Buck: I think [Natalia] might even see more in me than I see in myself.
Eddie: 🤔
Eddie: the truth is, you haven’t been the same since [you got struck by lightning]. But how could you be?… you don’t have to be anything for anybody
Eddie: you love being the guy with the answers
Eddie: you act like you’re expendable. But you’re wrong.
Eddie: no one will ever fight for my son as hard as you.
Eddie: you saved [Christopher]. That’s how he remembers it… you think you failed? I failed that kid more times than I care to count. But I love him enough to never stop trying. And I know you do, too.
Eddie: there’s nobody in this world I trust with my son more than you.
Eddie: thank you for not giving up.
Eddie: you’re badass under pressure.
Eddie: his humor was unaffected by the lightning.
Eddie: he takes Christopher [to the zoo] all the time. He’s got the place memorized.
Eddie: he’s obsessed with natural disasters.
Eddie: now am I allowed to ask how you are?
Eddie: I know you did [have to do it].
Eddie: [goes to Buck’s apartment to check on him and help him get out of his head]
Eddie: [makes Buck his son’s legal guardian in case he dies]
Eddie: you can have my back any day.
Eddie: [Maddie being missing] isn’t your fault.
Eddie: what do you have to apologize for? Did you say anything that wasn’t true?
Eddie: 🙃
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Creek being representative of toxic positivity is such an interesting concept. Like, the idea of Creek as this guy who desperately has to stay above it all because he's too terrified to face more painful emotions. How in every scene he's trying to mediate, keep the peace between everyone, stay positive even with death looming over their heads. How he was so terrified of himself dying that he made a split second decision against his better judgment if it meant the lives of his friends, his home. How he acknowledged he'd have to live with the weight of his choice and the blood on his hands.
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Hell bent and heaven sent are a tragic love story. Who literally cannot see it? Whouffaldi is not only Canon but it's a parallel to so many of the great gothic romance films of the 80s and 90s.
Yep! idk some people are in denial.
Like obviously it's fine if you just want to see it as platonic and are cool about it. But I'm always blindsided by the goofy comments on youtube videos etc. where they act like the very idea there could be romance there is an insane suggestion. Where they condescend to shippers as if we're delusional for seeing what's there. I'm sorry, if you're going to be confrontational and smugly wrong at the same time, I'm going to point out that you're wrong.
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Thus far I think it's pretty reasonable to play these games conclude that otacon and snake genuinely are just friends, in a life partners/bromance way. But if you played mgs1 and think solid snake and gray fox never fucked then like. I don't know what to tell you man.
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Speaking about Fire and Blood.
I just know Renly loves to bring up that they descend from Rhaenyra to Stannis.
i feel like being kin to the targaryens is more of a fun fact to Renly because he was a baby during the war whereas for Stannis the Targaryens are the reason his parents died and Storm’s End getting starved out for a year to the extent that i don’t think we ever really hear him acknowledge out loud they’re related. i think when renly read had to read fire and blood he liked rhaenyra more than aegon but liked sunfyre more than syrax so he stopped reading it because it made stannis mad anyway
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i'm thinking about that one scene between octavian and hazel where he blackmails her and...the text never makes it explicit why octavian killed gwen, or what exactly he knew about hazel, but i think it was most likely that he strongly suspected that hazel had died and come back, and he stabbed gwen basically to see what would happen, if she could come back and how that coming back would play out. and i think it would have been really interesting if he cut out the middle man and just stabbed hazel instead? if he suspected her and nico, here was his chance to force their hands and make them act, to make them prove him right in front of the entire camp.
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god whats it like being so sexy and correct in your takes at all times. (fuck the slavery angle, its tired, its boring, its uncomfortable and now we're going to get to go crazy murdering a bunch of slavers à la DA2)
so true
there's so much more interesting conflict than fantasy oppression
and I think Bioware thrives when it comes to writing quests with lower stakes but complex circumstances and great dialogue anyway
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