#i didn't mean to make this long SORRY

[egophiliac]

I got a really tough question.

What’s your favorite Twst event of ALL TIME?

I like Harveston

this truly is the hardest question. :( but after much consideration, I think Endless Halloween Night wins out for me, because it's nonstop Characters Being Silly the whole way through. the whole thing is just lots of these little dorks having the most ridiculous interactions, which is always my favorite! and of course the big twist is SO delightfully stupid and doubles down SO hard that it becomes AMAZING and I 100% unironically adore it. AND it's Halloween! everyone is in their cute little costumes and having a spooky adventure! it's great!

however, I am ALSO a big fan of the Harveston event! how can I not be! everyone is wearing comfy winter outfits and getting along really weirdly well with Epel's grandma and he's getting a little worried about that! my terrible loud son sews a plush squirrel and then gives it a silly little nickname and refuses to leave it behind when it breaks! the ending shot with the sled! I LOVE IT.

obviously we need the best of both worlds now

[somegrumpynerd]

Cross has trouble getting to sleep alone in his room and goes looking for a distraction, but ends up finding a solution for both of them

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[ladystoneboobs]

no of fence to jon snow fans who for some reason care about his exact age, but these discussions just annoy me no end. not only bc there's no way any weirwood flashbacks bran has to rhaegar/lyanna will come with time/datestamps, but also bc there's always comments like this:

SEVERAL turns of the moon (ie, months)?! have these people never seen a human baby before or just have no concept of their ages? even if we take into account travel time from the toj to wf, meaning jon was not a newborn too fresh out the oven when catelyn and robb arrived, there's still a difference between a newborn and a 3mo and an even bigger difference between those infants and an older baby 5-7mo. there's very good reasons these lines were cut. whatever birthdates can be worked out internally for jon and robb from when they're first mentioned as 15 and 16 don't matter in the end, bc grrm doesn't care about a consistent timeline and the actual text of catelyn's pov and ned's convo with robert about cheating on her should outweigh any guesstimates about jon's official nameday wrt robb's. catelyn may not have cared for jon, but she would sure as hell have noticed his nameday if it came before robb's and made him ned's firstborn. if jon's birthday canonically came before robb's then either ned's cover story would not involve adultery (not impossible for him to sire a bastard before his wedding), or he'd just give jon a new nameday along with his new name to fit the adultery lie. it makes no sense for him to lie about one and not the other, undermining the big lie with a little public clue of his story not adding up. whatever else she was as a stepmother, cat wasn't stupid and a bastard who was actually the eldest son being raised alongside her trueborn heir could be an even bigger insult than whether he was born of adultery or not.

BUT, the unknowability of jon's true birthday is not the only reason this annoys me, it's bc this is all based on the assumption that jon must be older since rhaegar/lyanna ran off together before ned married cat, as if both boys must have been conceived asap as robb canonically was when his parents consummated their marriage. and that's not how human reproduction works! even if you don't understand how fast babies grow in the first year, you should know that people who get pregnant do so through ovulation cycles and a lucky sperm finding an egg and all that, not just immediately getting knocked up as soon as one has p-in-v sex for the first time. not unless you only know mean girls sex ed where if you have sex you will get pregnant and die. (even tho lyanna did die, there's plenty of canon examples where pregnancy did not lead straight to death. also examples of people who did not get pregnant right away and even some who are/were sexually active and childless without always having moon tea on hand.) we can't know how long lyanna was having sex before that sperm+egg match happened or even how long she was with rhaegar before losing her technical virginity. if they were married, doesn't it make sense to think they didn't consummate their relationship until the wedding night either? that's the only leverage there is to ensure a status as wife rather than just mistress.

and while i just said grrm doesn't care about exact timelines and a lot is still foggy surrounding the rebellion and esp rhaegar, there is one timemarker wrt robert's rebellion he voluntarily threw in, time and time again: that stannis was besieged at storm's end for almost a whole year. that siege, which mind you, did not match the duration of the entire war. it only started after robert won his battles at gulltown and summerhall, returned to storm's end, and then went out and lost the battle of ashford, leaving his homeland open to the reachermen. the same siege which only ended when ned made a detour there after the sack of king's landing, before going to the toj. even if lyanna may not have given birth that exact day ned found her, she could only be waiting in that bloody bed for weeks at the most, not months. so if rhaegar knocked her up the very same night he carried her off and jon was still a newborn when ned found her after the siege of storm's end had ended, wouldn't that mean lyanna was pregnant for well over a year? that's not how human pregnancy works either! so, maybe that's proof that jon and robb, whichever order they were actually born in, were actually very close in age as babies, much closer than if they were both conceived asap.

and really, jon's actual birthdate does not matter imho, when he was raised not just as the bastard to robb's trueborn heir, but with robb also known by catelyn and the world as ned's firstborn (which he was, in any case, as jon was ned's nephew by birth). what difference could a birthdate before robb's make (even were there some means of discovery) after ned, cat, and robb are all dead? if one is looking only at his birth parents then he's only a firstborn child on lyanna's side, but definitely a second son on rhaegar's side. maybe he was always meant to be a second son with a not much older half-brother! even if the aegon fka young griff is not in fact rhaegar's son, he'll still be known as aegon vi targaryen, meaning jon will never be known as any father's elder son. if i may reference mean girls again, it's not going to happen.

[crossbackpoke-check]

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two

[mewvore]

I came across you via your post about (shortening for readability) "HRT being a last minute option that could be taken near the end of all possible solution to life's most pressing woes" And I tried to understand, but I do not fully, so I try and ask you directly. Sorry if I don't have the proper vocabulary to use the "correct" terms in my questions I thought HRT was... well, something against body dysmorphia in people who felt misplaced in gender-related questions (purposely being vague in order to try and include all intersex etc people) And in that interpretation, for HRT to help in any way, there must have been some... mismatch of sorts. Is the word dysmorphia, dysphoria, dysplasia? Idk. I'm not a scientist, just a confused rando on the internet. Whatever the word, if such a thing were to exist, should it not be possible to pinpoint it and target it specifically, long before you would get to the end of possible solutions? Your phrasing sounds a lot more like someone saying "I have issues. Let's just shotgun a random treatment for a random issue that other people have and hope it works". How and why would it work? Why is HRT the last-ditch attempt that did work?

the most important part about what I said, in regards to that entire twitter post and my explanation, was that it was about me, only me, personally. whether that ended up resonating with people is completely based on their own experiences and interpretations, and it is definitely not universal. none of it was meant to describe the trans experience and HRT in its entirety for everyone

In regards to calling HRT what amounts to as a final effort, I called it that as a way to consolidate years and years of things that happened in my life which lead to that point. a baseball game doesn't get to a 9th inning randomly, and a pokemon battle doesn't get to the last 1v1 immediately. a lot happens to get to those points where a solution eventually presents itself. I apologize but I simply do not wish to lay out EVERYTHING that happened in my life to explain the EXACT reason why transitioning ended up being my personal solution.

for the most part you are correct in what you understand HRT to be and what it addresses, and its something that requires a lot of thought, a lot of discussion with professionals and peers, and its most definitely not something that one picks haphazardly. The brevity I used wasn't due to any lack of care, it was to aid in the nature of internet posting and making clever jokes. I apologize for making it confusing for you

[arklay]

RESIDENT EVIL → THE WESKER FAMILY

To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?

For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.

Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.

The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.

In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.

Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.

[upsidedownsmore]

Hi!! I was wondering if its okay to ask what brushes u normally use in krita? I love your art!!

Thank you so much!!! I only use the ones available in Krita by default and I tend to jump around based on what I think will work best for each piece, but I can give a little rundown on which ones I use the most and what I use them for :)

Here's an image guide with each of the brushes I've used and that I recommend checking out:

I'll highlight my favorites as well with some examples where they were predominantly used! (though in some cases multiple or even all of these brushes were used)

Marker Details:

Varying opacity and size makes this one my favorites for sketching, especially since it can easily be nearly transparent or fully opaque which helps with value range.

I also like using it for silhouette sketches!

It can also be used for final linework, but it takes more work to get to a full opaque and its lack of texture makes it a little less interesting than Ink-7 Brush Rough imo.

Ink-7 Brush Rough:

Really good for linework, especially for comic styled drawings with it's slight texture, varying weight, and opaqueness.

Also good for just filling in entire areas with a single color as well as non-smoothed shading!

Wet Bristles Rough:

Actually just an amazing brush, its pressure sensitivity is crazy.

Blends strokes like paint and can vary in size and opacity.

Also has a nice subtle texture!

Amazing for smoother coloring and shading, especially if you want a more painterly style.

Watercolor Texture:

(hard to show examples of this, just assume that I've used it in any piece that has smooth shading lol)

Not the best for painting/drawing on its own, however I've found it to be really useful when set to white or black on an overlay layer for adding extra shading and/or highlighting on top of the shading I've already done.

I usually shade individual figures, objects, and parts separately, but using an overlay layer with Watercolor Texture (or even Shapes Square) on top of everything helps make the entire piece feel more cohesive.

Also adds a hint more texture!

Another thing to note is the importance of layer modes!

I know that you asked about brushes specifically, but many of these brushes (particularly those to do with effects and textures) work best when experimenting with different layer modes other than Normal. Overlay is generally a safe bet and most of the best for, well, overlaying multiple layers for interesting effects. But please try out all of them at any given opportunity, sometimes things like Burn, Color Dodge, Soft Light, etc can have more interesting effects!

In addition, mess with filter masks! You can even edit where they apply by drawing on the mask directly! HSV/HSL Adjustment (also accessible with ctrl+u) in particular is INSANELY useful for fiddling with the colors and balance of a piece, from individual layers to whole groups and drawings. I also really like blur filters, often times I'll duplicate a layer and make the bottom one blurred to add a glow affect to something without losing its definition.

While this latter stuff isn't about brushes specifically, its generally very important to how I use and experiment with all these different brushes!

Anyways I hope this helps!! I kinda went overboard with this post, but I had a lot of fun writing it! Thank you again for the wonderful ask!! :)

[slytherwrites]

I don't mean to be mean or rude but there were these people in my class who were wearing like REALLY revealing clothes and I've gotten an idea: How would yanderes Draco, poly yanderes Fred and George react to the reader who's usually an introvert suddenly wearing really revealing clothing since she wants to be noticed and doesn't want to be viewed as an introvert anymore? Tbh, this is actually what I'm thinking rn... it's like if I want to be noticed in my college these days, that's the step I'll have to take but I don't feel comfortable wearing such revealing clothes

i think this is my first non mha request across my two writing blogs and im esctatic!!! also, dont do things youre not comfortable with just for attention.

also im assuming that this is for two different sets, draco and the weasley twins, not all three of them (which would be an... interesting set up)

and anything mean or degrading i say does not represent my feeling on how people dress, just how i imagine these characters feeling, whilst being yanderes

and i made sure to make this as gender neutral as possible

Draco Malfoy - 6th Year (HBP)

He isn't a stranger to attractive girls trying to get his attention. His family is rich and powerful and with the state of the world at the moment, siding with a notoriously dark wizarding family isn't the worst thing in the world.

But you? He expected better.

You were dressed like one of those muggle harlots pureblood men would talk about. If their wives were frigid, they could always get someone of an inferior status for a short little while. Women like that were always impressed by riches and jewels.

But you? Nice, pureblood you? He couldn't believe it.

The Hogwarts uniform itself looked nice on you. You dressed respectable, nice even in your house color. But you ditched the cloak and hiked up your uniform to show skin. The hem at the bottoms were brought up and your button up shirt left with one too many buttons undone. Your tie was strung haphazardly across your neck, lining up against your collarbone.

It was sickening, pathetic, and dare he say, hot.

But, you weren't supposed to be like that. You were supposed to be better than that. And that causes Draco to intercept you.

He grabs your arm before you can even get to the Great Hall for breakfast, clenching your wrist until his knuckles turn white. He looks up, then down. Slowly taking everything in.

"I take it you don't like my outfit, Draco."

"You're getting bold."

"I guess."

"And, dare I ask why you're dressed like this?" He asks, "You're not a veela you know."

"Just..." You reply, "Wanted a change of wardrobe."

He lets go of you just long enough to wrap his own cloak around you.

"You shouldn't dress like that you know." He says, "And keep the cloak on. No one should see you in this state."

You look at him, taking it off before he puts his wand in your face.

"Put it on, or there will be consequences for your behavior."

"Okay Draco." You add, "Whatever."

You roll your eyes, taking the cloak. You can always just go change in between classes.

He lets you go before getting the last word in, "And if you want to dress that slutty again, stop by my dorm before doing so."

Weasley Twins - 6th Year (GOF)

It's the Yule Ball and the twins didn't officially bring anyone. Neither did you. But everyone in Gryffindor Tower knows not to touch what the twins want.

And what they want, is you.

It's been apparent ever since the three of you started Hogwarts together. The twins and their person, their third half. There was a sense of safety when it came from them. Nobody would mess with the one thing that some of the most mischievous students at Hogwarts desired.

And oh, did they desire you. They have wanted you ever since they rode the train with you, all those years ago. You were their third half, the born-away piece of their soul. The one person who knew either of them just with one look. Because you knew them for who each of them are, not for who they are. And that's what makes you special. It's what makes you one of them.

"Oh Georgie..." Fred comments, "Look what the cat dragged in."

George whistle, "Look what the cat came in with."

Damn, did their other partner clean up nice. Well, nice may not be te right word, but it certainly must be what you were feeling, because you never graced them with this amount of skin ever.

"I don't think I've ever felt so..."

"Lucky?"

"Aroused."

"Understandable, Freddie."

The encircled you, cutting off most people's view of you. And oh, was it a view. They need to take you to nicer places more often if this is how you'll dress for them. It's better than the muggle photos people smuggle in and even more so thatn the magical magazines in circulation. even if everything isn't showing, you've left nothing to the imagination.

Part of them wants to show you off, keep you pressed against them and ensnared in their arms. everyone could look and be envious of what they could have, but then people would try to take you away from them. And that's not an option, ever.

You aren't leaving their side, even if you want to. You can keep on dressing pretty and showing yourself off, but they're going to make it big. Their business will rise off the ground. And they'll be able to dress you up in the sluttiesst of dress robes all of the godamn time, if you left them take a peek at what's underneath afterwards, of course.

[bumblingbabooshka]

Fake Voyager Episode: Tuvok gets kidnapped and forced to compete in an arena where telepaths fight one another to the death for a shot at fortune and prestige. He was initially kidnapped as 'fodder' - the aliens who run the arena will grab any telepathic alien they can find regardless of skill and they're essentially just there to be killed by flashier veterans of the bloodsport. The episode is mainly Tuvok showing off his tactical know-how and combat skills. We also get several flashbacks to him as a young man, learning how to fight both on Vulcan and in Starfleet. There's a concern that he will lose himself when forced into this seemingly endless battle, surrounded by violence, but in the end he prevails and manages to escape without killing a single person. He leaves the arena after giving a message of peace. Patreon | Ko-fi

Unnamed Goon: [Laughter] That puny 'Vuulcan' didn't land a single hit for all his bluster. Once I sealed his telepathic powers it was over! Huh huh huh… If I keep up this pace I should have him crushed beneath my fists in- What...? I can't move...? Tuvok: By now you have surely noticed it.

You are certainly a formidable opponent. Most would assume you to be a simple bruiser but that is not the case. You are a knowledgeable telepath - able to not only bolster your own physique but nullify the telepathic capabilities of your enemies.

However. You rely too much on one tactic and are too proud to allow yourself to look 'weak.' This was the ultimate cause of your ruination. While you gleefully battered my body about the field I was able to locate twenty two out of twenty four 'kobat sfek' on your body - points which will render you immobile for approximately…four minutes. More than enough time. It was a shrewd precaution to nullify my telepathic ability. However. I do not need them to best you in combat.

Even now, I am ten times stronger than you. Unnamed Goon: T-Ten...TEN TIMES!? [Imagining the sort of gruesome end that might await him, the unnamed Goon faints - leaving Tuvok the victor.]

[pianapplez]

Hello there 👋👀,

So I just found your blog and had a lot of fun scrolling through all the pjo show crit😂 I couldn't help but notice that one tag you left on a post where you said you had some beef with Annabeth's portrayal in the books 👀 Would you mind elaborating on that if you're comfortable with it🙈? Because I absolutely share that sentiment, but it's sooo veeeery rare that I see other people express anything like it... I've found that trying to be a part of the fandom can be pretty alienating most of the time, if you're not exactly the biggest most devoted Percabeth shipper...😅 And often any criticism leveled at Annabeth just gets you a smack with the "internalized-misogyny" hammer... it's even worse in the tv show now due to... obvious reasons...

Again just if you're comfortable with answering of course🙈 There is a reason I stayed on anon after all...😅😂

Really glad you asked because i finally get to ramble about this heheheh (going forward, know that i skimmed over The Last Olympian to have a clearer sense of what I meant because that's the book where Rick fumbles her character more than the others)

i'm gonna try to make as much sense as possible but short answer would be, she's underdeveloped. Long answer:

She really got on my nerves in the last two books, with the whole Rachel debacle and then the Battle of New York. I can't really remember a single moment in those books where she and Percy aren't bickering or having heated discussions, which really made me question their friendship status. Of course, it's not like friends can't fight and it obviously builds up the (romantic) tension between them, but it got unbearable at one point.

I understand she's a teenager in an incredibly stressful situation that didn't even get to have a normal upbringing- she grew up way too fast (run away at 7, head counselor at 12) while also not really maturing, which is not a problem for a character, if it is handled properly. Given the fact that I am writing this, Riordan did not.

On the surface, my biggest beef is that Annabeth is not exactly held accountable for her actions (ie. treating Rachel a bit like shit and going off on Percy for a bunch of stuff.) I know Percy is to blame a bit here: as far as we know, in TLO he basically cuts the greek world out of his life as much as he can as a coping mechanism. And while yes, he never apologizes either, he doesn't give her nearly half the hard time she gives him: always either giving him the cold shoulder (there must be at least one example of this in the entire series but i cant be bothered to look it up sorry) or starting an argument only to then storm off (see the "you're a coward, Percy Jackson!" scene, which is not the fairest example since she was confronting Percy about ignoring camp but also was a bit too harsh about it) (especially after finally reading the prophecy and being under the impression that he was absolutely going to die when he turned 16 lmao) or just straight up storming off (see, Annabeth reacting when Rachel shows up for the first time during the battle of new york). While most of these feel, at least to some degree, fairly justified given how the entire situation does an absolute number on her emotions, she comes off a bit brattish and like she's trying to rile Percy up, especially when it comes to Rachel, which in the context of a battle that could mean the destruction of the world.... Well, it reads as a bit childish to me, and i wouldn't exactly have that much of a problem with it if it was dealt with in some way (a two-way apology would be nice).

After that first impression, i realized that Annabeth is barely ever anything else other than a plot device (when relating to Luke) or a love interest (when relating to Percy). This might be because the books are on Percy's POV. Hell, on the third book he's even conflicted when Annabeth is considering joining the Hunters of Artemis, aka, when making a choice for herself would mean he loses her (which is fine and dandy but it feels like Percy is more upset about her choosing her own path rather than being sad about not seeing her as often); we really only get a few glimpses of her, as in, actually her when she's on her own.

Obviously it's impossible to talk about Annabeth without touching on percabeth, which also is, in my opinion, what hinders Annabeth's character the most. On paper they sound great. The guy whose fatal flaw is loyalty falls in love with a girl whose been let down by people over and over, and she decides to never give up on the boy whose always had people give up on him (can't find one of the million posts that talks about this right now but it always goes something like that) And yeah, the bickering is really well written! But that's literally as far as it ever goes: they don't ever seem to have fun together, because 8 times out of 10 the bickering ends up being passive aggressive, and mostly done by Annabeth. My biggest gripe about percabeth is that their friendship seems to be based off... shared trauma. Literally. Other than going on quests together we are given no examples of them hanging out, nor a reason why they would want to spend time together in the first place, not even a shared hobby. Yes, in the fourth book they had a movie "date" planned but of course they didn't even get to it, and surprise surprise, they had a minor discussion, and surprise surprise, Annabeth was passive aggressive again. It's hard to picture them having fun together when even the author doesn't write in any scenes in which they get along smoothly (and before you say anything, a scene in which they get along where neither of them is about to die, and they're not talking about previous adventures. Gets a bit hard then, doesn't it?) It's even harder to picture them as a couple when the moment she gets upset about something, she starts coming off as emotionally manipulative (see, again, literally any conversation with Rachel or about Rachel)

To be fair, the books are relatively short and don't allow many "filler" chapters, if you will; there's always something happening to keep the main plot or a minor plot point moving forward, but it's not like there is no room to develop the characters' relationships, especially when we're talking about the main char and what is essentially his endgame. As an example we have Percy and Clarisse, or Percy and Beckendorf. Their interactions are brief but still hold so much weight.

Worst of all, Annabeth could be one hell of a character; what's most interesting of all is how being a daughter of Athena she is still incredibly emotionally driven, which is displayed very clearly with her fatal flaw being pride: her telling the Sphynx that her questions were too easy was not smart nor strategic: it was completely impulsive. I seriously think she wasn't far from being the best character in the series had she been given more time.

I guess i have as much beef with Annabeth as i have with Rick for doing her dirty. I really could sum this up with: while her emotions are justified, she acts upon them quite poorly. And this is what i mean when i say she's underdeveloped, because it would've been nice to see her come to her senses a bit.

Would love to read anyone's opinions on her character though, feel free to comment, even (or especially) if you don't agree with me!

[jascurka]

this is purely out of curiosity and i don't want to send hate your way, but do you ship mob and reigen? and if so, why?

I do, yeah. An ex-friend of mine asked me the exact same question (just more... harshly I think and with what I assumed was prejudice) before they decided to part our ways and I could never properly answer them because I was so stressed by the situation, it was hard to gather my thoughts. So I'll do my best to explain here, hopefully to make myself understood better.

Sorry if this gets lenghty >_< I'll just put a readmore right here.

I think the biggest reason for why I like them is their canon relationship that has been explored in the series already quite thoroughly - that they have changed eachother, helped eachother grow and one wouldn't be the person they are without the other. I think most of us understand the depth of it. Reigen is Mob's teacher and friend, someone like an older brother. There surely is a strong bond between them and they've seen each other at their best and worst and still acknowledged and accepted eachother's flaws. They trust eachother, they would give their life for eachother even (at least Reigen would, he almost did in the finale after all). And I do think that they love eachother but in a way that isn't actually romantic in canon. I'm perfectly capable of realizing that and I value it a lot both in the series and in fanworks (one of my fav works of fanfiction is about exactly that).

It was my curiosity that made me search up a ship fic of them, I was just confused why people ship them in the first place and whether it can be good and I found myself enjoying it a lot (to my surprise). It was set into the future, and dealt with some serious topics like loss and acceptance, it was kind of bittersweet. Then I felt that maybe it was just slightly ooc because all of the serirei fics I was busy reading depicted Reigen slightly different. Nontheless, I had the other ship on my mind then so I never really dived into Mob/Reigen, but it changed my perspective on them a lot.

And at some point into all this I realized, why not? Why can't I haz 2 cookies? (god im sorry that was terrible sfjgsdkj). What I mean is that the buildup canon offers can be taken further - more of their relationship can be explored in terms of new tropes, sometimes romantic too.

On a personal note I'll just add that I'm rather picky about them and tend to stick to fluff, hurt/comfort and slow slow burns. And I like them most post-canon, a few years into the future. It turns out that it all depends on how they're portrayed for me to like them anyways. I talked on here recently about a work that really had it all and portrayed their relationship in a very satisfying and mature way, with all the complicated feelings, it felt very realistic, especially on Reigen's side. So if anyone wants, here's a rec from me again -> in my dreams (I seem to be more honest) on ao3, just because I think it has all that I like about the ship.

I think that this is the whole point of fanworks - to kind of look further and have fun with it, to see "what if?". Even if it's something sort of.. taboo I guess? Because you get to take it apart in a fictional dimension (if that makes sense). And I completely understand if this is something that can ick some people out or that someone doesn't want to ruin their perception of the characters' relationship. That's totally fine by me and I'm not going to force anyone into liking the ship of course. And there are definitely tropes and tags I really don't want to look into - not everything is for me either.

And I think this goes without saying but I'll add it here anyways: what I like to see in fiction doesn't mean I would like or encourage anyone to do the same thing in real life! It's just interesting to explore from a safe distance where no one can get hurt.

[worstloki]

not a fan of people saying Odin and Loki are similar in a moral or decisive sense, particularly when it comes to Thor. that makes it sound like Loki doesn't know Thor or care about him beyond what he symbolises (regarding Asgard/the throne/family/worthiness), when that's a defining part of their relationship

[langernameohnebedeutung]

i'm baking them a nice big cake with an icing that reads 'stop believing his lying ass'

[pearwaldorf]

Some shit has come across my dash that reminded me about this talk* between David Baddiel and Toby Lichtig that discusses his book Jews Don't Count. (There is also a documentary of the same name, which I have not been able to find. Supposedly it's on iTunes, but I'm not downloading it to find out.)

It discusses the duality of antisemitism wherein Jews are seen as both powerful but also "the usual" tropes we associate with non-Jewish marginalized people. It's all tangled up with white privilege (because some Jews are white), the idea of passing, and the conflation of Jewishness** and Judaism.

This is instructive and useful for everybody, but especially people who consider themselves leftist or progressive. I very much hear (or not hear) the silence on the left when antisemitic stuff comes up, from the left or the right. (And it's amazing how that shit sounds exactly the same regardless of which side it comes from.)

As a goy and somebody who considers myself progressive, this is something I find extremely fucking concerning. If a group of people are being attacked and marginalized because of things they can't control, they should be protected. I don't see how proximity to whiteness*** (and some Jews benefit from white privilege) changes how we approach the issue.

Like. This article from 2020 talks about how Tottenham Hotspur uses a word considered to be a racial/ethnic slur to describe their fans and players. I substituted the n-word or the c-word and it became extremely clear how offensive this is.

It is enraging to hear people say it's reclaimed when they were the ones who made it a slur in the first place. A dominant group can never reclaim a slur that is leveled against a marginalized group. That's called, uh, using a slur to describe a marginalized group. You would never do this with anybody other ethnic/racial group today, but it's acceptable because antisemitism is baked into western culture.

One of the things I have been most surprised and appalled by is how very little I know about Israel and how that affects what I know as an American. I was in my 30s before I learned there were non-zionist Jews. I had never met or heard of one.

[Part of this might be where I grew up. The PNW has a very small population of Jews (~1%), and I knew exactly three: my 2nd grade teacher, the annoying kid, and the annoying kid's dad (who was a rabbi and came to talk to my high school class). My primary exposure to Jewish culture was Kornblatt's and Mel Brooks.]

So maybe my knowledge of Jewish (and Israeli-American) politics is kind of remedial. I can't recall a subject where I continually learn something that makes a lot of things fall into place. And sometimes I wonder if other people have this experience too.

--

* "BAME" is a term that comes up a lot in the video, which is an abbreviation for "Black, Asian and Minority Ethnic". It is now an outdated term, but it takes time for that to filter into everyday consciousness.

** As Baddiel bluntly puts it, "It doesn't matter if I'm an atheist, that wouldn't have gotten me a pass out of Auschwitz."

*** Honorary whiteness is a whole different can of worms which is not quite relevant here.

[intertexts]

Oh wait

You like fucked up towns?

Do you perhaps have any thoughts on towns and how to make them more fucked up? :]

(^^ words of something trying to make a small town map that’s fucked up)

OH. HUH. FUN QUESTION. i feel like. i am a terrible person to ask for thoughts on things like this because the extent of my writing is like, gay ass character studies & shit. but. i do have a ton of thoughts on fucked up towns.

the most important thing, i personally think, is having your town be grounded in a real regional place and it has to be a place you love. it's so difficult to make that shit up from scratch and still carry a real weight. and the horror or strangeness or sadness of the town should come from the reality of it.

picking a few of the easiest examples: welcome to night vale, night in the woods, h.p. lovecraft's miskatonic county. the fucked-up-ness of all of them springs from the nature of the place itself. they're not interchangeable, and they all have different emotions linked with them.

night vale is, very loosely, a satire of unbothered american suburbia in the face of-- well. all the horrific shit that post-9/11 unbothered americana ignores! and the strangeness and beauty of the setting comes from the easy and pleasant and mundane way that its citizens interact with the horror. it's day-to-day, it's chill, it's normal. yeah the faceless old lady who lives in your home is running for mayor. yeah the angels who work the community garden and live with josie finally won the case for their existence we can acknowledge them now cool. (& also of course night vale is a southwestern desert town & it doesn't let u forget that!! it's hot and sunny in the day and cold at night and there's sand dunes out by the edge of town and beaches with no lakes and it is very grounded in its setting!!)

possum falls from nitw, on the other hand, is a love letter to to those old, death spiraling pennsylvania rust belt mining towns. it isn't as heavily supernatural of a setting (outside of the old god in the mines the elders are sacrificing the most vulnerable members of the community to for nothing but the continued hollow, wheezing survival of something that should be allowed to die) but it's very grounded in the reality of those places-- the omnipresent forest, the dinky grocery store, your old high school classmate sitting out on her apartment steps at sunset, the feeling of being out in the autumn cold at dusk and the empty subway station and the weathered, half-hearted historical remnants of local pride and the ghost of the closed mine over it all. the type of dead-end, black hole, potholed main street town that you know you're gonna live and die in because it's what your parents did and what their parents did and god knows how you'd even make it out.

lovecraft-- i mean, mandatory disclaimer on his insane racism of course. up to u if u wanna read of his work, a lot of his short stories r very short etc. but crucially, for what we're talking about here, lovecraft was fucking in love with new england in the way that people who r born and raised in new england r insane about it. his lovecraft country/miskatonic county/arkham county is set in massachusetts, and he's very clear about why everything's set in mass: bleak, lonely, ancient, haunted by the sea and the lingering ghosts of twisted puritan ideology. his fucked up towns are the dark hidden backwoods, the port towns, the wretched things brought by settlers who have been a parasite upon the woods and the rocks and the fields for hundreds of years, etc, the feeling that something has gone wrong and perverted here and it's far too late to fix it.

so like, tl;dr-- don't try and make somewherw generically weird. figure out what place makes YOU go crazy go stupid. pinpoint Why it specifically makes u go crazy go stupid, as opposed to everywhere else. crank that shit up to 100!!!!