#i do wanna get back into writing

[stevebabey]

this is pure stupid hell crack that took more time than it should’ve to finish BUT i’m ready 2 release it from my drafts <3 this is actually technically written partially w @corrodedcoughin in mind bcos i think u will mighty enjoy it! for cockney eddie!

It comes with the territory, the accents.

Drama kid or dungeon-master, either one could be credited with contributing heavily to his affinity for all of Eddie’s little voices.

There was the deep, low raspy one reserved for trolls in campaigns — and a nasally high one he used for goblins to pair. Wise wizards giving out crucial advice sometimes had a strong Scottish drawl to their words. And Dwarfs? Always English.

So, yeah, Eddie has a couple different accents in his different repertoire. Pulls them out as he needs — a regal tone when referring to Hawkin’s very own royalty or a buried Southern twang used when he’s in trouble with Wayne. The most common is a shoddy Cockney accent for when any conversation dips too far towards awkward or boring.

It's why it's not so surprising anymore when they just... slip out sometimes.

He's learned more now, when specifically not to do it (Mrs. Donnell had not found his plea for a re-sit, in a heavy Irish accent, endearing in the slightest). But with friends who know Eddie, they know the accents come along too.

Steve fucking loves them.

The first time one had taken over his voice, some New Yorker twang to carry a joke, Steve had laughed so hard he’d snorted. And god, had Eddie lit up at the noise— loved knowing that, deep down Steve Harrington had a delicious wonderful ugly laugh that he only showed to people he trusted.

Basically, it’s hardly news to Steve then, all of Eddie’s little voices.

But well, even Eddie didn’t expect… okay, the truth is he never expected to be in this situation at all.

It’s a Wednesday evening when it happens. Steve is over round the trailer like he is every Wednesday, keeping Eddie company while Wayne is out on the double night shift.

It originally had started out as ensuring wounds were checked and dressed properly — considering half of them had scaled up his back, where Eddie couldn’t reach — for the both of them. Then, when technically Eddie could manage the worst of his words, Steve was still coming around. Dustin’s insistence, he’d said.

Then it was… because Eddie asked Steve to come around, to stay a little longer.

So, Steve Harrington is in his kitchen and it’s a Wednesday ritual that they have together and that’s not even the weird part of the evening.

(And somehow, neither is the fact that Steve is, as of a few months ago, his boyfriend.)

Steve’s cooking. Something simmers low on the scarlet glowing hob, bubbling quietly and releasing aromas of spices that percolate into the Autumn evening air.

Eddie feels his stomach growl in its own twist of hunger as he follows his nose. With one hand still scrubbing a towel against his wet hair, he ambles down the hall, fresh out the shower, ready for love — be it the form of food or, he thinks giddily, kisses.

Steve’s not watching the food as Eddie enters, his eyes fixed somewhere across the room. There’s a crease between his eyebrows, an indication of his deep thought.

Eddie grins, approaching without any attempt of being sneaky, (Steve’s as good as comatose when he’s distracted as he’d found) and jabs his boyfriend’s calf with his toe.

“Thinking mighty hard there, Stevie. That’s dangerous.”

Steve jolts, snapping out of his thoughts. He straightens up automatically, then seems to recall the company he’s keeping, and relaxes back down.

He scowls affectionately at Eddie’s barefoot, still jabbing into his leg, and reaches out to flick it with his finger.

“Dickhead.”

Eddie’s faster. He dances away and laughs at the instinctual pout that forms on Steve’s lips.

“What ponders thy mind, hm?” Eddie drawls, a lilt of a Regency style accent in his voice. He sinks into one of the kitchen chairs and drops his task. The towel hangs over his neck, his damp curls resting against it.

Steve seems to jolt again at that, his shoulders rising for a moment. He spins, picking up the wooden spoon beside the stove to swirl the contents of their dinner around. Eddie admires him, broad shoulders and long back, ripe for his taking. Silently, he sighs dreamily on the inside.

“Just… what movie we’re gonna watch tonight.” Steve says unconvincingly. “I’m not doing another re-watch of the Fly.” He adds lamely, an attempt at his usual bitch.

Eddie lets him have it. With one final squeeze of the towel, trying to wring out all the droplets in his hair, Eddie abandons it on the chair as he stands. He waltzes forward, into Steve’s space, and hooks his chin over the other's shoulder.

“You know, that’s what you said last time.”

Steve side-eyes him, his eyes narrowing into a minuscule glare; bitch personified. Eddie grins. Then bats his eyelashes.

It makes Steve laugh, shrugging Eddie’s weight off politely as he gives their dinner another stir. There’s still this tenseness to his frame. Though, maybe it's one Eddie can only notice because he’s paying such close attention.

“Alrightttttt,” He pretends to relent dramatically, his hands coming up to give Steve’s shoulders a quick squeeze. “I’ll let you pick the movie tonight.”

He drops his hands back to his sides, smarmy grin already plastered on as Steve turns to face him, the wooden spoon placed down on the bench.

“Oh, you’ll let me, will you?” He gives this incredulous look, even if there is this playfulness toying at the corners at his lips.

“Uh huh,” Eddie affirms with a severe nod, then begins counting on his fingers as he lists off. “No badgering, wailing, complaining, of any sorts I—“

Suddenly, Steve’s reaching out, his deft hands reaching out to snag the waistband of Eddie’s pyjama pants. It supposed to be a smooth move he’s used countless times before; fingers looped through belt loops to pull a girl in for a kiss. It usually works like a charm.

Except, there’s no belt loops— and when Steve tucks his fingers beneath the waistband and tugs him forward, Eddie shrieks.

“Fucking christ, Steve!” He bats Steve’s hands back without thinking. Steve holds them up defensively.

“Sorry! I was just—”

“What are you doing sticking your hands in my pants?!”

“It was a move!” Steve insists, voice a little whiney. “God, you’re dramatic- I was trying to pull you closer, numb-nuts.”

“Oooh,” Eddie switches up in an instant, hands shooting out to grab Steve’s own. He pulls them forward and settles them on his own waist, shuffling in closer like he hadn’t just shrieked a minute earlier. “Continue.”

Steve chuckles, delight peeking through on his face. His hands, large and slender, curl around the skin of Eddie’s waist and Christ, he’s still not used to that. Eddie’s too focused on repressing his shiver to see the shadow of nervousness cross Steve’s face.

“I was actually thinkin’ about,” Steve starts lowly, eyes skirting off Eddie’s face, over his shoulder. His fingers tighten their grip. “How—”

He sucks in a breath, like drawing in courage, and meets Eddie’s gaze. “About how much I love you.”

There’s the smallest tremble to his voice, giving away the immense emotion behind the words.

And here’s the situation that Eddie never expected to be in, ever. His breath catches, his eyes widen — his heartstrings tangle and knot themselves as he soaks in Steve’s admittance. Love, love, love — he loves me.

His lips part, a raspy noise escaping as he tries to compute, tries to think of anything to say because the longer he stays silent, the more crushed Steve’s expression becomes. And then—

“Well, I luv ya too.”

The words fall out, thick in that godawful Cockney accent.

Steve's face doesn't change but Eddie's does, contorting in an amalgamation of pure cringe and panic as embarrassment crawls beneath his skin. He slaps his hand over his own mouth as if it can take back his awful reply to being told he's loved by Steve.

"I—" He starts, speaking through his fingers, except it still comes out in a funny accent. Eddie squeaks, his grip over his mouth tightening, brown eyes wide in his panic. Oh God, never in stupid silly life has his accents come back to bite him in the ass so magnificently.

"I'm so sorry," Eddie whispers-yells in his regular voice, finally dragging his hands off his face sluggishly. "Jesus H Christ, I didn't— that wasn't making fun of you, I— oh god, you know that happens when I'm nervous sometimes. Shit. Shit, I'm so sorry, Steve."

Steve hasn't moved, his hands still resting on the small of Eddie's waist. His expression is guarded, nothing betrayed. His dark eyes scan across Eddie's face and just before he speaks, the smallest glimmer of amusement glitters across his face.

"Well," Steve begins, heaving a faux large sigh. His hands squeeze comfortingly at Eddie's waist again. Eddie who is still frozen, still cursing himself internally, still echoing around the apparently true fact that Steve loves him— well, maybe not anymore with how awfully Eddie responded.

And then Steve opens his mouth and the most appalling attempt at some accent comes out. It makes his words all garbled and Steve's pink in the face, obviously embarrassed but trying to commit to some shoddy Scottish when he says, "Aye, that's al'right."

Eddie stares at him. Steve stares back.

The moment of silence is broken as laughter seizes him, a guffaw bursting from his lips and holy fuck, Eddie loves him so much. Steve laughs too, the two of them relaxing and sinking into one another. Eddie's hands, previously fluttering and unsure, find their natural place curled in underneath Steve's jaw and when he leans in, he's fighting off his laughter. His grin is unbearably wide, cheeks aching.

Steve's got this shine in his eye, his hands sliding further around to pull Eddie in closer, his pink lips quirked in delight. Eddie practically purrs, so close to kissing him but not quite closing the gap.

"Yep," He says, eyes bright as they bounce over Steve's face to drink in his boyfriend's love-soaked expression. He loves him. Steve loves him. Eddie sounds as lovesick as he feels when he whispers, "It's decided. I think you're it for me, Stevie-baby."

He presses forward, lets his mouth find their home in the curve of Steve's lips. It's warm like nothing he's ever felt before, softened by their gooey-grins of love. It's an in love kiss.

"Even if you're terrible at accents." He murmurs against Steve's mouth.

"Shut up."

Steve hisses, but he’s still grinning. The dinner bubbles behind them, still cooking away behind them. "Like I'm ever going to let you live that down."

Eddie finds he doesn't really mind all that much — God forbid his boyfriend ever remind him they're in love.

"Shut up," He still says, then sticks out his tongue, like he's ten years old. "You love me."

"I do." Steve admits easily, his fingertips dancing along the small of Eddie's back. Eddie has to tuck his bottom lip behind his teeth to restrain his wild grin.

"And I love you." He says, properly this time, jabbing his finger into Steve's chest — so there's no absolutely mistaking it.

[ghostly-cabbage]

We need to talk about the worst thing about making AUs....

The fact that then when you inevitably think about crossovers you don't want the crossover with the canon you want it with your specific AU. Your brain worms, your circus, but THEN WHAT?

Oh, yeah, to understand this crossover you need to go read this entirely different fic/series? Girl help 😭 you can't do that

[satyricplotter]

(suggestive, slightly explicit content at the end)

Even though you’ve been expecting the visit for most of the night, the Red Hood knocking at your balcony door at 1 in the morning still catches you off guard. You scramble off the couch in a sleepy daze, book falling off your lap and cracking open on the floor. For one long second, the only thing you can think of is that whoever your last assignment was has managed to find you, that you’ve finally been too sloppy and left a trail with which to track you.

That’s your first thought. Your second thought is, of course, Barbara. But before you can reach your phone to shoot your boss a SOS, or, at the very least, an alert, a second rasp at the window panes freezes you on the spot.

“Will you open the damn door?” Red Hood’s unmistakably robotic voice grits out. “It’s raining cats and dogs out here.”

You trip in your rush to open the doors, limbs loose and clumsy with relief. Hood shoulders past you with a grunt, fingers prodding at the back of his head to get at the latch of his helmet. He takes it off in a smooth motion, his hot breath forming a white cloud against the cold air of your running AC. You lock the balcony back up after him as he goes around your apartment, setting his helmet on your dinner table and shrugging out of his jacket. He means to stay apparently. You could’ve lent him an umbrella if he wanted to go back out there. Probably would’ve been best.

See, you don’t like the Red Hood much.

He invites himself over to your kitchen, opening cabinets here and there until he chances upon the dinnerware and pulls out a glass. The Gotham public infrastructure is in such state you have never once attempted to drink out of the tap, but you don’t stop him when he does. It is, technically, allowed. And he had the pitcher full of filtered water right under his nose, so. You wait impatiently as he downs two whole glasses of tap water and wipes his mouth with the back of his hand (there is a perfectly usable kitchen towel draped over the oven handle).

He glances over, notices you staring. The corner of his lips quirks up. “How obedient,” he mocks. He pats at his sides, pulls a folded envelope from somewhere in his body (the Bats have endless pockets, you’ve come to learn) and tosses it on the table. “There’s your file. You better be fucking thankful. Traipsed through half the city in this shit storm just to get you these.”

“Thank you, Red Hood,” you say politely, picking up the rumpled envelope and eagerly flipping through the files. “Much appreciated.”

Red Hood rolls his eyes at you, eternally put off by your insistence on following the proper channels of conduct. “Whatever. You got anything to eat?”

“Help yourself,” you tell him.

You walk back to the couch with the file in hand and leave him to make himself whatever he will, already too distracted by the information within to care that you’re gonna have to make a second grocery run when he’s done with your fridge. Red Hood rummages through your cabinets, pulling out far more stuff than he should for a midnight snack. At one point, he asks if you’ve had dinner, and you respond him with an absentminded (and truthful) negative. The files he’s brought are the latest Robin’s swiped from the team’s ongoing investigation on a dicey arms exchange deal that may or may not involve three out of four of Gotham’s biggest conglomerates (sans, of course, Wayne Enterprises). It’s your job to process the info—a task too menial and too tedious for Oracle and Red Robin, respectively, to handle. Besides, Tim’s far more useful on the ground.

It must be about twenty minutes of you pouring over the pages scattered over your coffee table when the man speaks up again. “Dinner’s ready,” he says.

You look up to see him setting two plates of steaming stir fry on the table. He’s taken off his gloves, his utility belt, the domino mask and rolled up his sleeves—the whole nine yards. Only missing the apron. The food looks lovely, but of course it does. Cooking is listed as a specialty in Red Hood’s file, right along with marksmanship and hostile takeovers.

Your lips quirk up at the unexpected kindness, but you shake your head. “None for me, thanks.”

“I said,” Red Hood says, placing his gun on the table menacingly. “Dinner’s ready. Come eat.”

Well. So much for kindness. You’re about as dumb as Red Hood’s subtle, which is to say only at your benefit and very much at will, so you only sigh and push the papers aside. He watches you rise and sit, and pick up the fork, before he does the same. You eat in silence.

After a few bites, you stop being disgruntled at his coercion and grateful that he’s got something other than a protein bar in you because you were, in fact, quite hungry. That’s not something you can say—or at least not in any way which he would accept, so you just shut up and eat your meal happily. That seems to be enough for him, as he watches you finish the whole plate with a satisfied expression.

“Good?” He asks.

“Yeah, actually,” you beam.

Even when he stands and brings the dishes over to the sink to wash, you are reluctant to leave your spot at the table. You watch him rinse and sponge the plates and pan, the knife and spoon and cutting board, and your afternoon tea mug. He washes his hands thoroughly and rinses his mouth with the dubious tap water again. A thorough, judicious man. He’s played remarkably nice this evening. You wonder if Oracle’s been pulling his ear to leave you alone.

When he finishes, he walks slowly the remainder of the narrow hallway of your kitchen back to the dinner table and leans against the threshold. The long line of his body catches you off guard, always so unexpectedly graceful despite his musculature, his brutality. You hold his gaze serenely, trying not to cave under his scrutiny.

This is why you don’t like the Red Hood. Every time he looks at you, he sees you wholly. As you are. Not, crucially, as you want. It has been this way since the first time he laid eyes on you—a single glance and he had taken the measure of you. No further explanation, no time to make amends. And what’s worse: he expects you to be honest. He expects you to say what he can read in your face. He doesn’t let it go when you deflect, when you coat your truths in niceties. He wants it raw and open.

You can’t play dumb with Jason Todd.

He breaks the silence first. “Were you expecting Grayson this evening?”

The non-sequitur catches you so off guard you break eye contact accidentally. What’s Nightwing got to do with anything?

“No?” You say, evidently baffled. “Nightwing’s been off-world all week. Why would he be coming around?”

He cocks his head to the side, sucks in the bit of flesh below his lower lip. "So you knew it was me who'd be coming around?"

"Obviously?" What is he going on about? He clearly doesn't believe you, either. It's childish when you stomp your foot and whine, but he always brings out the worst in you. "I'm serious, Hood. I've been waiting for you all evening. Just you."

Jason pushes off the wall and approaches, staring you down with slightly raised eyebrows. “Then, if you knew Dick wasn't coming with, what are you looking so fuckable for?”

Despite how much it bruises your pride, you cannot help but sputter. The staring is one thing, the passing brushes are another—even the stupid pulling at your pigtails like you’re both in kindergarten is… permissible. But this? Coming at you so straightforwardly when all you know how to do is circumvent and hide? Desperately, you respond to the one thing in that sentence you can make sense of: the accusation.

“I don’t like Nightwing,” you whine. Jason fixes you with a look of dry incredulity. You huff. How you despise him. He can’t even let you lie. “And I don’t dress for him either.”

“Hm.” He reaches over to pull at the neckline of your admittedly skimpy top, his knuckle brushing against your chest. “Sure.”

You bat his hand away, and stand up, but that leaves you much closer to him than you expected. Or wanted. “This is not fuckable,” you grit out. “This is… pajamas.”

Jason cranes his neck to take a close look at you, every bit as assessing as the first one had been. One of his large hands comes to play with the hem of your shorts, pushes it up just a smidge, and the pads of his fingers are rough and calloused against your outer thigh. Your eyelids flutter, and he has the nerve to smile.

“That’s a blatant lie, you know,” he says, dipping his head low so the words brush against your lips. “Try a little, huh?”

“This seems like a you problem, my guy,” you snap, so close you might as well be speaking into his mouth. You need to get away. You don’t.

Jason’s smug when you gasp after his hands close around your ass and bring you forward, flush against his body. The hardness in his pants trapped between you, a pressing weight just below where it should be. Should be? What are you—but Jason adjusts before you can scold yourself, lining up your crotch with his and grinding. It feels bigger this way, which is insane because it's already pretty fucking huge, and a hot flash of desire runs through you lightning-quick and just as obliterating. You slump against him, head on his shoulder.

“That’s my problem,” he murmurs against your ear. His thumbs press just under your asscheeks, playful. “You gon’ do anything about it?”

[okcoolthanks]

I really liked “I Saw The TV Glow” for a lot of reasons like the lighting and sound design and stuff

But I also really liked it because how similar I felt to it. Like you watch a show you love so much you want to Be In It and all you do is interact with That Show to the point where you start talking like it and you make everything you see like it because you don’t Know anything else

I really liked owens character because of how Stuck he is in his life. He says he doesn’t think about “that stuff” because it makes him feel gross so he doesnt. He takes a job at a place he doesn’t like and when it gets shut down he goes with the manager to the next place also doing a job he hates. When his parents die he lives in the same house he grew up in because he doesn’t want to leave. He had one friend and when she disappeared presumed dead he didn’t do anything but reminiscenced on his time with her and watching the show she helped him watch. You can also see how he starts taking care of himself less after his father died, in the last scenes of the movie he looks like he barely eats or drinks water, he doesn’t do anything but his job. “Years feel like seconds” because he isn’t doing anything of importance he lost everything that he looked forward too

He doesn’t talk above a normal speaking volume until he’s literally DYING and even after he apologizes still out of breath. He’s still dying then. No one responds to his apologies or responded to him when he was screaming

He gets a chance to leave and go with Maddie to The Pink Opaque and he gets scared, he gets a chance to leave with her when he was younger and he gets scared. He’s so unhappy with his life but he doesn’t want to change it because he doesn’t know what else to do

[averlym]

fairest of the fair

[harunefrog]

I drew a thing!!! You know this one!!!

[cerise-on-top]

Hello! Can you write something with Valeria garza with f!reader (as her wife) who wears classy dresses, expensive jewelry, heels, hair and makeup always done, with a sassy but lovingly attitude? Thank you <333

Hey! Yeah, sure!

Valeria with a Fancy!Reader

Most of what you’re wearing was probably bought by Valeria since she’s supportive like that. Whenever she sees something you might like, she’ll buy it for you, whether that be online or in a store she just so happened to walk by. The vendors likely know her by then since she does, more often than not, go out of her way to find something you might like. And when she’s operating internationally? She’ll find the fanciest clothing out there and buy it for you. And if they don’t have it in your size for whatever reason she’ll have it tailored, anything for her beloved little spouse. You don’t need to lift a finger in order to get something nice you might want.

However, if you do want to, then you can. She’s more than happy to go outside with you and look for some lovely dresses, jewelry and whatnot. Her sense of fashion isn’t that bad either, so she can advise you perfectly fine. She knows her colors and how well they would go with your skin color, your eyes and any other accessories you might want to wear. But don’t always force her to go outside just for clothes shopping, sometimes she just wants to stay inside, unwind and maybe take a nap. During those times you might not want to drag her outside too much, because no matter how much you sass her, she will always sass you back twice as bad. She also has the advantage of being very threatening when she wants to be, so don’t annoy her too much.

Valeria has quite the amount of jewelry herself, from brooches with sapphires in them, to earrings with genuine amethysts. Whatever you want, she likely has some variation of it. Since she started her business, she doesn’t always have the time to wear everything anymore, but you’re more than welcome to take whatever you want in this case. If she’s home, you might want to tell her, though, so she won’t start wondering where her necklace of real pearls has gone. As long as you return it to her, everything is alright, though. She’ll give you everything but one item in her possession: It’s a silver necklace with a locket. It doesn’t have a picture in it or anything, but it holds sentimental value to her. If you take it she’ll yell at you, but everything else is fair game.

Valeria doesn’t really wear makeup herself, she’ll just look stupid when it starts getting runny as she’s sweating. Besides, she’s here to fuck things up, not to look pretty. Valeria is a businesswoman, which means she won’t do much paperwork, that’s for her lackeys, but instead she’ll kick ass if she needs to. Therefore, she doesn’t know too much about makeup, so you’ll have to tell her what she needs to look out for and what may look good on you. While she may know which clothing looks good on you, she’s a bit lost with makeup. If you tell her what you want, then she’ll get it for you, but she might not always go out of her way to buy some new mascara, eyeshadow or blush for you. Again, you’re better off just telling her.

As for heels and hair: You can get your hair done however you want to. While she may not particularly be helpful in that regard, aside from paying for your visits at the hairdresser, she doesn’t have the time to learn how to do your hair either. She can braid it if you want, in a simple manner, but it doesn’t really go beyond that. Heels, though, she’ll look out for what she can find. In fact, if it’s your cup of tea, she might get you a matching purse while she’s at it as well.

Again, as mentioned previously, if I were you, I wouldn’t give her too much attitude, she knows how to deal with people like that. She sees something like that as a challenge, you sass her, she’ll put you in place. She’ll be far from violent, but your cocky behavior needs to be toned down a bit, especially when she’s tired. You’ll do as she says eventually, no matter how long you resist. And when you do finally listen to her? She’ll smirk and call you out on it. It’s a game to her, and she always wins in the end. Whether she needs to trap you between the wall and her, holding your face between her thumb and index finger to guide it, or revoke any and all rights for kisses until you’re desperate for one doesn’t matter, she’ll get her way eventually.

[robiinurheart33]

Haha wouldn’t it be so weird if when soap was taken and brainwashed he was constantly being compared to this soldier named “ghost” haha

Anyways explicit descriptions of psychological torture and violent intrusive thoughts under the cut

He would be beaten and berated constantly. why wasn’t he stronger than ghost, why wasn’t he faster, more skilled, better, stealthier, healthier.

Ghost could’ve done better in worse conditions.

Ghost has done better in worse conditions.

Why was soap not better even after all this?

It drove him up the wall, the way he would wonder who he was, seething and bleeding by the lip. After all that he’s gone though, all that he’s endured, everything.

Why wasn’t be better? Why can he never, ever be better?

They drove his sanity to the ground, spat and kicked at it until there was nothing but a shell of who he once was, and rebuilt it to fit their ideals. Soap couldn’t remember who he was before this, before the experiments. He couldn’t think, do, say anything without being ordered to do so by someone else.

Some days, soap would pull on the thin stripe down his scalp, eager to find some semblance of control over himself, even if it were pain. He would always get punished.

“It was the only thing he can and will recognise him by.”

“Ghost likes that on you.”

It made him hate the Mohawk even more.

He hates Ghost. He was sick of it. He was done waiting. He was done being compared to. He was done with being second to him. He wanted to pull him apart limb from limb, feel the hot blood spill over his teeth and he rips his throat apart, hear the sickening crunch of his neck being twisted, feel the smooth muscle of his skin ripple and tremble in fear of the one that he was supposedly supposed to be stronger than. Soap will never, ever get anything else in his life but the pure, white-hot rage of revenge. He maybe thinks this had lingered on since he was younger, before everything. It felt like an old friend, more so than his other emotions.

His first mission.

He will be better. He will be better. He will be the best. He will be good. This might be his only shot. This is. He will be the best. He will succeed. He will not fail. He will not fail. He will not fail. He will not fail. He will not fail. He will not fail.

He runs into ghost.

At first, he didn’t know who he was. Soap was in a room with a few others, guns up and masks drawn, ready to shoot anyone who tries to come into the room. They had been infiltrated, and soap wasn’t told more than that. He didn’t really need to know more. Shoot the hostiles, keep people safe. Suddenly, bullets start to rain from outside the door, and soon enough, more and more bodies start hitting the floor. Soap does not panic. He hides behind a bookshelf, waiting.

A big ass motherfucker in a skull mask walks into the room and it looks like the shadows are warping to his presence. Soap does not panic. He reaches for the knife strapped to his thigh, flicking it up and holding it ready. He waits patiently until he stalks near the bookshelf, tightening his grip on the knife. They make eye contact, and through the skull mask stained with blood, he can see jet black eyes staring at him in shock. Death incarnate. Soap does not panic.

“Joh-”

Soap quickly slips out of his hiding spot, wrapping a forearm over his neck and attempting to jab the knife right into his socket. He feels a hand grip tightly onto his forearm, and he goes weightless. All the air escapes his lungs as his back slams against the floor, his head spinning. He screams at himself to get up, fight, be better, before he hears the familiar crackle of a radio.

“Ghost, how copy?”

Ghost.

This is Ghost.

Ghost just fucking flipped him.

Soap does not panic. He does not panic but he feels a chill go down his spine as he sees red, scrambling back up onto his feet. The adrenaline starts to kick in now, and he lunges at him, ripping the radio off his vest and slamming it on the floor. He’s not completely sure why he did that, but in all fairness soap feels like he’s losing his goddamn mind, if his captors haven’t done so already. He punches Ghost, wincing slightly as his knuckle hit the cheekbone corner of his stupid skull mask. Soap starts to reach for his gun before Ghost punches back, hitting the mask clean off his face, pushing his back to the floor, one hand on his wrists. Soap starts to get really agitated now. After everything that he’s gone through, he’s still not good enough to beat ghost. He still hasn’t improved. He hasn’t gone anywhere. He makes eye contact with Ghost and is slightly taken aback when he is reflected with an equally crazed stare.

“Johnny.”

What the fuck?

Soap doesn’t say anything. Ghost’s eyes are brown, not black. Why hasn’t be killed him yet? Why isn’t Soap struggling? Ghost has blonde eyelashes.

“Where have you been?” To soap’s absolute horror, those brown eyes start to become glossy. He flinches back as if he’s been hit, and grits his teeth. No shit, he’s been here the whole time, where else is he supposed to be?

Soap surges forward and headbutts him in hopes of him letting go. He doesn’t, and it makes soap all the more dizzier, more frustrated. Why isn’t he fucking dead already? He squeezes his eyes shut, trying to get his mind right.

“Johnny. Johnny.” Can he just shut the fuck up? It’s getting increasingly hard to concentrate for some reason. Shit. He feels overly exposed without the mask, feeling his body temperature rising steadily.

“Stop calling me that!” he growls out, twisting out of his grip and punching his across the face. The twisted skull mask looks almost comical out of place, but he can still see those eyes. Ghost’s hand comes to cup his cheek, and soap flinches back. His eyes look like Soap just mauled his puppy right in front of him. It makes him freeze in place, head awkwardly hovering between the floor and Ghost.

Images of blood spilling and needles, dirt and coffins fill his head, the sound of a neck snapping, gagging, screams and whimpers. Hands on him, eyes on him, never letting go. Stay. Soap snaps back into place, grabbing the mask and twisting it up, covering Ghost’s eyes. He quickly gets his other hand free and pushes ghost off him, sprinting out of the room.

“Wait-!” Is all he hears before flying down the corridor, back to safety, back to where it’s familiar, where he always is, where he always will be.

Loyalty has always been Soap’s best trait.

[skitskatdacat63]

Nando being silly in S2E2 of his doc 🥺

[kenobihater]

of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)

[girlmetalsonic]

something that is like the baseline of amys entire character to me is that shes lonely. shes clingy and physically affectionate in a way none of her friends really are, shes always getting pushed aside and left behind. yeah, she helps out people she doesnt know because shes a nice person, but also, she sees part of herself in them. she wont leave someone else behind because she knows the feeling —and more importantly, hates the feeling. if she doesnt have somebody to stand by her and be there for her, then shes going to be that person for everybody else. something something her obsession with sonic is really just like a manifestation of that desire for closeness with someone, and she thinks that romance is the only way to get that. idk... this hedgehog can have so many abandonment issues.

[leopardom]

it’s definitely not the right time to do this but it’s bugging me so much i need to ask

would anyone still be interested in reading more analyses/interpretations about Damon’s photoshoots with Nace/Jan and Jure after many days or maybe i shouldn’t even bother to write them?

[todayisafridaynight]

happy holidays from the two most incompetent men in tokyo

[actual-changeling]

I know that Ellie eventually going to school is a pretty much universally accepted part of the world building, but I am itching to explore her trying to do so and simply being unable to do it.

The child abuse she went through at the hands of FEDRA was probably prolific and cruel, and her life was basically nothing but different kinds of "education" strung together, whether that's whatever they cobbled together for general education or the military training. Joel might know it was bad (cause it's fucking FEDRA), but the extend of her trauma is hard to gauge when you are not in a situation that triggers it.

Her academic trauma does not disappear outside of school, but unless Ellie is in a similar situation it simply won't be immediately obvious (speaking from experience). On top of that, David being a teacher does not help whatsoever.

-

Joel and Ellie agree on a first day of school, but they want to check out the building beforehand, just so they're both a bit more at peace. Ellie is somewhat excited but also scared, and the closer they get to the building, the quieter she becomes, just hanging onto Joel's hand and squeezing it until her knuckles turn white. He pulls her close, notices she is nervous, but he doesn't press and gets them inside. One of the handful of teachers, a woman about Joel's age (they're aware enough to not have it be a man, Silver Lake is a known topic), meets them at the door and shows them around.

Small classrooms with surprisingly comfortable looking wooden chairs (Ellie sees the pillows on them and her mind short-circuits), some old sofas and couches, armchairs, spacious desks and all kinds of posters and materials. There's an art room and it is the only time Ellie's grip on Joel loosens a tiny bit, the array of brushes, paints, and instruments fascinates her, but that moment passes as quickly as it came.

With every step they take, the teacher's voice blurs with Joel's and turns into white noise, her vision grows fuzzy and grey, and she has to keep blinking with fluttering lashes to not sway on her feet when the dissociation gets worse. Absently, her mind keeps cataloguing the floor plan, windows, doors, all exists she can make our and imagine, but by the end of the tour, she cannot remember anything past leaving their house this morning. Something tugs on her hand, and she blinks up at Joel, his gaze loaded with a question she didn't hear, and maybe ten weeks ago she would have pretended she had; she doesn't know.

Ellie doesn't even know why she is reacting like this, there are no specific memories popping up, nothing to fight back, just her mind and body slipping into a protective armor of static like they're pulling her into the fizzling TV in their living room.

"Ellie?"

The teacher's voice snaps her back to a pounding heart and a breath stuck in her lungs, and when she looks down at their clasped hands her nails have left marks in Joel's skin. She lets go at once, holding onto her wrists with her arms behind her back, and she still didn't hear the question. Every cell in her body is telling her to leave, pulling her toward the nearest exit, but she doesn't. There are memories flickering across her vision now, a decade of unjust, painful punishments and her body being pushed to its breaking point, and she decides the answer to that question is more important than whatever they had asked her.

"What do you do? For, like, punishment?"

Her voice is steadier than she is on her feet, so she rocks gently back and force to stop herself from swaying. Joel's gaze burns hot on her cheeks, but she keeps her eyes on the teacher, whose eyebrows are raised so high they disappear beneath her fringe.

"Punishment? We don't- there's not reason to punish forgotten homework or the like here, Ellie, it's supposed to be both fun and educational."

Something about the tone in her voice unsettles her, but the answer isn't satisfying, and she needs to know, needs to know the rules so she can follow them, because the art room looks like it might actually be fun to be in and she is so tired of dark lonely spaces and marks on her back; imagining the disappointed look on Joel's face when her teachers tell him about it is the worst of it all, though.

"What are the rules? When are the drills and what's the consequences for breaking the rules? Is there-" is there a hole, she wants to ask, but her breathing is fast and shallow, periphery dotted with dancing black spots, and she doesn't want to give them any ideas they didn't already have. Joel's hand lands on her back, right between her shoulder blades, and the warm weight his comforting without being oppressive, her breaths slowing just a smidge.

The woman with a name Ellie forgot is taller than Joel with the shoes she is wearing, and she she squats down, the look on her foreign face looks like a a finished puzzle, the final piece having snapped into place. Her features are rounded, soft, a stark contrast to the borderline malnourished and hardened look of pretty much every person around the QZ including her teachers, a few light-brown and grey strands escaping from her ponytail, and Ellie can't help but think that she looks - nice, non-threatening. School isn't supposed to be non-threatening, but this whole building is dripping with it, and it scares her to death; getting this ripped away from her as punishment will hurt even more than escaping packed, concrete classrooms.

"You grew up in a FEDRA school, right?" she asks, voice almost tender, and Ellie can only stare and nod while Joel rubs circles into her back.

"I heard stories about what it was like before I came here, horrible experiences no one should have to go through, especially not a child."

She sounds so much like Joel the comfort laced into her words manages to penetrate the static and soothe some of the panic, her eyes a bright hazel shade, not blue, and she keeps her distance even though she could easily get into Ellie's personal space

"Even before the outbreak, school wasn't like that, and it is definitely not like that here. There is no punishments, Ellie, no real rules or structure outside of general lesson plans, no consequences for not turning in work or being late. This is meant to provide some stability and education, give you a places to hang out with people your age, have some more people to connect with. If you don't want to be here, no one will force you."

Ellie doesn't cry. She doesn't. A deep breath and some determined blinking pull back the tears from her waterline and her chest aches with a vengeance when she thinks about how different it would have been here for her and Riley, how much better. Riley would still be alive. For a few minutes, they're all silent, allowing her to gather the scattered pieces of herself and glue them back together, and when she does, a tiny bit of the fear in her bones has made space for tentative excitement.

"I like the art room," she says quietly, feeling younger than she ever has, and a wave of something washes over all of them. "Do I- can I-"

"You can use it whenever you like, even outside of school hours, as long as you don't leave too much of a mess and use it responsibly."

Liliya, her brain finally provides, straightens her back again, and the lack of a last name during her introduction is probably part of what through her off. Ellie looks up at Joel, a muscle in his jaw ticking with suppressed anger, not at her, at FEDRA, she knows him well enough to realize that, and decides her question about The Hole is both best saved for another time and hopefully not relevant at all.

"Okay," Ellie responds, pressing herself back against Joel and melting when his arm protectively wraps around her shoulders, "I'll give it a try."

Over the relief rushing through her hairs, she barely hears the details the adults next to her discuss, happy to bury her face in Joel's shirt without shame, and she manages to shake off the last wisps of static clinging to her. Maybe this will work out for her, maybe it won't, maybe all she will use are the art supplies, but when they are lead back to the entrance, more than ready to go home, Liliya gives her a smile, eyes crinkling. For the first time in her life, Ellie smiles back at a teacher simply because she wants to, and the hopeful excitement sprouting in her chest is enough to tell her that she will be right on time for her first class on Monday.

[dmagedgoods]

BG3 DLC where it turns out Raphael didn't (completely) die if you defeated him and failed his plans if you gave him the crown and either way ended up restricted to his human form (punishment or his last way to save himself) and now needs the main character's help. Bonus points if his class is bard.

[toppedbykakuna]

ok so i used to be a fanfic writer back in the golden ages and im so serious, do yall want fanfic? cuz i can do fanfic LMAO