#i already pushed back the original arc in s2 to be in the second half but i'm thinking it may actually get pushed back to s3 at this point

[jaxlol5]

copy pasting my review of the helluva boss music video here just because

for further context when i wrote the review on discord i had no idea that this was a COVER of an already existing song made by PARANOiD DJ back in 2021. just so i don't look stupid imma be tweaking a bit of my review that's just saying 'why would viv write THIS' because at most she just slightly changed it a bit, or that's what i'm assuming anyway.

i'm also gonna add a bit more to my review here such as the lyric changes and the overall emotional weight of the song. i'm not really gonna review it animation or song-wise, because the animation is fucking specTACULAR, and the song aspect doesn't matter much to me. i think the original 2021 version is pretty good at least.

this song [i'm guessing at least] comes after S2 E6 'OOPS', which was a half-sequel to S2 E1 'The Circus', meaning that Stolas finally has the Asmodean crystal that he plans to give to Blitzo, either to cut ties from him completely or to see if he'll keep talking to Stolas after he has a new way to get to earth that doesn't involve his grimoire.

(side note idk why viv keeps tryna push 'Stolitz' so much when Blitzo has actively said he doesn't like Stolas romantically and only sees him for the book. but she's gone on to change that multiple times so we went from Blitzo being forced to sleep with Stolas and hating it, to him actually having some kind of feelings, back to hating him, and now back to feelings, over and over. i know Blitzos whole character is that he can't accept affection properly but it's different when this 'affection' is just consensual r4pe via power imbalance and then has to be turned around so that neither Stolas or Blitzo are the bad guys when they clearly are.)

because of the song being made in around 2021, before season 2's downfall, the lyrics had to be changed to fit. which is completely fine to do, mind you, but the issue is what what lyrics in specific were changed. in the original 2021 version, Stolas mentions Octavia and how she must feel about everything happening in her life, but in the new version, it's cut out entirely. Why?? i know the main focus is supposed to be his relationship, but this entire situation is affecting his family as well, and especially Octavia. it makes no sense to completely neglect his own DAUGHTER for someone that he repeatedly fetishizes and treats as lower- but also someone that he idolizes and sees as his true love. i could go on and on about how the changes of their dynamic piss me off but that's a bit of a tangent.

speaking of which why is there 2 songs for stolas doing the same fucking thing. in S2E1 he's singing about blitzo while thinking about leaving him. now in THIS video he's.. singing about blitzo while thinking about leaving him, the only difference is that in the former song he didn't have the crystal, and now he does.

the song in general feels so forced especially with how the Stolitz arc has been progressing, which is barely. they last talked in S2E4 'WESTERN ENERGY' and the very little character it added was all shoved into a 3 second scene of Stolas scrolling thru text of them talking about the events after 'OZZIES'. and then we exclusively see Blitzos side of the aftermath, but not Stolas. he seems perfectly fine compared to Blitzo, or maybe he's not; why not fucking show that! and no the video doesn't count because it's talking about the events that take place after 'OOPS' not 'OZZIES'. pretty sure that former episode canonically takes place months before the latter.

i saw an amazing thread that breaks this video down if you compare it to pearl's song 'It's Over, Isn't It'. it just doesn't work the same way because of the insane power dynamic and the fact that Stolas wanted to keep Blitzo for so long, manipulating him for that want as well. at least he's finally going to let go NOW [i assume], but it feels long overdue, especially with how much these 2 have been forced to deal with.

[paigemathews]

I am. still outlining the first season of my next gen thing, but I have somehow backed myself into a corner bc I've been envisioning the first season as having twenty two episodes like the actual show did, but I have somehow managed to create too many plots for what I wanted to do so I'm. trying to figure that out now, I guess?

[sunsetcurve]

learn to love without consuming (1/4)

fandom: knight squad relationships: arc / ciara, minor or one-sided arc / oc and ciara / oc word count: 4,603

a/n: eek. it's finally here. if you follow me here you know that i've been working on this for a few weeks (months?), but the idea has been sitting in my drafts for basically forever. almost since i watched the show to begin with. the recent resurgence of the ks fandom prompted me to dig this back up and gave me the motivation to actually try and finish, because fuck it! i love my babes and i want more of them.

so quick note is that this picks up pretty soon after the season 1 finale but disregards basically,,, everything that happens in s2. s1 and the finale proceed the same way except prudy never finds out ciara's secret, so she and warwick don't know at the moment. this chapter was initially gonna have more scenes that drove the plot/romance arc but once i got upwards of 6k with a few major scenes left i decided it would be best if i split the chapter up, so for now it’s just a lot of me trying to work around the convoluted knight squad lore to establish my own. i know that's not exactly what everyone is here for, but i promise things on the romance/action front will pick up soon. i'll place warnings as detailed as i can get without spoiling in the tags and notes as i go, but just anticipate fairly significant violence by chapter 3.

anyway! i have talked enough. the title is from thus always to tyrants by the oh hellos, the rating is t for swearing/violence, there are three more chapters that are in the process of being written, and reviews are like crack as far as i'm concerned. i really hope you like this! thanks for reading <3

dedications: this fic is first and foremost for @ciara-knightly, who is not only my amazing beta but also the whole reason this fic exists. she helped me so so much with the development of the plot and worked through it with me even way before i decided to really start writing it, and i wouldn’t have been able to do this without her. all of the notes she left after beta-reading were so so helpful and really made this whole fic make sense so basically i owe her my entire life. she inspires me to be a better writer all the time and i love her. everyone say thank you shona!!! also tagging my lovely friends and some people who have expressed interest, who are in no way obligated to read this; @juliesdahlias @mistyskiesrambles @dr-rigatoni @willexs @taylorswiftrulestheworld @onplanetmars @neshatriumphs @zackmartin @julies-molinas @soni-dragon @yagorlemmalyn @hopefulbeautifulfool @cactus-con @waterisntreal @onetwothreefarkle @bitchmilsky

summary: “Now that Ryker isn’t a threat anymore, the councils are supposed to resume as planned, and Astoria is set to hold the first one two weeks from now.”

“Okay,” he says slowly. “That sounds exciting.”

Ciara nods. “It is! I finally get to meet some of the other nobility, and actually get to be involved in Astorian politics for once. But my dad won’t let me go without an escort,” she says, and then hesitates. “Which is where you come in.”

read it on ao3

The morning before training that day, Arc is testing his skills against a heavy bronze padlock when Ciara enters the squad room and drops a brown paper bag on the table in front of him. 

“These,” she announces as he raises an eyebrow at her, “are for you.”

He pulls open the package and is instantly greeted with a rush of warmth and the smell of vanilla. “Dragon puffs?” he says, half in awe. It’s a clear bribe, but he can’t help but shove a sugar-coated sweet in his mouth anyway. They’re an Astorian original and possibly the best thing he’s ever tasted; he’d tried them once at a bakery near the castle and hasn’t stopped thinking about them since. 

“Okay, what do you want?” he says then, words muffled around the cream and pastry.

Ciara pulls a face at his manners, but still manages to blink innocently at him. “Can’t I just do something nice for a friend?” she tries, but it’s half-hearted.

He swallows and grins at her. “Nice try, Princess. Your dessert deliveries always come with an ulterior motive.”

Huffing a sigh, she sits down next to him. There’s this subtle air of anticipation lingering around her, one he can only sense based on how in tune they are after so long of being teammates. The two of them have this easy way of reading each other now; they’ve been spending more and more time together, something having shifted in their dynamic after the battle against Ryker. He can’t quite place what it is, but he knows it’s only brought them closer. “Do you know what the Council of the Five Kingdoms is?” she asks finally.

He shrugs. “Sure. Nobles from each kingdom used to have a big ball every year to talk trading and politics and other boring stuff…”

“Except there hasn’t been a council since Ryker’s invasion, because the kingdoms have been isolated and preoccupied with their own safety,” she finishes for him. Her fingers tug at the lacing of her leather gauntlets; she’s nervous, but he still isn’t sure why. “Now that Ryker isn’t a threat anymore, the councils are supposed to resume as planned, and Astoria is set to hold the first one two weeks from now.”

“Okay,” he says slowly. “That sounds exciting.”

Ciara nods. “It is! I finally get to meet some of the other nobility, and actually get to be involved in Astorian politics for once. But my dad won’t let me go without an escort,” she says, and then hesitates. “Which is where you come in.”

Arc chokes on his second dragon puff. “You want me to be your escort,” he says flatly, once he’s finished coughing, “to the Council of the Five Kingdoms?” Normally he’d jump at the chance to spend a night dressing up and eating castle food. But the council is a decidedly different scene; there’s a set of formalities, politics underlying everything, and too many chances for him to expose his lack of knowledge when it comes to Astorian customs. Not to mention that Catalias’ royals will be there. He doesn’t know if he can stomach looking them in the face, knowing what they did to Seagate.  

Ciara grimaces. “Look, I know it’s not exactly your thing, but my dad won’t let me go alone. And this really means a lot to me.” Her eyes are pleading, and Arc feels his resolve chipping away.

“Can’t one of your actual guards go with you?” he tries. “Or, Prudy or Warwick or someone?”

“I’ve already talked to my dad about it,” she explains. “You’re the only Knight School student he’d let protect me, because you already proved you could when Ryker invaded. Besides, if something were to happen…you’re the one person who knows I can handle myself as Ciara.”

There’s this brief stretch of silence where Arc works his bottom lip, and Ciara looks as though she’s debating something. “Also,” she adds finally, with the soft flicker of a hesitant smile, “I thought it might be fun to go with you.”

Arc blinks at her, caught off guard by the admission. There’s this sudden buzz in his chest that he can’t push away; in truth, he doesn’t like the idea of her spending the night with someone else either. Maybe, by some miracle, this will actually be a good thing. “Alright,” he relents. “I’ll be your escort.”

Ciara’s face breaks into a grin. “Yes! Thank you!” She throws her arms around him, and he’s shock-stilled, a rush of warmth flooding through him as he hugs her back. When she pulls away, her eyes are shining with excitement. “Okay, I’ve gotta go tell my dad you said yes, and there’s a million things to do, but I’ll see you at training later. You are the best.”

“I expect dragon puffs for life!” Arc calls after her as she disappears through her passageway. He leans back into the couch, lightheaded, and in that moment, he realizes abruptly that there’s almost nothing he wouldn’t do for her. 

And he is so completely screwed.

*

Two weeks later, Arc is standing outside Ciara’s bedroom, waiting for her to finish getting ready.

It feels odd to be out here in the open. Generally his visits to her chamber are accompanied by an air of secrecy, but tonight, he’s a guest in the castle. He’s dressed like it, too, decked out in the guards’ typical formal wear: pressed brown pants, a white shirt laced up the front, and a navy leather jacket trimmed in gold, with Astoria’s crest on one shoulder. He looks kind of dashing, honestly.

Despite the confidence boost his new look offers him, his hand keeps drifting to the hilt of his sword. It’s sheer force of habit; he only associates this brewing sense of apprehension with battle, and his muscles are responding in kind. He’s glad, at least, that he turned down the other guards’ offer to lend him one of their ceremonial blades and instead has the familiarity of his own. Hopefully he won’t need it, but it’s a steadying presence all the same.

“Almost ready!” Ciara calls from inside, and Arc carefully unclenches his fingers from around the leather grip of his sword. He has to keep it together tonight; she’s made it clear how much this means to her. The last thing he wants to do is embarrass her in front of nobles from all five kingdoms.

Well, four, he reminds himself. Seagate won’t be attending. There isn’t anyone left to represent them. 

The thought makes his stomach twist. 

He’s saved from having to dwell on it by the sound of Ciara’s door unlatching. “Better prepare yourself, Princess,” he teases, leaning against the wall, “I look pretty good, and the last thing we want is for you to get too smitten—”

He breaks off as she emerges from the doorway, all the air in his lungs leaving in a sudden rush. He’s trying hard not to be the cliche of a guy scraping his jaw off the floor at the sight of a pretty girl in a dress, especially not like this, with Ciara—but he can’t help but think that it’s ridiculously unfair of her to come out looking like that. Her dress is a pale blue, falling gently off her shoulders and cinching at her waist, and her tight curls are weaved with strands of gold and tied into a low knot, some of them falling loose to frame her face. There’s a crown of gold leaves and rosebuds settled in her hair. 

“You...um…” Arc searches for his voice, “you look amazing.” His mouth feels dry.

Ciara smirks and reaches up to adjust the collar of his uniform. “You don’t look so bad yourself. I’m definitely smitten,” she jokes, like it’s nothing for them to be flirting openly. It should be nothing. Except his skin burns where her fingers brush against his neck, and he suddenly wonders if she can hear his heart pounding.

He clears his throat. “We should probably get to the ballroom.” 

She nods. “Give me your arm,” she says, looking at him expectantly. When he raises an eyebrow, she continues, “You’re my escort, remember?” 

“Oh, right.” He lifts his arm obligingly, his cheeks warm.

“I really wish we’d had more time to go over Astorian customs,” she breathes as she takes it, more to herself than anything. “Between training and helping with preparations, I’ve been so busy…” His nerves must show on his face, then, because she squeezes his arm gently and amends, “Sorry. You’ll be fine, don’t worry. Just stay close to me, okay?”

“Not a problem,” he grins without missing a beat, and Ciara scoffs and shoves him, the smile tugging at her mouth taking all the bite away from it. 

They can do this, he thinks. The two of them have kept up appearances for each other for months now, have fought and trained and battled Ryker together. They’re Arc and Ciara, unstoppable duo. One little party should be nothing.

As they make their way down the hall towards the ballroom, flanked by guards, Ciara lowers her voice. “When we get there, most of the nobles should be inside already. The herald will announce my father first, then us, and then each of the other three kingdoms. We’ll be beside the thrones as they come in—you’ll stand by me, left side—and once they’ve all been announced, we can leave the thrones and mingle. Bow to each of the rulers as they come by.” 

They had, at least, practiced his bow. Arc swallows back the dread in his throat; all he has to do is stand beside her and greet the other royals, it’s easy enough. For a moment, they linger outside the entrance to the ballroom, until an official-sounding voice announces the King. “We’re next,” Ciara whispers to him, eyes glinting with excitement. “You ready?”

He nods back at her, and the voice calls, “Accompanied by Sir Arc...Princess Angelica of Astoria!” They step into the ballroom, greeted with applause. Arc doesn’t think he’s ever been in a place this lavish; the walls are white, accented in deep gold, and the floors are polished to a gleam. The ceiling looks hand-painted, ornately decorated in constellations and swirling designs, and crystal chandeliers dangle over their heads, casting a golden glow over the whole room. He tries not to look too awe-struck. 

They make their way to the platform on which the thrones rest, Ciara nodding and smiling and waving at the other nobles as they pass. She stands next to her father, and Arc takes his place on her other side, placing his hands behind his back and trying, for all the world, to look like he belongs there. He wonders suddenly if he’s stood too close to her, and if it would make things worse for him to shift over now, and if his indecision is showing on his face—

And then, almost imperceptibly and hidden from the ballroom’s view by the folds of her dress, Ciara reaches over and links her pinky with his. It’s a tiny gesture, a friendly reassurance, but Arc feels a tide of warmth swell in his chest all the same. He lets his gaze flit to her for just a moment, and her lips are graced with a small smile as she tugs his finger gently. 

His breath hitches, and he fights to keep his face a passive neutral as the herald announces the next kingdom and he turns his attention back to the doorway.

“Presenting King Hugo, Queen Luciana, and their son Prince Isaac of Catalias!” 

Arc’s stomach turns as the couple enters, trailed by their son, all three of them swathed in lavish red and gold. Their reputation precedes them; he knows little about the prince, but the king and queen are infamous for their hoarding of wealth, their favorance of the rich nobles and landowners of their kingdom over the common people. Arc knows them best for what they had done to Seagate. 

His hand twitches for his sword, but he fights against the instinct.

True to form, the two have a haughty look about them, all starched clothes and stiff smiles as they bow to Ciara and the King. The two of them return the greeting with Arc following their lead—grudgingly.

“I am so pleased you could join us tonight,” the King smiles, a little tight-lipped. “It is high time that Astoria and Catalias united again.”

King Hugo nods back. “I couldn’t agree more. The honor is ours.” 

Arc detects a veiled sort of tension between the two of them, hidden well underneath the cordial formalities. He glances at Isaac, whose eyes are trained intently on Ciara even as he and his parents move to greet the other guests. Something about it is unsettling.

He’s so focused on Isaac that he almost misses the herald’s announcement of the next kingdom. “Queen Damyanti, and her children Princess Aadhya and Prince Kavan of Khurjan!”

Queen Damyanti is the picture of elegance, draped in silver silk that almost seems to glow against her dark skin. Aadhya looks around fifteen, with the same deep eyes and regal expression, and Kavan must be ten or so. He grins toothily as the three of them approach the thrones and bow.

The King’s expression is much warmer now. “Queen Damyanti. It has been too long. I trust Khurjan is doing well?”

“Not quite as well as Astoria, perhaps,” she replies, and it’s teasing, no sharpness to it. “This ball is absolutely lovely. Princess Angelica, you look so beautiful. Just like your mother. I was so sorry to hear of her passing.”

Ciara’s eyes go soft. “Thank you, Queen Damyanti,” she nods back. “It’s wonderful to finally meet you.”

“You as well. It’s a shame your sister couldn’t make it, but hopefully we’ll all gather again soon.” She gives a small, departing nod and joins the rest of the nobles, Aadhya giving them a bright-eyed smile and Kavan waving enthusiastically as they follow her. Ciara laughs. 

“And finally...King Jesper of Vysalt!”

Arc is confused for a moment; he wonders if he had remembered the name of Vysalt’s king wrong. Then a young man with a head of dark curls and a smattering of freckles against tawny brown skin enters, his crown just slightly crooked. His eyes are wide and dark, and a jagged, white scar cuts across his cheekbone. He can’t be much older than they are.

“He’s the king?” Arc whispers to Ciara under his breath as Jesper makes his way over to them. “How old is he?”

Her expression twists a little in sympathy. “Seventeen. He wasn’t supposed to inherit the throne so soon. His parents were killed when Ryker’s army took over his kingdom.”

Arc isn’t sure what to say to that. He knows what it’s like to lose everything to Ryker—he can picture the flames every time he shuts his eyes. But he hadn’t known about Vysalt or the fate of its royals. They had been close allies with Seagate at one point, one of the only other kingdoms without much wealth, and their king and queen had been known for their generosity. 

Somehow Arc had thought the damage had been done to Seagate alone, but now he wonders how the other kingdoms fared, if they suffered just as much. If any of them came out as unscathed as Astoria did.

“Your Majesties,” Jesper says as he bows, and there’s a note of pity in the King’s expression as he returns the gesture. Arc can only imagine how he feels about someone so close to his daughter’s age having to run a kingdom on his own. 

“King Jesper. How are you doing?” 

It’s a more personal question than he had asked the other royals, Arc notes. Jesper smiles easily; it’s soft, highlights his deep dimples and makes his dark eyes glimmer. “Well, thank you. Vysalt is recovering with time. As am I,” he adds, voice quieting for a moment.

The King nods back. “That’s good to hear. Let us know if there’s anything Astoria can do to help.”

Something flickers in Jesper’s expression, hard to read and gone so quickly that Arc wonders if he imagined it. The young king bows again before moving to join the others, but not before he catches Arc’s eye and smiles warmly. It surprises him—the other royals had hardly given him a second glance—but he returns it with one of his own. Beside him, Ciara lifts an eyebrow, her expression a mixture of amusement and something else he can’t place. 

“What?” he asks quietly, and she shakes her head, glancing away. 

“Nothing.”

He wants to pry, but the King is clearing his throat, getting ready to address the room. The chatter dies down as all eyes turn to him.

“My fellow Astorians,” he says in his deep, booming voice, sounding more formal than Arc has ever heard him, “and my guests from our neighboring kingdoms...I am honored to welcome you to our castle, and so pleased that we could all be in attendance tonight.”

Not all of us, Arc thinks, but no word of Seagate comes up. 

The King continues, “For decades, our kingdoms have been isolated and divided by Ryker’s armies. We have long suffered under his forces, but his threat is gone for good. Thus, tonight is more than a council; it is a symbol of our victory, a symbol of our unity as we move forward and rebuild. So enjoy yourselves! After all, we have so much to celebrate!”

To Arc, the sentiment feels hollow. He got his revenge, and of course he’s glad that Ryker can’t hurt anyone else, but it doesn’t change the fact that Seagate is in ruins. It feels suddenly difficult to celebrate with the weight of his village’s absence lingering in the air around him. The rest of the partygoers don’t seem to share his hesitance, though; the room breaks into applause and cheers, several of the guests raising their goblets jovially. 

Ciara gives him a subtle nudge, jolting him out of his thoughts. “Now we get to mingle,” she grins, leading him off the throne platform and towards the crowd. 

He follows dutifully as she heads toward the table where the other kingdoms’ royals have gathered, Astoria’s king staying behind to greet the other royals. Queen Damyanti is in conversation with King Hugo and Queen Luciana, but she doesn’t seem entirely pleased about it, and Jesper and Kavan are laughing at something Aadhya has said. Isaac hovers next to them, looking like he’d rather be anywhere else. He has his father’s golden hair and clear blue eyes, but the frown on his face is entirely his mother’s.

It disappears, though, the moment he sees Ciara approaching them. “Princess Angelica,” he greets her, with a little too much enthusiasm for Arc’s liking, “I’m so honored to finally meet you. You’re even more radiant in person.” Before she can say anything, he takes her hand and kisses it swiftly. Arc narrows his eyes.

Ciara gives a forced-sounding chuckle and curtseys, pulling her hand back. “Thank you, Prince Isaac. I’m glad you could make it. Allow me to introduce Sir Arc, my guard and escort for the night.”

Arc bows—and if he never has to bow to another pompous royal again, he thinks, it’ll be too soon—and Isaac offers him a dismissive sort of half-smile. Any further interaction they would’ve had then is thankfully avoided by the other royals noticing Ciara’s arrival.

“Hi, Princess Angelica!” Aadhya says brightly, with a neat little dip of a curtsey, “I’m Aadhya.” When Ciara and Arc begin to return the gesture, she waves her hand with a tiny scoff. “Oh, you don’t have to do that. Formalities. Just come sit.” She returns to her chair and pats the seat next to her, and Arc decides right there that he likes her.

Ciara takes the offered chair, and Arc takes the only other open spot, in between her and King Jesper. As Ciara launches into conversation with Aadhya, Jesper turns to him. 

“Hi,” he says, a small smile tugging at his lips. “I’m Jesper.”

Arc bites back a laugh at the unnecessary introduction. “I know who you are, Your Highness,” he replies lightly.

“I know. I was just trying to give you an opening to tell me who you are.”

Oh. That’s unexpected. There’s no prerogative behind his words, no assertion; Jesper’s grin is almost bashful, his voice easy and bright. He doesn’t sound like a king, just a seventeen-year-old boy trying to flirt. Arc can’t help but return his smile.

“I’m Arc,” he says. “Normally I’m a student at Knight School, but I’m the princess’s guard and escort for the night.” 

“Wait,” Aadhya pauses her conversation with Ciara to lean over and look at him, “You’re the Arc who defeated Ryker?” 

“I helped,” Arc says with a shrug, and the princess’s eyes go wide. She turns to Ciara.

“Were you there too?”

“I was—” Ciara pauses for a moment, “hiding. I was hiding. Arc got me to safety.” 

He grins a little at her, tongue between his teeth, knowing it must be killing her to hide what she was actually doing. She narrows her eyes and kicks his leg under the table in response, a silent shut up. He lifts his eyebrows, like, I didn’t say anything, and she rolls her eyes in an entirely non-subtle manner. 

Across the table, Queen Damyanti is watching their exchange with a raised eyebrow, Arc notices belatedly. She has a mildly amused look on her face, but doesn’t say anything about it. Instead, she states, “Battling Ryker face-to-face must have been quite the experience.” 

“What was it like?” Prince Kavan asks eagerly from beside his sister.

Aadhya elbows him. “Kavan,” she hisses, but Arc just grins.

“No worries. It was…” he trails, trying to think of what to say and suddenly aware that all the royals’ eyes are on him. He shifts in his seat. “It was scary, obviously. He had the Armor of Astoria, and a whole army with him, and most of the Astorian knights under his spell. But, y’know. We Knight School students are pretty formidable. We all took him on together. Wouldn’t have been able to do it otherwise. I wasn’t half as scared as I would’ve been without my squadmates watching my back.”

He glances at Ciara, who smiles softly and nudges his foot, gentler this time. Jesper has that same unreadable look on his face and Aadhya has her chin propped in her hand, her expression amazed, but Queen Luciana gives a snide sort of scoff. 

“It’s a wonder it took so long to defeat him, then, if a group of students cut him down so easily,” she says. “Perhaps Ryker was never as great a threat as we all made him out to be.”

There’s a cut of silence across the table in which Jesper visibly stiffens. “With all due respect, Queen Luciana, Ryker’s attacks were devastating. Or have you forgotten what happened to my parents?” he demands, without any respect at all. His eyes are blazing. 

“I’m merely pointing out that the only real damage done was to the less...fortified kingdoms,” she sniffs. “Ryker only breached Catalias’s walls once, and he was driven out rather quickly.”

“Well, not every kingdom has Catalias’s resources.” Ciara sounds like she’s choosing her words carefully, frustration masked well behind them.

King Hugo gives a huff of a laugh; his blue eyes are cold. “My dear princess, you have no cause for indignation. Astoria lost the least to Ryker, what with your,” he waves a hand, “magic bubble.”

Ciara opens her mouth but falters, brow furrowed, and across the table, Queen Damyanti speaks up. “Nevertheless, Ryker was still a formidable enemy to all of us. We were only prepared for his attacks because he targeted Seagate and Vysalt first. And Seagate’s destruction is a clear example of his power.”

“Oh, even you can’t argue that Seagate was rotting long before Ryker got to it, Damyanti,” Hugo replies swiftly, and Arc’s breath catches in his throat. Queen Damyanti shrugs in agreement, her expression passive; Arc almost stands up, but Ciara’s hand on his leg underneath the table stops him. 

“Don’t,” she hisses, just barely loud enough for him to hear, “Let me handle this.”

Though as it turns out, she doesn’t have to. Before she has a chance to speak, Jesper is already bristling, his voice sharp: “As if Seagate’s corruption justifies the destruction of its people?”

“It’s thieves and criminals, you mean?” Isaac scoffs. “Seagate was a wasteland. The kingdoms are better off.”

The words ring in Arc’s ears, alongside the pounding of his blood. They sound painfully similar to what Ryker had said to him on the mountain—rats and thieves, I did the five kingdoms a favor—and he thinks fleetingly that he’s going to be sick. He’s always known that Seagate was looked down on by the other kingdoms, but hearing them say so casually that what happened, the flames and the destruction and all of the death, was deserved—

“The people were only thieves and criminals because Catalias took advantage of them,” Jesper argues. “I hope I don’t have to remind you that it was your government that poured money into the gangs of Seagate for their own profit and allowed them to stage a coup in the first place.”

The words are deadly and cold, but Arc feels a flash of admiration for Jesper; the king has no obligations towards Seagate, and yet defends it like his own. King Hugo’s gaze hardens. “You’re blaming Catalias for Seagate’s problems?” he says with a derisive laugh. “If anything, Ryker’s attacks only revealed that Seagate was a kingdom full of people that weren’t worth saving.”

“That’s enough,” Ciara says abruptly. Her hand tightens on Arc’s leg, and he can no longer tell if he’s the one trembling or if she is. There’s this burning fire behind her eyes; she looks, Arc thinks briefly, the same way she does in battle. “What happened to Seagate was a devastating tragedy, and I won’t let you treat it as otherwise. Those who disagree aren’t welcome here.”

It’s a weighted statement, one she doesn’t entirely have the formal authority to make, but no one dares to contest it. A heavy silence settles over all of them. Arc doesn’t know how long he can sit there with all the heat under his skin; he doesn’t remember when his hand found the hilt of his sword, only that he’s gripping it tight enough that the leather bites into his palm. He wants to stand up and tell them that none of them would be here if it weren’t for him, a thief from Seagate. In truth, the only thing holding him back is Ciara. In a battle between her steady hand and the storm in his chest, she wins without even trying.

He doesn’t say anything or look at her, but her gaze flits to him for a moment and she just knows, standing up. Before she even opens her mouth, Isaac is on his feet too. “Going so soon?” he asks. “Would you care to dance, Princess?”

She looks at him coolly for a moment. “I would, actually.” And then, she turns to Arc, offering him her hand, “Sir Arc, dance with me?”

Arc blinks up at her and takes it as he stands. “Absolutely, Princess,” he says, letting her lead him away from the table and glancing back only long enough to catch the dumbfounded expression on Isaac’s face.

[doomsayings]

i already spoke a little bit about how much i love the will+hannibal role reversal here but another reoccurring thematic I really like too and that gets subverted similarly is sacrifice, and how they both bear suffering for the other. The most obvious instance of this is that Will sees himself as a literal sacrifice - his job with the FBI requires him to give up his mental and physical well-being and in the second half of S2 he self-describes as “live bait”, live bait in practice being something obviously not meant to survive. This mentality continues into S3 and during Wrath of the Lamb he states: “Maybe I can’t save myself, maybe that’s just fine.” It is a self-destructive streak that culminates in his cliffside plunge (which I do primarily choose to interpret as a suicide attempt but bear w me)

Of course too, there’s the continued imagery of Will as the sacrificial lamb of God throughout the series. The Christ-like imagery surrounding Will in S2 includes the washing of his wounds and Matthew Brown describing Hannibal as Will’s Judas. In S3 Dolce there’s the brain-eating attempt and with blood-streaking down his face, Will evokes a kind of passion of Christ, crown of thorns imagery. In that same episode Will describes how every murder Hannibal has done feels like one he’s guilty of (a tendency that began in S1 when he describes feeling guilty for the murder of Marissa) and there’s something very Christ-like in that shouldering of sin for the both of them, in the way Christ shoulders original sin for all of humanity and through his suffering and death absolves that sin. Will too, is in a constant state of forgiving and absolving Hannibal of his crimes.

Hannibal of course is privy to this sentiment, and in Mizumono (after serving them lamb for their “last supper”) he tells Will: “I don’t need a sacrifice”. This is Hannibal, who has been constantly cast as the Devil in the story, who comes to collect his pound of flesh and who takes revenge against those who are rude and offend him. With Will, it’s different, he loves Will, and he realizes what he wants the most is simply the two of them together. When the tables are turned, and Will suddenly becomes the betrayer, the Judas, Hannibal attempts to revert back to that cold, punishing, Devil without much success. In the end his love for Will also drives him to self-sacrifice (influencing him to “betray himself”), and in S3 after his own reckless, self-destructive streak in Florence he turns himself into the police.

Hannibal choosing to go to prison is a great sacrifice made in his mind for the sake of Will (specifically for his becoming and for their relationship) and in doing so is shouldering the blame for both of them, absolving Will of all he’s done in the eyes of the law. Once again, there’s a role reversal here as Hannibal becomes the bearer of sins that are not his as he takes credit for crimes he did not commit such the kidnapping/drugging of Bedelia, and the murder of Mason. All deals with the devil of course, but Hannibal still is the one sitting in prison, still the bearer of that suffering. It is in a way his offering to Will who unlike Hannibal, does demand a sacrifice.

Will has switched places with Hannibal again in that he becomes the more vengeful and righteous of the two, having grown into this tendency that was already latent within him. His arc is so beautifully summed up in the “hide us from the wrath of the lamb” thematic and Hannibal allowing himself to be pulled off the cliff feels to me another offering. I think sacrifice here is best seen here as a revelatory, sacramental experience. I am really interested in how Bataille describes ritual sacrifice:

I am sure someone else has already written about Will and Hannibal are able to reach a Bataillean continuity with each other, especially in the fall, but I am particularly stricken by the idea too that in their slaying of the Dragon together they may be reveling in that sacramental element (”it’s beautiful,” anyone...)  That in their pushing each other to the extremes of death and mutual sacrifice they might reach a highly unique and transcendental insights as Bataille describes, or as Will says about their relationship: “we afforded each other an experience we may not have otherwise had”

[romancing-lady-whistledown]

S6 overall thoughts

What I loved

- Lola. While no Skam-main will ever reach the levels of love and attachment I have to Lucas Lallemant, I think that especially concidering that Lola was literally introduced in the last scene of S5, her being my second favorite main of the show is quite an accomplishment and I think Flavie deserved alot of the honor for that. She needed to catch my attention right away, and she did.

- Eliott. Although I have a big complaint about how the later part of his storyline was concluded in this season which I’ll get back to, I still loved what I saw of him. With all his lovable traits and his flaws, to me he felt as well-rounded and lovable and interesting and relatable as I always found him. I loved seeing him get to direct, act in and eventually show his first ever movie, I loved that he got to talk about his illness again in the Luquette-clip, and I also loved how the video-store became a safe place for Lola to go when things weren’t going well with her family or with Maya.

- The Lecomte-sisters. Easily the best executed part of this season. Even as someone who hasn’t been the biggest fan of Daphne since S4 even I still felt their connection through the entire season and it was definitely my favorite love story in this show after Elu’s in S3, although an entirely different type of love.

- A lot of the clips. Although Skam France unfortunately struggle with solid narratives with satisfying endings, they are amazing at creating moments, and this season had a ton of clips and moments that I loved, still probably outweighing the number of clips I didn’t like so much.

- The acting. Skam France owes so much of their cast, they are really carrying the show.

- The cinematography. The blue and purple aesthetic was perfect for this season, and I also loved the red aesthetic of Eliott’s video store alot. I have never had a problem with Skam France’s cinamatic look, in fact that’s one part of their style that they really rock and that I really like even though it gives a totally different vibe from og Skam.

What I liked that could’ve been better

- Mayla’s storyline. The chemistry was there and I liked them, but I didn’t fall in love with them. I think it’s something in how their development was written. The romance was very much a side-plot in this season, which I’m not complaining about because I think it was fitting for Lola’s story, but a side-plot romance like that just didn’t need the Char-drama, especially after we already had Maya avoid Lola for a week. The development of the relationship just kinda lost me somewhere along the way so I unfortunately didn’t grow to love them the way I wish I did. 

- Eliott’s arc. While I’m happy with what I saw from Eliott, his arc doesn’t feel fully completed. The sad thing is it would’ve been so easy. If they just gave Eliott and Lola a longer conversation about the club incident and one POV clip for Eliott and Lucas to talk about the insecurities that were brought up, that would’ve made a world of difference for me. And concidering how short episode 9 was there was time for that, so it’s not like I’m bitter or anything.

- Most of the storylines tbh. Like I really found most of the storylines in this season interesting, I really wanted to see them play out and get to a satisfying conclusion. But because of the way they chose to use their time, so many of those storylines never lived up to their potential, and it’s frustrating.

What I didn’t like

- The ending - This isn’t really so much about the last clip which was cute and all, although I have some complaints about it (Why did Charles have more lines that Lucas? Why did they drag S5 down with a love triangle just for Alexia and Arthur to suddenly get back together in the finale? Why miss the opportunity of a Lucas/Jo interaction when you’ve basically been setting up what could be a really funny scene all season? Shouldn’t Lucas and Lola at least exchange a look after the fight they had? Shoudn’t Eliott at least send a look in the direction of Mayla after he pushed so hard for Lola to bring Maya to the premiere?). But my main problem is about how significant storylines were left without a satisfying conclusion. Yes, there was alot of stuff going on in this season but also there was some poor use of the time they had, by either wasting time on unnecessairy and undeveloped side-characters or making the episodes short for no good reason. A lot could be done with that time. The angst kept going all the way into episode 10 and that shouldn’t be the case when you have this much to wrap up and you wrote this as if it was the last season of the show. In S3 there was angst in episode 9 and a tiny bit at the start of episode 10 when Eliott had his depressive episode, but since they already had wrapped up all the other conflicts in episode 7 they could focus almost entirely on giving that storyline a fullfilling and satisfying conclusion. 

- The lack of communication - the truth is that alot of the issues brought up in this season would never be fully resolved in 10 weeks. Lola’s addiction-problems, Daphne’s eating disorder, Eliott’s insecurities. That won’t go away within the timespan of a season, all we can hope for is to leave them in a better spot where the future looks hopeful. But we can have conversations about these things, and while I’m glad we at least got confirmation that both Lola and Daphne are getting professional help, so many conversations about different issues and between different characters were missing for this season to wrap up in a truely satisfying way. 

- The unnecessairy side-characters and the side-plots that came with them makes their own point on my list of things I don’t like because when I see them all I can think is how they took time away from giving the other stories better conclusions. I’m talking about Tiff and Char. I can see what their roles in the story were, I can see what purpose they were supposed to serve. Tiff and her squad served as a contrast to Lamifex at the start of the season, but then she was also dragged through the rest of the season with a cyberbullying plot that had very little impact and this whole thing was dragged out until the very last episode. As for Char, she sure pushed Lola to admit her feelings to Maya but I don’t think we needed her for that and I think having Maya and Lola making up after Maya avoided Lola for a week only for her to immediately start dating someone and kinda start avoiding her again was a poor use of time, both in the Mayla storyline and in the season as a whole.

- Making the episodes in the second half of the season super-short while the conflicts kept piling up was...a choice. And certainly not one I agree with looking at how everything concluded.

The short version is: I enjoyed alot of it, it was definitely the most I’ve enjoyed watching a season of Skam France since S3 because the parts I loved I really loved, so I would rewatch S6 over S1, S2, S5 and most definitely S4 any day. But the last portion of the season left me highly unsatisfied, both as an ending to Season 6 and as an ending for the original generation of characters. Yes, I know the last sequence of S5 was supposed to be the goodbye to the original generation, but that doesn’t make the situation any better to me because that scene, while there was a type of beauty to it, was just as underwhelming and unsatisfying as a goodbye to those characters as this clip was, and this was the last time we’ll see them. It’s of course bitter because there is so much lost potential to explore in alot of the og characters and even a 5 minute clip for each couple/single character could’ve made a huge difference there, which makes it harder to let go of the characters than it would be if the ending was at least somewhat satisfying. But on top of that it leaves a bit of a bad taste in my mouth that it shows a certain lack of respect for the attachment the audience as a whole (not just the most passionate fans like us but even the more casual viewers) have to the original characters. I don’t think they can ever satisfy everyone but this kinda just feels like a “Get over it and move on” kinda attitude and it definitely doesn’t make me feel any more enthusiastic about investing in their new characters and seasons. Because for me the strength in this show is in the characters, they’re what keeps me interested when the storytelling is weak which happens...quite a bit. 

[chidoroki]

Head empty, pre-TPN season 2 thoughts only.

Normally I don’t even bother with hiding spoilers but since the new season is so close I’ll put everything below a cut (if tumblr cooperates) because I do want anime-onlys to enjoy the season with as little knowledge to what madness is about to happen as possible. This is just a bunch of notes that filled my head over the past couple days.. weeks? A long time.. and if I didn’t write them all down somewhere I wouldn’t stop thinking about them.. so if you understand this whole mess, then kudos to you.

So, here’s your post-season 1/ch37+ spoiler warning.

Demon language:

With Mujika and Sonju making their grand first appearances, I hope actually implement the demon language this time?

The only word spoken in the language in season 1 was the demon god’s name, which was just changed to “Him” (sub) or “The One” (dub), so ignoring it there was fine.

Granted, our demon friends don’t say much in their language during the upcoming arc, aside from this moment in ch48, but I can see the anime passing it off as a mere whisper between the two of them just so they don’t have to worry about it.

I don’t recall any of the GP poachers using the language though.. right? Pretty sure they don’t..

Anyways, all I’m saying is that they better figure something out by the Ayshe shows up way later in future seasons.

Episode count? 24?

Short answer: I don’t think so? Did once, but stuff happened. Anyways..

Season 1 ended in March 2019, which is also when we learned we were getting a second season and once we found later on that S2 was originally going to air in October 2020, I immediately thought we were getting about 24 eps.

I thought with all that time between seasons, 24 eps would be reasonable and that S2 would end at ch101. S1 managed to adapt 37 chapters, so 64 chapters in a season twice as long sound decent enough, right?

By the time we reach ch101, it would give us the demon forest, shelter B06-32, Goldy Pond and the short trip to Cuvitidala. (all of which would make this long wait for s2 sooo worth it btw.)

By this point we learn a bunch about the outside world, Norman being alive, what happened to Phil, and the demon bastard himself.

I bring up ch101 as a stopping point because it’s the last chapter before the two year time skip and.. I honestly can’t see them doing a time skip mid-season?

I mean, they could if they wanted to, I guess? Having everyone age up suddenly between episodes via a montage, a quick summary or even flashbacks of what we missed.. but maybe at the start of a season? Not in the middle.

Right now we know anime original scenes are going to be included into season 2 so I’m kinda hoping that once we do eventually reach the time skip we learn more about the search Emma’s group went on for T7W/golden water/temples.

I counted. If S2 does indeed get this many episodes, ep23 (or 22, if there’s a break in between somewhere or whatever) will land on my birthday and you can bet I’ll be beyond happy

HOWEVER! all the hope I once had about a 24ep season vanished due to the clusterfuck that was 2020. Thanks to the worldwide pandemic, many anime were put on hold and pushed back several months, with TPN airing this month rather than the original October date.

It was a bummer hearing about the delay at first but I never complained about it. I much rather have the studios prioritize their employee’s health over production.

Even if S2 did reach ch101, or even Goldy Pond, they would need to find a ton of new voice actors, and with how the world is working now.. eh, I have some doubts.

Cloverworks also has two other series airing this month aside from TPN so needless to say they’ll be a bit busy, especially if employees are still working from home, social distancing, or however they’re managing to produce these anime.

So, episode count.. 12?

The main reason I have a hard time grasping the idea of another 12ep season at all is because.. I don’t know where it’ll be a decent place for it to stop?

S1 ending at ch37 with the kids escaping? Perfect. You can’t question that decision. But now? When a whole bunch of craziness is about happen? How do you choose another perfect moment to end a season with?

No matter how many anime original scenes they have planned for the demon forest, I believe we’ll at least reach B06-32, which will get us to ch52.

Could they go farther? Sure. Perhaps ending at ch59-60? It would leave us off with Emma & Ray leaving the comfort of the shelter to follow Yuugo into yet another demon infested forest, much like how S1 left off, as the escapees left their once safe, comfortable life into the unknown world.

Or end at ch64? After Emma gets snatched by the poachers? It could work. It would certainly leave everyone wanting more, especially us manga readers because goddamn the GP arc would be SO close!

Perhaps ch74 after seeing Norman alive? Just so it’s not a big darn secret anymore to those who are going into this season blind? (how do people manage to stay anime only? i’m not trying to make anyone feel bad.. i’m just impressed? i caught up to the manga right after s1 because i didn’t have the self control to wait!)

Ending on that chapter would be so bittersweet to me.. because you know what appears in ch75 and it’s literally one of the only things I care about.

S2 preview trailers already teased some of the demon forest scenes I’m most excited about, so the only things left that will truly excite me are Yuugo and that darn outfit. (seriously, whenever we do get to see emma in her gp outfit for the first time, someone better scream at me so i can die from happiness.)

Okay, and all the GP kids too.. especially their trio!

Could they fit the Goldy Pond arc into a 12 episode season along with every other event that came before it? I.. seriously hope not? 

Compared to s1, which was very dialogue heavy, GP is about as action packed as we’re gonna get in the near future, and those scenes are going to fly by once they get put into motion.

Quick example (because it was recent and i can’t think of something else atm): the Overhaul arc from My Hero Academia. Off the top my head it was about 40 total ch? That arc took up half of the show’s S4, which was a total 25 eps.

So with the GP ending at ch96, it’ll give us about 20-30 chapters (depending on where you personally see the start of this arc I guess? once yuugo leads the duo through the forest, when emma gets snatched or when the battle actually starts)

If GP were to happen in s2 where there’s 12 episodes.. literally everything would be so fast paced and I don’t want them to rush anything or leave stuff out?

Other options?

It’s very wishful thinking and I would be getting my hopes up for nothing, because I know it won’t happen, but I could possibly see them fitting GP arc if S2 was made up of 18eps?

6 eps for the demon forest, 6 for Goldy pPond, the remaining 6 to accommodate B06-32, Cuvitidala and any other anime original scenes as they wish.

Although fitting about 64 chapters into 12-18 episodes sounds a bit much.. but not really? I seriously have no idea at this point how much story we’re going to cover this season.

Could I perhaps place all my hopes towards a second cour later this year? Like for the summer.. or would I be expecting too much?

This all could’ve been avoided if they just tell us! Seriously, I’ve been thinking about episode count since last year.. and now you have to deal with this mindless chatter of mine.

I’d honestly be okay with another 12ep season though. We waited this long that I’ll just be excited to see all the children again.

Anime-only scenes:

Those 3 days the children spent learning from our demon friends? Yes please! Did you know Emma not only learned how to use a bow and arrow but a freakin’ harpoon as well? Like.. hello?? I must see this!

Perhaps they’ll even adopt some of the extra pages from some of the chapters, like they did in S1 with the flashback of Norman being sick in ep10.

I know this will be such a high hope, but I remember in ch177 how Emma claims that after they escaped, they all remembered how kind Isabella really was, so if they decide to adapt the extras from ch41-42 & ch45, I’ll cry.

And these pages? Cloverworks, please..

I’m literally begging here..

Especially these two! Even though I still doubt we’ll reach Goldy Pond if we get 12eps.. but in the future! Please!

Other random nonsense:

I may or may not get emotional upon seeing Isabella at the very start when she goes to confront Grandma Sarah. If her hair is kept down as it was at the end of S1 then I’ll give the anime staff my sincere thanks.

We only heard 15 seconds of “Identity” and yet it has been living in my head rent free ever since that trailer dropped. I need to hear the full song sooo damn badly, y’all have no idea.

Here’s hoping they don’t cut out the inner monologues again. At this moment I don’t remember any specific ones from the demon forest I want to see but I’m sure they’re present.

I’m ready to die at every cute Chris moment they give us.. and this entire scene where the kids scold Ray. 

Literally every scene with Emma & Ray. They’re my top 2 favorites from this series okay? Of course I’m going to fangirl over them. (they already showed the hug in one of the trailers and i damn near cried)

If we see him, (which i’m sure we will, but i still have tiny some doubts) I hope they give Yuugo a fantastic voice actor.

Also, his nicknames for everyone!! Literally everything about that man I’m hyped for.

Again, very doubtful we’ll get GP in a 12ep season, but whenever that arc decides to grace us with its presence, “63194” better play on full blast when ch92-93 gets animated.

Speaking of music, while I’m completely excited to hear the new OST that Obata has in store for us (thank god he’s doing this season again btw!), I hope we hear some of those unused tracks from the first season, specifically “Their Own Thoughts.”

Every time Emma mentions their future, their goals or how her family will always be together, I’ll cry. (thanks demon god and your stupid reward)

Yes I’ll be doing those reaction posts (if you follow me i’m sure you’ve seen them by now) after every new episode as I do with other series I watch.. once I survive the usual long day at work, avoiding anything TPN related so I can watch in peace and quiet when I finally get home.. damn it, im already so anxious, help.

[xsecretblastsx]

2x01 Summer Kind of Wonderful

SEASON TWO HERE WE GO.

I was dying to get here, this is one of my favorite episodes in the whole show. It’s also the episode were I really turned into a Chair shipper, so there’s that too, also The Hamptons!! Honestly was not to love about this episode.

I think this is the longest recap I’ve done in a while. As usaul recap under the cut.

Thoughts I had while watching:

I’ve watched this before and yet I’m still surprised our first taste of S2 is Nate going at it

After the super promising tease on Nate and Serena on the S1 turns out... she’s covering for him while he sleeps around... 😒

Chuck being Chuck, still a womanizer, still obsessed with Blair and as always ignoring Serena’s disgusted face. Also hilarious his enormous basket with cuttlery and such.

Look Joe Goldberg!!! Or is it Dan Humphrey? This bookstore setting is making it even more confusing.

Hi Jenny! And her never ending disatisfaction with her place at whatever she’s trying.

This scene between Chuck and Serena is so underrated. Her mocking face is hilarious. Pimp all you want Chuck it’s useless. Good luck in your suicide mission indeed.

What’s a Jitney? 😆How about where Blair returns to the Hamptons with a new beau. On your face Chuck Bass! On the words of GG: ain’t karma a bitch? We know Blair Waldorf is.

“A hot lifeguard is like Kleenex: use once and then throw away, you couldn’t ask for a better rebound” so says Blair 🤔

“The only thing lamer than dating Dan Humphrey is mourning Dan Humphrey” speaking words of wisdom Blair Waldorf

Of course all the wisdom goes out the window when Chuck appears. With the most extra polo ever and the shortest shorts in the history of menswear

Not that Blair wasn’t transparent with all her talk about James but oh my god Serena’s is so bad a going along with it.

“You’re lying. Your eyes are doing that thing were they don’t match your mouth” Chuck Bass: a walking manual on Blairisms

“I bet you’ll like him as much as I do” “If by that you mean I won’t like him at all then you’re right” meanwhile Serena is trying to pretend she’s anywhere else and not there silent witness to that verball pin pong

I always wonder how Jenny and Dan end up being like that with a Dad like Rufus

So this is “Jenny admitting she was a bitch and that Eric didn’t deserve it” first season.

“A honk instead of a knock? Did someone order a townie?" Blair’sn lines this episode are hilarious

I feel bad thinking that Nate’s main contribution so far is looking really good without a shirt.

Chuck Bass: a walking encyclopedia on everything Blair Waldorf.

If only the show had given us more Chuck and Cece interactions.

I feel I should have kept a score for all the Chuck and Blair jibes to each. That pin play on Blair’s part was check mate though. Auch. I almost feel bad for Chuck. Almost

In terms of cinematography that scene were they talk about the pin is gorgeous probably my fave in the show only behind that scene in Paris in S4. The matching outfits, the colors and the scenery are sooo good. Also the acting.

Knowing her like he does it’s interesting Chuck doesn’t realize Blair only gave that pin to James to hurt him. But the fact that it works is very telling on Chuck’s insecurities and feelings.

Nate being kicked out so the husband won’t catch him wouldn’t be half as hilarious if it wasn’t for Serena’s “no effing way face”

“Damn that Motherchucker” a novel by Blair Waldorf

I love Blair’s summer dress by the way

“All I could see was that Chuck Basstard” the sequel novel, also by Blair Waldorf

What a difference a summer makes: Nate and Chuck talking about Blair. I do feel Nate’s like “thank god it ain’t me anymore”

“And unlike you I don’t lose something if I let it out of my sight” Blair strikes again, this girl is on fire.

This episode is kind of proving that I barely care for any other storyline that doesn’t have the original four. After those two side by side arguments, getting back to Dan is really annoying

I kind of love it when Rufus points out to Dan how he never stops talking and doesn’t let anyone else said anything. Is kind of boring already how he only seems to write about Serena and the UES.

Chuck’s cricket outfit reminds me of how I should enjoy the crazy outfits while they last.

Ofc Chuck’s has a PI on speed dial Eric, duh. Gotta love him though: “i know that face, that face is not your friend” sorry Nate

I’m still trying to come up with the reason why the show let the fake dating storyline between Nate and Serena be such a waste. Whyyyy????

Just in case I forget: this white party was sponsored by Vitamin Water. For real there’s product placement and then there’s this.

The constrast between Serena looking like a greek goddess next to Nate’s I didn’t bother of an outfit is making me dizzy.

Chuck’s outfit for the white party kind of deserves a post of his own. Then again is probably my fave outfit of his on the whole show.

James calling out Blair for using him, while mentioning charade feels kind of overplayed now. Anyway he’s already pointing out how Blair and Chuck are the same and that’s why they deserve each other.

“Don’t you see? We’re the same? Stop trying to fight it” “I will fight it to my last dying breath because any resemblance to you is something I would hate about myself” this whole dialogue feels like a premonition.

Serena and Nate kissing and being totally into it while paparazzi plays is the background is just one of those moments. This is the kind of content I’m here for. Only to be ruined by Dan Humphrey.

And here we are again Dan getting mad when he doesn’t have a right to, thankfully karma is a thing in the form of drinks poured all over him

And somehow is Serena the one busy cleaning that suit, useless Dan is useless

Chuck’s “I’m so screwed” face when his PI tells him Blair’s guy is actually a british Lord is priceless.

THREE WORDS EIGHT LETTERS SAY IT AND IM YOURS.

Epic scene aside they both look so good here. This episode is gift in matching outfits.

Dan, Serena and fireworks. 😪 here we go again

I loved this episod the first time I watched it and I think I love it even more so now. It’s really good, full of funny lines, great outfits and epic moments. Season two is as of now my fave season (i think this is also true for many people) and it starts with a bang. Quite literally actually with the opening scene being Nate going at it with an “older” woman, which I guess was meant to be shocking in part because we ended last season wondering if something was going to happen between Nate and Serena.

Sadly it didn’t and that’s my biggest complain for this episode because how on earth did they thought it was ok to waste all that set up, and to add insult to the injury they are like so Serena and Nate are secretly dating... but it is just like a throway line because except for that amazing kiss at the white party we never see them fakee dating and I honestly want to pull my hair out of frustration. Just imagine the possibilities that weren’t, granted fake dating is one of my favorite tropes but it could have been quite the storyline imagine: Serenate fake dates and that sparks the feelings that were pushed aside on S1 but that were always there, and now there’s nothing that can stop them to act on it, except Serena has feelings for Dan too, and she struggles because of it all the first half of S1 until eventually she picks Dan and breaks Nate’s heart, combined with all the other pressures in his life, he wants something easy and this happens to coincide with Blair’s downright spiral and that’s how Nair happens again in the second half of S2.

My point being you could add so many more moments in the Serenate saga, also give more force to the idea the show always tried to do: that Serena can’t really let go of Dan, because Nate and her are quite something and yet... and still have almost the same story on the second half which was important because it gave closure to Nair and also had both Chuck and Blair realizing a couple of things. Alas one can only dream and be happy that at least we got that kiss at the white party

So back to the episode, we learn that Nate is having and affair with a married woman, Serena misses Dan a lot and basically mourned him the whole summer meanwhile he was being an asshole in the City fooling girls he met at his intership and Jenny is working and trying to stand out in her own internship at Waldorf desings. Which reminds me Eric is such a gem of a character, he’s always have good one liners but whe’s also a nice counter balance to all the manipulation and bitchery going around him. Anyway all of these storylines are barely a tease of what’s coming, and they really take off in the next episode, so I’ll get into them then, so at the end of the episode Nate manages to keep the affair goin into the city, Jenny earns a bit of respect from her boss and Serena and Dan see each other again (thanks to Cece which is another character I wish we had see a bit more) they meet at the beach ready to see if there’s something to salvage between them. We’ll see.

The real star of this episode are Chuck and Blair. This episode belongs to them. I’ve seen comments that claim this is the season that made them epic and really take off and I quite agree, and this episode in particular sets up the stage for it, touching on a lot of the aspects that are going to be their arc for this season and even beyond. So at the end of S1 Chuck stands up Blair and she goes alone to Tuscany and he doesn’t goes after her the whole summer. Instead he spends the summer in The Hamptons being Chuck Bass, she ends up in France. We soon learn that while Chuck  enjoyed himself during the summer Blair wasn’t far off in his mind:, the minute she’s back he goes aftet her, roses in hand only to find out she came back with a new guy, and she does everything in her power to rub that fact in his face which Chuck should have expected, it obviously bothers him but truth is they both know this is just Blair trying to get back at him for abandoning her, he hurt her, she obviously doesn’t tell him but he ruined his summer and she couldn’t stop thinking about the motherchucker

Shenanigans ensue but there are bits that really stand out: first of them the heart pinn. That's a telling bit about Chuck’s feelings, when that pin make its first appearance on S1 it was the beginning of the end for Chuck, the meaning of it was what got her to accept going to Cotillion with Nate  and now she has gave it to James and Chuck buys it because I guess part of him couldn’t believe she would go as far as to use that to hurt him, that’s a low blow and she also didn’t gave it to him that week they were going out after the wedding, even though it went really well but most importantly he believes she can’t really feel that way about him because he’s just not the kind of guy someone can feel something for, but specially someone  like Blair Waldorf, who dreams of finding her prince charming and such, and to his utter horror it’s revealed that Blair’s new guy is actually a british lord. Just his luck.

He’s anything but that, therefore not for Blair. He tells her as a much later in the episode when he let’s her know that he basically stood her up because he was afraid of her getting to really know him and see he was not good enough nor someone she could be with. And this is something that’s going to be quite the struggle for him for a long time, more than once during the show he’s going to remove himself from the picture because he believes she deserves someone better who can actually make her happy, and this season this happens quite a few times.

Thing is nothing is ever that simple, and this is the other bit that really stands out for me: when James calls her out on how she just use him to make Chuck jealous she justifies herself by pointing out Chuck’s an awful person, who lies and deceives so he kinds of deserve it, and James points out the fact that well she’s sort of the same, and they deserve each other. She lashes out at Chuck because of this and blames him for her argument with James, it’s his fault she played with James, and Chuck’s point out that no one force her to do anything she did it because they’re the same, meaning they scheme and manipulate to get what they want, so she should just stop fighting this thing between them, she rejects him claiming she would hate any resamblance to him. This whole argument is honestly quite interesting, because variations of it are going to keep popping up the rest of the show, and depending on who you ship you either take literally as if  Chuck is the root of Blair worst tendencies or rather see this argument as representation of Blair struggles not with Chuck, but with herself.

Blair struggles in accepting herself, at her core she’s an insecure person, and the fact that she has a dark side that she can’t exactly change because it’s so deep roothed in her bothers her even before she and Chuck were anything, to me it bothers her not because she really wishes she was nice & good person, but rather because Serena is  nice person, who’s regarded as literal ray of sunshine at times, and Serena got two things she wanted for the longest time: positive atention from Eleanor and Nate’s interest.So that fight within herself was always there, it didn’t appear the day she started dating Chuck, is just that in the same way they brought out the best in each other, when things go bad between them the opposite sometimes happened, and even then when they blame each other for something half the time it was to share some of the hurt and to avoid dealing with their own shortcomings and mistakes. Truthfully Chuck and Blair did something for each other no one had really done for them they accept each other fully, Blair’s able to accept and love his darkness, and for Chuck there’s no darkness in Blair she’s the way she is and that’s what makes her wonderful. It was easier for them to love each other than to love themselves. 

Finally the biggest stand out of the episode is that iconic scene, the one that really puts into place the dynamic they will have for the rest of the season: Three words, eight letters are brought to the table, and they won’t move forward until the words have been said. It makes sense, because they tried this twice before, the first one came out of nowhere and it ended with Chuck getting dumped in favor of Nate, and that burned him badly, the second one Blair was the one who got hurt, and both times this pretty much happened because they aren’t able of telling each other how they feel, particularly Chuck. The first time he didn’t let her know he actually cared and wanted to be with her, the second one he didn’t tell her he was afraid, and all of this was too much too soon. So Blair wants, needs some kind of reassurance, and it makes me wonder how that week after the wedding really went, what happened? how wonderful it must have been that even though he abandoned her a that helipad she still had hope in the fact that he may love her. He doesn’t say it, and yet I still love this moment so much for  because jus by asking him to say it is in some way an admittance on her own feellings, and he fails to saythe words  but he did try, and the fact that he did try is also a form of admittance and as such  from here on no matter what happens, how much they fight and toy with each other there’s always an undercurrent of love behind their actions,and this is (borrowing a phrase from a certain popstar) the most amazing unspoken dialogue ever. 

Random bits I’ve noticed

Chuck has a bouquet of yellow roses for his intent on getting Blair back. If my memory serves right, those were his mom favorites

I’m such a sucker for the little backdrop details like the Van der Bass house having all these background pictures of the wedding

Thanks to Chuck for giving us the rank on Blair’s favorite films: Breakfast at Tiffany’s, Roman Holiday & Funny Face (even if he said Charades to prove a point)

I’ve read somewhere I think it was on twitter that Blair’s crying in the garden scene was unscripted, Leighton did because she got really caught up in the scene particularly by Ed’s acting. I’ve looked it up but so far I haven’t found anything on this.

There’s a bunch of miniature cyclists under the mirror where Cece’s doing the final touches to her hair, looks sort of weird.

that vitamin water is even on the invitation, agust 30, 2008.

[lnc2]

An Episode as Generic as Its Name: A Stormy Weather 2 Breakdown

I have a lot of... feelings about this glorified in case you missed it recap and they’re all clamoring to be discussed at once so this will not be a pretty essay but a salt dump because that’s all my frantic hands can take.

Mrs. Lot don’t have shit on me rn.

First of all, it’s ironic that an episode centered around the idea of change goes out of its way to highlight just how much hasn’t changed at all. Recap episodes are never my favorite, but especially here, when every monologue from the characters accompanies a flashback that contradicts the very idea that the writers are trying to push forward.

Chloe’s flashbacks did not show her moments of growth, but only her nastiness, reinforced in the present by her continued nastiness.  Gabriel is after the miraculous. Nino and Alya are in love.  Marinette is able to hang out with Adrien, Adrien gets to go to school. Chat Noir is in love with Ladybug.  Ladybug thinks she and Chat are a great team.

I hesitate to even say that Nathalie has changed at all– her behavior is the same we just were given an insight into her head.

... So what exactly were the changes that were supposed to be highlighted?

Instead of focusing on Chloe’s softer moments, or Marinette’s bravery vis a vis Ladybug and understanding vis a vis Adrien, we’re forced to watch half an hour of transformation sequences and flashbacks that show us how ML is in its 3rd season and the plot hasn’t really progressed at all.

The amount of times everyone was like, wow, we’ve changed so much! made me think that this episode was just supposed to be a writers room call out to skeptical fans saying “Here!  I’ll walk you through their character growth that’s happened over the last two seasons.  Now shut up and watch the show!”

Unfortunately it failed spectacularly.

Thinking beyond the heavy-handed theme for this episode, one thing that I will say it did well was highlighting the major players arcs in this series.

And not in a good way.

Poor Chloe.  I’m not sure what they’re trying to tell us about her character– one episode we’re being beat over the head with the idea that people can change and we should give unlimited second chances, and ultimately Chloe has the capacity for good.  Which we’ve seen.  Chloe’s moments of vulnerability are beautiful.  And then she’s right back to being the absolute worst.  And not in a “these things take time” kind of way but in a confusing, wtf is happening kind of way.  Are we supposed to root for her or not?  Is her redemption happening or not?

“Once a villain, always a villain?” I don’t know Zag, you tell me.

Alya and Nino definitely get the short end of the stick here.  As much as I love DJWifi, latter half of S2 and all of their appearances in S3 focus around their relationship as far as it extends to each other and not their great qualities as heroes in their own right or their relationships to their friends.  How is their arc only found in their relationship?  Nino, who was akumatized for his best friend, and Alya, who theoretically wants nothing more than to be a journalist and does anything for the story, have been pushed to the side. (Note: I love that we get to see a happy, healthy POC relationship.  The issue lies in this being their only arc.)

The Agreste storyline manages to be the stalemate shitshow it’s always been.  Gabriel hasn’t changed and with the exception of Nathalie taking on Mayura, neither has that house.

Which brings me to Adrien and Marinette.

Marinette, ugh they did you so dirty here.  I cannot articulate how angry this makes me so I’ll break it down into points:

1. Marinette’s “changes” as presented in this episode revolve entirely around her ability to hang out with Adrien.  Not in her growth as a person, not in her gaining confidence as Ladybug and conquering her fears, not as being the bigger person.  But in how she got to hang out with her crush.

2. They didn’t even show the right changes she’s made.  Marinette always tried to hang out with Adrien.  It would have made a better point with what I think they were going for at the end of this episode to show how Marinette’s feelings have moved from I just want to date him to I want him to be happy even if it’s not with me which we see in Frozer and Captain Hardrock and the Collector to name a few.

3. Tikki’s comment that now starts the beginning of a new, self-improved Marinette completely BAFFLES me.  Beyond the fact that every episode is about improving Marinette whether she needs it or not, nothing changed in this episode from beginning to end.  She dropped off Adrien’s homework as she did before. She already was willing to let him go in Frozer.  Emphasizing how she appreciates his friendship isn’t new here.

Then we have Adrien.  Adrien who is arguably the least changed character from beginning to end.  The only changes shown are his ability to go to school and have friends and we got that in Origins.  There really isn’t much to say here except to bemoan the fact that Adrien is given so few opportunities by the writers to change that even when he’s had those opportunities (Copycat!) they are presented as if he was the one in the right and didn’t need to alter his behavior in anyway.  He even had his moment in Glaciator where he told Ladybug he accepted that she was his friend only to be a total jackass in Frozer when the same issue came up.

Which brings me to Plagg’s little monologue about Ladybug “standing him up” and confessing that she liked someone else.  It was very clear in Glaciator that Marinette never said she could make it to dinner and the way Ladybug is continually framed as being in the wrong here is maddening.  That and the fact that she told him she doesn’t feel the same way and he keeps pursuing her, and attention is drawn to that fact in this episode.  It makes me wonder how any of the writers could view any of this as character growth.

(Also where the fuck was Kagami?)

Now having said, all of this, you would think that an episode that spent nearly half an hour talking about change and moving forward etc. etc. might be building up to something.  And you would be

so wrong.

I held out hope for the end.  I honestly did. When Adrien compared the two letters from Marinette I thought maybe we’ll finally see some momentum with the love square.  Whether it was Adrien’s revelation about Marinette’s crush or even her identity as Ladybug I honestly didn’t care.  I just wanted something to happen.

And it didn’t.

Instead we got a reset button. 

Another, another “lol jk just a friend” with the only exciting actual change in this entire half hour being the Luka/Marinette foreshadowing.

We’re in Season 3 pulling Season 1 jokes.

Will they or won’t they doesn’t work when they never actually do anything.

And finally, in the spirit of actually doing something. 

Someone, please, explain something to me.

Of all the akumas to invoke, why the hell did they choose Stormy Weather, a fan favorite, and not even do anything interesting with her?  I’m all for breaking formulas and having akumas be background nonsense – Clara confusedly describing LB’s lucky charm is how we work around it in fics–  but I want an actual plot to go with it.

We were baited and switched, forced to watch a half hour webisode that attempted to show us growth but only served to highlight how much of a let down this show has been.

Stormy Weather marked a promising beginning.

So why does Stormy Weather 2 make me feel like we haven’t moved forward at all?

[strawbrymilkshake]

i just watched the first six episodes of the mp100 netflix show for no good reason other than that i apparently hate myself, so to not put my pain to waste here’s a half-review half-rant thing

i guess ill start with the good and make my way to the shit i hated about this show, but as you can probably guess there’s hardly any good

tome was fun, i guess. she’s got that same chaotic™ energy and had some of the only lines i genuinely laughed at, but also she’s the only member of the telepathy club for some reason? and they merged her character with mezato’s, so i guess she’s got more to do. but judging by the sfx i doubt they had the budget for even one (1) more actor, so ig i can forgive them for that. overall probably the only adaptation that both wasn’t painful to watch and actually warranted the changes they made

teru (from the little i saw of him) was also pretty good. the fight had some....changes, but on his own i thought he was fine, pretty harmless adaptation overall. i stopped watching once i realised that they weren’t gonna go all in and give him the cactus hair so points deducted for that

and the last thing i liked about this show: ritsu! they got a young actor who was good and i didn’t have many issues with him. there was one interaction he had with tome that i liked when she introduced herself and he said ‘oh! tome’s my grandma’s name!’ and tome was like ‘...yeah you and mob are definitely brothers.’ the reason why he’s lower than tome and teru is because. for whatever fucking reason. he is in every. goddamn. scene. like even when it doesn’t make any sense. when mob joins the body improvement club? he’s there. when mob is taking down the lol cult? he’s there. the teru fight? he’s there. i lost count of how many times i was asking myself ‘why the fuck is ritsu here?’ he was inescapable. his presence in those scenes didn’t even add anything to the story. also he’s friends with tsubomi for some reason....i guess to give him more things that mob can be envious of?

speaking of tsubomi.....god. not to be like ‘they didn’t understand the source material!!1!!11!1!!!’ but like. please. it hurt. i get that they were probably trying to lean into the ‘guy gets the girl/high school romance’ type show more but uhh....way to horribly misunderstand the source material, guys. the problem with her is that she is in it so much that it almost entirely defeats the point of her character & what she’s supposed to mean to mob. they interact like every other scene! she’s a pretty close friend to ritsu, so that means they interact even more! she’s their next door neighbour ffs! i only watched the first six episodes and i think i still saw more of her than her entire screen time in the anime put together

and apart from her being so close to mob that it completely destroys the point of him idolising her, it also meant that the writers had to come up with a full personality for her and an actual dynamic for her and mob. and hoo boy they really went and decided that the two of them would have the most awkward, unappealing dynamic ever, huh. like there’s this running gag where she always messes up the words to common phrases, and mob has to correct her, and it’s painful every time. which, i guess (????) makes sense for what their relationship is in the manga & anime, where they’re not close anymore and mob doesn’t even know what she’s like/what he likes about her, but in this show, they were trying to push them together to lean into the romance tropes, so their uncomfortable dynamic doesn’t make sense anyway??

the stageplay got it fuckin RIGHT when they went and cast NO ONE for tsubomi. like. the legend jumped out. they got mob pining for a silhouette. chef’s kiss

holy shit this got long fast. ok the rest is under the cut

i guess im just going character by character now so: dimple. weird guy. the cgi was awful, but you knew that already. but he was just....so weird. and by that i mean he was awkwardly,, never there? when teru exorcises him it’s supposed have at least some impact, but in this show he had like three (3) scenes before it (rather than a couple episodes leading up to it) (and also they cut a shit ton out of the middle of the lol cult arc for...whatever reason) so when he gets exorcised here it’s like...oh no.....that guy...........did mob even speak to him more than once.....

speaking of the pacing of this show: it’s horrendous!! good lord i hate it!! the pacing is shit awful, and it feels like they’re just throwing in ‘’’’’’’’interesting’’’’’’’’ scenes that should take place later in the story bc they know that the audience isn’t going to want to stay around for the atrocious writing! case in point: we see the flashback of mob and reigen meeting in the second episode. the second fucking episode. the reason why it’s delayed so much in the anime (and even more in the manga) has a lot to do with the unfolding of reigen’s character depth and they just?? throw it in so early?? it feels like they’re just going ‘oh by the way, he’s good, or whatever. yeah, he’s totally complex and interesting. just trust us, okay, keep watching the show’ and the pacing of that completely throws off reigen’s character arc

i can’t really remember which episode(s) this was in but they also have this weird subplot with reigen going to the bar alone (yknow..like....s2 scenes...) and lowkey being friends with the bartender guy?? i gotta be honest i wasn’t paying much attention during these scenes but suffice it to say: god i hated reigen. like sure, he’s a sleazy character, but they just made him disgusting. netflix reigen does not drink his respect women juice, and that’s all i wanna say about that

also why is he like 40 years old

anyways back to the pacing, apart from throwing in scenes from wayyy later in the plot, this show also tried to have like four or five plot threads going at once. the place that this hurt the most was probably the teru fight, where the anime spends like two episodes entirely on it and nothing else, but in this show it keeps cutting to the start of the big clean up arc (probably just so they could keep showing ritsu) and reigen’s weird subplot 

and there’s other stuff like that, where they kept cutting to the awakening lab & the scars doing psychic stuff or whatever, i guess trying to entice the audience like ‘we swear there’s plot stuff!! it’s not just slice of life!! there’s evil™ people!!’ and i guess they were gonna pull the ol’ switcheroo™ where the audience thinks the awakening lab and the scars are working together but oh no!! only the scars are evil!! the awakening lab was actually on our side!! but i can’t be bothered to watch that far

also in the teru fight, they got most of the message across (don’t use your psychic powers against other people....mob and teru are the same...) but because they kept cutting away from it they lost the dramatic impact of all of it. the choreography and sfx weren’t as bad as they could have been i guess, but they definitely showed the budget. it also didn’t take place in a school (which...fine, whatever) but it led to something i actually did like: teru attacked mob with glass shards instead of knives, and although i do like the knife metaphor + imagery, you could also argue something about the destructive nature of his power use coming back to hurt him in the shards of glass, and also something about reflections or...something. i just thought it was neat, although i don’t know why they changed the setting from the school in the first place

also in the teru fight: it was raining and ???% stopped the rain katara-style mid air, and even though the cgi still wasn’t all that good, i thought that was a rad concept. but then he just made a tornado instead of ripping buildings apart and you get the idea not a lot of it was good

back to things i hate because i don’t have a good segue!! the writing!! bad!!

i see the writers of this show engaged in the age old storytelling practice of ‘tell, don’t show’

when reigen tells mob to be a good person: “ok, i won’t show off my powers or use them against other people. i’ll become a good person”

when mob loses control of his powers and hurts ritsu as a kid: “these powers are awful and cause nothing but trouble. i’m not going to be using them again”

god i wish i was exaggerating

and, going back to the lol cult, for whatever fucking reason they decided to have that latter line of dialogue to be the full explanation of mob’s complex. like i get that there’s a time for exposition and a time for subtly, but take some cues from the original author and maybe fucking explain the main plot device of the show and not the protagonist’s sad vague backstory rather than the other way around. want to confuse and alienate your audience? good fucking job!! you’ve done it!!

and just because this was my favourite episode in the anime and im fucking bitter!! they cut out so much of dimple’s monologue and just had mob get to 100% pretty much after all dimple says is ‘get a clue.’ like. he puts the mask on, it doesn’t work, ‘get a clue,’ 100%. yeah im totally gonna care when this character comes back to try and manipulate mob later.

also....mob...........

i havent talked about him that much here, have i?

okay specifically w the lol cult first, the whole thing where they put the mask on and he’s not smiling is completely devoid of any impact because!! he’s full on emoting throughout the rest of the show!! like he’ll look worried, embarrassed, he’ll cringe or smile or whatever, and the most it looks like is that he’s just slightly uninterested, but otherwise has a pretty good grip on his emotions. unlike the anime + stageplay where it’s clear that he’s (seemingly) completely unemotional. the reason why i bring up the stageplay is bc, while i know that setsuo ito is 10ish years older than the guy that plays mob in the netflix show, i kinda wish that they just....cast him anyway.....bc they clearly didn’t have any hangups on casting adults for all the other middle schoolers, and ito did such a good job in the stageplay. he’s the only guy who is mob to me lmao (kyle mccarley is on thin ice but he can stay)

i mean mob just straight up showing emotions through the show could have been down to the directing as well. also i’m pretty sure a majority of it is bc he’s constantly around tsubomi, so. stupid decisions lead to stupid outcomes!

and that’s basically it for my weird review/rant on this show. the writing’s bad, the pacing’s bad, they didn’t care at all about the source material, i’m not entirely sure if they cared about the audience either, there was maybe two (2) changes i liked, if that, and everyone should go watch the stageplay. there were probably way more points that i wanted to bring up but i think my brain is already repressing the memory of it for my own safety

if i ever try to watch the rest of this show, shoot me

[sol1056]

if you promise peaches, deliver peaches.

After S7, the asks have been piling up. A few examples:

I was so confused in ep4 when Acxa disappeared, I thought she’d stuck with the team after ep3 and maybe I just missed the scene where she left, but others have brought that up, too.

Funny how the majority of the problems in s7 are because they tried to force BP Keith to the detriment of the story, and ironically, Keith's story, too.

I thought Lance’s family reunion would be much more emotional and be a part of his arc, since he was the most homesick, but then they gave that to Hunk?

Shiro got tossed aside in the most ableist, racist, and homophobic way, and Allura could have had a cool storyline mixing her paladinship and her castle storyline with a new altean mecha, instead of Shiro becoming a bad Allura 2.0 and Keith becoming a bad Shiro 2.0.

Srsly tho, am I the only one who finds it extremely bothering that in writing Allura and Lance they don't bother to show Allura coming to view Lance in a romantic light after her breakup?

Why even bother in S6 to make such a big deal of Shiro/Kuron saying his dream is to be a paladin over and over? Until he was revealed a clone some of us thought he was Shiro, so it's even harder to accept Shiro not being BP anymore.

The EPs seem to be so stuck in their initial idea and salty they couldn’t do it exactly as they want that they just ignore the story itself?

The EPs have spoken of being determined to get the VLD gig out of fear it’d be given to someone who'd wreck the story. That's understandable, but we're talking about a 78-episode, six-season, space opera mecha series. This genre practically demands a sprawling world and a massive cast, and it's far beyond the scope of anything either JDS or LM have ever helmed on their own. 

My guess is that JDS and LM didn’t realize the enormity of what they were taking on, or they (and their bosses) seriously underestimated the degree to which they were wholly unprepared.

Behind the cut: what I meant when I said these EPs are not storytellers.

I’m not surprised the EPs over-estimated their skill, really. People will look at a creative process like art –- where you often start young, practice daily, maybe study it formally, apprentice or intern (especially in animation), and gradually work your way up -- and they see the effort. They know it wasn’t an overnight thing. 

Too often, the very same people won’t accord that respect to the art of storytelling. It’s treated like divine inspiration, something that just happens. We’ve been hearing and reading and watching stories all our lives; how hard can it be to do it ourselves?

It’s goddamn hard, is what it is. I would love to tell you otherwise, but that’s the truth. You can rock your dialogue but you gotta track character goals, too. Complicated backstories only get you so far if you don’t understand how to modulate tension. You can have a great premise but you still gotta resolve the damn thing. A story has a hundred moving parts; scale up to a space opera’s necessary levels of epic and we’re talking exponentially more.

In my experience, the hardest part of storytelling — not the technical aspects of writing, but the art of storytelling — is holding the shape of the story in your head. The entire thing, all at once. You have to, if you’re to see how a choice at this point will echo down the line, or a motif laid here should reflect there, how the theme shifts but stays true from start to end, how these secondary arcs weave together to undergird the main arc.

I’d say a lot of what we learn in our first few novels is how to see — and hold —the story’s shape in our head. I’m not talking dialogue or voice acting or choreography. I’m talking about the overall shape, the vision and theme it establishes, evolves, and eventually resolves.

If we cannot, we will find our stories promise peaches and deliver pine cones.

Looking back, there are too many clues --- almost all given by the EPs themselves --- that they didn't have the experience to do this story justice. What they did have was a certainty that their vision was the best, an inability to deviate from that one story they'd devised, and a continual low-grade frustration at being held back.

Let's go back to the beginning. S1 starts a little rocky (to be expected as a team finds its groove), but S2 builds on S1 quite deftly. It’s not perfect, but in a storytelling sense, it’s the strongest season, and it's much too self-assured to be a beginner’s. It moves swiftly but steadily to a pivotal midpoint, and from there snowballs gracefully into its finale; it balances nuanced characterization with plot movement, and its opening promises bear fruit by the end.

In those earliest interviews and panels, the EPs are often casually vague about basic details, like character ages or relationships. At least twice their answers change, giving the impression they hadn't known and had needed to confirm with someone else. Generally, though, they're low-key and hopeful, possibly leaning on the borrowed confidence of that other storyteller’s influence.

By S3/S4, their tone shifts to a peculiar kind of non-ownership. They joke about having no idea what's going on, tossing out guesses as though they'd be the last to know. They offer head canons, rather than insight. They wear their frustration openly, alluding to the story they'd wanted, chafing at what had been decided for them.

As the story moved into the split-seasons, it's clear that whomever lent that guiding hand in S1/S2 was no longer present. Someone else’s fingerprints are on S3, and my guess is it’s mostly Hedrick, at least on the script-level. The word choices change, the cadences change, the beats change. From S3 on, VLD has all the hallmarks of a muddy vision. 

You can see that in the story’s shape. It holds together, but barely. It darts forward, then sideways, then treads water for a bit. It’s erratically paced, dropping plot points and introducing new ones, only to drop those as well. It can’t settle on a driving antagonist, and when it finally does, it can't keep the antagonist’s goal consistent. It sacrifices nuance for one-note characterization, and shoves most substantiative character growth off-screen.

This continues to S6, which generally continues the focus on plot coupons over character goals, exposition at the cost of emotional beats, and neglecting established characters to introduce left-field swerves in the guise of plot twists. On the plus side, it does manage to rally enough to end its multi-season prevarication, and put to bed questions hanging around since late S3.

It's worth noting that both EPs have only a single writing credit each, for the pilot three-parter. That makes it doubly striking that JDS chose to write the Black Paladins episode. After the season aired, JDS complained in passing about rewrites on his episode. If that seems odd, remember that an EP has final approval on every script. If it bothered him to have his ideas rejected in favor of keeping Shiro, it must've burned to have his writing choices countermanded.

From the timing and the episode credits, this must've been around when Tim Hedrick left the team --- and the EPs took full ownership. 

It shows in their post-S6 interviews. Gone are the ambiguous expressions or vague promises of doing their best. Their wording is declarative: what Kuron had been, what Shiro would be, the resolution of Shiro’s illness, the nature of Shiro’s past relationship. None is equivocated, nor couched as head canons. They’ve taken control of the narrative, and their interpretation is now the deciding one.

This change was important enough to them that they had to make sure we’re aware. There’s simply no other reason to tell us S7 had been written in its entirety, let alone tell us the original outcome. Nor is there any other reason to tell us they petitioned for — and got — permission to rewrite.

When I look at S7 with my writer’s hat on, everything tells me this is where the brakes came off. With Hedrick’s departure, there was no one left but the EPs themselves to steer the story. By whatever means, for whatever reason, VLD went from a crafted vision, to a conflicted one, to none at all.

Set aside the larger controversies for a moment, and just think about the shape of S7. It’s almost three seasons in one: the first part skips from event to event, then abruptly timeskips to reset the entire playing field. That second part in turn is divided from the last half by a two-parter that halts momentum for an overlong flashback with an entirely new cast, followed by a finale that mostly backseats its protagonists in favor of letting that new cast dominate.

There’s a common pattern in the way beginner writers react to critique, and I see that all over the EPs’s responses, from the beginning. It’s only grown worse since S6. They can’t quite juggle the story they think they’re telling versus the story they’re actually telling.

I’ve had these conversations too many times to count. I ask, how did this character get from here to there? The newbie storyteller is quick to explain, usually in great detail. I ask, but then why did this happen? The more I dig, the greater the chance the newbie will get angry that I don’t seem to be reading the story they’re so obviously telling. If I keep pushing, they’ll get defensive.

They’ll confidently assure me this is exactly the story they’d intended to tell, and if I don’t like it, that’s my problem. (They may not be able to hold the shape in their head, but they’ve probably already taken to heart the adage that one must stay true to one’s ‘artistic’ vision. The part about listening to critique even when it’s uncomfortable… that takes a bit longer to learn.)

My reaction almost always boils down to: you’re telling me this amazing story, but that’s not the story you’ve actually written.

Sometimes the best description of the shape of a newbie’s story is that of a house after a tornado’s swept through: the front door is on the chimney, the roof is half-off, and the windows are shattered in the front yard. Most of the pieces are there, but it’s all so jumbled the newbie storyteller can’t see what’s missing. They can’t hold the shape of the story in their head, so even when they know here’s where something goes, they’re too overwhelmed to remember the door they need is still on the chimney.

An epic story is no cakewalk, and boy do I give credit for that effort, but it’s one thing to learn by noodling in a fandom on AO3. It’s quite another to do it at the scale of a television series, let alone one with the expected scope of a space opera spanning galaxies. This is not the place to learn as you go.

Here’s why the shape of the story — and holding that in your head — is so important. 

Think of a story’s resolution like a fresh peach. You want the reader to bite into the peach as the culmination of everything the story has been, from start to end. But you don’t get a peach by planting pine trees. You must start with the proper seeds, and make sure what grows is a peach tree, such that your final act bears the right fruit.

I touched on this before with the promise of the premise. Themes, backstories, world-building, and motifs are facets of the seeds planted in the first act. Everything you need to resolve the story must be present when the story begins; that’s where your premise lies, and your promises are made. 

Through the entire second act, the tree must grow. The storyteller’s task is to trim as needed, bind this to that, shore up the roots, add water and nurture: this is where the theme expands, the foreshadowing laid, the questions reveal answers that lead to further questions, narrowing the outcome, each outlining the tree’s shape in sharper detail.

By the time the story turns the corner into the third act, the readers should be reasonably certain they’re going to get a peach tree. This is not a bad thing! You want them looking forward to plucking the peach and enjoying it. You want everything planted at story-beginning to come to fruition, at story-end.

That is why you must hold the shape — the vision — in your head, always checking against where you began and where you plan to end. You cannot throw out the entire tree at the end of the second act and start over; if you ignore the fruit your story is producing and insist on serving up pine cones, you’re going to have confused and possibly angry readers.

You promised them peaches, damn it.

The story is now midway through the third act. Everything planted in the previous seasons must now be coming to fruition… but it won’t. The EPs are openly (even proudly) reversing course on everything that’s come before. That means directly violating every motif, every thematic element, every bit of foreshadowing in word, image, or sound.

And at the same time, the story’s scope is simply too vast, and they haven’t the experience to juggle all the thousands of moving parts. The result is the most slapdash season, yet. Characters simply drop out of sight, only to reappear again with no warning. Themes and motifs built up over so many episodes are tossed aside as if they mean nothing.

The hand-to-hand fights are visually striking — the EPs’ strengths are in storyboarding, after all — but emotionally hollow, bereft of dialogue that could finally give us closure. Characters that would’ve once spoken openly with each other barely exchange a word; character-distinct dialogue is uttered by someone else, as though the VAs mixed up the scripts in the recording booth.

To achieve the emotional heft required for a meaningful resolution, there must be echoes of the story’s beginning. But when the beginning is negated—underscored by a timeskip that resets the entire playing field—there’s nothing to refer back to. The events now are happening in a void, divorced from the themes and motifs that created the emotional context in the first place.

This is by design; the EPs’ vision has never matched with the story as it was told to this point. They can’t go back, so they’ve rebooted. Once with the timeskip, and again with a two-parter episode that introduces new characters that can be entirely their own. Compared to the protagonists, these secondary characters have been lavished with attention to the point of overload: full names, backstories, designs. All of of that, and the time required to introduce them is to the detriment of the actual protagonists.

Whatever story VLD ostensibly set out to tell, that story is gone, now.

This is no longer a matter of losing track of the story, such that the promised peaches have transmuted into pine trees. We passed that point somewhere in S6. The EPs have burnt down the orchard to plant new seeds, while doing their best to ignore the charred stump of the story we'd been promised.

I would've preferred peaches, myself. That was the story I was promised, and that was the fruit I expected from everything I saw onscreen. But now? 

I hope you like carrots.

[xtremedespair3d]

My 10 Year Journey

It’s here. The end of the 2010 decade is finally here and now we’re finally gonna enter the 2020 decade! Although technically the decade won’t start until 2021, but who really cares? I’ve seen people hyping “Best things of the decade” and whatnot, so it still counts.

This post isn’t just going to be a 2019 year review with what to expect in 2020, the year and the decade, but I’m also telling a bit of my life over the last 10 years, though I may vaguely remember what happened, so this is going to be my longest post yet.

Also, this is going to be my final post I’m going to publish in Tumblr, I’m quitting for good. You’ll find out why when you read this post.

First, let’s start off with my usual Top 10 (and 20) lists of everything that happened this year:

Top 20 Best Anime:

20.- Virtual-san wa Miteiru

19.- Kaguya-sama: To be honest, I wasn’t quite impressed with Kaguya-sama, I didn’t like it as much as everyone else but I did like parts of it. And I of course agree that Chika is best girl. Maybe season 2 could help me change my mind.

18.- Fire Force

17.- Watanuki-san Chi No: This one’s more calssified as a dorama instead of an anime like Virtual-san wa Miteiru but whatever. With this and Virtual-san wa Miteiru, I’m still optimistic about the future of VTuber anime because I want to see more.

16-  Dumbbell Nan Kilomoteru: I really need to go to the gym again or try to practice the home exercices as shown in the series.

15.- Tokunana

14.- Fate/Grand Order Babylonia

13.- Lord El-Melloi II Case Files

12.- Ikki Tousen: Western Wolves

11.- BanG Dream! S2

10.- Quintessential Quintuplets

9.- The Promised Neverland

8.- Rising of Shield Hero

7.- Isekai Quartet

6.- Bungou Stray Dogs S3

5.- W’z: Yes, regardless of the hideous visuals GoHands has somehow fallen to grace, I really liked it so much that it helped redeem myself on Hand Shakers as a franchise because of its story.

4.- Girls’ Frontline Healing Chapter

3.- Fruits Basket

2.- Mob Psycho 100 II: Mob Psycho 100 is in a better hands than One-Punch Man has. No studio changes bound and Bones continues to deliver amazing animation that exceeds ONE’s art.

1-C.- Azur Lane: The Animation

1-B.- Kemurikusa

1-A.- Kimetsu no Yaiba: Ufotable wins for the second time in a row since 2018′s Emiya-san Chi no Kyou no Gohan series with this year’s Kimetsu no Yaiba!

All of the praise there’s been towards Ufotable with Kimetsu no Yaiba just make their other works (aside from Fate) otherwise forgettable (which is sad and I shouldn’t say that because I’m a Ufotable stan).

But, that’s not the end of the journey, there’s a film based on the Infinite Train arc happening and, surprisingly, it’s actually happening! It’s not a vaporware like the Katsugeki Touken Ranbu film or even Girls’ Work!

I’m still worried about Ufotable’s future given the tax fraud investigation, but whatever the case, I hope they can manage to clear things out and still running with marvelous projects, whatever they have in store (and literally in the shelf with the aforementioned Katsugeki Touken Ranbu film and Girls’ Work)

I had entries #1A to #3 and #20 figured out, but good lord! Figuring out what should #4 to #19 be! It took me forever!

Honorable mentions:

-Attack on Titan S3 - Part 2

-High Score Girl II

-Kakegurui XX

-Danmachi S3

-Manaria Friends

-Lupin III OVAs

-Welcome to Japari Park: This is a 2018 series but it has kept me on high spirit than Kemono Friends 2 ever has, it has given me depression instead. However, that doesn’t mean it tops the original Kemono Friends, this remains like my #2 favorite Kemono Friends anime. By the way, I didn’t know it was a two-cour series which the series got really interesting by the second-cour.

I really hope there’s another season, that teaser at the final episode has so much potential for them to not make any more Welcome to Japari Park!

UPDATE - February 1st 2020: As of the editing of this post, there’s still no season 2 to be found, or worse yet, I think it might not even be made at all. Well, it was quite a ride. F.

Top 6 Worst Anime:

6.- W’z

5.- Virtual-san wa Miteiru

Yes, I know I already had put W’z and Virtual-san wa Miteiru in my Top 20 Best Anime category, I had to include them as the worst because not only sometimes I do feel they’re kind of bad in their right with their visuals, but I’m mainly doing it for the sake of not looking like a lunatic. But there are 4 other anime that definitely need some of their own commentary.

4.- Mini Toji: Speaking of the Toji no Miko franchise, I heard that there’s gonna be an OVA based on the mobile game and my god, I really wish Toji no Miko can just die already.

(To be honest, I don’t know why I’ve grown to hate Toji no Miko if there’s nothing wrong with it. It’s just an instinct or something like “I don’t like your guts”.)

3.- Granblue Fantasy The Animation season 2

2.- Miru Tights: I really wanted to like Miru Tights because it’s Yomu anime, but the show itself was pretty boring and tries to push the tights fetish so far that completely turns me off, but the worst thing yet is that TRUSS (The studio that made the series) privatized every episode as weeks went by! I thought watching the series on YouTube with English and Chinese/Taiwanese subtitles was a great accessibility for everyone to watch it! I thought they were considerate to do that but I have to take that statement back on having every episode privatized.

This is why I absolutely prefer stockings/knee-highs over tights/pantyhose, I love me that absolute territory so much.

1.- Kemono Friends 2 and One-Punch Man 2: That’s right, a tie between these two.

With One-Punch Man 2, the visuals are a major disaster and it nowhere near follows the heart from the original by Madhouse despite having some decent sakuga moments but still tries really hard and gets ruined with motion blur. Story is relatively faithful to the manga (because I do read it, unlike you RedMakuzawa), but it just wasn’t told properly with its horrendous animation.

I’m glad that pretty much everyone is saying that One-Punch Man 2 was a disappointment.

Kemono Friends 2 is obviously the biggest thing I truly hated the most this entire year. I never asked for a completely new storyline that won’t even follow the teaser from the first season’s ending, I never asked for a completely new human character to take Kaban’s spot as the main character (I’m happy that Kaban is still here but I’m not happy with her role), I never asked for Kemono Friends 2 to exist at all!

Although, come to think of it, there were like quite a lot of good moments, but most of the time, I couldn’t care less for certain characters like Kaban and Caracal and this entire recycled plotline, not to mention the occasionally inconsistent framerates in the animation too.

Both were destined to become my worst anime of the year, no thanks to studio changes.

Top 10 Best Movies:

10.- Captain Marvel: Let’s start with a little controversial. As a Marvel fanboy, I just tend to watch every MCU movie because of the story, regardless of quality and whatever, and I’m pretty sad that pretty much everyone hates it, even my older sister. At least there’s two friends I know who did like the film and it helps make me feel better.

9.- Once Upon a Deadpool: This is a 2018 release but I happened to watch it on January 2019, so I had to include this here. Yes, it’s Deadpool 2 but with the gore and profanity cut off, but it was worth rewatching the film even toned down.

Except I wasn’t prepared for the Stan Lee parts. ;_;

8.- X-Men: Dark Phoenix: I did enjoy the film, flawed (?) for sure but it wasn’t objectively bad. The way I think it’s flawed it’s because it just made me ask a lot of questions and lacks context about who the villains are, are they Skrulls or not?

(Wow, three Marvel movies in a row.)

7.- Detective Pikachu: So I’m not a big Pokemon person, but I’m sure this year was pretty much Pokemon year, from Sword & Shield, Ash finally winning a Pokemon championship and new anime series, and of course, Detective Pikachu.

This was quite a very good video game movie with appealing realistic Pokemon, albeit the pace was a little too fast.

With that said about how the Pokemon look, I think I’m definitely gonna see the Sonic movie. I’m pretty sure it’s not gonna be as great as Detective Pikachu in terms of story, but at least seeing Sonic’s new design is something.(We do not talk about Sonic’s old design)

6.- IT Chapter Two: There’s really nothing wrong with the film. It’s just as good and keeps up the same pace as the first film!

5.- John Wick 3

4.- Shazam: DC has been quite in a roll this year since Aquaman, things just gets better with Shazam and Joker (although Joker is its own self-contained universe and Shazam is DCEU). I nearly cried on the part where Billy’s adopted family turned into the Shazam family! Quite some comic book inspirations!

3.- Fate/Stay Night: Heaven’s Feel II. lost butterfly: This was truly the most chill anime movie experience I’ve ever had in the cinema. Code Geass: Lelouch of the Resurrection was also a decently chill but at times people did yell but not super loudly compared to the other films I’ve seen.

The worst part about my experience is that I was literally dying from the very second half of film! My god, I’m definitely not drinking a lot of soda very often, I even went to the bathroom earlier. I’m blaming it on the Takis popcorn we always eat!

With that being said about the crowd in my cinema, I actually wanted to get a very lousy crowd because I started audio recording my phone so I can share to people how annoying Mexican weebs in my cinema can be, especially at that Shirou x Sakura scene, but it turns out there wasn’t a whole lot of people and the theater was in absolute peace, so I pretty much recorded the entire film in audio.

Anyways, the film itself was still pretty nice, can’t wait for the third part and at this point, I probably shouldn’t be begging for Konnichiwa (the distributor) to bring it, I’m pretty sure they’ll definitely will given that they released the first two films so far.

2.- Godzilla: King of the Monsters

1-C.- Spider-Man: Far From Home: I really quite loved Spider-Man: Far From Home and because I’m heavily biased to Spider-Man films and MCU films for this to become either second next to Avengers: Endgame, the next film just took its place for a good reason.

1-B.- Joker: This was an absolute masterpiece of a movie I’ve ever seen in my birthday! The Murray Franklin interview scene is my favorite scene in the entire film because the Joker monologue where he talks about the three subway dudes he killed and society in general just really speaks to me, it sounds similar on my existential crisis rant I fussed over on Discord servers EARLIER.

Venom was also a good birthday movie I got last year, though it came out a day later and I’m kinda sad, but Joker, since it came out exactly on my birthday, is definitely a gift I wholeheartedly deserved it! I want my movies to be released right on time! I also need more villain movies in my birthday in my life! (Though it depends which character because I’m sure I won’t be as convinced as Venom and Joker)

However, even if it was one of the best birthday gifts I’ve had in my birthday, I DID NOT let Joker to dethrone this next film...

1-A.- Avengers: Endgame: My #1 most anticipated movie of the whole year finally arrived and the one I seriously did not let this film get dethroned like last year with Spider-Verse over Infinity War! Wouldn’t you know it, this film literally brought me into absolute tears, hit me in the feels, EVERYTHING!!!

The way the film was marketed, the secrecy behind it and everything, and while the film delivered, all that stuff we previously believed has all been a lie and it was quite a surprise! They did not mess around with how important this film was going to be!

But alas, there’s still those ungrateful bastards who just ruin the film with things they say they don’t like or whatever! LIKE, SERIOUSLY, COME ON! YOU DO NOT TALK SHIT TO A MOVIE LIKE AVENGERS: ENDGAME, EVER!!! I DON’T GIVE A SHIT IF CAPTAIN MARVEL IS FORCED AND BARELY HAS ANY SCREENTIME OR WHATEVER, JUST APPRECIATE THE FILM FOR WHAT IT IS, THE PURPOSE, AND EVERYTHING!!! LEARN TO BE GRATEFUL!!!

Ugh, whatever. At least I didn’t hear that many complaints that left me a sour taste anyways.

Marvel just went so far with rereleasing Avengers: Endgame but with extra minutes of footage with cut content! That really sounds amazing, and it gets better when it was a worldwide release, including Mexico! Although... I really would have loved to rewatch the movie, but the schedule turned out to be at 9 PM, so for 3 hours, I would have gone around 12:30 or 1 AM and that’s a big no-no, I would have been killed. I also wanted to see it with my older sister but she was hospitalized at the time, and we couldn’t anyways because of the late ass schedule, so we had to wait until Spider-Man: Far From Home instead.

I don’t really care if those extra minutes are rough unfinished CG stuff that we can just see from the Blu-Ray (which I’ll never get), I just wanted to rewatch everything in the cinema, but I couldn’t because of the ridiculous schedule my cinema chose.

The moment Captain America said “Avengers... Assemble!”, I literally started bursting into tears, and so were the crowd being hype as fuck! My god, what else can make me cry from something this hype?!

There’s just a lot of stuff I want to discuss about Avengers: Endgame but I really can’t just process it! This was my absolute #1 favorite movie of the year and I definitely did not let any other film dethrone it! I love it 3000!

Honorable mentions:

Toy Story 4: I enjoyed the film regardless of everyone saying “Toy Story 3 should have been the final movie for good and this is just a cashgrab” or whatever, thankfully I didn’t cry at the ending, but I’m sad that my older sister didn’t like it for some reason.

Promare: I’m seriously disappointed that Promare didn’t come out in Mexico while America were seeing the film. I’ve been seeing fan arts galore and maybe a bit of spoilers, though I’m kind of in the dark about it. I really hope Promare comes out in Mexico next week! Just as long as the crowd isn’t absolutely noisy, though I had such experiences before, but I heard that America is much worse on noisy people in the theaters when the film was rerun a couple of times, jesus...

Top 10 Best Games:

This might be my most controversial category yet because I literally haven’t played any single of these games (except for two) and I’m heavily biased towards franchise I care the most, developer(s) I care the most, aesthetic, etc., not so much about quality and most importantly, experience by having played them at all. But even so, I want to congratulate them by their existence.

10.- Persona 5 Royal: As much as I like Persona 5 from how it is, the aesthetic and everything (I haven’t played it myself, I’ve seen my older sister play it), but it has turned somewhat of a controversial topic for me, because literally everyone I know has quite some harsh feelings on the game and it just affects me so much given how much praise I have seen, so I kind of walk away from P5 nowadays.

But now, there’s Persona 5 Royal! Not only has some cool new content, but I hope it improves some issues the vanilla version has left behind!

(I only want the new content, to be honest)

I wonder if Persona 4 had this kind of similar backlash, because I see Persona 4 Golden in a different light where it just simply adds new stuff and not try to fix the issues from the vanilla version (it does but it’s not how I see it)

9.- Kingdom Hearts 3: I’m not a Kingdom Hearts person but I’m happy that the long awaited KH3 is finally out, although it might be quite divisive because of the story and its issues, but it seems like ReMind is going to fix these issues.

8.- Pokemon Sword & Shield

7.- Marvel Ultimate Alliance 3

6.- Fire Emblem Three Houses.

5.- Untitled Goose Game: HONK!

4.- God Eater 3: I wanted to tie GE3 with Code Vein, but I was eager for Code Vein the most than God Eater 3 and I haven’t seen much of it honestly, but I’m still including it here because I like the God Eater franchise but I’m not quite an avid fan, at least until I play GE2 and of course GE3. I just need to grow some interest with God Eater some more because I really like the post-apocalyptic aesthetic and everything.

3.- Azur Lane: Crosswave

2.- Resident Evil 2 Remake: Capcom’s redemption arc continues! And with its success, it’s even lead to the development of Resident Evil 3 Remake which it’s gonna come out next year, and I’m surprised that they’re working on it already.

1-D.- Code Vein: I’ve become quite furious when the reviews for it came out. The Metacritic shows that the game is average at best and people be like “This is garbage, I’m out” and my god, I’m seriously frustrated with all that shit. I waited for a fucking year and I don’t want to get disencouraged when I’ll ever have the chance to play it.

But thankfully it didn’t stop me from seeing people playing the game and it makes me more than happy that they do.

I had to go so far on spoiling myself and... what I heard was one of the best things ever, which I’m probably not gonna spoil for you.

1-C.- Astral Chain

1-B.- Devil May Cry 5/Travis Strikes Again: I have to make this a tie for two reasons, they’re my biggest franchises in my life, but they have differing levels of my personal importance.

With Devil May Cry 5, I never thought the good DMC will ever come back, after having to suffer through DmC, there was also DMC4: Special Edition released in 2015, but that’s kind of whatever, but then, shit just got real when it was revealed in E3 2018!

Anyways, let’s talk about post-release, the story is absolutely nice, they went with throwing a bit of throwbacks and it just screams everything absolutely worthy for answers and pay-offs, though the ending feels kind of inconclusive, seems kind of they’re going to be open with maybe a Special Edition of DMC5 or even DMC6, but who knows, but then hopes get ruined as Capcom announced they were done with the development of DMC5 after the Bloody Palace release, which means no more Vergil, Trish and Lady DLCs, which it’s utterly disappointing! (But will there still be a Special Edition? It took 7 years for DMC4 to get one (2008-2015))

One other problem I have with DMC5 is that Capcom might have done a very poor job on keeping Vergil a very big secret. I think it was already known that Vergil might have going to appear in DMC5 for so long, from Dan Southworth’s (Vergil’s VA) Facebook post with the #DMC hashtag, from people editing Urizen’s voice and they found a match on Dan’s Vergil voice, to Capcom outright releasing a spoiler trailer! Sure, people sure want to avoid that trailer, but really? Weren’t they supposed to treat Vergil like he was a really huge deal for the game that’s not worth spoiling at all?

Also, the game continues to be extremely stressful with the harder difficulties, but since I have played DMC3 a long time ago, my skills haven’t gone out of practice!... Mostly.

Now, let’s talk about Travis Strikes Again. The moment it was announced on the Nintendo Switch event in January 2017, I literally started bursting into tears and yelled out loud! Later in August, at PAX, a new trailer was revealed and even if it was a teaser CG video (it’s the first game’s opening post-release) and my god, it looked gorgeous. Then things started to get sour as Atkin Downes tweeted that he was “disappointed”, that he wasn’t brought back to voice Travis or something, and I was utterly disappointed, but things changed when in December, it turns out that Robin Atkin Downes was returning to voice Travis, not only him but the original voices for Shinobu and Bad Girl are returning as well, my hope was restored! (Though I was already gonna see how the game would turn out regardless)

The game came out and at first, I saw seeing Grasshopper‘s Twitter account retweeting positive reviews from lesser known articles, which I was good at first, but then someone posted the Metacritic where it has mixed reviews, like at 70 something (under 75) and I was kinda sad.

Some people may say that the game is a disappointment and the gameplay is repetitive, and boy, I don’t give a SHIT about what these fuckheads (see what I did there?) say about the game. Though I still have yet to experience the gameplay myself (chances are that I wouldnt really find it repetitive. Pretty much every game is. Uh, hot take), but when I watched walkthrough videos of the entire game, the Travis Strikes Back segments (a visual novel-inspired segment) are what brought me ABSOLUTE HOPE for the game overall, the story pretty much has! The lore and everything that explains what happened a little with Travis’s disappearance from Santa Destroy, he’s even got kids with Sylvia, Badman’s origin story from Badman Strikes Back from the DLC, EVEN THE EASTER EGGS LIKE FUCKING MONDO ZAPPA FROM KILLER IS DEAD, ALL THE EFFORTS SUDA PUT INTO THIS IS JUST AN ABSOLUTE LOVE LETTER FOR ME AS A NO MORE HEROES FAN (And for general Suda fans too, though I’m not the most hardcore Suda fan as I haven’t played The Silver Case and other games to understand the references).

The second patch of the game came and there’s a brand new opening featuring Killer7! And this just changes the No More Heroes Universe, no, the Sudaverse!

My god, there’s a lot of stuff I want to say but can’t process, but let me just say this: Even if you didn’t like the game, or you find it disappointing, you’re wrong! The story and the lore should be the biggest redeeming factor of Travis Strikes Again!

Just when I thought I want to get a Switch to play Travis Strikes Again, a few months later, a rerelease of the game with all of the DLC for PS4 and Steam came out in October and oh boy, that gives me a huge opportunity to play the game, either on my shitty ass laptop or in my PS4 (which I finally got it after so long and I’ll later explain why)! I really hope it goes the same for No More Heroes 3--WHICH BY THE WAY, there was a bit of problem around Travis Strikes Again where people thought NMH3 was going to be sequel bait when Suda said that if TSA sold well, the development for NMH3 would start, but I didn’t care if it was a problem or sequel-bait or not, I just wanted people to buy this game as much as possible, especially when the post-credits scene straightup teased NMH3!

One other thing I find it weird about TSA’s existence, is that Suda says that this isn’t much of a numbered sequel or a spin-off, I don’t really get what Suda means on what TSA is, but I’m still treating it as a sequel storywise, considering that NMH3 takes place after TSA. The post-credits scene definitely doesn’t mess around!

Then E3 2019 came and... NO MORE HEROES 3 IS A REALITY! IT’S DEFINITELY HAPPENING AFTER 9/10 YEARS!!! I’M REALLY GLAD TRAVIS STRIKES AGAIN GOT SOLD WELL ENOUGH TO MAKE NMH3 HAPPEN, AAAAAAA, I’M SO HAPPY!!!!! I NEED A SWITCH TOO!!! THOUGH I DO WISH THE GAME WILL COME OUT ON PS4 TOO, BUT AT THE MOMENT, I WANT TO GET A SWITCH FOR NMH3!!!!

Anyways, I’m done discussing Travis Strikes Again.

I put these two games as a tie for big reasons: They’re both my favorite franchises I hold dear the most (though I absolutely hold NMH at the very bottom of my heart more than DMC), both games are fighting between their pros and cons, one I definitely have played (DMC5) and one I haven’t (TSA)...

Let me point out their pros and cons real quick:

Devil May Cry 5:

Pros:

Amazing gameplay and graphics.

Amazing soundtrack.

Amazing story with neat throwbacks.

Cons:

Development finished, so don’t expect any more DLC.

Travis Strikes Again:

Pros:

Story that’s a much bigger love letter, helps explain what happened to certain characters after NMH2, etc. And even features Suda51 easter eggs.

Two DLC expansions than DMC5 will ever have.

Cons:

Kind of whatever gameplay. (for other people, not for me)

I do think Travis Strikes Again is much better in terms of content than DMC5 but it’s kind of a debate. They’re still amazing games regardless!

1-A.- Death Stranding: A Hideo Kojima Game = Instant #1 winner. And perhaps this is the most surprisingly divisive Kojima game I’ve ever seen in my life (Perhaps more or less divisive than Metal Gear Solid V: The Phantom Pain), at least with the reviews alone (At least in America, Europe and Japan have 9s, 10/10s), that doesn’t stop from seeing quite some cultural impact already, memes, fan arts and stuff.

I’m disappointed that it didn’t win Game of the Year in The Game Awards because obviously it’s such a big game, though not everyone really cares and it makes me sad, at least it’s still won some awards and won GOTY in other not-so relevant award shows.

The game is pretty much filled with an excellent gameplay, with a bit of realism where you trip yourself with rocks and everything, the game is filled with quite some originality, the actors, easter eggs, pretty much the most ambitious Kojima game ever and I’m having a damn fun with it!

As of the writing on December 28th, the day before I just beat episodes 4 and started episode 5, so it seems like I’m still long ways off on finishing the rest of the game and I still haven’t finished through the story (which I don’t find it confusing, by the way).

Part of the gameplay definitely reminded me of Metal Gear Solid V: The Phantom Pain, the controls and everything felt familiar and it was really neat, even if it’s something for a completely original IP, part of the gameplay was still familiar with some MGSV vibes.

For those of you who think that Death Stranding is a disappointment or whatever (looking at you WatchMojo and everyone else), you are absolutely dead wrong! I don’t know what kind of Kojima game you definitely expected to be so bad but turned out to be something else, just get out of here and try to focus on something else, maybe you’re better off with seeing Kojima things with Metal Gear! Death Stranding definitely isn’t for everyone alright, especially for assholes like you!

I definitely expected Death Stranding to come out on 2020, but I enver thought it might already come sooner in November 2019 (Although Kojima did tease it might come out in the “year of Akira” (being 2019), so I guess I should have seen that coming, I completely forgot about it). Kojima has come a really long way with making his new studio, hiring people, finding studios to cooperate and make Death Stranding, everything in just 4 years and it was amazing for him and his team to put all of their efforts when it comes to making this and the wait was definitely worth it!

Honorable mention:

Custom Order Maid 3D2 English version: I had played the Japanese version before and I see there was a trial version for the English version. I hadn’t really thought it was gonna be an actual thing until I started seeing a Custom Maid Twitter artist retweeting a tweet of a Japanese gaming news site that the page for Custom Order Maid 3D2 was live.

Things around the English version of the game are relatively fine, but that is until the CR shop maintenance, talks about how to improve it, and even considering outlandish requests people make which aren’t on the original Japanese version of the game, the kind of original content just screams a huge insult for the Japanese Custom Maid community. Shit gets worse when the people I have talk with can’t even access the Steam page!

With all of the content that’s way behind and everything, I decided to go back to playing the Japanese version (especially when I found a torrent of CM3D2 + COM3D2 with all of the DLC until Spring 2019 or something). Except that given that it has way too much content, it’s so fucking slow for my laptop. But at least I’ll use the JP version for making characters and screenshots and I’ll play the English version for the campaign.

Whatever brand new original items might end up being, I hope they might be interesting enough for me to start begging for them to come out on JP so hard.

Alright, here’s a non-biased GOTY list with new releases that I HAVE actually played and some older games too.

3.- English Custom Order Maid 3D2

2.- Death Stranding

1.- Devil May Cry 5

Honorable mentions (Older games):

Valve games: Half-Life, Portal and Left 4 Dead games.

VA-11 HALL-A: I’ll explain the story of how I came to play this game later down the line.

Saya no Uta: Steam release. I know I probably shouldn’t rely on official Steam releases and go for the fan made translations especially when they don’t have the adult content, but the thing is I didn’t have trouble buying the adult patch, and it was super cheap too. Besides, I don’t have any trouble with the translation so far, even if I don’t really speak Japanese, even if the little I know I definitely understand with the official English translation, so I’m not really dumb.

Melty-Blood: This is the first fighting game I have played for a bit in a long time when I’ve grown to be less of a fighting games person. I haven’t played the story campaign nor I would want to right now because I’m going to save it until I play Tsukihime just so I can understand some characters and other things.

There, you happy? (I’m definitely not using this non-biased list at all and honestly, it’s a hard tie between DMC5 and Death Stranding because I love these games right now)

Anyways...

Dishonorable mention:

Left Alive: I’m not really mad about how bad it is, but it sure looks quite unplayable. How did the developers even get away with making a broken game like this? The only things I can appreciate this game is how good it looks (at least on still), and of course the Yoji Shinkawa art.

Instead of doing a traditional review focusing on 2019 alone, I’m going to explain my journey I went through for the last 10 years, of course I’ll review the year 2019 in there, and after that, my resolutions and what awaits me in 2020. I may not remember everything, I only remember the biggest parts of my life.

Worst game:

YIIK: A Postmodern RPG: Every time I look at the game, mainly from the writing, I can’t help but think the game just gives me an existential crisis, because if I pull some shit like how they referenced a real life death of someone and among other ludicrous things, I think I’m definitely walking away from joining the industry and for my creativity to exist.

Bonus

Song of the year

“P.S. RED I” by TK from Ling Tosite Sigure: Spider-Verse was a 2018 film, but it didn’t release in Japan until March 2019 and what better way to promote the movie is having a kick-ass theme song by TK! Seriously, ever since I’ve been seeing the Japanese trailers and I heard a portion of the song, I was absolutely eager to check the full song, and once I started listening to it, I couldn’t stop listening non-stop! I’m not sure if it’s actually featured in the movie, but even if it’s not, at least this song is still something!

Ling Tosite Sigure (The entire band) also made another Spider-Man song this time for Spider-Man: Far From Home titled “Neighbormind”. With these two songs, I want TK/Ling Tosite Sigure to make Spider-Man songs forever!

Sorry, Devil Trigger, even if Devil May Cry 5 is a 2019 game, you already came out last year.

Artists of the year

(NSFW content warning)

Ogata Tei: I sure am super fixated on Ogata Tei’s Childhood Friend series because at the beginning of the year, I really couldn’t care much for his new works, but until Summer, my spirit has been lifted where Ogata is still delivering more of the series, not just once but twice in two Comikets in a row! I seriously can’t wait for more Childhood Friend series to come out and buy every single one of the doujins! (If possible, I also wish Ogata Tei wouldn’t be so slow with the DMM FANZA releases because the previous two doujins took about a year for them to come out digitally) (Also, please, I’m not a stalker)

Hinosuna: This one is truly the best Custom Maid 3D2 artist I’ve ever seen and met, not only he makes amazing futanari CM3D2 pictures and he’s quite a gamer too. He’s also the first Custom Maid person to make collab pictures with my characters and he did some in July and for my birthday, and he event went so far for gifting me VA-11 HALL-A on my birthday and boy, that was one of the best surprises I’ve ever gotten in my life!

I’m really sorry, Souryu, no more Kouiunogaii, not worth mentioning you here.

(This is probably gonna be the last time I’m going to do this category)

And now, we’re finally done talking about our Top categories! Now let’s finally start talking about a bit of my life in the last 10 years, and then my 2019 review and what to expect in 2020!

2009: Let’s start off with a little silly but upsetting, this was the year where I made my definitive Roblox account. I have played Roblox like a year or two prior as a guest but I finally started to play as a full account or something. I’ve always been making like a few but I wasn’t getting satisfied with them, probably because the usernames had really long numbers, e-mail or password, something like that, but then one of the usernames with really long numbers stood out, and I decided to make into the Brandon2126 account, I played it non-stop until I stopped playing Roblox for good in 2013 the moment I got my PC fixed for like the 5th or lost count for how many times my old computer kind of got messed up, but this one had finally has Windows 7 Home Premium and my sister was like “No Roblox.”, and it magically made me stop playing Roblox anymore. And in the process where I was making the accounts, I was genuinely being yelled at and beaten and even threw water on me in the process... yeah.

There’s another bad memory in 2009 I have, and it’s where I was watching Life in Portal: Madness on Newgrounds, this predates Avengers: Infinity War with the most ambitious crossover 10 years ago, but for some reason, this kind of encouraged me because I kind of hated how they killed Eddsworld (or just Tom), my mom started talking to me and at some point, I yelled at her to the point that I legit made her cry... yeah... this was probably like the first time, even at almost 10 years old at the time, I was becoming a human trash like I partially become today...

Okay, what a lovely way to start my 10 year journey from 2009 with some bad memories, but now we’re moving on to the next years with short but good memories... that is until you reach 2012 or 2013.

2010: I don’t really remember much of what happened this year, but the only thing I remember is that in Halloween (October 30th or 31st), I went to an anime convention with my older sister, it was really neat but then I saw a booth with a screen playing Highschool of the Dead, and the one frame I remember is the bloody floor from episode 2.

I wish I can go to these local conventions very often but at the same time I tend to think how kind of cheap and poorly made are by my city’s standards or something...

2011: This was the year where I started to finally get gaming consoles, starting with the PSP Go, and it’s where I first started playing Metal Gear Solid: Peace Walker, and I believe this was my genuine first Metal Gear game I started playing. I grew up with Metal Gear with Egoraptor’s Awesome series but I definitely haven’t played any of the games at all.

2012: I vaguely remember what happened to me or what were the most special things that happened and did, but all I can remember is that I’ve had some really bad problems with DeviantArt. Going by BMT2126StudiosMK, I had some seriously bad behavior during those times, to the point where I was kind of like straight-up method acting or something like that, and thinking about it just grosses me out and wish I can go back in time to stop myself for how I was back then.

2013: My problems with DeviantArt start to get much worse when this shit happened. Geez, 13-14 year old me was the absolute worst, ever.

That aside, ever since I played Metal Gear Rising, I can’t help but think that the game has gave me so much inspirations for the projects I want to make, it pretty much boosted my creativity in terms of the weapons, the technology, everything else in MGR.

2014: This year was my worst yet. It started with one of the best moments of my life early that year, because I get to watch Highschool of the Dead in my own cable TV with my older sister. I happened to notice that HOTD was coming to Mexican TV from a Facebook group about people who want to change Cartoon Network LA by removing the censorship and every other crap the channel has, if it weren’t from that group, I wouldn’t have ever known about it.

But in a few months later (I forgot specifically when), one night, I was watching La Sopa (Mexican version of The Soup), and when it was on commercial break, I checked my Twitter a bit, but when the show was back on, my sister came back and spotted me using Twitter, she yelled and then I ran away to my bedroom upstairs... There’s a lot that happened after that and either I can’t remember or I don’t really want to talk about it. Anyways, long after this happened, my family scolded me for who knows how many times I’ve been through this hell, the following weeks I’ve spent my life trying to make alternate accounts just so my sister won’t notice, but she ultimately has.

2015: This is where I finally started to become independent, like I was finally free from using my computer right next to my older sister, it happened like early in the year where I got to watch anime on my own and then watching seasonal anime ever since, starting with the Kancolle anime. (Regardless of what everyone says about it nowadays, I still enjoyed it)

2016: Here is where starting with Batman v Superman is where I had a hatred for critics. Every time a movie came out, they’re rated as trash, but when I saw them, they’re not really trash at all.

2017: This year has become my breaking point and I turned into the person I am today, someone with an absolute vendetta against opinions, I even had to make a post about my problems with them nowadays.

2018: You already know by now what a painful year 2018 was, and I can’t even bother to transcribe pretty much what happened, so I’ll leave my review here.

There were a couple of great moments, but the majority were painful moments after another, but still some positive ones somewhere.

If all my stories from all these makes make you disgusted at me as a human being, you’d better stop getting along with me now.

2019

Alright, time to finally discuss everything that happened to me this year and before we do that, let me give you a small headline of the year overall:

2019 is just as bad, if not, MUCH MUCH WORSE than 2018

Life continues to be a dumpster fire to the point where I’d really like to time travel and just stop everything. one can only dream. Anyways, let’s discuss why 2019 was my worst year yet, starting with:

The worst moments that drove me insane and nearly destroyed my life

For starters, the first two months were a hell of a rough start with my usual problems with my obsession with personal opinions and lack of progress in my novel; as for the latter, I had my older sister give me feedback on a few elements, but she later suggested me some ideas I’m not super comfortable at all, like not using real locations, nationalities, etc., literally make the entire world of my novel fictional, I had told her to not make me ruin my baby any further, she replied “good luck”, so I gave up on talking to her on my project for good.

Then in late March, one of the most heartbreaking incidents I’ve ever witnessed was that artist LOLICEPT and all the harassment he went through by one or two people thinking that one of his pictures was a poorly timed joke for the earthquake. I wasn’t aware of this until I saw hews tweeting about it, I was wondering what’s going on and I was looking at replies of that tweet hews made about LOLICEPT.

Then, I started tweeting thanking hews about a bit of context, while he wasn’t like 100% sure first, I thought that it was still something of a clue. Someone got in our conversation saying that they’re writing a thread of what’s happening and I was on board with the idea, I waited a little while and the document went live, I read the whole thing and I couldn’t help but feel heartbroken about what happened.

There was like a lot of shit that happened, but later on, I noticed that LOLICEPT was still active on Pixiv under a new name: Belko, he started like a day after the incident happened and deleted his old LOLICEPT accounts and I was late into that. Then on May, I noticed that he had a Twitter too, I thought he wouldn’t return to Twitter anymore but now he has, now my life seeing LOLICEPT again, even with a new name, is all I need, and I’m glad he’s still drawing which it’s the most important thing... although I have a complaint and I made a thread about it, but regardless, I’m glad he continues to draw, that’s it.

Now, there’s another issue that happened to another artist, I saw this tweet where it was an artist named kun0 and his girlfriend insulting DreamNekoTV’s art style live on Twitch, and that is not something you should do, you do not criticize artists like that. As someone who hates criticizing art and artists (well, I do have my rights to criticize whatever they make sometimes, I vent them out on my private server, but I do have a rule of NOT criticizing right AT them or anything; Okay, maybe art critique should still exist, but not like this, okay?), I just really can’t stand people criticizing whoever artist and their art style and stuff, because, well, that’s their art style and they all try their best (that is part of why I was never fond of the Saberface jokes on the Fate/Type-Moon community, same face disorder jokes is not something that should be ridiculed). This backlash was very big that not only fans, but even creators like Jacksepticeye, DrLupo, Joey The Anime Man, and many others have expressed disgust over this, and with that, DreamNekoTV has gained over 40k followers at the time (Right now she sits at ???k at the time of uploading this post).

So 2019 wasn’t the best year for artists.

With the kun0 controversy, I wish it had a much MUCH bigger impact, not only for the art community, but like the entire world as well, for non-artists like the creators I mentioned above have expressed.

But wait, things get a lot WORSE in the art community!

An artist under the name @Naju075 made this picture of Nessa and there’s nearly a thousand comments, most of which are people talking shit about “neSSa iS nOt BlAck eNOugH” or something like that, then there’s people who of course defend the artist, telling the artist to ignore the haters and even a meme of the art police who think they are vs who they are in reality (the former is they’re being like normal cops and “making things right” and the latter they’re straight-up clowns). This kickstarted a running gag amongst the art community where artists would occasionally make pictures of Nessa with intentional different color skins, including one from BOW with a rainbow Nessa, and even one from hews with a completely white Nessa intended to bait.

But that isn’t the worst of all, the next thing I’m going to discuss is the grandest worst thing from the art community yet:

Tutorial artist Manga Materials had posted a “Difference on a beginner and a pro’s line strokes” tutorial (which you can see on her Pixiv Fanbox now), this had caused controversy by a couple of assholes (Here are the culprits compiled by Andyface) were harrassing her because they thought her tutorial was “offensive” for the “beginner/pro” part. This harrassment was so bad that Manga Materials herself lead to close her English Twitter account for good, and she’ll continue doing tutorials on her Pixiv Fanbox account. She still has her Japanese Twitter account but she’s taking a break from it for a while and continue her work on Fanbox.

(Messages from her Fanbox: 1, 2. (Even though that second one is similar, but there’s still a different message in there))

This was the second artist scandal that pissed me off so grandly, it breaks my heart seeing artists suffering like this. I wish I could continue supporting her and see her tutorials, but I hate Pixiv Fanbox because it won’t let me use my debit card, and her subscriptions can be... quite expensive to say the least.

Like the LOLICEPT incident, as I mentioned that Manga Materials had deleted her Twitter, I don’t want to judge her decision, especially for a very sensitive person, I just would really like to see her pictures archived or anything. We’re going back to square one with the archive thing I mentioned with LOLICEPT above. (I wouldn’t like to be repetitive)

There’s another artist controversy that happened on early July, but it isn’t much about harrassment, it’s about plagiarism. Sky-Freedom had posted an Oneshota series titled “Rich Thots” starting on January this year (or late December because there are some pictures that Sky-Freedom hasn’t posted on Twitter; and the series wasn’t explicitly called Rich Thots, but the first pictures had “rich_thots” as the filenames so people took that as the series’ name), I never got to see the NSFW pictures from his Patreon until late June, I managed to save every picture right on time. Then, on July 1st, I checked my mail and I saw a picture Sky-Freedom posted, then I visited his Patreon... and every single of the JK oneshota pictures are gone. Sky released his apology and I was utterly shocked. It turns out that the first picture Sky made was a straight-up copy from a similar picture made by an artist called Shinjiro (@shnr2626/@shnjr4545). To think that Sky-Freedom himself would copy from another artist... This is hard to believe.

I want to keep supporting Sky-Freedom, but at the same time, I don’t want to anymore. Not because of the fact he plagiarized, I want to keep supporting him but I can’t even bother to care for his other content, such as Tejina Senpai and Azur Lane doujins which he sold at C96 like fire.

I wanted to ask Sky and Shinjiro about it but Shinjiro blocked me on Twitter (at least he blocked me from his talk account, I’m still following his art account fine), my obsession was so great that I even went so far on making a Twitter account (It was originally @JKOneShota but I changed it to @SkyOneShotaFan to be more a direct reference to being a Sky-Freedom JK oneshota fan account) to try to spread word and try to make both artists to communicate each other a lot more with the help of my feedback as to what I believe in the pictures themselves, unfortunately the account hasn’t met my expectations on spreading word and everything like I wanted, I want to delete the account now but I’ll leave it for historical purposes, even though it was meaningless. At least it serves as an informative account or something.

August 28th, 2019, the shnjr4545 Twitter account posted a new tweet, I signed in the Save Rich Thots Twitter account and spammed “ JKおねショタを復活させる” (Revive JK Oneshota) to that tweet, as well as the previous one (Seeing this image just adds fuel to the fire on the controversy) and... got blocked. I thought this was a pure art account and didn’t give a crap on people, yet here I am. 😂

So, yeah, Shinjiro pretty much doesn’t want you to talk about the Rich Thots series at him, or else he’ll block you. Don’t asking him anything about it, just stay silent.

But wait, after all that ranting with Sky-Freedom vs Shinjiro over Rich Thots, on October 7th, Sky-Freedom has revived the Rich Thots series and OH MY GOD, I COULDN’T HAVE BEEN HAPPIER. My heart and faith on Sky-Freedom has completely restored! (So much for that “protest” account. Although from October 7th to November 18th was kind of disappointing but I hope the next few weeks will start to get better. Even with the two new onee-sans featured lately, I wish Sky can reuse the other three girls before the plagiarism bullshit. At least change the two black haired girls a little bit and the blonde gyaru is 100% original)

Another thing I want to talk about artists is how at least two of them have been driving me insane with their art block. Moisture and sub_res, but the latter is the absolute worst). There isn’t really much to talk about with Moisture other than he just complained a lot about his “inability” to draw and stuff, I forgot when it happened but at least he’s stopped complaining. Now, moving on to sub_res and boy, I seriously hate this guy now. He complained literally every single day about his art block, his inability and all that stuff and no matter how many people tell him his art is fine and all that, sub is very neglective about listening to his fans and everything. He’s still going and at this point I really don’t want to follow him anymore if he continues to whine like that.

I seriously shouldn’t underrestimate the struggles artists have because I’m an expectator, but even if I’m a hobbyist artist, I do have my struggles to, but I do deal with them, I’m more confident with whatever I draw than sub does, especially when I don’t have such a mentality when I see some fine ass drawings as utterly shit (well, sometimes but most of the time not really) like sub.

There’s yet another artist drama around early November with artist Piukute062. It all started with him uploading this NSFW looking picture which it became the loading screen for the English version of Azur Lane. When I saw this picture, I thought it was super hot, but it was NSFW enough to be in a Azur Lane loading screen contest, and it happened... but only for an extremely short period.

As soon as the loading screen went live, it got removed out of the blue. Then a day later when Piukute posted a WIP for his next art piece, he stated that it got removed for the R-17 art, which it was expected because I always thought it was NSFW enough to be in the contest, but at the same time it sucks that it got removed. Two days later, he released an apology note to put an end to this drama for good.

Now, I’m glad that he’ll continue to do artwork for Azur Lane, whether fan arts or official, and he’s learned from this drama, but to be honest, I’m kind of conflicted about this...

Seriously, 2019 wasn’t the best year for artists.

Anyways, sorry for dragging all my talk with art and artists, but this shit matters for me as I’m more of a hobbyist artist. Anyways, let’s move on to even worse things that happen in real life.

On May 22nd, I went to Walmart with my mom and older sister, I find the Matchbox Jurassic World cars I wanted to buy, and we did, but when we were checking our bags when we were about to leave and pick the taxi, the cars went missing and we went rushing on searching for them, then a man came and and asked for the cars, and we were glad that this man came to give us the cars, but my mom and sister were in an argument and yelled at me that I need to be more careful, I felt a little sad and broken I had to make a thread about what happened, then my older sister messaged me on Discord and said that her friend saw what I posted and then she apologized. A friend of my sister, okay? Uh, okay.

Before I continue, let me address something: I think around early June or something (It’s been a while and I forgot), I was in the RPG Site Discord server and people talked shit about Persona 5, and pretty much everything they say about the game just hurts my soul so much that I decided to make a TwitLonger post about why I’m practically done with the Persona series for good. Later I made a bit of off-topic rant, going a bit existential and then I went to sleep. Then at 7 AM, my mom just came to my bedroom and she argued with me about the depressive stuff I write, she even went so far that the government was watching me. (Now that I think about it, there’s no fucking way that’s true). Later I checked Discord and my older sister DM’d me saying “My friend saw your stuff again, you need to lay off the internet for a while. You take people’s opinions too seriously.” It seems like my sister’s friend was apparently my stalker, this was starting to feel like 2014 all over again when I got stalked by one of my sister’s old friends. Wow, way to keep ruining my life for my “own good”... Thankfully a while later, they got suspended, and when they got back, they stopped following me. Moving on...

Etika... What happened to Etika was really sad. I don’t really want to talk too much about Etika because I’m scared that I may speak ill of him, but everything that happened to him leading up to his death sucks. Then there was also the Kyoto Animation arson, which that was an absolutely horrendous even to ever happen in Japan in recent years.

Around the same time Etika died, and I shit you not, a few days later, my older sister was hospitalized for her behavior, I don’t really know what happened but I remember hearing my mom having a phone call with the hospital and then i heard my older sister yell “WHO ARE YOU CALLING TO?!” and then they left and she got hospitalized.

Then around the same time, there was quite some problems with a DM group made by one of MysticDistance’s friends. First off, I’ve had quite some rough times with MysticDistance’s DM groups and I seriously feel bad because I hate being the way I am with my opinion vendetta, I can be quite a bitch. Anyways, with this new DM group by one of Mystic’s friends, first thing was that when my older sister was hospitalized, I spent most of my money buying stuff from Steam because it had the Summer Sale at the time (and bought other things that was a little expensive like Wallpaper Engine), then when I noticed my debit card’s wallet (Yes, I finally got a debit card, more details later), I started... e-begging, to get a bit of money so I can get like 300-400 pesos back because I needed the money for the three of us to go see Spider-Man: Far From Home, someone brought up the subject of our finances and one person got really mad at me because when I had shared my PayPal.me link about my financial struggles, someone else shared the other person’s PayPal link about their... cancer donations, and the person who made the tweet linking their PayPal for cancer donation really lashed out at me real bad, later I eventually clarified and all seems went to normal.

There was another situation in that DM group but we’ll get into that later.

Also, let me rephrase that, when my older sister was hospitalized, I spent most of my money I was supposed to use for Spider-Man: Far From Home buying shit from Steam! Man, I can’t get any worse. But don’t worry, my financial struggle quickly got fixed as one of my friends definitely volunteered to give me 20 dollars, which equals 400 pesos! The dude just saved my life.

My Summer vacation was the most boring and shallow vacation I’ve ever had in my entire life.

August came and went, and while the first few weeks were fine, like around the middle of the month, it just turned into absolute hell: Spider-Man leaving the MCU... but then that quickly got resolved a month later.

September came and there really wasn’t much big things to talk about, moving on to October boy, my 20th birthday was the absolute best I’ve had in my life. Still nowhere near the kind of birthday I always want, but I got some surprises and stuff that I’ve always been looking for. I’ll address this later in the positives of the year. Although there’s something I have to say which made me sad, but thankfully happened a day after my birthday: One of the Custom Maid 3D2 artists I’ve liked, kirishima_ss (NSFW, click with discretion) blocked me on Twitter after I tweeted them that yesterday was my birthday. Like... seriously dude? I just turned 20! Did they block me for the sake of not getting suspended from young accounts interacting with mature ones?! Or are they racist?! I kinda want to tell the other Custom Maid 3D2 artists who follow me but I don’t want to get them in trouble and they’ll end up getting blocked too...

Then like at the end of the month, I also got kicked out from the one DM group because I shared one of MysticDistance’s tweets saying something about popular series and whatnot, I asked what do they think and everyone proceeded to give answers like “I don’t care” and such. Me bitching out, I was like “...Really? Try to put some more heart to it” and one of the guys used me as an example of if a series is popular I kinda get angry with opinions and something like that, I asked that if that was really necessary to use me like that, and then I noticed that I got kicked out of the group out of the blue. I asked SAL about it and it appears that one of the people who was in the chat blocked me, I immediately thought of this one person and she did indeed block me. Well, okay, I always had the feeling she hated me anyways. (ROT13 message incoming)

Ebfr naq Wnevq, vs lbh obgu ernq guvf, ab, V'z abg tbvat gb haoybpx lbh. Jryy, V qvq sbe gur fnxr bs lbh ernqvat guvf, ohg bapr lbh qb, lbh'yy creznaragyl erznva oybpxrq sbe gur erfg bs zl yvsr orpnhfr V qba'g jnag gb frr lbh nalzber.

Wnevq, lbh'er fbzrgvzrf qvssvphyg gb gnyx jvgu, ohg Ebfr, V'z fhcre fpnerq bs lbh xabj gb gur cbvag jurer V ernyyl pna'g nccebnpu lbh ng nyy, V nyjnlf unq gur vzcerffvba lbh fgnegrq gb ungr zr rire fvapr gur gvzr V r-orttrq, naq abj lbh qb ungr zr naq lbh whfg xvpxrq zr bhg bs gur QZ tebhc, irel sbaq bs lbh gb trg evq bs crbcyr yvxr zr, V ernyyl tbg bire lbhe areirf jvgu gnyxvat nobhg gur fnzr vffhrf V unq sbe gur ragvergl bs gur lrne be whfg orvat n cynva nffubyr.

V qba'g ernyyl pner vs V'z xvpxrq bhg bs gur QZ tebhc abe V jnag gb erwbva, V jnf trggvat gverq bs frrvat zl Zrffntrf gno trggvat gur 1 vpba rirel qnl. Fb ybat.

November went by and nothing very big, but I have to say, and this isn’t much of a positive nor a negative thing but I need to address this here, on par with the first paragraph of this segment: When I opened Chrome and started checking on my WordPress site for my project and under my pen name, I came across two which were posted on October and I really have never noticed it in a month. The first one was just a guy saying “Hype!” because he was intrigued with my project, but the second comment from the same guy... was quite a long harsh feedback I’ve gotten so far. (Not the first or the most unhelpful (although it kind of is) but come on). The only feedback I genuinely care for my future as an author is I want grammatical issues, narrative issues maybe so I want everyone to give me suggestions on what do I do with certain characters I’m not sure about, but issues about the concept?

Let me real about this, the only kind of feedback I care about are grammatical issues, narrative issues maybe because I want to fix some character backstories and other things I’m not really sure with, but issues with the concept and everything? I don’t give a shit. Can’t there ever be some liberties with having to make some things without considering too much backstory or anything?

Oh, I almost forgot to tell something from November, I FINALLY GOT MY PS4!!! Though... the outcome didn’t turn out as hype and peaceful like I wanted. My mom and my older sister started arguing because mom used all of my sister’s money, and my sister got aggro. After seeing my mom and sister argue, my mom told me to come with her to go back home, but I turned and walked away from her and I said “I’m not going because you’re useless”. But then, I immediately felt bad and tried to search my mom around the plaza, but whatever, I decided to go home once and for all while my older sister was still hanging around in her own.

Later that day, my sister came back home, she and I finally set up the PS4 and I started playing Dark Souls 3 (Yes, I now understand how Git Gud feels like), but then mom came back home and she and my sister started arguing again, they even went so far to return and sell the PS4 back, then I (tried really hard to) pillow yelled that they were gonna sell the PS4 as soon as we bought it. But then, the next day, all got resolved and it turned out to be my sister’s fault for something. I have no idea what just happened, but hey, we’re not selling the PS4 anymore!

Seriously, my mom and sister are incredibly stupid, I always think their chemistry sucks. I wish either of them are dead already if this kind of shit continues to happen.

Anyways, moving on. December came and went, and the biggest thing that first happened and must talk about: The Game Awards. This was the biggest waste of time I’ve ever been, and the absolute worst one yet. The only things that I cared about were the No More Heroes 3 trailer (which I’ll talk about later), DMC5 winning Best Action game, and Death Stranding winning a couple of awards (I’m truly disappointed that it didn’t win GOTY, but at least it was something), everything was maximum sleep.

Anyways, Christmas came and I got some decent gifts: I got me a fluffy blanket, a new wallet and 500 pesos from my aunt. I got a new bath coat and a wristband from my mom. They’re good gifts but they certainly don’t top last year’s Christmas gifts where I got a new phone and Spider-Verse. (Speaking of which, I wanted to buy the Spider-Verse wristband but mom didn’t want me to because she thought “nobody wears wristbands”, and somehow she changed her mind with the one she just gave me. Now I need a ring so my hands look cool). I hope next year I get much better gifts, something crazier and expensive, though I might be asking for too much. Same with my birthday. But hey, at least the chocolates are always a nice side-gift (?) to get. (We always get bags full of various chocolates for Christmas, and got one for my birthday too)

This last paragraph wasn’t so much of a negative thing as it is more for positive, and this category is more like a long telling of my life in general throughout the rest of the year anyways.

And now we’re finally here, New Year’s day and, what else? You’re reading this post talking about my life throughout the decade and my long 2019 review.

Seems like there’s nothing else to discuss, so I think we’re done talking about the mostly negative things that I’ve been through in my entire life this year. But we’re just getting started...

The positives

For the most part I have pretty much discussed a lot of very negative things that happened in my life, but I had to do it so I can get it out of my way and I want people to understand what I’ve been going through in my life this year. It may or may not be worth getting sympathy over something that’s always my fault and stuff that is common in life, but at times it really drives me to give up on achieving my dreams and kill myself, but now the entire year wasn’t that bad like I think it is, so let’s discuss my biggest positives:

Starting around January, I finally got to have my own debit card and that seriously changed my life... For the better and for the worse. You see, the one thing I always do with my money is spending over 100 pesos on supporting artists, mainly on Fantia every month(Sometimes on Patreon when their pages are the ones that take away my money instantly, I’ve seen some that don’t really take away the moment I subscribe to one of their tiers), I also bought porn illustration CG sets in DMM FANZA. At some points, I went into a serious financial struggle. So yeah, I pretty much always spend my money with porn every month. I kind of wish I could try to save my money a bit, but sometimes, the Fantia artists’ content is too good to ignore them (Some pages have their contents posted limited for a month, others are unlimited).

I haven’t spent my money only on porn alone, I also bought games on Steam, especially during the Summer Sale. I bought various Valve games, Melty-Blood, etc. Even long after the Summer Sale, I managed to buy Killer7, Saya no Uta and Custom  Order Maid 3D2 (English Steam).

Man, my debit card is my best friend, I can finally start buying stuff and supporting artists I really care about, though the only problem is that I want to support artists on Pixiv Fanbox but Pixiv (Yes, all of Pixiv) won’t allow me to use my debit card at all. Sometimes Google Play is for some reason broken because when I try to buy stuff from Fate/Grand Order and Azur Lane, I always get an error despite putting my information correctly, but I hate Pixiv the most because they definitely strictly want credit cards. Sure, I can still use PayPal to support artists on Fanbox, but there’s no way anyone would ever give me money on PayPal.

Another best thing that happened in my life is that I finally achieved one of my long gaming dreams, I finally own a PS4 after years! Though, like I said, the outcome turned out grim, but still, I finally own a PS4 after so god damn long! My first PS4 games are Dark Souls 3 (We bought it along with the PS4 from some promo in the RadioShack we bought the PS4 from), Devil May Cry 5 (I never expected my older sister to buy DMC5 from Amazon a few days after buying the PS4 already), and lastly Death Stranding in December. November was basically Buen Fin (Mexico’s less chaotic Black Friday), so that’s how we got the PS4 after so long! (Though given how much I play DMC5 and Death Stranding lately, I don’t think I’ll ever touch Dark Souls 3 ever again). Man, I really hope I get enough money to buy so many releases we missed over the years!

About my novel I always wanted to make... Well, don’t really get me started on it. I still haven’t started publishing chapters of it at all. But still, early this year, I started making accounts with my pen name my older sister come up (I told her that I want her to help me out but as her feedback grew ludicrous, I gave up and decided to follow what I want to make myself), I’ve also been making a site with Wix, but several months later, I gave up with Wix and decided to make another one with WordPress.com and it’s so much better.

Even if I haven’t started publishing my novel’s chapters, at least I have been trying to write some of the prologue alone! So that’s something, I guess...

One of the best things that has happened to me on Twitter so far is that I’ve been getting followed by a few Japanese illustrators, but mostly Custom Maid 3D2 artists, and I can’t believe I happened to be friends with at least two who I really like talking with the most. Not only that but some also made collab pictures using my OCs and boy, I couldn’t be any happier. (See the collabs here, NSFW). This is how it feels like when having your favorite artists follow you but they also make pictures of your OCs. I’m very grateful that these Japanese artists are following and even talking to foreign nobodies like me, let alone Mexican.

Oh yeah, there’s also the fact that I’m attending fine arts school now, but it isn’t my best positive thing, I honestly feel mixed about it because my mom forced me to go to school again after a year being a NEET. But then, around earlier December, I got some scolarship money and just when I was thinking that I wanted to give up on attending this school after a year, the money just convinced me, so I think I have to stay a little longer, I guess...

And now, it’s time for the one big speech I want to make so my soul can finally be clean and set free once and for all!

My current mental health and trying to get my last laugh on everyone

As you probably might have guessed, my long struggle of dealing with people’s opinions and criticisms is never going to stop. No matter how much you tell me to ignore people with what they say and still try to like what I like, no matter how much how much you’re gonna tell me that I need to take a break from the internet for a while, none of that shit is going to happen.

I won’t take off the internet for a while because I don’t know what else to do (besides gaming and other things), I’m gonna get bored to death and there’s a lot of things that makes me happy, being fan arts and porn.

No matter how much you tell me and I promise to myself that I need to behave myself, I won’t keep my word and I will always continue to make fuss about everything about people’s mentalities when it comes to what they say and everything else in this life.

Everything I was a loner in 2015, as years went on, I’ve started to become more socially active and I have made more friends. But now, I’m not grateful for it. I wish I hadn’t made friends. I wish I remained an absolute loner for the rest of my life.

Let me try to make one last rant and hopefully somebody will understand and I will be free.

I don’t know what the hell is wrong with everyone, everyone always tends to attack some things I really find okay with or for no reason. Everytime I watch something bad, I’m like “Hm, okay, that wasn’t so bad”, and then literally everyone goes way too far by being insecure asses yelling at everything on how offensively bad these things are. I know I had some experience too, but most of the time, I don’t really care, either from fandoms or just general communities that have some things in their interests.

Even if people tell me that they don’t have problems that I like what they don’t, that doesn’t change their hypocrisy, they’re cynicism! It’s not just one person that has a contrary feeling to mine, it’s always, ALWAYS a god damn circle of cynics that I can’t even want to interact with them and get along!

The biggest problem is that even if I were to enjoy what I enjoy and ignore people that they don’t, there are people that are even precious to me, but my hopes and dreams immediately get destroyed the moment they say one bit of negativity around something I hold dear the most in my life and it’s an absolute red flag an absolute offense for me!

Talking about things, for example, Overwatch or even Star Wars with Rise of Skywalker, or even the Fate fandom, pretty much any community is absolute cancer. Even for general communities, hearing and reading what people are saying about stuff you like but then they proceed to say things that they expect you to believe is nothing but a social taboo! There is no fucking way that I’m gonna agree to literally everything you say and my means by disagreeing opinions is always by lifting my voice and fight for it! It’s a social taboo to the point that we’re not even “mutuals” because we have nothing in common!

If you even dare to tell me that you’re not forcing your opinions or anything, then don’t even bother telling me to not force my opinions because that’s what I pretty much want! I want to force my opinions towards people until they give up and admit that I win!

It’s even worse when there are “fans” out there that are just outright bashing things for absolute no reason! If you do that, you’re basically destroying your pride for that series you’re supposed to be into, what it means to you, what it represents you! Sure, I may have some issues with certain things, but at the same time, I don’t really have problems with anything nor I even care to think or even agree to anyone with whatever bullshit they say. I don’t give a shit whether nothing is perfect, well it is for me and my heart, as long as I have fun or don’t have problems, that’s it!

People think they’re fans of a certain franchise they represent, but no! Why can’t anyone become real fanboys to the point that they’re more like blind fanboys like me where I tend to support literally anything regardless of some situations!

It’s even dumber that there are people asking for people to make “good” things or anything that they think it’s “good”. First of all, please for the love of god, define “good” because you clearly have no idea what do you even mean or even want. If you think you want people to make “good” things as a general principle of life, you’re dead wrong! There’s no way anyone would ever make “good” things or whatever you want, instead, you might be thinking that the good stuff you want is stuff for you. So stop abusing the word “good” as a means of a principal rule for every creator to make, and instead try to find some things that you may find interesting, things that speak to you, by yourself!

The worst thing yet is that people abuse their opinions as “facts”. Like, seriously?! You do not use your opinions like that and call them “facts”, no way in hell anyone will ever believe you!

I always thought that people expressing their opinions by text is just harmful for me but I’m sure if anyone are able to speak it out by voice, then I wouldn’t have any trouble, but voiced opinions are no different because of the god awful tones people make with their voices! (This is part of why I don’t like watching The Unreal Bruhcast anymore)

So from now on, I don’t really care about pretty much everyone’s opinions. Not from friends (Belsheber Rusape, Pixelbuster), not from family (my older sister), not from YouTubers (Jacksepticeye), not from artists (Akai Riot), anyone! I’m really sick of anyone voicing their opinions, mostly expressing hate for everything I’m curious of, and what I hold dear the most, because I hate everyone, I really hate everyone so much!

You people have failed me! You have failed me! As friends! As mutuals! Everything! I have thought really high of you but then you always blew everything up the moment you start talking shit about the stuff I hold dear the most! I don’t want to be with you anymore! You always try so hard in trying to convince me by heart to ignore whatever bullshit people say with your empty words! Either that or I will seriously never learn and I will continue to talk shit right back at you!

By the way, @BrinkOfMemories/@BrinkArtist was one of the pioneers for developing my hatred because, my lord, every time I read their opinion tweets, they always gave me an absolute headache and I want to punch them so bad!

Now, let’s talk about my desire and my future of becoming a creator (artist, author, etc).

Every time I see people talking shit about stuff like Kojima’s writing, or any kind of poor writing people talk about, I always think that I would like to walk away from becoming a writer. why? Because I know nothing about the most basic things of “good” storytelling!

Seriously, who the hell do people think they are? They think they’re trying to be better than most of the creators (artists/writers/game devs, etc) are trying to be and what they make? Do they seriously can even understand the thought process of what people tend to make? Why do people always be like “This franchise needs to be this, the core” and all that shit. And what’s with all this “These characters need to be relatable to a lot of people”, “this story doesn’t follow the core of the original“, “this story is predictable”, like, what is all that garbage vocabulary?! This is why there’s no creative freedom anymore!

Not a single fan is even civil with the creators they respect anymore! Nobody really thinks what it’s like to be the creators they love and hate like I do, as someone who wants to get in the entertainment industry in some way! They can’t even think what it feels like to be the creators they inspire/aspire to be!

You think people like you who think they’re better than most creators do and even go so far by fixing some of their works because they’re incredibly flawed and all that shit, to be somebody but the fans themselves, they don’t! They think that people should make stories or anything and expecting them to be great instead of developing any sort of trust and cofidence and even try to be more hyped to check their works out regardless of quality, and then let everyone have their creative freedom!

I’ve had some really harsh feedback where in my project I want to make so bad that I tend to draw characters only to be shoved in the story by just showing them off and don’t have any real purpose, I don’t really give a shit! I’m just trying my best to figure out what kind of characters do I want to make or whatever! This is the kind of feedback that affects me so god damn much to the point where I seriously try to give up on making my project a reality! When that shit happens, I always think that I should give up in making my project beacuse nobody deserves to see my masterpieces I have in mind, my magnum opus I’ve been trying to develop for years! All because of your stupid intellect and you seriously think you have the means to make a “great” story with great storytelling, memorable characters, and everything that makes you think they’re so good, why not try to make that story with said things or even try to write my project yourself?! This is my kind of creative freedom I want to have and you people always destroy it! Not to mention that you always ask me what’s it even about and I seriously can’t process to answer what it actually is! It’s nothing but peer pressure!

Then there’s also another feedback I’ve gotten about my project as the “Why this?”, I get asked a lot of “Why...?” because people always want to look for a purpose for literally EVERYTHING and it makes me sick! Sure, I do have some things in mind for some things having a purpose, but dear god, can’t you just let anyone try to make anything without having to think of a story way too much?!

Speaking of which, there’s always these kind of people who are like “This character is my favorite because of their great actions” and whatever, and I’m literally the only one who’s just like picking a character and calling them my instant favorite from their designs alone! I may be a simpleton of a brainlet who thinks that way, but if you’re gonna force your opinion that the character I like is terrible, get out of my sight! Isn’t it something like a friend tells you “Hey, see that guy/girl over there? I think he’s/she’s hot.”, huh?! Shouldn’t it be the same for fictional characters as well?

If there are tons of things you hate in fiction so much, then I’m bound to make the same mistakes as everyone else! Make a gacha or any other things you hate that are being inserted in fiction! And do you have any idea why do creators keep putting things you hate? Because they have creative freedom! They can do whatever the hell they want! Why not let them be?! What about yourself?!

And then things get worse, there’s always a bunch of SJW assholes who always attack artists because they “promote pedophilia” when they draw shotacon/lolicon stuff? That kind of shit ALWAYS happens and it seriously need to stop! You seriously have to think that all what they do is ONLY FICTIONAL, you should keep that up in your god damn asses and never show up with these artists ever again! That’s the thing, aside from writing, why not let anyone draw whatever they want to?! Don’t you people know the rule that you should separate art from artists at all costs?! I draw gore and some dark shit a few times, but that doesn’t mean I’m an emo or edgy person! I just draw what I like!

Oh, and if anyone’s going to attack me because of my insecure opinions like this or even call me a p3d0 because I support shota/loli art (keep in mind this is strictly FICTIONAL), please don’t do that and get out of my sight!

Going back to the topic of my project, the project is absolutely top secret because if I become big enough and even under a different name, if I tell and suggest everything to everyone I know, it’s unlikely but some might make allegations about my rude behavior and how much porn I retweet, I’m basically gonna get cancelled and I don’t, for the faint of heart, I DON’T WANT THAT TO HAPPEN, PLEASE! So for all the people I tell everything about my project, I’m grateful for you to support me, but it’s time that I really wish you should forget about me and everything I said and just wait to get surprised!

After everything I just said, let me give one last fuck you to everyone I’ve grown to meet, like and hate

One last time...

I’m never going to be like you! I have my own reasons and I have better issues to be mad about and they’re not something everyone knows or even cares!

I think I am definitely done discussing what I always want to discuss and I really hope you will understand my feelings. Thank you.

Now, let’s finally move on to...

What to expect in 2020: The year and the decade beyond

Now that I’m finally done making my long review for 2019, let’s now finally talk about what am I gonna expect for 2020, mostly about the year and a little bit of the decade beyond!

Although, to be honest, I don’t really have high hopes on what the year and the decade has in store, because we’ve come to the point where we’re now in the age of extinction, pretty much everything and everyone we loved and care are disappearing, so I’m really scared of the future. Sure, I could move on but sometimes it might be hard thinking back on the stuff and people you used to admire not being there anymore...

Anyways, even if I’m going to lose the people and things I care the most in my life, there are still some new things I’m going to discover, so there’s that.

Now, let’s get started with talking about the 2020 things!

Resolutions

Like I said, I’m not really looking forward with making resolutions because I already know that I won’t be able to keep my word, pretty much anyone else might, but for me it’s kind of a big deal. I’m still gonna try to mention what are my resolutions are, and it’ll probably be the last time I’ll do this, so just in case, here they are. If I seriously don’t accomplish these at the very first days or anything, I’m basically doomed:

Release my novel once and for all: After my long ass rant about my future as an author with my project. LIke I said above, I seriously may still have not been able to start publishing at least my prologue alone, at least I’m still writing like 3/4s of it the best I can.

I’m publishing my novel as a serial on my WordPress site because I don’t want to publish them on Wattpad or Royal Road for one because I don’t have a cover, I don’t have the money to pay for an artist I want to make a cover for me nor I want to make like a placeholder at the moment.

Speaking of the cover, after making my pen name, all I did was asking a lot of Japanese artists if they can draw me a cover for the novel... When I’m already aware that I DON’T have money at all (I was asking for spec work). Thankfully some of the people I asked have turned down and most haven’t responded at all.

Let me tell you a little bit of my project. I used to dream of wanting to make this into a game, maybe an RPG Maker one right now, but I had no idea what to do with RPG Maker nor I think I would like to make my own textures and assets, I don’t think I would have gotten patience. But then about 3 years ago, I wanted to write the script for the game, but that turned out to be more like a character encyclopedia book because I really had no idea what kind of scenarios I wanted to write. Also, most of the character biographies was written by a friend who I regularly about my project with. So I gave up on my dream on making my project into a game. Besides, I don’t think I might ever learn game design or anything.

Then like two years later, I just somehow realized and learned the importance of books getting adaptations and stuff, I decided to turn it into a novel instead mainly because I want people to adapt it. So my dream of wanting my project to become a video game is still there, but all I have to do is make a novel and try to talk stuff like how I want to get it adapted or something.

(I’m not sure if that sounds like the best plan for you, writing a novel only for the sole purpose of getting adaptations, but that’s what I really want, to be honest)

I always thought that writing a novel was going to be easy as pie, but trying to figure out how to write the scenarios, describing them, the action scenes and everything is a nightmare!

I have researched quite a lot about the writing process, and the one advice that stucks to me is “You don’t have to write perfectly, just try to write something no matter if it’s garbage”, and that’s what I’m kind of trying right now.

Anyways, here comes the one thing I’m sure I might regret this, but I think it should be time to talk a LITTLE bit about something from my project.

Do you really want to know the name of the project? Well, I can’t give you the full title, but here’s a working title of sorts:

“Cebwrpg SZJ” (Definitely not used with something XIII)

(This is just to throw people off. The people I talked about my project with of course know what it means. And if someone figures out what it means, I’m probably gonna keep quiet. Although I think it might already exist somewhere...)

I’m afraid I can’t tell you what the project really is about, so I might have to leave you in the dark until I publish the novel and there’s a lot of attention and it becomes big, so that’s all you’re getting for now.

I have quite some ambitious goals which you may or may not believe me and might laugh at me but hear me out: I want to become the new SCP, Type-Moon and Marvel.

I want to be like the SCP because every time I look at the website, the creatures and everything, just truly inspires me, I’d love to do something like the SCP with writing a ton of information about my characters and stuff, but the big problem is that I really have no idea how am I gonna translate my thoughts or things into words to make lengthy profiles or something. I’d like to be like Type-Moon because... all I can think of is doing nothing but Cebwrpg SZJ as much as TM is doing nothing but Fate, but then they’re also toying with the idea of the multiverse, even though they never explicitly ever address if the Fate projects are multiverse because most of them tend to have their self-contained universe, it’s a general comic book concept of multiverse with different incarnations of characters I really can’t stop using the comic book things with Fate. Lastly, I’d like to be like Marvel because, we’re going full circle with the multiverse talk, but I’d also like to be like the MCU (Pretty much everyone else is) with shared universe and everything galore. Although for me, it’s not just going to be MCU, it’s also going to be more like the Disney/Pixar Universe theory. I just like shared universes, okay?

I would also love to become a Virtual YouTuber, just to conceal my identity and hide my public appearance, but at some point, I would still like having public appearances in conventions or any sort of these events anyways. The kind of VTuber I’d like to be is just all by myself, I wouldn’t like to be like Nijisanji or Hololive where it’s everything under corporate control and I wouldn’t like to play a character with features I’m not really sure with, I’d like to make and be my own characters.

This is the real job I want to start doing right now, and there’s no way I’m making my novel writing hobby for free, I really gotta get serious and try to make some money off from donations from chapters and eventually the full book release. (I’m planning to publish it on KDP, by the way)

I just want me and my franchise to become something big for the 2020 decade and for the Reiwa era, I want to be something! I want to achieve my dreams as soon as possible and I’d better make it fast! (I only have 10 years to do so)

Also, here’s my retirement announcement for you to read because there’s a reason why I want to stop writing blogs in Tumblr for good.

Try to behave better and be more respectful: Aside from taking people’s opinions seriously, another recurring problem about my behavior is that I always fight with my mom every time I do my older sister’s homeworks. There’s just really something from her that really frustrates me. I do feel like I really start lifting my voice at her for no reason, but my brain just feels like it’s tired of her shit, or that doesn’t want to be reminded or whatever, so I hope I could try my best at trying to have some more patience, but I still have to fight for it.

Get in shape: I gave up on going to the gym at the beginning of Summer because I wanted to rest and because I was gonna attend the fine arts school I go now because I wouldn’t have the time to go to the gym right in front of my house but I get back home exhausted and I want to save hundreds of pictures I retweet on Twitter and bookmark on Pixiv. But then Dumbbell Nan Kilo Moteru came and I immediately regret stopped going to the gym.

But it’s fine because it does show exercises you can do at home, and probably the most basic thing I can do to reduce my fat belly when having a decently fit body is doing crunches. Probably 3 sets of 20 will do, and I really hope I can do this every day. Not just crunches, I also want to do planks, but sometimes I’m not really sure if it’s effective or anything because I want to feel that my abdomen is getting burned or something.

Draw regularly until I improve my art drastically: Back in 2012, I used to draw comics mindlessly, now I’m feeling kind of tempted to draw comics again but this time it’s going to be focused with the Busujima Sisters. As much as I think that I would like to do so, I’m not really sure if I’m prepared to be drawing comics again. I mean, I do have ideas for some panels but I need some time to think better on how to structure things out.

I’m mostly a traditional person, but I really get frustrated on how the graphite is like really buried on the paper and I can’t erase anything no matter what, it’s even worse with lighter pencils, so I think I should also try to learn and have more patience with digital art. It drives me nuts on how digital art works, from brush size vs. canvas size (The bigger the canvas, the smaller even the bigger brushes are going to be) and my least favorite, layers.

So I think I might become a full-fledged artist account, not only by doing Custom Maid 3D2 pictures (Though I’m not really sure because I downloaded a torrent with CM3D2 and COM3D2 with most of the DLC and when I open COM3D2, it’s extremely laggy to the point that it might even be unusable for my laptop), but by posting doodles or even fully colored illustrations (if I have the patience) as well. I have posted pictures a little bit, but I think it should be time for me to become a full-fledged regular artist.

Choosing between traditional vs digital is a straight-up 50/50, but it’s going to be worth the try with both if I were to draw literally every day until I run out of sheets from my sketchbook because all I do is just doing doodles, but that’s the point.

Try to retweet less: This is one goal I’m not really 100% sure if I really want to do and I’m still gonna write it and not fulfill it anyways, so I’m just gonna write this here just in case. I’m always retweeting a lot of stuff, mostly porn, and I’m really concerned about my followers who might see the porn I constantly retweet a lot and they see my name everywhere, some don’t really mind but I seriously need to try to stop that habit for a bit.

Although even if I would stop retweeting, liking tweets is no different, I always retweet because I really like going to my profile and see the tweets I retweeted and everything. Retweeting tweets means keeping the person’s tweets to yourself, that’s what I always believed in my retweets. And yes, I’m lazy to go to my Likes page but I always tend to like replies, so they’re going to be a hassle to get through.

Most anticipated releases

It’s finally time to talk about my favorite part of every year, new releases! I’ve seen some stuff aimed for a 2020 release, but I’ve even seen some that are slated for 2021 and beyond, but for now, let’s talk about what this year has to store.

Although, I may vaguely remember what am I looking forward the most, but I’m just going to talk about the ones that comes to my mind first.

Also, better keep in mind that while some things may have their 2020 release dates, delays are always bound to happen, but we still have to count in some things anyways.

Anime:

There’s just so many anime coming out that I think I might have lost track. Sure, you can look at my previous Fall 2019 Final Impressions post to see what are my upcoming Winter 2020 anime, but here are the biggest shows for 2020 I’m excited for.

Attack on Titan season 4: This is going to be the final season of Attack on Titan and we have come a long way for the finale, especially that the manga is going to end soon as well. Don’t worry, this is slated for a Fall 2020 release, so as of the writing and publishing of this post, we have 10 months for S4 to come out, especially when the manga will finish by then. It’s to be determined if it’s going to be a one-cour series or a two-cour series, but what I expect the most is that it should at least adapt the finale, kind of like how Tokyo Ghoul:re the anime happened a while after the manga had ended or something, except Attack on Titan S4 is going to be faithfully adapted of course.

Akira remaster and new TV series: A 4K remaster of Akira is something I’m quite curious on how it’s going to work, but a new TV series is what I’m the most curious. Apparently, the new TV series is being made so it will fully adapt the manga where the film didn’t (the creator directed the film but the manga hadn’t been finished at the time), animated by Sunrise. I wonder if the Akira TV series will capture the original film’s style or something.

2020 sure sounds like it’s going to be the year of Akira, though 2019 was the year Akira (and Blade Runner) is set and then the Taika Waititi live-action film is going to be released in 2021.

Also, with that being said about an Akira TV series that adapts the entire manga, I think we’ve come to the point that we’re getting anime remakes with the sole purpose of adapting the manga to its ending, see Fullmetal Alchemist: Brotherhood and Fruits Basket 2019. Speaking of which...

Fruits Basket season 2: I haven’t read the manga or watched the original anime, but just with season one of Fruits Basket 2019 alone, I was impressed, so with the second season, I’m looking forward on how will TMS adapt the ending!

Fate/Stay Night: Heaven’s Feel III. spring song: At this point I definitely trust Konnichiwa (the Latin American distributor) and of course they’ll bring it to Mexico and Latin America like they did with the first two films so far, I shouldn’t be begging way too hard on wanting to see them. (I am with Promare if it’s gonna happen)

Evangelion 3.0 + 1.0: It’s been years since we have last heard of Evangelion 4.0 ever since the film got delayed because Hideaki Anno was directing Shin Godzilla, now, the film is finally happening.

This is the one film that I’m sure fixated on wanting for Konnichiwa to bring it, I see Konnichiwa as the kind of distributor that brings big franchises and big hits and Evangelion is such a big franchise for another distributor to bring the film to Mexican and Latin American theaters!

UPDATE - February 1st 2020: As of now, Konnichiwa have announced the following movies they’re going to release throughout the year:

Violet Evergarden

Konosuba

Human Lost

Fate/Stay Night: Heaven’s Feel III. spring song

My Hero Academia: Heroes Rising

So... None of them are either Promare or even Evangelion 3.0+1.0, at this point I truly lost trust with Konnichiwa, they definitely lost me. Although it’s good that they’re still bringing Fate/Stay Night: Heaven’s Feel III and My Hero Academia, but no Promare or Evangelion? Really? Come on! Human Lost of all movies?! Who thought it was a good idea?!

Keifuku-san: As of the writing of this post in December 30th, this is a surprise I really never expected to see! I saw Marissa Lenti’s tweet about “new Tatsuki anime” and the tweet she was quoting was of the Crunchyroll news where Tatsuki teases a Keifuku-san anime, and I freaked out because I’m excited that he’s already working on a new anime already based on his shorts. The teaser was posted two days ago and I seriously hate that I missed it!

With the success of Kemurikusa 2019, I think we’re seeing some sort of a post-Kemono Friends reinassance with Tatsuki by making remakes of his old classics, except Keifuku-san is his most recent short but I’m glad he’s turning into a full-fledged series, I want more Tatsuki! More Tatsuki More Tanoshii! (This is the polar oppososite of “No Tatsuki No Tanoshii” and I hope everybody gets to make a similar phrase)

UPDATE - January 4th 2020: That mystery anime from Tatsuki turned out to be Hentatsu and it’s out today. What in the world did Crunchyroll think it was Keifuku-san though the box did imply it might have been Keifuku-san. But it’s fine, Hentatsu going from shorts to a full-fledged TV series is cool too!

Golden Kamuy season 3: Just when I thought there wouldn’t be anymore Golden Kamuy, it is indeed happening and I’m happy that it is!

Zombieland Saga season 2: I’m impressed with the first season and I’m happy the second season is happening and I hope it’d better pay off the final episode’s teaser, that teaser is just too good to pass it up!

Games:

No More Heroes 3: Easily my #1 most anticipated game of the year! I’ve been a long time No More Heroes fan and I’ve been waiting for a third No More Heroes game for so long! Although the one big thing I’m skeptical for is the soundtrack, since there’s a new composer, being Nobuaki Kaneko, and it’s no longer Masafumi Takada and Jun Fukuda (Though he’s still working with sound design, so that’s a plus), I’m pretty sure the soundtrack will be nowhere near as good as the first two games, and hearing the composer’s tracks in Spotify, my skepticism grows stronger, but we’ll see. Overall, I’ve been waiting 10 years for my whole life for NMH3 and it’s finally happening!

I just need to get a Switch as soon as possible so I can start playing it on launch, but getting a PS4 was my long time biggest priority. So I really hope Suda will do the same with Travis Strikes Again by releasing NMH3 on PS4 and PC!

Resident Evil 3 Remake: With the success of RE2, they immediately started developing Resident Evil 3 Remake, and with the trailers released, I’m absolutely impressed, and it uses the same gameplay as RE2 Remake. Also, Remake Nemesis is looking good. Though, honestly I’m not really sure about the nose, but if there’s one thing that I really love about Nemesis, is his teeth.

Tsukihime remake: The Tsukihime remake is the most infamous and meme-worthy vaporware from Type-Moon that it’s not even a contest between it and Half-Life 3, if “See you in 10 years” thing may be true, then there’s already signs of its existence right now, with confirmation of test plays. So there might be hope that we’re finally going to see something about the Tsukihime remake in the light of day, and even a release date eventually!

(I’m a terrible historian, I don’t really know much about the Tsukihime remake’s history)

Also, when there are news about Tsukihime Remake’s release date, I’m going to play the original! (As long as I finish Saya no Uta because I need to finish that one first)

Half-Life: Alyx: It still may not be Half-Life 3 as mentioned with the Tsukihime remake, but I’m surprised that Valve is finally doing something with their old IP after all these years, it may be a VR but it’s still going to be something interesting. I hope it’s going to kickstart a new reinassance era for Valve if they continue to make amazing games again after Half-Life Alyx, hopefully we won’t see any repeat with Artifact.

Death March Club: This is the very first project Tookyo Games (new studio by Kazutaka Kodaka and Kotaro Uchikoshi) is releasing. Looking back, I was really not aware that Danganronpa V3 was going to be the end of the Danganronpa franchise for good and it makes me sad, there’s so much potential for V3′s univverse to be developed, but it appears that this might be it. I really hope Spike Chunsoft will do something about Danganronpa in its 10th anniversary, hopefully something new and good and not just some lame celebration messages or whatever, I want a new game or a new anime, something new Danganronpa! ;_;

Anyways, even if there may not be any more Danganronpa, I could still follow Kodaka‘s new developments with his new projects (along with Uchikoshi). Teased back in 2018, there are two projects featuring Rui Komatsuzaki’s art, one is a new game and the other one is a new anime by Pierrot, and I’m seriously the most excited for these two!

Movies:

Black Widow and The Eternals: I haven’t kept track with the upcoming Marvel releases right now, so I’d better keep a careful eye out for them. Not only Black Widow and The Eternals are coming out, there’s also going to be the MCU TV series in Disney+, like Falcon and Winter Soldier and WHAT IF...?. I’m especially intrigued for Falcon and Winter Soldier right now.

And for those who are like “Welp, time to stop caring about the MCU because all they want us to do is use our money for the movies and for paying Disney+” when there were news that Kevin Feige says that the Disney+ series are going to be crucial for the MCU, fuck you. (I’m talking to you, Pixelbuster and Macuelos. You boomers)

As for Black Widow, I’m concerned that it’s going to be Captain Marvel 2.0, not only for having SJW trolls (which that wasn’t the biggest deal for Captain Marvel), but rather even normal people bashing it out for its quality, the biggest thing people have criticized at the first trailer so far is Taskmaster’s costume where it looks nothing like the comics. That shit is seriously none of my concern and I really think Taskmaster looks really cool, it reminds me of Crossbones and that’s what makes their military aesthetics so special. (And please swallow that)

Venom 2: I’m supper happy that, regardless of its critical reception, the first Venom movie became a financial success and a cult hit with Eddie x Venom shippers. With that being said about making a lot of money, I’m really happy that they’re working on Venom 2 right away! That post-credits teaser with Carnage is just too good for a sequel to not be made!

I don’t care if it’ll “improve” the first film, I do think Venom 2 is going to be “better” but in a sense of topping the original because of Venom and Carnage, not because of improving the first film’s issues and all that shit! Give me more Venom movies and Venom vs Carnage and I just want the second film to be at the same pace as the first film which my older sister and I loved it!

I really hope the film will still come out in October, especially that in October 2020, my birthday is going to be on Sunday, which that means I’ll finally get to see a Venom movie DIRECTLY on my birthday just like with Joker this year!

Morbius: This wasn’t high on my anticipated movies list, but the trailer was released on January 13th 2020, I must talk about it now: The trailer looks interesting and I’m definitely going to see it, but the biggest surprise yet is that there’s Michael Keaton’s Adriam Toomes/Vulture from Spider-Man: Homecoming at the very end of the trailer. Seems like this is definitely setting up some small ties to the MCU with the Spider-Man characters, and it all depends if Tom Holland’s Spidey will appear in some form with either Morbius or Venom 2, most likely Venom 2 but we’ll see about Morbius.

Wonder Woman 84 and Birds of Prey: 2019 was sure the best year for DC with Shazam and especially Joker, though I’m concerned that the good DC movies period is already going to be over with Wonder Woman 84 and Birds of Prey where people aren’t going to be fond with these films, but I’m still going to see the films regardless. (Especially Wonder Woman 84 because a lot of people had trouble with the first film’s ending smh.)

There’s also going to be major events like the Tokyo Olympics 2020 and I’m curious to see how much of the anime pop culture there’s going to be for global television, but I’m also worried if the way they’re going to handle Comiket without using the Tokyo Big Sight because they are going to use it for the Olympics, and there are also news that they’re removing porn from convenience stores, basically the porn in Japan is being removed for the Olympics, but the biggest thing I’m concerned is that if Comiket 98 taken place in May is going to be the last Comiket for good because I haven’t seen like any news about it and that’s all what the Wikipedia page has, I really hope there’s still more Comiket in the future, even when I don’t really go to Comiket at all because I don’t live in Japan, but I really love seeing artists setting their circles and having their doujins all sold out.

There’s also going to be the Playstation 5, which it may or may not be the best thing in the world to happen right now considering that I just got my PS4 in November, although Sony did confirm that the PS5 has backwards compability with PS4, but then there are also reports that it’s backwards compability with all the previous Playstations and that smells like bullshit to me.

Anyways, I’m definitely not buying the PS5 at launch, I’ll wait in a few years until there are some really interesting exclusives, or even if there devs making new games for the PS5, they’re still bound to be released on the PS3 as well. Just like I did with the PS4, we never bought it at launch and we waited for a long time for cooler releases to get there and that’s where we finally decided on getting a PS4, albeit several years late but whatever.

The PS5 won’t be coming out until the Holidays 2020, so I have an entire year to play with my PS4 and take my best advantage of it, in the meantime, I’ve been playing Devil May Cry 5 and Death Stranding, and hopefully we can get to buy the many other releases we missed over the years.

Ugh, I don’t know what else is coming out in 2020 with different media, but I think that’s enough about my most anticipated releases that I could think of! As time goes on, whenever news about some things pop up, I’m of course going to keep track of those releases!

Conclusion

We have at least reached the end of this long long post I have made yet, I’m sorry if I made you through read all of this insanity, but I really hope you might have skimmed through some parts and read a little bit of the most important pieces, the ones that you find the most interesting.

This was an amazing yet painful but still a fun wild ride with this decade. I’ve had plenty of fond memories and developed lots of new interests, though having lots of suffering in the process, but still, it was a joy to live through out this decade. Can’t wait to see what will the decade have in store. Still not expecting for real life to become the future like we see in pop culture, but I’m sure there’s still going to be some great technological advancements and most important of all, lots of amazing pop culture! (I know lately has been mediocre with neglectful creators and corporates and cringey memes inserted by old men, but who really cares?)

I’m really hoping for a far positive 2020 decade, but as you would expect, countless groups of SJWs attacking innocent artists, scummy corporates, cringeworthy memes and pretty much everything else will remain unchanged.

But regardless, there’s still going to be amazing new things we’re going to discover to love and hate this decade and the Reiwa period!

As I said at the beginning of this post, this is the last post I’m going to make because lately I’ve seriously been getting burned out by writing the same posts and the worst part is that I’m always trying to make them huge and I really have no idea to process these posts. Another reason why is that I want to start focusing on my career as an author, I just need to get over this blogging side to be over and I’m sure it’s going to be even more painful than blogging, but that’s something I really want to focus and don’t want the blogging to get in my way.

As for the future of making posts like these, I’m just going to make like a thread of tweets of my top 10 anime/games/movies of the year with 4 pictures of my top 4 or make a TwitLonger, to make things simple because I’ve really been exhausted on making this post even when I had this MONTHS in the making. Man, I seriously need an agenda so I won’t try to remember certain events that happened.

Anyways, thank you all who supported me over the years and I hope we can continue to support each other out throughout this next decade, whether I succeed with my dreams or not. I love you all. Let’s all do our best, and I so hope I’ll do my best as well, until the day I die!

And just like that, good bye Tumblr. My time is finally done.

UPDATE - February 1st 2020: Nobody is definitely noticing this but every now and then, I’ve been adding some new words into this post. February and I’m still editing this post.

By the way, January was already dismal: I nearly lost my cool with personal opinions again, but my worst nightmare yet is my eternal procrastination. Although I have at least been writing like over 100 words every few days, my constant headache from perfectionism and brainstorming a decent, cohesive and believable story will just never stop.

Not to mention that I haven’t been drawing as regularly like I wanted, and recently, I went back on using my Wacom Bamboo pen tablet and I immediately regret it.

Better not worry, we’re still early into 2020, we only have 10 months to survive and I know I mustn’t rush things, but I really hope I get to be a little more productive as soon as possible.

My Carrd.