#i am too pure for this world

[chinko-kun]

Potential spoilers for a scene in the show but I just had secondhand embarrassment.

so I am reading the A Boss and A Babe novel and in chapter 3 Cher tells Jack that Gun refused to get off the phone during one of their phone conversations when Cher says he is sticky from sweat and wanted a shower break. As a person who lives off of ASMR, the sound of rain or heavy water is calming to me. We all have our thing: rain, cranial exams, and haircuts are my go-to.

Correction of the CORRECTION #3: FUCK I DONT KNOW BUT... YES?

Its 6 am and I haven't slept. My head is spinning.

CORRECTION #1: S H O W S P O I L E R S Gun has Cher keep him on the phone so he can fall asleep to the water sounds. And in the trailer of the show, we see Cher undress and Gun being taken back. I thought it was going to be an attentive boyfriend asmr but I think Cher is doing rain asmr for Gun and i am screaming.

I lovvvvvvveeee ittttt.

correction #2: its attentive boyfriend role-play.

omg.

i knew from one scene in the trailer that was happening but omg. omg. omg. omg.

o

m

g

lemme go bury myself in a deep grave. i am going to die during this whole show and novel now.

[dailycupofcreativitea]

(Based on this scene from the Simpsons) :D

[lilpatison]

I’ve risen back from the dead to spontaneously deliver Good Omens fan art… Because I am going insane over season 2.

*plays Starman by David Bowie*

[eldest-of-katts]

okay because people have shown up in my dms talking smack I'm going to make one blanket statement on the 1000 year loli chilchuck thing.

yes, there has been a problem with young girls being put in suggestive positions in anime with the "uhmmm she's actually a bajillion years old" excuse. yes, other characters don't treat chilchuck like an adult. yes, he is short with big eyes.

However, chilchuck consistently acts like a grown man. he- in both the manga and the anime- straight up just is an adult. He looks like an adult when he is any other race during the swaps in the manga. When the other characters get turned into half-foots they look similar to chilchuck. He is explicitly stated to have more dungeon and general life experience than laios, and he acts like it.

The 1000 year loli trope explicitly functions as an excuse to prey on people who are inexperienced and unable to advocate for themselves. Chilchuck is a parent, is a union organizer, has explicit boundaries that he enforces rigidly, and he is treated as an adult man by everyone who doesn't have a fantasy racism-focused character arc/issue.

I can see how if you haven't read the manga and seen that he has an established life that he later reveals (and haven't paid attention to him in the anime lol) you could get a mistaken impression about him. Marcielle does too in the source material! It's part of her character at the start of her arc that she has issues with longevity!

The thing that irks me a little about this interpretation is that it leans into the child-coded discourse that was prominent a while ago (she's short!!!!! but has boob???? ILLEGAL!!1!) and it does a disservice to the themes of infantilization as a policy maneuver hurting the working class.

I saw chilchuck and his labor advocacy for half-foots both as a metaphor for racism (obvious take ik) and for ageism.

The working gen z as a cohort are being infantilized and pushed out of job markets due to infantilization, similar to half-foots in the show. gen z is being maliciously portrayed as too young to vote, enter office, know themselves, know their rights, and take advantage of their resources. Simultaneously, child labor protections and protections against workplace abuse are being rolled back in the US. In Japan, young people are being worked to the bone for nothing and are becoming disenfranchised as a generation while simultaneously expected to be the labor faction that supports the postwar generations in their old age.

Chilchuck's being treated poorly I saw as a clever commentary on the ways infantilization allows for protections to be stripped away under the guise that "oh it's just a job for teenagers- they don't need more than minimum wage" or "let the kids rescue the economy! they're always complaining about that job market!" while simultaneously stripping away rights under the guise of protection- "We can't have that on the internet! think of the children!" "to protect these young people we must raise the age of medical consent for hormones/reproductive health decisions!"

Kui's work with this series spoke to me on many levels, and specifically, the infantilization issue touched me in a way that few other pieces of media have. The struggle to be taken seriously in a stem field as someone young, as someone female, and as someone who had a high-pitched voice to the point I did years of voice training to be taken seriously, chilchuck's character resonated. I (kinda) understand your instinct to think "SHORT! CHILD! RALLY THE MASSES AND KILL THE PEDOS!!1!" but in this case, it's misdirected- mostly because the author was trying to use this misdirection to prove something to you, the reader.

Kui consistently makes cutting commentary on modern issues, the show's take on food neutrality as its headliner, but also the author's takes on cultural issues and the environment (with a focus on our place in the food web as animals). I feel that reducing chilchuck's very conscious position as a tradesman and an activist discounted due to his apparent age down to "1000 year loli ewwww let's send this random tumblr user suicide bait" just displays a lack of critical analysis of the show and a level of disrespect towards Kui and the work as a whole.

TL:DR- stop sending me kys messages I'm fucking that old man

[fluffypotatey]

A Thought:

As Emrys, Merlin is a very powerful sorcerer.

However, his utter lack of any formal training means Merlin is not a very good sorcerer.

The magic he does should be theoretically impossible, but he's got enough raw fucking power to just make it work. Infant demigod smashing blocks together and creating a Lego Death Star.

Merlin: *does magic that Should Not Work*

Other sorcerers:

AND THEY ARE RIGHT TO FEEL UPSET

IMAGINE YOU'RE A SORCERER. YOU'VE BEEN PRACTICING YOUR CRAFT, SHOOTING THE SHIT, LAYING LOW, PLOTTING PLANNING.....THEN THIS FARMY BOY TWINK SHOWS UP AND NUKES THE FUCKING PRIESTESS OF THE LAKE OF AVALON

I'D FEEL PISSED TOO

like, bro, you meet him, you're apprehensive of him bc 'shit that's emrys'. the emrys. the dude that's said to be the greatest sorcerer to ever walk the earth. you meet him. you can feel his magic and like holy shit, what the fuck was that??? you ask him how the fuck he gained so much power by the age of 21????

merlin: you mean....y'all don't also just have magic doing shit when you're a toddler

you, the sorcerer who has had to spend years getting control to fucking heat up a teapot: .........no.......no our magic doesn't do that

goddamn do you wanna just chuck this adult child into the lake and be done with it. better yet, you wish for the sprites to just pick you up and use your body as a sacrifice for entrance into Avalon.

and then, and then

you see how this motherfucker fights against bandits and "WHY THE FUCK ARE YOU JUST PUSHING THEM AWAY??? WHERE'S THE SHOWMANSHIP??? THE PIZZAZZ??? HOW MANY SPELLS DO YOU KNOW???"

merlin, who forgot he can freeze time and space and can launch lightning bolts at people: uh....3???

it takes the triple goddess to restrain you from murking the prophesized warlock right then and there.

"NO, NO, FUCK THAT, FUCK THIS, FUCK ALL O' Y'ALL!" you scream as you jump on a ship and move to a place that doesn't have op young adult children who didn't study shit and yet still get an A+

[123pixieaod]

Inspired by this godly post which unlocked a part of my brain I didn't know existed, and solidly gave me complete and utterly brainrot until I wrote something

A thousand thanks to Lily for her wonderful help :))

"Does Kelly not mind you spending all your time with me?" Daniel asks, because she's Daniel and once she's thought something she can't keep her fucking mouth shut, even if she knows it's trouble.

Max looks up, pausing his set of weights, and blinks at her. Daniel feels her cheeks warm. One day, that mouth of yours will run you straight into trouble, young lady, her mum used to tell her, voice firm. Good girls know when to keep quiet. Daniel used to just laugh at the warning. Her laugh is loud and the opposite of quiet, but she used to know that everyone always loved her laugh.

"No," Max says after a beat and then continues lifting. Daniel hates the way her gaze tracks over him, lingering on the movement of his muscles, the ease with which he lifts the weight. Tawny hair brushed out of his eyes, cheeks dusted warm from the exertion. "Of course not."

"Why of course not?" Daniel asks. She wants to sew her mouth shut. This time, Max didn't look over as he answers.

"Kelly's very secure, she's not like other girls. And besides, she knows you."

It's strange. When Daniel was seven and Michelle eleven, they'd gone rock pool fishing. Michelle had been crouched over a shallow pool of water, her finger delicately brushing the tentacles of the anemone. Daniel had been scaling the rocks, wanting steeper, taller, more.

She'd found the shark first, nestled high at between the rocks, and for a beat she hadn't known what she was looking at. Just details, but nothing collective. Rotting smell. Shrivelled holes where eyes should be. Scales of silver lightning. Rubbery fish picked clean. The flash of bone, pearl white.

Then she realised what she was staring at, and screamed. Her father held her while her mother scolded her. I told you not to go climbing! It's too dangerous, Daniel. Why can't you just be good like your sister and stay by the shallow pools?

And then, later, ice cream. Her dad, beside her, explaining the horror away.

It's just nature, Dani. The waves wash them up, and they get stuck there. They can't get back to the sea, and then the sun dries them out.

They drown on air, Michelle helpfully pointed out, her feet kicking happily as she licked her 99. Daniel just just nodded, ice cream untouched. Every time she closed her eyes, she saw the sunken holes, the rotting flesh.

She hasn't thought about that moment for years, but suddenly it washes back over her. She feels simultaneously both. The child, staring at the carcass, frozen in shock. The shark, burning up in the sun, chocking on air.

"What does that mean?" She asks, and somehow her voice is normal, is fine. She's fine. She's not a girl or a shark. She's stupid and a fool and a gawky, ugly idiot, but she's fine.

Max manages to shrug, even with the 50kg weights. "You know. Just that Kelly knows you. She knows what you're like. And she knows me too, of course."

Daniel swallows. She nods. She hates everything about herself.

"That's sexist," she forces herself to say lightly because if the silence stretches anymore, Max might notice and set his weights down and look at her, and Daniel can't bear that. She doesn't want his eyes on her, taking in every blemish and imperfection. The boyish, ratty clothes she works out in and her curls gone frizzy with sweat and her inked skin, so different to Max and Kelly's pale, perfect complexions.

"What's sexist?"

"Saying she's not like other girls," Daniel tells him, setting down the weights she been doing. Instead, she goes to grab the skipping rope, just for something to do.

Max laughs. Daniel's glad she's turned away. Her cheeks are burning again.

"It's the truth. You, of course, Daniel, are not like other girls either." He says it lightly and ends with a chuckle, as if it's all just a joke. Daniel drags a sweaty hand over her cheeks. Burning, burning, burning.

Apparently, in Max's mind, she and Kelly are the same; both not like other girls. Kelly, with her faultless makeup and wonderful daughter and classy dresses and perfect feminity. One end of the scale. Daniel, the other. Barely even considered "a girl." Always one of the boys, only woman in f1 for a reason.

"Thanks," Daniel says. She wants to make it sound humorous, like she's in on the joke too. Instead, it's too cold; muttered as if she actually gave two shits about the conversation anyway. She has an F1 season to prepare for, she's too busy to care about stupid shit like this.

There's a beat of silence as Daniel stretches out the rope, feeling the plastic flex and give. Then, Max exhaling, the gentle bump of his weights against the floor, the workout bench shifting as his centre of gravity changes. Daniel keeps her back to him, ignoring it all.

"I did not mean it as insult," Max finally says, stubborn. Daniel forces a laugh, turning to give him a smile, all teeth.

"Of course not Maxy. I get that." Voice light and blithe. One of the boys.

She thinks he'll drop it, but instead, his frown only grows. Pinched brows, thin lips, cheeks growing blotchy. Blue eyes regard her, intense and unyielding. She burns from the inside out.

"I've upset you," he says, in that blunt, genuine way only he can do. Daniel barks out another laugh.

"Don't be stupid. You're not important enough to ever be able to get under my skin." She gives him another smile with only teeth. She feels insane. Her mother tells her good girls stay quiet.

"I'm sorry," he tries again, growing frustrated now, "I did not mean -"

"I told you, you didn't upset me," she drops the skipping rope without actually using it. "Anyway, I'm bored. Wanna get lunch now? Or are you still trying to pump those muscle with more testosterone?"

Max gives her one last, searching look before standing. They're almost the same height. She wants to shrink to nothing.

"That is not how testosterone works, Daniel," he says with the air of an overworked teacher. He looks at her with a smile, uncertain but genuine. She laughs, allowing him to move the conversation on.

She walks out of the gym first but holds the door for him. He grins, relieved. His fingers skim hers as he takes it and she lets go. A chill runs through her. Cold like scales, cold like ice cream untouched.

Follow up here!

[quirkle2]

more zombie au :] (1.2k words)

The odor of rot has joined the damp growth of life from pots. Even if some things die off without human aid, there are always stronger elements that thrive in their absence.

The aisles are overgrown. Ritsu brushes past the vines as gently as he can, wooden floor groaning under his worn soles. There’s a gap of empty space in the middle of each aisle that he slots through, eyes roaming the shelves of largely useless things. Stronger stems snag onto his backpack and he tugs distractedly while perusing the labeled pots along the tables.

The barn is quaint, and Ritsu thinks he would love to stay. Moss eats at the boards under his feet and bugs swarm around him in the hot air incessantly, but it’s peaceful and there’s a constant sprinkle of sound to his ears that have grown so used to silence. Whoever owned this place beforehand put up a few wind chimes indoors—they must’ve always had the front entrance open for customers.

It’s a quiet little homemade garden center, or something similar, on the side of the highway. It’s an overgrown property with something dead in the backyard that Ritsu refuses to acknowledge or let Shigeo near. The shingles and boards in the roof have been replaced with polyethylene sheets—a barn-turned-greenhouse, uprooted from the hay and cattle it likely used to house and settled back into the Earth to be a paradise for plants.

There’s a large branch hanging through a hole poked into the plastic overhead. It sways with the wind and the chimes that follow, and Ritsu whistles with the leadless melody and gives it a direction while he studies old seed packets.

They didn’t stop here for any particular reason—a garden center doesn’t have much for apocalypse survivors, but Shigeo has always liked overgrown things. He’d always enjoyed taking care of their mother’s plants back home, and then Reigen’s at the office. His brother likes the humidity of greenhouses and the smell of soil and dirt and must.

He sees the top of Shigeo’s head over the aisles, across the barn. He walks past a shovel hanging on the wall and yelps out a grunt when it clangs to the floor behind him. Ritsu shakes his head and smiles, running his fingers along faded price tags.

The feeling of greenhouses has always had this… wet fullness, to Ritsu.

When he breathes in it’s like he can taste the life that breathes out and it feels like a conversation, a question and an answer, both of which he’s not sure how to articulate. The leaves wave to him and he waves back, the once-active sprinklers pepper his skin with dots, with compliments, with proclamations they are eager to share. The vines weave between fencing just to reach him, just to talk.

He understands why Shigeo likes it, and why he’d always asked to accompany their mother on trips to get new seeds. Ritsu hadn’t really understood, then, how pretty it could be, how full it could feel.

Shigeo had always been right about loving the little things. Ritsu wishes he’d seen that sooner.

His brother ambles down the aisle ahead of him and he listens to the quiet patter of his sloppy footwork, moving around a table of seed trays. His whistles carry across the barn, sort of aimless in their own right instead of leading the wind and the chimes somewhere worthwhile, but the sounds soak into the overhead plastic nicely, so he keeps going.

He pulls back a layering of vines and leaves to scan the contents of another shelf, and then he notices Shigeo stop in his peripherals. His dirty shoes stay planted in the corner of his vision, leaves burying the toes, and Ritsu looks away from the products.

He means to say something, to ask him what’s up even if saying things to Shigeo very rarely results in productivity, but he stops when he realizes his brother’s head is… tilted.

He’s looking at him with as much inquisitiveness as his dulled down awareness can muster, pale eyes flickering across Ritsu’s face like he’s working out some puzzle. He instinctively stops whistling, brain lagging behind on this new info of this new behavior, and the sound fizzles out into a little huff of air that leaves the greenhouse feeling oddly empty.

Shigeo studies him for a moment longer, blinking slowly, and then he straightens his head out as Ritsu stares back. His brother’s gaze lingers there on his mouth, like he’s still confused, like he still expects something to happen.

Ritsu blinks once, twice. The wind chimes call as wind pokes at his greasy spikes, as it prods at the ends of his jacket and fills the silence with a different flavor of itself. The interest in the zombie’s eyes fades a little, gaze straying to the vines around them.

Very tentatively, Ritsu wets his lips and blows. The whistle grabs his brother’s attention immediately, and he’s suddenly tilting his head like a curious dog.

He can’t help the laugh that spills out and makes the whistle a mess of exhales. His shoulders shake a little and he hurries to keep the tune steady and consistent; a few seconds pass and Shigeo tilts his head the other way, exhausted eyes big and more alert than they’ve been in days.

Ritsu experiments, and ventures around with the sound—goes lower and higher and watches his brother twist his head back and forth like he’s trying to understand calculus. There’s something very innocent about it, about the look in his eyes that reminds him of when they were kids and their father would show them magic tricks.

It’s muted by the ever-present fog there in his pupils, but Ritsu thinks he sees a spark of that life in them, of that curiosity born from a mind that knows little. He gives him a simple sensation, a simple experience, and his brother is eating it all up like he’s four again, like he’s new and everything is colorful and unknown and big.

Ritsu watches Shigeo tilt his head back and forth, watches the rusty gears behind his window panes move. He changes tactics, because some sad part of him tells him to, and whistles Shigeo’s favorite song instead.

He remembers the name, but he doesn’t need the name because when he thinks of the tune he thinks of his brother, and that’s all that matters. It’s happy, because Shigeo likes happy music. It’s chipper and yet it meanders, like it’s willingly getting lost, like it’s wandering where it wants to and it’ll eventually find its roots again. It’s happy the whole time. The whole adventure.

Shigeo stops tilting his head, and the gears behind his eyes churn a little bit faster. His gaze clings to Ritsu’s and his brother makes actual eye contact, sinks his own being into Ritsu’s head when he’s least prepared for it. The recognition in his gaze has his soul souring.

He keeps whistling. He doesn’t want to stop, because Shigeo feels like Shigeo right now, and he doesn’t want that to stop.

His brother stares. Ritsu’s grief tints the music.

[roninkairi]

DIAL THIS NUMBER NOW!!!

1-888-245-5618

Also, choose option 4... ...damn it Gus, why?

[pulchrasilva]

I am clearly much more insane about ursula le guin than either I or anyone else bargained for

[arty-cakes]

i finally got around to centaurworld's finale and holy fucking shit??? they can go that hard??

[tamagotchikgs]

every once in awhile im forced 2 the realization that i will never have a healthy relationship w food and i do not like that i will shut it right back away as fast as i can

[joshbruh10x]

Recently, I decided to revisit the Zombie AU fic I made and decided to read the whole thing again. I'm like 4 chapters in and dear god I cooked so hard wtf.

I don't even remember writing most of these LMAO, I find some of these parts hilarious asf or surprisingly well written from 2 years ago me so I'm throwing them out here all out of context

[tigergendermoved2tigergender]

Remembering the toxic hellscape that was 2015-2019ish SU fandom and just how much hate the show got is really insane when you rewatch the show after it's been a while. Like the show is good what the hell were any of these people talking about

[thanksgiving-isnt-ur-fav-holiday]

chat i watched all of sex and the city in under a week. what does that say about me

[lovelyrotter]

yknow i love transmasc/tboy dirk always and forever but the way some ppl treat transmascness vs transfemmeness in HS's narrative........kinda sucks. like the whole thing about how being transfeminine is a literal transient experience and lets the character in question (any character) truly escape the oppression of HS's narrative-as-a-character which is patriarchal and toxic (lord english, hussie-the-character to an extent. i guess. idk ive seen a lotta ppl lump SI-hussie in w/ this), which is great and does hold weight as an analytical lens esp with how hussie irl is nonbinary. but where does this leave transmasc characters. why are we treating (headcanoned) transfemme HS characters like this and then tbh gleefully dooming (headcanoned) transmasc characters to eternal narrative suffering brought by LE and then mocking them for being ''gross tboys'' full of ''icky testorerone'' so its their fault theyre in this perpetual torment really? because they ''''chose to be a man''''? dunno man its starting to feel bad. especially since some bnf's who are really into this fan theory do actually kinda treat the general idea of transmasculinity like somthing to hold with tongs at arms length away from them. as if its alien or infectous or something and then get really mad when equally dysphoric transmascs do the same with feminity. why are we dooming dirk strider to eternal toxic-masculine suffering and what does that say about how we treat real life transmasc folks both in and outside of the fandom

[leonardalphachurch]

i cannot fucking wait for this show to be over so i never have to think about this shitty company ever again