#hydrangea song

[voca-song-a-day]

Today's featured song is: "AJISAI" by Sohta feat. Kaai Yuki!

[gdmtblr]

The season moves at a quick pace.

Spring flowers are turning into early summer flowers, the leaves become deeper green, and the sunlight is getting stronger.

Now, hydrangea is blooming beautifully everywhere. And there is a lovely hydrangea in my palm as well💜(This is a tiny cupcake😉🎶🧁)

https://m.youtube.com/watch?v=lKbb_GPlyio

[caffemochachoco]

inspired by this twitter post

[vellichorsdesire]

∞

:3

HII :3 :3 ouugh my favorite the smiths somg ever… ask game(?) link here!

[maenimalist]

Kimi ga omou youna boku janakute mo Boku ga omou youna kimi janakute mo Sugosu jikan fuete iku sono tabi ni Sore ga kimi to oboeteiku nda

Nan do nan do hanarete mo kitto Meguri aeru nante Omowanaiyo koko ni iruyo Tada sore dake o kakaeteru

KIMI GA SUKI DA KIMI GA SUKI DA KAKI ATSUMETA KIMI WO AISHITERU AJISAI NO YOUNA KOIDA HITOTSU HITOTSU SUBETE GA KIMI NI NARU

[lil-artist-blog-fandoms-ocs]

If I’m to struggle at the depths of my dreams,

I’d rather just go and feed off of this night.

Stay by my side, to the point you’d grow sick of me

It’s fine as foolish as it is, for it won’t ever repeat;

I just want to live on in this present,

That’s all.

[ivyprism]

The Dragon SOUL Crew (OC Info Dump)

Long-ish!!!

Marina - the First Mate

Personality: She is shy and reserved. She is a menace, but she adores and cares about her people. She considers it her family because her family abandoned her. She is fiery and will not back down from a battle. Her bite is as ferocious as her bark. She goes for the throat and, with her looks and expression, may make anyone regret their life decisions. She is preoccupied with assisting Hydrangea and dealing with the opposition. She isn't afraid to get a little sloppy. She possesses a silent anger capable of destroying villages and cities.

Appearance: She has long purple hair and red eyes. She is abut 5'7". She is a shapeshifter mermaid.

(Picrew: https://picrew.me/en/image_maker/167775)

Llyr - The Quartermaster

Personality: They're a careless, yet lethal foe. They do not pause. They are speedy with their kills. They are otherwise quite nice. They're extremely perceptive and astute. They can effortlessly deceive others and understand how to read people. They almost never make a terrible decision. They genuinely care about the workers and do whatever they can to assist with problems. They have a strong throat and may completely roast you. They know where it hurts, and their bark and bite are extremely painful. They are, without a doubt, the smartest members of the crew.

Appearance: They're a skeleton monster with deep red eye lights. They're about 5'9". They have two large scars on their left eye.

Nixie - The Carpenter

Personality: He's a gentle and caring man. He's a great dad pal. He is concerned about people and takes his job and his employees seriously. He is continuously worried about them and frequently stressed out about them. He can be quite loving, but don't be misled; when necessary, he is a lethal opponent. He prefers to talk things out, yet he is a frightening and forceful menace. His bite is far more dangerous than his bark, and his serenity can be lethal. In general, he is rarely furious. He prefers talking about issues though.

Appearance: He is a sea monster. He's about 6'7". He usually prefers his sea monster form. He is covered in scars and his right eye has a large scar on it.

(Picrew: https://picrew.me/en/image_maker/54346)

Thalassa - The Boatswain

Personality: A remote but chatty individual. She is a social butterfly who appreciates good music and conversation in general. She takes after the crew like a mother would and is constantly concerned about the group. She, on the other hand, is the sort to go for the neck. She prefers to fight rather than communicate. She is mostly bite and no bark. Her nasty insults are frequently covered up by the group. She is an extremely charming lady, yet she cannot, for the life of her, disrespect anyone. She likes cooking and painting as she does it in her free time.

Appearance: She is a ghost monster. She's about 5'3". She prefers her Blooky ghost form. ShShe has pink hair and blue eyes.

(Picrew: https://picrew.me/en/image_maker/54346)

Atlantis - The Fighter

Personality: 90% of the time, they are sleeping. They are, however, incredibly cool and quiet while they are awake. When it comes to insults, they go for the throat and aren't afraid to fight. They are one of the most powerful combatants. They are exceptionally gifted in magic. They watch after others and are abrasive to anyone outside of the crew. They're blunt and direct about everything. Their bite is more powerful than their bark, but don't dismiss their bark. They frequently let Nixie handle the negotiations because they are largely there to help as needed.

Appearance: They are a human. They're about 6'3". They're a muscular, but lean individual.

(Picrew: https://picrew.me/en/image_maker/54346)

Merwyn - The Lookout

Personality: She is a pleasant and lively individual. She enjoys crafting and keeping an eye out for individuals. She is quiet and thoughtful. But don't underestimate her; if you injure her crew, she can and will murder you. She takes after people and enjoys sewing and mending her crew's clothes. She is concerned about others and enjoys keeping an eye on things. She is extremely perceptive and never misses anything. She has a keen sense of observation and intuition. She is more of a barker than a biter. She despises fighting, but she will not back down if necessary. She tries to help others as much as she can.

Appearance: She is a skeleton sea monster who stays in her anthropomorphic form. She has golden eye lights. She is about 5'9".

-------

@kioko-noodles / @kiokodoodles @miscneilleaneous @und3rwat3r-a5tr0naut @hearty-dose-of-ranch @buff-borf-bork @underfell-crystal @rainbowut @fruitsnackart

[dawnleaf37]

OOOHHWUAHAHS

[autistickaitovocaloid]

Top song playlist is here what are my vibes?

[voca-song-a-day]

Today's featured song is: "When the Hydrangeas Bloom, I Fall in Love with You" by N.k feat. Hatsune Miku!

[someawesomeamvs]

Warning: Violence, gore, spoilers, flashing lights

Title: Voices

Editors: Zoro outh, StickmanRules5, TrickyLOKI89 Studios, RaZorBacker, Hydrangea, Daxtertheottsel, Zac403AMVs, Animewriter10

Studio: TheAMVAllianceMEPs

Song: Voices

Artist: Crown the Empire

Anime: Tokyo Ghoul, Hellsing Ultimate, Corpse Party (game), Re:Zero, Jigoku Shoujo, Higurashi no Naku Koro ni, Mirai Nikki, Servamp

Category: Horror

[lagtrain]

tbh it is sooooo embarrassing to discover a popular song for the first time…

[creator-eliminator]

girls will be so calm and composed and then fully lose it whenever there is a mention of I'm Blue (Da Ba Dee)

[aquickstart]

i need to talk to you guys about the colors of the Cattons (Felix specifically) and Oliver. the clothes they are wearing are telling the story of Oliver taking over and leaving his mark throughout the whole movie, with Oliver's failures and successes and a final triumph. holy shit. get in. this is long and ends in ancient greek culture trivia. let;s talk please.

disclaimer: am starting from Oliver's arrival at Saltburn. before that the outfits are also very intentional, but it's a lot more complicated and it has been discussed before. the world distorts once we are at Saltburn and the story gets truly gothic there, and every detail—including color!—is enhanced in meaning. also, special thanks to @kivlaro for doing this with me, the thoughts on this specifically and the Saltburn craze on the whole. pics and detailed analysis under the cut!

let's start from the beginning. here is Oliver at the door. simple, blue shirt.

the shirt is sort of its own character. logically it makes sense as Oliver's suitcase is small and he spends the whole summer there, of course he'll rewear stuff a bunch. but it is blue.

in contrast to Felix, in yellow. yellow is one of Felix's colors (he is the sun, which i've talked about here btw, so this makes sense).

same to Pamela, in blue. first time we see her, she is next to Elspeth, wearing the color that is Oliver's, taking the place that he takes right away, in this very scene. the only other time she is physically present on screen is at dinner, in black and white, and black and white are a blank slate. she is stripped of color and gone very fast.

a bit of crucial data for later: Oliver, in blue, and Felix in pink. pink is very important on Felix. this is their first morning together. they are separate and opposite, solid, contained.

where it starts to get good is the morning after the vampire strike.

Venetia is a Felix extension, just as everyone in the house is to Oliver. i will eventually rant about Saltburn as a whole entity and Cattons as aspects of one self, and Oliver as psychosis, but not here. so, yes, Venetia is a pink riot, a euphoria of self-containment because Oliver gave her a piece of something she felt she lacked to feel whole (validation, attention, care), not a piece of blue, of himself. Oliver is expectedly solid blue. Felix is incredibly interesting and something i didn't pay much attention to at first: predominantly blue, incredibly upset at Oliver for ditching him, with a tile of bright red (on the left! close to heart! over-reaching here but like still!), which still tracks. i mean, really, if i had so much foreign color bleed into me and then abandoned, i'd be pissed, too. nice little touch is sir James' beloved hydrangeas, behind Felix, also pink, very pink, always pink; i don't think i've seen them blue in the movie, although the sort exists.

Farleigh. sweet baby Farleigh i love you. I'm not dead-set on my interpretation of this specifically but i think multiple things are happening with Oliver and Farleigh here. like Rent, which is their song, blue is their color of outsiders and the triers to fit in. Farleigh points out the favoritism and preference of Oliver to him and his mother here, so it may also be appropriation of color to draw attention to Farleigh as almost (but never quite) Oliver. it may also be as simple as that Farleigh, as much as he denies and resists, still retains Oliver's influence, which bleeds into him very slowly.

a nice little moment of Felix wearing blue swim shorts with just tiny specks of a pink pattern. Oliver's shorts also have a bit of pink, but less than Felix's. Oliver is pretty good at remaining unaffected and uninfluenced overall.

and we're getting to where it all clicked and started for me. the Quick family house, the failed reconciliation, and the immediate aftermath. oh it's so good.

on the drive there, Oliver is blue, Felix has a pink polo shirt with a solid blue pullover over it. this is the most blue Felix has ever been (this is the most blue he will ever be!), this is trust. however shaky and toxic it is, Felix loves Oliver and accepts him into his world. as a side note, Oliver's parents are also very blue, mom more so than dad. nice!

and then it crashes. immediately after, it's the evening of the same day, but Felix is not wearing the blue pullover anymore. this is very, very important. this is rejection. it's the end for Oliver in Felix's world and with his trust. Felix, again, in solid pink, Oliver in solid blue. Felix successfully rips him out with the roots and everything. ouch.

daddy. sorry. is that highlighter? sweat? fuck. let me- daddy. SORRY

no i actually have a point about this.

the clothes are replaced by the lights, but we roll with it. Oliver basks in the blue-green light, while Felix is on the other side, in pink and purple and red. sure, blue shines through, and Oliver also walks through the slashes of pink, but it is mostly pretty separate, Oliver watching Felix's pink in his own blue from a distance.

the morning after palette is deep. the wine color that is so prominent in these scenes is fascinating to me. if i were to over-reach again i'd say it's the Oliver in Felix's attributes and in his place that requires the robe to be so dark, not usual definite pink, because deep blue has leaked into the color itself, mixed with it, made itself integral to the shade. but it's also just a nice color, and it is pink in its core. the flowers (with sir James in the background) i think are also this specific shade for the same reason. you look at what remains of Felix everywhere here, and it is his color.

and finally oh the lunch scene. the last supper. the judgement day. the who's afraid of virginia woolf madness.

i think we've established what's up with Oliver, but i also think it's important that he is his own color at lunch but in Felix's pink/wine right before and after. lunch is where he attacks, whereas before and after is where he grieves and enjoys. Farleigh is almost completely blue save for a strip of the same deep pink, and he is soon cast out, and Venetia is striped, blue and pink/salmon, affected deeply by Oliver yet still clinging on to the Catton pink with grief, probably, but also love for Felix.

and after all this, Oliver leaves himself.

no, like, actually, literally himself. sure, he'd got a taste of the Cattons and the pink, but he is a monolith, a solid blue when he leaves Saltburn. he has not been affected by the house, he has taken what he wanted but stayed true and whole. what a power move, honestly.

but it's an even bigger deal that 16 years later, Elspeth runs into Oliver wearing all white and a blue scarf. oh, she's not let this go, alright; it was a long time ago, "but not to me," she says. What Oliver has been up to in that time is a great question, without a doubt he's been keeping tabs on the remaining family as much as he could; but Elspeth has never moved on, either. She has held on to Oliver's blue and the pink is not important at all now. Oliver, of course, is invariably, unwaveringly blue. welcome back to his show.

and welcome back to his triumph.

the only color (except for, again, white and black) we see him wear in the flashback about Saltburn inheritance is the all-too familiar deep pink. wine. bright pink mixed with deep blue.

now i will take a liberty and step back, over-reach, over-interpret and go insane. here's a fun bit on ancient greek culture trivia for you.

this is an interesting and complicated historiographical and linguistic debate that i will not even attempt to relay here, but the essence of it is this: for us, the sea is conventionally deep blue. historically, one of the most prominent civilizations considered "deep wine" to be the descriptor for it (not necessarily the color but the property. highly rec to look this up it's so fascinating). what it gives me here is that Oliver has changed color, but not his self. he has integrated, mixed, but persisted, completely winning over, triumphing. long live the king!

in conclusion, i would just like to propose "colors" by halsey as the next cattonquick anthem. thank you for your attention, please let me know your thoughts. yours, yes, you. cheers. god. peace out