#i didn't mean to include ALL of their intros but come on they're interesting

[mothercetrion]

I really like the relationship between Johnny and Ashrah. like, a lot, and I think it's a very underrated relationship between the characters. full thoughts under the cut because it gets long (and also has MK1 spoilers!).

they get along for the duration of the story mode, with Johnny flirting with her/talking about her looks significantly less than he does any of the other women he has met (Kitana, Mileena, and Sindel, notably). he still does on occasion, but it doesn't feel as often? to me?

Johnny is the one to invite Ashrah and Syzoth to come back to Earthrealm with him, Kenshi, and Lao. when Johnny gives her what she views as a ridiculous disguise at the festival, she openly says as much, and Johnny insists that it looks good on her. it's about as flirtatious as he gets when he's speaking to her in the story.

A: You couldn't steal a more functional hat? JC: What? It hides your face. And honestly...it suits you.

I'm sure it's more of a nod to her more well-known design, but…still. it feels so much more genuine than his normal compliments, if that makes sense? no cheesy nickname, nothing drawn-out or overly dramatic. short and sweet. very unlike Johnny and incredibly endearing (and noticeable) as a result.

and then, once they're in Earthrealm, he's the one to introduce Ashrah and Syzoth to Liu Kang. he attributes the safe arrival to Earthrealm to them, which is true, but hearing Johnny openly credit them for their help was quite nice.

their story mode interactions end here, but their pleasant relationship continues in their intros. granted, Johnny does flirt with her (he is Johnny, after all), but it's a lot less than it is with the other girls on the roster. their intros are actually incredibly sweet and show off their close bond.

A: You fought bravely against Shang Tsung. JC: That's just life imitating art, sweetheart.

Johnny calls her "sweetheart" in this one. typical Cage flirting and hyping himself up.

A: I will fight without fail until I am absolved. JC: You are truly a wonder, woman.

more flirting…and a not-at-all-subtle "Wonder Woman" reference. a mix of Johnny's typical media references/possible flirting and a nod to Ashrah's VA (Susan Eisenberg, known for voicing Wonder Woman) from NRS. checks out.

JC: It's hard to believe there's a demon inside there. A: My true face would horrify you, Cage.

they talk about Ashrah's demonhood and how human she looks, something Johnny notes within seconds of their meeting. I feel like this intro also implies that Johnny thinks she's beautiful? "under there" being a beautiful face and Ashrah's "true" face potentially being horrifying to him, unlike her more human face.

JC: Your kriss would look outstanding on my mantel. A: I could never part with Datusha.

Johnny needs a replacement for Sento since he gave it to Kenshi! he thinks Datusha is neat, just like he did Sento. not a surprise here either.

JC: I love redemption stories. A: Yet mine is not for sale.

JC: C'mon, a tour would really help my story research. A: No living creature should visit the Netherrealm.

A: Your Hollywood is rife with evil. JC: You don't need your kriss to know that.

they talk about Johnny's movies, life in Hollywood, and Ashrah's story being made into something that Johnny makes. it makes sense with Johnny's character since he's interested in everyone else's stories for his movie, but talking about Hollywood generally is interesting to me.

A: So you were once married? JC: Amazing anyone would let me go, right?

Ashrah talks to Johnny about a very personal part of his life, possibly in an effort to get to know him more? or perhaps just asking him about it after hearing it from someone else. it's not revolutionary that she would ask, considering that it's brought up in other intros, but it's still interesting nonetheless.

JC: I've been in recovery too, y'know. A: We all have our inner demons.

this intro is one of my favorites for Johnny. he mentions doing "steps" to her briefly in the story mode, and he mentions his "recovery" here. I am extremely curious about what he's gone through in his career to warrant what sounds like therapy of some kind. regardless, he knows what it's like to want to be a better person, and he tells Ashrah that, supporting her own journey to goodness in his own way. it's a new layer to him that I would love to know more about. regardless, for some people, talking about their vulnerabilities so openly can be challenging, so it's clear that he doesn't want Ashrah to feel alone in her efforts. it's sweet.

A: You have poor taste in disguises. JC: [groans] When will you forgive me for that hat?

…and Ashrah still gives him hell about that disguise.

the vast majority of their intros are friendly with minimal flirting in sight. if so, it's much more subtle than his usual manner. Johnny is much more genuine with Ashrah than he is with the other women on the roster, and I think a lot of that is because of their time together in the story mode. they get to know one another and even have some things in common, things to bond over to strengthen their relationship.

anyway, I think Johnny and Ashrah are really close <3 and I think it's sweet.

[logan-lieutenant]

i didn't win the wheel: episode 8

(i made a post earlier as a preface as to what to expect in this IDWTW, check it out if you missed it)

Alex [leading the intro of the video]: "....Logan and I, we're here in honor of Wimbledon to play *turns to a detached and uninterested Logan* table tennis. Because nothing says Wimbledon like table tennis."

Logan [finally looking up right at him, starting to laugh]: "I think that's like... disrespectful..."

[they both laugh]

oh, alex. alex albon. you beautiful human being you. something i've mentioned earlier that i'm going to get into now: their dynamic is fluid and compatible and gentle, but it's hard to exactly fit them into roles because they switch back and forth. there might be two primary positions, but they flip back and forth between them easily depending on what the other needs. so Role A might have this sort of gentle leadership and reassuring presence, guiding the other through the task and getting them to engage with the game even as they're unfocused and overstimulated. Role B is a little lost, too in their head, unable to focus and unable to engage until they find themselves prompted by the reminder that oh, it's not just a game, it's a game with him. but it's impossible to put either of them down as always A or always B because earlier in the series we've seen logan help alex stabilize and recenter himself through his hyperactivity and now, more and more often, we're seeing alex coax logan out of his little shadowy corner. and alex does it in a way that even though it's an unspoken but obvious instruction (get your head in the game etc.) it's so personal it actually looks intimate, even on camera. the way he waits til the end of the sentence (while logan tries to pretend he isn't there) and then turns to face logan, lifting his arm to make a point but also opening up his shoulders toward logan and straight up leaning forward with that smile. he's tilting his entire face away from the camera so he can smile it logan, so he can say with his eyes "i know we're just doing this stupid challenge but i want you to know i'm not trying to drag you through it, i know you they're making you jump through these hoops and it's not fun and it's condescending and insulting, but i'm here and we're gonna do it and i'm gonna make this fun for you." and logan looks up and meets alex's eyes and they're so on each others' levels that these connections happen within a split second, almost easy to miss but when you catch a glimpse of it i feel like i'm intruding through the lens of the camera...

no reason to include this other than i felt like citing my sources (it's written all over their faces)

generally underwhelmed by william's admin choices for these videos. not only are the challenges really unoriginal, but they're also really simple. there's not a whole lot of challenge and there's also not a whole lot to go off. even ferrari adding a blindfold to everything ends up with better content than this. it should be obvious– mclaren admin has this down– but what makes the content popular isn't the score of the stupid table tennis game, it's the interaction. it's the dynamic. one of the reasons we're seeing alex go so obviously out of his way to bring logan into the picture is because admin has given them basically nothing to work with, so there isn't a backtrack of this is fun! this is interesting! this is amusing! to distract us. there's just alex wanting logan to have fun with him and logan not being in a situation to want or even be able to have fun.

[Pretty uneventful game over, Alex wins]

Alex: "5-3, to the champion, it's the– uh, this was a great victory for me and I'm, I'm very happy, I–"

Logan 😊😊: "Does that mean you could win Wimbledon?"

sorry if you ever thought you were babygirl for alex albon, logan sargeant has blown you out of the water. this is the cutest thing i have ever seen. this is how my dog looks at me when i come home from college.

ahhh this is nice to see. these are the roles i was talking about earlier. this is a pretty good callback to episode 5, but once again vice versa– then alex was still feeling hyper and silly from the game and logan was the one both guiding the activity and kind of letting alex calm down on his own time and still engaging him, now we've swapped. logan is almost looking at the camera now– he's almost doing the actual media presentation part of his job as opposed to the cap covering his face, head down, body language less expressive than a statue. only he can't make himself look at the camera for more than a few seconds because he's looking at alex.

he isn't even moving the video along. he's just straight up interrupting. alex has to due some mental and verbal gymnastics later on to get the activity back to the wheel-spinning part but still makes a point to segue from what logan's yapping about to the wheel instead of cutting him off completely.

also, round of applause for whatever moment between this video and last video where they've both become totally at one with the "awkward slanted shoulder one arm on the table so they can inconspicuously face each other" pose because unless they're actively swinging a paddle that's pretty much their default for this video. because that's the game for them. the fact that they're with each other.

i think i have one more episode to do. i'm still going to do it, because leaving this unfinished would somehow feel worse, as if none of this ever happened. but it fucking did. it was here and it's on video and alex fucking remembers and i'm not going to give up on immortalizing these moments and what they might have meant just because james consonants somebody wants to erase them.

[kaylinalexanderbooks]

WIP Questionnaire

Thanks @buffythevampirelover for the tag! This game looks fun!

Rules: answer as few or as many as you'd like!

1. What was the first part of your wip that you created?

TSP: Lexi was! TSP started out as a school project, and we had to create a character sheet for our first person narrator! That was "Alexia" who is now just "Lexi" (but her full name is still Alexia).

SOTL: The concept! "School for fairy tale characters" was basically it. I got discouraged a bit when I found out this concept already existed, but that didn't mean I couldn't do my own take!

2. If your story was a TV show, what would the theme song/intro be?

My favorite types of intros for TV shows are original theme songs or very catchy instrumental music. 30-60 seconds is a good length. I'd hope that for TSP and SOTL. Hope this isn't a cop-out.

3. Who are your favourite characters you've made? Why?

TSP: My favorite characters to write for are Lexi, Gwen, Akash, Robbie, and Carmen. Lexi because the arc I gave her is an exaggerated version of something that speaks a lot to me. Gwen because I wasn't expecting her to be as interesting as she ended up being planned to be. Robbie and Akash because of how funny and sweet their dynamic is. Yes, I love them separately, but they're a package set. Carmen because she's just so damn interesting I love studying her under a microscope.

SOTL: I am barely into writing it, but it's Jack at the moment. Shocker, he has three chapters while Tierney and Úrsula have one each! But the reason is that he is average at everything, but he doesn't let that get him down! He's funny and relatable and a dork.

4. What other pieces of media do you think would share a fan base for your story?

TSP: Hm, good question. The only thing coming to mind right now is Young Justice (the cartoon). Starts out with this fun group of kids, becomes extremely dark. Ensemble cast. Sneaking around. Superpowers. Fight scenes. Drama.

SOTL: Insert fairy tale retelling here.

5. What has been your biggest struggle with your wip?

TSP: Juggling everything. The world building, I guess. Making all the characters distinct was something I struggled at for a while, but I'm getting much better at it. Trying to figure out how the world works is challenging, but I am having fun. But juggling all the moving parts to make it cohesive is a challenge.

SOTL: What is plot?!! Also battling my ambition to do every fairy tale ever. I'm gonna have to make a lot of background characters that will get their own side stories separate from the main series to get all that I want. I probably will do that.

6. Are there any animals in your story? Talk about them!

TSP: Yep! Alium has a lot of fantasy creatures, animal hybrids, and fun things I just made up. Custos the dragon is the only truly prominent one right now. He's a blue fire dragon and is adorable. I also have kitsunes. Animal hybrids include unibison, ferretsnakes, cowyotes, beaverducks. Things I made up include the elemental foxes and blue hedgehogs.

SOTL: Hofiwi is an anthropomorphic bear! She was cursed to be anthropomorphic, this is not a normal thing in this world. I love her and she's just planned at the moment. Can't wait to do more.

7. How do your characters get around? (ex: trains, horses, cars, dragons, etc.)

TSP: Hovercrafts, dragons, teleporting, trains, and some other power-based travel

SOTL: I'm still figuring this out no one has gone anywhere yet. Dragons or carriages would be cool. Maybe I can mix them with something modern to fit the setting.

8. What part of your wip are you working on rn?

TSP: World building! Specifically the power database since that will be the backbone for everything.

SOTL: Reading fairy tales... I need to do that more

9. What aspects (tropes, maybe?) of your wip do you think will draw people in?

TSP: Powers, diverse cast, queer/disability rep

SOTL: same as TSP but fairy tales!

10. What are your hopes for your wip?

If I see one (1) fanart between either my life will be complete.

This was fun!

Softly tagging @mk-writes-stuff @jezifster @blind-the-winds @little-peril-stories @sleepywriter00 @mysticstarlightduck @sarahlizziewrites @writernopal @gottestod-writes + anyone who wants to join!

TSP intro

TSP tag list (ask to be +/-): @thepeculiarbird @illarian-rambling @televisionjester @finchwrites - giving a slightly harder nudge than usual cause I really want to see what y'all have to say! Still optional obviously

Blanks below the cut!

1. What was the first part of your wip that you created?

2. If your story was a TV show, what would the theme song/intro be?

3. Who are your favourite characters you've made? Why?

4. What other pieces of media do you think would share a fan base for your story?

5. What has been your biggest struggle with your wip?

6. Are there any animals in your story? Talk about them!

7. How do your characters get around? (ex: trains, horses, cars, dragons, etc.)

8. What part of your wip are you working on rn?

9. What aspects (tropes, maybe?) of your wip do you think will draw people in?

10. What are your hopes for your wip?

[melusinelyney]

(Spoilers and this is mostly for fun)

Ok so random theory during Robin's intro we see traveler

So it could just be a random input from the Hoyocreators for the jokes but I decided to start my theory career and delved deeper so something that is likely to make sense in this is it takes place either before or after the events of Genshin seeing as the world isn't at that level to have technology so you put two and two together.Anyway I first wanna focus on the fact Teyvat doesn't have a stellaron but maybe it didn't even have one in the first place but if it did then I remembered that during a conversation with the Ludex Neuvillette (that I can't find for shit) He mentions that the dragons existed before the heavenly principles appeared and so on so we can speculate that they would have likely destroyed the hypothetical stellaron and said said hypothetical stellaron could have destroyed all other life on old Teyvat.Now pinning my focus on the heavenly principles they could be Aeons? Because like who tf can create half the things in this god damn world including but not limited to Humans,the sky,wildlife, Actual gods etc. and they have the power to take other people's powers away,not sure if it's permanent but Traveller does have the option to say their powers were slowly coming back after fight Childe so maybe not,That seems like Aeon material to me and also like Aeons The heavenly principles kinda just do their things then dip for 500+ years for a nap I may need more evidence on that theory so for now we'll stick that on the wall too.Aether and Lumine are most likely not Aeons though (as they easily got their asses handed to them by the unknown god) in their description

They mention that they are each others only kin meaning they are the last of their kind left so there's a few options with this one they're whole race got wiped out and they were the only two left or they are actually the only ones in all of existence so there is still the possibility of them being twin Aeons but I highly doubt it plus in space terms(stellar space species terms???) we can assume the twins are quite young so that could be another reason they lost a 2-1 you know the varying levels of experience but eh I feel like this is aso important but I'm not sure why

The keeper I'm sure who that is yet but the creator is most likely the heavenly principles and the last two lines might relate to the Khaenri'ah incident but I'm sure I just think this relates but we'll know due time.Back on topic the more I think about it the more I think the twins might be Aeons specifically this line

That could mean they're immortal and idk about you guys but I'm pretty sure no average space species just gets gifted immortality(at birth Khaenri'ahins don't count)unless they do, it's still an interesting point none the less.

Tbh I'm at the end of my ramble because I forgot half of the points I was gonna make so uh see you next time ig???

(This is the most incoherent thing ever and I'm so sorry about that)

[helluvapurf]

Ayyyy new HB episode just dropped, and its the Fizzarolli one!~ Been SUPER curious about it since the initial trailers/sneak peek previews, soooo... lets talk about it~

*SPOILER WARNING AHEAD FOR THOSE WHO DIDN'T SEE IT YET-*

First things first, the Positives:

-Loved loved LOVED Fizzarolli and Asmodeus since their initial debuts in "Ozzie's", and... yeah, I very much enjoyed them here too!~ 👏From Fizz's maniacally-pampered goofiness to Ozz's "lovingly suave & powerful" demeanor, it blends into some super enjoyable chemistry when we see them both onscreen~ ❤️Not that they have a flawless relationship ofc, given Ozzie's overprotective coddling at times & Fizz being too careless about his own safety (+his inner worry of what the public would think of Ozz dating an Imp)... but at the end of the day, whether it's fluffy cuddles, kinky fun, or pummeling the hell out of some boring lawyer dude... it seems like nothing will ever tear these two apart, aww~ :3

-Blitz and Fizz's dynamic was SO fun to watch from start to finish, everything including their snarky banter at the start, their gradual teamwork when kidnapped, and their heart-to-heart by the end was quite touching to see play out (like man you can just FEEL the pain in Blitz's voice as he recounted all that tragedy/genuinely felt remorse for what happened... poor guy ;-; )🥺 I know some could argue that Fizz forgiving Blitz at the end was a little... "rushed", but personally I like to see it more as them agreeing start over "fresh" to give time in rebuilding things, with plenty to catch up on now that they're free from danger 👍 Here's to some more great Blitz/Fizz content in future HB eps!

-As... "lukewarm" as I've grown towards Stolas lately, I honestly found him pretty fine here in terms of character portrayal/writing (surprising too that he didn't take up much screentime since he stayed more to the sidelines during the B-plot... huh .3.). The lil bit of him excited to read the contract was pretty funny too lol ("Ohoho, I love words!~")

-Didn't expect to see Striker so soon, but he proved a fun threat to watch along with the bigger arsenal in Crimson's gang! 👌 Curious to see what he'll be up to next, with that slick escape of his by the end~ 👀

-I liked the lil fly-Chihuahua things Fizz had as pets during the intro, they were cute :3

-Much better writing in the humor-department here, as even some of the "raunchier" jokes (like from Fizz and/or Ozzie) didn't really phase me here since most of them do come from two prominent Lust Ring performers. Ironically enough though, it was actually Crimson who surprisingly gave me the most laughs ngl (like the screen recording threat to Ozzie, his confused face at Fizz singing in Italian, etc. lmao).

-Beautiful shots of animation & color work as usual, and even Fizz's song (-cluttered as it was lol) proved an amusing one to see given the circumstances of him improvising the whole time XD. Hope we'll see more of Alex Brightman's singing talents in HB's future, given his past Broadway work! 👏

-So it looks like we were right to assume Stolas is planning to give Blitz an Asmodean Crystal after all (possibly meaning the end of their Full Moon deal, too? :o), so that'll be interesting to see how that'd play out later (esp. now that Fizz gave the okay to let Blitz have it by the end, thanks to their renewed bond ^^)

Now, as for any potential Negatives...:

-As much as I enjoyed Striker's antagonist role here, along with the looming forces he gained from Crimson's alliance... like, why is Crimson of all people here for the villain-count, again? .-. Sure, it is refreshing that Striker's learning to let go of "sucking up" to Goetia's (aka: Stella & her brother) to get by... buuuut idk, I would've thought Crimson's next big appearance would've been suited more to a Moxxie and/or Millie-centered plot, I guess? 🤷 Idk...

-For someone who went through such an intense kidnapping/beat-up during his last starring role... I'm surprised Stolas is apparently walking around fine now, with no other visible injury? I mean sure, he is a Goetia so I guess it makes sense he'd heal up fast... yet since its only been canonically a week since "Western Energy" happened, I feel like he should've at least had a couple bandages/scars on him, to at least leave some more of a narrative impact of what he went through imo.

-Funny as the B-plot was with the boring lawyer guy... yeaaaaah I'll admit after awhile, I couldn't help wondering why Ozzie didn't just say "f*** it" and killed the dude already lol. Like, big threats from Crimson aside... Asmodeus IS an Embodiment of Sin nonetheless, arguably more powerful than any Goetia if we consider the Hell hierarchy system. Couldn't he have just... idk, raised up hell like Stolas did in "Truth Seekers" to go save his man? 🤷 Not that it took me out of the ep too much given all the great Blitz & Fizz content we got instead... buuuut yeah lol.

-With that one flashback sequence of Blitz and Fizz's childhood... I'm surprised Barbie Wire didn't show up much in it (save for the burned photo with their mom)? .-. I mean I'll admit I even saw some leaked storyboard-screencaps showing that Barbie was meant to be seen running out during the tent fire scene, but in the actual-finished ep she's just... not there somehow? Weird .x.;

-I'm... not really sure how to feel about Blitz straight up calling Striker a "supremacist"? Like yeah Striker's clearly within the "Eat The Rich" mentality since his debut in S1... buuuut with how its been subtly stated of how oppressed the Imp race is compared to most other Hell classes, I don't really get how Striker is "wrong" to outright detest royalty/rich folk? .-. Idk, hopefully they'll clear this up more with a later episode/backstory moment for Striker down the line... 'cause otherwise, the implications of it all just feels very... ehhhhh .x.;;

-...okay, I'm just gonna cut to the chase here (*and no offense meant-in advance to any shippers out there, btw*), but I'm... reeeeally not a fan of how much this show's been trying to "water down" Blitz and Stolas' current dynamic here 😑 Like, its one thing to show Stolas catching honest, genuine feelings but recognizing his mistakes enough to try & make things "right" (hence again, the Asmodeon Crystal thing)... but to straight up paint Blitz as being some "uwu stubborn meanie who doesn't know true love when he sees iiiiit~" is just... really? 🤦

Mind you, Stolas is the same guy who coerced Blitz into their Grimoire deal all so Blitz can keep up his I.M.P. business (& for Stolas to... well, "get some" >>;), kept stepping over boundaries throughout S1 (aka: calling him "Blitzy" over & over, hitting on him when he's not interested, etc.), and then didn't even try to defend Blitz when they both got publicly mocked in "Ozzie's" (only way later when they were in the privacy of his manor did he offer to talk/have some "cuddly couple time" together... 😒). Again, I don't mean to dunk on Stolas too much 'cause I know he IS trying to be better now (+Blitz wasn’t exactly a saint either, given that he only ever asked out Stolas back then just so he could spy on M&M >>)... but really, all that in mind I can't say I blame Blitz for not being exactly "receptive" to Stolas' affections 🤷 Personally, I think its best that these two just give eachother some space (once the Grimoire/Crystal thing is sorted out), imho...

----------

Aaaaand yeah, all-in-all I'd say this ep was... probably the best of S2, so far??😳Not "perfect" by any means, and def could've used a bit more polish in a few scenes/plot holes/script-writing... all-in-all, the strong chemistry of Blitz, Fizzarolli, Asmodeus amongst the drama made it a truly worthwhile episode~! 👏👏As for my current S2 ranking atm:

"Oops" (S2 Ep. 6)

"Western Energy" (S2 Ep. 4)

"Exes and Oohs" (S2 Ep. 3)

"The Circus" (S2 Ep. 1)

"Unhappy Campers" (S2. Ep 5)

"Seeing Stars" (S2. Ep 2)

[tokiro07]

Undead Unluck ch.173 thoughts

[I'm Looking Forward to the Future]

As a reader, I love set-up chapters like this, they're a great way to build up anticipation since they're inherently something new while also bringing back older characters that we know, love and miss dearly

As an analyst, I hate set-up chapters cus they tend not to give me as much to talk about. Every time I speculate about things to come, I end up being wrong, like I have Latla's STILL UNNAMED ability (though that's one thing I can bet we're getting this arc), and the themes aren't established until a chapter or two into each arc. The finales are really fun because they give me the opportunity to see how everything connects, but intros leave so much up in the air that I don't feel any confidence talking about them

That said, I did notice one thing that's liable to end up as the theme for this arc: family

Leila's rescue makes this a pretty easy concept to guess right off the bat, but the first page, nay, the first panel of this arc immediately gives that impression as well with Chikara's parents, Mei, and Billy's previously assumed dead wife and child all gathering at the Round Table to time travel together. Meanwhile, Isshin XII deliberately stays behind to watch Haruka grow into Isshin XIII (one of the few things I did correctly predict), further analyzing the theme of family by giving us a glimpse into different ways that familial love can manifest

That said, I am a bit surprised that Nico and Ichico didn't stay behind, since this means that Mico won't be born in time to grow up alongside Boh, who I figured was going to be a love interest for her. Oh well

I also really like the detail of who appears to be Phil's mom and Chikara's mom feverishly bowing to each other. I have no idea why they're doing that, but I get the feeling there's mom-to-mom solidarity there, making the Union feel less like a ragtag gathering of misfits and more like a close-knit community. The idea that children can be born among this group and raised by the collective is really heartwarming, knowing that this is the life that's awaiting Mico when she's finally brought back

This seems like a good time to bring up a more meta concept that I've wanted to touch on for a while, actually. As I've said ad nauseam by now, UU is a Friendship series, but I think that that term is somewhat misleading in and of itself. "Friendship" in the Shonen Jump sense isn't specifically about two people who meet and become friends, it's about any interpersonal relationship and the deliberate choice to be open to other people being a part of your life. In the west (or at least America), we would call this thematic umbrella "Love" rather than Friendship, but I don't know what the connotational difference between "Yuujou" (Friendship) and "Aijou" (Love) is or was when Jump decided on the Friendship, Effort, Victory slogan whenever they started using it. My guess is that it was originally meant to just mean literal friends and has just evolved over time to include broader interpretations

Contemporary Jump manga like Mission: Yozakura Family and The Ichinose Family's Seven Deadly Sins, as well as Jump SQ.'s Seraph of the End almost exclusively use themes of family to cover the Friendship angle. Yozakura has the family acting as friends, with loving and antagonistic dynamics forming the same way that you see in groups like One Piece's Straw Hat Crew, while Ichinose has the family falling apart in new and interesting ways because of their lack of cohesion and communication. It's their lack of Friendship that poisons their interactions and allows their circumstances to continue to deteriorate, whereas a group that actually values each of its members as much as the individuals value themselves would be able to come together and overcome their hardships by turning to and relying on each other. Seraph of the End's Yu has no living blood relatives, but anyone he becomes attached to is immediately considered his family; in a practical sense, there's not really a divide between how family and friends behave around each other, so why shouldn't a family be a group of orphans and outcasts who found each other amidst the wreckage of their own lives?

Undead Unluck has of course touched on family before with the likes of Feng learning to accept a paternal role in Shen and Mei's life, but if this arc lets us get into the idea that Fuuko has actually expanded the family that she had lost all those years ago, that would certainly help solidify Undead Unluck as one of if not the most robust Friendship series to ever grace Jump's pages

[n-blanca-archived]

↳ CLASS 1-A HC’S TO MAKE YOU SMILE (hopefully) 

A/N: i’ve been on class-1a brainrot (yes, all of them. collectively) for SO LONG and honestly? I love it here. romance is all good and dandy but FRIENDSHIP? good shit. 

on that note, these pairings are all platonic! just little things i like about their dynamics or things i think they’d do when they hang out :) feel free to see them as romantic though, not like i can stop you :P

p.s sorry for dipping??? for like months???

genre: fluff

warnings: minor situational angst

→ Denki & Izuku

❑ These two boys are the other’s hype-man, totally. Kaminari absolutely does not mind sitting through Izuku’s ravings about the fluctuating hero rankings, or even just the times where Izuku mutters on and on. 

❑ Kaminari’s been ignored enough times to know that it doesn’t feel good at all to want to talk to someone and for them to sheepishly tell you they’d long since stopped listening. Izuku does the same for Denki, no question. Sometimes Denki starts talking, and he doesn’t really...stop. 

❑ But Izuku finds it’s nice to hang out with the boy, and he doesn’t mind not contributing to the conversation when Denki looks so elated to see someone listening for once. 

❑ While I will forever be the number one advocate for Bakugou tutoring Denki and finding different studying strategies that work for Denki instead of giving up on him, I think Izuku’s just as likely to do that for kami! 

❑ It’s a frustrating first session, but once Izuku’s brian suggests that Kami might just need another method of studying, he takes that idea and runs with it. 

❑ The next week, kami goes to Izuku’s room a little afraid of the freckled boy rejecting him- but to his surprise, Izuku presents him with all types of new study methods, including colored index cards and a home-made sentence reader that covered the entire page except for one line at a time.

❑ (yes, he did tear up for a second.) 

❑ They end up going through that week's chapter in half the time it usually took Denki to get a subject, and they got to play video games afterward! 

→ Ochako & Katsuki

❑ While I don't think the boys in 1-A look down on the girls in the sense of "but they're girls so they are weaker :(" all that much- Katsuki was the first and only one really to make that clear. He didn't see her as something or someone to pity. She was an opponent and a damn capable one at that.

❑ So, yes. Maybe Ochako and Katsuki aren't exactly best friends who'd die for each other. But they’ve proven to each other that if there's someone who'll bring their all to a fight no matter the circumstance, it's each other.

❑ Ochako’s weariness when it came to Katsuki was short lived. It was kind of hard to be so...afraid of someone who treated you better than others seemed to coddle her when she told them she was a hero-in-training. 

❑ It starts small, too. At first it was just teaming up occasionally during class for spars. Then it was going to the gym after school with Katsuki and Eijirou. 

❑ Tiny little hang-outs like that then turn into joining the blonde on his morning runs every once in a while, and eventually Ochako found herself seeking out Bakugou every weekend, and the blonde seemed to be on the same mind-track, too. Every Sunday, when Ochako pulled open the front door, she spotted Katsuki, stretching out in the front lawn, waiting for her. 

❑ (and if they occasionally have breakfast together after their bi-weekly sunday training sessions, then that's their business.)

→ Shouto & Eijirou

❑ them hanging out wasn't really ever. Expected. Like, at all.

❑ but kirishima's shown that he has a knack for weird, almost hostile awkward boys with low friend counts

❑ so shouto fits right in

❑ really it starts when Kirishima finds Shouto in the common room, staring into space. Usually he'd leave him be, but it was weird to see the boy without his group of friends joining him

❑ in an effort to get to know shouto better, kiri offers to play a few rounds of super smash bros,,, and shouto just. blinks. at him. And kiri blinked back for a second before he realizes shouto didn't know what super smash bros was

❑ and of course, to kiri, that's absolute blasphemy

❑ so kiri abandons his trip to the kitchen in favor of sitting next to shouto on the couch, and teaching him how to play as many video games as they could fit in one night

❑ (the first time kiri sees shouto laugh, he can't help the way his face splits into a grin. Todoroki, while not mean, was someone who came off as cold most of the time, so to see him so relaxed made Eijirou feel warm.)

❑ somehow it becomes a regular thing-- shouto would come downstairs, and eventually Kirishima would show up. Sometimes they were both alone, sometimes they were surrounded by their friend groups. But every time without fail, Kirishima would take his place next to shouto, hand him the blue controller that he favored, and turned on the TV to select the first game they'd be playing

❑ (watching Shouto start to gain some of Kirishima's vernacular was also an interesting - read:hilarious - experience)

→ Mina & Yuga

❑break dancing buddies

❑ like. I'm not kidding these two have moves.

❑ well. Mina does, at least. Aoyama gets it pretty quickly but it took him a second to familiarize himself with how your body moves when your break dancing.

❑ aoyama's danced ballet most of his life, so dancing wasn't new to him

❑ but this particular type of dancing was new to him- so of course he reached out to mina after the UA festival

❑ mina, ever the angel, agreed!!!!! Dancing buddies!!!

❑ Mina's also loved dance for a good amount of time

❑ it started in middle school, and just carried into highschool. The idea of being to express yourself with your /body/ was exciting, plus you looked really cool while doing it too!

❑ so when she gets asked by Aoyama to teach him how to breakdance she's nervous, but completely giddy to be able to be someone else's intro to a hobby that was a big part of her life

❑ it's not an uncommon sight to see mina and Aoyama, in their workout clothes, working through moves Step by step with Mina's phone blasting some random song that was beat heavy

❑ (Aoyama would be an interesting extra add on to the bakusquad. Am I wrong? No 🚗)

→ Hanta & Tsuyu

❑ Sero never really interacted with tsuyu, not to say he didn't like her! she just wasn't in his social circle

❑ so to say he felt awkward when he found her in the corner of the library during free period- curled up and sniveling away - was an understatement

❑ still, he put down the fourth issue of a manga he was /really/ looking forward to catching up on, and sat next to her until she calmed down enough to tell him what's wrong

❑ turns out, winter always sucked and made her tired, which made her sad. Added on to the already existing amphibian instincts in her that hated loud noises or too many people, it could get really overwhelming for her

❑ Sero offered to let her into his room whever she wanted to hang out in the quiet, if she felt embarrassed to do so with her closer friends

❑ she seemed surprised, but quickly agreed.

❑ Sero wouldn't tell her, but he often felt the same in a sense. The only two people in his friend group who could be relatively quiet in more personal settings were Bakugou, ironically, and Kirishima. So he often found himself leaving group hang-outs just a little early, to destress in his quiet room.

❑ tsuyu hadn't expected him to stay with her, and especially not offer his room to her whenever she needed to get away. Still, she agreed, knowing she'd probably never take him up on his offer

❑ she was proven wrong three days later, when Ochako squealed about...something.

❑ tsuyu couldn't say for sure what the floaty girl was yelling about. Normally she was attentive, really! But her head was throbbing and she was on the verge of falling asleep then and there when Ochako burst into a loud yell of excitement, startling the frog-like girl

❑ so tsuyu gathered her stuff as quickly as her sluggish body allowed, rushed out a quick goodbye to her baffled friends and made her way to the dorms

❑ the elevator was a struggle, with the humming of the machinery almost lulling her to sleep. She made it out successfully, though due to her drowsiness and increasingly blurring vision, she realized just a little too late that she had wandered down the wrong hallway

❑ sero's name plate made her stutter in her tracks, but after a moment of deliberation that left her swaying on her feet, she knocked as strongly as she could on the thin door, hoping the lanky boy was in his room

❑ thankfully, he was, and he only offered her a small smile before ushering her into the room and guiding her to his bed. Tsuyu thinks she croaked out a tiny "thanks", but she couldn't really be sure

❑ she slept better in those 39 minutes than she had in weeks

❑ after that, tsuyu somehow got into the habit of wandering down the opposite hallway once she left the elevator, and most of the time Sero would open his door when she knocked, only giving her a smile before letting her wander to his bed or, more commonly, the pile of blankets and bean bags he had in a corner of his room.

❑ (she wouldn't admit it, and neither would he, but the times where they walked back to his dorm together once their free period began were their favorites. and the days where tsuyu wasn't so sleepy and they talked for the hour they had weren't so bad, either)

okokok i’m cutting it here since that last section was super long! who knew i had so much to say about hanta and tsuyu ,,,, 

anyway! this was super fun, so i’ll definitely be doing stuff like this more in the future. if you have two characters you’d particularly like to see, don’t be afraid to jump into my ask box! 

[sanstropfremir]

I absolutely LOVED reading your kingdom review. You gave me such an insight in things I never even considered, especially since our rankings are so different from each other. The Boyz was my favorite, the narrative was about RTK. How they felt bad for having to compete against their friends but eventually the groups only lifted each other up and it helped TBZ grow into the group they are now through the hardships and mental dilemma, falling into the next challenge right after they reached the top. It should have been more obvious though, I agree, it wasn't really visible for anyone who didn't know. I was wondering how you felt about the dancing in general? my reason for not ranking BTOB high was lack of choreo (and Peniel's verse), same goes for SF9. Mostly because I don't feel the hype when watching, it doesn't keep my focus on the stage. As a baby-performer myself, my goal is to make the viewer curious about what's next. is that the wrong way to look at it? that's what I've always been told, building the tension up and down to create focus. would love to hear your feedback on that! thank you so much for sharing, we need more reviews of people who actually know what they're talking about.

i'm glad that you got some insight from it! like i answered in the previous ask im here to hopefully bring some more depth and understanding for people that care and are curious!

you unintentionally proved my point about tbz’s performance: that is way too complicated! even the most talented solo dancers i can think of would have trouble distilling that down to something readable in 100 seconds, much less a group of like, a dozen people! the introductory stages are meant to show us the character of the group and their abilities in the most concise way possible, it's not the stage to do deep philosophical and emotional introspection. for a full stage? absolutely, go hog wild! but for this stage it was too ambitious and ultimately was ineffective to anyone that isn't a fan of them specifically. 

by dancing in general do you mean like, every group? i put most of my opinions on the dancing where i had them in each of the individual rankings but honestly? unless there is something that really stands out positively or negatively, a lot of ‘average’ kpop dance looks the same to me. i know it’s not, obviously, and if pressed i probably could do a more serious breakdown, but dance is only one element of performance. it has equal weight with all the others in my mind, and therefore i notice when it is either 

very good

does something unique

very bad, or

interferes with another element

which is the same as how i evaluate every element, if that makes sense. 

hmmmm. i thought about this a lot in the shower and turns out i had more opinions that i expected so i'll put them under a cut.

firstly, i don't think lack of choreo should be penalized or considered an ‘incomplete’ performance. at the end of the day, these are bands, and a part of their brand/product they sell is the music. complex choreo does not need to be attached to that to make it a successful performance. also, btob did have choreo. any movement on stage is technically choreography. but this terminology can cause confusion so usually non-dance choreo is referred to as ‘blocking.’ but they also did include the song’s original point choreo at 1.41. the blocking in their performance was well thought out and suited the arrangement, by placing spatial emphasis on each part of the song that needed it. obviously it comes down to personal taste if the performance is ultimately ‘successful,’ because all art is subjective, but just because something isn't as visually complex as something else doesn’t mean it doesn't have the same level of thought. think of it like this: one is a super clean-lined post-post-modern grey/white living room, and the other is a kitsch goth basement. both share interior design principles and have obvious care put into the space, but they are vastly different styles that appeal to different tastes.

part of the job of production designer/AD is to decide what gets emphasis. a question you're always asking yourself is ‘is this important to the story that we’re trying to tell?’ and btob/their AD made a very smart choice with their introductory stage because it says a lot about them and their abilities in a short amount of time. that stage said ‘our foundation is strong, we have the training and experience and confidence to be up here and not rely on visual tricks.’ because they know they physically cannot do the things the 4th gen groups can; they're a decade older and they only have four members, it's just not feasible. something you learn with experience is the power that specific and pointed emphasis holds, which segues into my answer to your last question. i don't necessarily think that ‘building hype’ is the wrong way to perform something, but i do think it is a flawed way to approach creating a performance.

i think that ‘hype’ is flawed concept at its core, and one that focuses on the idea that there’s always being something more, something next, beyond the work itself. now there’s nothing wrong with playing with tension within the internal structure of a piece, that's exactly how constructing a narrative happens. however, the flaws come once we extrapolate beyond the boundaries of that individual work. the idea of ‘whats next’ implies that you have to constantly be promoting, have a sequel coming, building hype etc so people will keep engaged with your work. which is deeply capitalistic in nature and operates on the assumption that art exists purely as a product to be sold. and in order to keep selling you need to keep making a bigger and better and more spectacular product. and this is not the case at all. marketability is not the essence of art, it merely a factor of creating it under this insufferable system. kpop in particular suffers from this because the industry is specifically fabricated to produce capitol. we can have discussions all day about idols and their artistic integrity but at the end of that day, they are all cogs working with a system that was specifically made up by essentially one person to be culturally exported and to just print buckets of money. so in following that train of thought, there is a constant attitude of bigger and better because shock value (whether positive or negative) gets social media attention and therefore it sells. and it has become exponentially easier (and also seemingly required) to make things that are bigger and better than ever before. i remember being blown away by the projection floor at the sochi 2014 olympics because something of that scale and complexity would never have been possible without literally having the funding of the olympics. now that technology is easily accessible to anyone with an amazon account and the time to learn how isadora works. in comparison, it took 2400 YEARS for just the job of a ‘theatre designer’ to be even become a job at all.

because of kpop’s fan culture it is especially prone to ‘hype’ behaviour. in general with the accessibility of the internet and social media, everything has turned into a competition, and who can generate the most buzz ‘wins’. but ultimately that has taken away the general public’s ability to recognize that you can enjoy something quietly and you can enjoy something slowly. that the enjoyment of something doesn’t need to be all exclamation marks and keysmashes and trending hashtags on twitter. there is value in a work engaging in an emotion within you that is not just excitement. most of the artists and companies that i consume the work of i don’t do so because their work makes me excited, i do so because i liked the experience of engaging with that work. several years ago i saw the eternal tides by legend lin dance theatre, which you can watch a really short clip of here. that is not slow motion, that is actually how slow the dancers are moving. and 90% of the show is performed like that. and its two hours long. and it was one of the most incredible performances i've ever seen. if i ever get the chance I will go see another one of their shows again, not because i care about how they can top that experience i had, but because i know they can produce that experience, and that is enough to make me want to seek them out again. the speed of the internet has also loosened the general public’s understanding of just exactly how long creating a performance work can take. the lead dancer in the eternal tides was with the company for eight years before she and the piece were ready enough to be performed. large scale operas, musicals, and plays often have a year or more of pre-production before they even get to rehearsal. smaller theatre companies workshop new pieces for years at a time. performance is hard and it takes time. you can eliminate some of that with sheer amounts of money and people, which is what the kpop industry has done, but it speeds up the cycle of consumption to a degree that is not sustainable, especially for companies and creators who do not have that kind of access. performers and performance makers often don't put enough trust in their audiences. if they like what they see, they will come back. they dont need to be constantly bombarded with content at all times.

now that i’ve said a bit about why i think hype is a flawed concept, let's bring it back to kingdom. sf9 did something very interesting with their stage in that they actively chose to limit their dance time. and this plays very well off the performance film stage that taeyang did a couple of weeks ago. taeyang is talented and confident (for good reason), and his solo was incredible. but when it came to the intro stage, instead of trying to one-up the solo stage, the group instead said ‘well people are going to be looking at us because taeyang is insanely talented, so let's show them that we ALL have the confidence and the attitude to be up here.’ no need for flashy theatrics, they had the foresight to do something that would make them stand out from the rest of the groups. even if i was just casually watching the stages without doing any analysis on them (like i did for rtk), i would still be able to distinguish them because they had the stones to stand around for half their stage time. now i recognize them and would like to see what else they can do. same principle as what btob and also what ikon did. there is a fine line between anticipation and hype that gets equated in media consumption nowadays, but the two are not the same.

i think the tldr on this is that you dont need to ‘build hype’ or ‘go all out’ to make an interesting work. just focus on telling the narrative that you want to tell, and the people that recognize that will come. i could have a lot more things to say about peoples shrinking attention spans and the constant stream of information that we consume on a daily basis that devalues the labour done by artists in the eyes of the public and promotes hustle culture that is burning out and damaging creators at a rate that is both exponential and frightening, but that’s probably for another time, because this is SO LONG