My technian’s hairless guinea pig “Scarlett NoHaira” wins cutest patient of the week. She is over 7 years old!
Love me a good cavy
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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I hope this doesn't come across the wrong way but i recently reread the entire familiar au (its as amazing as always!) and its so impressive to see how far you have come as a writer especially compared to the new cult au its honestly pretty inspiring
Thank you! It's truly nice to hear that I've made progress. I mean, obviously - hopefully - I would have after all this time, but sometimes the improvement is hard to see when you're so close to it.
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NOW HEAR ME OUT i just think that WHILE kusuke was digging around in toritsuka's head, looking at all that impulsiveness and the honesty that only his little brother manages to force out of this piece of shit, wouldn't it just be SO kusuke to try to turn all those feelings tori has for kusuo back onto him... a little puppy crush, nothing kusuke would ever act on (obviously. he's better than that.). just something to leave tori itchy, to make him stare at kusuo and wonder why those feelings have started to ring unfamiliar, a little deja vu, because i think kusuke does, fundamentally, view tori as just another one of kusuo's toys. and if kusuke can't have what kusuo does, then he has to break it.
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Good luck with your paper. ^^
Your HCs were so much fun to read, I like how well rounded the Marquis' character is. The JW wiki says that Skarsgård came up with the idea the the Marquis came fromman empoverished background and worked himself to the top.
When I read I thought there could be so much potential in that backstory.
thank you so much, you're very kind!
so many possibilities!!!!! i need to learn more about him. i need to study him under a microscope. i need to submerge him in resin.
i'm interested in learning more about the marquis' ascent — like what the hell did he do to get to this point, at such a young age? how did it shape the dangerously arrogant marquis we all know and love today? how did a street rat become a marquis? or maybe he wasn't a street rat — maybe the gramonts are a disgraced family under the high table. maybe their seat was revoked for some ungodly reason, forcing vincent into a life of poverty, taking away the privileges he enjoyed for most of his childhood. what did he do to get his wealth back? what did he do to survive? who did he hurt? was he ever loved?
(i wish we could have seen him physically fight john — i have a feeling he's a savant with bladed weapons, and seeing bill skarsgard wield a sword would have sent me into a coma idk )
and now you got me thinking of younger vincent de gramont x childhood friend!reader. you meet him after he's lost everything.
the two of you are street rats navigating through the underworld. you're looking for a way to survive, and vincent's looking for a way to get back to his old world. the two of you end up taking increasingly difficult jobs at an incredibly young age, and the high table takes notice. the two of you get separated when the high table employs him as one of their agents. you make a living working as a freelance bounty hunter, and you don't see him again until nearly a decade later.
when the two of you meet again, vincent is an entirely different person. he is a marquis now, and you will address him as such. he has a job for you. and refusal is not an option.
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apparently unpopular opinion from what ive seen, but people who hate on taco inanimate insanity a fuck ton without looking into her character depth are kind of shitty? i saw a super violent post about how much someone hates her so much and that she doesn’t deserve love (i think they said she deserves to die too but i can’t fully remember.)… i get genuinely upset when i see stuff like that.
reminder that sometimes people do bad things and are bad people because of huge events in their life? has just no one thought about the fact that oh, maybe taco had a really bad childhood and/or was taught that manipulation was the only way to do things right. and please, PLEASE read at least something analyzing taco as a character. it’s clear that she does care about mic and pickle, it’s shown in a lot of scenes. usually when i ramble about this to other people or just to myself it has to do with shipping (specifically tacophone/tacomic) but i’m talking about her as her own character right now too.
if i had the time and energy i would go on an even longer rant about her, but i don’t think i can handle writing that right now. i just really want people to look more into taco, and maybe stop being as bitter as they are? maybe i’m just being overdramatic or unnecessarily upset about it because taco is my whole system’s biggest comfort character, but i feel like just this once i should voice my opinion on this because people are so violent towards taco sometimes for no reason.
-🪶
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