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oliviajdjarin · 5 months

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Joel Miller: Stay Down

Pairing: Joel Miller x fem!reader (she/her; afab)

Word count: 3.2k

Summary: Joel thought he had grown accustomed to fear until he finds you covered in blood.

Excerpt: He swallowed, attempting to choose his words carefully. He had never been good with them, attributing his deficiency to a long line of likewise men before him. His brain poured for sonnets, poetry, prose that he had read in his insignificant time on this planet. Something to impress you, distract you, to take away that crestfallen look in your eye.

He couldn’t do it. He never would be. So, he used his mouth for something else.

Warnings: stitching of a wound, kissing, blood, blood loss, so much yearning, unestablished relationship, probably incorrect gun talk, Joel is scared of feelings.

A/N: This is me coping with the fact that we do not get more last of us in January. Also partially inspired by my favorite song maybe ever.

Pedro Masterlist

All my writing

Joel had found his hands becoming more and more susceptible to the cold as he got older.

They would crack and bleed, flaking dried skin within his decades-old gloves before November had even begun. This not only hurt like hell, but forced him to slow down and think about what he was doing to his body for once in his life. He had a harder time gripping the reins on a horse or fingering the trigger on a shotgun. Noticeably so. And living in a small town with a little brother foaming at the mouth to make old man jokes didn't help matters.

This is what led him to you.

He wouldn't call you a hoarder. Honestly, he would be the first to admit that you were one of the smartest people in Jackson. You had somehow become one of the most materialistically rich people in the town. You consistently managed to find the most randomly useful items on your patrols, things that people before the outbreak would never have even thought to miss.

Things like shoe insoles, ball point pens, Chapstick.

And luckily for him, lotion.

You never charged anyone for taking from what you had. Furthermore, you actively asked people if they needed anything. Even offering to scout around the area in search of specifics. Joel hadn't been around that kind of softness since...

Well, a long time.

This made him uncharacteristically nervous when he first approached your doorstep, but he knocked anyway. He had never in a million years expected to leave that house satisfied in more ways than one.

He blamed it on that stupid crinkle the skin underneath your eyes got whenever you smiled at him. He couldn't help but fall into your light.

This started a... friendship. Of sorts. He would come over when he needed you, and you would happily oblige. As time went on, the visits to yours became more and more frequent, frequent enough that the rest of the town seemed to be catching on. At least, that's what his brother had been hinting at through jabs and side comments.

"You smiled at me the other day, Joel," Tommy had said. "Actually smiled."

Joel responded with a gesture he was hoping Ellie would not pick up anytime soon.

Joel was...happy. Happy with the arrangement. He had a warm body – a fucking gorgeous warm body – to get his energy out with, and the woman inside the body seemingly had no issue with his lack of strings attached.

And yet, for some reason, this annoyed him.

There was some undetectable, bruised part of him that wanted you to…what exactly? Fight him on it? Confess your undying love for him? Pull him back into bed to cuddle?

There had to be either pheromones or crack cocaine in that honeyed floral perfume you always wore. You were beginning to drive him this insane. Unfortunately for him, the place he went when he was beginning to toe that line into insanity was always you.

Joel had checked the schedule posted in the main square, assigning every able-bodied person shifts of patrol. You had a shift earlier in the day, which usually kept you busy until noon. You would then shower, eat, and spend the rest of the afternoon doing whatever the hell you wanted.

Overtime, these mental gymnastics became muscle memory to Joel.

He huffed as he lugged his aching legs up your steps, their typical milk white now coated in an ugly muddy brown. Winter had begun, apparent by the puffs of Joel’s own breaths, and the snow in Jackson was trying desperately to keep up.

Joel balled his hands into fists as he planted both feet onto your porch, blowing into them quickly, before knocking three times. Spaced out enough, but not too much. He envisioned you smiling as you heard his signature knock, but cringed at himself internally, burying the thought instantly.

It fluttered back to the surface when he heard the pads of your footsteps somewhere in the house begin but extinguished itself when they dissipated.

He waited a few more seconds, the rational part of his brain saying that you must be in the middle of something, but the man part of his brain imagining you putting on your silky red robe he loved so much, only for him to take it off you so slowly it made his own fingers shake. He breathed in deep, the laundry detergent from his nylon coat mixed with the beginnings of December filling his nose, and cracked his neck while rocking back and forth on his heels.

His eyebrows came together when he heard another rustle, then nothing.

He knocked again.

Still, nothing,

He knew you were in there – he could hear you, clear as day, and he knew you could hear him – but for some reason, you weren’t coming to the door.

His much too weathered mind began to race, thinking of three possible explanations. One, you heard him knocking, and were ignoring him. Two, you somehow were not hearing him knock on the door. Or three, you for some reason were not able to get to the door.

Meaning, there was a possibility you weren’t alone in there, and not by choice.

“Y/N?” he asked loudly. “Y/N, are you in there?”

Nothing. A bit more rustling, maybe a slight groan, but nothing.

Joel’s fingers began to tingle, and it wasn’t from the cold. He knocked again, harder.

“Y/N, I know you’re in there,” he said loudly, “just…just tell me you’re okay.”

Silence.

He gripped the doorknob and jiggled it, hard enough for the wood to groan underneath his fingertips, but it was locked from the inside. He huffed, knocking again, his hot breaths now clouding his face. He felt an ache in his wrist.

He said your name one more time, hearing the beginnings of a voice he knew better than he should have muffled by the wood, and the door was flat in front of him before he could think twice.

He stomped his way inside, coating the ground with mud and snow, and his eyes darted around the familiar living room. His vision was tunneled, scrounging for the shape of you on the floor, draped over the couch, held at gunpoint. His heart pulsed in his ears.

You weren’t in the living room.

He stomped into the kitchen, the bathroom, the basement, nothing. All that was left was the bedroom.

There was no way in hell you were still asleep.

He practically sprinted to the room, preparing himself. He had seen what men did to women, the remnants of it anyway, and despite his state of denial, he could never in a million years handle the sight of you that way. In your own bed. In your own house. Likely one of your own friends.

He pulled open the door anyway, and was met with gold.

The room was dim except for the lamps you loved so dearly, spreading their warm, glowing, honeyed light across the room in streaks. He blinked his eyes to adjust, focusing in on your body on the bed. You were facing him, skin painted with similar golden streaks, highlighting the tears culminating under your eyes. You were sat crisscrossed, upper body totally bare, back slouched tightly, your body practically folded in on itself. Your right hand was pressed against your left shoulder blade, while your other was filled with wine-colored rags.

Blood-soaked rags.

His eyes met yours quickly, and despite their dampness, they still had that fucking crinkle.

You chuckled, your shoulders dropping up and down quickly as they always do.

“You know,” you said, voice curdled and tired, “if someone doesn’t answer the door, that’s usually them saying ‘leave me the hell alone.”

You chuckled again, this time finishing it off with a wince.

His hand slid slowly from the doorknob as he took a hesitant step towards you, his body tearing itself in half. One side begging to fold your body into him, bubbling you in a cocoon. The other, itching to tear whatever did this to you apart ligament by ligament.

Your eyes slowly drooped from humor to something like shame, like a kicked dog or a broken child, and he stepped forward again.

“Don’t,” you countered weakly. “Just…just don’t.”

You scooted away from him slightly, refusing to look at him, and applied more pressure to whatever was expelling that much blood from your shoulder. Pain was suddenly present in your face.

“You want me to leave?” he quickly countered.

You said nothing.

He walked to you, removing the hand you had pressed against your wound, and sucked in a quick breath.

“Probably the first time you’ve seen a revolver bullet in about twenty years, huh Joel?” you asked, chuckling once more.

He barely heard you.

You had gotten the bullet out, but it had sunken in deep. The skin around it was red and welting, so swollen that Joel had to guess you had already been working on it for at least an hour. He winced, imagining what kind of pain you were in, and the fact that you were dealing with it all yourself.

He swallowed grimly.

“Hand me that rag,” he said. He could tell how little strength you had left to fight him by how quickly the rag flopped into his hand.

He pressed it to the wound, and you hissed.

“Fuck Joel,” you whined, squeezing the covers of your bed so tightly your knuckles went white. He held his pressure, forcing himself to think straight.

He might as well have been feeling the pain in his own shoulder.

He finally eased his pressure, wiping away as much blood from the area as he could.

“You cleaned it pretty well,” he said softly, voice thick in his throat, so thick it was hard to speak. “But…it’s gonna need a stich or two.”

“Or seven,” you said, grabbing the first aid kit sat in the middle of the bed. You opened the bag with shaking hands, taking out the needle and thread. You attempted to begin threading the needle, but with your hands quaking so fiercely you only produced frustrated grunts and sighs. He moved to the front of the bed, the front of his body facing yours, and took the needle and thread from your hands, setting them to the side. He then held your hands in his, squeezing them slightly, before using one to tilt your chin up at him.

He sighed at the storm in your eyes.

“What happened?”

“Did you kick my fucking door down?”

“What happened?”

“I was stupid, that’s what happened.”

He sighed again. “You’ve never once been stupid.”

“Today I was.”

“How?”

“It’s how I always am.” Your voice cracked. “Thought I could pick some apples for Mrs. Lawrence down the street. She always talks about how much she loved that as a kid – a freshly picked apple. Went out too far. Felt a sudden burning in my shoulder and ended up having to take out six hunters all by myself. Six.”

A single tear dripped from your left eye, the gold from the lamps turning it to sunlight.

“I could’ve died. All for a fucking apple.”

You turned away from him again, and it took everything in him not to cup your face in his hands and turn you back to him. He had never seen you like this before. So… raw. Beaten. Trampled. Doused in self-hatred. He hated it.

And yet, he didn’t want to look away. He was slowly realizing that this was the part of you he had been desperate to see. Truth. Undercarriage. Weakness.

Human.

He swallowed, attempting to choose his words carefully. He had never been good with them, attributing his deficiency to a long line of likewise men before him. His brain poured for sonnets, poetry, prose that he had read in his insignificant time on this planet. Something to impress you, distract you, to take away that crestfallen look in your eye.

He couldn’t do it. He never would be. So, he used his mouth for something else.

Slowly, gentler than he ever had in his life, he brought his mouth to your cheekbone. You exhaled a prolonged breath, the heat of it cascading down the left side of his neck. It only prompted him to kiss you more, and more, and more. His lips traveling up into your hairline, across your forehead, down your nose, and finally onto your lips. His kiss there was tongueless, rather a soft press, and yet it meant more to him than any other one you had ever shared.

He could tell by your breathing that you agreed.

He pressed his forehead against yours, swallowing thickly. “I’m glad you didn’t. I don’t know…I don’t know what I would do if you did.”

Your stormy eyes turned into a sunrise, and Joel straightened his aching back to slowly remove his coat and boots. He placed them on the floor beside your bed, keeping his eyes on you the entire time. You watched him just the same, mouth propped open slightly.

He smirked as he set his things down. He then picked up the needle and thread while using his free hand to frame your face.

“I’ll be gentle,” he said, his thumb stroking your chin. “I promise.”

You nodded. “I know you will.”

His lips wanted to meet yours so badly it hurt, but he needed to stitch you. Quickly. For a wound as deep as the one you had, it should have been closed up hours ago.

He wouldn’t think about that now. He couldn’t.

He walked to the edge of the bed and turned you around, leaning you into him slightly to give your pretzeled back some support, and began.

You were surprisingly unreactive when he first inserted the needle, taking it as delicately as he possibly could. It wasn’t until he began to tug the skin together that your body showed signs of pain.

“You’re going too slow,” you mumbled softly after he finished the second stitch. “Please go faster.”

His hands began to shake at your request. He didn’t blame you. Speed would make it hurt worse, but be over with quicker. He squeezed the top of your shoulder in response, threading the needle quickly and stitching over the center of the wound.

You let out a high-pitched whine, gripping onto the comforter at your side, and he couldn’t help but kiss the back of your neck.

He let your breathing steady, then stitched again, this time kissing your shoulder blade.

Another stitch, a kiss across your shoulders.

Another stitch, a kiss down your spine.

Another stitch, a kiss on your lower back.

After every stitch, he planted one. Something in him couldn’t help it.

He made his final stitch and cut the thread quickly, sealing it with a kiss on the side of your face. He tasted a mix of salty tears and heat from your skin. He watched your throat bobble as he moved away, finishing off the wound with a final cleaning. Alcohol and blood filled the air, along with undertones of sweat.

He had a feeling that last aroma came mostly from him.

He threw the needle and thread away into the small garbage can you kept near your bed before turning back to face you. You rested on the balls of your palms, leaning back to look at him as he walked back towards you. There was pain visible behind your eyes, he could see it, but they were coated in something else. Something somehow rawer than before.

“You should rest now,” he said, scruff evident in his voice from lack of use. He cleared it quickly. “You took a hell of a hit.”

You didn’t move. Joel moved to the first aid kit still sitting in the middle of the bed and used the (what had to be decades old) wet wipes on his hands. He tossed those as well, but you still hadn’t moved.

“There somethin’ on my face?”

You cracked a small smile. “Thank you, Joel,” you said quietly.

He hummed. “Don’t mention it.” He then leaned forward and scooped your body into his arms. You involuntarily rested against him, eyes fluttering already, but he set you down beneath your sheets and swiftly pulled them over you.

He laughed at your fight against your own exhaustion, pushing stray hairs away from your forehead. He pulled away from you, beginning to walk out of the room. A fierce grip pulled him backwards.

“Stay,” you mumbled weakly. “Please stay.”

He inhaled deeply. The sweet cocktail of your voice mixed with those words fucking inebriating him, so much so he was surprised he was still standing up straight. He felt physically winded.

He squeezed your hand. “I’ll be right back. Stay down.”

You smiled, loosening your grip, letting your hand fall back into the bed.

Joel walked quietly out of the room but would be the last to admit how he practically sprinted to your kitchen and scoured your cabinets like a man being chased. He found your pain meds, pouring two into his hand, and filling up a small glass of water. He gave a slow, silent jog back to your room.

He felt equally as winded when he caught the view of the setting sun between your windows, glazing over you like a statue in Rome he had once seen on a traveling magazine. The streaks of leftover tears were highlighted in the light, as well as a small crease in your brow.

That is what told him you were not quite yet out cold.

He brought the meds and water to you, tucking your hair behind your ear to alert you of his presence. You opened your eyes and practically inhaled the medicine before laying back down on your side.

Joel removed his shirt in a blink and tucked himself in behind you, ensuring your stitches were not firmly pressed against him, but pressed just enough to ease soreness. You curved into him perfectly, as he did to you. He wrapped his arm around your frame, taking your hands in his and massaging them gently.

You hummed. “Promise you’ll stay?”

He knew your voice like that better than any man in the world.

He pressed a final kiss to your shoulder. “I’m stayin.’”

Tag List: (if you would like to be added please let me know!)

@untitledarea @avengersfan25 @lexloon @daphne-turner @leeeesahhh

#din djarin x reader #pedro pascal #pedro pascal fanfiction #pedro pascal x you #pedro pascal x reader #joel miller x you #joel miller x #joel tlou #joel #joel miller fanfiction #joel miller x reader #joel miller smut #joel x reader #joel the last of us #joel and ellie #joel miller x f!reader

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arijackz · 1 month

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PICK A CARD: What Era Is Your Beauty From?

☯︎ “A man should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.” ― Johann Wolfgang von Goethe

Disclaimer: This is a general reading, take what resonates. I am not suggesting any of these descriptions are cannon to your ancestral history, these are just how my intuition perceived, and then presented your beauty’s energy.

p1 → p2 ↙︎ p3 → p4

🂽 Pile One 🂽 (the devil, 2oC rev., ace of cups rev., 4oW, 3oC, king of swords, the tower, the world)

❖ Pile one, I feel like I’m watching the Game of Thrones out of context. Just flashes of people from around the Medieval 1400s living their day-to-day; singing, dancing, eating together, and then… not.

❖ The imagery I got when I asked what era your beauty came from, was very longing in nature. There was a lot of joy and celebration but it felt like I was watching the film through teary eyes and a heavy heart.

❖ The “movie” flashed between a thriving culture sharing tales of triumph and having happy, drunk sing-song moments together; and then those same people under a war-torn regime of a very cruel but powerful man. I sense themes of religious persecution, nationwide government-forced famine, and general desecration of the once-peaceful way of life. The population was going through collective mourning.

❖ People lamented over their unfulfillable desire to reconnect with their homeland and all of their loved ones. With the World card at the end of the spread and the Empress at the bottom of the deck, I get the clear image that your beauty is the physical embodiment of a large collective’s longing for the sanctity of their community. You invoke that feeling people get when they remember a bitter-sweet memory that hums fervor in their chest and gives them the fire they need to push forward.

❖ Your beauty comes from an era where the genuine smile and cheer of a pretty girl sparked a nation’s hope for reformation. You are the last remaining connection to long-lost celebration and the heart of a forgotten city.

How Do You Paint The Divine Image of Hope?

🂽 Pile Two 🂽 (7oC rev., 4oP rev., full moon, leo, sacral chakra)

❖ WHOOOAAaaaaa Ammberrr is the collluuhhhhh of ya enneergyyy!! WHOoaaA, shades of gaawwllddd displayyy naturraalllyyyyyy…..

❖ Just know I was HOLLERING that. This is my hippie pile. My people. Yea that’s right, I’m talking the late 1960s - early 1970s.

❖ Your beauty arose at a time when society desperately needed color (specifically seeing some of you wearing a lot of bright colors or eye-catching jewelry or hairstyles). The world was bleak and the war’s aftermath on the overall mental and emotional welfare of the general public pushed people to radical ideals and birthed a revolution centered around liberation, pleasure, and community.

❖ Your beauty is all sunshine and rainbows. Psychedelics and organic food. The best music in human history (feel free to argue with me, but know that it is going straight out the other ear, mama) and week-long outdoor festivals full of peace, love, and vulnerability with total strangers.

❖ Your beauty brushes people with the chilling winds of shameless pleasure. The taste of unadulterated personal freedom that is almost a societal taboo. Your beauty is so purely liberating.

❖ Lmao, I imagine a guitar riff going off everytime you walk into a room.

❖ You are the physical embodiment of eccentric love and vivacious rebellion.

Play That Funky Music

🂽 Pile Three 🂽 (The lovers rev., the High Priestess rev., Ace of Swords., 4oC. 7)

❖ Revolution is a running theme for all of the piles. This collective’s beauty awakens people.

❖ I’m seeing a brilliant man going mad at the lack of creative intelligence around him and pushing for societal rebirth. A complete cultural shift from the Dark Ages (pile one), to modernity. This is my Renaissance pile.

❖ You embody the mystical fusion of art, religion, architecture, and science. You are all the world’s intrinsic beauty rolled up into one figure. You are the art that attracts painters, inventors, and philosophers alike.

❖ You have the beauty of an all-around muse. You invoke the spirit of creative passion. It is like people see you and get a stroke of inspiration. Something that kicks them in the ass and tells them to go outside and create.

❖ This pile is very romantic. A classical beauty, like red roses and bottle poems. The universal innate desire to dream big.

❖ Shoutout to my Aquarians, 11th housers, and Shatabhisha natives.

The Medieval-Modern Muse

🂽 Pile Four 🂽 (king of pentacles, 2oP, 5oP rev., 9oP)

❖ OKAY PLOTWIST?? I don’t know what era this pile’s beauty is from because it’s set in the future.

❖ It’s funny how the last piles were all set in periods of revolution (putting in the WORK) and your pile, the final pile, is set in a better world full of financial stability, the end of inequality, economic fairness, and universal abundance (the fruits of the labor).

❖ Dude, I was trying to read the message at first and was just scratching my head. I was like, “When has anywhere, literally ever been this good???” Then I saw the ace of wands reversed at the bottom of the deck and saw impending change and it clicked.

❖ I also saw some star semblance, and see that your beauty is a reminder to mankind that the “impossible” is already set in motion. The hell we have created will crumble.

❖ You are a physical embodiment of society’s future triumph. You radiate wealth and fairness. My Venusians, especially Libra. You also look regal, something about you makes people want to stand taller.

❖ You got the pride card, I see that you give people the feeling of victory. You are living proof of future triumph in a better world where greed and sorrow are eradicated.

❖ You are the harbinger of the next era.

Introducing The First Titanium Man On The Moon!

#pac #pick a card #tarot #tarot reading #arijackz #astrology observations #pick a pile #beauty #eras

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skbeaumont · 12 days

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"You Should Probably Leave" | Joel x Reader oneshot

Part 1 of Play it Again, a new series where each story is a oneshot, but all are shaped around country songs.

Song: You Should Probably Leave – Chris Stapleton Summary: He works long days. You help out with Sarah, make her dinner, put her to bed when he has to stay late. And then when he gets home you help him out, too, even though you both know you should probably leave. Tags/Warnings: MDNI, 18+, smut, porn without plot, prose but kind of poetry/lyrical, sexual tension, PIV, oral (m! receiving), sub!Joel, you're Sarah's babysitter, AU! No outbreak, set in the 90s. Word Count: 1.4k

A/N: I've taken the lyrics and worked them into the story, so I'd really recommend listening as you read. I've been thinking about writing this series for sooo long because country songs + Joel is a match made in heaven. If you've got any song recommendations, let me know!

It’s like a dance, a well-worn routine that you both know, practised and perfected after months of repetitions. You both know where it leads but you’ll still follow all the steps. That’s how it is.

You put Sarah to bed ages ago, spent the last few hours of babysitting on the sofa finishing up some college work, waiting for Joel to get back. His key in the door is a familiar click, the latch sticking the way it always does, his shoulder forcing it open.

You stay where you are. When he comes into the lounge his toolbelt is still strapped around his waist, the remnants of a long day’s work painted across his handsome face and strewn in dust that’s collected on the knees of his well-worn jeans and callused hands.

He pauses in the entrance, arm stretched up above him to rest on the mantle of the door, t-shirt pulling up to reveal a strip of tanned skin above his belt. There’s a glass of wine half-drunk on the coffee table beside you and your feet are tucked up under you.

Neither of you speak for several long moments. You just watch each other, the tension too delicious to break.

“You should probably leave,” He says, but you make no effort to move and he stays where he is, too, dark eyes watching you.

His expression is open, taunting, and you already know what’s going to happen. You untuck your feet and shift them onto the worn carpet, standing to step towards him. His form takes up most of the doorway, his shoulders so broad that they almost touch both sides of the frame.

When you reach it he’s looming over you, blocking the exit off from you if you wanted to leave, but you don’t. You turn into him, press your nose to the slice of skin between his shoulder and neck and inhale deeply, smell the work of his day on him: the musk of sweat, the tang of iron and sharpness of wood shavings.

“I suppose it ain’t all that late,” he says, voice rumbling through his chest, “still time for you to finish your wine.”

You won’t finish the wine, but it’s all part of the well-worn routine the two of you have. He works long days. You help out with Sarah, make her dinner, put her to bed when he has to stay late.

And then when he gets home you help him out, too. Let him relieve some of the tension that he carries in his shoulders, on his thick-set jaw. You press the first kiss here, letting the rough caress of his stubble eat into your own cheek. When you let your hands course through his hair, scratching your nails into his scalp, he leans into it, eyebrows pitching up, something like a whimper falling from his lips.

There’s a devil on your shoulders, and its urging you each towards the same predetermined end.

“We shouldn’t.” He says, but he doesn’t move away.

“Just one kiss?” You ask, feeling him relax into your touch, the bulk of him slipping down the doorframe, bringing his mouth within reach of yours.

“Alright,” He rasps back, his voice pitching with need, and you claim the last syllable with your mouth, press your lips against his, pull a moan from somewhere deep in his chest.

“Say you want me to stay,” You tell him, and he does, whispers it into your mouth, chases your tongue with his.

When he looks at you his gaze so intense it’s almost intimidating, and you recognise the look in his eyes, the need that’s behind the blown-out pupils and hazy expression.

The slow retreat to his bedroom is well-practised, the carpet belying a well-trodden route you both know. He lets you walk him backwards up the stairs, sighs when you push him against the closed door to fit your mouths together again.

Inside, his bed is unmade and you press him into it, pin his hands above his head and lick a thick strip up his neck, following the tendons to the underside of his jaw.

His moans are the chorus of this well-rehearsed dance. They spur you on as you undress him, revealing the strong lines of his chest, the thick trunks of his thighs, the impressive bulge of his cock in his briefs, already half-hard.

He twitches in your hand when you draw him out and you shift down the bed to take him into your mouth, the head of him heavy and salty on your tongue. His cock swells, the vein that spans the underside pulsing against your palm.

It’s intoxicating and dizzying and familiar, the recognisable ache in your jaw as you take him into the back of your throat, fist gripping the part of him that won’t fit.

“So good to me, darlin’” He groans, running shaking fingers through your hair, trying to sit up against the headboard.

“Relax,” you tell him, pushing him back down to lie against the rumpled duvet, “I know what you need.”

You know him and he knows you, and you both know how this goes. You pull back, work your dress up over your head and pull down your panties, which are ruined with your slick, so damp they catch on your thighs as you peel them off. Joel’s eyes widen as he watches; he can never believe you want this – want him – as much as you do.

When you sink down on his length – the fat head of his cock catching at your entrance, making the stretch delicious and white-hot – he squeezes his eyes shut tight.

You run a finger along his eyebrows, coax him to open them and he does, a muscle in his jaw fluttering as you rise up and drag your cunt back down onto him again.

“I wanna do the right thing, baby,” he tells you, as though this – the pinching heat of him between your thighs, the tremble of his hands as he clutches at the flesh of your ass – isn’t the greatest thing that’s ever happened to either of you.

But you know he hates himself for it, hates that he’s a good decade older than you, that you’re Sarah’s babysitter, that this – this twisted arrangement you have where you stay when he gets back and then end up in his bed – is the only thing that gets him through those long works days sometimes.

“I know,” you say, “but it’s getting kind of hard to resist, isn’t it?”

“You should leave,” he says, thrusting up into you, “we should – Jesus, baby, just like that – we should stop.”

You arch up off the bed, tilting your hips so that he can drive his cock deeper, bottoming out and groaning brokenly into your ear. It’s filthy. Depraved, probably: The slap of his hips as he cants them up into yours, the breathy moans that tumble from your mouth, Joel’s desperate, needy curses.

It’s easy to make him come like this: Three steady, deliberate rolls of your hips and he’s a quivering mess beneath you, his hands fisting in the sheets as he spurts hot and wet inside you.

After, you tell him you should probably leave. He makes you come with his fingers first, tells you to finish your wine, that it still ain’t that late.

And when the sun’s on your skin at 6am, he’s there watching you sleep, hoping you’ll say you’ll stay, even though you should probably leave.

#joel miller #joel miller fic #joel miller smut #joel x reader #joel x you #the last of us fic #joel miller x reader #joel miller x you #pedro pascal #joel miller fanfic #joel miller au #au! no outbreak #SoundCloud

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borninwinter81 · 4 months

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William Blake - an introduction for Good Omens fans

I have sent @neil-gaiman an ask regarding his feelings toward the poet/artist William Blake a couple of times, but no doubt due to the size of the poor man's inbox I haven't received a response. So I did a Google search to see if he's spoken about Blake before, and it did indeed come up with a fair few hits. I think you might enjoy seeing this Twitter post if you haven't already, the painting is from William Blake's illustrations to Paradise Lost.

It's not surprising that an author like Neil Gaiman might have an interest in Blake. A visionary from a young age, his imagination was such that he was surrounded by angels made visible in his mind's eye, and he interpreted these visions through poetry, painting and engraving, and self-printed and published many of his own works. This gave him complete freedom to say exactly what he wanted.

Though he had a passionate faith in God, he also had a deep distrust of the church as an institution, and disliked the use of religion as a means of control. This poem from "Songs of Experience" perhaps summarises his feelings best:

"I went to the Garden of Love,

And saw what I never had seen:

A Chapel was built in the midst,

Where I used to play on the green.

And the gates of this Chapel were shut,

And 'Thou shalt not' writ over the door;

So I turn'd to the Garden of Love,

That so many sweet flowers bore.

And I saw it was filled with graves,

And tomb-stones where flowers should be:

And Priests in black gowns, were walking their rounds,

And binding with briars, my joys & desires."

In his poetry there is often an incongruity with the generally accepted religious ideas of what is good and evil, Angel and Demon. In The Marriage of Heaven and Hell (there's a title that should make any GO fan sit up and pay attention) he tells us that "in the book of Job, Milton's Messiah is called Satan", signifying that he feels it is Lucifer/the devil who is the true Messiah of Paradise Lost.

He gives us The Voice of the Devil and Proverbs of Hell, and has Angels being transformed into Demons through enlightenment. He tells us that Jesus broke all of the 10 commandments, yet was still virtuous because he acted according to his own morality rather than rules.

The god-figure of his later works, Urizen, generally comes across as malevolent, seeking to bind and control, whilst Los, the Satan/Messiah figure represents freedom, imagination and creativity.

"Restraining desire" and acting contrary to your own nature seem to be the only real evils for Blake.

He expressed his faith through a love of the world and the beauty in it, summed up in this quote:

"When the Sun rises do you not see a round Disk of fire somewhat like a Guinea? O no no I see an innumerable company of the Heavenly host crying Holy Holy Holy is the Lord God Almighty".

He saw "God" in everything, in all the wonders we have around us, and considered writers/poets and religious prophets as essentially the same, since they both have a connection to the divine, and express it through stories.

It's quite ironic that probably his most famous poem, Jerusalem (the one that starts "and did those feet in ancient times walk upon England's mountains green"), was made into a very popular church hymn, yet it is supposed to be satirical in nature. The poem recounts the myth that Jesus may have visited England in his boyhood, and Blake is expressing his disbelief at that notion and the unworthiness of England.

Did I have a point to all this? Mostly to show my hand as a massive Blake nerd, but also to hopefully demonstrate that there's a lot of common ground between his ideas and those expressed in a show/book like Good Omens, and hopefully to inspire some of you who may not be familiar with Blake to seek him out. In particular I'd recommend The Marriage of Heaven and Hell to any and all.

EDIT: I should have thought to include this, here's Michael Sheen reading a Blake poem. I have the CD this is from, he reads several by Blake, as well as other poets I love ❤️ 😍

youtube

#william blake #good omens #good omens book #good omens 2 #good omens s3 #neil gaiman #crowley #aziraphale #english literature #literature #poetry #go2 #good omens s2 #good omens season 2 #book omens #michael sheen #Youtube

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