#hsr quest analysis

[lampthehealthminister]

An Aventurine-centric analysis of the HSR 2.1 Trailblaze Quest - Part 1

I recently finished the 2.1 Trailblaze quest while farming for Aventurine, and it literally fueled my brain rot about him so I have to share my thoughts. I’m just going to do some analysis of the parts that interested me the most (so almost all the parts with Aventurine lmao) because I felt like the dialogue was very well-made and full of symbolism and devices that helped build his character. I will do it quest by quest because I don’t think a single post can handle all of my thoughts even if I ignore some parts of the quests. I’ll edit the things that must still be verified when I finish the next post. If you have anything to add don’t hesitate to comment! I love hearing other people’s thoughts on stuff like that. Also I hope the formatting isn't too weird... I'm not yet used to how Tumblr works, especially in website mode, so if anyone's got any tips don't hesitate to drop them too!!

Warning : Spoilers for Honkai Star Rail’s 2.1 Trailblaze Quest “Cat Among Pigeons” (in case some people still haven’t played it yet)

Part 1 : Double Indemnity

Memory

???: Land of rock, but not water, lightning, but not rain, blood, but not tears. You beat us with your falling stars, you lash us with wind and storm, you chew us up with the cracked earth…

→ I think “Land of rock, but not water” comes up as some of the floating text when Aventurine is in Clockie Theme Park (Must verify)

2. ???: I don't ask for a peaceful death, just for you to tell me — does the baby swaddled sweetly asleep... does he dream of his mother's heartbeat and the sound of falling rain? Please tell me whether this life is all just a fleeting dream...

→ Appearance of the motif of rain, which is surely important (Explored in quote 4)

→ Talk about dreams and life, obviously a way to make a link with Penacony, but also probably to show Aventurine’s real character and views : he is not one to hide himself in a false world, which is probably also why he’s so fervently opposed to the Family. (In my personal opinion, maybe all this opulence coming from the Family disgusts him because it reminds him that some people live a carefree life while other suffer needlessly)

→ “Please tell me whether this life is all just a fleeting dream…” is pretty interesting when you consider that Aventurine was ready to sacrifice himself because he saw no point in keeping his life. But also, here Kakavasha’s life is referred to as a dream, something not real, probably to set the stage for his luck, which is also pretty unbelievable but affects reality, setting his existence in the real world. Basically it shows that Kakavasha’s life is solidified by his luck since his birth.

3. ???: ...Otherwise, why would this child be born to face impending death...?

→ Another link to Aventurine’s mentality towards the end of the quest. It’s precisely because he sees no point in being born to suffer that he wants to end his life. (It wasn’t said as brutally in the quest, but in my opinion Aventurine is basically suicidal, as shown by other examples that I will address later.)

4. ???: Darling, listen... this is the sound of rain. On the day you were born, the sky also sent down a gift like this from Gaiathra.

→ The motif of rain is back, yoohoo!! Just before that, Kakavasha’s sister says that the “outworlders”, the IPC probably, sent the rain, but Kakavasha’s mother seems to believe otherwise. Maybe it’s a hint that the religious belief wasn’t as strong in Kakavasha’s sister? However, I feel like this theory is debunked in the next memory. (In my opinion, the theme of religious belief and the loss of it is still super important to Aventurine’s character and I’ll talk about it when it comes up.)

→ I also feel like what makes this event all the more incredible is that it shows that everything Kakavasha dreams of, he can have, to a certain extent. Obviously it’s also to show that he’s the real blessing, but I feel like it’s pretty straightforward here. But what I mean by “he can have everything he dreams of” is that thanks to his luck, nothing is really impossible to achieve, whether it’s good or bad, which he probably realised as he grew up and helped fuel his gambler mentality.

5. ???: ...Welcome to this sad world, Kakavasha.

→ Again, another link to Aventurine’s mentality. The world has been nothing but sad and cruel to him, so why was he even born?

Meeting Sunday face-to-face

Okay little disclaimer here, I struggled a lot with that dialogue because right from the beginning, I felt like Sunday and Aventurine were both trying to one-up another, while also talking about two different things, so it made it very confusing for me, but I feel like that was on purpose. So I’ll try to share my thoughts as best as I can.

Sunday: I have come to know you very well as a person, Mr. Aventurine. You're diligent, generous, and willing to cooperate. The fact that you succeeded in overcoming many obstacles just to meet me gave me the reason to believe in your wisdom and courage.

→ I start off with the most hypocritical thing Sunday would have ever said to Aventurine’s face. Here, Sunday is very obviously buttering Aventurine up, maybe to make him (Aventurine) believe that he (Sunday) can be fooled. Or maybe also to mock Aventurine for thinking that he (Sunday) would let himself be tricked so easily. I think these lines set the tone of the discussion. We now know that this is gonna be a passive-aggressive discussion in which neither Sunday nor Aventurine will be honest. This is also most likely a hint that Sunday knows more than he lets on. Because he knows of Aventurine’s strategy thanks to Ratio and has nothing to lose, he plays the exact same game as him (Aventurine).

2. Sunday: But there's one thing I must ask you — that is, you've used your wisdom at the wrong place to meet the wrong person and put yourself in a situation where you shouldn't be... witnessing a tragedy that shouldn't have happened.

Aventurine: You don't look too well. Am I making you anxious?

Aventurine: ...If not, then it means I'm on your side.

→ First thing that confuses me. Here, Sunday is trying to tell Aventurine that he (Aventurine) has the “bad” role, that he’s doing everything he shouldn’t be doing, and is everywhere he shouldn’t be, but Aventurine just ignores him. I had to re-read that part to understand that he (Aventurine) is trying to steer the conversation in his direction. Sunday is telling Aventurine that there will be consequences to his actions and his behaviour, but he (Aventurine) completely brushes him off by being condescending. And although Sunday is only being subtle, I’m sure Aventurine understands the implicit meaning behind his words, since this is a way of talking he’s familiar with. However, whether he’s aware of the risks or blind to them is something I have no answer to. I struggled a lot with that part because it’s difficult to grasp their intentions, but I think that the deal here is that Aventurine wants to take the high-ground in the discussion by ignoring Sunday.

3. Sunday: If I wasn't mistaken, you'd just made a serious accusation against The Family.

Aventurine: You weren't mistaken, for depravity is creeping in around you.

Aventurine: There's no need for us to be evasive. Let's talk about your sister. Your sister's talent is unrivaled in the world of show business. As you know, her voice has been out of tune since she returned to Penacony. What's more disheartening, she can't sing anymore.

→ Another episode of Aventurine ignoring Sunday to lead the conversation his way. Here, it seems even more ridiculous to me, because Sunday is basically telling him that his actions won’t go unpunished, even if he’s once again not explicit, but he (Aventurine) doesn’t care. He justifies his actions by being condescending and looking down on Sunday, hence the sentence “for depravity is creeping in around you.”. What’s more, he wants to talk about a subject that doesn’t make sense. Why talk about Robin except to say she was a victim? Here, Aventurine is starting his tacting of “fear” that he mentioned to Ratio earlier. Also, more hypocrisy with “There’s no need for us to be evasive” even though he will be only that afterwards.

4. Aventurine: Who could be responsible for this? Many suspect the culprit is among the outsiders, but I know... you hold a different opinion.

Aventurine: Now, your noble status has become a shackle, preventing you from apprehending the murderer and avenging your sister's death. You're feeling anxious because you're out on a limb.

→ Here’s one of my favourite parts. Here, Aventurine doesn’t outright say there’s a traitor in the Family, because it’s too big of an accusation to say without any proof, so he resorts to being as implicit as possible. Here he’s directly contradicting his “There’s no need for us to be evasive” line that was only meant for show. Also, he assumes things about Sunday’s situation, clearly to try and make him afraid, while still being as implicit as possible. However, it’s very likely that he doesn’t actually know what Sunday is thinking or can/can’t do, he’s just bluffing. He’s also very very condescending in these lines.

5. Aventurine: But don't worry. I am on your side.

Sunday: I'm immensely honored by your concern for me Mr. Aventurine — since you're so selfless and generous, I believe you wouldn't ask for anything in return, would you?

→ These guys literally cannot talk to each other normally. Anyway, here they’re both big hypocrites and super condescending with each other. Also, at this point we start noticing that Sunday’s pretty much not phased by Aventurine’s “fear” tactic, which hints at the fact that he expected it, or at the very least has enough control over his situation to not have to fear anything or anyone.

6. Aventurine: Naturally, you wouldn't incur any loss from this. I just want to reclaim what is mine: my liberty, and the personal items under The Family's custody — the bag of gift money, and...

→ I love the first sentence. Aventurine is particularly good at twisting words and sentences to appeal to the ears, and this dialogue really shows all of his prowess as a Stoneheart. He says everything to please, while also finding a way to turn the situation to his advantage, even though it doesn’t work in this particular dialogue.

7. Aventurine: I'm sure you're aware of the high level of risk I'll be undertaking to bring the truth to light.

→ Yet another sentence that makes no sense. In the dialogue, it doesn’t say anything nor serve anything, it’s another one of Aventurine’s tactics. He’s desperately trying to get a hold of the conversation, to have the desired effect on Sunday, so he says things that don’t mean anything, that just hint at things, that leave enough space for doubt to linger in the mind of the person in front of him. Unfortunately, Sunday is already one step ahead, and it doesn’t faze him at all.

8. Sunday: Mr. Aventurine, when you're out and about, do you always make adjustments to your appearance? Your tie should be on the center line, your shirt must not protrude from your vest, your trouser creases should be perfectly straight, and always aligned with the tips of your shoes.

Aventurine: Of course.

Sunday: But I don't, because it's not appropriate to do so in public — you should make sure everything is presentable and in order before leaving the house.

→ I know that this analogy is Sunday’s way of telling Aventurine that he (Sunday) doesn’t like to take risks, but I feel like it also serves another purpose. This seems like an implicit jab at Aventurine’s attempts to take control of the conversation once more, as if Sunday is mocking him for trying to tie the loose ends during the discussion, whereas he (Sunday) came completely prepared. (In my opinion, this is yet another hint that Sunday is one step ahead of Aventurine, but yet again, this is all very implicit.)

9. Aventurine: ...Sure. The gift money is good enough. I suppose you wouldn't mind that? After all, a merchant can't function without a bargaining chip.

Sunday: You compromised quicker than I thought. Unfortunately, it's a gambler that needs a bargaining chip... not a merchant. I can give you your gift money, but before that, I want you to tell me —

→ I don’t have a full answer to the question “What is the difference between gambler and merchant in relation to Aventurine?” but it dwells on my mind nonetheless. Aventurine refers to himself as a merchant again later (Must verify) but this dialogue is the only moment where he’s called out for it. So, why? Merchant here seems too… plain. Not risky enough for Aventurine. A merchant sells, but it’s mostly honest and without any lies, which matches with the image Aventurine usually gives out : he’s someone trustworthy, just agree to work with him and it’ll be good for you. However, Sunday sees through that facade easily, and denies Aventurine’s false honesty and care. Gambler is almost used as an accusation here, like Sunday is calling Aventurine out on his lies. And indeed, Aventurine does fit the image of the gambler : he’s reckless, enjoys the thrill of the risk, and doesn’t hesitate to play dirty. Even Ratio refers only to him as “gambler”. As for the bargaining chip… it probably fits the gambler more because a gambler is someone who’s in a difficult position and needs a way to escape, to change the tides, which will be Aventurine’s case soon.

10. Sunday: "Oh, Triple-Faced Soul, please sear his tongue and palms with a hot iron, so that he will not be able to fabricate lies and make false vows."

→ Nothing special here, except that it’s quite interesting that Xipe is referred to as the “Triple-Faced Soul” and Gaiathra Triclops is a goddess with three eyes. But it’s most likely just a way to make a parallel between Sunday’s and Aventurine’s beliefs and how the former pushes his Aeon’s creed on the latter. Especially since the Avgins believe making any offering other than saying the prayer is tainting Gaiathra Triclops’ name, whereas the Family is actively nurturing a dream city all in the name of their Aeon. Additionally, here Sunday associates Xipe’s name is with acts of torture nonchalantly, which shows that the Family probably commits horrible acts that they justify with the name of the Harmony regularly. (In my opinion this is another reason why Aventurine dislikes the Family and Penacony as a whole.)

11. Dr. Ratio: You'll have to speak more clearly than that.

12. Aventurine: ...You might as well explain yourself a little more clearly.

→ Adding these two together even though the first one was said during the flashback with Ratio and Sunday, because I thought the similarities were interesting. Put together, these two lines really make it seem like Sunday tricked Ratio and Aventurine by pitching them against each other. Still, Aventurine’s line is obviously less assertive because he doesn’t have any possibility to back out, unlike Ratio had.

13. Aventurine: Is this what the Harmony represents? Is it built upon constraint and coercion?

→ Here’s a line that convinces me that Aventurine despises the Family. He mimics Sunday, who says the Harmony’s name to justify his doings, and calls him out on his hypocrisy. It isn’t a real argument, it seems more like a sudden burst of Aventurine’s hatred for the ways of the Family, but it definitely sets the stage for the opposition between Sunday’s and Aventurine’s beliefs more clearly.

14. Sunday: Should you succeed, you will be able to coalesce into the Harmony and be with your Family. If you fail, you will suffer the wrath of the Eternal Centurion and fall into an abyss of doom.

→ That line… That line man… The first sentence is amazing. Throughout the whole quest, I feel like there's this recurring theme of Aventurine being stripped from everything he has, and this is definitely part of it. There’s something so oppressive and sickening about the fact that if he fails, then the last bit of himself, of Kakavasha, which is his memories of his family, will be overridden by his Family. And I say his Family because Sunday says your Family and not the Family. And while technically it’s the same, the fact that Sunday says “your” really makes the situation fully set in stone. Even if Aventurine is free, he has already been stripped away of all the connections he has to his true self. Even his belief in Gaiathra Triclops, which is unique to his clan, is going to be submerged by the words of an Aeon he does not believe in. Even worse, his beliefs will be overridden by the words of a faction that justifies their violence and lies with the name of their Aeon. This is a fate worse than death for Aventurine, because it wipes out his being, his existence, everything that makes him himself. This is literally akin to being a slave once more. Anyway these are the most hurtful lines in that dialogue I’m telling you.

15. Aventurine: Shameless hypocrites... You took everything from me and still demand the truth? That isn't fair. Your carnival reeks with the stench of cash. Nothing is achievable without it!

→ Last one for that dialogue, it’s not too complicated, but I love the raw anger that comes out from it. It definitely feels like this is what Aventurine feels at his core, and he finally lets it out now that he’s being threatened with the loss of his person. The “You took everything from me” references both material things but also himself. This line is so honest because he already feels as if he is caught, as if he is being stripped of his identity, all because of the Harmony’s effect on him. Also you remember how I mentioned that Aventurine probably hates the Family because of the opulence of Penacony. Yeah well that’s the proof right there. He says “reeks” and “stench”, which both have a negative connotation, to underline how horrible the Family’s dreamscape actually is. And since these words are very strong, I’m guessing that they come from his real feelings about the Dreamscape and the Family.

Memory 2

???: Look, this is just a necklace. But Kakavasha, you are my only family.

Kakavasha: …

Kakavasha: I'm sorry, Sister... I thought you'd be happy. Because mom left you this necklace...

→ These lines aren’t really complex, but they really show how Kakavasha probably had no knowledge of his worth, even as a kid. I don’t know why that is, but living on a dangerous planet and being a kid that can’t really fight or help probably is part of it. However, his sister reminds him that he is worth more than a necklace. Still there’s more parallelism between Kakavasha and the necklace. He says “Because mom left you this necklace…”, but his sister’s first line “you are my only family.” shows that Kakavasha is another gift that their mother left to her, one that is more important than a material possession, yet he fails to realise that.

2. ???: It is important, but not as important as you, my dearest brother... I don't blame you, but you must remember what mom said...

???: Pain and poverty are the trials of Gaiathra Triclops. SHE has also granted us a chance, and that's your good luck, Kakavasha. Your good luck is the most precious wealth we— all Avgin have.

???: You're a child blessed by Gaiathra Triclops and can lead the clan to happiness. So, always remember to protect yourself and never resent the pain and poverty you're going through... All right?

→ There’s honestly something a bit messed up about Kakavasha’s family’s adoration for his good luck, to the point the lines almost make it seem like he’s more important than the necklace because he’s lucky. Obviously I don’t think Kakavasha’s family’s love for him was dependent only on his luck, and nothing tells us that these memories are completely true either. Since it’s all Aventurine reminiscing, he could be an unreliable narrator, especially with his super low self-esteem. However, all about his life is said to be related to Gaiathra Triclops and her divine influence, whether it’s the hardships or the good things. There’s definitely some form of fatalism in Kakavasha’s sister’s words, with pain and poverty being justified with a sort of “everything happens for a reason”, which probably fueled Aventurine’s vision of life, death, and hardships. Especially since these lines also show how difficult Kakavasha’s role was. He’s both the saviour of the Avgins, a blessing from Gaiathra Triclops that can help everyone, but he also has to be selfish and protect himself to keep the blessing alive. This probably fueled his bad view of his luck, but also his self-hatred : because he’s lucky, he has to stay to the side and let everyone die, meanwhile he gets to stay alive, but does he deserve it? Also, in the previous memory, I suggested that maybe Kakavasha’s sister’s beliefs weren’t as strong as their mother’s, but her words here prove the opposite. Kakavasha’s birth and luck probably reinforced her beliefs, since he’s the hope all the Avgins have been searching for ; it’s like their goddess is finally answering their prayers, so why stop believing in her now?

3. Kakavasha: ...Okay. I will swear to Gaiathra Triclops to protect this "wealth"...

→ Not much to say here, except that despite swearing to Gaiathra Triclops in the past, currently he sees his luck in such a bad light that he doesn’t think it’s a blessing, and doesn’t want to protect it anymore. Obviously this fact is related to how much he’s been isolated from all the other Avgins because of his luck.

4. Kakavasha: But Sister... If Gaiathra Triclops was really watching over us...

Kakavasha: Then why did SHE not protect Dad when he was swept away by the quicksand...? After all, Dad went to the Katicans' land only to prepare for Gaiathra Triclops' offerings…

Kakavasha: And where was Gaiathra Triclops when Mom was shivering in our arms? Mom was still pleading for Gaiathra Triclops' forgiveness under her breath until the moment she closed her eyes…

Kakavasha: Sister, everyone praises me for being smart, but I don't get it... If every rainpour was Gaiathra Triclops' forgiveness and grace…

Kakavasha: Then how bad were our sins? ...So much so that we were born in this world of death...?

→ I’m putting this whole speech together because it makes much more sense as a whole than separated. Here, we really see Kakavasha’s doubt towards his clan’s religious beliefs, but also the uncertainty he feels about his role. But because he still believes in Gaiathra Triclops, this leaves him with only one option left : wondering what these trials are an answer to. The last line pretty much confirms that his role as the saviour of his clan and all the bad things that happen despite his luck created his point of view on life and death. He doesn’t blame Gaiathra Triclops, but thinks that maybe there is no point in hoping for her forgiveness if there are so many trials thrown their way. But also, it probably made Kakavasha wonder what was so special about himself, and eventually if he even had anything special, considering his luck can’t help anybody except himself. Because of that, I also think that these words are a mix of Aventurine and Kakavasha’s thoughts. I’m not trying to undermine Kakavasha’s ability to understand the world, but the “where was Gaiathra Triclops when mom was shivering in our arms?” seems so accusatory that I’m thinking that it could be a thought that Aventurine has now that he grew up. Also, the fact that there’s no image when this text is on screen supports this theory : Aventurine can’t link these thoughts to a precise moment he had with his sister, because they’re his current thoughts about his memories.

[mothtral]

when i think of stellaron hunter sunday, i picture someone who is so defeated, running on autopilot until something lights a match. very similar to blade. something he’s been working towards since childhood was ultimately ripped to shreds right in front of his eyes, and to add salt to the wound… even his dear sister told him to give up on their dream. that it’s over. what is a puppet to do when its strings are cut? let new strings hold his limbs in place and make him dance to a new master’s tune.

[shinystealingbirb]

Some thoughts on Yanqing

I don’t quite know how or if Yanqing was shown in Honkai Impact, but I’d like to talk about my understanding of him.

Biiiiiiig cut.

I assume many think he’s a flat character. He’s a child prodigy who arrogantly took on two immortals leagues more powerful than himself, and couldn’t get over his loss. Right? Who went out seeking some strange person, who Jingliu almost treats like an amusing pet, who tried to shortcut his way to total mastery. Who desires a title of a championship rather than the art itself. That’s the mark of a flat character- no displayed motivation, and traits we’re told, rather than shown, exist.

This is what the game explicitly tells us. In fact, it takes pains to push this narrative, and in my opinion, it’s specifically because he’s never in our party. To Stelle, or Caelus, or whoever you play as, Yanqing will always be on the other side. He faced Dan Heng and Blade, who we controlled. He duelled Stelle and Kafka. Faced us under the voluntary control of a heliobi. The only time we control him is when Yanqing battles Jingliu, and even then, he was canonically alone. To the Trailblazer, he is a child. An irritatingly strong one, but a child nonetheless, ultimately a footnote in their journey.

So that’s what the game says. But I want to talk about what the game doesn’t really put out there as much, but becomes more obvious the more we encounter Yanqing.

It’s a little hard to explain- I got a kick in the balls when I went through the Fyxstroll Garden quests and got to Yanqing, but I’ll explain that in a moment. For now, allow me to begin with a brief explanation of his character in the way I see it, rather than what the game has taken pains to show us.

He’s a winner- all he’s done is win, and he is young. It’s all he’s known, training and success. He’s showered with praise that he easily tires of, and the General is the only one he spars with that consistently defeats him. This praise is the expectation, the norm. You must win can be a hell of a motivator.

So when he loses to Dan Heng and Blade, it rocks his fucking world. He had no idea where he was in terms of power- really, the only thing he had to compare himself to was Jing Yuan, and the gap there is enormous. He got a taste of a true life-or-death scenario, as opposed to the competition he’s accustomed to, and according to the heliobus, the two immortals- who are way out of his league- left him teetering on the brink of death.

In an attempt to discover his prowess, something outside of the meaningless praise and predictable spars with Jing Yuan, he was absolutely ripped apart by an undead Hunter and a reborn Elder. The worst part? The heliobus in the Fyxstroll quest says he would’ve died “if the hunter’s blade pierced him,” which could quite possibly mean Blade was holding back. Given he was in a rush to beat the shit out of Dan Heng, I doubt it, but it is a possibility that would add salt to the wound- being defeated without being cut once by Blade, only using the flat side of his sword to almost kill him?

So he’s aching from that loss. He got fucked up and knows exactly where he stands, and that’s the single greatest defeat he’s suffered in his life.

For some children, for those who began or became skilled, who build and build and gather ourselves, trying to fight good to become great, a fear we have to overcome is failure. And failure is the single more horrifying concept to a gifted child, the absolute worst outcome.

A normal person fails. Oh well. Time to move on with life.

A competitive or gifted child fails, it means something. It means the effort put in, every single move spent in our lives, every thought, every moment of practice or rest, even if not working on that skill specifically, was a waste of a life, and as failures, that child, too, is a waste. Failure is like death. The way I can best describe the feeling… your heart clenches. Cold sweat, a sudden mental blank. A spider crawls up your throat, and with every step your throat grows tighter, the sense of dread closer and closer until the spider has made its way up to your stinging nose, your tearing eyes, and you are humiliating yourself with those tears.

It’s hard for people who do not understand this to be empathetic. To these people, a loss like this is just a loss. Things like “you’ll get them next time” or “they were out of your league” are said, and these things will never be consolations.

We, the Trailblazers, do not understand why Yanqing goes back to it in his thoughts so often, why it is a pivotal moment for him, why it appears in his character lines, and why he speaks about that battle so ruefully. It was inevitable, we think, that he would lose, isn’t it?

Shouldn’t he know he would never have beaten him?

Of course he knows.

But Yanqing is a child. For all his power, all his cheer and skill, he is a child. He’s gifted, and loss stings really fucking bad if you’re gifted, if you’ve won and won and already realized that praise is false and results are king (his trace voiceline sounds so sarcastic when he speaks of praise.)

Now: we can go over Jingliu and Stelle’s battles if you wish- more salt in the wound, to twist the knife just a little more(loser, loser, loser)- but by far our most interesting encounter with Yanqing is in the Fyxstroll Garden quest.

He’s possessed by a heliobi who claims- and delivers- that he can teach any weapon and advance the soldier to a warrior beyond compare. Despite the memory-wiping effects of the heliobi after possession, I believe said possession- at least for this one- is voluntary.

After all these losses, Yanqing finds a spirit who pushed a Cloud Knight into something lethal, and the spirit tells him, “I have seen your losses, I see them inside your head. Offer me your sword; offer me your allegiance, your body, and I will make you great.”

Knowing he was almost killed for his naivety, knowing he has been painted as the enemy, knowing he has won and won for his entire gifted life, right up until he hasn’t… why do you think he takes it? Of course he’s desperate, of course there’s a nagging doubt, a painful needling that tells him hes not enough anymore, nothing is enough. Of course he allowed himself to be possessed.

After all, praise is empty. Results are king.

The real kicker comes when Jing Yuan gets there.

I think Jing Yuan’s reaction to Yanqing’s possession says a lot. He’s not surprised it was him, nor how easy it was to get into his head. He knows these things, understands they are part of growth and motivation. He is only disappointed because Yanqing has allowed himself to cheat, to find the shortcut.

He arrives at the island, and so calmly he says “Yanqing would never lift his sword against me.”

Yanqing raises his blade. And then he turns to the heliobi and demands a duel. He proceeds to rip the false Yanqing apart with all the speed and precision that Blade and Dan Heng dueled him with.

I’ve seen people talk about how Yanqing was put in a loaded situation. That his choice was made based on disappointing one teacher over the other. It’s not an unreasonable claim, but a shallow one, i based on the surface teacher-student dynamic and taking nothing the heliobi or Yanqing said into account.

It comes down to the choices he has: in that example, his choices are loyalty to a heliobi he only just met, or a teacher he’s known since he was a little kid. In this perspective, the choice is obvious.

This one is not an incorrect perspective, merely an incomplete one. I think the complete choice was as follows: Instant power from an unpredictable, harsh master, one who is asking strange things of him- attack your friends, attack your previous master, don’t you want power?!- or turn back to the training he feels he’s outgrown, mentored by a man who he holds in such high regard and, if his voice lines are any indication, would trust with his life in an instant.

He’s braver than I am for choosing Jing Yuan’s side. Yanqing’s been shown to have an honorable teacher, but we have not seen him put in a situation where he has to prove it. We couldn’t confidently say what he’d do.

This quest displayed his desperate side. The heliobi had already exploited it, promised and delivered power. The heliobi proved it could be trusted, for that at least. Jing Yuan is a trusted mentor, almost a father figure, but those methods led to failure at the most critical of times. This undoubtedly crossed his mind- it certainly crossed mine as I played through that quest- and I genuinely thought I’d have to fight him again.

Frankly, I’m astounded he chose Jing Yuan, and that surprise made, at least to me, made him feel complete.

Yanqing is a child, with a child’s complex emotions and weaker understanding. He is cheerful and confident, a trait easily confused with arrogance. He is competitive. His worth is based on his prowess with a sword. He knows praise is empty and results are king. He is desperate, but more than that he is loyal beyond his own desires, honorable to a fault, which is more than I could say about most adults, much less myself.

He’s flawed and requires a certain prerequisite to understand. Yanqing feels childish in a different way than Hook and Clara, in motivations rather than actions. He feels human, and I really like his character

[peridouu]

“why do we slumber?” - post honkai star rail 2.2 story analysis

HELLO HI HI HI!! my name is aster, and i normally don’t make analysis posts, actually, but penacony’s 2.2 story was so interesting to me that i had to make a post, in particular about order vs. harmony and what we can take away from this message. this is a short analysis but if i ever have anything to add i’ll reblog it!

i’m an artist in many forms, and the music motifs in particular stood out to me during the boss fight, so that’s what i’ll be focusing on, as being an artist in these trying times can be very strenuous 😭 likes and reblogs always appreciated!

please take this whole analysis with ten cups of salt, i ended up skipping a lot of the dialogue in this quest b/c i spaced out really badly, so if i interpreted anything wrong, lmk please!

without further ado, let’s begin!

(spoilers for hsr 2.2 trailblaze quests below the cut)

i. Harmony vs. Order (wait, what’s the difference?)

just to make it clear, i wanted to talk about the differences between Xipe and Ena. i don’t remember if they talked about this in the quest! so i’m going to yap!

Harmony by definition is notes arranged to sound nice in chords. When applied as a path, the “notes” are people, and the “sound” is humanity creating connections and peace between one another. The harmonious interactions between people, if you will.

Order achieves mainly the same thing, and is why it was eventually assimilated into Harmony, but the biggest difference in my eyes is how the “harmony” is achieved. With Harmony, it’s organic connections. People getting along of their own will and agency. This is kind of reflected in how Robin previously did outreach to other planets, almost like a religious missionary - serving others and spreading the word of her own accord. 

The harmony achieved by order, however, feels more constricted. When you interact with the NPCs who are already in the order’s dreamscape, their state is always “Satisfied”, but they’re robotic and soulless, almost. The “Harmonious Choir” boss wields a baton, the tool conductors use to command music ensembles. Herta describes Ena as “a control freak.” The Order is all managed by one entity, and in Penacony’s case, Sunday. But even so, Sunday and Robin were raised by the Order. It’s a cycle. 

And even though both essentially achieve the same thing, one of them feels much more righteous and moral in our anime protagonist eyes, and spoiler alert: it’s not the Order. Why?

ii. Sunday’s Philosophy (and how it pertains to artists)

Sunday’s whole reasoning as to why he wants to trap the universe in a dream is b/c he believes it’s less painful than the real world. Robin and the trailblaze believe people should have the choice to live in reality. Their conflict is still an extension of Order vs. Harmony. Free will vs. One safe option. The bird in the cage.

Set the bird free, where it will inevitably die, or nurture it in a confined cage? If you’re like me, when I got asked this question during the gameshow, I was very very very conflicted. I asked March, Himeko, and Firefly for their opinions and still didn’t have a complete answer. I ended up picking “Set the bird free” because, well, Trailblazer is essentially an anime protagonist, and that’s what my idealist heart wanted to pick, but….

I still pondered that question for a long time after.

“Why does life slumber?” is the question that we are asked throughout the quest, but it is only at the end of the fight that we have an answer:

Sunday: Why does life slumber?

(Trailblazer): Because... someday...

(Trailblazer): We will wake from our dreams!

And aside from protagonist reasons, I’ve come up with an interpretation of this response that makes sense, at least in my mind. It’s still important to indulge in our fantasies and dream, but eventually we have to wake up and make the choice to get out of bed, make the choice to continue forward, and that holds more value than hiding from our problems in the Dreamscape. And this is also an extension of Order vs. Harmony, and the reason why Xipe triumphed over Ena. 

but taking it from an artist’s perspective: 

As someone who creates art, it’s always our goal to make art as perfect as possible. We want our works to be as good as they can be, perfect like the Dreamscape. Obviously, that’s not possible, and it’s always discouraging to not create at the caliber you want. But art is meant to be imperfect, and I’ll talk about that in the next segment. 

iii. Penacony’s First and Last Disharmony

When Robin brings her song and the Astral Express into the boss fight, Welt says this: “Penacony’s first, and last, disharmony.” (fun fact, this was the quote that basically prompted this whole analysis! thanks welt!!) Robin’s voice is absolutely beautiful, so why is it referred to as “disharmony”?!?!?!?!?

First, the goals of the Trailblazers (and everyone else on their side, whom i’m collectively calling trailblazers) is to destroy the Dreamscape and let everyone return to reality. This means that everyone who was blissfully ignoring their problems suddenly has to awake from their dreams and face their issues head-on instead of ignoring them, disrupting the “harmony” Sunday created.

Music will always be imperfect in the hands of humans, and it’s exactly why music is able to connect with people, because everyone can see parts of themselves and their humanity in the music. It’s something powerful that so many people can connect with, just like how Robin has so many fans across the universe, and just like the Harmony itself. 

If you’ve ever played an instrument and you’ve taken lessons, your teacher will likely make you listen to the piece you’re playing. the more advanced the piece (concertos, etc) the more recordings there will probably be. Even when just comparing 2 performances, there are already so many differences, but they’re both the same piece, and both recordings are probably really good. Different interpretations, but both contribute to the piece you play. 

Especially as we live in a time of AI where computers are creating more and more “art” it’s important to know that humanity will always reign supreme over soulless works. Because AI art might look pretty and might sound passable, but it will never carry the soul and meaning of human work, and that is the most important thing. Because when people create music, they put parts of themselves into it.

TL;DR: Art is imperfect and human and that’s what makes it so valuable, and that’s why Harmony will always triumph. 

[finisnihil]

Some people need to learn the difference between like/disliking a character on a personal level v. a writing level. I dislike some characters on a personal level but I do love their writing and characterization on a meta level and any of my bullying of them is mostly for jokes. Meanwhile there's also characters who I adore on a personal level but abhor the writing of because it feels like their concepts or potential as a character were squandered.

I've said it before i'll say it again when you let your personal bias on a character infect your analysis of them you get mischaracterization. Part of media literacy is seperating authoral intention from reader response and thinking about if anything about the character or their interactions can cloud your judgement of them on a surface level.

For example, in the 2.1 quest of HSR I saw some Aventurine lovers absolutely jump on a hate train for Sunday because in their eyes, Sunday was villainous for his actions against Aventurine and deserved to be put down for it. But, when you stop bastardizing Sunday in an effort to validate and sanitize Aventurine's motives you see the two are actually equally complicit in hurting the other. Sunday did try to turn Ratio against Aventurine and he did cast the whole Truth or Die spell but when you actually critically analyze Sunday and his role in the interaction he is more sympathetic and he makes more sense.

Aventurine was going into the interaction, an interaction regarding the IPC's increasingly aggressive attempts to recolonize Penacony after losing it as a prison planet, bragging about using the horrific murder of Sunday's sister to exploit him. Aventurine has never once hid his intentions, he's sympathetic but that doesn't change the fact he's trying to rip Penacony's freedom away for the IPC. We've seen what the IPC does to planets, no matter how corrupt the Family is, the IPC will be worse without a doubt. Aventurine is a morally grey character, he took the gamble of lying under the spell and he understood the stakes when he did it. Trying to bastardize Sunday in order to try and act like Aventurine didn’t have the autonomy to fuck around and find out is really disingenuous to both characters.

As for Sunday, Sunday is incredibly sympathetic too. We know he’s under crushing pressure by everyone around him to hide things for the sake of public image and we know he’s sacrificed a ton for his sister. Sunday is reverential of Xipe but we see him being actively wary of the Family. He knows there’s a traitor, he knows the Family is rotting with ill intent, he knows Death is on the loose. Robin and him are doing their damndest to handle these problems within their circumstances and we’ve seen their notes! They aren’t ignoring the problem, they’re even trying to get outside help from both the Astral Express and Aventurine. We see the Lightcone of their childhood in an otherwise clinical and impersonal office, one where he built her a toy stage and became her first audience. He cares about Robin more than anything and you see his rage and grief being suppressed yet slipping here and there and causing him to make sloppy mistakes, such as using the Truth or Die spell to lash out at Aventurine when he feels cornered with no control over the situation. When he confronts Gallagher he finally cracks and just… breaks. You see him lose it to the point he doesn’t even notice Death behind him until it’s too late. Despite being likened to songbirds, Robin and Sunday both died quietly in their gilded cages. They are the canaries in the coal mine.

Sunday and Aventurine are meant to parallel each other, they both lost their sister in a gruesome event outside of their control because they couldn’t protect her. Sunday couldn’t protect her from the cage he let himself be trapped in so she could fly free and Aventurine couldn’t protect her because he was too small and too young and too lucky. One is a younger brother and one is an elder brother.

The only major difference between them is who we experience the story through. Aventurine is our eyes for most of 2.1 so therefore Sunday is the one put in the antagonistic role. Antagonists are characters who’s motives and goals oppose the protagonists. Because of this, we have to flesh out Sunday’s character via subtext because we don’t have the luxury of his POV to be blatant like with Aventurine. If the roles reversed, if Sunday was our eyes, I bet Aventurine would be the one getting the flack instead.

[sunderingstars]

For someone who has never played honkai impact 3rd can you tell me what was that conversation between welt and archeron?! I could feel it out with the context and vibes but I wanna actually know the lore please

ʚ 💌 ɞ hi !! thank you for the ask :3 i may miss a few things due to the complexity of the lore, but this is my current understanding of it:

⟡ 2.1 spoilers ahead ⟡

(hsr = honkai star rail, hi3 = honkai impact 3rd)

°˖➴ i’ll only be talking about their first conversation here since i haven’t finished the rest of the quest yet

short answer — acheron is this dimension’s version of someone welt knows from his home dimension (hi3) and as such there’s a bunch of conflicting feelings from him in this scene. he recognizes her face but ultimately understands he does not know the motives of this version of her, so stays on his guard to protect the express.

long answer below the cut:

⟢ hsr welt is the same one from hi3 — he exists in both games, starting in hi3, then traveling across dimensions to hsr which is where he is now

⟢ acheron closely resembles raiden mei, someone welt knows from his home dimension (hi3). basically, acheron is another version of mei in this universe (there’s some debate about the specifics, but this is the simplest way to put it!). she’s in a similar vein as bronya, himeko, seele, etc. if you’ve seen the discussion about those characters linking to hi3 as well.

⟢ so, it creates this situation where welt recognizes acheron as being a version of someone he knows and cares about, while she doesn’t recognize him at all. that’s why he looks so surprised when he sees her, because he’s seeing a familiar face.

⟢ however, he’s on guard during the rest of the conversation because he understands that while she may look like the raiden mei from his dimension, this is still a different version of her. he can’t be sure what her motives are yet, or if she wants to help or harm the crew. in my mind, i see him as wanting to trust her because of his connection with the mei from his dimension, but ultimately knowing he can’t let his guard down.

⟢ another interesting tidbit is that acheron is able to point out the true nature of welt’s cane as a weapon of godlike power. while we don’t have many answers as to why or how she knows in-game, it immediately reveals to welt that she does know, which calls into question what else she knows and the possibility of that knowledge posing a danger to the express.

⟢ side note: as for the connection between welt & the mei from his home universe, my main takeaway from it is that he’s a sort of mentor figure to her. not as close of a mentor as he is to other characters, but enough to know and care about her wellbeing. i would also say that they’re friends and have mutual respect for one another. (at least that’s my interpretation of their interactions in hi3.)

⟢ overall, i feel it was a very jarring conversation for him since he was suddenly seeing someone so familiar yet so different. from acheron’s perspective, it must’ve also been weird to see his reaction since she doesn’t know him at all. she knows how powerful he is, but has no personal connection to him beyond that — meanwhile he’s just having his “!?!?” moment while she stares on in confusion.

anyways, i hope that made sense! the hi3 lore can get pretty complicated, especially when it crosses over into hsr, but i tried to put it the simplest i could — i also may have missed a few things because of how complex it can get, but i tried my best to include everything important.

i’m happy to answer any additional questions, and once again thanks for the ask — i love doing nerdy lore analysis stuff! .𖥔 ݁ 🪐˖

[two-nines-left-spleen]

Thoughts and rambling on HSR 2.2 (Part 2)

MASSIVE SPOILERS AHEAD!!!

Please feel free to share your thoughts, Ideas, things you noticed etc. I love when people ramble about things they found in the indulgences they enjoy.

Here are thoughts, pins and findings on Trailblaze Mission

Small Town Grotesque Quest

Misha's introduction as a Key Character was done a little clumsily. He did come a bit out of nowhere and him being suspicious was cleared a tiny bit too fast for me. I mean, as someone who actively tries to figure out the story beforehand, it was clear that there was way more to him, I just thought our characters would find out more -naturally. I blame Welt's perceptiveness, haha. The rest of his story however, was phenomenally executed. More on that later.

Hoyo PLEASE make Micah playable. One man with beard. You had no business designing an NPC this hot. (Siobhan too, please, please, please)

I have - and this is biased as HELL - massive Dr. Ratio brainrot. His fucking prescription he gave to Aventurine in 2.1 said Dormancy first. The Death Meme is revealed here to be Dormancy. Ratio is either a.) connected as all hell to the other characters or b.) really, really fucking clever to have this figured out earlier than everyone else who was NOT directly killed or in contact with Penacony's Kerberos. (Or c.): both). It also shows again, that, for being repeatedly advertised as a narcissist, he cooperates quite well with his surroundings. More on him later - yes, we saw this man for 2 seconds on screen, yes, I will write paragraphs about this. Stop me, I dare you.

Robin is a good-at-heart character and to me, she represents Penacony's heroine (like Bronya and Seele were Belobog's heros -alongside the Express Crew). I like that she was, like Firefly, instigating things on her own and thankfully subverted my fear of her being portrayed as a damsel in distress. I like characters that, at their core, are portrayed as kind. They are easy to write but hard to write well and I feel like HSR has done a very decent (not perfect, but decent) job at it.

I saw some people say that she wasn't in the story enough, and while we didn't get the whole Aventurine-Kakavasha experience with her, I felt like her impact was there during the whole quest, especially towards the end. (Put the metaphorical pin in that too).

Now, Gallagher. Hooooh this one's - hard. Difficult to pinpoint him and his stance and especially his stakes in this story too. I still think I don't fully get why he believes what he believes in. There's obviously so much more to him and this is the very first glimpse of History Fictionologists and the Enigmata followers. I doubt what we saw was the real him - and he did reveal some very interesting things regarding his path. I think we'll see him again, most likely in another form, most likely more complete. He is just a 'made-up character', even according to himself - his story in Penacony is over, but not in the universe. The Penacony Gallagher may have been Thirteen and younger than Mikhail but whatever bigger thing he seems to be part of seems to be- older. Also kind of hilarious that he actually told truths most of the time - in the most backhanded way possible. Frankly, he deserves a whole ass analysis post for himself (The CREDITS, THE CREEDIITS WHAT DOES IT MEAN??????).

And with this 2.2's second trailblaze quest concludes! See you in part 3!

[ihatechosingnames]

HSR Analysis about the Xianzhou Arc

With 1.3 Hoyo give us the official end of the Xianzhou Arc and I don't think everyone is satified with the last Trailblaze Quest. I think if they gave this mission with 1.2, it will have been a bit better. Not the best, but seriously, it was just a quest on going around places. But the final cutscene… was worth it the wait.

Let's go in order. 1.2 Starts with the unlikely quartet composed by Stelle, March, Welt and Tingyun managed to go to the Alchemy Commission where we see the fruits of Fu Xuan's commanding power as an acting general.

Let's skip fast and go to the moment when Fu Xuan tasked the trio to go and help by diving into the mist and turn off the Elixir Crucibles.

A precision, she asked the "unexpected guests" cit Jing Yuan because

Never once she says that Tingyun was to help them, Tingyun's job was to bring them to places, like the Artisanship Commission or the Alchemy Commission. If you paid attention, while we walked to the crucibles there was a piece of conversation

Here she sounds actually excited, while at the beginning Tingyun wasn't that happy to be in our company, she was nervous because the situation was unstable. So, here, I suppose, is Phantylia already talking. Or let more of her own personality shine.

Now, after the battle with Dan Shu, she said two things:

So, at first, it seems like Phantylia gave the Stellaron to the Disciples of Sanctus Medicus (DoSM for short) and made a promise with them. And it wouldn't be wrong to think this way, Phantylia is a Lord Ravager, a follower of Nanook, she should be able to have a Stellaron at ready. Actually, I read a very interesting post here on Tumblr about language, and I think that while the English translation is good, it may lose some context in between the translation. Like about the subjects of a phrase. The exact content of the promise between the DoSM and Phantylia is still missing, but we know one objective: fuse the power of the Abundance with the power of the Destruction.

And it's terrifying if you think about it: Destruction has a huge attack, Abundance can cure itself... and we already saw a character who has both: Blade, a character on the path of Destruction who is also struck with Immortality. In gameplay he sacrifices a part of his HP to do more damage, only to regain later.

Let's go back to Tingyun and Phantylia. Like Welt says, mostly to reassure both March and Stelle, there is no certain hint to say that Tingyun was working willingly with Phantylia, but without the body, we don't know.

Which is a good question. But, for me, no body, no death. It basically is a rule in writing a story: if you don't find the body, that character can always appear later. So, the fact that Phantylia didn't leave a body will lead only to one thing: the body was fake. If she left the body, Fu Xuan would have realized immediately that Tingyun's body wasn't the real deed. Which it will bring us, by doing a jump, directly to the last quest, the "funeral". We met a lot of people who knew Tingyun, but the entire thing about Tingyun left me with a bad taste in my mouth. Even Yukong says some things that contradict herself

But, after some reconsideration, it has some strategy to that. Phantylia says "It would've been nice to observe a little longer" before revealing herself in her ghost-flame-like appearance. Possibly, Phantylia didn't want to reveal herself at all, let the DoSM and the Cloud Knights kill each other while she stays in the background and sees how the Xianzhou Loufu destroys itself from the inside. By declaring officially that Tingyun is dead, doing the all funeral and letting the Trio gives the news, it would destroy every other chances for Phantylia to use that face again. Meanwhile, Yukong would search for her but not in an official way. Strange that we didn't find any letter like the voiceline says, or maybe they didn't search her shop.

My considerations: they did everything to say that Tingyun is dead without saying explicitly, but I stand my ground and say Tingyun is not dead, not yet anyway.

But let's go back to the past, after this Trailblazer quest, the narrative switches its main character and we are back to Dan Heng! Like I said, he is the second main character on this arc and it was done perfectly.

Seriously, the switches between our characters, Dan Heng's parallel but different journey to his past... well done, HOYO.

Our more unlikely TRIO, Dan Heng, Sushang and Luocha, arrive in the same place, probably a few moments later our other trio left.

Sushang went back to the Cloud Knights, Luocha has one more deal to see and Dan Heng needs to leave before they ask who he is.

The past haunts Dan Heng, literally, the ghost of the past lives of the Vidyadhara appear to talk to him and Blade, the man he usually he runs from is waiting for him.

that woman, perhaps Jingliu?

The one thing I can't explain is the transformation in Imbibitor Lunae, why the change in clothes? Dan Heng wasn't fashionably enough with his regular clothes and needed a change? Anime Logic, I know.

And poor Yanqing, that tries to fight literally legends, first Jingliu and now Dan Heng and Blade together.

Luckily, to babysit everyone there is Kafka. Look at Blade! He looks like someone who is regretting his choices.

Before reuniting with his friends, Dan Heng says a few words to Jing Yuan

which is something really important. Dan Feng and Dan Heng are two different persons, even if Dan Feng didn't go through the hatching cycle. Right now, he is Dan Heng of the Astral Express and I was almost in tears in reading it, since there were many red flags about Dan Heng leaving the Astral Express Family. Even the scene that is a call back to the beginning, with March and Stelle's hands stretched out to Dan Heng was touching

DO NOT SEPARATE! My babies çç

From here, everything seems to go fast. The cutscene with the music and the CGI that was the waves was so well done (basically all the money went to the waves), they went to fight Phantylia and what a fight it was. But unfortunately, our MC didn't get the power of the Hunt. Looking at how the story went, it was kind of assumed but not granted. The Xianzhou didn't lose faith in the Aeon of the Hunt, not like Cocolia did with Qlipoth. And in this Arc the moral protagonist was Dan Heng, with his past and his quest to accept but also move on with his future, it was not a time for our MC to get a power up. Maybe in the next world, unlike Genshin who has a fixed number of places (7 Archons, 7 Elements, 7 Nations etc), Honkai Star Rail is bigger, it has a lot more of Aeons and we have seen the powers of Aeon whose Path is not playable, who says that HOYO won't introduce more playable Paths?

Phantylia is merely playing with us, she is barely amused with our performance. In terms of boss fights, Cocolia is more emotionally charged and the best for music. Phantylia is part of a bigger story, the same story that Elio scripted and Kafka is directing and, as Kafka said, we gained a powerful ally in the Xianzhou Luofu

And I'm gonna bet that during the final fight with Nanook, the Xianzhou Loufu will appear as the cavalry, just like Jing Yuan did in the Dan Heng Companion Quest.

In the end, the Xianzhou Arc was different from Belobog Arc, the ending was unsatisfying because there were still a few things missing, and it didn't feel like an ending, like it did with Belobog with the nice pictures, it was more of a "see you later", so if I can guess, there will be another arc in the Xianzhou and it will be about the post cutscene.

I'm still a firm believer that Luocha is not Void Archives, but he played a part in this. He likely brought the Stellaron to the Xianzhou, possibly smuggled Jingliu to Xianzhou, all for destroying the Abundance.

It was an incredible cliffhanger that leads to more questions than answers. We now assume that Luocha smuggled the Stellaron to the Xianzhou, Jingliu wasn't on the ship only to search for Blade, Jing Yuan needs a vacation and never comes back to his place as General.

So, final consideration: we are not over with the Xianzhou, even with our jade abacus, we will need to go back and in that time the MC will get the power of the Hunt. This arc is like a chapter 1, a chapter where we met most of its characters, it explained the conflict between Lan and Yaoshi, the problems that Yaoshi's gift left, it gave us the first glance to the bigger story with Elio and his Stellaron Hunters and their objective to kill Nanook. While Herta Space Station was a tutorial and Jarilo-VI was an opening act for the ways of trailblazing (a story that have a conclusion and we are only witness to their efforts to move on), Xianzhou is the very first big world where there wasn't a real ending. Yes, we stopped the Stellaron, but the conflict is still happening. We have more information about us, about one of our friends, we have met the Stellaron Hunters, talked to them (Silver Wolf is the more social of the group and has visiting rights!), but it's like we have gained nothing because there is still so much to do in the Xianzhou.

I'm sorry if this is too long, but for me it's important to say that the last quest we did in v1.3 wasn't the final quest for the Xianzhou, we just put a stop to Trailblaze more, but we will be back for a second chapter on that ship, after all "there is still more to explore".

[alwayscorvus]

The way you wrote blade is ABSOLUTELY closest to the canon ive ever seen omg I loved the soulmate au, can you make some more ?

First of all that's sooo sweet ❤️ I'm happy that u liked it and I'm truly honored 🩷

I wrote this completely on spontan (and If we are talking about his character I took a lot out of my first impression. Because after I hadn't gotten Blade on his first banner I had taken a bit of a break from hsr... = which unfortunately means: not much of quests analysis for me) You've set the bar high for me now and I don't know if I'll be able to match the first post. But I'll be happy to try and write something more for u. It will take some time because I'm going to have 2 hard weeks at uni now but I hope that when I write it you won't be too disappointed ❤️

[sleepytownez]

Yo! I read the analysis you made on luocha a few weeks ago, and I found it rly interesting. I can’t wait to see what’s up w him. On that note, would you be comfortable giving on who void archive and Otto are and their connection to welt yang? I’m playing hsr and I’m curious abt luocha but know v little abt hi3 and the wiki is a little bit. Over whelming in its giant wall of text. Feel free to ignore if u don’t want to! Thank you

Aw no problem! And thanks for liking it even though it's a bit outdated haha!

Anyways as for explaining sadly It is really complicated and would be like a wall of text but I'll try to shorten it down to a few notes and then recommend you some material on it.

-

VOID ARCHIVES is a divine key, you don't need to know too much about what those are but basically powerful objects. He's basically a cube before everything else.

So then OTTO was born, and he grew up with this girl Kallen kaslana and when her father died he found Void Archives and made a deal to save her father using his body.

So, he changes his mind at the last minute but VA is still in his mind.

I'm skipping a lot but basically when VA escaped he took over one of Ottos clones (yeah that's a thing) so that's why he looks like Otto. And that happens way in the future.

-

So with Welt, he met VA (I'm gonna skip some interactions here) and basically during that Interaction is how Welt found out about Himeko from HSR and what made him want to go there.

-

As for Welt and Otto, it's a lot but to summarize

Otto by proxy and directly killed a lot of the people close to Welt and scarred him pretty deeply (luocha story quest sorta shows how affected he is by him in that flashback scene)

There's a lot more on that but I'll keep it short and instead recommend you some stuff.

-

Heres the comic with Otto and VA (Kallen and Otto are the main focus tho) it's a run read: https://manga.honkaiimpact3.com/book/1011/1

And some videos that go over it that I'd recommend would be

- https://youtu.be/uh8ObEwWJtE

(Its welt focused but it covers some more stuff)

- https://youtu.be/-lLyItC9LHM

(All about Otto)

Anyways I'm assuming you've seen the Luocha quest but in there is shows a bit about how Welt feels about Luocha as well.

This is by no means comprehensive, I'm not super super good at this lore unlike other games, but I hope it's ok.

[amansi1502-blog]

Pick and Pack Robot Market industry analysis and forecast 2019-2027.

                                                           Overview

 The worldwide pick-and-place robots can be segmented on the basis of type, number of axis, application, and region. Based on type, the pick-and-place robots market can be segmented into Selective Compliance Assembly Robot Arm (SCARA) robot, articulated robot, Cartesian robot and Parallel robot. The industrial packaging segment leading the end user segment accounting almost more than one-third of the total market share in 2016, driven by increasing demand for industrial robots across chemical and electronic industries. As per the number of axis, the pick-and-place robots market can be categorized into 2-axis or less, 3-axis, 4-axis, and 5-axis or more. Software and Hardware products for robotic system are rising in demand for various manufacturing and Modernization intelligence purpose.

 Based on application, the market can be classified into automotive, food and beverage, pharmaceuticals, plastics and chemicals, rubber, and others. Rising applications of pick-and-pack robots in food and beverages, electronics, automotive, pharmaceuticals, and other such industries can boost the market in the forthcoming years. For instance, assisting workforces in difficult tasks like application of noxious glue and lifting heavyweights and performing jobs that require repetitive strain, especially in automobile industry. It comprises advanced dynamic control, extremely rigid lightweight arm and better heat dissipation in the base unit to provide nonstop performance with greater speed and ability to perform task repetitively. This robot can find applications in high-precision and high-speed pick-and-place in assembly processes and packaging in medical device, pharmaceutical, and cosmetic sectors.

 Geographically, the pick-and-place robots market can be divided into United States, Europe, China, Japan, India, Southeast Asia, and others. North American and Europe regions have commanded the global market in recent past due to the strong research and development (R&D) in the robotics. Europe is one of the attractive markets due to extensive implementation of automation across industries. Presence of well-established automotive industry is anticipated to further impel the regional growth. Southeast Asia is expected to be the fastest growing region in the global pick-and-place market during the forecast period. Rapid industrialization and high demand for robots in product handling applications can drive the regional growth in near future. High production of automobile due to increasing demand for passenger vehicle from countries such as India, China, and Japan is likely to boost product demand during the forecast period.

 Key companies operating in the pick-and-place robots market include ABB Robotics, Blue Print Automation, DENSO Robotics Europe, EPSON Robotic Solutions, Bastian Solutions, SSI Schaefer, JLS Automation, Automated Motion, Gebo Cermex, Combi Packaging, LLC, Robotic Automation and Others. The market is dominated by various well-established international companies. There is intense competition among these market players based on price, product features, customized solutions, and services offerings. The competition is likely to increase in the coming years due to rapid technological progressions. Recently, DENSO Robotics introduced a new HSR four-axis SCARA robot.

  Major players in the Market are identified through secondary research and their Market revenues determined through primary and secondary research. Secondary research included the research of the annual and financial reports of the top manufacturers; whereas, primary research included extensive interviews of key opinion leaders and industry experts such as experienced front-line staff, directors, CEOs and Marketing executives. The percentage splits, Market shares, growth rate and breakdowns of the product Markets are determined through using secondary sources and verified through the primary sources.

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 Pick and Pack Robot Market: Product Type

 ·        SCARA Robot

·        Articulated Robot

·        Parallel Robot

·        Cartesian Robot

 Pick and Pack Robot Market: Application

 ·        Food and Beverages

·        Electronics

·        Consumer Goods

·        Automobile

·        Others

  Pick and Pack Robot Market: Competition Analysis

 ·        Fanuc

·        Moto Man

·        Cisco Eagle

·        ABB

·        Bosch Packaging Technology

·        Motion Controls Robotic

·        Quest Industrial

·        Bastian Solutions

·        SSI Schaefer

·        JLS Automation

·        Automated Motion

·        GeboCermex

·        Combi Packaging LLC.

  Pick and Pack Robot Market: Regional Analysis

 ·        North America

·                U.S.A

·                Canada

 ·        Europe

·                France

·                Germany

·                Spain

·                UK

·                Rest of Europe

 ·        Asia Pacific

·                China

·                Japan

·                India

·                South East Asia

 ·        Latin America

·     Brazil

 ·        Middle East and Africa

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 Pick and Pack Robot Market Report delivers comprehensive analysis of :

·            Market Forecast for 2019-27

·            Market growth drivers

·            Challenges and Opportunities

·            Emerging and Current market trends

·            Market player Capacity, Production, Revenue (Value)

·            Supply (Production), Consumption, Export, Import analysis

·            End user/application Analysis

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[sunderingstars]

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✩ ‧₊˚ ⌞ OVERVIEW OF ELATION!SAMPO ⌝

elation!sampo m.list

— what the stars reveal: general analysis, summary

— word count: under 1k

— overview: (as of 2.2) a general explanation of how i use elation!sampo, what i mean by it, and what theories it includes

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✩ ‧₊˚ ⌞ WHAT IS ELATION!SAMPO? ⌝

I use “Elation!Sampo” as an umbrella term to account for both Aha!Sampo and Emanator!Sampo theories, as well as any adjacent theories and possible combinations of the two. Since a lot of my ideas include major overlap between “Aha” as the Aeon of Elation and “Emanators” as enforcers of that Aeon’s will, I figured it would be helpful to have a specific term for “a version of Sampo whose identity closely intertwines with the Elation.” (Alternatively, “a Sampo who operates in the higher echelon of the Elation.”)

This way, I can account for the “grey area” between states of consciousness without having to overburden my writing with long definitions!

✩ ‧₊˚ ⌞ THEORIES ⌝

Since Elation!Sampo is an umbrella term, it can include a multitude of different theories. Beyond strictly “Sampo is Aha” and “Sampo is an Emanator” theories, it addresses the space between the two, like dual/split/separate consciousness, Sampo as a creation of Aha, former Aeon theories, and the like.

✩ ‧₊˚ ⌞ THE BIG STUFF (EVIDENCE) ⌝

Before I start my main analysis, I figured I’d give a short and sweet rundown of Elation!Sampo’s biggest clues:

— His bomb burst (Surprise Present) connects to Aha’s “surprise” bombing of the Express that happened before the events of the main story.

— His E2, “Infectious Enthusiasm,” is the exact same wording used in Aha’s introduction in the Simulated Universe.

— Both Sampo and Aha refer to themselves in third person. As of 2.2, Sampo makes nearly thirty third-person references to himself (I will make a later post detailing every time this occurs).

— Sampo refers to himself as an “old timer” in his conversation with Sparkle. While this could indicate a number of Elation!Sampo possibilities, it directly points to longevity, something that an immortal being would possess.

— In the dream bubble he shows us in Penacony (directly based on his Dreamscape), Sampo takes the form of a larger version of himself — something we’ve seen before with Phantylia’s transformation as an Emanator of Destruction.

— In the Astral Express’s dream bubble, we see Pom-Pom confront a faceless Aha. However, we the player don’t even hear Their voice, instead having to choose between voiceovers from different Crew members. Despite knowing for a fact They took a human appearance at this time, we don’t get any identifying features — perhaps because we’ve met Them already, and hearing or seeing Them would ruin the “surprise.”

— As of 2.2, Sampo is also the only early game character without a companion quest. Therefore, we never see him on the Express. A reason for this may be because he has an aversion to being seen or heard by Pom-Pom, who would be able to recognize him. While he may be getting a companion quest later on, the more time goes by without him having a quest, the more suspicious it becomes. After all, he’s the only “Belobog” character to not have one.

— Boothill…… What do you mean by that……?

There are many other, smaller clues littered throughout HSR, but these are the ones I always feel like screaming from the rooftops when this topic is brought up. Again, I’ll be going into the specifics in my analysis posts!

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.𖥔 ݁ ˖ જ⁀➴ thanks for reading to the end!

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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.

[finisnihil]

Hey, I wanted to ask if you read the side quest in Hsr. Because WTF IS THIS-

That make me ask too much question, like, (spoil for side quest) how people who aren't alive are still in Penacony ?? And how all the side quest in Penacony are so interesting and touchy but nobody talk about it (I mean, Caelus/Trailblazer literally say "go ahead and jump. Try a backflip, for style." To a kid on a ROOFTOP and nobody talk about it) Or even The Family and their contract with the CPI.

I just need someone to talk about the side quests and how interesting they are, especially when they come with more question than anything.

Have a good day/night.

I HAVE I just completed all current Penacony content available as of 2.0 and the side quests in Penacony are MESSED UP. I have a ton of analysis that touch on the side quests and I plan to make more! (Also the Pepeshi aren’t kids, they’re just really short!) But as you said the material is wild I actually have a running game with my friends where before each quest we bet on if the character is dead or a war criminal or both. if you wanna look for any analysis posts I make my analysis tag is “Finis Analyzes”!