#i do apologize i don't have anything really substantial to add

[the-owl-tree]

I know it’s unpopular and ig would be seen as chronically online but. a little annoyed at the “UGH 🙄 and here come THOSE people” @ comments those being horrified abt Frostpaw being spayed and connecting it to real life events like bipoc being sterilized against their will. I personally am not one of those people, nor do I think it’s anywhere near that serious or on that level bc I thought it was an interesting turn in the books, but as a black afab myself who would most definitely face forced sterilization if I were not a more privileged individual, (because you know the health system itself loves to play around with our bodies like science experiments as though we cannot physically feel pain) I’m gonna need the yt warrior cats fans to cut it out w the snide superiority complex on “lesser takes” and understand there’s people who are gonna reasonably draw comparisons to these events and see how incredibly horrifying it is what the anthropomorphic cat just went through. not to hit a fucking beehive but why is it acceptable to understand the harmful impacts of misogyny in the series affect people in the real world but misoginoir is taking a step too far?

discourse on bumble being a domestic abuse victim has people understanding and drawing comparisons between that and real life events but we draw the line when woc are brought up. okay. why?

this isn’t at you btw because you generally have nuanced takes and take the time to consider what people are actually saying but like. what’s going on here I’m genuinely blindsided by people rolling their eyes. it is an issue. it’s a huge issue and it’s still happening in places! can’t speak for other countries but it’s still legal on a federal level in the U.S where I live and in my state. my problem isn’t the people drawing comparisons with Frostpaw. my problem is the reaction to that. I don’t understand why one systematic issue can be discussed and the other not without scrutiny and handled as though it’s not as serious topic.

also to note: I am aware that Frostpaw being spayed was not based on any perceived race or ethnicity. I am aware that this was simply for shock value (as of the moment, anyway ((which is what makes it worse imo but that’s another convo))) and I am aware that I cannot speak on behalf of anyone facing this issue but myself and cannot reasonably say that anyone drawing these conclusions will always 100% take the matter as seriously as needed. however I can say that it is a bit difficult for me to accept that in a world where each character has human intelligence, thoughts wishes and feelings, that the concept of forced sterilization, abhorrent and frightening outside of normal cat understanding, frankly should be handled with the utmost care able to be expended. I know it will not be. I am aware. the authors have a history of using their personal bias to push racist narratives before. I understand that people are saying handle the subject with tact and maturity. I just do not believe it is the right or position of a mostly white fanbase to police the discussion of what happens to women of color because we are often spoken over as is. I hope that I have made my point clear? I’m not the best at explaining myself over subjects I’m passionate about, so I may have tripped over my words a bit. I do apologize if it came off as talking in circles

I'll admit, when I first read the spoilers and learned what happened, I drew some connections but I also agree that it's not nearly on that level. But I think it would be wildly inappropriate if I tried to talk on that as a white person.

I don't have much to add, but I think you've raised some pretty understandable concerns and you're very clear in your points, I didn't have any trouble following you! I genuinely have a lot of concerns about the plotline and I think you're right that it's important to be open about these discussions.

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[dire-kumori]

Can I just say I love paradox reaper AU!! I got this idea while ago when I thought i'd share-

In one time loop where Older Michael stabbs younger Michael with like a knife and sits there waiting for him to bleed out slowly younger Michael is all like: "Just... let... m-me die.." *Heavy breathing noises* And That triggers Mike and he's all like: "You won't die.. No matter how much you f****** want... you just won't f****** die.." *Sad everything in my life is dead and it's all my fault, old man laugh* And younger Mike says: "You're a-a monster.." older Mike is just real quiet for a minute.. And then he just says: "We've always been a monster.. we just look at the part now..." Then Mike bleeds out on the floor....

Sorry I couldn't help but think of it you're AU is so cool and I love it oh my God yes! BTW does Reaper Mike official design yet?

Danke schoen, I had a lot of fun daydreaming about it and seeing people add onto it! Your idea is beautifully agonizing, especially with Reaper Mike outright admitting that killing his younger self isn't even the point anymore. It's just a twisted form of self-flagellation where he wants to draw out the pain for as long as possible. That or he knows that a merciful death is forever out of his reach and he's lamenting the fact even as he watches the blood seep from his younger self's wound. And the callous way Reaper Mike reveals his identity to younger Mike! Now I'm picturing him relishing the anguish on his younger self's face as the younger version of Mike realizes exactly who's killing him. And he can experience that same feeling again since younger Mike doesn't retain full memories of what happens in the loops. He gets to have this horrific discovery again and again and again...

Don't apologize, I really enjoy reading people's ideas for my AUs. Since I'm trying to focus on actually finishing my main fic (scatterbrain here who jumps between ideas a tad too quickly) I likely won't be writing anything substantial for the Paradoxical Reaper AU in the near future. Just brainstorming and sharing ideas. So I've been having a ton of fun with people picking up the idea and doing their own thing with it. As for Reaper Mike's appearance, he's essentially just scooped Mike. He does do some things to twist his appearance, like breaking his limbs and ripping out his own bones and tendons to use as weapons, but that typically gets reset when the cycle starts again, so I guess you could say his design shifts.

[chaoslynx]

hii can you do asheiji hurt/comfort from eiji pov?? i know that is most of the banana fish fanfictions in existence but i will never stop loving asheiji hurt/comfort ❤️

send a character to my inbox (with or without a prompt) and I’ll attempt to write 200+ words from their POV!

"Breathe with me," Eiji whispers. "Can you do that for me?"

Ash nods. It's a little too frantic, a little too desperate, but he's trying. Almost too desperate to please, sometimes, but they're working on that. Just like everything else: together.

"Okay. With me. In? Two, three, four. Hold. Ready? Out. Two, three, four." Eiji repeats the process a few times, squeezing Ash's hands when he starts to drift again.

Eiji used to snap out the counts, but they figured out rather quickly that the snapping made Ash more anxious, and that Eiji's touch was grounding to him. It works the same way for Eiji; Ash is grounding. 

They both have trouble believing that the other one is real, sometimes, Eiji thinks.

"How are we doing?" Eiji asks, once Ash is breathing steadily on his own. We, with Ash. He likes words like we, or us. Anything to remind him that Eiji is here with him, and always will be.

"Sorry," Ash mumbles. He curls in on himself—small.

Ash told Eiji once that he used to make himself look vulnerable intentionally, to lure people in. He said it to defend the people who hurt him, like it was any less reprehensible to attack someone who seems vulnerable. Like it was any less tragic that Ash needed to make himself a target.

"You're okay. It's all okay," Eiji murmurs back. Another thing they learned together; it's okay works, or nothing to be sorry for—but anything along the lines of don't apologize will swallow them whole.

"It wasn't even that bad," Ash whimpers. And no, maybe the sound that went off outside their apartment wasn't that bad. A car backfiring, maybe—Eiji hardly noticed it, so he's not really sure. But maybe it was just similar enough to a gunshot, just enough to send Ash back.

In that sense, anything can be that bad.

But Ash still struggles to see it that way, Eiji knows.

"We're okay, yeah?" Eiji murmurs. "You didn't do anything wrong."

Ash nods, and even just that action seems calmer already than before.

"I'm proud of you," Eiji blurts.

"Huh?"

Eiji blushes. "Just—you're doing so well. I mean, after everything, I still ... oh, I don't know. I guess I'm saying that you give me hope."

Ash breathes out a laugh, and that alone makes Eiji smile. Shaking his head, Ash says, "I give you hope?"

"Well, yeah," Eiji insists. "How could you not? You're the e-e—"

"It's still pronounced epitome."

"—Embodiment of hope."

Ash laughs, a little more substantial now. "You're the first one to say that. Either of those," he adds.

Eiji doesn't think that's true, but it really doesn't matter whether he's the first or not. Ash is still synonymous with hope to him.

How does he convey that?

Eiji squeezes Ash's hands again, and Ash uncurls a little, coming back from his safe space within himself.

"You give me hope," Eiji repeats. "Seeing you live each day gives me the confidence to do the same. And—seeing you choose me, over and over ... makes me think that maybe it's worth it for me to live, too. Like, if you can love me, then I must be worth something, right?"

Ash's eyes widen. "If ... if you can love me, I must be worth something ... ?" he echoes.

Oh. Did he not have that realization yet? It's one that Eiji's been running on for a while.

Eiji ducks his head, embarrassed now. "Both ways, like always," he whispers. "I guess we're both worth it, then."

"... Yeah," Ash breathes. "I guess we have to be. If we can love each other."

Eiji glances up, and Ash is smiling.

Ash squeezes Eiji's hands this time.

"Here's to love," Ash says, and his voice is stronger now.

Eiji grins. "Here's to love."

[mawwart]

Hey, it's me again, and I wanted to ask some questions about your monster au so I don't get anything wrong. I hope you don't mind my prodding. First; do the brothers have any powers? Second; if lillith is in this, how does she die and does it effect anything substantially? Three; what are your size head cannons? Fourth; can you explain their appearances a little more? I have a pic of a full Lucifer, Mammon, and Beelzebub, but not the others besides the little sketches you did.

Wow I am SUPER sorry this took so long to get to. It's been in my inbox for forever and I apologize for that. I've been in and out of the doctor's getting my hands looked at and healed up but they're not in tip top condition so drawing and writing/typing had to be put on hold for longer than I would like... Speaking of things that are longer than I would like, I wrote. A lot. It's very messy and not edited so my adhd probably made my words swerve all over the place, a lot of repeated words, rambling and so on. Since there's so much I'm just gonna add on each answer instead of plopping it all into one huge block of text. Once again, the writing and format is really crappy since I did this between the pain in my hands, insomnia, and the general weird antics that my brain gets up to

[witchcraftingboop]

Further Insight on Briar's Recent Discourse & Prim's Apparent Grooming of Younger, Newer Witches

It was suggested to me that instead of making one long post (which I was genuinely sorry for creating in the moment as well), that I should offer the second half in a separate one so that it is easier to share and harder to simply ignore as a wall of text.

Here is the link to the first half of the current JBird and Briar discourse floating around. I highly encourage everyone involved in the Witchblr community to review both posts and not just this final addition. 

Regarding Prim stirring the pot, I actually do have proof of that on my page somewhere if you wouldn't mind my sending it to you? The person I reblogged it from, Mahi, also received death threats from Prim when they were only 16 and Prim was 20 (I can't ask him to share that though because Prim has since used her following to drive him off of Tumblr and he's still fairly [and justifiably] sensitive about it.)

Regarding Briar's statements more specifically though, I can see where the confusion is coming from. After the "in France" part, she's just defining a relevant term (hence the use of "irrelevant details) and then giving an explanation of how she came to be so knowledgeable about that term/concept. I wouldn't say she's calling Prim's activism an "irrelevant detail," but pointing out how Prim uses it as a shield against backlash whenever another blog (not just tradcrafters) calls out her platform. I don't expect you to fully understand or see what I mean when I say that, of course. Because you are still new, and these are habits I've observed of hers from nearly a year of following their interactions. I would, however, like to point out that Briar doesn't say anything racist about Prim and does not once bring up her race. In fact, I think if you read her entire post and not just point 3 as Prim has it cropped out in all of her mentions of it, you would see more fully the depth and amount of frustration Briar is trying to express. Similarly, Briar never threatened to dox Prim. She has, in fact, repeatedly tried to point out that Prim should be protecting her online information and be more aware of how to stop others from finding out about her private life/situation. These statements, however, have since been warped by Prim and her followers to come off as a threat on her life. Briar's statements above aren't a threat of doxxing. She's never once posted Prim's personal information or told others to find it or use it in any way. She has, however, searched for Taglocks on Prim, something witches especially are known to look for. In that search she found more than she was even looking for, despite trying to tell Prim repeatedly to stop being so open online with the information she posts about herself. Doxxing though is not racist. It is something used by them, sure, but it is not inherently racist.

Additionally, Prim has raised money, sure, but I still have not seen any actual receipts as to her *actually* donating it to any public or private organizations. This, for me, is highly suspect. In reality, we still have no idea where that money is. Whereas with Briar, she took no money in for a couple days on her readings and instead merely asked that those requesting a reading first submit proof of donation to an organization linked in the post. She raised substantial money for the BLM movement, but no one seems to want to bring that up in all of their "she's a racist" discourse. Also, the observation that someone is misleading or gaslighting their following is not racist. Just because she said Prim was recently using her BLM reblogs & promotions to do it *this time* still does not make it racist. Questionable wording is just something the reader disagrees with, in my opinion, and should be addressed as such.

I'm not going to lie, I do feel a little frustrated at this point. I was really hoping to come to you and see that you had concrete proof to offer that Briar is a racist. I do understand that you have your own reasons for feeding into the assumptions and twisted outlooks already taken on Briar's words, but I don't have enough energy in me to fully swallow my tongue on this one. I really do hope that you at least consider what I've said here. I'm not sure what I can say at this point because all of the information I've read from you thus far has been purely conjecture or assumptions or just "not feeling right" about the wordings on a single post. A racist, from my perspective, is not something I would ever feel comfortable calling someone off of this lack of evidence.

I understand it is hard to separate preconceived notions from your mind when reading through the words of others, but I really do miss when you were more open to the words of others. If I could ask one thing of you, it'd be to please try to read Briar's post again but from the perspective of seeing it how it was meant to be: a witch who has been on the butt end of Prim's harassment for going on three years now. She is tired of the wild accusations and constantly having to defend herself, and even when she supplied her proof a couple years ago, no one wanted to hear her. She has, largely, given up on being heard, and now screams into what feels like a void when attacked.

Proof of Prim stirring the pot that I offered: An example of Prim actively seeking out the community and trying to stir the pot with an already dealt with situation that had passed over a year ago.

A direct source that I offered as further proof of what has occurred already: This is one from the account mentioned before who was directly involved with the previous discord server where the Trio incident took place a couple years back.

[A Reply.] I think, to be fair, I saw your comments on her previous posts through your main, and with how much aggression you packed into those messages, I don't necessarily blame her for deciding not to engage with your private messages. As I've said, she's very used to people attacking her like that, and in her mind, unfortunately, you've probably been added to the list of aggressive people ready to fling the blame at her rather than look at the situation as a whole. I do apologize for the way her post may have made you feel, but I think it's also important to remember the potentially aggressive things you left on her page (I'm not saying you meant to come off that way, but even I couldn't help but read that way). Also, regarding the ask, it's no small secret that the occultists of the tradcraft group are skilled and well-versed in hexes and curses. When reading her posts about how she may respond to further antagonism on Prim's part, I see a fully realized occultist wielding their most well kept and trained weapon: baneful magic. I'm sure Prim herself also understands that the "threat on her life" she's saying she's so afraid of, isn't a physical threat, but a metaphysical one. She has repeatedly and continually tried to drag these people through the mud, and now that they're refusing to just sit back and be canceled, she's afraid. She knows how strong their magic is, and they aren't shy about it 🤷‍♀️

[A Reply.] No, I completely understand where you're coming from. I, personally, have seen your willingness to talk things through, despite how aggressive you can come off at times in the things you say, so I think that's why I was genuinely so surprised to see your comments on some of her posts. But I do think her response and refusal to further directly engage with you is warranted and her right. Unfortunately, it is hard to tell who is genuinely open to talking and who is just trying to bait and add to the problem. And with how aggressive your comments were, 8 honestly think she most likely was responding from a place of "oh look another young Prim follower here to bait and berate me." I don't think she looks down on you for your age, but her views are likely a reflection of the fact that a lot of 18yos follow Prim and have openly harassed her without even asking for her input on the matter.

At this point, I would like to talk about the second half of the title of this particular post. Grooming. This is a very serious allegation against Prim that I have not spoken on previously because I had no proof that it was happening. With this person's permission, I would like to share how exactly they wound up fighting Prim's battles for her.

I will note: I am highly disgusted by what follows.

[A Reply.] Oh no! You cannot fault yourself for this! Prim is a known manipulator, and the fact that she was able to make you somehow think this is part of your being "gullible and naive" is just testament to the fact that she's gotten wayyy too good at what she does. This is in no way your fault or because of some fault within you. Practiced manipulators are cunning and dangerous even to the best of us. It was unfortunate that she chose you, but her twisting you around is in no way a bad reflection on you as a person!

I've chosen to include my reply to this person rather than our continued discussion because of how personal and involved our conversation turned. I've included it to show, as well, that grooming others to fight your battles is (though this should go without saying) NEVER OKAY. Prim has shown her true colors, in my opinion, and while I tried to give her the benefit of the doubt time and time again, I simply cannot permit myself to ignore the harm and damage she's inflicted on not only the tradcraft community, but also this innocent group of friends. A group who that has hitherto dedicated their time to sussing out predators, terfs, nazis, and racists. A group that should never have had to deal with being gaslit and manipulated by a well-known and respected blogger on this platform.

I cannot reiterate enough how sorry and deeply shocked I am at the information this person has brought to my attention. I am still stunned by Prim's activities and unable to fathom how many other potential individuals are out there being groomed to support and fight for her cause. I am sorry to the Witchblr community as a whole. I feel as if I have sat by and watched as Witchblr has been manipulated and am therefore complacent in the damage and needless hurt that has been allowed to spread throughout our community. I am just so very, very sorry.

I will be taking a couple days off of Tumblr because of this, as I feel as if I need space and time to think, but my inbox is always open and I am always available to speak with others on my return.

[duchessofostergotlands]

As an American & answering your questions about celebs and their postings about voting, I don't know one person who's ever done anything voting related because of a celeb sponsor or a post or mentioned. I think the only exception might be as you mentioned, Taylor Swift, but that's because she literally had millions of fans and some of her fans are 18 or early 20s who've never registered to vote. But overall the celeb influence is zero. (1)

One of the most common ways people register to vote is when they get their drivers license, they always ask then and there if you'd like to register to vote. An example of celebs making comments about voting but don't really change anything is someone like Meghan or even someone like Jennifer Garner. It doesn't absolutely nothing and like you said most of the time it just really annoys the public. (2)Especially when it comes from such privileged, rich people who've never had to worry about things like voter suppression which is a very real thing in the US. It also makes them sound really preachy and half the time they are just doing it for the attention to make it seem like they care but once the time has pass they never followup with what they say matters. (3)

Hey :) Thank you for sharing your thoughts and apologies for taking so long to get back to you! I think most people who get involved are well meaning but it can seem slightly arrogant from some that they think that recording a video saying to vote is going to add anything substantial. The argument is usually about “using their platform for good” but they never seem to really ask what good they have actually achieved or whether they are the best people to be doing it (a think in many cases a respected community or faith leader in a local area would be more influential than a global celebrity). I was reading around this and I don’t know much about him as he’s not as big here but LeBron James’s More Than a Vote campaign seemed to be a great example of how to do things right. He isn’t just saying “vote” in a video which will probably reach people who are already registered and engaged. He’s actually thought about what stops people from voting and is trying to fill those gaps: helping people create voting plans, arranging transportation to take people to vote, signing up volunteers to work at polling stations, lobbying around voter suppression. I don’t know a huge amount about it but I think unless you’re willing to use your platform at that level, you have to ask yourself what positive difference you’re really making. 

I know I probably sound really grumpy and bitter but I’ve experienced and participated in a similar thing in the charity sector where people volunteer because they want to make a difference and not because they actually have anything of value to add. And the risk when you wade into areas where you don’t have the right skills is that you’ll make things worse. I know in the UK celebrities encouraging us to vote would most likely just anger people and possibly even get them to vote in an opposing way out of spite - we’re petty bitches - so I think it’s an interesting question