#i actually wanted to make this so much longer because i ended up falling in love with this reader/oc/whatever

[bee-named-alex]

So episode 6 of IWTV s2. My thoughts? Many. Enjoy them, I'll try to make it as coherent as possible in my current state. Spoilers and my mental breakdown below the cut

Fuck this. I cannot wait for a week after this episode, how am I supposed to be normal after this???

So I guess I'll start from the start? The tension is in every word and I get why Daniel's getting afraid for his life, I mean I am afraid for his life rn and he's not even real.

The Dubai scenes, they contrast really well with the first couple episodes of this season. The cracks in Loumand relationship are very apparent now, they can't even decide on what painting to have in their house. And I read a post that was like "season 1 was music, season 2 is art" and it's so true and this means like their relationship is empty i guess or something. Maybe just that it's falling apart.

And the way they began this season holding hands and sitting so close, acting like everything was perfect, ready to fight Daniel and now they sit as far away as possible, fight like all the time about everything and Louis and Daniel (and even Rashid I think) keep on further unionizing against Armand... I think that's just great.

And Armand knowing that they know and from the start trying to spin it. I'm not sure how the sentence "Why do you ask, love?" from Louis is like the coldest thing ever but it just is.

I'll talk more about Dubai later.

But now to Paris. Claudia's diary "Fuck these vampires" - girl's so right (in both meanings of that word btw). Claudia was never really my fave, but out of everyone I feel like she deserves a happy ending the most (not counting daniel here) and fuck, she's not getting it. i know but it still hurts like hell.

Her and Madeleine's relationship is great. Inbetween all the plotting and manipulation and murder this feels like one of the only peaceful things. In the scene where Claudia reveals herself I though that she's like Madeleine's guardian angel. But also an angel of death. But Madeleine doesn't mind and I think that's very important, that she doesn't really see Claudia as a monster - or maybe she does, but it doesn't change what she feels (after all, she thinks that she's a monster)

Then the turning. First Louis trying to convince Armand and him not obeying- as Daniel says "maitre only when it's hot or convinient" (it was hot in the art room btw and it's so not fair that we didn't get to see at least a little more i mean that whole scene was inexplicably so hot and i need moreeee).

But it also reminded me of another post, the "Armand is a willingly leashed tiger" because like yeah, Louis has the power up until the point when Armand no longer wants him to have it. (also Louis persuasion being "imagine me without the burden of her" sucks, like sorry but this hurts, even if you didn't mean it and yes it matters if you meant it. But his later method - aka kiss to shut him the hell up - seems much better.)

Then I got a little pissed or perhaps confused at his "Are you asking or making me?" because we know that Louis can't actually make Armand do anything, not when he is 100 % sure he doesnt want to. Because if he could, Armand would've turned Madeleine. (speaking of, Armand not having turned anyone is pretty interesting, but i guess that that's how it was in the books and it was important so sure why not)

Also Louis' "It's ok, it's ok" here reminded me of "Of course, of course!" and also "It's fine, he's fine, we're fine" and it's just so funny how they all think that if they say things over and over again they'll convince themselves that they're true.

The turning itself was beautiful, as Louis said it would be. Like it wasn't violent, there wasn't fear, no tears. Just love and devotion and I'm so sad that Claudia's and Madeleine's beautiful dream didn't last longer.

Louis not caring afterwards is just another exampke of his dissociative state and I worry about his mental well-being. (All of their mental and physical well-beings tbh)

In Dubai again, Armand finally talking about the erased memories and how they both hate on him for it and they're right. Like what do you mean Daniel doesn't have the right to be angry, of course he does. It's fun to see Daniel delighted about fighting Armand.

But also... Louis asked him to get rid of those momeries (if he believe him. And I, in this episode more than ever and despite my better knowledge, do believe Armand. Maybe it's just because of Assad's phenomenal acting but I believe his words and I believe his tears. Which actually makes this all worse btw.) and that makes the whole situation suddenly much more complicated.

Other Paris plot - Santiago (fuck Santiago) and his coup -, yeah that kept me on my toes for the entire episode. Like Armand says that he was in love and Louis says that he got lazy but I just think he must've been blind to not see it.

I feel like Dubai kinda reflects this (Louis and Daniel unionizing as we've said and so it's like Armand losing his power over his people again) but also. Paris and it's aftermath was the biggest crisis of their relationship, must've been (followed by San Francisco and Daniel I'm sure). But now as the recount it they are also reliving it and are also in a full-blown crisis and i hope this one doesn't end in a fire.

And the ending of it all. Fuck. I was near tears watching it.

The double-date in the cafe felt like a dream, they even said in the episode insider that they wanted it to feel surreal or something like that, like a romantic comedy. And for a few minutes it does. They let you believe that they could be happy. You know they won't, you know that shit's about to go down and everything will end in ruin but this single scene makes you beg, no please, no don't fuck it up, just stay happy, like this, it can be good. And despite knowing what's coming, you stick your claws into this idea of happiness like a lifeline.

And then it hurts that much more when this perfect bubble pops.

I admire all the actors because idk what Armand was feeling the moment he stepped outside but through Assad's acting I felt it too. And as Louis looks around, seeing the world stop, here I know exactly what he must've felt- the realization hits, the betrayl and then the immense worry for Claudia and Jacob portrays it so beautifully.

"He chose." This breaks my heart. Because what did he choose exactly, or better yet, what did he choose over? I mean this is terrible, the trial, but what was his other choice? He calls himself a coward so maybe it was Louis and Claudia and Madeleine or him that the coven would go after. But maybe this was actually the better choice idk.

But like you see the regret in Armand's face in Paris but especially in Dubai and I trust him. I believe him that he regrets it, I believe him the tears and as I've said that just makes it so much worse. Because he chose this and now they suffer for it and he suffers for it too and blames himself (rightfully so), but it still hurts.

And then Lestat. Fuck. I knew this was gonna come (I just couldn't help myself and because of my recklessness saw a spoiler, that he's gonna be there) but that in no way did that knowledge diminish what I felt when I saw him. Because, hell, idk I'm just so excited to finally have him back because I love him but also I hate him and am so scared as to what he's gonna do. He's gonna testify against Louis and Claudia sure but what if he won't? Does he want to kill or fuck Louis? Will his and Armand's past play part in this or is that a box to remain unopened until later?

"You cannot script a hurricane" they said and so this means Lestat will go off script. But to what extent? At least to which it results in burning the theatre down.

The preview didn't help my state, quite the contrary actually. Louis in Paris is scared that Lestat's gonna come. Santiago's laughing. What does Armand feel? Who knows not me, I'm just scared. And excited. I feel like I won't fall asleep for two days after this but it's fine. I'm fine, everything's fine.

[thedeathofduty]

Motion Sickness

I hate you for what you did

And I miss you like a little kid

Summary: You went for a morning ride in the Kingswood, as you sometimes did when you were a young girl in King's Landing. Unfortunately, you'd barely enough time to enjoy your hard-earned solitude before Prince Aemond arrived and started trying to speak with you. Reluctantly, you agree to work with him to mend the bonds that were broken years ago.

Pairing: Aemond Targaryen x Lannister!F!Reader

Word Count: 8,305 (I got a little carried away)

Warning(s): Mentions and very brief description of child abuse, detailed description of a fight between two kids (not the eye incident), vague references to sexual trauma (Aemond)

A/N: So in the canon, Aemond claims Vhagar and gets his eye cut out when he's 10 years old, but I decided to change things a bit here and make it so that it happened when he was about 12. I messed with the canon timeline a few times here and aged Aemond up (babygirl is ~22 here), but every other change is actually addressed in-text. Also, I'm not 100% sure what the technical difference is between and OC fic and a Reader fic, but I am definitely on that line here. If anyone has an actual answer to that conundrum for me, please DM me and explain it to me, I am desperate to understand. I've been editing this as I go, but there might still be a few issues, so just be forewarned.

Though it had been close to ten years since you had ridden your white mare down this twisted path in the Kingswood, you found that the memory of it was deeper than you thought. Despite the years, you still knew where to turn, where to slow down, and where to duck your head so a stray branch would miss your face. You'd been gifted Nymeria at the tender age of only twelve and, now as you were a young woman of twenty-two years of age, she was every bit an extension of you as the short nails just barely peeking past your fingertips and the golden braid bouncing off your back as you galloped through the forest.

The crisp morning air nipped at your flushed cheeks and your steady breaths came out of your mouth in thick clouds. You were grateful you had not left your riding gloves in your chambers or else you knew your fingers would be too stiff. As the trees around you thinned, you tugged on the reins and brought Nymeria to a slow walk. Soon enough, the two of you reached your destination: the apex of the little rivers that ran through the Kingswood. As a girl, you had loved this place, though you'd only laid eyes on it a mere handful of times. Back then, you had been too young to go out riding on your own as often as you did now.

You jumped down from Nymeria's saddle, your muddy riding boots crunching in the pebbles below. The soothing murmur of the water was a balm on your senses after the extravagant feast you'd been forced to attend the night before. With a deep breath, you led your horse to a nearby tree and hastily tied her there with the soft rope you'd grabbed from the stables in the Red Keep.

"Here you go, sweet girl," you crooned, petting her under her chin as she usually liked. After planting a kiss on her dark gray snout, you grabbed your book of poems from her saddlebags and wandered off to sit near the edge of the small river. It was shallow, barely a river at all, and perfectly clear. From your spot on the bank, you saw a few peach-colored fish swimming against the gentle current. Around you was the sound of a cool breeze stirring the tops of the trees, the rising chirping of morning larks, and a faint crunching off in the distance. It was far enough that you could ignore it for now.

You settled into your seat, balancing your book in your lap and humming contentedly as your face slowly warmed with the clear sunlight. With the cold still nibbling at you, the light did not feel golden so much as it did silver. Almost like moonlight. You wanted to truly soak in every moment you had left alone out here. After the unfortunate journey to King's Landing from Casterly Rock, then that overwhelming feast last night, you were desperate to have some time to collect yourself. It would inevitably be interrupted, though.

The crunching in the distance got closer and you could feel the pounding of hooves through the earth beneath you. You sighed, already pushing yourself up to stand as the sound behind you came to an awkward halt.

"Prince Aemond," you said, not even bothering to turn towards him as he struggled to get his horse to stop completely. He had always been a clumsy rider, at least when it came to horses. You hoped for the sake of the realm that he was better with his dragon. "It is both a pleasure and an honor to see you again." You refused to look at him until he had finally dismounted, considering it a great mercy on your part. As a child, he had fallen out of his saddle enough times that any attempts to help him would just infuriate him. Granted, he had been much smaller back then, bigger only than Princess Rhaenyra's second son.

When you did fix your gaze on him, it was without a warmer greet or even a smile, just your hands clasped together in front of you over your book and your chin held high. His riding boots were cleaner than yours and still held some shine, unlike yours, which had been dull and scuffed for some time now. Just as he had been the previous night, he was clad entirely in black. His thick overcoat had little splashes of mud along the bottom and the sight of it did admittedly cause your lips to curl a bit. He was fixing his eye patch, trying to adjust the strap over his windswept hair with one hand while the other held tight to the reins of his dark horse. Unlike you, he had forgotten his riding gloves.

"It did not seem to be either last night, Lady Y/N." His eye met yours and you snorted, shaking your head in disbelief.

He was referring, of course, to your refusal to dance with him. Given the farewell he had gifted you before you left King's Landing nine years ago, he should hardly have been surprised at your cold demeanor. It was, in truth, because of his harsh farewell that you and your family had been compelled to leave. After the way he had treated you, it was clear he no longer wanted you and so the royal family had no use for you and your ilk either. To say your father had been cross would be entirely inaccurate. No, he had been well and truly raging, swearing to the gods that you must have done something to displease the Prince.

You had, though you never shared it with him. Your mother, at least, had been kind to you in those early years, even as you pulled away from her. No matter how kind she was, though, or how close you sometimes felt to any of your sisters, you never told any of them the truth of it.

"I was weary from my travels and did not wish to be paraded around like a jester." It was not a complete lie. You probably would have danced with someone else, if a desirable hand had been offered to you. Prince Aemond's hand, however, was little more than an insult, a thick glob of spit in your left eye. "Come," you sighed, walking towards him and grabbing the reins from his hand. This close to him, you could feel how warm he must be under his layers of thick clothing. He was standing rigidly like a little wooden toy. "I will fasten your horse."

You redid your rope tie for Nymeria so it could hold both, smoothing another hand over your mare's soft face before putting your book away. Maybe you would have the opportunity to read later, but you doubted the Prince had lowered himself to come out here just to sit in silence with you. Though you were not eager to, you would listen to him. He was more than just your childhood companion now. He was the King's younger brother and possible heir to the throne.

"There are matters," Prince Aemond paused, rubbing his hands together before balling them into stiff fists at his sides, "matters we must discuss." He was having a hard time meeting your eyes, only being able to meet your gaze for a brief moment before looking away again.

"And what matters are those, Prince Aemond?"

"The manner of your return to King's Landing."

"Well, I came mostly on horseback, but whenever I grew tired, I rode in the carriage with my mother and sister." You offered him a cheeky smile as he sighed wearily and rolled his eyes.

"Gods, you are still just an intolerable as you were when we were children."

Intolerable? And yet he had spent nearly all of his time with you as a boy? Oh yes, that sounded quite reasonable. You crossed your arms over your chest, forearms digging into the golden lion's head clasps in your crimson riding coat. "Perhaps you would find me more tolerable if I was simply able to divine your motives for questioning me. Alas, I cannot."

He pinched the bridge of his nose and took a deep breath before speaking. "It has been many years since we have last seen each other. I am simply trying to get reacquainted."

On your last day in King's Landing, you had woken up before the sun and scrawled out a simple note asking him to meet you in the courtyard when he awoke if he wished to speak. With a thundering heart, you had given the folded paper to Ser Criston who stood guarding the door to Prince Aemond's chambers. He had promised to pass on your message, though he could scarcely look you in the eye.

Your family had planned to leave as the sun set to avoid the heat. He'd had all day to respond and to speak with you, but he had chosen not to even send a response. All you had wanted to do was apologize to him, but you knew now as a woman that you truly had nothing for which to apologize. In truth, what you had been feeling back then was a deep sense of shame and guilt for having hurt and angered the Prince as much as you had, but it had not been your fault.

You uncrossed your arms with a heavy sigh. "What is it you wish to know?" He pulled his hand away from his face.

"Did your parents tell you why you've returned?"

You shrugged. "In truth, I can see a few reasons why my family has dragged me back to this circus. There may be a war coming, after all."

"The Princess accepted our terms."

You smiled at him with feigned pity. "The Princess, yes, but what of her husband? Do you think they call him the Rogue Prince for his mild disposition and penchant for peace? Perhaps he'll kill her, return to King's Landing on dragonback, and burn the whole thing to the ground under cover of night."

He visibly swallowed, his pale neck bobbing. "Perhaps. But I doubt it."

"Let us hope you are correct, Prince Aemond."

He squared his shoulders and stood up straight, towering at his full height. There was enough distance between you that you did not feel dwarfed by him, but you knew it would be different if he were close enough to touch. As children, you had been the taller one for a time, until you stopped growing. When he had asked you to dance last night, your neck had actually hurt a bit at the strain of looking up at him. Your heart had been in your throat, breath hitching at the way the orange light in the grand hall danced on the side of his chiseled face. Prince Aemond was truly a man now, and the sight of him so grown twisted your insides.

"My brother is King now," he declared and you nodded with a slight smile on your face. "There are few who would dare stand against us."

If war was not an immediate concern, there was only one other reason for your family's return that seemed feasible to you. As a girl, you had been promised to the Prince who now stood before you, but the betrothal had been broken shortly after the loss of his eye. To this day, you were not sure who had finally decided to sever that tie. You only knew that before Prince Aemond left for his cousin's funeral on Driftmark, you were betrothed to him, and then a mere fortnight after his return, your father was screaming at you with his large fist in your hair, demanding to know what you had done wrong as your mother corralled your youngest sister out of the room. A lady only in station, as your mother often said of you, you refused to cower or cry whenever he flew into one of his rages. He was your Lord Father and you were the first in a line of five daughters, and the least ladylike girl at court. Was it any surprise he was often angry with you? In his eyes, you were his first failure as a man. Even with that, you were the only one of his daughters to inherit his temperament.

"Hm, then perhaps we are to be married off just as when we were children."

He wet his lips. "Does this displease you?"

"Oh, yes. Deeply." Something stirred in your chest then, some deep threatening rumble. Prince Aemond had written to you for years after your return to Casterly Rock and you devoured each and every word he wrote, but never once did he impart upon you the words you had wanted to read most of all. For two years now, he had stopped, and you would be lying if you said the loss had not broken your heart anew. "To be married to a man so proud and self-satisfied that he cannot even apologize?" You chuckled cheerlessly. "Gods, how unfortunate."

The atmosphere between the two of you grew heavy and oppressive. It seemed as though the trees around you were leaning closer to catch every single word exchanged. The water rushing behind the man in front of you grew louder, or maybe you were the one growing more tense and ready to strike back if he raised a hand to you out here.

His nostrils flared. "I was a child, Y/N."

"So was I," you hissed, jabbing a finger into your chest and baring your teeth at him. "You promised me that-"

"When you saw what had been done to me, you looked at me with so much-"

"I was devastated, Aemond!" Gods, your voice sounded so wild and shrill even to your own ears. You felt yourself get hot, tears coming to life in your clear eyes as you desperately blinked them away.

His mouth curled downwards in disgust. "Yes, I am aware of what you thought of the sorry state I was in."

You glared at him, your body vibrating as you fought to keep it in place. "Oh, and what is that exactly?"

When he spoke to you, he looked you up and down as if you were covered in manure and offending him just by being where he could see you. "That my deformity would shame you and your family, that I was incomplete."

"You are such a fucking imbecile!" you bellowed, your scream echoing briefly and then being swallowed in the cold air. "You were ashamed, you felt incomplete!" You swung your arms in the air, aching to punch him in the face, to climb on top of him and strike him as he had you all those years ago.

When Aemond's hand had made contact with your cheek back then, you remembered feeling an absolute, resounding emptiness inside yourself for one eternal moment before he was on you again, making you howl in pain as he fought you with all the desperation of a wounded animal. Thankfully, the milk of the poppy the maesters had given him had weakened him. His tears were hot and thick as they landed on your face wet with your own tears. You had managed to claw at his hands and neck, slashing blindly to try to create space between your bodies.

When Ser Criston stormed in with his sword drawn, he immediately sheathed it and separated the writhing tangle of screams and violence the two of you had become. You were only thirteen at the time, but you felt so much younger as you cowered behind the knight's white cloak, clinging to the fabric with your hands wet with blood, snot, and tears. It took nearly an hour before you could stop shaking. The Prince was not supposed to have visitors so soon after his injury, but nobody would tell you what had happen and you had gotten curious, so you had scaled the tall tree outside his chambers and climbed in through the open window. How you had grown to regret that curiosity...

You were both trembling in front of each other now, your legs and arms feeling like they were filled with tight copper coils. What would happen if you were to release that tension? Would you really attack the Prince? Would he attack you? More importantly, did he not deserve your ire, your ferocity, and your violence?

"You knew about the sort of man my father was," you said in a low voice, "And you..." You pointed an accusatory finger at Aemond and he flinched, looking at his shiny boots briefly before meeting your gaze again. "You promised me you would never raise a hand to me. You promised me that violence was not an inevitability. We were both children back then, yes, but were you still a child when you stopped writing to me?"

"Oh, spare me the theatrics," he groaned, "you never even wrote back!"

"I was waiting for an apology! Just one. That was all I wanted, all I would have needed. I know you were in pain, that you were not yourself, and I can forgive that. But I cannot forgive this lack of an apology."

"Did it ever occur to you that I was too ashamed to ask for your forgiveness?"

"Did it ever occur to you that I looked at you the way I did when I saw what that boy had done to you because it pained me to see you that way?" Neither of you said anything for a few long moments before you continued. "Nobody would tell me what was going on. All I knew was that you were not to be allowed any visitors, not even me. I begged your brother and sister to share their knowledge with me, but even Aegon kept the secret." You rubbed your arms as you felt yourself start shaking. Whether it was from the wind rushing through the clearing or the emotions surging through your body, you were unsure. "You were my only true friend in this ridiculous place and I was afraid for you and when I showed you my fear, you punished me for it. And then you never once offered any sort of apology, you just continued living your life and writing me those stupid fucking letters."

Guilt settled onto his pained face as he pursed his lips. "I am sorry, Y/N. Hurting you like that, it has been my biggest shame."

His words were like a lance through your heart. Why could he not have written that to you years ago? You shook your head, blinking away more tears as they twinkled in your vision. "I don't want it anymore. You had years for that, Aemond." Your lower lip trembled and you turned away, placing your hands flat on Nymeria's flank and focusing for a moment just on matching her breathing. It was an exercise you had tried for the first time after an explosive fight with your father and it was now one of the few things that could ground you when you were in genuine distress.

"What must I do to earn your forgiveness? Tell me, and it will be done. Please, Y/N, you were my friend as well. I wrote to you because I could not forget you."

You closed your eyes and pressed your forehead against your horse, your face rising and falling with her breathing.

When Aemond had allowed you to peek under his bandages to see the damage, his eye had been closed tightly. The angry cut underneath, coupled with the swelling, the thick black stitches, yes, it had all unnerved you. A deep primal feeling roared in your chest, a possessive need to both destroy and protect. You had never felt that way before. A sob had torn its way out of your throat, your eyes drowning in angry, impotent tears. If his own mother could not help him, what could you do? It seemed your look of horror and anguish was too close to disgust or, as was more likely, Aemond's own pain distorted your expression into one of pure revulsion.

It mattered little now. You had no marks anywhere on your person from that unfortunate day, not from Aemond or from your father. If nothing else, you were thankful for that. You never climbed again, having more than learned your lesson about curiosity and how little you stood to benefit from it.

You turned to him again, your heart clenching at the sight of his open, unguarded stare. "You broke my heart," you said simply, "but I read every letter. I wanted so badly to know that you were all right. What I wanted then was to protect you."

"You wanted to protect me?"

You nodded. "Do you not ever feel that way for someone in your life? The desire to defy time, to go back, and be there when they needed you most?"

"I often feel that way for my mother and sister, and... for you. Cole gave me your note that day, though..."

"You did not read it."

"I did not. What did it say?"

The years had washed away the specific words. "I wanted to see you in the courtyard before my family left. I had been hoping to beg for your forgiveness for having angered you so, and perhaps to salvage our betrothal. It's funny, I look back now and all I see is a scared little girl who just wanted her father so stop being mad at her. I am glad you did not come. I owed you no apology."

"You did not, I saw that even back then."

If only you had been able to see it, too.

You were the only one of your sisters to be born at Casterly Rock, but you had spent the vast majority of your life here in King's Landing. Your father traveled back and forth between the Rock and the Keep, leaving your uncle to look after the family in his stead. It was because of your uncle that you had even had the opportunity to meet Prince Aemond, his brother, and Princess Rhaenyra's sons in the training yard.

Your uncle did not care that you wore pants, thinking it to be a silly habit of childhood that you would willingly outgrow as you blossomed into a woman. He would be wrong, but freedom was always welcome. You had scaled the high stone walls around the training yard, carefully climbing up into the high branches of a tall tree to lounge in a cloud of bright green leaves and watch the boys practice. It was a few days before any of them even noticed you.

You had known Prince Aemond almost your entire life. The trust you'd had for him had been near-infinite before he hurt you. But you were a woman grown now. It had been nine long years since your departure and you had grown to understand why it had all happened the way it had. If Aemond understood that he had to earn your trust again and you understood why he reacted to you in such a cruel way, then what else was left but to continue in some simple way? If you knew your father at all, the reason he had dragged you back here was for a marriage pact.

"I think it is best to begin to make our peace with each other out here, away from prying eyes."

"Shall we say I left for Driftmark all those years ago and never returned?"

Your heart clenched. "It seems near enough to the truth to bring some comfort."

You both nodded, your bodies shuffling awkwardly before he broke the silence. "Shall we go for a ride?" You snorted when he gestured to the horses behind you. "What?"

"My Prince, it is not my wish to humiliate you."

"I'm not so bad."

"Some might find that to be just another way of saying you are not so good. Dragon riding and horseback riding are not the same. I cannot simply tell Nymeria to obey me and have it be done. She must know me first. It has nothing to do with me being worthy. I must earn her trust, her obedience, and her love everyday. What is your horse's name?"

He shrugged. "I haven't the faintest notion. He was the first horse I was able to find in the stables."

You nodded sagely. "Ah, so you are a fool." When he sputtered and opened his mouth to argue with you, you held your hands up with a laugh. "It is only a jape, my Prince! I would prefer to go for a walk along the water, if it pleases you."

In a few minutes, the two do you were walking side by side along the riverbank with your respective horses. When you looked down at your feet, you noticed that you and Prince were walking in step together and it brought a faint smile to your lips. You had missed him for many years, those letters he sent you making it near impossible to move on. After two full years without them, you had declared yourself cured of any affection for or attachment to the man beside you, but it was clear to you now that you had been deluding yourself. All your emotions had just been pushed into the darkest depths of your heart and being around him again brought sent them floating back to the surface.

"Is it true that you have an ever-burning blue flame under that eye patch?"

He snorted. "Obviously not. Is that what people are saying about me?"

"It's mostly just the women." You both smiled at each other. "You have striking features, it is no surprise you find yourself the subject of idle gossip."

"Was that a compliment?"

"Merely a neutral statement of truth, my Prince."

The apples of his cheeks were a dusty pink like the inside of a rose, but you were sure it was just the biting wind. "I must admit, my Lady, I never thought I would see you in a dress." At the mention of it, your ears burned red and hot like irons in a fire. You only wore dresses when your Lady Mother demanded it of you. Whatever your differences, you knew everything about you reflected on your house and it was not your desire to have a relationship with her that was full of constant strife. Because of that, you had acquiesced and worn the uncomfortable, form-fitting dress your mother had presented for you.

It was pretty. The fabric was a deep crimson and it hugged your curves, exposing you in a way that make you feel weak and irritable. Your breasts bulged over the top with every inhale, so you'd hunched your shoulders to try to hide it. Your mother had noticed, though, and corrected you with a firm hand on your back. Your bare neck and shoulders felt too much like an invitation to you and, as you'd expected, more men let their gazes linger on every bit of exposed skin and even worked up the nerve to speak with you. Of course your appearance emboldened them. You'd felt like a prey animal lost in the woods, naked and trembling in the breeze.

When you retired to your chambers last night, you had the servants draw you a hot bath and practically ripped the dress off your body. It seemed to cling to you like a desperate lover, but you took great pleasure in throwing it on the floor, along with your dainty golden rings, your ruby earrings, and the thin chain one of the servants had wound into your braids. You were not a doll, not a decoration, not a flower. You were a lion.

"My Lady Mother has me very well trained." If you so much as suggested wearing pants to any sort of gathering, she would immediately start wailing about how you did not love her and lived every moment of your life as a ploy to personally humiliate her and destroy your father's standing. After a few years, it became tiring to constantly be accused of plotting to overthrow your own house, and you learned to simply smile and wear a dress for a few hours.

"Hm, I thought it would be your father."

"No, he only demanded I dance with you, but I told him I would sooner put my neck on the executioner's block than agree to that. He told me he could arrange for it if I truly wanted it." The fights you had with your father now frequently bordered on the ridiculous.

"So you and your father still fight."

After your return from Essos six moons ago, it was not infrequent for him to threaten to cut out your tongue if you spoke out of turn, to which you would respond with a similar threat to his manhood. Whatever fear you'd had of him had worn away throughout the years, finally fading into nothing after your travels.

"Not as much. Maybe he's grown bored of the constant struggle, but my mother has taken up the mantle for him. I suppose that is what marriage is all about: sharing burdens. In truth, I do not believe the gods fashioned me for that."

"The gods fashioned us for love." You bit your lip to keep from laughing. Aemond had always been the pious sort, forever dutiful and tangled in his mother's skirts. It seemed time had not changed that, and it endeared you to him.

"Love, perhaps, but marriage? Childrearing? Do you truly see yourself in that?"

"I have always known it was my destiny to be married off to a Lady of a Great House and have children with her."

"But is it what you want?"

"I do not think those in our position can ask those sorts of questions. It is my duty, so it will be done. It is your duty as well. We should see ourselves as lucky that we have been able to outrun fate as long as we have."

You hummed, looking up towards the muted sunlight streaming through the tops of the trees around you. "An easy thing for you to say, my Prince, when you will never have to face the threat of bleeding to death in a birthing bed. Were we to have children, I would be the wound and you the knife."

"It needn't be that way," he said softly and you looked at him curiously. "A child can grow strong without a father, but he needs his mother. I would never risk that."

"So if it came down to it, you would not cut me open to save the babe?" It was a bold question, yes, but a necessary one. You had a right to know if your Lord Husband planned to kill you someday. If nothing else, you could make better use of your remaining time alive.

"Never."

You knew most men, considering the wife's use to be at its end, would kill her to keep the son. Your own grandsire had done it to his first wife and had even boasted about his unflinching, steadfast commitment to having an heir. What a barbarian. When he finally died and your father was named the new Lord of Casterly Rock, your cheeks had hurt from how much you grinned at his funeral.

You gifted Aemond an affectionate smile, looking back down at your feet still marching in step together when he gazed back at you. "If you are being truthful, then you are a unique man indeed, peerless and without equal."

"You are kind, my Lady."

You let silence fill the space between your bodies, listening to the crunch of grass and pebbles beneath your boots as you walked together. The river felt even quieter now, a mere whisper in your ear. The sun was settling into its spot high in the sky, the light hitting you now closer to gold than silver. Though the day was still cold, you were starting to grow a touch too warm under your coat.

"What have you done with yourself these past few years?" You turned your head to Aemond in surprise. Curiosity was normal, you supposed, but it still confounded you. "You never answered my letters, so I was left to piece together gossip and tell myself stories."

"In truth, there is little to share. After my return to Casterly Rock, my relationship with my father was... difficult to manage, at first. I often felt that he saw me as little more than a failed son, but he grew to accept me in his own way. He allowed me to train with the sword, and to study nearly whatever I wished."

"You are fortunate. Perhaps when we return to the Red Keep, we can explore the library together." You could not help but grin sheepishly at his invitation, the fluttering in your stomach making you feel young and girlish. "You can show me your book, if you'd like."

"I would like that very much. I am afraid I do not have many peers. Though I love my sisters, we do not understand each other."

It felt as though your sisters and your mother all lived in their own world and had their own language-the language of girls, you'd heard it be called. Whatever it was, your tongue could not shape any of the words. You had been born a girl, but you did not fit with them or with the men. Mostly, you fit only with yourself.

"I feel the same way with my brother. Though we are both men, that is where the similarities end." Aemond at least felt a strong kinship with the women in his family. You... Well.

You supposed you did feel a certain strength in the bond you had with your father now, a certain comfort you could never have hoped for as a child. When you returned from your travels, the two of you spoke at length about Aemond, since he had found your hidden cache of old letters. There was nothing indecent in them, nor was there any mention of what had happened in the Prince's room that fateful day, so you were not punished for keeping the secret.

The two of you were in his study, where he managed the taxes and most of the trade out of Lannisport. For the first time in your life, you were sharing a pitcher of wine with him. 'It seems the boy still holds a torch for you, so why have you not answered him?'

'If he truly wanted me,' you'd said, swishing your drink around in its cup absently, 'he would have ridden his dragon out here to speak with me himself. These letters are nothing but the words of a craven masquerading as a romantic.'

He had leaned his head back then, and looked down his nose at you with a curious glint in his eye, as if he was regarding you for the very first time. The next morning, he gave you a present: a golden ring just like his but smaller. It was a signet ring with the Lannister crest on it held in the mouth of a lion with bright ruby eyes. Unless you were unable to wear it, it never left your hand.

"Yes, you and I have always been alike. Both dragonless."

"Both lonesome."

Your chest tightened at the memories his words brought back: memories of the rejection you had both faced for the ways you were different, but also of the comfort you had been able to find with each other. Mostly, you fit only with yourself, yes, but you had once fit with Aemond as well.

"You stopped writing to me," you grumbled. "I left Westeros with a cousin of mine for a time and upon my return, I expected a stack of letters to be waiting for me. To my surprise, there were only a few. Did you stop because I did not answer?"

"In part, yes."

"And the other part?" you pressed.

"I met a woman." Stupidly, you felt your mood sour, a bitter taste coating your tongue. Silly though it may be, some part of you imagined him to have been loveless and celibate all these years as a form of penance for you. The fact that he had well and truly gone on to live a life without you felt so indecent and wrong. Of course, you were being hypocritical. You, too, had lived your own life.

"Oh? May I ask her name?"

"You may not." Shame spread through your chest like spilled ink on parchment. "She is gone now anyway, and the less said about her, the better."

"She was not good to you?"

He hesitated before speaking. "She was lowborn, a witch, and a bastard."

You gaped at him. "Oh my. Your mother must not have liked that."

"No, she was furious with me." He sighed. "Looking back on my indiscretions now, I just feel foolish. Never in my right mind would I have pursued someone like that woman."

"But you did pursue her."

"She chose me, I did not choose her."

Slowly, you worked to complete the puzzle he was laying out for you. If he could speak plainly, it would be easier. "I'm afraid I don't understand."

He gave an exasperated sigh, twisting his mouth. "She bewitched me somehow, Y/N," he said slowly as if he were explaining the mixing of colors to a child, "I do not know how, but I know I was not myself. When I finally left her to return home, it was as though a great fog had been lifted from my mind and I could see her clearly again. By then, it was too late."

"Too-"

"But you needn't worry about her. My grandsire helped to secure her and her son safe passage to one of the Free Cities. I did not ask which one." You stopped walking abruptly, your eyebrows furrowed in frustration. After a few steps, he too stopped and turned to face you. "Is something wrong?"

"Her son or your son?" He didn't answer. "Aemond. Did the child look like you?"

His gaze turned upwards, towards the sky, the trees, the gods. Away from you. "He was my son, yes. I don't know where she is now, but I hope never to see her again."

You smacked your lips together, rolling your eyes. It was true that jealousy was likely muddying your thoughts, but you could not help but feel anger towards him for sullying that unnamed woman's honor with a bastard child and then washing his hands of her so carelessly. Otto Hightower was an intimidating man with a steady, calculating gaze. As a child, you had been so scared of him that you could never even look him in the eye, much less speak to him. If he was intelligent, he had sent assassins to clean the Prince's mess instead of allowing her to flee to the east. It was what you would do.

It was more likely that the girl and her bastard son were cut from ear to ear and dumped in a river than that they were living a peaceful life in a manse on the coast of Pentos. Of course, if the Prince wanted to continue to delude himself, you would let him. The fantasy likely served as a way to ease a guilty conscience and, though you were unfamiliar with that feeling as a woman, you remembered it from your girlhood.

"I hope he sent her to Myr," you finally said and at your words, his body visibly relaxed, "I spent a few months there and I found it to be quite beautiful. The beaches are lovely at night."

"You will have to tell me about it, my Lady. I have never been to the Free Cities."

"That is very unfortunate, my Prince. Travelling broadens the mind and strengthens the spirit."

"If that is all it does, I've no need for it. I see enough of the world from atop Vhagar."

"You lack imagination, my Prince." Either that or he was afraid. You were not sure which option was pitiful and which deserving of sympathy. "Would you like me to regale you with stories of my travels? With a dragon, you could arrive in Pentos in mere hours. Perhaps my tales will light a fire in you and you will grow more adventurous."

"My last adventure ended with me as a witch's thrall," he muttered. Though the thorn of jealousy still pricked your chest, you softened at the bitterness in his voice. If the two of you were still children, this would be the moment where you reached out to take his hand or pulled him into a tight embrace until his breathing matched yours. Instead, you bit your lip and looked down at the dry grass below your feet.

"When I traveled with my cousin, I was rarely alone. We kept each other safe."

"Are you saying you would keep me safe?" There was a bemused smile on his face and the melody of his voice was soft like the song of a silver syrinx.

"I did tell you that I wanted to protect you when we were children. It appears you still need it." His eye swept over your face and down your body like a paintbrush over canvas. Though you tried, you could not help but squirm as he stared.

"How fortunate I am to have such a champion," he chuckled, gesturing for the two of you to keep walking. As you continued your aimless trek through the woods, you worked to swallow the pulsing lump in your throat. The day was warming up noticably now.

The Prince asked you about your studies and your time in the Free Cities, to which you responded with open enthusiasm. His blue eye sparkled in the warm sunlight like a precious jewel, the edges wrinkled by the easy smile on his lips. You knew you looked very much the same. The anger that had been bursting in your chest the night before was almost entirely forgotten as the two of you meandered back to where you had started.

Even on the other side of Planetos as you stood in the gardens of a lavish manse on the coast of the Narrow Sea in Pentos, your drooping eyes had been fixed on where you knew King's Landing to be on the horizon. For years, you had assumed the story you had begun to write with Aemond as a child was over, though you had not truly wanted it to be that way. A fantasy of him riding in on the dragon he had traded an eye for had filled your head with longing all that time. Despite all your various failings as a Lady, it seemed you still had some of the same dreams other women did: dreams of being a muse, of being love, desired, and adored completely, of being a home someone could return to and find comfort in. Though you had taken a few lovers during your travels, none truly moved you in the way you wanted.

You did not tell Aemond any of this. Instead, you simply answered the questions he asked you and offered him some of your own. Wherever his heart had lead him during your time apart, he was here with you now. If nothing else, you would have your friend back. You longed to reach a hand out and run your fingers along the strap of his eye patch, to slide it off his face and look upon him in a soft, restrained way.

Had his witch woman seen what lay beneath the dark leather? Had she been kind to him when he showed it to her? You hoped she had been, almost as much as you hoped he had not shown her. Despite the distance that had separated you all this time, he had remained in a class of his own in your mind. You wanted to cling to the idea that somehow, in some way, he had felt the same.

It was time to part and go back to the Red Keep and you were lingering, knowing you would immediately lose him the moment you starting riding. The sun was high in the sky now and you had unfastened all the ornate clasps in your coat to allow the breeze to cool you.

"Do you still wish to come to the library with me?"

"I do," you said. "I will bring my book of poems." You both swayed in place, unable to look at each other directly. "I suppose... we should ride back now, yes?"

"Yes," he murmured, but the moment you grabbed Nymeria's saddle, he spoke again, "wait. I... I have a question for you, so that I may understand what you hope to gain from this arrangement." His hands were flexing open and closed by his sides and you remembered the habit from childhood. He was nervous. When he noticed you looking at him hands, he hid them behind his back.

You dragged your eyes back up to his tense face. "What is your question?"

His face grew flushed and he opened his mouth once, twice, before finally asking, "did... did you think of me in our time apart?" His eye darted back and forth between yours, seemingly hoping to find the truth buried inside them.

There was a sharp tug in your chest, pulling you forward as you took a careful step towards him like you were approaching a frightened child. With your heart pounding the way it was, you very much felt like a frightened child. You cut the cord that was trapping you, allowing yourself to reach out to him slowly. If what he desired was to stop you, he had ample opportunity to do so, but he did not. With a shuddering breath, he allowed you to lay your hand on his cheek and cup the side of his face, the tip of your thumb brushing against the edge of his eye patch.

"I thought of you," you confessed, "long and often." Your eyes drifted down to his lips and the short breaths coming out of them.

As a girl, you had never kissed Aemond, though you had often wanted to as you both grew older. You considered it for a moment, tilting your mouth towards him so slightly, until you noticed the tension he was holding in his body, the way his breathing was still erratic, and how he could not seem to look at you. Gods, he looked terrified. This wasn't how you wanted it. A bit crestfallen, you retreated and granted him his space once more.

His hand darted out to grab yours in a grip so tight, it was nearly painful. "Aemond?" His eye was fixed on your joined hands, his hold loosening as his thumb gently glided over your knuckles. Just as suddenly as he had grabbed you, he released you. Something was wrong, though you could not venture a guess as to what it was. He seemed so brittle in front of you, like a thin shard of glass or a lone snowflake.

Silently, Aemond nodded once, as if steeling himself before his transformation. His shoulder squared at once, his hands carefully tucked behind his back, and an easy smile graced his lips without reaching his one blue eye. "My Lady," he stated as if reading off a bit of parchment, "I will meet you in the stables, so that we may walk to the library together."

Your skin bristled at his formal tone and you opened your mouth in protest, then thought better of it. "I look forward to it," you said with a tight smile. After giving him a polite nod, you climbed into Nymeria's saddle and charged forward without sparing him a glance.

The wind on your face was warmer now, but no less fragrant. Your stomach was in tight knots as you rode through the Kingswood, your heart filled with excitement, confusion, and embarrassment. You wished you could make some sense of it and just feel one thing then another, arranging your emotions in a neat column so they may be easier to digest.

Though Aemond still felt familiar to you, there were parts of him that were foreign and hidden. You did not know his witch woman's name or his son's or why he had seemed so timid and frightened just before you left. It was as if he was a home you had lived in your whole life, only for you to awake one morning and discover that someone had changed something in every room.

You hoped he could truly be your friend again. No, you knew he would if you were only to be given the time necessary to nurture that bond.

Your hands tightened on your reins as you quickened your pace.

After all these years, Aemond was to finally be your Lord Husband. There was a slight chance you were wrong, but you did not see the value in entertaining the possibility just for the sake of self-doubt. You knew your father, you understood the importance of your own house, and... Well, it was what you wanted. You were correct. You knew you were.

You and Aemond would have nothing but time to connect and explore. In time, he would once again be as familiar to you as the air in your lungs or your own face in the mirror. You could hardly wait.

[supercutszns]

Luke x reader where a girl, daughter of Aphrodite, flirts with him and insults the reader, causing her to avoid Luke, but later he manages to find her and confesses that he actually likes them... I don't know if they should already be together or not, but I believe in you!!! you write very well :ooo

Sorry if the idea is bad or you wouldn't want to write something like that, if that's the case please pretend you never read this 🤡🤡🫶

true colours; luke castellan

wc + pairing: 3.6k, luke castellan x child of iris! reader

synopsis: everyone wants luke castellan, including you. curse your mother for getting your hopes up.

warnings: friends to lovers, reader is very insecure, bullying, lee fletcher & will solace cameo!! some angst with a fluffy ending

notes: thank you for the request!! as always this is longer than i anticipated but hope you like it :) i also combined it with another request for a child of iris reader (i also identify as a child of iris sometimes so i lovee writing for them) also i’m pretty sure lee + a lot of parts of this are ooc sorry but i havent read the books in about a year so hopefully everything’s fairly accurate!🌈

You knew this summer would be different because your mother sent her wishes twice as much. On the first day of July, when children flood into Camp Half-Blood like a hive of wild bees, a rainbow always lights up the sky. 

This year, there were two. 

As a child of Iris you’re technically supposed to be in the Hermes cabin. But your love for art, for music, for fun, has made you a particular favourite of the Apollo cabin. Most of your friends are there. They tolerate you singing in your soft, often unsure voice. They love when you catch sunlight and filter it into prisms of colour on their cabin walls. 

You’d probably move in there permanently if it weren’t for Hermes. Or rather, his son.

Over the last few months, in the sticky summer heat, your mother knew you would fall in love. 

It's not any surprise you love Luke. Everyone loves Luke. A fact that's becoming more obvious every passing day. 

It used to bother you less. You’ve always been his meagre, hopeless friend, never any real competition to these girls. You’d basically taken yourself out of the running and instead decided to pine after him in the very back of your mind. A safe, deluded fantasy that would never happen. 

Until recently, where it seems less like a fantasy and more like a terrifying possibility. 

Over the past few weeks Luke has gone out of his way to be sweet to you. Or at least you think so. He’s spent extra time talking to you at lunch, laughing at your half-formed jokes almost in earnest. At bonfires he saves you a seat, grabs you a marshmallow on occasion. You even made him a friendship bracelet of sorts—admittedly a little ugly—but he’s never taken it off. Not since the day you gave it to him. 

Not to mention helping you last week before the archery competition. His hands lingering over yours as he steadied your bow, the curls of his breath on the back of your neck when he stood behind you. 

“Don’t be nervous,” he says, a tinge of mirth in his voice. “You just steady your aim and first is as good as yours.”

(You came in fifteenth.)

You don’t want to say that it’s him weakening your aim, making your pulse beat out of your neck. His nose brushes against the back of your jaw as he leans forward and you smell the pine on his skin. Is this friendly? Is he this close on purpose? Are you delusional?

It’s all you’ve been thinking about these past few days. So when Luke Castellan’s endless admirers come to the forefront of your mind, you feel like all those moments of potential buildup have been ripped away. 

“You alright there, sunshine?” 

He takes you out of your spiral with a teasing lilt you love. When you look at him, his face is a shimmering warmth, complete with boyish smile. 

“Yep,” you reply, trying to ignore the nickname making your insides flutter even though you know he’s saying it ironically.

You’ve always had a gift for identifying colour. It’s the thing you pay attention to most. Something inherited from your mother, you suppose. So you’ve memorized the way Luke’s eyes melt in the sunlight. How his scar blends with his pinking cheeks when it’s hot outside. You never told him, and you probably never will, but you’ve painted him from memory quite a few times in the Apollo cabin—always with the excuse that you were practicing. It's so blatantly obvious you're in love with him there's no point in your friends bringing it up.  

The two of you are meandering around camp before dinner, a tradition Luke started early on in the summer. You talk about high points of your day (mostly you) or share nuggets of gossip you’ve heard around camp (mostly him). It's the thing you looked forward to every morning. A time when his words are just for you. 

Idle chatter flows as you keep walking. Sometimes your arm brushes his and you have the embarrassing urge to tug yours away. You do your best not to stare at him too long or laugh too loud at his jokes. 

“Hey, Castellan!” Someone calls. 

Luke’s head turns. Your heart plummets. A beautiful girl, Aphrodite cabin, you think, is heading towards you. She’s all honey-spun hair and dazzling pink lips, and it’s obvious she knows it. You don’t know her name. But Luke does. 

They fall into conversation the second she arrives. It’s just greetings, pleasantries, but there’s a coy smile on the girl’s face that betrays any sense of disinterest. “Heard you’re not too keen on pairing up with us for the Chariot Race next week. What gives?” Her tone is pouty and playful as she taps Luke’s shoulder. She side-eyes you, lips curling imperceptibly. “I’m sure you’ll have a better chance with us.”

He lets out a strained chuckle. “Dunno, just thought it was fine to switch it up.”

Just like that, you’re out of the loop again. More of her friends flock after her, and soon Luke is tangled in a whole other world. They’re all glowing with a kind of righteousness you only get when you’re popular. You know Luke has friends, tons of them. He's the leader of the cabin with the most campers. Not to mention assertive and gorgeous. His presence is so inviting it’s a challenge not to fall in love with him. 

So you can’t blame this girl, the one that keeps touching his arm and giggling. It’s not like you’ve staked your claim on Luke—no one even knows you exist. As much as you want him to be yours, you know you’ll never stop someone from taking him first. It’s your fatal flaw, you think. Cowardice. 

You end up sidelined completely. Watching him swathed in people more charismatic than you plants an ache deep inside you. All your wishful thinking feels sour now, a pipe dream, a bedtime story to help you sleep better. Somehow it hurts more knowing that it’s nobody’s fault but yours. These people can’t be doing this on purpose. It’s just who they are. It’s who you are—always a step behind, always daydreaming. You are your mother’s daughter, after all. Just a prism reflecting everyone around you. 

Eventually, one of the boys in the group takes notice of you. He’s not nearly as captivating as Luke is—you don’t find the colours of his eyes hold as much depth. There’s also a haughtiness when he looks at you. He sneers, “What the hell do you have on your face?”

It draws the attention of others in the group. You feel like a naked sculpture in an art gallery. “Uh, what?” You stammer. 

Some of them purse their lips. The girl with Luke lets a laugh slip. You’re pretty sure you look like an idiot, waiting there with your brows wrinkled in a daze. Their gazes keep flicking over to your cheek, so your hand flies up there before you can delay any more. When you press your fingers to the side of your face, they come away tacky and pink. Mortification constricts you.

Paint. It’s leftover, half-dried paint. The colour of Luke’s cheeks in the sun. 

“Oh,” you say dumbly. It’s drowned by snickers. All you can do is find Luke, the only face you know, and ask, “Why didn’t you tell me?” without sounding too hurt. 

You know you failed when your voice comes out wrong and his ebony brows push together. “I thought it looked—”

He never gets to finish because the golden girl laughs a little louder, the pink tones in her face a little darker. “Oh my Gods, you’re that Iris kid that’s always singing, right?” She giggles sharply, cornflower eyes darting between her friends. There’s something in there you can’t quite pick up on, until it flushes the pupils of all her friends, and they all grin with a secret knowledge they want you to see. “You’re, like, really good!” The girl simpers, but her bottom lip pulls between her teeth to soften another laugh. 

“Oh, so good!” Another friend piles on. 

Their passive-aggressive chuckles start to sound like hail on a window. You shift further away from them. Dirt slides beneath your shoe, and you long to kick up more of it, displace yourself, disappear. 

You don’t look at Luke. The giggly, flaxen girl has already turned back to him, and you’re sure he’s enthralled once more. You try to stir up the image of Luke’s closeness during archery practice, the lilac bruise on his knuckles when he angled your bow, but it doesn’t take. Now, it feels like you’ve dreamed it. 

Out of the corner of your eye, you see Luke leaning down to catch a whisper from the Aphrodite girl’s ear. The boy that first commented on your cheek leans closer to you again. He’s suffocatingly smug when he grins, “Why are you still here? Shouldn’t you go … wash that off? You don’t want to look like that at dinner.” He snorts. “For an Iris kid, you really aren’t good at taking a message.” 

If you were a more confident person, maybe you’d point out how that didn’t really make sense, or how stupid it sounded coming out of his mouth. But the sentiment of it wounds you, and you’re weak enough as is. 

"Guess you're right," you mumble. You wipe your face of paint as you leave. The memory of Luke’s skin stains you until you wash your hands off in the sink. 

You haven’t talked to him since. 

It’s been a few days of you avoiding him, and it’s hard to explain to anyone why you’ve been doing it. How do you tell the truth? Luke Castellan is a work of art and you are … a weird doodle, or something. Despite your adoration, you know there’s no reason he should feel the same for you. Everyone loves him for a reason. Everyone must ignore you for one, too. 

“Why haven’t you been talking to Luke?”

The question breaks your concentrated silence in the Apollo cabin. You’ve been sitting here for a while now, humming to yourself over a mostly blank canvas. The cabin is dusted with a lilac haze, thanks to your manipulation of the light streaming through the windows. Helps you feel less like you’re at camp and more like you’re in a fairytale. 

“Helloooo, lady, I asked you a question.”

You begrudgingly look up. Lee Fletcher, head of the Apollo cabin, is at the mouth of the cabin, gazing at all your supplies strewn about the floor like they’re a bunch of unsavoury substances. “It looks like a hurricane came in here. Now why aren’t you talking to Luke?”

“How do you know I’m not talking to him?” You mutter as Lee sits beside you. 

“Uh, because you’ve been sleeping here multiple nights in a row and you never do that. And you don’t sit with him at dinner. And whenever we see him you drag me in the other direction—”

“Lee!”

“I’m just saying, you should probably talk about it. My beautiful voice can heal wounds, yes, but not of the heart.” He splays a hand across his chest in mock theatrics.

You don’t say anything. The familiar weight of the brush against your fingertips is far more comforting than trying to talk, so you busy yourself with your canvas again. “He waits for you, you know,” Lee continues, quieter. “In the morning. And before dinner. He always asks if you’re here.”

“Oh,” you say, and your wavering voice betrays your expression. But you think of everyone else at camp, their gleaming smiles and their celebrated parents, their own cabins and friends and dreams, how you don’t seem to have any of those. You think of the girl whispering in Luke’s ear. All her shades of beauty. You know it’s wrong to compare yourself, to be jealous. You’re just … sad.

The cabin darkens from a lilac to an imperceptibly gloomier shade. A blue sort of longing gets caught in your throat, blurring the colours on your canvas. But you keep your brush steady, focused on the scratch of its bristles so you don’t have to hear what you say next. 

“I think I love him, Lee.” And then, “But I don’t think he loves me.”

There’s no sound except the scraping of your brush when it’s run out of paint, and a sniffle when a tear rolls down your cheek. 

“Oh,” Lee fills the silence the way you did just moments before. Then he says your name, laced with pity, and hugs you on the floor of his lavender cabin. 

“You want to help me lead the bonfire song tonight?” He asks after a minute. “Or at least … come to the bonfire song?” 

“No to the first, yes to the second.”

You wish you said no to both. 

The spot you choose after dinner is right next to the fire so you can distract yourself with the golden flecks of flame. Fire is so fluid, so complex, from a colour perspective. But no matter how close you get, the searing warmth can’t hide Luke’s gaze peering over the embers. 

He will not. Stop. Looking at you. 

The singing from the Apollo kids usually soothes you but tonight it’s just making you anxious. All this attention so close to you. Will Solace has been sitting next to you this whole time, your unofficial assigned companion for the night thanks to Lee. One of his siblings beckons him over, and he shoots you an apologetic look, hesitating. "Just go," you wave off kindly. "It's all good." He's not entirely convinced, and you aren't either, but he squeezes your shoulder with thanks and leaves you anyway.

Now you’re acutely aware the space next to you is wide open. And so is Luke, it seems. There’s an awkward moment where your gazes slide over each other and he weaves out of his current crowd towards you. So you do the most mature, sound thing you could possibly do in this situation:

You say you have to go to the bathroom to no one in particular and get out of there. 

It’s dark, but you’ve got sharper eyes than most. Soon the noise of the campfire is behind you. You traipse through the camp towards the bathroom,but you don’t get far before you hear something that makes your stomach drop in the worst and best way. 

Luke, calling your name. 

At first you think you can get away with not hearing him. Then he calls a second, a third, a fourth time, punctuated with, “Come on, I know you can hear me, can you just turn around?”

He’s got longer legs than you so the next time he speaks it’s practically in your ear. “Hey, just look at me. Please. I want to talk to you.”

There’s something so tender in his voice that it makes you cave immediately. But you already feel so fragile, you can feel the tears behind your eyes. You know you won’t have the strength to talk to him. 

His hand curls gently around your wrist and it sends warmth all the way up your arm. He says your name again, softer, and you love the way it sounds. You can’t meet his eyes, but you already know what he looks like. Even in the dark you picture him crystal clear. 

“Look at me,” he repeats. “I just—I need to know what I did wrong.”

His dark eyes are full and apprehensive when you heed him. You notice how much you’ve missed studying his face—the slight bunch of his brows, the tensing in his jaw. And you almost delude yourself that he’s missed you just as much, the way he squeezes your wrist and rakes over your expression.

“Why are you ignoring me?” He asks. 

“I’m not—”

“You are. I know you. Just tell me why.” 

He looks so sweet, so earnest, and it kills you. You think of the way he looked when all his friends made fun of you. It all comes up before you can help it. 

“Do you always let me walk around looking like an idiot?” You ask bitingly, staring at the floor. “The thing, with the paint on my cheek—why didn’t you tell me? I looked so stupid and all your friends just laughed at me!” 

His face falls. “I tried to tell you, I thought—”

“It’s okay to say you don’t like me, or that you’re embarrassed, or whatever, but I …” You swallow, tears thick on your lower lashes. “Everyone makes fun of me. I don’t know why you don’t.”

“Because I do like you,” he states, hand moving up to your forearm. 

“Don’t say that,” you whisper. “You’re so much … better, you know you are, and I don’t want your pity, or your spare time. I just—I made something up in my head that wasn’t there and I only noticed it the other day after you talked to that girl and that guy made fun of me and I’m really, really sorry—”

“It looked cute. I was trying to say I didn’t tell you about the paint because I thought it was cute.”

There’s a lull.

“What?” You blink stupidly. 

“I know I should’ve told you about it, but I swear I was going to before dinner, I didn’t think we’d run into anyone before then.” His cheeks tinge red. “I had this whole dumb thing planned out where I’d wipe it off your cheek and tell you how cute it was once you got embarassed. I was waiting to tell you. I was thinking about it the whole time.”

His hand on your arm is a frighteningly grounding thing. You're dumbstruck by that alone. Your lips part, but all that comes out is, “Why?”

A gentle laugh tumbles out of his throat. “Why do you think?”

His other hand comes up to brush your cheekbone, where the paint had been, and you can imagine him doing it to you on that day. How you'd probably react just the way he said you would, the way you are now. A warm orange glow blooming in your chest. “But the girl—”

“She tried whispering to me how much she liked my bracelet,” he smiles fondly. “Told her you made it for me. It shut her up. I don’t know what that guy said to you but I chewed ‘em all out the second you left. They knew I wasn’t happy. I tried looking for you but you were gone. I don't like them, you know."

You don’t know what to say. It’s too difficult, too uncertain for you to jump the gun on this. So you just stare at all the shifting colours on his face as he moves closer to you. All this time going over his every detail, and there's still more to be enthralled by.

“I found the paintings,” he says, voice so close you can feel it brushing your skin. “The ones of me. I was looking for you in the Apollo cabin a week ago and you left one out. I knew it was yours because ... I mean, there’s no one in the world that can make me look that … beautiful.” 

The last word is apprehensive but it’s spoken with an unimaginable tenderness. He looks a little teary himself. You think you’re dreaming. “I knew I had to tell you after that. I’ve been trying to tell you. But you started pulling away from me so I thought I was making it all up.”

“Tell me what?” It’s a ghost of a question between you, an impossible thing, but the hand on your arm slips around to your back and he presses it there with such certainty. 

“You’re really gonna make me say it?” He cocks his head, but you nod. “I’m in love with you, I think.”

The words cascade over you in ribbons of warmth. Your brain feels fuzzy, seperate from the rest of your body. Your mouth opens multiple times but you can’t seem to control what comes out. “Luke, are you joking?”

“Not even a little.”

“But you’ve got so many other—”

“I want you.”

“I am literally the most incompetent person alive; I can’t sing, I can’t talk to people, I have a weird knee—”

"Your knee is fine!"

"I'm just saying, this makes no sense from an outsider perspective, it's—"

“Okay, clearly the telling thing isn’t working so I guess I’m just gonna have to kiss you.”

It happens so quickly you don’t have any time to think (probably for the better). You let out a surprised “oh” before his mouth silences you, stopping every other thought. He’s gentle, thumb still rubbing your cheekbone, other hand still firm at your waist. You want to panic—where should you put your hands? How do you know you’re doing this right? But he steadies you, the way he always does, and you give in. 

He starts to smile against your lips. You’re almost positive the intensity of your heartbeat could summon a storm. When he pulls away, he kisses the corners of your mouth and you think you’re going to evaporate. “I don’t think I’m very good at this,” you whisper.

“You’re perfect.” He grins a little when your hands tentatively tug at a curl on the nape of his neck. “And none of that stuff you say is true. I mean, you’re definitely a better singer than me.”

Leaning close to your ear, he warbles out a song you know but gets the words horribly wrong anyways. You can’t help but laugh. “Okay, maybe you have a point.”

He hums and chuckles with you. You swear the moon gets brighter when he wraps his arms around your waist to kiss the side of your face. “Next time you paint me, I want to be there when you do it.”

You blush harder than you ever have in your life. “Only if you try painting me,” you say quietly.

“Of course. You’re very pretty, so I’m sure my horrible artistic skills won’t even make you look bad.”

Luke lets you press your face into the crook of his neck. You soak it up for all it’s worth. 

In the morning, you wake up in the same position. Your nose tucked against his collarbone, the shade of pink you love freckled across his cheeks. You can't wait to paint him again.

When you look out the window, you say a silent, grateful prayer to your mother.

She's given you two more rainbows.

[ilyrafe]

𝒆𝒂𝒓𝒍𝒚 𝒎𝒐𝒓𝒏𝒊𝒏𝒈 ✧ 𝒓. 𝒄.

pairing: rafe cameron x f!reader

warnings: brief sexual innuendo, rafe being a softie!!!!

word count: 2.6k (i *might* have gotten carried away i'm so sorry lol)

a/n: this is a sequel to late night and also based on this, so thanks @keziahcore ! your mind is literally everything!

it’s almost like a sixth sense.

rafe feels your absence from the bed, and immediately becomes agitated. he turns on the lamp next to his bed and looks for any sign that you’re still there, and finds your small handbag on the armchair, which makes him just slightly relieved. 

when he looks at the clock, he sees that it is almost two in the morning. the bathroom door is ajar and the lights are off, which means you’re not there. before he can leave his room looking for you, you return, holding a glass of water, wearing only his shirt to cover yourself up.

“where were you? why did you leave me here?”

he can’t control this agony, this anguish that always catches him off guard when he finds himself alone. he can’t help feeling like a time bomb, ready to explode at any moment. the smallest things you do seem to trigger him massively, and he hates that. he hates that he ends up being rude and harsh to you, because you’re always so understanding and sweet.

even he knows he doesn’t deserve you.

“i was thirsty and went downstairs to drink some water.” your tone is sweet and calm, which makes him feel like shit.

his face changes, as he seems to calm down. you didn’t leave him, you just went to get some water. you’re there, your stuff is there, you’re not going anywhere.

“next time, leave a glass here. i don’t like it when you do that.” he says in a much softer tone, but he’s still upset that his sleep got interrupted.

“do what? get hydrated?” you joke, trying to lighten up his mood.

he rolls his eyes and huffs. don’t make him tell the truth.

“go back to bed. i’m tired, alright? i had a long day.”

“actually, i was going to read a book. i’m not sleepy and i don’t want to lie down right now.”

is it so hard to understand that he wants you to be close to him so that he feels safe enough to get a decent night’s sleep?

“you can read on the bed.”

“you won’t mind the lamp on?”

“no, just get the damn book and come back to bed.”

you laugh and nod, picking up the book from his desk and following him to his bed. rafe gets to his spot and as you sit down, he places one hand on your bare thigh and falls back to sleep almost immediately.

while he dives deep into his necessary rest, you start reading. it’s that book, in cold blood by truman capote. you don’t know if rafe is a reader, he never really talks about books with you.

every once in a while, you look down at your thighs to see his hand, firmly holding you, to make sure you won’t leave. this small gesture makes you feel stupid. stupid to believe he might feel something other than lust for you. rafe makes you question your beliefs and that itself makes you feel overwhelmed.

sometimes you want to leave, but you can’t bring yourself to do it. and you have tried countless times. he’s good for you in the same intensity he’s bad. to say you’re scared to ask him what you are would be an understatement, but you just would like some clarification, because you don’t beg the people you’re casually fucking to stay the night almost every night and throw a tantrum when they leave to get some water.

deep down, you know you’re more scared to hear you’re just an easy fuck. at this point, this would tear you apart.

being with rafe is a challenge. it’s like running a marathon you know you will not get to the finish line, and yet, you keep running.

when it’s almost four in the morning, you close the book and turn the lamp off. finally, sleep comes to you, and you settle into his bed, still holding rafe’s hand, which never left your thigh. with the touch, rafe wakes up, and this time he is no longer agitated.

“sorry, didn’t mean to wake you.” you say, as you snuggle into the mattress.

“you- what time is it?” he asks, adorably confused and sleepy.

“it’s almost four.”

“and you’re going to sleep now?”

“yeah. go back to sleep, it’s early.” you say softly, placing a hand on his cheek, and he complies, pulling you close.

(...)

rafe’s alarm clock rings promptly at seven in the morning. he turns it off and goes back to his previous position: hugging you.

your hair smells like coconut and your skin is always soft. he never wants to not be touching you. it’s like your body was made to be next to his. for some reason, just your presence is enough to make him feel calm and at peace.

he places the softest kiss on your shoulder, enjoying the quietness that only early mornings can give him. the sweet sound of birds chirping outside makes him forget about everything else. rafe only has you in his mind (and in his arms).

you wake up and soon turn to face him. rafe has the most adorable sleepy face, and you might never stop melting over him. seeing him up close will never not be amazing. he’s the most handsome man you’ve ever seen. he probably has the most beautiful shade of blue in his eyes.

“go back to sleep.” he whispers.

“‘m not sleepy anymore.” you mumble as you rub your eyes, which rafe finds captivating. “hi.”

“hi,” he smiles. “you only slept for three hours, sleep some more.” he insists, and you feel a tone of concern in his voice, but maybe it’s just your sleep giving you that impression.

“i’m okay, rafey.”

rafey. he hates that stupid nickname, but when it comes out of your mouth, he wants to legally change his name to it.

“you’re gonna be tired.”

“no, i’m not. i don’t normally sleep a lot.”

rafe frowns not because he’s confused - he obviously isn’t. he’s just not liking what you’re saying. he doesn’t like the idea of you struggling with whatever that may be. rafe knows damn well how bad it is to be sleep deprived, he doesn’t want you going through that.

“you have insomnia?”

“i guess i do,” you shrug. “i don’t really know. i just don’t sleep a lot. i wish i did, though. i get so jealous when i see you sleeping for hours on end.” you smile sweetly at him. “you’re so relaxed. must be nice…”

you let go of rafe after leaving a timid kiss on his lips, and stretch before getting up and going to his bathroom to start your morning routine.

after a quiet breakfast, rafe gives you a ride home, and he can’t hide his concern about what you said.

“i’ll see you around, yeah?” you tell him, with the sweetest smile you always have.

“of course. uh, about that sleep thing… if you need help with that… i’m here.”

“rafe, i think you might be a sex addict.” you joke, really not understanding what he meant. he isn’t talking about sex. the one time he isn’t talking about sex, you don’t get it.

“well, i’m just one call away.”

you chuckle and intend to kiss his cheek, but rafe is quick enough to turn his face and make you kiss his lips. you laugh at his antics.

silly rafe is your favorite. if only other people got to see this side of him.

he watches you leave his car and get inside your home. the strange feeling of loneliness comes back almost immediately, but it gets him thinking. it has to be some sort of irony that the person that quite literally helps him sleep isn’t sleeping.

(...)

only two days have passed and rafe already needs you to spend the night at his house again. he is so tired and exhausted. he takes out his phone and quickly types a message.

rafe: are u busy right now? can i pick u up?

you don’t tend to take long to respond to his texts, but this time, an hour goes by and nothing, so rafe starts to feel that unbearable anguish again, and starts to think that you left him and that you found someone better to spend you time with.

impulsively, rafe facetimes you, and you answer. from your face alone, he can see the tiredness in your eyes. or rather, in your dark circles. you’re in your bedroom, which makes him feel calmer.

“hi, rafey. sorry, i just got my phone.”

“what are you doing?”

“i’m studying for my exams.”

“i just wanted to know if i could pick you up.”

“i’d love to,” you smile. “but it’s not a good idea, i need to study and i have a mountain of books to read until tomorrow if i want a good grade, which i do.”

“you’re tired, you should rest.” he advises, visibly worried.

“nothing a can of red bull can’t fix.” you say showing him the can.

“y/n, please go to sleep.”

something about his request makes you angry. maybe it’s the stress, or the fact that this time rafe is right.

“rafe, you’re not my boss. i need to hang up, i got shit to do.”

before he can protest, you hang up the call, and surprisingly, rafe doesn’t get angry. this is what it’s like when he’s sleep deprived.

as always, rafe wants to take control of the situation, so he puts on a hoodie, grabs his car keys and leaves his house to go to yours. it’s late at night, and rafe knows your parents are probably asleep.

the path is short, and soon he arrives in front of your house and the light is on in your bedroom, which tells him that you are still up. carefully, rafe gets out of his car and walks to the back of your residence, and climbs the wall, always making sure he doesn’t get caught by anyone. finally, rafe gets on the small balcony of your room and sees you surrounded by papers, books and notebooks. it’s a mess.

he knocks on the glass door, which startles you, but you soon calm down when you see it’s him. you almost run to open the door, but your face isn’t the happiest.

“what are you doing here, rafe?”

“nice to see you, too.” he ironizes as he steps inside your bedroom. “i have a proposition for you.”

“i’m so not in the mood, rafe…”

“listen to me.” he says. “i’ll… i’ll help you out with this stuff, as long as you let me help you sleep.”

“i don’t wanna have sex.”

“i’m not talking about sex.”

oh.

“you mean… sleep? like, really sleep?”

“yeah. i don’t like that you sleep so little. you’re becoming cranky.”

you chuckle at the last bit. you can’t stay mad at him, can you?

“that’s a nice offer, rafe, but what do you know about biology?”

“i’ll have you know i was a good student.” he pouts and you laugh. “even if i don’t know what you’re studying, i’ll help you out.”

it takes you a few seconds, but it’s decided. your body is about to give out, you really need to rest. you can’t absorb any more information. a good sleep might even help you learn whatever you need.

“okay.”

rafe smiles and it might be the most beautiful thing you’ve ever seen.

you begin to organize all your notes and books on your desk and rafe begins to undress down to his underwear, and gets comfortable on your bed. he realizes this is his first time sleeping on your bed, and he already likes the faint smell of rosemary that your bedroom exudes.

you have such a pretty bedroom. the walls are painted in the softest shade of blue, and you have books everywhere. no wonder you’re so smart, you read a lot.

the wooden furniture gives an earthy feel to your room, contrasting with the delicacy of the light blue walls. in the photos of the small mural on the wall, rafe realizes that he wanted to be there, present in the photos, and maybe, in a photo with you. you are always smiling and being hugged by someone, or hugging them. you are like that, you are magnetic.

you finish organizing your things and quickly change into a shirt of rafe’s that you hope he doesn’t recognize. it’s big and comfortable, and it makes you feel close to him when he’s far away.

the lamp next to your bed is on, so you turn off the main light in your room and go to your bed, meeting rafe, and he has the smallest smile on his lips. it’s ironic how having sex and being naked doesn’t feel as intimate as simply sleeping together does.

“are your parents home?” he asks.

“no, why?”

“so i could have come through the door, huh.”

“yeah.” you laugh.

a brief moment of silence sits between you two, as you’re staring at each other’s eyes. rafe is mesmerized and terrified at the same time. this - whatever this is - feels so nice and so foreign. he knows damn well he isn’t one to want to just sleep with someone, let alone climb up a wall to just sleep with someone.

rafe cameron is in love, and he is utterly terrified.

“what are you thinking?” you ask in a whisper.

your blinks are getting slower and slower. rafe begins to run his hand through your hair, combing them back, and touching the skin of your neck and shoulders ever so softly.

thinking about how much i want to be with you and how fucking scared i am.

“nothin’. close your eyes.”

you do, not because he told you to, but because you couldn’t keep them open any longer. 

why do you feel the safest with someone as dangerous as rafe cameron? someone who deals with the shadiest people around, that has anger issues and violent behavior.

that tried to drown his own sister.

why none of that matters when you’re in his arms? are you actually insane?

probably.

(...)

as soon as you wake up, you see your bed empty, and rafe’s clothes are no longer on the floor, where he had left them last night. it was to be expected, but you still feel disappointed. he was so sweet last night.

when you look at the clock, it’s already past nine in the morning, which means you’ve slept, surprisingly, eight hours straight. damn, you really were sleep deprived.

the sound of your stomach begging for food makes you get out of bed.

when you leave your bedroom, you hear the sound of the tv on and get scared. slowly, without making any noise, you go down the stairs, trying to find out if your house has been invaded, but it would be strange, as it is daytime. soon you see rafe walking around your house.

he didn’t leave?

it’s like you’re not even there. you get to watch rafe make himself comfortable in your kitchen, looking for stuff to put on the table. there are two delivery bags on the counter, which means he bought food, but the gesture warms your heart, which was merely shattered.

“the cutlery is in the second drawer next to the sink.” you say, startling him a bit.

“jesus. can you, i don’t know, announce you’re in the room? i almost dropped your coffee.”

you laugh.

“sorry, rafey. what are you doing, i thought you had left.”

“uh, i bought breakfast for y- us.” he says. you look inside the bags and you can tell he ordered possibly everything you have eaten from that place. “c’mon, i ordered that vegan shit you like, your coffee and even a pretzel.”

you follow him to the table and you both begin helping yourselves. this isn’t your first time having breakfast with him, but it does feel like it’s a first.

for the first time, you don’t want to leave him.

i love feedback! let me know your thoughts! <3

[rineptune]

hello! can i get a lucifer x fallen angel!reader, that is maybe seen as another parental figure for charlie, and there’s some jealousy from luci in the beginning before he realizes how much care reader has towards charlie? if that makes sense?

hell’s greatest parent.

summary: in which charlie thinks of you as a parent figure and once again lucifer’s genuinely distraught and scared that his one and only daughter would no longer need him.

a/n: he’s jus a little insecure, but lucifer’s doing his best and that’s what matters!!

lucifer could feel it. an irritated, uptight smile threatening to make itself known in his face.

“what was that, kiddo?” lucifer asks charlie.

“yn’s going to teach me how to make pancakes!” charlie answers. “it’s a great bonding activity that enhances familial relationships. they told me all about how pancakes made in heaven are soo different from the ones made here— i just had to ask if they could teach me!”

“she’s quite the persistent lady, your highness,” you chuckle. “i’m assuming she got that from you?”

“...yes,” he grumbles, straightening his posture. “but, charlie! why didn’t you just call me? no offense, but i make out-of-this-hell pancakes, too!”

“because, dad! you weren’t awake yet, and i wanted to surprise everyone here in the hotel with heaven’s recipe for a devilishly delicious breakfast,” she preened, hands clasped together. stars are shimmering in her eyes, possibly a candidate to outshimmer the pentagram in the skies.

lucifer sighs, defeated. “oh, alright... but i’ll watch.”

“ok! this could be a refresher memory for you,” she beams. “what first, yn?”

“well, to start, we need to wear our aprons.”

you held up one for charlie, the fabric littered with small red hearts for its pattern, which she gingerly took with delighted awe. you also offered one to lucifer, but instead of accepting what you had brought with you, he simply snapped his fingers, and with what’s left of his angelic magic, he conjured one of his own, which he wore with a smug grin.

“how efficient.”

“heh, i could do a lot more than that,” he proudly says.

“i would never doubt it, your highness.”

your indifference to lucifer’s (perfectly wrapped under the radar) jealousy is just perfect. not only did he deal with the radio demon, who had the balls to even duel him in a sing-off—now he had to win a cooking contest, too?

it’s crazy!

crazy if he doesn’t participate in it and properly show you why he’s the boss!

“and careful to put the batter, charlie,” you guide her hand to pour the batter onto the heated pan.

“whoa—.. i did it!” she cheers.

“good job, sweetie,” he tells her.

lucifer is on charlie’s left, observing how his daughter works herself around the kitchen. he had to admit, you were a pretty good teacher; that even he learned a thing or two about making pancakes.

would you look at that?

lucifer learning new things that he already thought he knew.

“now, what would you want to go with your breakfast, charlie?” you ask.

“there’s bloodied-sweet syrup, mini fresh eyeballs that a friend of alastor brought in earlier; oh— ah, here it is,” you pulled out maple and strawberry syrup along with some butter and fruits— actual fresh fruits that you managed to smuggle in your bag before the fall.

“what?! they actually have maple syrup, and not stale-oak sap?”

“yes, they do,” you chuckle. “would you like to try them?”

“do i? i’m so happy to!”

lucifer sits at the end of the table as charlie decorates her pancakes with the toppings and condiments of her liking. a smile is seen on his face.

he remembers the time when it used to be like this, simple and sweet. how times have gone by, really.

“pancakes?”

your offer brought him out of his trance of thought. a breakfast shaped into one of his favorite things in the world.

a duck with a little apple slice on its head.

“thank you, though you didn’t have to go through the trouble of...” lucifer’s absolutely speechless, and if it weren’t for the façade he has on, you bet your wings he would’ve been jumping up and down in joy. “serving it in this shape.”

“it’s no trouble at all, really.” you smiled.

and holy hell does that smile ease his worries.

“dad, oh my gosh! thesh are twe besht pancwakes, ever! like, weally—the absholoo best!” charlie says, words somewhat audible because she had her mouth full.

“charlie, dear, don’t talk while your mouth is full; otherwise you’ll choke,” you sigh, yet there was a smile on your lips, taking initiative to wipe away the excess syrup on the corner of her mouth with a damp cloth.

charlie giggles sheepishly, nodding.

“than’ weu!”

the realization sets in when lucifer sees this. that you actually care for charlie and are not there to replace him totally. he’s reassured, and happy as he finally takes a bite of his warm, delicious breakfast.

[augustinewrites]

“pleeeease, shoko? as my best friend–”

“hold on,” shoko sputters, choking on her drink. “who said i was your best friend?”

“do you think i’d pay for lunch if you weren’t?”

the woman sets down her chopsticks, sending him an unimpressed look. “that’s what this is for? to bribe me into being your best friend so i can tell my actual best friend to go out with you?”

satoru leans forward in his seat, grinning from ear to ear. “i’m not asking you to tell anyone anything. i’m just saying, plant a few seeds here and there. maybe mention how devastated i was to get friend-zoned and that i’m way too hot to be strictly friendship material.”

“that’s way too unbelievable, coming from me. maybe you should ask nanami…”

“no, it has to be you. you think anyone would believe nanamin if he said i was a total smokeshow?” he asks, shaking his head.

“well, no one would believe him because it’s not true.”

“you’re being mean,” satoru pouts. “you’re supposed to be my best friend–”

“friendship isn’t how you’ll get me to do your bidding,” shoko interrupts. “i like whiskey.”

_____

“this is really good,” you hum in approval as you take another sip. it’s smooth, sweet, and strong. much better than any whiskey you and shoko have shared before. “how on earth did you afford this?”

“a friend bought a few bottles for me,” she waves off, settling herself into the opposite end of her couch. “so…how was your date on saturday? with that guy from the kyoto school?”

“it was okay. but i don’t think i’ll see him again,” you tell her honestly. “he just wasn’t…” 

“wasn’t gojo?” 

“what?” you ask. the idea that you didn’t enjoy your last date because he wasn’t gojo was downright ridiculous, but the quickened beat of your heart is trying to tell you otherwise. “why would you– you think i like gojo?” 

satoru gojo, whose second job seemed to be roping you into his nonsense back in your school days (and taking the fall when yaga eventually caught you). who showed off during missions and always yelled for you to watch (he has a small scar on his cheek from a failed infinity barrier projection). who now routinely showed up to your apartment uninvited to watch a film with you (and always left with a few rolls of your toilet paper).

“you don’t have to like him,” your best friend says, pulling you out of your thoughts. “you just have to sit on him.”

“ieiri!” you shout, horrified. “we’re friends. friends don’t sleep with friends.”

“what? i slept with him once - in a moment of complete weakness - and we’re still friends.”

“but now you no longer sleep with men,” you point out. 

she seems taken aback by that for a moment, but eventually shrugs it off. “true, but it’s different for you guys.”

“how?”

shoko fills the bottom of her glass with a heavy pour. “because he’s actually in love with you. he may be stupid and annoying, but maybe he does the things he does around you because he likes making you laugh, even if it’s at him.”

_____

satoru stumbles backwards into the wall, using his grip on your waist to pull you flush against him. you’d barged into his apartment, ignoring his questions and immediately pulling him in for a kiss.

“i thought–” he tries to get out between kisses. “–you didn’t want to ruin our friendship.”

you draw back to look at him, smiling. “i have other friends.”

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

[honey-doc]

Why I appreciate Kabru and Mithrun's relationship in the story (with pictures!)

I just want to express how much I loved reading through the chapter with the 6 days they spent together and how I think their relationship developed in a pretty sweet way.

I feel like a lot of people reduce their dynamic to "nurse and patient" and that makes me sad because I personally got a lot more from it than that.

I do wanna start off by saying I'm here appreciating their dynamic as it is in the text.

Read more (spoilers ofc):

The beginnings

When they first met, there was an air of intimidation surrounding Mithrun as the captain of the ominous Canaries. He demonstrates his proficiency as a fighter and leader which worried Kabru because he knew it would lead to the dungeon falling into elven hands once again. But this threatening aura begins to dim in Kabru's mind as they get to know each other.

Even before they fell down the hole, the both of them ended up relying on each other's abilities a number of times (when the underground governor turned out to be corrupted Mithrun defeated him and Mithrun needed Kabru's deduction skills during the battle on the first floor) which is already the beginning of a great dynamic

(Kabwu is scared but Mithrun just asks for his help)

After Cithis tasked him with "taking care of Mithrun's needs" for the time being, Kabru treated Mithrun with proper respect and doesn't take advantage of his disability, even using his title “Captain” when he knew Mithrun wouldn’t have cared either way after learning about how he lost his desires. This is in contrast to Cithis who immediately took advantage of her position to mess around with Mithrun when she was taking care of him.

(When Cithis was put in charge of taking care of Mithrun)

The whole time Kabru is with Mithrun, he treats him like a person and more than just someone to be taken care of, as also he relies on Mithrun's fighting skills, knowledge of the dungeon, and teleportation magic.

When you reduce their dynamic to just "caretaker and patient", you're ignoring Mithrun's own capabilities and making him seem totally helpless. It actually feels rather ableist. They have a more balanced relationship with what Mithrun brings to the table than you may think. Mithrun couldn't have survived down there on his own, but it's the same for Kabru (who famously dies every time he fights)!

Kabru doesn’t show signs of trying to manipulate Mithrun either, and he's no longer intimidated by him in the slightest once he learns he’s not a threat or after his life. Though he does instinctively revert to his "sparkly" persona to get Mithrun to eat the disgusting mushroom, it doesn’t work so Kabru just has him eat it normally and never tries it again. This is the beginning of Mithrun unintentionally encouraging Kabru to be more honest with others.

(Kabru realizing he can chill out)

(Kabru being unreserved and Mithrun being silly)

bonus funny moment:

Bonding

Throughout the journey they talked to each other, shared things with each other, and ate with each other. And Kabru expresses genuine concern about whether Mithrun is comfortable (which is something he could live without and wasn't something the Canaries told him to do).

(Kabru showing he wants to make him comfortable by making food for him which is a very important part of the narrative)

(Kabru sharing intimate memories with Mithrun)

(Kabru initiating conversation without hesitation or worry. This part also is referencing how Mithrun shared very important details of his life with Kabru. Kabru also ends up trusting Mithrun with information about Laios despite knowing he could possibly tell the other Canaries about him and impede his plans..which he does lol they do end up knowing about Laios before meeting him.)

For a bonus Lycion implies Kabru was taking better care of Mithrun than they had been which is interesting to me.

Mithrun also shows that he has come to trust Kabru's decisions over the Canaries' when he says he wants to stay in the dungeon after fulfilling the caretaker requirement. They did talk to each other a lot, during that time. I wonder what Mithrun's Shapeshifter double of Kabru would look like now?

Here, Kabru goes out of his way to make sure Mithrun doesn’t overexert himself by knocking him out after the demon leaves with Marcille (again, when his time taking care of him is already over), and I think that demonstrates an extra level of concern he holds for Mithrun.

(Kabru holding back a hellbent Mithrun)

(KNOCKOUT!)

He even managed to make Mithrun mad. It's probably because he "let the demon get away" but I think it's cute and funny because would he huff like that at anyone else? Lol

When the demon breaks through the surface

Kabru begins panicking after Laios turns into the giant monster because he's wondering if he made the right decisions etc. If Mithrun didn’t care about Kabru at least a little bit, he would’ve just left him alone when he started losing it (right after Marcille did the same thing and she is technically more to blame for empowering the demon than Kabru was for not allowing Mithrun to go after it), but he went out of his way to snap him out of it.

It also means a lot to me that Mithrun even says Kabru's name, because in Japanese you can go your entire life without referring to someone by name and it wouldn't sound wrong (just rude) and it's the first time Mithrun says Kabru's name on screen (I checked).

Though it was with a slap, I think it says a lot, because if Mithrun didn’t care at all he wouldn’t have done anything and left him alone. It's not like Kabru could've done anything to stop the demon. He didn't even to tell him to do anything even though Kabru looked ready for an order.

(To be honest I don't know exactly why Mithrun starts beating him up here but you can say it's another rare demonstration of emotion Kabru was able to evoke in him lol. Maybe it's payment for Kabru stopping him the first time. That can be interpreted as paying it back and/or paying it forward I think.)

The last few chapters

And in the end when Kabru’s motivating Mithrun to continue living his life, he speaks to him like they’re friends/have no rank between them despite using the Captain title for him the whole time. Even Lycion initially gets upset that he’s acting “too familiar” with Mithrun.

It feels like Mithrun changed so much in the short time he spent together with Kabru and before the final battle, and it’s thanks to Kabru that Mithrun finally starts to be able to move past his lingering obsession with the demon and begin to really heal.

This is despite the fact that he spent so much time with Milsril and the other elves who never managed to break through to him like that.

(Before Kabru) (After Kabru)

And even after his role as Mithrun's caretaker was loong complete, he still shows concern for Mithrun and tells him to take a break when he's using up all his magic to slice the Falin meat (lmao).

He didn't need to do that! But it shows how he at least slightly considers Mithrun some kind of friend.

It all culminates with Kabru helping Mithrun regain his wil to live and Mithrun confiding in Kabru. Their relationship is important. Kabru continuing to do things for Mithrun to me is more of a sign that he just plain cares about him. Isn't it normal when a friend needs medication for you to remind them to take it? I think it's like that.

Kabru is there with Mithrun when he comes out about his feelings of uselessness AND when Senshi helps him put a spin on the 'vegetable scraps' metaphor and he find meaning in his life again. He's the first one to see him cry :')

Along with the fact that it feels like Mithrun is the first person we see Kabru doesn't feel the need to change his personality with or put on airs for since Mithrun doesn't need buttering up and he won't get offended if someone were to say something socially awkward, I think they made a pretty good team!

BUT ALSO the REAL reason I became endeared to them is cute shit like this:

GOD I love them!!!!! There are so many funny sides to Mithrun Kabru was able to bring out, and really show his charm as a character. Mithrun also brings out the best in Kabru while Kabru’s the most genuine he’s been since his debut with Mithrun. We are able to see that he’s just a kind and caring person, rather than the shady obsessed guy most fans have come to believe him to be.

The true depths of their dynamic also grew on me over time :)

TLDR

All in all it’s so nice seeing how even though Mithrun is a really deadpan person, and Kabru is a really secretive and withheld person, they clearly seem to have developed some kind of bond while they traveled together and even changed each other to an extent.

Doesn't Kabru feel more honest near the end? Maybe it's because of how much he talked to and shared with Mithrun during those 6 days so candidly...because they taaaalked a looooot like wow.

They mean so goddamn much to me. I don’t need them to be in a romantic relationship but I do want them to be together forever :'))) or like at least hang out when they have off time since they're still in the same country lol. Praying for Kui to make another side comic of them some time (crying).

Thanks for reading if you made it this far, I mostly arranged this because it makes me sad to see people reduce their dynamic to only one singular aspect.

Anyways ya...love 'em (heart hands)

[bunny-lily]

Satoru, who...

Did you ask for more fluff? I did, ehe~

Pairing: Gojo Satoru x fem!reader

CW: pure fluff, just fluff, no angst, only happiness | proposal, marriage, pregnancy, husband!Gojo, dad!Gojo, soft!Gojo, categorically fucking whipped Satoru, domesticity, kinda slice-of-life, mildly suggestive at the end

The starstruck boy, Gojo Satoru, who is utterly obsessed with you in every way possible.

AN: while I’m in the middle of writing an absurdly long fic, I wanted to post some shorter stuff to 1) keep my hands loose and brain active/busy, and 2) post something while I’m working on the fic to come. I won’t post much about it rn because I want to actually finish it first and not make any promises, so enjoy a lil fluff in the meantime <3 just something short and sweet

WC: 3k

Satoru, who is smitten with you from the very moment he first lays eyes on you. Sure, he's had infatuations before, but they were short-lived and typically lasted no longer than a week. A quick fascination, then poof. You, on the other hand – you are different.

And it is plain to see for pretty much everyone. He is normally cocky and outgoing, even during the little fads he’s had, he never let down his façade of bravado. You, though? You melt all his walls until he’s a goopy puddle of a blushing, giggling school girl.

He is whipped, almost to an annoying point. He rambles off Suguru's and Shoko's ears enough times for them to know when he’s about to start singing your praises and avoid him, or distract him somehow (which is a monumental task when his ditzy head is full only of thoughts of you).

Even so, they are conflictingly bewildered and happy for their friend. For him to have found someone that he is interested in for longer than a week – let alone several months, now – is a riveting change of pace. He seems so genuinely delighted any time you two interact, bubbly, dreamy sighs leaving him as hearts dance in his eyes.

He has fallen for you bad.

Satoru, who’s a stuttering disaster when he tries to ask you out on a date, and damn near collapses in relief when you’re able to decipher what the hell he’s going on about and agree to go to the new café that opened up near campus with him.

One date turns into two, then three, then a dozen more that become routine for you. You meet up after classes let out, then head to the café side by side. Or, if one is running late, you have each other’s orders memorized. You even go the extra mile and order him a sweet he hasn’t tried yet to surprise him with when he bursts into the establishment, panting like he ran a marathon. He might as well have, he booked it for the café as soon as he was free, dying to see you.

Satoru, who is somehow in even more shambles when he gets the nerve to ask you to go steady with him, despite the two of you being borderline boyfriend and girlfriend by now. He’s jittery, sweaty, downright vibrating with tense energy when he brings you to the sakura tree near the back of school that you two had laid claim on. Oh, and when you say yes? He’s certain he’s died and gone to heaven. Nothing can explain how an angel like you decided to grace him with your existence as is, let alone love him – even while you called him an idiot and said you thought you two were already dating.

Satoru, who was already protective over you when you first met, dials it to eleven after you agree to being his girlfriend. Gojo Satoru, the strongest man alive, could inspire fear and respect simply by being in the room with his confident and brash nature, completely relaxed and faithful in his skill. But if, gods forbid, something happens to you? Gone is that cocksure attitude. Gone are the coy smirks and passive-aggressive taunting meant to rile others up. Gone is everything but his one track mind that focuses solely on two tasks: protecting you, and destroying whatever harmed you.

Satoru, who spoons you to his chest and watches ASMR, random videos, or movies on your phone with you 'til you both fall asleep. It became routine shortly after you began officially dating. You'll climb into bed first and decide what you want to watch while he finishes his nightly regimen, then he'll slip under the blankets and pull your back flush against his front, prop his chin atop your head, slide a thigh between your legs, and off to cozy dreamland you two go as whatever you choose acts as white noise. 

It brings him an immense amount of comfort, and though he doesn't need as much sleep as normal folks, he'll refuse to leave bed until you're awake (with the exception of any needs he might have to take care of that will only see him away for a couple minutes at most before he’s cradling you in his protective hold again).

Satoru, who salts and peppers your face with endless, ticklish kisses to wake you up, saving the best kiss for when your sleepy, pretty little eyes open: right on your lips. He always wakes up before you do, and spends hours watching your blissful, precious face as you snooze, content and relaxed like a cat with full trust in its human. The comparison always makes him smile, because he, truthfully, envisions you both as being cats all the time. Lazy ones that cuddle in the sun, your smaller form using his ridiculously fluffy and larger one as a pillow-slash-blanket. His tail twined with yours, your ears twitching as he grooms you with kitten licks, ah, the dream.

Satoru, who wants to slap a ring on your finger the very moment he can. You two spend so many days and weeks raving about your imaginary wedding that he so desperately wants to be real, setting up plans, picking out what you would want for decor, scrolling through forum boards for ideas on a wedding dress for you. He is practically more excited at the prospect of getting married than you are, eager to help in every step of the process and more. 'Let me handle all the hard stuff, baby,' he nearly begs. 

He won’t tell you the cost of anything, and insists you go all out. Get the dress you want, don't you dare look at the price tag. Choose the perfect venue, he doesn't care if it's in Japan or fucking Dubai, he'll handle paying for everyone's travel and hotel needs on top of the whole wedding. Only the absolute best for you, nothing less, everything more.

Satoru, who is a train wreck of nervous excitement, anxious anticipation, and giddy trepidation when the day comes for him to propose. He takes you to the perfect location – up a short and easy hiking trail that leads to a cliffside with the most magnificent view of the ocean and setting sun. You think it's just a sweet date trip, until you see the path of tea candles guiding you to a romantically set up picnic blanket, a basket resting atop it, waiting to be opened.

When you turn around to express your shock and confusion, you find Satoru on one knee, looking up at you as if you are the most gorgeous and divine creature to ever exist. He's confident and boisterous, as always, as he plays out his little speech about how much he adores you and wants to keep you by his side, forever and ever, but he's a shaking trash fire inside. A shivering little dog that's relieved he didn't stutter or screw up the speech he practiced a hundred times over and then some.

Satoru, who's thanking every god to ever possibly reside above (and even below) when you throw your arms around him, sobbing into his shoulder as a flood of yeses pours out of you, slurred as you ramble through your tears and tell him you love him, how happy you are, and a plethora of other things that make him genuinely the most elated person to ever live.

Satoru, who slides the brilliant engagement ring he had custom made for you onto your finger; smooth, with an inset blue diamond that shares the same shade as his eyes, nestled in with a dozen tinier crystals in vine-like spirals flowing outward from the center. Swarovski, of course. He made sure that it was all flush with the platinum to ensure it wouldn't snag on anything. 

He was practically breathing down the jeweler's neck during the entire process, needing to guarantee it’s positively perfect for you. And, when he sees the glimmering jewelry cozy on your finger, the evidence of your bond and the next step in your journey to unite as one, he knows he made all the right choices.

Satoru, who only uses the finest material for your matching wedding bands, and has the insides of both engraved with each other's names. Yours in his, his in yours. He has the same jeweler as before (poor guy) design them to have two stripes of platinum within the gold of your rings, delicate and stunning for himself and his wife.

Satoru, who's jubilant and so incredibly ecstatic that you're now his wife that he can't help but tell everyone he knows, everyday, multiple times a day, even those that were at the wedding. He just can't get over it. You're his wife, the girl he's been crushing on since highschool, the girl he swore to make his, and to devote himself to. It feels like an incredible dream, and he worriedly pinches himself from time to time to make sure it's real. 

He did it. He married you, and now you carry his name in yours, in your wedding band, everywhere he could put it to subtly (not really) show you off as the unquestionably precious treasure you are, his wife, and how overjoyed he is that he managed to catch you and keep you.

Satoru, who forgets how to function when you hold up a pair of white and pink sticks on his birthday, from different brands, both showing positive symbols. You. You're pregnant. With his baby. He swears his brain short-circuits because one minute, he's staring at you like you'd grown a second head, and the next, he has you wrapped up in his arms as he showers your forehead, cheeks, nose, jaw, lips, neck, ears, anywhere he can reach, with kisses.

He's a babbling, sniffly mess as he practically crushes you to his chest and coos and preens and weeps with elation. He reveres you like a deity and he’s your loyal and pathetic servant who was blessed beyond measure that you decided to give him the gift of life. He's going to be a father, and it's all because of you.

Satoru, who completely spoils the living hell out of you during your pregnancy (as if he hadn't already been), bending backwards for you for everything. Weird cravings? He's on it. Swollen ankles and nausea? He's rushing to the store for medicine, then rubbing your feet to ease the ache. Insatiable horniness? He's your slave for you to use for your pleasure. Hormones swinging wildly back and forth? He's there with a box of tissues and his firm chest for you to beat on when you feel like you're going crazy. It's his fault you're pregnant, after all. You're doing the hard work of not just carrying his child, but of nurturing it, growing it, letting it take from you to develop strong and healthy. Of course he's going to take care of you.

Satoru, who refuses to let you do any work. You're on indefinite parental leave. From the moment you show him those positive tests, he sits your pretty ass down on the couch and tells you firmly that your only job now is to help your baby develop. He'll take care of everything else, don't even think about lifting a finger.

Satoru, who's there at every appointment with you, clutching your hand tightly as you talk to your doctor about everything you need to know. And when you have your first ultrasound, and see your fetus together for the very first time, he's crying right alongside you.

Satoru, who spent meticulous hours packing a duffel bag with everything you'll both need for when it comes time for you to go into labor. Spare changes of clothes, plenty of water, blankets to keep you warm, a couple pillows, anything and everything. He refuses to go in unprepared. As soon as it's all packed and ready to go by the 8 month mark of your pregnancy, it's in the backseat of the car. The baby car seat is in the trunk of the sleek and top-of-the-line SUV he purchased specifically for your soon-to-be family. He doesn't care that it's taking up space, or that it’s too early, he refuses to go in unprepared.

Satoru, who immediately ditches work the very instant your water breaks. Who gives a fuck if he's in the middle of something important, nothing takes precedence over you and the incoming birth of your infant. He's breaking several driving laws to get you to the hospital, but neither of you care. Not when you're panting in the passenger seat, white-knuckling the grab handle with a palm pressed to your stomach, grunting and crying out in pain any time you have a contraction. It's a miracle he doesn't get pulled over, and he's incredibly thankful (and proud of himself) for thinking of calling the hospital ahead of time so that they're ready for you.

Satoru, whose entire world becomes a blur from the second you reach the hospital, to the second you're crushing his hand in your grip, screaming as you fight to bring his baby into the world. He's letting you yell at him and blame him for the pain you're in, easily accepting and agreeing because it is his fault. 

But while your shaking sobs and shrieks of agony wound his heart beyond any possible measure, he also can't help his elation at knowing it's time, all the waiting has been worth it, every minute spent catering to your every need, want, and desire. He'll do it indefinitely, wait on you hand and foot for the rest of his life, treat you like a queen, because you deserve it and so much more.

Satoru, who's shocked by how well he's holding up when the nurse puts the wrapped up, pudgy little newborn in his arms, gazing down at the tiny being. His tiny being, your tiny being, the fragile and priceless life you both created. Looking down at his kin, his reason for being, he knows he'd do anything and everything to protect you and your child.

Satoru, who sees you, a disheveled and tired disaster, with your hair all tangled, frizzy, and astray, strands stuck to your sweaty skin, your body slack in relief as the hardest part is finally over, watching your husband hold your baby, and he thinks you're more beautiful now than you've ever been. 

You look like you’ve been dragged through hell; your legs are sticky with residue blood, amniotic fluid, placenta, and whatever else that needs to be cleaned off (though your legs are covered with a few layers of blankets to keep you toasty warm while you recover from labor), your face is a little pale and sallow, you're barely clinging to consciousness, and he's marveling at how he's never seen anything or anyone as utterly blest and sacred as you. 

A goddess amongst men, the only one the strongest man in the world would ever willingly bow down to without you even needing to ask.

Satoru, who helps place your baby on your chest, the nurse having opened the blanket for skin-to-skin contact as you feed it, and finally lets himself release all his pent up emotions of raw, unfiltered joy. Every cell, every fiber, every atom in him is dancing in overwhelming happiness. He'd do it all over, again and again, as many times as you'd let him, if it means he gets to see you this blissful and tranquil. The glow of maternity suits you like no other, even in all your unkempt and chaotic glory. 

Satoru, who can't believe he's a dad. He goes above and beyond, insisting he takes care of the baby at night so you can sleep – he doesn't need as much rest as others do, after all. He murmurs to his newborn about how much he cherishes and adores you, how much you mean to him, how you're the best wife and mommy a man could ever ask for and more. He reads the kiddo bedtime stories to help it sleep, feeds it, changes it, whatever it is that is needed, he's there and doing it. 

On top of that, he continues to be your doting, devoted, caring husband. He makes sure you're taking your vitamins, takes you to all your postpartum appointments, aids you through your subsequent depression, all of it. He's sworn himself to you for life, not just in this timeline and universe, but in any and every single one of them.

He made and said his vows with purpose and conviction. He meant every word, and upholds them like his life depends on it. Because, in his mind, it does.

Satoru, who is patient with you, and firmly commands you to not push yourself to do things you can't do while you're still in recovery. He doesn't care if he has to wait months or even years for you to be ready to lay with him again, he'll wait it out. He might not be a patient man, but for you, he'd wait until all the stars die. 

Oh, but you, darling little minx that you are, do your best to take care of him, too. Even when he urges you to rest, or not worry about it, or anything other arguments he might have against it, you tend to him in whatever way you can. Touching, sucking, rough and heavy petting, whatever it takes. You refuse to leave him alone to suffer through months and months of dryness with no relief save for his hand and the toy you surprised him with to help take the edge off.

Satoru, who can't be more grateful to you. You're more than his wildest dreams, the perfect wife, the perfect mother, the perfect person as a whole in the entirety of the universe. He really can't help boasting about being the Chosen One, because he really is, if the cosmos decided to gift him with you.

Satoru, who swears to take care of you for the rest of your lives, and does well on his promise.

Satoru, who fights for the sake of you and your kin alone. He refuses to leave you in any way, shape, or form. He refuses to let the world be a danger to any of you. He refuses to have anything happen to his family. Nothing will tear you apart, not now, not ever.

Satoru, who loves you more than the sun, the moon, and all the stars combined.

—-—-•(-•ʚɞ•-)•—-—-

Banner by cafekitsune ♥ thank you for reading

[levshany]

about the Mindscape in Tandem AU

I really want to talk about Colibri, but I have to be careful because I can’t spoil too much. spoilers for Tandem are spoilers for "The Dawn". Therefore, I cannot yet explain some moments. But it's fine for the mindscape I guess. After all this is one of the most delicious parts of the story >:3

those of you who have read "At The Dawn Of The Light" know that Philip had the same dream for ten years in a row, where he is small and lives in his old house with Caleb. and Philip convinced himself that this was true reality, and the Boiling Islands were a nightmare

but then Philip, carelessly, without thinking it over, allowed Collie to come to him in his dreams. and at the same time he opened access to his mind, which later ended with Collie possessing Philips body in order to prevent him from “falling asleep forever”

In Mindscape, Collie set himself the following goals: to restore Philip's mind, make him stop considering his dream to be reality and make him want to return to the REAL reality

Both tasks turned out to be much more difficult than Collie thought. First, in Philip's mind he was completely powerless. he cannot in any way influence the surrounding space, and therefore he's not able to simply restore the forest of memories with a snap of his fingers. And secondly, Pip (surprisingly) doesn't want to be dissuaded of the falsity of his little world! No matter what cool logical arguments Collie puts forward, Philip just ignores or parries everything he says! The most offensive thing is that Pip actually understands perfectly well where the dream is and where the reality is, but for some reason he refuses to admit it. And and every time he runs away from answering, either disappearing into thin air in the middle of a conversation, or distracting Collie with something stupid. For example, he snatches his hat and starts a battle over it

Collie thought he could drag the surviving memories from the basement into the forest by hand, but Caleb wouldn’t let him. “How did Caleb end up here?”, those who have not read "The Dawn" will ask. and I will say that this is a part of Philip’s mind that performs a protective function and protects little Pip from unpleasant thoughts and gives advice on how to behave in situations. and the local Caleb regards Collie as a real threat, who with his mere presence breaks the “realness” of their little cozy reality, and even tries to make Pip remember some things that are unpleasant for both of them. each time Caleb caught Collie near the basement and drove him away. the only memory he allowed to return to the forest was Philip's first meeting with Collie

So it turns out that so far Collie can’t figure out how to help Philip. the only thing he can do now is get him out of the Boiling Isles. Replace this “nightmare” with some more pleasant dream, so that Philip is no longer afraid to at least wake up in this reality

[shotoh]

❝ I THINK I… ♡ ❞

⋆ ˚。⋆୨୧˚ when they realize they’re in love with you

feat. oliver aiku, itoshi rin, nagi seishiro, isagi yoichi, itoshi sae, kunigami rensuke, mikage reo

cw + tw. fluff, some angst, fem!reader, aged-up!characters, pro-player!characters, friends to lovers + established relationships, pet names, (!!!)attempted assault (in kunigami’s scenario, but he’s obviously not the assailant), alcohol usage (in oliver’s), maximum self-indulgence

notes. jdjsjsn this is kind of all over the place but i just wanted to word dump some cute scenarios and headcanons

OLIVER AIKU

honestly, he’d get kind of scared. and not in an appalled way like, “psh, i’m oliver aiku! i can get any woman i want so why should i only care about this one person?!”

no, it’s because he’s fully aware of his disloyal and womanizing past that he’s afraid of this. he’s afraid he’ll end up hurting you—the one person he truly cares about—and he believes you don’t deserve that.

you deserve so much better than a douchebag like him.

he keeps that growing pit of adoration to himself and carries on with his life as always, but that can only do so much when he’s so clearly infatuated with you.

the most he lets himself do is tag along on your night out at clubs. however, he doesn’t drink a lick of alcohol. he needs to be sober to take care of you in case you get too wild out there to do so yourself. while he’s there though he talks to a few of the women flocking around, entertains them a bit, maybe as a feeble attempt to get you off his mind and forget about the jealousy rooted deep inside him when too many guys check you out and ask for a dance. but nowadays, he can never find it in himself to take any of these women home. that’s how deep his affections for you have run.

at one point during the night, you approach him with one too many drinks in your system, evident by your wobbly steps and the carefree grin plastered on your face.

“oli~! why don’ yer dance wit me?!” you slur, nearly toppling in front of him if not for oliver dashing forward to stop you from falling on your face.

“i think you’ve had one too many drinks, sweetheart,” he chides. after that he’s draping his large coat over your bare shoulders and leading you back to his car to get you home, while ignoring all the pouty women on his way out.

you object to leaving at first, droning about how the night is still young, but oliver is persistent in getting you home safe and sound. eventually, you doze off in the passenger seat while he’s driving. when he parks in front of your apartment complex, he carries you all the way up to your door, fishes out your keys from your clutch, and finally gets you into bed.

he lingers a little bit longer to make sure you’re all settled and if you need his help with anything, but once the buzz in your system has fizzled and your eyes are fully lidded, oliver assumes you’re out like a light. that is, until he’s sitting at your bedside and he hears the faintest murmur from your lips.

“love you… oliver…” is what comes out in a lovely daze and he almost wants to deny he heard it for both yours and his sake, but all he can do is muster a smile, ghosting a hand along your cheek, and say while you’re blissfully unaware,

“love you too, sweetheart.”

ITOSHI RIN

lowkey annoyed over this because instead of soccer plaguing his mind 24/7, his thoughts are now overrun by you! so he ignores the feeling, thinking it will magically go away or something. but newsflash to rin: it’s not as simple as it looks, and he ends up learning that lesson the hard way.

he spends the next week evading you—declining invites to hang out, sending half-hearted text messages, and ingraining himself in his soccer practices. unfortunately for him, his performance actually gets worse because now all those feelings he’s been bottling up inside his fragile heart are about to burst.

even shidou has been scoring more than him and rin just can’t live that down, especially when the former asks if the reason he’s been doing so poorly is because he and his “little girlfriend” broke up. which isn’t even the case since you’ve both never crossed that bridge.

poor boy goes home one day conflicted over all of this, slouched on the edge of his bed with his hands ruffled in his hair. soon he gets a text from you, which he shouldn’t be surprised by, given how he’s been treating you lately.

but then you’re asking him if he’s okay and rin is utterly taken aback because he’s been acting like such an asshole, yet you’re the one that’s still worried about his well-being.

right then and there rin has a long moment of contemplation, breathing a sigh into his hand which clasps over his mouth. he replies back with a quick apology text before telling you to meet him after his practice tomorrow. the moment he hits send, he tosses his phone on the bed, not willing to wait for that hovering gray bubble to appear on the message window.

when tomorrow arrives and practice is over, his steps are dragging along the pavement outside the training facility. he’s honestly doubting if you’ll even show up, but those qualms are immediately dashed when he sees your figure a few distances away. you’re standing there with apprehension written on your features, which morph into worry as soon as you cross eyes with him.

rin can’t even get a word in or form a coherent thought because the moment you run up to him, you’re blabbering about how he didn’t have to apologize because he was probably working so hard on soccer, chasing his dreams and the like. then, you bring up how maybe you should continue distancing yourself in order to help him focus, and god, that flicks a switch in rin’s head because that is far from what he wants.

all of a sudden, he’s silencing you as he pulls you into his chest. you find yourself buried in his jersey, confused but not drifting away, and even return the embrace when you sense him shake against you.

“fuck, no. i don’t want that all…” his voice sounds like he’s about to break as he mutters those words into your hair. his arms tighten around your shoulders as if you’ll leave him at any moment. you assure him you won’t as you nuzzle closer into his chest.

“then i’m not going anywhere, rin.”

NAGI SEISHIRO

the thought comes upon him when he’s alone in his apartment. it’s not immediate though.

the sunlight seeping through the curtains inevitably wakes him up one very late morning. and by very late, i mean this dozy boy definitely slept in that day, if he couldn’t already tell from his digital clock reading 11am.

even though nagi is always keen on getting plenty of shut-eye, he’s constantly kept on his toes when it comes to having a productive sleep schedule. partially due to soccer practices, but also because you sometimes visit him in the mornings. so normally, he’s woken by the ruckus you’re making while cooking him breakfast in the kitchen.

but this morning it’s… silent. which in hindsight, nagi should be happy about, right? he got to sleep in, after all, and he doesn’t have practice today. what more could he want?

once he shakes off the last remnants of sleep from his body, he finally musters the strength to get out of bed and maybe start his day with something to eat. which this morning is… leftovers. specifically the leftovers from the last time you made him food—a couple days ago.

regardless, he warms them up and sits down with a plate on the table. says his appreciations for the meal and digs in. when the first bite enters his mouth, it tastes the same as when he initially had it, but there’s an empty feeling in the bottom of his stomach he can’t quite pinpoint. he scarfs down a few more spoonfuls until he grows tired of eating, resting his head on the table.

his tummy is full, yet that emptiness persists—it’s been on the forefront of his mind for several days now and it’s starting to annoy him. he can’t determine why that is and what makes those days any different from before succumbing to that void in his heart.

after all, nothings changed.

just that… you went on an overseas trip. without him.

well, it’s not like he was ever going to be invited since you’re supposed to be vacationing with your girlfriends.

ah, wait. maybe he’s just lonely.

no, that can’t be it. he hung out with reo and some of the other blue lock boys the day after you left. even a slacker like him still makes time to see his friends. so what is he missing here?

the question lingers in nagi’s noggin as he drags his fork along the remaining food stuck on his plate. at some point, his phone’s ringing breaks him from his stupor, and he’s surprised to glance over and see your caller id on the screen.

he’s not sure what comes over him, but nagi swears he’s never hit the accept button so fast in his life. immediately, he brings the phone next to his ear, and is the first one on the line to utter “hello?”

“sei, you’re awake! i’m glad i got the time zones right!” you exclaim in your cheery tone that nagi has always been accustomed to hearing in the morning. “y’see i’ve stumbled on a gift shop the other day and found a few souvenirs i’d think you’d like!”

you ramble on and on about your adventures around the country you’re visiting and nagi finds himself absorbing your voice, hanging on every word, and even nodding next to the phone like you’re right here in front of him.

suddenly, his heart feels so full and everything clicks into place again. it’s like his day never actually started until you appeared with all your mirth and energy. even on opposite sides of the earth, you’re still the sun to his moon.

“angel,” he murmurs as you’re in the middle of talking, and you’re silent after acknowledging his call, waiting on his words.

“come home soon. i miss you.”

ISAGI YOICHI

this boy is a mess! he’s the kind of guy who as soon as those feelings start blooming in his chest, he gets super flustered around you all the time. and it’s obvious too.

before, he was super nonchalant with you. treated you like a friend, flirted without even knowing because he’s just that comfortable around you, but when any of his friends or family mention how the two seem closer than you realize, he just freezes and his mind goes blank. erupts in an embarrassing fit of sputtering and denial, face searing red down to the nape of his neck. it’s so cute.

however, he’s not fooling anybody! anyone can tell by the windblown expression on his face—starstruck eyes admiring you as a warm grin overtakes his features—that he’s absolutely smitten by you. he just needs to admit it already.

well, his next outing with you (in which he swears wasn’t actually a date, but c’mon isagi), finally gets him to come to terms with his emotions as he reminisces spending the whole day just laughing his heart out and being so full of that warmth and happiness you give him that makes him feel completely weightless. almost like he can do anything. afterward, when he gets home, he rushes upstairs and literally flails in his bed with the most insane blush on his cheeks. like wow, he’s in love with you.

isagi yoichi is in love with you.

but love to isagi is like a double-edged sword, especially to someone who just escaped that blue lock hellhole and now has to devote even more of his life to his soccer career.

with that carefree sensation comes a new box of trepidations that he’s afraid to open.

what if there comes a time when he would have to choose between you or soccer? he’s hoping that won’t ever be the case. he’d hate to struggle juggling the two and end up breaking your heart.

god, never in a million years does he want that.

the best he can do is take steps to introduce this side of his life to you. he does so in extravagant fashion, by inviting you to come watch him play during his championship game.

to say you were a little startled by his offer was an understatement, but you take him up on it, and promise you’ll be there, especially since isagi went out of his way to get you the best seats in the stadium.

on the day of his match, he’s more nervous about performing well in front of you rather than winning. winning is instinct for him so he has no doubts he’ll claim victory and take home the championship cup. he’s just eager to show you a new isagi you’ve never seen before, rather than the tongue-tied, flustered puppy isagi that’s been vying for your attention lately.

coming onto the field, his eyes are too busy swerving in the direction of where you’re seated than focus on his opponents. the moment he distinguishes your figure at the very front of the stands—draped in a jersey that reads his name—countless butterflies begin fluttering in his stomach. it’s a feeling that he can never truly convey into words.

all he does is let an elated grin spread wide on his lips, cheeks swathed in such a dainty shade of rose that has his teammates swatting the back of his head to remind him he has a very important game to win.

and oh does isagi win. during the match he scores four goals in quick succession, absolutely annihilating the other team to the point where it’s downright embarrassing for the opposing side. the commentators are completely baffled, questioning what has the player so stoked. little do they realize that each of those goals were all made in your name and isagi can’t wait to let you know that later with his championship cup in hand.

ITOSHI SAE

sae is pretty accepting of this revelation. nothing really fazes him after all, and he recognizes that it was only a matter of time before he came to terms with the idea that he might be head over heels for you.

in fact, he takes those feelings in stride.

as if sae wasn’t already a gentleman before this, his mannerisms around you only intensify. he’s constantly holding the door open for you, pulling out your chair, giving you his jacket whenever you’re cold, and so on. you never have to lift a finger when you’re with him. it’s to the point where he’s even sweeping stray hairs off your face and tucking them behind your ear before you’re given a chance to realize they were bothering you in the first place. not a day goes by where he doesn’t place you on a pedestal and worship you in the best ways he knows how.

he’s also gotten very touchy and a tiny bit possessive (okay maybe more than a tiny bit). sae isn’t the type to initiate pda regularly, but whenever he feels threatened in any way—which is very rare but not impossible—he always has a hand on you. whether it’s on your lower back as he ushers you closer to him, or intertwining your fingers together before sending a cold, piercing glare over his shoulder at the offending party, he always makes his intentions with you known even if you yourself are oblivious of them.

it’s not like he’s controlling or obsessive either. he simply wants to make you feel special. to be frank, he’s setting such a high standard that no other man can compare to him.

on more than one occasion, he’s had to travel overseas for international business, and the first time he left the country for an extended period without you, he grew incredibly homesick. not because he particularly misses the normalcy of his life back in japan, but because it always feels a little empty, and frankly, boring without you by his side. he’s grown to appreciate the moments he shares with you, from the time he wakes up beside you to when he falls asleep while you’re in his arms.

after that, whenever he has to fly out of the country, he insists you tag along with him, and goes out of his way to pay for all your expenses—plane ticket, lodgings, everything. most of the time, you try turning down his offer, stating you don’t want to be a hindrance while he’s working. yet sae counters by saying it’ll be more trouble for him if you weren’t there with him than not, and who are you to object when he’s staring at you with such unwavering ocean eyes, looking as if you’re the whole world to him.

KUNIGAMI RENSUKE

deep down, kunigami has always held you closely in his heart, regardless if he’s aware of the love he possesses behind it.

it’s natural for him to want to protect the people he cherishes, but with you, you activate something so visceral inside him. it scares him sometimes, how you can make his whole body rattle, blood pumping erratically to the point where all he can hear is the ringing in his ears and his heart thumping wildly out of his chest.

that’s especially the case when he receives a late night call from you while he’s settling himself at his apartment. he’s slightly surprised by the random call. you don’t normally reach out for him at this time since you’re either going to sleep or hanging out with friends in the dormant hours of the night.

accepting the call, he brings the phone to his ear.

“hello? y/n?”

“r-ren? u-um, can you please stay on the phone with me..?” you whisper in the receiver, tone quivering to a frightening degree. he hears the anxiety laced in your voice and suddenly sirens go off in his head.

“where are you?” he questions sternly as he instantly stands from his seat, reaching for his car keys.

“i just left a club and was going to walk to the station, but… s-someone’s–”

kunigami doesn’t need to hear anymore to understand the full picture that makes his bones quake for your safety as he dashes out the door.

“i’m coming to get you, so send me your location. until then, stay in an open area and don’t stop talking to me, okay?”

you affirm quietly before moving your phone from your ear to pin your location to him with trembling fingers. as you’re doing so, kunigami’s already started the ignition to his car, revving on the roads with little care of the law. he’s never driven this fast in his life, swearing he’s a defensive driver, but that means nothing to him when your safety is on the line right now.

if he grips his steering wheel any harder, it might just break off from his bare strength alone. a single glance at the map on his dash tells him he’s less than a minute away from your position. in the last stretch, he can finally spot your frightened silhouette under the dimly lit lamps.

as soon as you recognize the model of his vehicle, relief washes over your tense shoulders. you take it as your chance to escape your precarious situation, but the shady man a few meters away decides to attempt a last minute assault, dashing in your direction.

when the fiery-haired athlete sees this, his restraint all but snaps. he gets out of his car without even slamming his door shut and spontaneously reaches for you, pulling you behind his intimidating, brawny frame before punching the man square in the jaw. the assailant tumbles onto the hard ground, completely knocked out.

kunigami’s attention immediately turns to you, putting all his efforts into your well-being as he yanks you in his protective embrace. the adrenaline from both your bodies wears off and the striker can sense you bursting into tears against his chest.

“ren, i’m so sorry, i was out with friends and i thought it would okay for me to stay out later even though they wanted to leave, and-and–” your words collide with your jumbled thoughts, but the last thing kunigami wants is for you to apologize for this scumbag’s actions.

“shh, princess. it’s not your fault,” he whispers next to your ear, “fuck! if anything happened to you… i… i…” his voice breaks apart. his hold on you tightens just imagining if he was even a second late coming to your side. for now, he’s thankful to have you back safe and sound, tucking you closer to his heart.

MIKAGE REO

when reo considers that what he was feeling might no longer be a crush, but rather actual love for you, he’s a bit doubtful. mostly because he’s approached countless girls with romantic intentions in mind, however, to his disappointment, he’ll discover that they’re mainly interested in his status instead of him as a person. his good looks and charisma are just a plus for them. therefore he’s very hesitant to fully act on these emotions, afraid to have his heart broken again.

however, he slowly starts accepting the notion that he might be wrong about you. it shows in the way you’re always asking about his life outside of him being an heir to a billion-dollar corporation. he’s stunned by how your features can glow with such intrigue whenever he speaks about his time in blue lock, leading to his journey to becoming a star player in the land of professional football. most girls he entertained would fake interest in this before quickly changing the subject.

eventually, they’ll throw themselves on him to garner his favor and try gaining access to his parents’ wealth. however, you seek greater value in sharing the same experiences with him. you take him out to watch movies, hangout at the most unique cafes, and have the time of your lives at amusement parks.

reo’s used to his dates borderline demanding him to drive them out for extensive shopping sprees or book them dinners to the most high-end restaurants in the city. it becomes exhausting when all his partner sees in him is a personal wallet for them to call on whenever they’re eyeing the newest luxury trends displayed on shop windows.

so to have a person like you by his side, who doesn’t determine his value on such materialistic facets is… refreshing… but also just as frightening because he’s afraid of losing such a precious person like you.

though it may be counterintuitive, reo means to return your kindness by spoiling you, thinking you’re someone who genuinely deserves to be dolled up and treated like royalty.

the first time reo swipes his card on a hefty purchase for you, you’re a little bit overwhelmed, going on to say he didn’t have to do all this. but the man is difficult to argue around, what with his suave words and charismatic demeanor that makes it hard for you to say no to the jewels and dresses he wants to adorn on your body.

then as if he couldn’t have pampered you anymore, he also brings up the offer for you move into his penthouse so you don’t have to worry about rent while making ends meet. of course, you bring up the case that you don’t want to rely on him for money—that you simply enjoy being with him—but reo counters with similar reasoning.

“c’mon doll, just let me do this for you,” he insists. “you’ve done so much for me already, and i just want to make sure you know how special you are to me.”

copyright 2023 shotoh, all rights reserved. i do not allow my creations to be published or translated anywhere else so please do not repost this or share my content on tiktok.

[suiana]

your boyfriend has been acting weird lately (various yandere characters x gn reader) (ANGSTOBER DAY 2)

"babe are you-"

"can you quit talking? seriously, you're so damn annoying."

"...i only wanted to ask whether you were hungry..."

you stare at your boyfriend, lips pursed as he continues to type away on his phone. he's been like this for three weeks now. getting mad at you for no reason, cursing at you... did you do something wrong?

all you ever wanted was to be a good significant other and he's acting like he's on his period or something! jesus, can't he be a little bit more mature too?! picking fights with you for no reason, making a big fuss over nothing... and not even telling you why?!

...

you know what?

you had it with him.

"hey, what's your problem huh?! why are you so edgy nowadays huh? did i do something wrong?!"

your once loving boyfriend stares at you, eyes and mouth wide at your sudden outburst. he takes a moment to compose himself, eyebrows furrowing the second he thinks things through.

"god you're so damn stupid. I've been repeatedly telling you, haven't i? i hate you. what can't you understand?! this is why I'm always getting mad, damnit!"

you scoff at him, arms folded in front of your chest as you try to keep your cool... only for your anger to get the better of you, resulting in a screaming festival between you and your boyfriend.

"hate me? you can't expect me to believe that. not when you were literally obsessed with me up till three weeks ago?!"

"i-"

"you used to threaten people just for looking at me! you even tried to kill someone because they asked for my number! and now you want me to believe that you hate me? stop with your bullshit."

".. actually-"

"oh. are you seeing someone else? is that what this is? you're trying to make me break up with you, is that it?"

"n-... you know what? yeah, yeah it is. i want to break up with you. I've found someone else that i love more than you."

your boyfriend states, eyes dead as he stares straight at you. he breathes calmly, as if he weren't affected by this at all. meanwhile, your heart felt as though it had shattered into many tiny pieces. tears fell from your eyes, unable to be held back any longer as you broke down, falling to your knees as the male just stares at you stoicly.

"let's never see each other again."

he mumbles, turning on his heel, swiftly leaving you alone to wallow in your sadness in the once lively apartment. shit... you hadn't expected things to end like this.

"he's a fucking jerk..."

you think through your tears, vision blurry as you clutch your chest. you really loved him and he just?? left?? how could he be so heartless?

if he didn't love you he could've just said something about it. he didn't have to be so mean and hurt your feelings before finally bringing up another person! god damnit, why did you have to fall for such a person?!

you cried, wailing as you cursed your now ex-boyfriend.

"fuck! i hate you! i hate you so much! i hope i never see you again! just disappear from my life! you just left me to die here! stupid ex-boyfriend! i hate giving you my love!"

what you didn't know however, was that your 'heartless' boyfriend had stood outside your door, frowning at your every word, regretting everything he had done up until that moment. because he had loved you too. truly.

he loved you so damn much that he wanted to tear out his hair every single time he was mean to you. he wanted to tell you that he didn't mean any single one of those hurtful words. he wanted to cry and beg for your forgiveness every single time he did anything hurtful to you.

but it was for your own good. it was to keep you safe. and if he needed to hurt you to keep you safe, he'd do it. because he loved you too much to see someone else hurt you.

and being with him meant that there was always a risk of you getting hurt. so how could he allow that to happen when it could be prevented? how could he let his selfish feelings get in the way when you were such a precious little thing? sure, he loves you and he'll do anything in his power to ensure your safety but what if he can't protect you one day?

what if one day you just... get used against him? he's a dangerous man and has a lot of enemies. surely they'll find out that you're his weakness. of course he has gotten rid of anyone who might harm you now but who's to say that there won't be more in the future?

which is why he has to severe all ties with you now. he can't risk it. because he may be strong, but he may not be strong enough for whoever may come in the future. that's why he's been doing what he's been doing-making you hate him so that it hurts less when he decides that it's time to leave. he assumes that it's working wonderfully, after all you've never once noticed his puffy eyes in the morning.

"at least... they'll be safe now."

and disappear he will, for he has too many regrets welling up in the depths of his soul from what he did to you. he'll make sure to never come across you again, instead lurking in your shadow, observing you from afar.

a star like you need not be dirtied by his presence anymore.

dazai osamu, akutagawa ryunosuke, megumi fushiguro, blade, scaramouche/wanderer, your faves<3

[talkbycolor]

john doe game headcanons . . . ↷

A/N; i'm actually really sensitive about john doe JHSAJHSAJAS

Pairing; "John Doe" x GN!Reader

CW; Just doe being the weirdo we love / PISSPISSPISS / implied cannibalism? not so much tho / ew stinky gay / sex with a hairball

john doe as a partner.

His love for you is pure, but the lack of understanding in humans makes it complicated, he doesn't know how to express it in a "correct" way.

He has little interest in humans but all his interest in You, do you want to learn to play an instrument? Doe too, he would learn to use a phone to call you although it would be useless since in the end he would follow you to work, he can't stand having you away for even a second!

He tried to eat you (unfortunately not in a sexual way), he wanted to bite, pull your teeth, and tear them out of your cheeks to eat them, you had to use a lot of patience to explain to him that this was painful and you could die

He likes your fluids, your sweat smells so good, it tastes great, your tears, he knows that tears mean something is wrong but he can't help but want to lick them, at least he's like a puppy in that way and that will make you laugh, Doe wants to help! your urine, he will drink it all without a problem, if you are both having a loving session in bed and you want to go to the bathroom, forget it, he will open your legs and help empty your bladder, he loved being your personal toilet, your blood is the sweetest of his paradise, be careful with accidental cuts or his mouth will stick like a leech to your wound

Ideas for romantic activities will probably come from television, be careful what he watches

At this point, Doe lives by and for you, he will adapt to your lifestyle and tastes, although he cannot understand most of them, the idea of "breaking up" does not exist in his head, you can walk away, even stop talking to him and he will continue behind you

But he has feelings, why don't you talk to him anymore? Did he do something wrong? He no longer leaves rats in the kitchen, he no longer tries to make You dinners with raw meat, is that the way he looks? Tell him your standards! Doe will change everything for you, even reality

He can definitely purr, he's more like an old, ugly, stray cat that will rest on your lap, but he's YOUR, old, ugly, stray cat.

He doesn't know how to give compliments, it's more like observations or comments about how you make him feel "You're wearing a big hat!" "A red dress!", "I'm so happy to see you!" but it's adorable that he reminds you that you are his whole life…somehow

It's like having a child at home, in the strangest way possible, he will try to make horrible crafts for you and help with housework without much success.

If you demand sex, Doe would probably do his best to make a nice cock, just for you, or a pussy depending on what you like, he will be submissive but if you ask him to take control he will try

And that will probably be the messiest and hardest sex you've ever had in your life, Doe always adores you like it's your last day on earth so in a sexual sphere it would be ten times worse

If you put on a movie at night, he will fall asleep halfway through, no exceptions, the sound of the television and your smell will be enough

Doe would definitely kill for you, he doesn't understand jokes so please don't say "Ugh I hate that guy, I hope he's dead" because yes, the guy will be dead.

In case You doesn't like the smelly boy, Doe will try to take showers regularly, at least to not smell like something out of the sewer, the pain doesn't matter if it's about you

Loves physical contact and quality time

Surprisingly, Doe has a driver's license, he would be your personal chauffeur, you may think it's an adorable gesture but he just wants to be sure where you are at every hour of the day… and help, of course.

Aside from adoring you, Doe actually has his own tastes and hobbies, he HAS feelings! He has tried knitting since the technology is very confusing, he really is like an old man

He tries to have a good relationship with your friends and family, if you have a big family he will probably feel overwhelmed but that doesn't mean he will stop trying to show that he loves you and wants to be with you.

Your younger nephews love it, they think of Doe as a weird-looking uncle who lets them play with his hair

Doe shirt always has hearts when he looks at You.

♡

[likedovesinthewindd]

Ex bf art donaldson seeing reader for the first time in a decade and forgetting the meaning of personal space. That man would not take his baby dear eyes and manly hands of you until you fall for his submissive aura.

I'm actually going crazy wtff I'm obsessed!!!

He's the last person you had expected to see in a place like this, but you'd suppose you would've never imagined yourself in a place like this either. Loneliness drove people to strange places, it seemed.

He looked good. He still looked good. He's visually grown and matured, no longer the coy college boy but a refined man, yet he still looked boyish when he smiled or laughed. It warmed you to see he hadn't lost that light behind his eyes after all these years – life could be cruel, after all. You had half a mind to ask him how Tashi was doing, but the slight tan line on his finger being the only indicator of said marriage told you to leave the subject unscathed for now.

You didn't say anything when he chose to move in next to you in the booth instead of across, or when he insisted on buying you a drink, or when he looked at you as if you had been the answer to an unheard prayer. You didn't say anything because you, in return, had relished in the feeling of being seen, desired after so long.

He talked about how he's retired now, about how much happier he's been since he put the racket down and about his daughter, and you listened dutifully, watching his eyes lit up in that same boyish way when he talked about about Lily.

In return, he asked you about your life and what you've doing, all while his thumb rubbed over the top of the hand grasped in his. "We probably look like some happy couple to other people right now," you had commented, looking down at your hand clasped in his but making no move to pull it away. He had laughed, thumb still across your skin, and replied with a huffed, "yeah, we probably do." Not pulling his hand away either.

It was so strange to you; after all these years things still felt so natural with him. A part of you still wanted to be bitter about the way things had ended back then, but you couldn't find it in you to be. Not when it still felt so right.

"What?" you asked after a silence a little too long. He just smiled, and your chest clenched at the sight. "I'm really glad we found each other again," he replied softly, almost too soft for the noisy atmosphere of the bar. You wouldn't be able to hear anything anyway with the way your heart was beating in your ear at his words.

The two of you sat like this for hours, catching up and laughing at each other's awful jokes until you realized how late it had gotten. He offered you a ride home which you had accepted gratefully, and now as tge both of you stood infront of your door, you wished the night didn't have to end. You weren't even sure of you would see him again.

It was great seeing you again, Art. Thank you," you spoke as you opened your arms in an offered hug which he accepted gladly. Your arms wrapped around each other, your hands rubbing against his back and taking the moment to savour his cologne. He still managed to smell the same, and you nearly sobbed at the thought.

You pulled away from him with a sigh, finding a pensive expression on his face. "You okay?" you asked. The furrow in his brows relaxed slightly before he answered. "Yeah, it's just," he breathed before continuing, "I think that's the most intimate thing I've experienced in a while."

His confession hit you like a ton of bricks, and you hadn't realized you hadn't said anything until he spoke up again. "That makes me sound a loser."

You laughed at that, not because you agreed but because there wasn't a world where you could think Art was a loser. He could be a total washout, the worst tennis player on the ranking, and you'd still think highly of him.

"I don't think you're a loser, Art," you told him as your hands rested on the sides of his face, taking a moment to appreciate his pretty face. Still as pretty and sweet and funny as all those years ago.

The kiss felt like a reunion between two hearts. Like this very moment had been exactly what you had been looking for for the last ten plus years. It felt like home, and when you pulled away, you felt homesick.

He rested his forehead against yours, breathing in the moment before his head lifted to kiss your forehead. You couldn't help but smile. You were finally home.

[disneyprincemuke]

the other woman * mv1

everything falls into place in your mind when max fails to show up for you at the one event you desperately wanted him to be at

pairings: max verstappen x fem!reader

warnings: cheating, jake gyllenhaal type behaviour

notes: hi i know i promised this on xmas eve and then i failed to deliver mY BAD BABY GIRLS! i am trying my best but then again i did get a fever and all but its ok lfg and NO I WILL NOT BE WRITING A PART TWOOOOO

(f1 masterlist)

your eyes watch your front door, bottom lip caught between your teeth as you try to hold yourself back from crying. there's a sob bubbling from the deepest part of your gut as you glance at the clock one more time.

he's late.

but one can also say that he's simply not coming. did he lie when he told you that he would make sure he showed up for you this time? or did he just simply forget about you again?

your eyes have been staring at that door for the better part of the last hour or so since guests started arriving for the party you'd thrown.

a party you'd thrown, admittedly, just to get his attention. you were never one to make a big deal of your birthday anyway, but he made you think otherwise. because he promised you that he would be here no matter what happened. it's stupider that he was the one that encouraged you to throw a party today.

only for him not to show up?

this is the one time you needed him to so desperately show up for you. but here you are, looking like a fool waiting for somebody who wouldn't come; for somebody who didn't even make you a first choice.

because you know that when if push comes to shove, he would still pick her. max would always pick kelly and penelope over you, no matter how much he tells you that he loves you. no matter how many times you endured him telling you that he no longer wants to be with her.

you know better than to be his little secret. your parents had not raised you to be a potential homewrecker, but are you really being one if he's the one that keeps coming back to you?

you've tried staying away, and you've attempted to cut all sorts of contact with him, but he eventually crawls right back to you a couple of weeks later claiming that he will break up with kelly soon.

you've even bought a new dress for the occasion; in max's favourite colour and a cut that you knew he would say you look amazing in.

only for him to bail on you. you'd even taken the effort to sit for an hour to do your makeup and hair. for nothing, essentially.

fast forward a couple of hours of holding back tears and forcing smiles, you're hunched over the couch, picking up empty beer cans and tears streaming down your face. at the end of the day, you're left alone in your apartment with a heavy heart and the eerie silence the room can only offer you.

you watch the last car from your guests drive away. you sigh and throw yourself on the couch, finally letting the tears fall from your eyes. you had no idea it was so difficult to pretend like you're okay until today.

it's totally different when it's got something to do with the heart, it seems. you were totally banking on the fact that he would be here today, at least today. just today. because it's your birthday.

it's your day.

a knock on the door sits you right up, hands darting up to wipe the tears that smudged your makeup. "give me a second!"

"it's just me."

the anger suddenly hits you. so he is available to travel out to come and see you. just not a couple of hours prior when everybody else was here? just not at the time when you actually wanted him to be here?

you stomp your way over to the door and swing the door open and a string of apologies quickly spill from his mouth. you immediately notice the wrapped present in his hand and the bouquet of flowers.

"i'm sorry, i got held up at home," max apologises with a frown. "p had a fever and she wouldn't go to bed unless i tucked her in. i'm sorry, i know i'm late."

you sigh, rolling your eyes. "you're not just late," you scowl, "you missed the party entirely, max."

"oh," he slumps his shoulders, "i was wondering why it was so quiet when i was walking up."

you shake your head and walk further into your apartment. "max, just go home. you don't have a reason to be here."

"what do you mean? it's your birthday," he says gently, following you in. he closes the door behind him and follows you into your living room. "is there still cake? maybe you can blow the candles with me before the day ends? i even got you a present."

"no, i let people take home pieces of the cake," you say softly, returning to your agenda of cleaning your home from the traces of the party your friends left. "what am i going to do with cake that i don't even eat?"

"you bought chocolate cake on your birthday? you don't even like chocolate," he points out softly. "nevermind that, i got you a present!"

"i don't give a fuck about your stupid present, max!" you burst, standing up and turning to finally face him. "i didn't ask for a fucking present! i asked you for one thing and you couldn't even do that!"

he stares at you, dumbfounded with his lips parted in shock at your outburst. you're not typically one to have outbursts, which is the one thing he claims he finds very refreshing about you. you're calm and collected most of the time, and you assess the situation before picking fights. "p was sick. what did you want me to do?"

"you're telling me you're a sole parent to this little girl?" you ask. "kelly couldn't have tucked her in so you could show up to the party that you asked me to throw? on my birthday? max, you had one job and it was to show up for me tonight! i waited for you all night!"

he seems to have lost all ability to speak because he just pulls out a chair from your dining table and takes a seat. "i'm sorry. you're right, i should have been here."

"seriously, max! are you actually ever going to leave them or do you just lie straight through your teeth whenever you tell me that?" she scolds him, throwing her arms in the air. "i'm not stupid, max! this has gone on long enough!"

"i am, and i will!" he answers you, running his hands through his hair. "i just need more time. there's a child involved, i really hope you understand. i can't just leave."

"you say that every single time! it's been seven months!" you cry. "you've made me the other woman for seven long months! am i supposed to just sit here and take that? just because i love you?"

"i do love you! but it's complicated, okay? i can't just leave p like this!"

you clench your jaw. how many times have you heard that excuse in the past year? and how many more times will you be fooled by the sweetness in his voice and his glistening blue eyes? "max, i think you should go. lose my number, and forget that i ever existed. i can't do this anymore."

his head snaps up to you. he quickly walks over to you, throwing his arms around you from behind. "wait, don't say that. please, i promise. i'll leave in the next month. don't leave me. i really don't love her anymore."

"i'm so tired of the lies, max," you sigh, desperately tearing his arms away from your body. you take a step back and turn to him. "you will always choose them over me. it doesn't matter how much you love me, max. you're too attached to them to leave."

"listen to me, okay? i will leave them. and then we can be happy together like we talked about all those nights we spent together," max coos, putting his hands on your shoulder. he bends down slightly to look into your eyes. "please, just give me one last chance - more time. i just need time. i will let p down easily and i'll leave kelly. please."

"i don't know how many more times you think you can fool me with that lie, max!" you frown, shoving him back. "just leave! leave me alone! i refuse to let you make me look like an idiot! i'm better than this."

"i thought you said you understood my predicament. with p in the picture..."

"yeah, for seven long months. do you know how many days that is? how many hours i'd spend with you wondering when you'd finally take me off the backseat and make me your own officially?" you throw your head back and a dry laugh passes your lips. "max, just leave. don't call me again."

"you don't really mean that."

"i do this time," you say firmly, turning around to face him.

you circle around him and walk over to your front door, pulling it open and gesturing towards the hallway. "i'm done. take your flowers and your stupid present and leave."

he does what you say, hesitantly. he keeps his eyes on you, hoping that you will immediately change your mind. he travelled this far to get to you, hoping that you would somehow forgive him for missing your birthday party.

but you're right, now that he's had a couple of seconds to think about it. in the past seven months, he's told you that he'd up and leave kelly and penelope so he can finally be with you openly. it's much harder to keep you in the shadows when everyone's got eyes on him all the time.

perhaps it's the attachment to penelope that he can't get himself to pack his things and call it a day. he genuinely does love that kid. and his girlfriend has her good days - not all make him want to pull at his hair in frustration anymore.

but he also really does love you. if there hadn't been a loveable child in the picture, one that's grown very attached to him, he would have been able to walk away months ago. it could've been that easy.

"just hear me out," max says, stopping right by the door and giving you one last pleading look. "don't leave. not like this. we haven't even had a real fighting chance."

"that's because of you. not me," you answer dryly, looking up at him. "just go. i can't keep having this conversation with you."

"please."

"i gave you too many chances to make this right," you sigh, putting a gentle hand on his back to guide him out the door. you press your lips together as a lump forms in your throat. you're more shocked that you hadn't fully started bawling moments ago. "i should have done this a long time ago."

"i'm sorry."

"i'm sure you are. too little too late." then you close the door on him and whatever could have been with max.

[discopaddock]

I DON'T WANNA TALK - CHARLES LECLERC

SUMMARY: charles is mad after the bad race, what can go wrong after screaming at his girlfriend?

PAIRING: charles leclerc x fem!reader

GENRE: angst with happy (???) ending

WORD COUNT: 0.9k

WARNINGS: screaming, crying, charles is mad, traumatizing childhood and parent, ENGLISH ISN'T NY FIRST LANGUAGE

AUTHOR'S NOTE: hiya, was inactive for a (longer) moment, school still sucks, inspiration is taking offence at me and history at school does kill me right now fr (we started the great war recently and watched im westen nichts neues - i hate this kind of films). anyway this was based in this request.

Charles was angry. No, he was furious.

Race didn't go well. He had to retire after Perez touched him and he ended up in the wall.

Race was good, for two laps he was even leading but then the Mexican showed up and Charles’ good race said “bye bye”.

“Charles,” his girlfriend said after they were finally in their hotel room.

He wasn't in the mood for talking. He didn't want her pity. He wanted to take a shower (another one) and scream in his pillow.

The girl was looking at him, worried. This wasn't the state she has seen him for many times. It was the first time actually.

“I don't wanna talk” he answered only and grabbed some clothes of his and entered the bathroom.

“If you’d like to-” she started but he turned around to face her with anger written on his face, panting.

“Shut up!” Charles yelled at her and entered the bathroom. She was left speechless. There were tears forming in her eyes that started falling down when she heard the slam of the door.

Oh, she really didn't want it to come back.

Life was good, great even, then those memories came to her mind, causing another session of crying.

The girl had no idea what to do.

Her eyesight wasn't so clear as she was looking for the tissues, convinced that her make up was smeared as hell.

When she finally found some in her bag, she next jumped on the bed and covered herself with the blanket.

Her heart was hurt, it didn't crack in shatters but still it hurt as hell.

She felt like that seven year old girl, who was standing in front of her father, crying because he yelled at her.

She was screamed at because of trying to make her dad come to terms with her beloved mother.

It was too much for little Y/N. It hunted her for years.

Especially now, when her and Charles were trying everything to have a baby. She was frightened she became the same as her father and her child would have to experience the same case as she had.

And now it was too much for adult Y/N.

She knew she should meet her therapist as soon as she could but she couldn't since she was travelling with her boyfriend around Asia for the next two weeks and her therapist wasn't doing online appointments.

And there she was, still lying on her side of the king-size bed covered with a blanket and still crying.

Charles wasn't aware of his girlfriend's reaction to his behaviour until he left the bathroom, all showered and with a clear mind, and heard sobs in the room.

He sighed only and went to the bed and took a seat beside the girl. He carefully took off the blanket of her face and saw her with smeared make up, red eyes and runny nose.

She didn't want to talk with him and put her head in the pillow, so he couldn't look at her.

“I'm sorry-” he started but her hushed by the pillow voice interrupted him with:

“I don't wanna talk.”

So Charles didn't talk more but kissed her head quickly and left to the living room, to give her space he knew she needed.

The next hour went, well, silent.

Y/N wasn't sobbing anymore, just blowing off her nose and coughing from time to time. Charles at the other hand was thinking about his new song and was trying to write any notes but he lacked at stave paper and at any keyboard or piano.

The girl finally got out of the bed and entered the bathroom. She grabbed some cotton pads and put micellar water on it and began to remove her make up.

It was a heavenly feeling for her, since her eyelids were sticking to each other because of the mascara.

Next she grabbed some cleaning foam and removed the rest of the cosmetics and put on the cream.

The girl left the bathroom and went to Charles who was sitting on the couch with some folded paper around.

He heard her steps and turned around to see her face.

“Ready to talk?” he asked only and she nodded, then sat beside him. “I'm sorry, truly” he said, looking into her eyes, that he loved so much. Now they were puffed and red from the crying.

“I know” she answered and hugged him like a koala. Charles wrapped his arms around her body, without saying any words.

“What happened?” the man asked, rubbing her back with his palm. “Tell me, I'm not leaving this without any explanation,” he added in a calm tone.

The girl was silent for a few moments. But then she told him only:

“Father was screaming at me for trying to help.”

Charles was speechless. He knew his girlfriend’s relationship with her father wasn't good, but he didn't know it was that bad. He never asked since her mother told him not to for the girl's mental state.

“I'm sorry, dove. I'm so sorry” he whispered to her ear, trying to comfort her the best he could.

“I don't want to be like him” she mumbled in the crock of his neck and he sighed.

“You are not like him,” he assured her. “You will never be like him,” he added and kissed her temple. “You are a better person than him, dove.”

“I love you” she mumbled.

“I love you too” she whispered back and they remained silent for the rest of the night, cuddled in each other’s arms.

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