#i don't know if any of this made sense

[cromulentreader]

Unlike the whole High Court after the Coronation, I was thinking about Valerian the other day. His interactions with Jude escalated more into violence but they were somewhat similar to Cardan's: hair-pulling, name-calling, generally getting in her physical space, etc. Hell, they threw the girl into the river together. Quite frankly, in Jude's inner monologue in the first part of TCP, they sound very similar, with one being much prettier - guess who am I speaking of. Hint: they have really long fingers. However, Jude reacted differently to their "teasing" (trying not to swear on this one). With Valerian, she mostly ignored him and hoped he would go away, following Taryn's terrible advice. She's even trying to de-escalate when he tries to murder her in her bedroom. But when Cardan did it, she reacted to it as if interacting with Cardan was her new purpose in life. Even when both Valerian and Cardan did it. They both kicked dirt on her food and threw her in the river, yet Jude's eyes were on Cardan the whole time. She basically argued with Cardan and ignored Valerian whenever he spoke.

Now, from Jude's mind, this sounds like it's motivated by hierarchy (both in Elfhame and in their friend's group), as we don't know much about Valerian except that he's part of the Gentry. But I wonder if part of his escalation was that he could see the toxic obsession going on between those two and he hated it.

[enixamyram]

You know one of the weirdest things about the Toxic side of fandoms I've seen? It's the way they try to treat all shows like they're supposed to be setting examples for the audience.

Take Hazbin Hotel for example. I have seen so many people pulling up a single bad trait that Chaggie or Huskerdust may or may not have and use that as the sole reason why they shouldn't be together at all. Which is so dumb but also bizarre because real life couples have their own good and bad qualities and having one possibly negative aspect about your relationship is more often not a reason you should immediately break up.

But sometimes fans and trolls act like these characters need to be in Disney-style-picture-perfect romance otherwise they're unhealthy and shouldn't be together. Like they seem to be under this really strange idea that all entertainment should be educational for the audience and if they're not setting a good example then it's bad TV.

It's so weird.

[hellxfireclub-archived]

Just some thoughts...

I think this incident that occurred is a good time for all of us to take a step back and perhaps reflect on how allow ourselves to get too attached to people that we don’t actually know, and likely will never meet. The truth is, you can never really know someone through the internet, rp, etc. Some of us get lucky and get to meet our online friends and they become wonderful people and IRL friends. Hell, this has happened with me more than once and I adore those who I’ve met and connected with through rp and have become a true, real life, tangible friend. 

But I think it’s a good idea to have a healthy amount of disconnect from the people on the other side of a screen, whom we’ve never met and may never meet. It’s easy to lie to people on the internet, easy to present oneself as something that you’re not. Most of the people I’ve met through rp are genuine and kind people, but that can’t be said for everyone. Maybe this way of approaching rp comes from my many years on Tumblr, maybe from the fact that I’m well into my 30s and I’ve seen a lot of shit, but the best thing anyone can do to protect themselves is to keep a health amount of...aloofness? I don’t know if that’s the right word or not but I’m going to roll with it for now. 

I adore my RP partners, but I’m also acutely aware of the fact that one day any of those I write with could suddenly disappear and never return, or that they could turn out to be someone other than who they presented themselves to be. Would that make me incredibly sad? Absolutely. Would I allow it to drag me down and live rent free in my head? No. This is just a hobby, after all. It doesn’t affect my life outside of Tumblr at all. It’s a level of separation I keep firmly in place and I think others would do well to practice that as well. 

So yes, I am annoyed and I do feel manipulated and it pisses me off. At the same time, I’m not going to let this ruin my rp experience because I won’t let them have that kind of control over me. I just won’t. Sorry. No one dictates my life, online or offline, but me. 

If you need to take some time to process this and work through your feels, absolutely that’s what you should do. But I do think that we do sometimes invest too much of ourselves into these almost parasocial-like relationships and it ends up becoming unhealthy. 

Don’t let other people control your life/experience. No one has that right but you.

[aceofwonders]

losing my mind over the characterization of my own damned character

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[elcias-diary]

Did a quick Tumblr search and found nothing so gonna ask the Good Omens fandom at large...

Anyone else headcanon the theory that when Adam Young reset reality, that because he said Satan never was his father, thus making Arthur Young his father all along, that he also reset the lives of the humans who were directly involved?

And that's why Nina and Maggie are not Sisters Mary and Theresa?

Like, since Satan never was Adam's father The Order Of Chattering Nuns would have no purpose. Since there's no antiChrist to deliver in Adam's reset world, they were never founded for that purpose.

So instead of being Sister Theresa and Sister Mary they are Nina and Maggie instead.

It's timey whimey, but basically what if Adam uses the fact he exists with his powers to continue existing, but as something else, and hand waves away the parameters that made him exist as what he was originally ....

All to give Nina and Maggie a chance to figure it all out here and now....

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

[pinkd3mon]

Gardening pals

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[inqilabi]

Surprises me the number of men that believe that they can have a marriage with just about any woman. Once they are ready to get married - they think any number of women with the 3-4 criteria (beautiful, educated, 1 specific physical feature they desire, 1 personality trait they desire) will work.

I believe that everyone has an internal character. And not everyone is going to be compatible even with someone who "checks all the boxes" initially. Some people have too much of an ego and just constantly invalidate or externalize every story you tell about yourself, to something other than your character - your tenacity, your smart. And with their ownselves, they'll internalize every story to their own tenacity and their smarts. For someone this might be hurtful but for someone else, this might be sexy & confident. Some people have no ego and are sweet and validating constantly. But someone might find this to be too cloying, too nice. Some people might want that fiestyness of the former.

And if your internal characters don't really match, you will have to do a lot of work - ie have *a LOT* of conversations teaching each other how to communicate so that you don't get butthurt. I actually see this as a fundamental incompatibility because to be constantly told to change your character, which you have a tendency to revert to, is going to be annoying - you'll view it as nagging. And it's exhausting for the other partner to have to communicate and teach all of this, and constantly remind.

Could it work and result in the long-term relationship? Yes. But this is what I think people refer to when they mean, "relationships are work". These people are fundamentally incompatible in terms of this "internal character". Thaat's why it requires a lot of work. And I think it's very rare to run into somebody that has an internal character that works with yours. And perhaps that's what soulmates are - someone with a disposition and internal character that soothes yours. Note that I didn't say character and disposition that's exactly like yours. Because it's possible that a complement is actually better.

[viewingthevoid]

You know, if I don't think about how much the fandom is already mischaracterizing and vilifying her because of Deep Cover, I actually love how Kotoko is portrayed. She is the ultimate example of what Milgram as a prison represents. She unintentionally shows a lot of the hypocrisy in some of the voting. I mean, if beating up criminals was okay in Harrow, why would it be bad now? If Amane is one of the unforgivable murderers and is mature enough to understand what this verdict means, why should Kotoko treat her differently from the others? If we can choose the fate of the prisoners based on the little, vague information Milgram gives us, why can't she do the same? If we trust Milgram, why can't she?

And for Deep Cover specifically, if it's wrong for her to dehumanise, insult, and disregard the other prisoners, why is it okay that we do it to her?

I hope this doesn't come off as me excusing all she did, because it's not and she did a lot of fucked up things. I just really like how she's written as a foil to the prison itself and how that ties into the themes of Milgram. This idea that if we do something that was encouraged/told to us by this institution or authority, it's okay and excusable. But if an individual chooses to do something similar, they're evil and unredeemable.

[the-phoenix-heart]

hang on lemme cook. LEMME COOK

Okay so I've been thinking about the stolitz breakup since I watched it last night and the thing I keep thinking about is Stolas saying, "Blitzo, I think so very highly of you...I didn't realize you think so low of me." It is a painful line read, Bryce Pinkham at his very best. And in a way Stolas is right, the fact that Blitzo thinks Stolas would willfully manipulate and play with Blitzo's emotions is a low opinion to have of him. It also makes sense that he sends Blitzo away because he's yelling at him (even Blitzo's cadence sounds a bit like Stella). However, I think Stolas misunderstands where Blitzo is coming from.

We know Stolas is aware of the power dynamic between them, and specifically the transactional nature, and that he is aware that it is unhealthy. However, I think Stolas only understands that transactional part as the unhealthy bit. Stolas (in "Full Moon" and "Just Look My Way") focuses on the "unspoken contract" and how tethered they are to each other. He thinks by giving Blitzo the crystal and semi-confessing (Stolas never says the words "I love you") it means they will be on even ground and Blitzo won't feel like he has to whore himself out for Stolas's grimoire (something he needs for his business so he can live). Then Blitzo can actually choose to stay with him or not. But he doesn't understand that even without the grimoire there's the inherent power imbalance on the hell hierarchy level.

Stolas says in "Just Look My Way", "I don't care that you're of lower station" and that's because he doesn't. But that doesn't mean Stolas is an imp ally. Stolas has never indicated that Blitzo isn't just the exception. Just in this episode Stolas was seen making life harder for his imp butler, and then there's the scene in "Seeing Stars" where he is holding the imp butler holding the phone and squeezing him when he gets pissed. His interactions with Moxie and Millie also don't really make it seem like he cares that much about them as people. Blitzo isn't wrong when he calls out Stolas's treatment of his butlers, or when he says that Stolas was dismissing him in a way that felt disrespectful. Even him putting his hand in his face feels like how he would dismiss a servant.

Throughout the entire conversation Stolas is very cordial, very genuine, and very respectful of Blitzo's emotions-right up until he takes Blitzo's response as a rejection-but even then Stolas always has the power in the conversation. Even when he is being emotionally vulnerable, he is still the one controlling the conversation. He's the one stressing Blitzo out with it. Even when he gets on his knees to put the crystal on Blitzo's glove he is technically taking the choice away from Blitzo to choose it. And then his reaction to Blitzo thinking it's roleplay is that Blitzo really doesn't want him is to completely shutdown emotionally and not listen to Blitzo.

And Blitzo is not wrong for thinking it's about sex. Half of this is Blitzo convincing himself it's roleplay because he doesn't believe anybody could truly love him, but also when isn't it about sex with Stolas? The only times where it hasn't been was after Ozzie's when Stolas offers Blitzo to come inside (which Blitzo did not believe and did not react well to) and arguably the Harvest Moon Festival where Stolas invites him, which Blitzo honestly could have misconstrued as Stolas wanting to bring his sidepiece with him. You could also make the case for "Seeing Stars" but that episode has them falling back into horny during a mission they are both participating in. And as I pointed out in an earlier post how is Blitzo supposed to realize how highly Stolas views him? Stolas has called Blitzo his "impish plaything" and covered his face at Ozzie's and has generally been condescending to him ("You are so cute when you are serious"). We know that Stolas is desperately in love with Blitzo and would do anything for him, but Blitzo himself has never really gotten that confirmation.

Hell, Blitzo is actively doing what Stolas wanted. His reaction to Stolas's semi-confession by thinking it's roleplay is specifically proof that he does want to keep this up, even if he doesn't realize the feelings behind it. And then later he is specifically trying to have a conversation with Stolas and process what's going on ("Let's go!" As in "let's have this conversation!"). The fact that Stolas sends Blitzo away when he himself starts crying, when Blitzo has been on the verge of tears throughout most of this conversation proves that Stolas is not ready to have this uncomfortable conversation. He was only ready for Blitzo to either accept or reject him, and he thought that their issues would be fixed.

"Blitzo, I think so very highly of you...I didn't realize you think so low of me." No, it's not that he thinks so low of you, it's that he has almost only seen the outrageously horny part of you, that he's more aware of this power dynamic than you, and is rightfully calling you out for how you fumbled this confession. You clearly love Blitzo, you have the right idea, but you still have these inherent biases and are unaware of the power imbalance, and you need to reevaluate some things.

This isn't to absolve Blitzo of the part he played in the breakup, but since Stolas took the initiative and almost always people are more willing to take his side, I feel he needs to be held more accountable.

[feroluce]

Randomly consumed today by the thought of henghill cuddles, but like from a specific point in their relationship, like after they've only recently started laying in the same bed together.

It's something that takes them a long time to work up to; they both have nightmares, and yeah, Dan Heng is a Vidyadhara and he can heal himself beyond anything Boothill could accidentally do to him, but still. Boothill is made of metal now. He's heavy. It wouldn't take much, just a single flailing limb to cause some damage. He still gets up after Dan Heng falls asleep, and sneaks down into the guest cabin in one of the other cars.

But he'll lay in bed with Dan Heng until then. At first Boothill would always try to situate a blanket between them, because well. Metal isn't exactly pleasant to cuddle. But more and more lately, he's noticed Dan Heng keeps worming his way around their soft barrier and just kind of...rubbing his hand along him? Open palm up the curve of his side, across the planes of his chest, into the star-shape at his solar plexus, down the plates of his abdomen, back to his side again. Fingertips tap soundlessly against metal, or press into dents and divots, or smooth over old scars in the steel.

"Ya don't hav'ta do that, ya know."

"Does it bother you?"

Dan Heng's hand has already stopped, settling somewhere on the futon, neutral ground. Boothill clarifies that no, it doesn't bother him. But he can't feel any of it. He only knows he's doing it because he can see the motion out of the corner of his eye. Dan Heng doesn't need to go through the extra effort to do things for him like he would someone with a normal human body.

And Dan Heng goes quiet, just long enough that Boothill gets curious and turns to look at him over his shoulder. He has the cute little furrow between his brows, like when he's thinking.

And then he opens that pretty mouth of his and says, "That's alright, I think I'm doing it for myself, anyway" and Boothill nearly wheezes because wow, Dan Heng is almost never quite that honest when it comes to himself fdklsajlkd

Boothill cackles in surprise and asks point blank what he means, because what could he be getting out of that? Given the implied permission, Dan Heng's hand starts it's usual route again. Side, chest, solar plexus, abdomen, side. Boothill can practically hear him chewing on his words.

"I like that you're warm," is what he finally says, and Boothill suddenly feels like a bullet has just grazed something vital. "All the processes you run increase your temperature," Dan Heng's hand fans out across a span of steel and he holds it there, like he's soaking up the heat. "And your metal is smooth, it feels pleasant to touch," his fingertips move in circles, slip into a divot perfectly sized, rub back and forth. Boothill silently wills one of his cooling fans threatening to open up to stay closed.

"I like how you feel under my hands. That's all." Headshot! No recovery possible.

"...Suit yerself, then," and Boothill quickly turns back over before Dan Heng can see it in his face, how close he just hit to his heart.

[zukkaoru]

could you tell me more about why you dislike femskk?

okay disclaimer before i begin: this is not meant to be a dig on every person who enjoys femskk. the biggest reason i don't like it is honestly because it's just not my cup of tea and honestly it really makes no difference to me if other people like it. but beyond that my biggest issues with it are

1. the phenomenon of fans "yuri-ifying" the most popular m/m ship and then using that to prove they like female characters and f/f ships. this is not a bsd-exclusive thing; it happens with stsg too and i don't like femstsg for the same reason. but there's a big difference between actually liking female characters and just genderbending (or even making transfem) the big m/m ship. i literally went to the f/f category in bsd on ao3 the other day looking for fics and about half of them are skk fics instead of fics about like. the actual female characters in bsd. who i was looking for fics of. similarly, there have been some redraw trends going around twitter - specifically the i prefer girls cover redraw - and i have seen. i don't even know how many femskk redraws of that (along with a couple femfyolais and a femrimlaine) but only one redraw with actual female characters from bsd. same with the scene 14 redraw that was going around, and while that one wasn't originally two female characters, i have still seen significantly more femskk (and femsigzai, femsigchuu, femfyolai, etc) than i have ships with even one character who is female in the source material.

and imo this phenomenon is made even worse in the bsd fandom bc so many fans just see bsd as the skk show. so of course they're writing off the actual female characters; they literally don't care about anything besides skk. and obviously i can't do anything to force anyone to care about other characters but like.... bsd has so many other wonderful characters and dynamics (both romantic and platonic) that a good half of the fanbase won't even glance at because they're not skk. i do like skk, but bsd is about so much more than just them. they are, objectively, only one small part of it. like if you only care about skk, then just be outright about it and don't pretend you're "proving" you like female characters and sapphic ships bc you like femskk too

2. of the fans who only like skk and nothing else about bsd, most of them. don't even characterize dazai and chuuya correctly? i think the some of the best skk characterizations i've seen have been from people who actually like other characters and ships too, and some of the worst skk characterization i've seen has come from people who literally don't care about any other ships or characters. this isn't a hard and fast rule obviously but even with 30k skk fics on ao3, i have struggled to find ones that actually feel true to their characters. and the characterization seems to only get worse when it's femskk. if you're just going to turn femdazai and femchuuya into two completely different people, what's the point in it even being skk? why not write k.ousano or h.igugin or even a ship with one canonically female character? if you have to change the core characteristics of both dazai and chuuya... do you even really like them?

3. about femdazai: i actually don't mind the transfem dazai headcanon in general but most fans get her wrong. i made a post about it here but basically so many times i see femdazais that are just. completely unrecognizable as dazai. you can't strip away core aspects of dazai like idk the fact that dazai doesn't show any skin from neck to toe just because you made her a girl. i have seen some femdazai that's good! but i have seen so much that is just fundamentally wrong for dazai's character as a whole. mostly on twitter.

4. about femchuuya: i really truly just don't get femchuuya. i THINK the hype here is probably bc lesbians seem to get attached to chuuya (which. valid. i am also a lesbian chuuya fan.) and so they want to draw a chuuya they can be attracted to (i.e. femchuuya) which like. cool whatever i'm not here to judge. but looking at it from a "would this character actually identify as female" perspective, i don't actually think i can picture that for chuuya. maybe it's just because i so strongly hc them as nonbinary? idk. this one is honestly just a neutral "i don't see that but you do you"

tl;dr: from what i've seen, femskk is often mischaracterized, and genderbending the big m/m ships in a fandom is often a way fans "prove" they like the female characters and f/f ships while not actually caring about anything other than their main m/m ship

[moopermoment]

you know what, fuck it. time to post stuff for my in stars and time club penguin crossover because i'm cringe and free

Agent/Ace as Siffrin Rookie as Mirabelle Dot as Isabeau Sensei as Odile Klutzy as Bonnie

there's more characters i have as penguins but those are the main party!

agent is created by @tofudemaru

also ISAT spoilers below:

ace getting a little quirky and mal du pays ace