#and without the life in it

[quirkle2]

more zombie au :] (1.2k words)

The odor of rot has joined the damp growth of life from pots. Even if some things die off without human aid, there are always stronger elements that thrive in their absence.

The aisles are overgrown. Ritsu brushes past the vines as gently as he can, wooden floor groaning under his worn soles. There’s a gap of empty space in the middle of each aisle that he slots through, eyes roaming the shelves of largely useless things. Stronger stems snag onto his backpack and he tugs distractedly while perusing the labeled pots along the tables.

The barn is quaint, and Ritsu thinks he would love to stay. Moss eats at the boards under his feet and bugs swarm around him in the hot air incessantly, but it’s peaceful and there’s a constant sprinkle of sound to his ears that have grown so used to silence. Whoever owned this place beforehand put up a few wind chimes indoors—they must’ve always had the front entrance open for customers.

It’s a quiet little homemade garden center, or something similar, on the side of the highway. It’s an overgrown property with something dead in the backyard that Ritsu refuses to acknowledge or let Shigeo near. The shingles and boards in the roof have been replaced with polyethylene sheets—a barn-turned-greenhouse, uprooted from the hay and cattle it likely used to house and settled back into the Earth to be a paradise for plants.

There’s a large branch hanging through a hole poked into the plastic overhead. It sways with the wind and the chimes that follow, and Ritsu whistles with the leadless melody and gives it a direction while he studies old seed packets.

They didn’t stop here for any particular reason—a garden center doesn’t have much for apocalypse survivors, but Shigeo has always liked overgrown things. He’d always enjoyed taking care of their mother’s plants back home, and then Reigen’s at the office. His brother likes the humidity of greenhouses and the smell of soil and dirt and must.

He sees the top of Shigeo’s head over the aisles, across the barn. He walks past a shovel hanging on the wall and yelps out a grunt when it clangs to the floor behind him. Ritsu shakes his head and smiles, running his fingers along faded price tags.

The feeling of greenhouses has always had this… wet fullness, to Ritsu.

When he breathes in it’s like he can taste the life that breathes out and it feels like a conversation, a question and an answer, both of which he’s not sure how to articulate. The leaves wave to him and he waves back, the once-active sprinklers pepper his skin with dots, with compliments, with proclamations they are eager to share. The vines weave between fencing just to reach him, just to talk.

He understands why Shigeo likes it, and why he’d always asked to accompany their mother on trips to get new seeds. Ritsu hadn’t really understood, then, how pretty it could be, how full it could feel.

Shigeo had always been right about loving the little things. Ritsu wishes he’d seen that sooner.

His brother ambles down the aisle ahead of him and he listens to the quiet patter of his sloppy footwork, moving around a table of seed trays. His whistles carry across the barn, sort of aimless in their own right instead of leading the wind and the chimes somewhere worthwhile, but the sounds soak into the overhead plastic nicely, so he keeps going.

He pulls back a layering of vines and leaves to scan the contents of another shelf, and then he notices Shigeo stop in his peripherals. His dirty shoes stay planted in the corner of his vision, leaves burying the toes, and Ritsu looks away from the products.

He means to say something, to ask him what’s up even if saying things to Shigeo very rarely results in productivity, but he stops when he realizes his brother’s head is… tilted.

He’s looking at him with as much inquisitiveness as his dulled down awareness can muster, pale eyes flickering across Ritsu’s face like he’s working out some puzzle. He instinctively stops whistling, brain lagging behind on this new info of this new behavior, and the sound fizzles out into a little huff of air that leaves the greenhouse feeling oddly empty.

Shigeo studies him for a moment longer, blinking slowly, and then he straightens his head out as Ritsu stares back. His brother’s gaze lingers there on his mouth, like he’s still confused, like he still expects something to happen.

Ritsu blinks once, twice. The wind chimes call as wind pokes at his greasy spikes, as it prods at the ends of his jacket and fills the silence with a different flavor of itself. The interest in the zombie’s eyes fades a little, gaze straying to the vines around them.

Very tentatively, Ritsu wets his lips and blows. The whistle grabs his brother’s attention immediately, and he’s suddenly tilting his head like a curious dog.

He can’t help the laugh that spills out and makes the whistle a mess of exhales. His shoulders shake a little and he hurries to keep the tune steady and consistent; a few seconds pass and Shigeo tilts his head the other way, exhausted eyes big and more alert than they’ve been in days.

Ritsu experiments, and ventures around with the sound—goes lower and higher and watches his brother twist his head back and forth like he’s trying to understand calculus. There’s something very innocent about it, about the look in his eyes that reminds him of when they were kids and their father would show them magic tricks.

It’s muted by the ever-present fog there in his pupils, but Ritsu thinks he sees a spark of that life in them, of that curiosity born from a mind that knows little. He gives him a simple sensation, a simple experience, and his brother is eating it all up like he’s four again, like he’s new and everything is colorful and unknown and big.

Ritsu watches Shigeo tilt his head back and forth, watches the rusty gears behind his window panes move. He changes tactics, because some sad part of him tells him to, and whistles Shigeo’s favorite song instead.

He remembers the name, but he doesn’t need the name because when he thinks of the tune he thinks of his brother, and that’s all that matters. It’s happy, because Shigeo likes happy music. It’s chipper and yet it meanders, like it’s willingly getting lost, like it’s wandering where it wants to and it’ll eventually find its roots again. It’s happy the whole time. The whole adventure.

Shigeo stops tilting his head, and the gears behind his eyes churn a little bit faster. His gaze clings to Ritsu’s and his brother makes actual eye contact, sinks his own being into Ritsu’s head when he’s least prepared for it. The recognition in his gaze has his soul souring.

He keeps whistling. He doesn’t want to stop, because Shigeo feels like Shigeo right now, and he doesn’t want that to stop.

His brother stares. Ritsu’s grief tints the music.

[flogisto]

big fan of stories that, while undoubtedly being about the power of friendship, acknowledge that the power of incredible violence is just as important

the love was there. the love changed everything. the crowbar helped also

[firstfullmoon]

Jackie Sabbagh, “Having a Great Time Being Transgender in America Lately”

[eydilily]

(look at what i have to offer) — this is the spider's nest.

[renzypretzy]

scar lored then i got possessed

[thestuffedalligator]

The thing was a mound of flesh and mottled skin, as big as a barn and the shape of a pumpkin. Four tentacles as thick as trees hung limp at its sides; teeth ringed the gaping mouth at the top of its head like a crown.

A huge, sad whale eye the colour of wine stared at the knight. She could see her reflection in the jelly surface.

“We don’t know what it is,” she heard. “Some kind of monster that makes a perfect copy of whatever it eats. They think that was how the Dark Lord made his armies, feeding his minions to it so that it would make hundreds of copies of them. Do you recognize it?”

The knight opened her mouth. She hesitated. “Yeah,” she murmured, drawing out the word. “We found it in the Dark Lord’s tower, right?”

“That’s right. That’s where it ate you.”

The knight turned around and looked at her other reflection. This one appeared to be about ten years older, and had doffed her armor for a loose blue tunic and breeches.

She was holding a cup of tea. She had pressed another cup into the knight’s hand when she woke up here. It had been a shock finding herself suddenly out the obsidian dungeons of the Dark Lord’s tower and into this tall room of stone and straw. The warmth of it in her hands steadied her a bit.

“Everyone else in the party was worried, but then it started making copies of you,” the copy went on, staring up at the tentacled thing. “And all of the copies helped fight against the Dark Lord, and we won, and peace was restored across the land, but then nobody could figure out how to kill the damn thing or just to make it stop. Dozens of copies of us in a day, hundreds in a week, and then someone decided that the only thing we could do is just bring the thing here, seal it off and hope it starved to death.”

She sipped her tea. “Anyways, that was two-hundred years ago and it’s slowed down a bit. It can only make a new copy of us every few weeks now.”

The knight looked down into her tea. The copy had also draped a blanket over her shoulders.

“I have so many questions,” she said.

“I figured.”

“How can it be two-hundred years? I can still remember breaking into the tower. That feels like it was just minutes ago.”

“It was, basically. Your brain is a perfect copy of the original you’s brain at the exact moment she was eaten.”

“But the quest is just — done?”

“Yep. You missed some of the things that needed tying up afterward. There was a war, and a dragon, and some business about a ring.” She waved a hand. “It was before my time. Things are pretty settled now.”

“My parents?”

“Passed away about a hundred-and-fifty years ago. I’ve been told that they were very proud.”

The knight nodded. “Um. I don’t know if you know — we had an elf in our party—”

“I’m aware.”

“I — right. Obviously. Um. It’s just, after everything was done, I was going to ask her—”

“One of us did. She said yes. She outlived her. A couple of us have tried to reach out since then, but she wants to be left alone for a while.”

The knight considered this. “Uh — right,” she said eventually. Her fingers tightened around the tea cup. “Um. What do I do now?”

Her older copy shrugged. She had let her hair grow out again, the knight noticed. There were a few strands of grey against the black. “That’s up to you, I’m afraid,” she said. “A lot of us are finding work as soldiers and sellswords. We’ve done it for so long that most armies know we’re reliable and don’t tend to turn one of us away. Most of us are just sort of spreading out, wandering the world. Some of us keep in touch.”

The knight frowned. “What do you do?”

Her copy paused, tea cup half raised to her lips. “Sorry?”

“You said it only makes a new copy every few weeks now. So you just stay here and wait for a new one to show up?”

She lowered the cup. “Well,” she said. “I guess I just — I know what it can be like, waking up here in the dark, and it — it can be horrible trying to figure all of this out on your own.

“So I thought that what I’d do is just stay here with a pot of tea, and whenever I see myself again, I tell her that — that she’s not alone.”

“We aren’t?”

“Of course not. We’re all in this together, you know.”

[catmask]

when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people

the second option is to lie and write inspiration porn for those people to get hard to

[sageiii]

hc that every couple months jason texts tim like "hey r you going rogue yet?" "no" "alr lemme know if you change your mind" until one night tim gets this text while he's having an absolute shit week and goes yknow what? why not and suddenly the internet is filled with news that red hood teamed up with an unknown associate to cause chaos(stealing from corrupt billionaire type chaos, not mass murder of innocents type chaos) and said associate randomly shows up again every couple months

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[redpapercraness]

to lose you

[biggest-gaudiest-patronuses]

forgot to mention, last year i taught myself to crochet and i made a stuffed whale

[crystalliumdaisy]

// simple life spoilers

fools against fate

[chongoblog]

Things That Happen In Gravity Falls Without Context

It's implied that rich people control their children with a bell

A single episode is shockingly reminiscent of both Five Night's at Freddy's and Doki Doki Literature Club. This episode came out 3 years before DDLC and one month after FNAF

Mabel kisses Strong Bad

There are two clones of the main character that are still alive and living in the woods

Larry King confirms that llamas are nature's greatest warriors

An old couple is killed by rap music

One of the scariest monsters in the show is eaten alive and loves every second of it

Neil Cicierega wrote a song for it that was unfortunately never used (yes, seriously)

Everyone in the town is a tad strange, except, ironically, Cecil from Welcome to Night Vale

Boy bands are kept as pets

A character proves she is pure of heart by performing a drug bust on gnomes (this does not work)

Zombies are defeated by Ke$ha

The most discourse-generating part of the show is a 12 year old giving a time traveler a snowglobe

And old man almost fucks a spider

When someone tells you they don't have a tattoo, believe them.

Fucking up a science fair will inevitably lead to your brother being stuck in another dimension

If you stick your head in a portal, you speak in code for a little bit before you turn into a hillbilly

Get your son to pay attention to you by creating a mech beast

We are all blanchin', unless we find a cool gun.

By the end of the show, the mayor's last name is "Cutebiker"

The president gives Dipper a negative 12 dollar bill

Bill Cipher

[arinrowan]

My maternal grandmother could crochet.

Nothing complicated. Basic granny squares and double crochet, but she was the one in the family who made blankets for her kids and grandchildren. Dementia hit in her nineties but she still remembered how to make granny squares and made dozens. I asked her for one last blanket but by that point the dementia had taken how to join the squares. They were stacked in piles around the dining room table and when she went into care, into a plastic box for storage.

When she died, I asked for them. By that point I could crochet but didn't know how to join, and figured, someday, I'd learn.

It's at least a decade later. I'm the one who makes blankets for my nephews, for my cousin's children, for pregnant coworkers. Last year I made seven blankets, three for Project Linus, the rest for family and a friend. I can follow crochet charts, filet crochet, do clusters, fans, basic lace, amigurumi.

The world, as is its wont, is on fire. Tonight, I have opened the plastic container for the first time in a decade. I'm sorting them into piles by color. I know now how to look at them and see where her memory slipped or areas I'll need to repair. There's no printed pattern but if I need more I have the skills to copy the pattern.

Each square is 5 inches. Blanket size for Project Linus is 40x60. I'll see how many people I can give her last crochet legacy to.

[heph]

D3: Alternate Universe - SONIC BOOM