copy of The Thin Man?”
Blink-blink goes Robin, like a cartoon. It’s nearly audible. “... like, the William Powell, Myrna Loy Thin Man?” 
Your turn to roll your eyes. God, you guys love to roll your eyes, huh? “Is there any other?”
“Like the black and white movie. You’re sure? I just didn’t think it’d be your–” 
But Eddie cuts right through that assumption that’s making an ass out of you and Robin, because he knows. He knows because you’ve made him sit through Double Indemnity at the Hawk, scolding him for putting his feet up (god forbid, right!) and you’ve even threatened to drag him to some Buster Keaton retrospective that’s playing there after the holidays. He keeps thinking, man, if Wayne Munson ever comes across this girl, he’s a goner, and then he remembers why that won’t be happening any time soon. 
“She’s a freak.”
You regard him with a tight smile. Kind of a thanks, kind of a fuck you. Kind of your thing. 
“I’ll watch it when these bozos pass out.” 
Something’s gotten into Eddie. 
You three are absolutely basking in the glory of your one night of freedom– see, Granny Ecker’s away on a weekend hotel stay in Indianapolis with one of her special friends from the Hawkins Senior Center. Which, on the one hand, gross, Eddie never ever wants to think about Granny Ecker getting lucky no matter how happy for her he is. But on the other, in the words of her beloved granddaughter–
“God bless the Indiana Sweepstakes!”
Eddie has stolen Granny’s usual spot, the kick-out recliner that seems to sag more with every movement. You and Ronnie are bunched onto the little two-seater together, with Ronnie shyly suggesting that you paint her nails (black, how totally hardcore)– now, Eddie knows this move. This is so she can distract herself from the bonafide creepiness of Black Christmas because while she tries to put on a brave face, Ronnie’s eyes for horror movies are way bigger than her stomach. She’s all nerves. It’s why she’s such a good drummer. 
As you’d predicted, by the time the movie ends and you all clear the six pack that Eddie had procured, Ronnie’s nodding off– but Eddie is determined to stay wide awake. You make a move off the couch and she grumbles, having narrowly avoided propping her head on your shoulder. You move to arrange her in such a way that she’s sleeping Nosferatu style, crossing her arms over her chest. “Because I spent an awful lot of time on that polish and I won’t see it ruined, not on your account,” you chide, real quiet. Ronnie’s not listening, she’s pretend honk-shooing. Eddie, on the other hand, is. 
He likes you like this. You’re sweet to Ronnie, in your prickly little way– making her flustered with your misdirected flirting, bonding with her about things so far out of the realm of his male understanding. Being a girl with her. It’s occurred to him that Ronnie, in her testosterone-soaked world of current comrades, might actually need that. Like, she’s friendly enough with Jeannie and that Vickie girl from band, but they’re not people she’d go out of her way to make a case for so’s that Granny Ecker will let them stay for dinner. 
Which she’s done for you. Once or twice now. Which you’ve nervously accepted and even ruined your manicure for, by insisting on washing up the dishes. Eddie dried, because of course he did, because the Ecker trailer is the only place close to home that the two of you can hang out.
You’re, like– friends. 
Which is horrible.
Eddie tosses you a cold can of soda from the fridge. You catch it, hands basketing above your head.
“Power forward.”
“Cheerleader.”
You lean over to the TV to swap the tapes out, insistent on watching your dumb little black and white movie. As you do it, your skirt lifts a little bit and– 
Eddie’s gotta break eye contact. Stare at the floor for a second. Cock jumping like the fucking mole from whack-a-mole.
He almost hits it.
You bitch, are you wearing thigh highs?
“You need to pull trig, Munson?” he hears you from the kitchenette, clicking the video player’s play button. “You only had two beers.”
God, maybe. Was the room spinning? “Smoked a lotta weed today.” 
“Right. Lipton landing,” you smirk. Ronnie’s derisive little nickname for Reefer Rick’s place. “Are you gonna get over here and snore through my movie or not?”
I do not snore, or some muttering of a similar fashion comes out but he’s doing exactly what you tell him to do. He can’t help it. Brain function gone all freaky from that flash of flesh squeezed out the top of your– yeah. 
Eddie lands on the floor next to you with a little groan. Your eyes flick between him and the now-empty recliner. 
“What are you doing down here?” 
Oh. Busted. “I’m a gentleman, Lacy. Take the damn seat.” 
Your face screws up in that silly way it does whenever he talks sense to you but you don’t wanna hear it. Brat. “No. I like to sit right up near when it’s something I really want to watch.”
A shrug of your little shoulder as you wrap your arms around your knees like a kid. Face illuminated by the greyscale on the television. Skirt rucking back against the carpet. Fuck.
Eddie lets out an unsteady breath, crawling forward to lie on his tummy. Closer to you. “You’re gonna get square eyes if you keep doin’ that, dorko.”
“Who died and made you my optometrist…” but you say it in this half-hearted, distracted way, eyes on the screen.
“Y’know, if you–” Eddie starts, eyes on the lace top of your–yes indeedy–stockings.
“Shut up,” and you tap him on the shoulder. “I love this part.”
Your hand stays there as some fancily dressed chick totally eats shit in the bar of some hotel or something. Christmas presents flying everywhere as she falls. 
Women and children first, boys.
Say, what is the score anyway?
Oh, so it’s you he was after.
Hello, sugar.
Your hand stays there as you’re totally mouthing every single word, you true-blue nerd. Eddie, completely at a loss of how to react to this other than gaze, gaze, gaze at you, snaps his teeth at your hand. 
You, so completely embroiled in Nick and Nora’s white hot banter, gasp at the near-bite and swipe at his head. Eddie dodges the blow by rolling onto his back, hair fanning out on the Eckers’ rug. He grins up at you, and all of a sudden the rise and fall of his chest in that worn-out Alice Cooper shirt is very distracting. 
Pretty girl. 
Yeah, she’s a very nice type.
You got types?
Only you, darling–
“--lanky brunettes with wicked jaws,” you say, beat-for-beat with William Powell. 
“Talkin’ about me?” Eddie says, lips peeling back, eyebrows quirking.
“Not in your wettest, wildest dreams, Eddie Munson.” 
“Oh, you don’t wanna know what happens in those dreams. It’s filthy.”
“Uh-huh.”
“It’s twisted. It’s disgusting.” 
“I bet.”
His hand is absent-mindedly stroking his chest, shifting the hem of that t-shirt up a little bit. Brushstrokes. You remember that? Eddie Munson has a happy trail like– 
“You’re so nice to me. It’s so fffffucking hot.”
“How wildly out-of-character,” you scoff, and he laughs, and you shift in your spot the teensiest bit. Eyes back on the screen, back to safety. 
From here, where he’s lying, Eddie has a fully illustrated view of the flash of skin up your skirt. Now that you’re not looking at him, he’s looking at it. Swallowing back saliva. Ignoring Nick and Nora. 
It’d be simple as pie to walk his fingertips along the rug and brush up against you there–oops–by accident or design. Feel how soft that skin is. Feel that heat radiating from your–
“It’s alright,” he hums, eyes flicking to the ceiling. Otherwise, all the blood’s gonna drain away from his head and he’s going to fucking die. “I know I’m not your type anyway.”
Your head lolls to your other shoulder, exposing a flash of your neck. It’s sorely missing a tongue running along it, he thinks, breath shuddering a touch. 
“You wouldn’t know my type if it hit you with an eighteen wheeler.”
“Can Steve Harrington drive an eighteen wheeler?”
Lolling your head back in the most exaggerated form of exasperation, you groan. “God. The way you talk about Harrington, I’m willing to put money on the fact that you have a crush on him.”
Eddie shrugs, hand resting on his sternum. You had your hand there once, you recall.
“I got prescribed one on the first day of freshman year, just like everybody else. But it wore off.”
“Sure about that?” Your eyes narrow.
“Sure as I am that I saw you makin’ googly eyes at him at the Family Video tonight.” Eddie crosses his own peepers for effect. Your attention darts back to the screen.
“I was not–”
“You can just say it, Lace.” His face is a twisty little smirk, if you’d care to look. “Regardless of how utterly pedestrian it might be.” That was a dig at you, by the way. That was an almost eerie impression of you. 
“The things I felt in seventh grade don’t really have a lot of gravitational pull on me anymore,” you shrug, not giving. Because, when you think about it, you don’t have to give. It was a baseless kind of thrill, seeing Harrington tonight. One hit wonder. “He’s a cute boy. Reminded me I have a pulse. Nothing wrong with that.”
Eddie’s quiet for a few seconds, flicks his eyes up to watch the TV from upside down. Nick places an ice pack on a drunken Nora’s head. 
Hmm… what hit me? 
The last martini.
He smiles as you smile, and he wonders if you’re thinking of the same thing he’s thinking of. 
“Alright, well– we can forget this ever happened. Resume being assholes to each other on Monday. Don’t, like, die in the meantime.”
“You say resume like we ever stopped being assholes to each other.”
“Funny you mention seventh grade…” Eddie trails off, tugging at the rug underneath him.
“Funny ha-ha or funny peculiar?” Your voice is distant again. 
“Little bit of both.”
“Why?”
Well, he thought you might be fucking with him, but– “... God, you really don’t remember, do you?”   
“Remember what?” He sees your brow pinch, he’s getting to ya.
“Not a fucking clue.” No give, no glory, eyes on the peeling ceiling. 
“Remember what?” You’ve snapped your neck and are looking down at him now, thirsty for him to fucking spill it already.
“Total–” he blows a raspberry, “--blackout before freshman year, right?”
“Eddie.”
His name makes him sit up. Pavlovian, sure, and he’s trying to deny the fact that he’ll do just about anything you say when you call him Eddie in that slightly-tinged sour way and not Munson like you’re writing him off. He’s trying to deny that. He swears.
“Nancy Wheeler’s thirteenth birthday party.” 
You two are shoulder to shoulder, him facing the couch, you facing the screen, his breath warming the bare skin of your off-the-shoulder top which is an insane thing to be wearing in the dead of fucking winter, but praise Jesus hallelujah you’re wearing it. Your expression is unimpressed. 
“... yeah?”
“We played Seven Minutes in Heaven.” He lays that out a little too plain for your liking. Playing Seven Minutes in Heaven at a thirteen year old’s birthday party is like the non-denominational Hora for pseudo-white bread Christian teenagers, at least in Hawkins. Everybody does that shit. But hold on.
“... you were there?”
“Fucking obviously, dimwit, that’s the setup to the whole story.” He sighs in a puff, and he’s very close to you. Chin almost on your shoulder like that night at the Quarry. “Tommy Hagan ripped into me for like, fifteen full minutes because my spin of the bottle landed on you.”
Confusion is a disease and you’re terminal. “That was… not you.” 
Insistence is a disease and Eddie’s fatal. “Yes. It so was.”
“That was John Hudson-Wasserman.”
“That was not–,” Eddie full on splutters, like slapstick splutters, reeling his head away from you, “you’re gonna get me confused with John Hudson-Wasserman? The guy who was like, pathologically obsessed with the Kennedy assassination? The guy who moved to Des Moines like, two weeks after that party?”
Then you’re spluttering back all of a sudden. Everything you two are doing is contagious. “His parents named him after John F., can you blame him? –actually, I can totally blame him, that was bizarre.”
“Lacy.” Well, the way he says that straightens your spine. “Use that pretty little brain to think for a second, huh? There’s one unmistakeable detail I bet I can get to jog your memory.”
But you’re already there. Activated. Like a sleeper cell. 
“Your hair was all buzzed off. You had that bandage on your head.”
“I did. And you asked me what was under it, and I said–”
A hole. They cut out a part of my brain so I’d be– The Wheeler’s linen closet was tiny and you were breathing in lavender detergent from all angles. 
The boy in front of you, scrawny and angry, had an aura around him like a firework. You knew it was dangerous, but you wanted to look closer. 
–less of a freak? you finished. Such was the accusation du jour for this kid. 
Less of a danger to society, he said, chest puffed. They let me keep it in a jar. Just in case shit gets really real and I need to shove it back in. 
You don’t quite know what to do with that. Like. He is so weird, and his hair is unevenly shaved and he’s got little cuts and scratches and scabs all over him. Like he’s been running through brambles. He looks like a kid someone found in the wild. 
Did you name it? you ask, finger drawing circles on a nearby towel. Your jar brain.
Eddie Junior, he told you, crossing his arms. 
Aren’t you already Junior? Shouldn’t it be Junior Junior? 
His jaw hardened. No. I’m Eddie. 
You nudged forward on your toes to get a better look at the bandage– he was taller than you. It lumped out of his head, unmissable. Nothing to be done about it. 
He seemed to cringe away from you. 
Don’t try anything, skank. 
You bounce back onto your heels. 
I wasn’t, asshole. We don’t have to do anything– just… like… did it hurt? 
He paused for a full ten seconds (you counted) and swallowed real hard. Eyes wide as hubcaps, and dark, and frightened. He craned his neck toward you a little. 
Then the door swung open, Tina Burton standing there hand-in-hand with an irritated-looking Steve Harrington. Time’s up, losers! 
Al hadn’t asked if it hurt, when he beat the crap out of him for doing something so stupid. Wayne hadn’t even asked if it hurt, when Eddie came back from the hospital like a dog with its tail between its legs. 
You were the first, and you were the last, and it was before everything. Before you were even Lacy.
“What happened, anyway?” you ask. Soft. Like that last time.
Now, in retrospect, Eddie sees the error of his ways.
“I lit all my hair on fire with a butane torch.” 
“You what?!” 
“It’s not– entirely my fault! I think I saw someone with hair on fire in an X-Men comic and I thought, y’know, that’s an achievable look.” That’s a severe understatement. It was Johnny Storm from The Fantastic Four and Eddie believed that he could be like Johnny Storm only more badass and maybe with like a sick motorbike. What, you’re telling me you didn’t go through a pre-teen-to-mid-teen phase where you were secretly convinced you had superpowers? Smarten up. 
“And how high–”
“Yeah, okay, I was also hitting a Reddi-Wip can like crazy.” The nitrous oxide did not help these delusions. 
“Why the big bandage?”
“Eh, I got some, like, bitsy little burn. Total overreaction.”
“Do you have a scar?” Before he can answer, you’re parting his hair, right near the place you remember that bandage being. Eddie freezes, your frigid fingertips searching his scalp. You are… very close. 
“Uh– no, I don’t.” He gulps, avoiding looking at you directly in your bright, curious little face. “Can I tell you something truly fucking dumb?”
“Wouldn’t be out-of-character for you, that’s for sure.” 
Deep, deep breath. Fucking shit fucking goddammit fuck. Balls. “I regret it.”
“The hair thing? Yeah, you’d think–”
“No. Not kissing you.”
“Oh.” Your hands drop from his skull but don’t exactly leave his hair. Just kind of wound in there, hovering, the way you feel like you’re hovering now. 
“You asked me if it hurt, and then I was gonna– but then, fucking Tina–” Eddie says, eyes dashing to you in these minute little glances. Away, back, away, back.
“Fuckin’ Tina,” you breathe. 
“--and Harrington.”
“Ah.” You shut your eyes. He didn’t notice you were wearing green eyeshadow until right now. “The square root of the problem.”
“Huh?” Barely heard it. Too busy looking at the glitter on your eyelids. The way your eyeballs shift around underneath.
“You’re totally lemon sour bitter with Harrington because you think he made you blow your shot with me.” You open your eyes with a squint.
“That is so not–” Break a spell, why dontcha! But then, Eddie takes a bite. “Actually, if you pop-psychology that, there might be somethin’ there, but… I regret it because I didn’t just–”
You cut in. “Go for it.”
“Shoot.” He confirms.
“Power. Forward.” You emphasize, lips curling.
“Cheer. Leader.” Eddie says, gravel in his voice.
Do you know that your hand is still in his hair? Like, are you physically aware of it? (Answer: no.)
Nick. Nicky?
What.
You asleep?
Yes.
Good. I wanna talk to you.
Your head swivels back from the screen. He watched you look away, dart your tongue out onto your lip, look back at him. 
“Eddie.” There’s fizz in your voice.
“Yes, Lacy.” He wonders what flavor. 
“I think…” and you finally extract your hand to lay it in your lap. Withdrawing, willing to be shot down, but you’re you and you know that you won’t be. “We could make a case for making up for lost time.”
Eddie’s mouth has become very dry. “... meaning that…”
“Eddie, I think that you should kiss me like a seventh grader– eighth grader? So weird, why did Wheeler have eight graders at her bir–”
“Lacy. Back on track, please,” which is another horrendously pin point perfect impression of you. And he needs to be sure that you just said what you just said and that isn’t the ghosts of Lipton landing talking.
“We should try it out. An honest-to-god, never-been-done-before Seven Minutes in Heaven kiss. I happen to think it’d fix something in you.”
“Oh, come on,” he scoffs.
“No, I’m serious!” And it is kind of fizzing out of you, and you might not be entirely just talking about him for this next part, “I think you’re holding onto a lot of pent up energy that may have just gotten even more pent since we became, y’know–”
“Zoo animals with parallel enclosures?” Eddie says with an arching eyebrow. 
“Wow,” you swallow a breath. “That really sounded like me.”
“I’m afflicted with a Lacyism from time to time.”
“Is that like astigmatism? Because you should get that looked at.”
“Who died and made you my optometrist?”
“Eddie.” Your voice, coming from your face, which is all dappled in the unserene technicolor glow of the Eckers’ Christmas lights, highlighted by the blaze of the black and white on TV. You make it look like stained glass. He would walk into oncoming traffic– “You trust me, right?” He would go and play on the freeway if you asked him to.
Eddie, Christ, he’s got to gather himself. Like the sweat gathering on his palms, he thinks, great work ethic, I need some of that. He gets a bright idea, brighter than those twinkling lights. “I think I need full authenticity in order to make this experience worth it.”
“What?”
“We need to find a closet.”
It’s pretty much a hard no on whether or not the Eckers have a linen closet (you’re a long way from Maple Lane now, babe), so it’s agreed that you’ll give Granny Ecker’s wardrobe a shot. You follow Eddie in there with tentative steps, like you can almost feel her watching all the way from the Best Western in Indianapolis she’s no doubt staying in. Trespassing is bad, yadda yadda, but it’s also exciting.
It’s exciting, being in here with him. 
He glances back at you, eyes a glimmer in the darkened bedroom. “After you,” and he flourishes a hand toward the open closet. 
You two are so not seventh graders anymore– heads bang against hangers, you’re kind of melting into a lot of denim and fleece and you… you don’t have much breathing room. No lavender detergent, just the beer-and-old-weed-sweet smell of Eddie Munson pushed close to flush against your chest. The scent of that shampoo you both use caught somewhere in the middle. 
Your breathing is so shallow, you feel like you might be having an asthma attack. You don’t have asthma. 
“Tight,” he says, and knits his brows, “I mean–”
“Cozy,” you correct, unsure of where to put your hands.
“We’re not cozy people.”
“So let’s do this,” you attempt to smooth your face into something resembling nonchalance, “Kiss me like a seventh-or-eighth grader, Eddie Munson.”
He clears his throat, shaking his head. A smile keeps flicking and dying on his lips. Heart about to burst out of his chest because of how weird this is, because of how weird you are, because of how– how– 
Eddie knits his fingers behind his back in an imitation of you, your girlish pose, and leans forward. About ninety percent, just in case you decide this was a stupid idea, or you don’t like the look of his face up close, or– or–
You close that perfect ten. Your lips feel like flower petals. Light. Baby-soft. Crushable.
It’s so chaste and it’s so innocent. It’s so the diametric opposite of the two of you, brash and harsh in your diverging, abstracting ways– waving only to meet in the middle. It’s pretty, like you are, and Thumper-from-Bambi-thumping-his-foot nervous like he gets around you.  
You pull away a fraction, and Eddie swallows a sound. To save face, he is about to say something– I give it a six or that’s what I’ve been missing out on this whole time or you flap that mouth an awful lot for someone who doesn’t know how to use it, something equally goading. Something that would make this… normal.
Until you take his bottom lip between yours. And it’s wet there. And it’s warm. And your lips are so, so crushable– 
Eddie’s fingers unweave and find your arms, find your waist. Slow, slow, he takes it slow because he could scare you and he doesn’t want to scare you. You’re curving into him, lips slicking against his, and then his tongue licking it’s way into your mouth which you just fucking open for him and it’s so good–
–and he tastes like salt and smoke and he holds you like he’s anchoring himself against you. Your hands wind on up, up, up his chest, catching on his t-shirt where his chest is (duh duh duh you fucking idiot), where his heart is thrumming under that smatter of a tattoo you got caught staring at that night in his trailer. It’s all you’ve got in you not to tug it up and off him, but Christ, no, because you need to keep kissing him. It’s so nice, it feels so nice, kissing him, when was the last time something felt as nice, that’s all you can think with sensation seeping through your body like a sugar rush. Hands move to either side of his neck and he makes a noise. 
Your fingers, fishing hooks in his hair, pulling him closer and closer to you. 
The heat. Of his body. Matched only by the heat gathering in the cherry pit that lives in your stomach. 
And he needs, god, Eddie needs it fucking bad. It is a lot of things. It includes your tongue so far inside his mouth that you can taste the Tab on his uvula this time. It includes more of your tits pressed against him, so he can feel if your nipples have hardened under his touch. It includes this moment, just this moment, just kissing you as your body winds around him–
But then you pull back. Before he can whisper the little, “No…” that’s coming like a reflex, you cover his mouth with your hand. The mouth that’s all slick from kissing– you. 
Jesus Christ. You had really done that. The stupid, idiot both of you. 
“Guys?”
Eddie, dizzy and down-the-rabbit-hole tipsy Eddie, gets the impulse to lick your hand, to take your fingers in his mouth and just start sucking, but he doesn’t do it. Because he has now snapped to the fact that that’s Ronnie Ecker calling out for you. 
The two of you, twisted around each other like snakes in her grandmother’s closet. 
“Go,” you hiss– no, you breathe. He was just expecting you to hiss. But you’re breathy and unsure about the command you’re giving. Still, you jerk your head. 
Well, Eddie’s pretty hard up about telling you this, but, “Can’t. Need a sec–” Like, can’t you feel that?
Eddie’s standing more than half to attention, pressing in between the both of you. 
You let out a jagged breath that sounds like oh, fuck, and it’s not the kind of oh, fuck he was hoping to hear and his heartbeat stutters. 
And then you’re gone. 
Eddie stands there, hands held aloft around the ghost of you that was there, that was right there and kissing him. Like you meant it, like it wasn’t an experiment or a joke or a dare or anything other than what you wanted. You wanted him. You wanted him. “Oh, Jesus Christ,” he breathes into his hands, dragging them down his face, his lips, the smell of you still lingering around him. “Oh… I am so fucked.”
Kentucky fried fucked. 
You make your way back to the living room on trembly legs, reaching for every steadying surface, attempting to destroy the evidence of a swollen mouth and Munson-finger ruffled hair. You find Ronnie sitting upright on the couch. Nick and Nora have nearly solved the case. You don’t give yourself enough time to make a mask of your face that could easily lie to her. 
“Munson had to pull trig,” you say, and it’s not steady enough for Ronnie to not call bullshit.
But she doesn’t. Not outright anyway.
“He okay?” she asks, nearly wary.
“I don’t know. Could be comin’ out of both ends, I don’t know,” you start scrambling around for your bag and your shoes and your coat and not your right mind because you left that back in the closet, somewhere between Eddie’s teeth and tongue. “Look, I hate to ditch on you, but my mom–”
“She’ll be on your ass,” Ronnie says, measured like a cup. “Sure. Go on. I’ll think about calling 911 if he chokes.”
Breathing out some piss-poor rendition of a thanks, you dip out of Ronnie’s and past his van and all the way back the lot towards home. 
It’s freezing. You’re not. For once.
When Eddie finally reappears from the closet, Ronnie is sitting in the exact same position. Except this time she looks somewhat judgier– maybe because it’s easier to be judgier toward Eddie than it is toward you. Some kind of girl politico he doesn’t understand. 
“You feel better?”
“Huh?” Eddie says. Wiping his mouth on the back of his hand. 
“Do you feel better. Lacy told me you had to barf.”
“I… I guess.” Eddie has already cashed in his once-in-a-lifetime lie convincingly to Ronnie Ecker voucher. 
“She also told me you maybe shit yourself?”
Alright, well, that was unnecessary. “Alright, well, that was unnecessary.”
“I guess I was just hoping that…” she sighs, crossing her arms, “... that you weren’t puking and shitting yourself…” she sits back against the couch, “... when you were making out with her. In my… bathroom?”
He really does consider leaving out this detail. “Granny’s closet.”
“Oh, you’re fuckin’ kidding me.”
“She’ll know. She’ll kill me.”
“Oh, she’ll kill ya,” Ronnie mutters, “And then I’ll go to work on ya.”
You two have got to stop fucking each other over like this.
Fucking each other over, conceptually, actually, is interesting. Because Eddie’s done a whole lot of fucking you over in his mind since that closet. Sliding your panties aside and fucking you with his tongue, polyester lace of your stockings creating static against his hair, sparks snapping off your inner thighs as you rub against his nose. 
Following you back to your trailer and fucking you with his fingers against the cold, metal exterior, your nails digging into his neck and your voice stabbing his name into his eardrums. 
Pulling you into his lap in the driver’s seat and tearing through the cotton of your underwear with sheer animalistic fervor, making you lean back against the steering wheel as he sucks your tightened nipples, cock safe and warm in the slick, deep wet of you. 
Somethin’ like that. He didn’t sleep much this weekend.
Mind stuck on the one track, your lips smacking against his. Now in fabulous 3D!
In every single one of these fantasies, too, his idiot sap ass is whining your name fifty billion times more than you’re whining his– so much so that it breaks the fantasy barrier and he’s crying, “Fuck, Lacy-yy–,” into his limp pancake of a pillow, cum careening down a fist that should have nerve damage by now. 
He is exhausted. And to make it worse, he hasn’t seen you. 
He hasn’t even been avoiding you this time. So that’s all on you, you bitch.
“You bitch…” he mumbles, head resting against the cold brick of the newly-unisex senior bathroom, which has become a hellhole in no time. First period on a Monday is usually an okay time to get a bit of peace and fucking quiet, though, because everyone else is at least making an attempt at starting the week off on the right foot. 
But not Eddie. Not worn out, prick-tired Eddie. 
And not whoever is doing a horrible job of hyperventilating in the stall next to him. 
“Excuse me?” a breathless voice says. He thinks he kinda recognizes it but–
Then, ew! Some gagging, some violent coughing, a little ugh, Jesus, please not again–
Eddie slides out of his stall and knocks on the next door– and it swings open with ease. 
She’s crouched over the cistern–gross, fucking gross–and tears are streaming down her peachy cheeks, catching on her pointed chin. 
“Christ, Wheeler. S’matter, you pregnant?”
Nancy Wheeler’s eyes flash in a flare of rage, a choked scoff spitting out of her. She’s about to fucking cuss Eddie out, it looks like, which he kind of wants to see, but then whatever straw that’s holding that together snaps and she lets out this wild sob of total incredulity. 
Ohhh, as much as he would love to bolt out the door like it’s not his problem, Eddie realizes that this has now, somehow, somewhat become kind of his problem. 
“I gotta talk to you.” 
Ronnie Ecker appears like a lightning flash, knocking you clean out of your reverie of slowly crawling fingers and lips and teeth and guilt that had been plaguing you all weekend. 
You had spent most of the last forty eight hours staring into the middle distance, ready to glue upright nails into your shoes and walk on them for penance. You fucking stupid slut. Kiss me like a seventh-eighth grader, Eddie Munson. You unbelievable fucking cowshit. See, because, okay, do you know what you’ve done?
You’ve taken the first real friendship you’ve possibly ever had in your life (save for Phoebe, God rest her soul that moved to Saskatoon) and completely entirely fucked it sideways, and sure, you’ve also spent a lot of the weekend thinking about other things getting fucked sideways, like you since you’re now cursed with the knowledge of the vague suggestion of the outline of Eddie Munson’s dick but moreso, foremostly and mainly you want to fucking take a swandive off the edge of Sattler’s Quarry. 
Addendum– there’s too many quarries in this fucking county. 
A ping-ponging of guilt-to-orgasm-to-guilt-to-orgasm-to-guilt-to-orgasm-to-guilt-to-slinking your way to first period the long way that’s only now broken by Ronnie Ecker coming down on you like an Acme anvil.
Meep meep.
She knows. Of course she knows.
“Ronnie,” you whisper, eyes following her as she lands herself into the aforementioned Munson’s seat behind you, “I can explain…”
“Don’t!” There is this vigor, this knife’s edge in Ronnie’s voice that is terrifying and kind of thrilling but mostly scary and having been in the presence of Granny Ecker even those few times, you knew she always had it in her. 
You recoil. A little.
“If Eddie wants to be a fucking moron about you, please can we just let him, and not–” Ronnie’s mouth clamps closed like a Muppet’s might. Like she’s physically trying to calm herself down. “Look. I really like being your friend.”
Oh, Christ, your heart. “I r– I–”
“You’re dogshit with the emotional stuff, I get that, but I’ve been friends with that asshole so long that wearing my heart on my sleeve is like, second fucking nature so I’m not and I’m pissed off, frankly, that there’s a chance of him coming between, like… us.”
You and Ronnie. You, and your friend Ronnie. “Oh, it’s–”
“Because technically, by absolute technicality, I was your friend first, okay? We were lab partners first and I thought we had a vibe goin’ in Biology and I was the first person you wanted to talk to at the Hellfire table even if it was a thinly veiled ploy but you’re so good at ploys and you’re such a piece of work and you’re so funny and I wouldn’t know what Ponds cold cream actually does if it wasn’t for you. Fuck.”
“Granny’s a soap and water girl.” There’s a fluttering in your chest and a thickening in your throat. You swallow big, and you think you might actually start– “This doesn’t mean I’m gonna try fencing, Ron.”
“But it’s fucking cool, even if we do it with sticks.”
You take her in, baseball cap shoved over her coiled hair, darned-all-to-hell sweater sagging out under her overalls and you really feel like something is about to bust out of your chest. Your honest-to-god friend, Ronnie Ecker. 
“Miss Ecker, last time I checked, that’s not your assigned seat.” God, Kaminsky’s such a relentless dickwad.
“I’m having a conversation,” Ronnie says, with the kind of as-yet-unheard volume from her that makes the rest of the class go ooooh!
Jesus fucking Christ, have you turned Ronnie Ecker into a bad girl?
“I don’t give a shit!” rumpled Kaminsky says, slapping that dusty chalkboard duster full of dust, “Have it in detention.”
“Hey! That’s–”
But if you can do one thing for Ronnie. “No can doozy, Mr K, Miss Ecker has a prior commitment.” 
“Oh, Jesus Christ, not you again,” he mumbles not-quite-under his breath. “And what is that? Lacy?”
Before you can even say the words peer tutoring, none other than Eddie Munson is barrelling through the door. He stops comically short at the top of the classroom, gesturing to Ronnie in his seat like what the fuck? 
“Lacy!” he eventually says, and he’s breathless and flustered and just like you imagined him in–
“Munson, what in the name of the goddamn Father Almighty–”
“Weekly Streak–” and guy is just snapping his fingers, blinking wildly at you, “–thing!”
You stare on in a state of confusion until you spy Nancy Wheeler right in your eyeline, right through the open classroom door. Her little face streaked with tears, and god, she looks like shit, and she’s beckoning to you with a flutter and a fury. 
“No, of course!” a little murmuring, uh, shit, and you hurry to the top of the classroom, slamming the homework that Kaminsky’s obviously going to ask for on his desk with a rattle. 
“Kaminsk, my man, the future of print media is forever in your debt!” Eddie calls, ushering you out the door and into the echoey hallway. 
“What is going on?”
Both Eddie and Nancy shuffle you down the hallway, avoiding the monitors (rat finks!), dipping under the east stairwell. A great stairwell. So much illicit shit has happened in this stairwell and you have an itemized list of it all, somewhere in your brain. The kind of person people tell things to.
Nancy’s just full tilt gulping like a fish out of water, and Eddie’s all, “Wait, shit, are you gonna barf again?” and you’re all, “Answers, please, tout suite!”
“I’m late.” Nancy’s voice doesn’t even tremble. She’s that scared.
“Fuck.”
“Very?”
“Extremely.”
“You’re sure?” you press, and suddenly you’re the kind of person that grabs Nancy Wheeler’s shoulders. 
Her lip trembles. “I mean, I haven’t–” 
“Well, we gotta. Right now.” And it occurs to you that Eddie is just standing there, a polite enough distance away that he’s involved but kind of not involved, but respecting the space that you two need. How does he know how to do that? How does he always know the right… “Eddie.” 
He snaps to attention, mouth all serious and eyes all eager. You want to kiss him again, but this shit is not about you. 
“We need a ride to the drugstore.” 
The three of you pile into Eddie’s van, him insisting on doing the honors of opening the passenger door for you again, and Nancy quietly requesting that you share the passenger seat with her. You two are squished together, her spindly thighs overlapping yours. Denim versus dark suede. There is a very tense silence in place the entire van ride there, Nancy digging her nails into her palm and Eddie nervously thrumming against the steering wheel. The tape deck plays resumes mid-play– Metallica’s Ride the Lightning. 
For your part, you experience a harsh zoom-out moment– Nancy, who you’ve learned is almost as strong-headed as you, just on a better moral track (lawful good versus chaotic neutral, you think Eddie once framed it), is stranded. She’s the eldest sibling to that little shitstain Michael and Holly, who’s a baby so to you has no discernible personality, and her mother is kind of an airhead and her father… you don’t know shit about, but it’s Hawkins, so dads. The responsibility of everything seems to fall on her all the time, and you can only be so resourceful as a teenage girl in a town like this. Especially when the other teenage girls seem to, at best, keep you at arm’s length, or at worst, ostracize you. 
And Nancy had lost Barbara Holland. Who, when she mentions her, is talked about with such a glow that’s followed by such a wave of sadness that it nearly takes you under too.
She misses her so much. She misses her best friend so much. 
Barb should be the one dealing with this. Not you. Which sounds like you’re shirking responsibility. But really, it’s because you don’t know if you fully deserve the privilege of helping Nancy. 
Truth is, Nancy would probably be okay, handling this on her own. Sure, it’d be another inch of depth added to the chasm of loneliness building in that poor girl’s psyche, but she’d do it, because she’s Nancy and she handles things.
Just like you’re Lacy and you handle things. 
But however Eddie Munson ended up as part of this situation… he brought her to you. Because he knew you’d know what to do. So she wouldn’t have to do it alone. 
Because Eddie doesn’t want people to do things alone. 
You only really have that impulse if you know how terrible it feels. 
And if you don’t see kindness as a weakness.
Which Nancy doesn’t. And Eddie doesn’t. And you… don’t want to, anymore.
You reach and peel Nancy’s fingernails from the grooves they’re digging into her flesh. You don’t even look at the half-moon marks they’ve made. You just glue her palm to your palm and web your fingers. And over the frizz of Nancy’s perm–the nice kind, salon kind, the kind that doesn’t stink of egg–you look at Eddie, just as he glances at you.
He smiles, small and unsure and wavering. You bite your lips between your teeth and try the same. 
“Shit, I don’t think I can go in here.” 
The van has skidded into an inconspicuous (but not entirely, because have you seen that fucking vehicle) place near the drugstore.
“Why?”
“People– the pharmacist knows my mom and everything,” Nancy shudders, “There’s no way that people won’t have something to– fucking say.”
Eddie’s eyes widen and you give him a look like, welcome to the Nancy Wheeler Actually Swears Club. Care for a canape?
And y’know, you could argue so what. So what if people have something to say. You’re young, mistakes happen, the world keeps turning. But one skip in a perfect twelve-inch record of reputation like Nancy’s can make her life a living hell. You know that. 
Shit, she knows that– you weren’t not aware of that stroke of creative genius vandalism that went up on the Hawk marquee that one time.  
And it would shatter Nancy’s mom’s heart. And while you don’t have the same time of day for her, Nancy really loves her mom. 
Once you’ve ruined your reputation, you can live quite freely. 
That moveable feast motherfucker was onto something. 
Click, and Eddie’s glovebox pops open in a clatter of tapes and a one-hitter and other ephemera. You reach in, retrieving sunglasses you’d left in here a little bit ago. 
“So let’s give ‘em something to talk about,” you say, sliding on the shades. 
Nancy clutches your arm, eyes wide and searching. “Lacy.”
You shrug, like it’s nothing. Except nerves have started nibbling at you. “Spot me a ten. What am I, a goddamn Rockefeller?”
“Not anymore,” Eddie Munson grins at you. Sun breaking through the bleak midwinter. The nerves cease their nibbling. 
The tension doesn’t exactly ease when you make a beeline for the drugstore (particularly because you’ve just accepted a goddamn miniature hero’s quest and he’s a little… well, he’s not not watching your ass as you walk away, let’s put it that way). 
Eddie and Nancy Wheeler are still absolutely enormous universes apart. Not even the same species. He doesn’t mind keeping it that way. This right here is just, like… the right thing to do. 
He moves to turn the radio down, figuring that the thrum of Fade to Black might be a little much for her right now. “Sorry. Didn’t mean for–”
“No, it’s okay.” Wheeler smiles that flat, priss smile reserved for the barest of polite gestures. 
Eddie nods, propping his elbow against the window, cupping his face in his hand. He keeps kind of sneaking sidelong glances toward Wheeler, because– well, had you told her anything? About… Seven Minutes in Heaven? Does she even remember that, from her birthday party all that time ago? He knew that you two weren’t exactly tight, but were well on your way to getting tight, but not as tight as you are with Ronnie and certainly not as tight as you are–or were–with him and Jesus Christ almighty, he’s got to find a synonym for the word tight.
“You… play Dungeons and Dragons, right?” Wheeler asks all of a sudden.
Eddie glances down– he is in fact wearing his Hellfire shirt. She’s a sharp one, that Nancy.
“I dabble,” he says, a derisive little chuckle that’s not all-the-way mean spirited.
Wheeler bobs her head. “My brother, Mike,” she says, and he sees now that it’s an effort to keep her nerves steady, “he loves it. Like, he’s totally obsessed. Him, and his friends, they’ve got their own little party going. Majorly long campaigns, very involved.” 
“Campaigns, parties. Using terminology like that, I’d say you’re something of a dabbler, Wheeler.”
Nancy chuckles. “I– may have dressed up as an elf for one. Or two. When I was way, way younger, though.”
“Well, your brother– Mike?” Eddie checks and Nancy nods, “Once he gets to high school, why dontcha tell him to look up Hellfire. Could be the best-worst decision he’ll make for the next four years of his life.”
“Right, because you’ll be passing the torch,” she says, grinning.
“And possibly to a Wheeler. Oh my stars and garters,” Eddie gasps, clutching his chest in mock-shock. 
Wheeler laughs and, okay, maybe she’s not so bad.
“Shoot, we have movement.” And out you come, holding the Advance pregnancy test over your head, gleaming and victorious– but Eddie and Nancy flap their hands, willing you to put that fucking thing away! We’re being subtle!
Climbing back in the van, you announce, “Alright, so the good news– no doctoral interference, obviously. The wonders of modern medicine, everybody give thanks to Johnson and Johnson, et cetera. The bad news– who knows of somewhere we can steal–” you glance back at the box, “--thirty glorious uninterrupted minutes of time?”
“Lacy, I can just–” Nancy starts, but you stop her short with a tap to the head. 
“And have you sitting in class all day with your guts churning because you don’t know what’s up or down that spout? I think the fuck not. We’re doing this now.” This is out of the goodness of your heart, you swear it is. 
But there might be a fraction, just a generous sliver, that still loves the drama. 
Like Steve Harrington, it’s not an immediate shed of the ego. It’s a slough. 
“Well, my place is a no-go,” Nancy tells you, shrugging into herself. “My mom will definitely be home.”
“Ditto,” and your mother is the only person you know that loves gossip more than you do. Besides Eddie, of course. 
After a beat or two of wondering silence, Eddie raises a hand. “I may… have someplace… we can go.”
How many cherry bombs does it take to make a boy’s bathroom look like the bombing of Dresden?
“So fuuun fact, turned out that some nerd swiped a hunk of sodium from the Chemistry lab and just blew this mother to shit,” Eddie brightly informs you and Nancy as the two of you pour over the instructions for the pregnancy test kit. 
“While everyone was distracted by Heather Holloway’s implants, you mean?” you murmur, scanning over the small-sheet size booklet.
“Streets are saying she was an accomplice.”
Holy fuck, these instructions were involved. Nancy stands clutching the little rectangular tray that her pee is supposed to go in, nailing Eddie with a look beyond normal categorical nerves. “You’re sure no one’s gonna come in here?” 
He shakes his head. There might as well be police tape all over the door of this bathroom, that’s how off limits it is. “It’s cold, it’s broken, it smells gross. Maybe some people are using this place to huff paint, but I can guarantee, Wheeler–” and he bends a little to meet her earnest eyes, “--I will bark like a fucking rabid dog to clear ‘em away if I need to.” 
Nancy nods shortly. Jerk, jerk. She disappears into the least dilapidated stall with her pee rectangle. 
“God, she is so scared,” Eddie murmurs to you, crossing his arms. 
You’re still studying the instructions. This shit has droppers and test tubes and color changing strips, oh my. “Pissing shouldn’t be a problem, then.”
Wrong.
“Guys.”
“Yes?” “Yeah, Wheeler?”
“I’m a little, ahem–” Bladder shy. Perfect. Awesome. Not that you guys aren’t going to be shacked up here for thirty minutes anyway, but that’s only after Nancy Wheeler goes number one and you, like, mix up the pregnancy oracle potion. 
Shit. “We’ve gotta do something to like, make her chill out–” Eddie half-mouths at you. 
“Yeah, but she’s so high strung, that’s like–” a spark hits you. “Wait, have you got anything on you?”
“Fresh out. Waiting on a shipment from Lipton landing.” 
You smack him, not even thinking, and he winces. “And all that shit you were smoking the other day, that was–” “That was market research, babe, and I told you that–”
Nancy clears her throat from inside the stall. “Please, don’t quit bickering on my account. I’m only trying to figure out whether or not I need to start rehearsing lullabies.” 
Damn Nancy, Eddie mouths and you almost laugh. Wait.
“Nance, what’s your favorite song?” 
“Huh?”
You shake your hands. “Like, the song you absolutely cannot go without hearing? The one that makes you feel, just–”
“Ticklish?” Eddie suggests, the paragon of knowledge, the pinnacle of your annoyance. You thump him again. “I need a safe word.”
“Um– uh…”
“C’mon, Wheeler, the song that makes you feel just… awesome and chill and on top of the fucking world, c’mon!” Eddie encourages, kicking detritus around the bathroom floor.
Nancy eventually, eventually mumbles something. 
You pivoting around on your heel by the sink. “Louder, Wheeler, I wasn’t born with sonar.”
“It’s– it’s ‘Just What I Needed’.”
What? Eddie mouths to you, arms binding across his chest. 
“What, like– The Cars, ‘Just What I Needed’?”
A pause from Nancy’s end. “... yeah.”
You know this song. You know that song, right, it’s like duh-duh-duh-duh-duh-DEW-duh-duh-duh-duh-duh-DEW… Shaking yourself out, you brace up like a boxer heading into the ring. 
“Gimme a lead in, Nancy.” Holy fucking shit, you’re really doing this. Nancy hesitates, probably because she can’t believe any of you are really doing this. 
A mumble… “I don’t mind you comin’ here…”
“--and wastin’ all my time!” you jump in, “”cause when you’re standin’ oh so near, I kinda lose my mind…” 
Visions of a plush lilac bedroom, yours, and a mountain of clothes and makeup and drained wine cooler bottles on the floor. You, standing on your bed in your socks and shorts, vamping– Tina and Carol singing hairbrush backup, Nicole on air guitar and Cass smoking out the window. There were flashes of this, you know, when it wasn’t all boiling vitriol and subtle shivving and one-up-manship. When you and those girls that you wished you weren’t near but knew you needed actually felt like friends. 
A memory like that makes you feel empty. 
“It’s not the perfume that you wear,” oh my god, “It’s not the ribbons–in–your–hair,” is he really, “And I don’t mind you comin’ here– and wastin’ all my time!”
Why the fuck does Eddie Munson know this song?! Your jaw drops open, your eyes go wide and your feet stamp against the tile like a goddamn kid. Yes! Yes! Amazing! You’re both so fucking out of tune, like there is absolutely a reason he does not sing a single note in Corroded Coffin but by god alive, you’re giving it everything you got in that fucked up boy’s bathroom. 
Eddie’s so much better at it than you are, pouring every bit of obnoxious showmanship into it that he possibly can– complete with pulling you in for a fully nonsensical dance number. You spin into him, crashing into his chest with a clumsiness you never thought possible, laughing so hysterically that you can barely get the words out. He’s holding the reins, and holding that falsetto so badly you think the mirrors will shatter. 
Your skin is buzzing, your heart is hammering and Eddie is pressed against your back and you are both scream-singing to the door of Nancy’s cubicle– “I guess you’re just what I needed! Just what I needed! I needed someone to feed– I guess you’re just what I needed! Just what I needed I needed someone to–”
“Pee! Pee, you guys, I’m peeing!” Nancy’s voice, bright and high from actually laughing, rings from the busted toilet. 
You and Eddie erupt into a triumphant yell, him shaking you like a rag doll against him. The laughter peels away and then it’s just kind of him, looking at you from over your shoulder. His arms wrapped tight around your waist. His lips, a little cracked. Breath a little labored. Lashes still so long. You nearly–
The door flings open and he jumps away from you first. Nancy heads toward the sink and you resume the position, helping her figure out the Chemistry play set that holds the answer to how the rest of her life pans out. Thirty whole minutes, they’ve got to wait. 
Nancy notes the time on her watch. 
She even suggests that you guys can go at one point, but Eddie reminds her that a) he’s keeping an eye out for paint huffers and b) “... y’know, maybe it’s not so great to…” “Do this on your own,” you finish for him. Nancy nods, silent and grateful and so fucking nervous. 
At about the seventeen minute mark, when you and Eddie have smoked four cigarettes each and Nancy has tried a puff of one (“Nope,” she hacks, “still totally vile…”), Eddie tosses this stink bomb between you two. Nancy has excused herself to stand with her head against the cubicle door. Something about calming her nerves. Coming up with a plan. Something to tell Steve, no doubt. 
So it’s just you and Eddie, you sitting on the edge of the sink and Eddie rhythmically kicking the wall. 
“You ever wanna be a mom?”
“Jesus, what a time to land that one on me.” You almost make a joke like you haven’t even stuck it in me yet, but that’s in bad taste. And implies a yet. 
Eddie smiles over his shoulder, fluttering his eyelashes. Stupid. Stupid eyelashes. “Grounds of relevance.”
You pinch your lips between your teeth. “... fine. But, I fully reserve the right to change my answer given the fact that we are eight-shitting-teen years old.”
He points to the cubicle and mutters, “Well, she’s seventeen.”
You, wide-eyed at his dumbassery, mouth I know!
“Okay. Sorry. Go.”
“Fuuuuuck no. No babies pour moi, merci, c’est bon, au revoir!”
Eddie turns to lean against the wall, propping one leg up. God, but he does lean great. 
“Why?”
“Genetic fate.”
“Huh?”
A sigh flutters out of you, shoulders slumping forward. “A certain… how do you say, thread of assholery runs through my family, I don’t know if you’ve noticed.” 
Eddie nods sagely and you kind of want to punch him for it. “Daddy issues. Right.”
“Uh!” A hand flies up in your defense. “Let who among us here without them cast the first stone.”
From the cubicle, Nancy calls, “Not me.”
Surrendering, Eddie grumbles, “Yeah, not me either.”
“Glad we agree.”
There’s another tick and tock of silence, and you get the distinct feeling of something being pried open in the atmosphere. 
“... whatever happened with your dad, anyway?”
Ah. The million dollar question. Whatever happened with your dad, so-called upstanding member of the Hawkins community, poor little poor boy done rich, scaling his way up the ladder of property management in this delightful little Midwestern enclave?
“Not a big fan of the news, are we, Munson?”
He seems to grimace at you tugging on his surname. “Print’s too small.”
“Taking offense to that,” Nancy chimes. 
“It was the big ‘E’,” you say, kind of not into bantering about it. 
“‘E’... ‘E’... ‘E’...” Eddie kicks the wall on each utterance. Possibly forgetting that he could also be the big ‘E’, if he wanted. You wonder if, just in terms of size…
“Embezzlement, Eddie,” you cut that thought off cold. 
His eyes widen, eyebrows shooting under his shaggy bangs. “Shooooot.”
“Score.”
“What all did he, like… embezzle?”
The raising of the hackles is not entirely intentional. “Y’know who’d be able to answer that question, Eddie?”
But he sees it. He calms it. In unison, you both shrug, “Al Munson.”
Boom! Cubicle door flies open again. You’re starting to think that Nancy might just love making an entrance. Lot of flourishing happening here. Not entirely unlike Eddie in that way. 
“It’s time.” 
Each and every one of you beeline to where the test is set up on one of the sinks. Nancy gingerly plucks the offending strip from the test tube and Eddie, a man with money on his mind, asks another million dollar question. “So how do you know…”
You grab the instruction leaflet that you’d been tearing corners off of, making it look nearly moth-bitten. “Wait, it’s white, right?”
“It’s white,” Nancy whispers.
“It’s not, like… off blue, or…”
“No, that is white,” she’s trembling. “Is white– is that good, or– I can’t remember.”
“Nancy Wheeler…” you breathe, peeking over the paper, “Congratulations. You are nobody’s mother!” 
She emits a shriek like nothing you’ve ever heard and barrels straight into you, near knocking you off your feet with a strength you didn’t know this little waif was capable of possessing. Her arms wrap boa constrictor tight around you, her words bubbling over like a shook up can of pop. “Jesus Christ, I’m so relieved, I just– I–!”
“You’re relieved?!” Eddie yells, ringed hands tearing down his face, “I’m way too young to be an uncle! Fuck! Thank god!”
Nancy chokes out a laugh through her tears, tears of relief, thank god and– and you don’t know if it’s selfish and you don’t know if it’s possible but you hope… you hope that’s helped close the chasm. Just a little bit. That she didn’t have to do this all alone in a shithouse bathroom that smells like sulfur and piss. 
Breaking away from you (damn, you wish you knew how to hug), Nancy straightens herself up. Not that she needs to. She’s a pretty crier, that bitch. 
“Just one more thing, you guys.” 
“Anything,” you say before you even know you’ve said it. 
“This is… between us, okay?” her eyes dart from you to Eddie, and you both take a step closer to her. Ceremoniously, Nancy holds out her two pinkie fingers. You link. Eddie links. His finger looks comically large compared to hers– and yours, when he reaches and hooks it around your unsuspecting baby finger. 
“No one can know. No one needs to know.” There’s that headstrong Wheeler reserve you’d been missing. 
“Cross my heart,” you proclaim.
“Hope to d– well, I don’t hope to die, that’s a little dramatic–”
“Eddie!” you both bark, varying degrees of amusement. Yours is on the lower end. “Swear on something real,” you push. 
He hesitates a moment, then gives Nancy a look. “Alright. Swear on Hellfire.” 
“Swear on Hellfire,” Nancy grins all tight, and kisses her right hand, hooked into Eddie’s finger. “Lacy?”
“Swear on Hellfire…” You mumble, rolling your eyes and kissing your Nancy’d hand. You need to swallow, first, before you tug your hand that’s hooked into Eddie’s toward your mouth. 
And he does the worst thing. He leans down to meet your gaze, suckering you right in as his lips pout. They’re hungry. You’ve met those lips. “Swea-aar,” he sing-songs. 
“--on Hellfire, okay,” you scoff, half-laughing into the little kiss. 
“Ha!” Eddie barks, so fucking loud that it jumps off the walls. “Trick! You just made a deal with the devil, ladies, so I hope you enjoy eternal damnation at the hands of yours truly!”
Dumb as he is, Eddie might be right. If the way you’re looking at him is anything to go by.
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author's notes: MERRY CHRISTMAS MOTHERFUCKERS. WE GOT IT WE DID IT WE MADE THEM KISS WE MADE THEM REALIZE SOMETHINGS NOT ALL THE THINGS SURELY BUT IT'S. IT'S SOMETHING. IT'S A START! on to the fun bits, like the jokes in the christmas crackers - absolutely obsessed with the mental image of eddie munson's bangs grown too long and he looking like this - cherry bombs down the john is a reference to the classic prank but mostly to american graffiti my beloved. later in the chapter, eddie says that some kid just threw some sodium down there which is something i read about on this reddit thread when researching cherry bombs. domestic terrorism at hawkins high! - p.t. barnum is that mfer that the greatest showman is based on. horrible man! not a fan! - heather holloway's jayne mansfield titties got me thinking about the jayne mansfield-sophia loren photo which has its own wikipedia page??? anyway, lacy coded! - black christmas is a stunning christmas horror film from 1974, which is loosely in part based on a bunch of murders that happened in the westmount neighborhood in montreal, quebec. fun fact, i just moved back from mtl after living there for a year. anyway black christmas kicks ASS - lipton landing is 100% a juno reference. big up my king elliot page - the thin man is one in a series of fantastic lil films from the 1930s all about nick and nora charles, a married couple that get drunk and SOLVE CRIMES. i'm not doing it justice by describing it that way but myrna loy and william powell are the royals of married banter and i model everything i write after their rhythm, more or less. - you're trying to tell me eddie munson didn't do whippets as a kid fucking wise up - one of my personal precious favourite recurring jokes in this series is 'who died and made you my x' and baby. i love a recurring joke - ronnie saying "oh she'll kill ya. then i'll go to work on ya," is a special reference because a) it's from my favourite film of all time, ocean's eleven and b) ayo edebiri, who i've fancast as ronnie ecker, has an ocean's eleven tattoo. we are sisters and also wives! - meep meep! - all i could think about when writing about how guilty lacy was - another metallica needle drop!!!! - pregnancy tests in the 80s really were that insane and involved! there's a great scene in glow (rest in fucking PEACE! gone but never forgotten) of alison brie's character using one, and here's more of the history - maybe the best needle drop of this whole series imo - finally peeped into those daddy issues. look forward to more of that and with that my hellcats, i wish you the merriest of holiday seasons wherever you find yourself and whatever you're doing. i will be back after the christmas break because i have to fully wreck my bank account and see every single person i have ever known and drink every espresso martini on dry land. sorry if there's typos in this, i have been labouring over it for... ever. reblogs, comments, likes and asks are always appreciated and i love you so much it's bordering on criminal! thank you!!!!
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neotaissong · 2 months
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ANGA: ART NOT GENOCIDE
Sign the letter for the exclusion of Israel from the Venice Bienniale
In 2022, with Russia’s war on Ukraine freshly underway, the Biennale and its curator issued numerous public statements in support of the Ukrainian people's right to self-determination, freedom, and humanity. The Biennale's public condemnation of “the unacceptable military aggression by Russia” included an avowal to reject “any form of collaboration with those who have carried out or supported such a grievous act of aggression" and a refusal to "accept the presence at any of its events of official delegations, institutions or persons tied in any capacity to the Russian government."
The Biennale has been silent about Israel's atrocities against Palestinians. We are appalled by this double standard. Israel's assault on Gaza constitutes one of the most intense bombardments in history. By the end of October 2023 Israel had already fired tonnes of explosives on Gaza equal in force to the nuclear bomb dropped on Hiroshima, Japan in 1945. In January 2024 it was reported that the daily death rate in Gaza exceeds that of any other major conflict in the 21st century.
The Israeli pavilion curators and artist have issued a simplistic statement about the necessity of art in dark times, insisting on a “pocket for free expression and creation amidst everything that’s happening.” Another double standard.
Art does not happen in a vacuum (let alone a "pocket"), and cannot transcend reality. Euphemisms cannot erase violent truths. Any work that officially represents the state of Israel is an endorsement of its genocidal policies. There is no free expression for the Palestinian poets, artists, and writers murdered, silenced, imprisoned, tortured, and prevented from travelling abroad or internally by Israel. There is no free expression in the Palestinian theatres and literary festivals shut down by Israel. There is no free expression in the museums, archives, publications, libraries, universities, schools, and homes of Gaza bombed to rubble by Israel. There is no free expression in the war crime of cultural genocide.
While the Israeli pavilion presses ahead, the genocidal death toll in Gaza and the West Bank increases daily. While Israel's curatorial team plans their "Fertility Pavilion" reflecting on contemporary motherhood, Israel has murdered more than 12,000 children and destroyed access to reproductive care and medical facilities. As a result, Palestinian women have C-sections without anaesthetic and give birth in the street.
Any official representation of Israel on the international cultural stage is an endorsement of its policies and of the genocide in Gaza.
The Biennale is platforming a genocidal apartheid state.
No death in Venice.
No business as usual.
NO GENOCIDE PAVILION AT THE VENICE BIENNALE.
More info here
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astriiformes · 5 months
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I'm part of a program at my university where college students can sign up to serve as mentors for middle and high schoolers doing History Day projects (think historical research projects, with the opportunity to submit them for a big national competition) and had my first morning helping students on a field trip find sources in our library for their research and I just want to say... these kids had such fascinating topics, I am so impressed.
I helped a girl find a bunch of sources on Hedy Lamar, another look for publications on the history of using DNA as evidence in policing and criminal trials, several kids find resources on the impact of nuclear fallout in places like Hiroshima and Chernobyl, a boy find and download PDFs of academic papers on the history of Palestine... every single project sounds like an awesome thing to be researching, and they all picked these topics themselves!
The kids really are alright, and if you're a younger person who follows me with similar interests, I hope you know you rock. I'm so excited to be a part of all this.
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frankenfossil · 16 days
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13 books
What’s up readers?! How about a little show and tell? Answer these 13 questions, tag 13 lucky readers and if you’re feeling extra bookish add a shelfie! Let’s Go!
Tagged by @quarkscooljacket
This is perfect because I had an extremely slow start to the year in terms of reading and then SUDDENLY in the last few weeks I got my library card un-blocked and then maxed out my reservations and am now reading a bunch of books!!!!!!!
1) The Last book I read:
Question 7 by Richard Flanagan! I extremely liked it! Very contemplative novel/nonfic/memoir mishmash threading through such things as the way scifi writers & physicists prefigured & led to & failed to prevent the bombing of Hiroshima, his father being a POW in Japan who almost certainly would not have survived (and had him!) if the bombs had not been dropped, the history of Tasmania, his own near drowning while kayaking in the Franklin river, and the way history and memory shapes us and is eternally carried forward with us while also being forgotten/rewritten/impossible to pin down for certain. At least, that's my best go of describing this book.
2) A book I recommend:
This is... so open-ended... if you want to identify native trees in Victoria and nearby areas I would recommend Leon Costerman's Native Trees and Shrubs of South-Eastern Australia lmao. I really like The Golem and the Jinni by Helene Wecker, a historical fiction/urban fantasy book about a golem and a jinni living in immigrant communities in New York in the early 1900s, and also the sequel.
3) A book that I couldn’t put down:
Not a book per se but one of the webcomics I got into relatively recently is What happens next https://whathappensnext.webcomic.ws/ which reminds me a bit of Nevada by Imogen Binnie except if all of the characters were youtubers and/or tumblrinas and either involved in a murder or just big into true crime (in universe, fictional). It's very gripping. Of course now that I'm caught up there's the usual wait for updates but such is life.
I also read The Wicked + the Divine last week, since I'd never previously read the final 2 volumes, and that was good. I'm glad to find out I liked the ending. Comics are always a quick read but nevertheless some are more action-packed and fast paced than others lmao, and I just ripped through these in every spare second.
4) A book I’ve read twice (or more):
Naomi Novik is probably my most read author because I've read most of her books twice or more... So far I've read Spinning Silver & His Majesty's Dragon three times each; those are 2 of my absolute favourites. I've read most of the rest of the Temeraire series 2 or 3 times too but few of them grab me quite as much as the first one, & I read the first Scholomance book twice. I feel like I should reread Uprooted because that's the only one of her books I've not liked (though some of the duller Temeraire books get a bit of a leg-up from being in a series with other books I really like lol); since I only remember vague impressions of it now, which might not be accurate, I would like to see if my feelings have changed, or if not, figure out more specifically what I didn't like about it.
5) A book on my TBR:
Praiseworthy by Alexis Wright also happens to be one of the books I borrowed!! It was mentioned on a podcast along with Question 7 and Search History (currently reading, q12) so that is how I found out about these 3 books and was compelled to reserve them. However, currently I am daunted by how fat it is (700+ pages) so it's just sitting on my bedside table and I am... reading the shorter books first lmao.
I will also leave the blurb copypasted from @quarkscooljacket's answer:
Praiseworthy is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud, which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.
6) A book I’ve put down:
The most recent book I decided I did not want to finish is The Female Man by Joanna Russ. It sounded conceptually cool but I was just finding it way too hard to follow or care about. Too many sections where I couldn't figure out which character/s' perspective it was or whatever. I'm sure there's other books I didn't finish before they became overdue and I had to return them but can't remember, I usually want to finish them eventually. Whether I will get around to it is another matter.
7) A book on my wish list:
I don't normally buy books these days, but nevertheless tempted by A Vast, Pointless Gyration of Radioactive Rocks and Gas in Which You Happen to Occur, edited by the Daniels. It looks extremely interesting and also extremely pretty...
8) A favorite book from childhood:
Hmmmm. I guess I did choose my name from The Wind on Fire trilogy by William Nicholson. Definitely up there among my favourite childhood books.
9) A book you would give to a friend:
Another very open ended one...... this depends so much????? what friend... what occasion... idk... there are books I do kind of want to give people but either I haven't decided or it's supposed to be a surprise and they may see this. although recently I have been incepting Lauren with my impeccable borrowing tastes, reading my library books after me is surely the same thing right??
10) A book of poetry or lyrics that you own
Ismene's Survivable Resistance by Claire Gaskin... she is one of my favourite poets, and I rly like the concept of this book, and I saw her do a reading of some of the poems! However I think my favourite poems by her are ones that are not in this book.
11) A nonfiction book you own:
Hmm... Evolution's Rainbow by Joan Roughgarden is an interesting book published in 2004 about the diversity of sexual and gender variation in the world. The first section is about other animals, and especially about the ways human biologists have imposed ideological frameworks in classifying them; the middle section is about human intersex variation and biology; and the third section is about human cultural sex and gender roles throughout history.
12) What are you currently reading:
Search History by Amy Taylor. About the dating life of a classic mildly messy millennial woman. In this case she goes through the facebook profile of the most recent guy she starts dating and then finds out that his ex girlfriend died, and then goes through the accounts and photos of the ex girlfriend and gets a bit obsessed with her, but has to not let on to the new guy that she has done this deep dive. It's okay! Enjoyable, pretty fast to read, some funny bits and observations and whatnot, but not particularly a stand out read. She is not as much of a freak as I expected she would be when I started reading it, which is both a relief and also a disappointment. So far everyone seems to just be normal mildly flawed people doing overall reasonable things imperfectly, and the conflict is just navigating life's complexity (there's a lot about everyday sexism though). Mostly I just keep thinking how glad I am to not be a heterosexual woman or ever had to attempt online dating/app dating, which are both quite boring and excessively smug things to feel, however, I am simply a bit boring and smug. Anyway I'm only halfway through, I'm expecting/hoping there'll be some twists or something. Maybe about the boyfriend...?
update: was talking to some friends about it this arvo and they said not only that it does get crazier, but ALSO that supposedly it's a modern telling of Rebecca, which I have not read but have now reserved lmao
13) What are you planning on reading next?
I have borrowed all of Delicious in Dungeon and am very excited to start them! Also the next books I have to read for my book clubs are Marlo by Jay Carmichael, which I'd better get onto as it is in less than 2 weeks, and Hijab Butch Blues by Lamya H, which was one of the ones I put on the list myself and am very excited to read (I previously started it and got too busy to finish it but was rly enjoying it so keen to get further), but I actually still have over a month for that one since I can't make this month's meeting for that book club.
As for a shelfie... well here is a photo of all the plant reference books in my desk drawer for quick reference while working (though there's really only 4 I use very often, plus the australian standards on the side there):
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Tagging (with ZERO pressure or obligation): @thesleepybabesclub @depthchargeforcutie @petricorrosion @andilovethisnovemberlife @dogelectedmayor @aesterea @commander-diomika @auntytim @zinjanthropusboisei @red-thorn
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cavity-collector · 5 months
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any1 have any book recs for stuff i could prob find at the library? i went today and got a short book on hiroshima, and 1984.
i browsed a bit but the fiction section is a sea of romance thrillers for wine moms and the nonfiction section is a sea of confederate propaganda. i dont have anything im specifically looking for so it’s hard to sort through.
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todaysdocument · 11 months
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Eleanor Roosevelt visits Hiroshima, June 9, 1953.
Collection FDR-PHOCO: Franklin D. Roosevelt Library Public Domain Photographs
Series: Franklin D. Roosevelt Library Public Domain Photographs
Image description: Eleanor Roosevelt in a small room, speaking with a large group of people. 
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nicklloydnow · 6 months
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“And so, as I stand today to receive a peace prize, I ask myself, “What does the world of fable have to tell us about peace?”
The news is not very good. Homer tells us that peace comes after a decade of war, when everyone we care about is dead and Troy has been destroyed. The Norse myths tell us that peace comes after the Ragnarök, the Twilight of the Gods, when the gods destroy their traditional foes but are also destroyed by them. And the “Panchatantra” tells us that peace—the death of the owls and the victory of the crows—is achieved only through an act of treachery. To abandon the legends of the past for a moment and look at this summer’s twin fables, the film “Oppenheimer” reminds us that peace came only after two atom bombs, Little Boy and Fat Man, were dropped on the people of Hiroshima and Nagasaki; while the box-office monster called “Barbie” makes clear that unbroken peace and undiluted happiness, in a world where every day is perfect, exist only in pink plastic.
And here we are gathered to speak of peace, when war is raging not very far away—a war born of one man’s tyranny and greed for power and conquest—and when another bitter conflict has exploded in Israel and the Gaza Strip. Peace, right now, feels like a fantasy born of a narcotic smoked in a pipe. Even the meaning of the word is a thing on which the combatants cannot agree. Peace, for Ukraine, means more than a cessation of hostilities. It means, as it must mean, a restoration of seized territory and a guarantee of its sovereignty. Peace, for Ukraine’s enemy, means a Ukrainian surrender. The same word, with two incompatible definitions. Peace for Israel and for Palestinians feels even further away.
(…)
If my work has been influenced by fables, there is also something decidedly fabulist about a peace prize. I like the idea that peace itself might be the prize—that this jury of wise benefactors is so infinitely powerful that they are able to bestow upon a single individual, and no more, one year’s award of peace. True, blessed peace, not trivial contentment, paix ordinaire, but a fine vintage of Pax Frankfurtiana, a whole year’s supply of it, delivered to your door, elegantly bottled. That’s an award I’d be very happy to receive. I am even thinking of writing a story about it, “The Man Who Received Peace as a Prize.”
(…)
My fate, over the past many years, has been to drink from the bottle marked Freedom and therefore to write without any restraint those books that came to my mind to write, and now, as I am on the verge of publishing my twenty-second volume, I have to say that on twenty-one of those twenty-two occasions the elixir has been well worth drinking. On the remaining occasion, namely, the publication of my fourth novel, I learned—many of us learned—that freedom can create an equal and opposite reaction from the forces of unfreedom, and I learned, too, how to face the consequences of that reaction, and to continue, as best I could, to be as unfettered an artist as I had always wished to be. I learned, too, that many other writers and artists, exercising their freedom, also faced the forces of unfreedom, and that, in short, freedom can be a dangerous wine to drink. But that made it more necessary, more essential to defend. I confess there have been times when I’d rather have drunk the Peace elixir and spent my life sitting under a tree wearing a blissful, beatific smile, but that was not the bottle the peddler handed me.
We live in a time I did not think I would see in my lifetime, a time when freedom—and in particular freedom of expression, without which the world of books could not exist—is everywhere under attack from reactionary, authoritarian, populist, demagogic, narcissistic, careless voices; when places of education and libraries are subject to hostility and censorship; and when extremist religion and bigoted ideologies have begun to intrude in areas of life in which they do not belong. And there are also progressive voices being raised in favor of a new kind of bien-pensant censorship, one which appears virtuous, and which many people have begun to see as a virtue. So freedom is under pressure from the left as well as the right, the young as well as the old. This is something new, and made more complicated by our new tool of communication, the Internet, on which well-designed pages of malevolent lies sit side by side with the truth, and it is difficult for many people to tell which is which; and our social media, where the idea of freedom is every day abused to permit, very often, a kind of online mob rule, which the billionaire owners of these platforms seem increasingly willing to encourage—and to profit by.
What do we do about free speech when it is so widely abused? We should still do, with renewed vigor, what we have always needed to do: to answer bad speech with better speech, to counter false narratives with better narratives, to answer hate with love, and to believe that the truth can still succeed even in an age of lies. We must defend it fiercely and define it as broadly as possible, so, yes, we should of course defend speech that offends us; otherwise we are not defending free expression at all. Let a thousand and one voices speak in a thousand and one different ways.
To quote Cavafy, “the barbarians are coming today,” and what I do know is that the answer to philistinism is art, the answer to barbarianism is civilization, and in any war it may be that artists of all sorts—filmmakers, actors, singers, and, yes, those who practice the ancient art of the book—can still, together, turn the barbarians away from the gates.”
“The survey, conducted from October 19 to October 25, found that 70 percent of Russians would support Putin should he decide to end the conflict this week.
However, if ending the war would include Russia returning the territories that it has occupied and annexed throughout the conflict, only a third (34 percent) of respondents said they would support that decision.
(…)
In its latest poll, the Levada Center surveyed 1,608 people across Russia. The results suggest that 20 months into Putin's full-scale invasion of Ukraine, public support for the conflict has dropped significantly.
The results are significant given that stringent laws passed in Russia in March 2022 made criticizing the Russian military and the war in Ukraine illegal. Many are believed to answer public opinion polls on the topic dishonestly, fearing retribution.
(…)
An August poll by the Levada Center showed that just 38 percent of respondents "definitely" support the actions of Russia's armed forces in Ukraine.
That is in contrast to results from a February 2022 survey from the research organization, conducted when Putin launched his full-scale invasion of Ukraine. Results from that poll, which asked the same question, showed 48 percent of respondents said they "definitely" supported the army's actions in Ukraine.
Ukrainian President Volodymyr Zelensky has said on multiple occasions that he will not comply with the Kremlin's non-negotiable conditions for peace talks, including that Kyiv must accept the September 2022 annexation of four of its regions—Luhansk, Donetsk, Kherson and Zaporizhzhia—following referendums called by Putin that were deemed illegal by the international community.
Ukraine has said that any peace deal must make void Russia's annexations of its territory, and that the Black Sea peninsula of Crimea, which Putin annexed in 2014, must be reversed.
Zelensky has pushed a 10-step "peace formula," which includes radiation and nuclear safety; food security; energy security; the release of all prisoners and deported persons; implementation of the U.N. Charter and restoration of Ukraine's territorial integrity and the world order; withdrawal of Russian troops and cessation of hostilities; restoration of justice; countering ecocide; preventing escalation; and finally, confirmation of the end of the war.
Russia has maintained that any peace deal must include "the entry of four [Ukrainian] regions into Russia," something that Kyiv is unlikely to budge on.”
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“The US and Israel are exploring options for the future of the Gaza Strip, including the possibility of a multinational force that may involve American troops if Israeli forces succeed in ousting Hamas, people familiar with the matter said.
The people said the conversations have been impelled by a sense of urgency to come up with a plan for the future of Gaza now that a ground invasion has begun. A second option would establish a peacekeeping force modeled on one that oversees a 1979 Egypt-Israel peace treaty, while a third would see Gaza put under temporary United Nations oversight.
(…)
“We can’t have a reversion to the status quo with Hamas running Gaza,” Blinken, who will travel to Israel on Friday, told the Senate Appropriations Committee. “We also can’t have — and the Israelis start with this proposition themselves — Israel running or controlling Gaza.”
(…)
Israeli officials have said repeatedly that they don’t intend to occupy Gaza, but they’ve also said that continued rule by Hamas is unacceptable after the Oct. 7 attack in which the group killed 1,400 Israelis and took more than 200 people hostage. There’s also little evidence that the Palestinian Authority, which governs the West Bank, would be willing or able to take over Gaza. Hamas has been designated a terrorist group by the US and the European Union.
Ophir Falk, a foreign policy adviser to Prime Minister Benjamin Netanyahu, said, “A number of options have been raised for the day after Hamas. The prerequisite for all of them is that Hamas be destroyed. Once Hamas is destroyed, all the options discussed are based on the premise that Gaza be demilitarized.”
All options hold political peril for President Joe Biden and for other nations, including Gulf States, not to mention Israel. Biden believes that putting even a small contingent of American troops in harm’s way could prove politically risky, according to a person familiar with his thinking, who added that the US isn’t close to making such a decision. It’s also not yet clear whether Arab states might be interested in participating, another person said.
Ultimately, Biden and other US officials say that an endpoint that involves a sovereign Palestinian state is necessary, but exactly how to reach that outcome has barely featured in discussions, either public or private. And Israel says its military operation could last months, and will result in a buffer zone around Gaza.
According to the people familiar with the matter, one option would grant temporary oversight to Gaza to countries from the region, backed by troops from the US, UK, Germany and France. Ideally, it would also include representation from Arab nations such as Saudi Arabia or the United Arab Emirates, the people said.
A second option is a peacekeeping force modeled on the Multinational Force and Observers group that operates on and around the Sinai peninsula, enforcing the terms of the peace treaty between Egypt and Israel. Israel believes that this idea is worthy of consideration, according to a person familiar with the matter.
A third option would be temporary governance of the strip under a United Nations umbrella. This would have the advantage of the legitimacy bestowed by the UN, but Israel views it as impractical, according to a person familiar with Israel’s thinking, who added that Israel believes that little good has come from the world body.
Earlier this month, Israeli Minister Benny Gantz labeled UN Secretary-General Antonio Guterres a “terror apologist” after Guterres argued that the Oct. 7 attacks “did not happen in a vacuum.”
Several former officials and outside groups have already begun discussions with the US and Israel, and floated possible plans. One came from the Washington Institute for Near East Policy, which called for a Palestinian-run interim administration, with the UN Relief and Works Agency continuing to provide food, heath and education.”
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henrysglock · 1 year
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user laozuspo i HAVE to ask if you think owens’ discontinued ICBM location for the NINA project could at all tie into radiationgate bc y’know. Missles. explosions. Radiation
huhhhhh that's. i didn't think of that! the fact that they're in old warhead tunnels is funky for sure. Like why not just build a new structure of their own out in the middle of the desert completely off the grid? Why use an old government location, if El and Brenner and Owens know they're being targeted by the government?
I'm not sure if those tunnels in specific have anything to do with radiationgate, but ICBMs are generally nuclear. There don't seem to be any ICBM sites or power plants in IN, but if they're discontinued/off the grid the way the one for NINA was...it's possible they could create a fictional one. Considering that Indianapolis is a known nuclear target, and Hawkins is 80 miles from Indianapolis, it wouldn't be a stretch.
In my poking around about ICBM sites, I did find this paper from NOVEMBER 1983??
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It discusses in detail the effects of nuclear attacks on the US, and one section in particular talks about the ability of ICBM tunnels/silos to withstand nuclear blasts
"The silos in which modern ICBM's are housed are underground concrete structures, "hardened" to withstand the effects of nuclear blasts. There is a wide range of nuclear effects that might damage an ICBM within such a silo, but spokesmen for the U.S. Air Force have indicated that U.S. rCBM silos are generally most vulnerable to the shockwave of the nuclear blast. Thus the hardness of a given silo is usually expressed in terms of the shock-wave overpressure required to destroy it, measured in pounds per sq uare inch (p.s.i.). The silos currently housing the 1,000 U.S. Minuteman ICBM's are generally estimated to be capable of withstanding overpressures of up to 2,000 p.s.i. The detonation of a half-megaton weapon, such as those carried by the most accurate Russian MIRV's, would create such overpressures at ranges of roughly 300 meters; therefore to destroy a Minuteman ICBM a half-megaton weapon would have to be detonated within 300 meters of the silo.
Putting this in the perspective of Hawkins:
Hawkins was hit with a 7.4 magnitude earthquake from the blast when Henry opened the Rifts. That's roughly the equivalent of something like 500ktons of TNT. (Ish. I haven't done any of the math on Richter decimals.)
A magnitude 4.0 earthquake is only equivalent to about 6 tons of TNT explosives, but because the Richter scale is a base-10 logarithmic scale, the amount of energy released increases quickly: A magnitude 5.0 earthquake is about 200 tons of TNT, magnitude 6.0 is 6,270 tons, 7.0 is 199,000 tons, 8.0 is 6,270,000 tons, and 9.0 is 99,000,000 tons of TNT. As you can imagine, 99 million tons of TNT is enough to destroy just about anything, and is the equivalent of about 25,000 nuclear bombs. (This is according to the Center for Earthquake Research and Information and the U.S. Geological Survey.)
(x)
So: a Rift-event could destroy one of these silos, were the silo within 300m of the blast. Assuming a fictional silo in IN would not be within 300m of the library, it's probably untouched.
Continuing on: The bombs that hit Hiroshima and Nagasaki were 15ktons and 20ktons respectively.
((not so) Fun Fact: Modern bombs average at 100-800ktons. Our man Henry? Dropped the energy equivalent of a modern nuclear bomb lmao)
Chernobyl was said to have released 30-40 times that much, which would be at least 450ktons and at most 800ktons.
That? That's right in our range.
The point I was going for, though, was this: These ICBM silos/tunnels are made of concrete, which was what they used to seal up Chernobyl and what they used to seal off the Hawkins Lab gate. Concrete is a radiation shield (x).
If they invent an off-the-grid decommissioned ICBM site, that's a good place to go in the wake of a Chernobyl-equivalent event.
Fucking radiationgate, man.
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thegroovywitch · 2 years
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Led Zeppelin with their cameras at Hiroshima Peace Memorial Park, Sept. 27, 1971
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Soon after Led Zeppelin received a letter of appreciation from the mayor at the Hiroshima Municipal Office, they visited Hiroshima Peace Memorial Park, and everyone brought along their cameras. They visited the Peace Memorial Museum as well, located at the Peace Memorial Park. It was reported that John Paul Jones couldn't find words, and Jimmy was crying when he saw the extensive damage that atomic bomb created. Jimmy Page was very much enthralled during his first visit to this library.
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popculturelib · 8 months
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It's Crustacean Week at the BPCL, and we have another Crab Monster for you!
Roger Corman is a prolific director and producer known for his independent science fiction and horror films, among others. One of his earliest films was Attack of the Crab Monsters in 1957, which features a group of scientists who travel to an island in the Pacific to investigate why the previous scientists went missing. Turns out, they were killed by giant, telepathic crab monsters mutated by nuclear radiation. This two-page spread is from Roger Corman: King of the B Movie : Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses (2013) by Chris Nashawaty and features a behind-the-scenes look at the film's production.
The Browne Popular Culture Library, founded in 1969, is the most comprehensive archive of its kind in the United States.  Our focus and mission is to acquire and preserve research materials on American Popular Culture (post 1876) for curricular and research use. Visit our website at https://www.bgsu.edu/library/pcl.html.
Transcription below the cut
Attack of the Crab Monsters (1957)
In 1957, Roger Corman directed nine movies. Shot on the cheap and usually cranked out in ten caffeinated days, Corman's output during that Eisenhower-era annus mirabilis included such drive-in diversions as Rock All Night, The Undead, and The Saga of the Viking Woman and Their Voyage to the Waters of the Great Sea Serpent. All of these films (well, most of them at least) have their merits. But there's one that stands out for its willingness to grapple with weightier questions than the fates of bobbysoxers and bargain-basement bogeymen -- the luridly titled Attack of the Crab Monsters. Distributed by Poverty Row studio Allied Artists, Crab Monsters was released on February 10, 1957, as part of a Corman sci-fi double bill alongside Not of This Earth. Taken together, these two cautionary tales form the backbone of Corman's early obsession with the apocalyptic power of the A-bomb and the hubris of well-meaning scientists who, a short decade earlier, had unleashed a new form of wrath on the world in Hiroshima and Nagasaki.
Written by Charles B. Griffith, who would go on to pen several other Corman classics line 1960's The Little Shop of Horrors and 1975's Death Race 2000, the $70,000 Crab Monsters kicks off with a crew of scientists arriving by seaplane on an unnamed deserted island in the South Pacific. They're there to find out what happened to a previous research team that went missing. Could it have something to do with the fact that the island is smack sab in the middle of a nuclear testing zone? Before they have a chance to find out, things go disastrously wrong: One of the seamen bringing them ashore by raft falls overboard, only to resurface missing his head. Then, as the seaplane lifts off to return to the mainland, it explodes in midair. The table is set.
The team of stranded brainiacs include Dale Drewer (Richard Garland in an ascot), Martha Hunter (Pamela Duncan wearing more makeup and tighter sweaters than one might expect in the jungle), and Hank Chapman (a pre-Gilligan's Island Russell Johnson). Soon, they discover a journal filled with ominous entries of distress and hear the mysterious disembodied voices of the dead summoning them to the island's caves, where they finally come face-to-face with...huge, radioactive, papier-mache crustaceans with claws operated by piano wire able to absorb the thoughts of any human brain they nosh on! At one point, a crab monster telepathically warns: "So, you have wounded me! I must grow a new claw, well and good! For I can do it in a day! But will you grow new legs when I have taken yours from you?"
As the victims of this atomic retribution start to pile up, Corman's chilling allegory of nuclear folly becomes a briskly paced meditation on our most destructive impulses. We've played God and now must pay for our sins. In more ways than one, Attack of the Crab Monsters is a B movie with a bite.
[image caption]
Above: Production shot from the set of Attack of the Crab Monsters (1957). Pamela Duncan practices running in terror, lest she become the next entrée in Corman's seafood smorgasbord.
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dzthenerd490 · 19 days
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File: The Invasion of Godzilla
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Original Creator: @jacob.animation
Go Support their YouTube channel: https://www.youtube.com/@jacob.animation
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SCP#: AFA
Code Name: The Gojira Plague/ When Godzilla Breaks
Object Class: Keter
Special Containment Procedures: No samples of SCP-AFA are to be contained in any way by anyone other than the Department of the Impossible. Mobile Task Force Sigma-3 "Bibliographers" and Mobile Task Force Tau-9 "Bookworms" are to report any SCP-AFA instances they encounter to the Serpents Hand or Entities of Interest: the Librarians. It is the Foundation's best interest to allow them to deal with it and not interfere or attempt to contain.
Any SCP-AFA instance that makes it into our world much be exterminated at once. The area of its destruction must then be quarantined, the quarantine area must be at least 70 meters in diameter. Radiation Absorption Towers must be placed, and the area must be scanned to ensure all radiation is being delt with and no SCP-AFA flesh is still active. The Cover story is to be that chemical terrorists have spilled chemicals in the area. Once the area is confirmed free of SCP-AFA growth and infection the area is to be quarantined for an additional 30 days before allowing civilians back into the area, if the area was originally owned by civilians. 
Description: SCP-AFA is the mutant living flesh of SCP-ABQ. The flesh is extremely hostile and mutagenic able to grow into its own fleshy instance of SCP-ABQ of various sizes and hazardous abilities. Though this can be perceived as rather confusing since SCP-ABQ is known to regenerate but can't make his flesh come to life. Furthermore, he is considered an ally of humanity that would never allow any Titan or himself to harm human life. This is because SCP-AFA is from another reality, one where the Foundation doesn't exist and has a completely different SCP-ABQ. 
From this reality SCP-ABQ is a mutant monster that was given birth to the radiation of the bombs dropped in Hiroshima and Nagasaki. It absorbed the radiation and grew in size and power; it was also thanks to the radiation it gained the anomalous ability to not only regenerate but adapt to any form of damage or obstacle it comes across. It eventually gained the anomalous ability to reproduce asexually but it failed to lay a single egg as humanity fought it. Instead, it mutated even more and gained the anomalous ability to turn any part of its body into its own anomalous monster. This is what gave birth to SCP-AFA. 
Unfortunately, this was only the start of the terror, not only was its separated flesh able to turn into their own mutating monsters but the radiation became infectious. Any living organism that became infected with this radiation will mutate into an SCP-AFA instance. They will still have a basic resemblance of what they once where but overall, they will be an entirely different monster. Their bodies will grow bigger, they will have slimy and scaley skin, grow the signature Godzilla spikes on their back, and have an insatiable hunger for all noninfected organisms. These creatures regularly fuse with SCP-AFA flesh or eat it to grow bigger and stronger, thus they are referred to as SCP-AFA-1 instances. 
Unfortunately, SCP-AFA-1 instances have the same properties as SCP-AFA flesh in that they regenerate quickly from damage and can be split into two separate instances. Though unlike SCP-AFA instances which are normally just blobs of flesh, SCP-AFA-1 instances retain the characteristics and abilities of their hosts, using these traits to become unique apex predators regardless of what they were before infection. It was because of this that they were able to wipe out their entire world in the span of a few short years. The only reason the Foundation knows any of this was thanks to books that tell the story of SCP-AFA and its world within the Wanderer's Library. 
SCP-AFA was discovered in 2023 when an MTF unit from Sigma-3 found a book containing depictions of SCP-ABQ. However, it turned out to actually be an instance from another world that would be the progenitor of SCP-AFA. Afterwards every so often in our world there have been sightings of SCP-AFA blobs and SCP-AFA-1 instances getting into our world and killing innocent people. Thankfully the situation has always proven containable but the fact that [data expunged] incidents have happened since then is quite concerning. Especially when SCP-AFA instances are so difficult to kill. Theoretically it is possible to contain them but due to the massive risk and many hazards, containment has been discouraged by all Foundation staff. Instead, any further testing, research, and especially containment is to be left with the Department of the Impossible; if anyone can do it, its them.
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SCP: Horror Movie Files Hub
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turbo-overkill · 10 months
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hey so about the post of coming back to old "progressive" youtube channels, do you know of any good sources to become more knowledgeable and such on politics? apologies if this is weird
I'd definitely recommend you to read books. Video essays and such can be informative and entertaining, but you should look into literature as well.
There's the Anarchist library that collects books, focusing mainly on anarchism but branching out into other political ideologies, as well as critiques of capitalism and fascism. Please don't ignore literature- you can find audiobooks on Youtube if you'd like, but getting all of your information from a guy on YouTube is not reliable.
You probably know names like Karl Marx, maybe even Petr Kropotkin or David Graeber, so besides that, you might want to check out:
The Second Sex by Simone de Beauvoir
The Muslims Are Coming! by Arun Kundnani
The Accumulation of Capital by Rosa Luxemburg
Mutual Aid by Dean Spade
Why I’m No Longer Talking To White People About Race by Reni Eddo-Lodge
Ain’t I a Woman by bell hooks
That being said:
Shaun- particularly the videos on Nagasaki & Hiroshima and the Bell Curve, which count 4 hours in total. The rest of his content are mostly takedowns of specific videos or people, i.e. PragerU, providing insight into how people misquote their sources and pick and choose information to share to support their points.
Jessie Gender- focusing on issues pertaining to gender and transphobia, from a transfem perspective, with some Star Trek thrown into the mix. She's done a series talking in depth into the What Is a Woman? movie by Matt Walsh that I would definitely recommend.
Tirrrb- focused on racism, Black identity. His editing style is also very fun, but that's besides the point. He's a relatively small creator too, especially given the effort he puts into his videos.
Mia Mulder- again, gender and transphobia discussed from the point of someone who's transfem, with some history lessons thrown into the mix. She also focuses on conspiracy theories and alternate history stuff.
Three Arrows- one of my favourite creators, his videos talk about fascism and bigotry, often touching on WW2. He often compares historical events to modern day politics.
F.D. Signifier- focuses on issues within/around the Black community, racism, toxic masculinity and sexuality, often all in relation to each other.
Kat Blaque- her content is a bit more on the reaction video/entertainment side, if you're looking for that. She also focuses on transphobia and sexuality, as well as anything going on at the moment.
Khadija Mbowe- sexuality, gender roles and LGBTQ topics, history of feminism, all in a very laid back format.
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madderhatter · 5 months
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Happy 3rd year anniversary of (Ağdam) Aghdam's liberation from the Armenian invasion. The scale of destruction and looting Armenians committed in Aghdam is truly devastating. Once a town of 45,000 Azeris with libraries, museums and theaters is now a heavily mined ghost-town, one that the westerns are loving calling "The Hiroshima of the Caucasus". The fall of Aghdam to Armenian invading army in 1993 was tragic as Aghdam was where the Azeri survivors of Khojaly massacre committed by Armenians & Russians took refuge. It was incomprehensible to us back then but today we understand why those that are today vetoing ceasefire in Gaza, those that hold french-speaking African nations hostage to their neo-empire, and those that are murdering Ukrainians in their homes refused to hold Armenia accountable for what they did to lands they claim to be their bible-bestowed property for 56002,23212,242321 years and to all non-Christian people who lived in these lands for centuries. What was allowed to happen in Aghdam became the blueprint for what Russians did in Grozny, what Russia & Iran did in Syria, what Russia has done in Mariupol and what now the US & EU are funding and assisting in Gaza.
Today, the only building (left) standing in Aghdam is the heavily-vandalized 19th century Juma Mosque, a bittersweet reminders of the cruel and unjust war waged on our people and a holy site which Armenians used as a pigsty in 27 years of occupation.
youtube
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