#i doubt anyone here uses twitter exclusively but just in case | Explore Tumblr Posts and Blogs

mack3030 · 3 years

Text

Things the Sims 4 Community Can Do About Paywalls...A Post...

[This is going to be a bit long, so you may want to save it and read it when you have time, or just...you know, buckle in.]

I thought I would ring in the new year by talking about something that I feel we as a community need to finally decide on. (It’s been debated since 2017 or so, and it’s now 2021...) I’d like, if possible, to try to suggest some real solutions and choices that we can make that will hopefully create a better and more honest community out of all of us. Now I would like to start by making some postulates. In geometry, postulates are facts that do not need proven with a mathematical proof. They are assumed to be true. Thomas Jefferson and the founding fathers would call these “Self-Evident Truths”. I would like to use these as a bit of a basis for my arguments.

Truth: The Sims 4 has been enough of a cash cow for EA. If you buy the base game ($40) plus all expansion packs (40 each x 10) + all game packs (20 each x 9) + all stuff packs (10 each x 17) you would come to a total of seven hundred and 90 dollars ($790) plus tax. This is of course, without sales, bundling, etc, which many people DO take advantage of, but STILL. That is a TON of money for EA’s pockets. EA makes a majority of its money on the fact that the Sims 4 is an “incomplete game”. It “completes” the game further and further by adding more “expansions” to the game to the point that it seems almost useless to buy the base game alone without adding to it.

Even with sales and other things, it’s easy to spend over $500 dollars on the sims 4 game + expansions. Still a lot of cash for a game that is years old. This is just money that is spent on the game that goes to EA. This does not account for: * Money spent to buy a new computer because your old one wouldn’t run the sims. * Money spent supporting CC artists who have donations open or early access. * Money spent on access to sites that have ads/paywalls/exclusive sims 4 CC such as Leosims, etc. (Which are the problem, frankly)

We should be able to respect the fact that a majority of us paid a hefty amount for this game. It is unfair, and frankly greedy to REQUIRE people to pay MORE just to unlock or gain access to specific user created content.

I am not talking about a VOLUNTARY support or donation because they like what you offer. I am talking about FORCING people to pay if they want to ever be able to use the CC or mod you offer.

Now, the typical defense for this is “Well, I’m an artist! I spend time/effort/etc working hard on these meshes, the code, etc to make this content!” Which leads me to point #2.

Truth: Mods, CC, and other content for the Sims 4 are useless without the game. Once they are created/uploaded to the game, all copyright to those objects IMMEDIATELY transfers to EA.

I teach art in a Missouri public school. Our state standards dictate that when art students are in middle school grades, they have to learn about copyright, fair use, and creative commons. While I am not a copyright lawyer, I have had to learn enough about this subject to teach it. So allow me to break down a few facts about copyright:

First, when ya make it, ya own it. There’s not a process to apply for a copyright. The moment you create something that is 100% your own work, you hold the copyright to it.

Second, when you make something that is created based off of or USING someone else’s intellectual property as a reference or resource it is a fan creation. In art, we call this “fanart”. It is not 100% your own work. Someone else’s intellectual property is involved.

Fan creations always have tread a very thin and shadowy line when it comes to different companies and the legality of them. You can easily search google for various articles explaining it, but to summarize it in a short method:

Most companies do not actively go after those who create fan creations unless they are making profits that could instead be going to the creators of the intellectual property. If the fan creation is discovered to be making profits and/or taking the intellectual property in a direction the creator does not approve of, they have legal options to pursue (court, cease and desist letters, etc).

Third, Copyright can be transferred from person to person. In most cases this is done through a written document that both parties sign, however there IS an exception to this that EA uses to allow itself to transfer your copyrights to your content to them:

EA’s agreement with you is non-exclusive, meaning that the moment you hit “agree” on the sims 4 terms and conditions, you have handed over your rights to any CC you create for the game.

If you want to maintain full creative rights over the mesh/mods/etc you make then, you have to not make that content for the sims 4 and make your own platform to host it on. This is way easier said than done.

Truth: There have been various examples in the past of CC creators who have stolen meshes, bases, bits/pieces of work, or “inspiration” for CC from other sites/companies, who have been called on it publicly.

The most recent event concerning this was drama concerning itsbrandysims and their use of meshes from imvu/secondlife (you can see my opinion on the subject HERE), but there have been other documented cases. Leosims, for example, has been listed as an example of someone taking meshes from secondlife creators and reuploading them (when it was told to me, I was shown THIS thread as evidence). Another well known creator was accused by a former sims 4 cc creator (who now makes content from second life), and was called out in THIS post in 2019.

The horrible part of this? Many of these creators are charging people (often at not so great rates as well), for STOLEN content. Content they don’t even own, that they ripped from another place. This should not be accepted by a community that loves a game as much as the Sims 4 community. Truth: EA has provided a way for people to make money while not hiding content behind paywalls entirely, and the INTENT of this was to OFFSET COSTS. Almost every post about content locked behind paywalls features this post found on the Sims Forum from 2017. In it, SimGuruDrake, who was the community manager at the time (she has since left the Sims 4 team for another job). Most of you who have seen this discussion topic before know this post by heart, but I’d like to highlight one important aspect of it:

One thing that is always important about communication is the intent behind it. The intent for people to be allowed to make patreons and allow early access wasn’t so people could just make money for themselves, the idea was to offset costs to buy programs to make the content. For example, a yearly subscription to Adobe Creative Cloud (which has photoshop, illustrator, etc) costs a couple hundred dollars US a year. If someone was using photoshop to help them create their CC in addition to blender or other free programs, EA/Maxis wanted to allow the creator to not have to pay for making the CC out of pocket. Can EA/Maxis control what people spend the money they make off of patreon on? No. But it should be noted that the intent of this action was to help people pay for supplies for their hobby more than to make a business out of it.

Onto the next truth! Truth: There is an image that disputes this post above, however the authenticity of it and timing of it are very disputed.

This image is often thrown around by people who lock content behind paywalls, but I would like to take a second and try to provide an honest assessment of it. First of all, I have a bit of a problem with the fact that the original person who “messaged” SimGuruDrake this question has not been identified. This image was not posted on the tumblr of a CC creator who claimed “Hey I reached out to a sims guru and this is the answer I got!” The main pages that have this image are either tweets from CC creators using it to defend their stance on paywalls (ex: here), or tumblrs/tweets “debunking it” (ex: here, here). I even reverse image searched this image using google, and another platform and could not figure out where this originated from. Of course, I’m not an expert, but...still.

The fact that the origin of this picture is unknown casts doubt on it. If it were a well known CC maker who is known for being honest, that’s one thing. But the fact that we don’t exactly know where it came from is suspicious. Because frankly, anyone with some decent editing ability could photoshop this.

Here’s my imperfect edit, but I’m just a self-taught graphics nerd and I am not as dedicated at faking screenshots as some. (And the crap photo quality didn’t help.) Another common issue is that at the supposed “time” that this question was being asked, some state that SimsGuruDrake had already left the Sims 4 team. I will admit, this photo is within the correct timeline, as SimsGuruDrake did not officially depart the sims 4 team until February 2018. (There is a post on the sims forums that has a timestamp that confirms this.) But, if you were in the process of leaving your job within the next month (as a two week/30 day notice is common when leaving a job), would you REALLY be answering questions in DMs on twitter, or be focusing on packing up, and training your successor? The last thing that really makes me doubt the validity of this picture is the fact that it’s not really easy to message the sims gurus on Twitter. This appears to be twitter from the screenshot (although there are some things that are a little out of place from the current UI): But when I attempt to direct message a sims guru I get this message:

I even tried seeing if I could reach out via DM to Drake herself, (who now posts under a different twitter) to see if it was possible:

Could the policies have changed since 2018? Possibly, but I feel that opening up direct messages is just asking for Sims 4 team members to get angry messages, so this could very well be a long running EA policy. I have also reached out to her via a twitter tag (as of 1/2/21), and will update y’all if I get a reply:

Okay, so now that we’ve gone through all of this, let’s talk about the last truth that’s really important: Truth: Putting content behind paywalls has generally been considered disgusting by many in the sims 4 community, and TAKES AWAY the choice of people to support CC creators they love/appreciate WILLINGLY. A few notable posts sharing the disgust with this practice can be found: HERE, HERE, HERE, HERE, HERE, HERE, HERE & HERE). And these are just what I can find from a simple precursory search.

Okay, Brainiac. So what can we do to solve this problem?

Well, there’s a few methods we can employ, and sadly, it’s going to take a bit of a commitment and concentrated effort from the community.

Step #1: Make the COMMUNITY the VICTIM instead of EA.

Now when I say this, I don’t mean we’re actually victims, but mean that instead of constantly saying things like “WHEN YOU DO THIS YOU VIOLATE EA’S TOU!”, thus making EA the “victim” of the crime. We change the dialog to saying “When you lock stuff behind paywalls, you cheat the sims 4 community and disrespect their choice to support you or not.” Because let’s be honest. Maxis/EA really doesn’t give much of a care about if people aren’t following this rule. You can report people to the team, but as far as most people have seen, it doesn’t get anywhere. But if we make it where the community is the party being “wronged” it is much harder for those who have paywalls to not be scared. Because the community, in the end, has to be with them. DepthofPixels had a really amazing post about this HERE.

Step 2: Decide to not support anyone who puts their content behind exclusive paywalls and do not hesitate to spread the word about why you choose not to do so.

By that, I mean

not paying any patreon accounts that don’t offer either their content 100% for free, or offer early access.

And sharing about why you choose to do that on your social media. Something I might suggest would be to make it a bit personal and share something like:

Instead of spending $15 a month to get exclusive content from Leosims (or any other patreon/paywall creator here) I’m spending that $15 supporting creator x, creator y, and creator z, who don’t put their work behind paywalls!

Link their patrons, share why you like their content, and why you take the stance to make the community better. Make it a positive thing, praising the people who are doing RIGHT by the community.

Yes, you may not get their content for a while (although there are some different places (

) to find them *cough*. But in the end, is it worth supporting someone’s content when they’re treating the community badly?

Step 3: Report creators who actively steal content from IMVU/secondlife to those respective companies, and all others to EA. (Even though nothing may happen.)

Here’s the deal. When people steal from either of those sites, they are infringing on someone’s copyright, as well as Imvu/secondlife’s copyright as well. It’s not okay, and they should be held accountable for it. Here’s the LINK for submitting a ticket to Secondlife. I haven’t been able to find one for IMVU, but maybe someone else will find one. Let those companies know and allow them to handle those specific creators. As to the other creators, EA may not handle them at the moment. But IF (and this is a wishful thinking “if”) there were suddenly a flood of messages about certain creators...? I think they might have to pay attention to some of those messages. There is an official report form, but it might even be worth tweeting to SleddingGuruFrost, who is the current community manager asking about their stance on paywalls. And last but not least:

Step 4: Make sure that those who are doing the right thing and not putting their work behind paywalls feel appreciated. Show them some love via a tumblr ask, or by tagging them on twitter, or by going up a tier on their patreon (or pledging for the first time). Celebrate these heroes who are creating content and not forcing it on us.

Us asking for people to give us a choice to support them isn’t being greedy, or disrespecting their time. We just want transparency, and respect from those who create content for the game we love so much versus them treating us like we’re just a source of income. I know it might seem a bit hard to do this for some of you, and for some it may seem like I’m preaching to the choir, but we have to decide where we stand on this issue and stop letting those who abuse this system keep doing it. We can make a difference if we decide as a COMMUNITY to work together.

With commitment, ~Sunny

#sims4cc #sims4mm #maxismatch #sims4alpha #sims4cccommunity #paywallssuck #downwithpatreon #EA #maxis #TOS #thievessuck

345 notes · View notes

shihalyfie · 3 years

Text

Shiramine Nokia, and her role in Cyber Sleuth’s narrative

This one’s on request! Cyber Sleuth is quite the interesting game and a rather landmark entry in the franchise, mainly for being a love letter to the franchise and its long history itself, and for being the franchise’s very first work exclusively aimed at adults, meaning that it can explore different topics that wouldn’t normally be Sunday morning timeslot material, while also being a little more willing to assume that the people playing this are familiar with a lot of older parts of the franchise (not that it’s advisable to have complete lockout, but the game benefits greatly by not needing to assume lockout by default).

One of the ways Cyber Sleuth exhibits its “franchise love letter” status is by starting off the game all the way back at the franchise’s roots, before Digimon Adventure changed the game and everyone’s perception of Digimon and Digimon partnership, when the V-Pet lore was intertwined with Digimon as elements of hard sci-fi. As the game proceeds, the atmosphere slowly starts to resemble the more fantasy-like version of the franchise established by Digimon Adventure and its follower entries -- and that change is represented in none other than Nokia herself.

Before we begin: As anyone who follows my meta work has probably noticed, I generally prefer to have my analyses use tons of references and screenshots so that it’s easy to follow and the evidence is concrete, but Cyber Sleuth is a game, and it’s much harder to get those things without replaying the entire game, so I hope this won’t be too hard to follow despite being mostly text.

Nokia’s background and personality

If we want to apply the producer’s statements on Twitter, Nokia is 17 years old at the time of Cyber Sleuth, and has a backstory of having originally been a shy, bullied child who broke out of her shell thanks to the influence of her cousin (who, of all people, happens to be none other than Date Makiko). The flashback we get with Nokia in chapter 18, however, portrays her as just a fairly cheerful, go-getter child, but (although we only get to see her hair) she’s not quite as “flashy” or in-your-face as the description entails.

A possible hypothesis for rationalizing this all together comes from a what we learn about the process of memory wiping in Cyber Sleuth chapter 14: even if memories are extracted from the person, there’s some kind of residual memory left behind (the producer’s above statement also states that the same thing had even happened to Suedou). In Hacker’s Memory chapter 16, Arata confesses to Ryuji that the first Under Zero incident and Jude's loss to the Knightmon had re-triggered his trauma from having lost Yuugo years prior -- “not the memory, but the feeling.” So in other words, there was some feeling of loss that came after the loss of Yuugo that impacted those involved -- and it’s very possible that this deeply impacted and traumatized Nokia as well.

Assuming we’re still following this line of thought (since, again, this background point wasn’t actually in the game proper), Nokia eventually decided to break out of her shell thanks to Makiko’s influence, and become eccentric and assertive, and thus, the game begins.

While we’re here, I also want to point out that Nokia is also voiced by Han Megumi, possibly the Digimon franchise’s most notorious “promoted fangirl” who freaked out after getting to meet her childhood characters’ voice actors while cast as Airu in the Xros Wars crossover and ended up casted in a handful of major Digimon roles thereafter as a result. Which is not to say that her voice performance wasn’t also absolutely perfect for the bright and aggressive Nokia, but, you know...considering the below analysis, food for thought.

Nokia as a representative of “the conventional franchise”

Cyber Sleuth opens on a world where Digimon are largely seen as hacker programs, and even the hackers themselves only see them as non-sentient programs; there are ones like Chitose who treat them with empathy, but his attitude seems to be kindness towards them in a way not entirely unlike a family would treat a Roomba. Although he doesn’t admit to it at first, Arata himself also comes from this “world” of hackers, and we later learn that Yuuko herself is as well (via her “Yuugo” persona), meaning that, other than the playable protagonist, Nokia is the only “outside-context” person -- a completely ordinary civilian who’s gotten dragged into all of this.

Much like, say, the protagonists of Digimon Adventure.

With this background behind her, once she’s thrown into the world of hackers, she immediately has a “fateful encounter” with Agumon and Gabumon, instantly recognizable as two of the franchise’s most prominent Digimon (and complete with their Adventure voice actors, too). And I do especially bring up Adventure specifically, because while Nokia’s position in the game does end up taking in certain elements that roughly came around that era and possibly slightly predated it (mostly Digimon World and V-Tamer), Agumon and Gabumon weren’t particular mascots of the franchise until Adventure basically blew everything to pieces.

Right off the bat, Nokia does not have a single shred of doubt that Agumon and Gabumon are living beings and should be treated as such (again, much like the protagonists of Digimon Adventure; even Taichi in his “is this a game?” mode never doubted this). And they open up their meeting with this conversation:

Agumon: Umm, who are you? Nokia: It... It can talk?! It's so... so... so adoooooorable! M-M-M-M-My name's Nokia. What're your names? Agumon: Me? My name is Agumon! Gabumon: I... I'm Gabumon. Nokia: Agumon and Gabumon? Hee hee! What weird names! Gabumon: Hey, they're not weird! Agumon: You're the one with the weird name! Nokia: As if! My name's not weird! Hee hee!

And on top of that, Agumon refers to Nokia as having a “familiar” scent. Remember this for later.

Nokia’s second encounter with Agumon and Gabumon in Cyber Sleuth chapter 3 involves her properly partnering herself with Agumon and Gabumon, and learning about the existence of the “Digital World”. Note that, for all intents and purposes, EDEN had been treated like the functional equivalent of the Digital World in this narrative up until this point -- cyberspace with hackers, coming from the network, it’s basically a “digital world” from top to bottom, and yet here Agumon and Gabumon are introducing the concept of a more fantasy-esque incarnation of a digital world. (And, in fact, despite EDEN being right there, many long-time Digimon fans playing this game often complained about how little you get to see the “Digital World” in this game, because of how associated that term is with something more fantasy-like.) So, again: here we have Nokia, who’s forming a partnership with Agumon and Gabumon as equals instead of recruiting them as hacker tools (even the protagonist wasn’t immune to this method), and being indirectly responsible for introducing the more fantasy-like concept of the Digital World that the modern franchise is currently associated with.

Nokia embarks on the conventional shounen anime character arc of starting off cowardly, but eventually learning to have her own inner strength, with her Digimon evolving in accordance to her emotions. And, eventually, in Cyber Sleuth chapter 8, she decides to form her own hacker team, called the “Rebels”. She ostensibly bases it off the old creed of Jude, having heard that they were a team that never caused trouble for others, but we later learn via Arata turning out to have been its former leader, and the even later portrayal in Hacker’s Memory of its spiritual successor Hudie, that this is an extremely rose-colored image of them -- Jude (and Hudie) was not a well-intentioned team by any means, but rather a sort of mercenary group meant to enforce the “freedom” of EDEN, often taking on shady jobs and “punishing” entities they considered to be causing chaos. But in this case, Nokia forms her team under the idea of legitimately fighting for justice and good will -- again, much like a Digimon Adventure protagonist.

In case the metaphor weren’t clear enough, Nokia decides that the members of her group will not be called “hackers”, but “Tamers” -- the same lingo used by the franchise to refer to a human who partners alongside a Digimon to help them get stronger -- and that she wants to promote the idea of humans and Digimon working in tandem (complete with emotional bonding exercises). For this, everyone looks at her weird, and yet her methodology, initially naive as it seems, keeps working, because Nokia’s natural charisma starts bringing people from different places together and making quite the formidable team. Everyone is perplexed by this, but perhaps it’s only natural, because Nokia has just independently invented the modern concept of Digimon partnership in a world where it did not exist. And this is eventually solidified by the Under Zero invasion in Cyber Sleuth chapter 10, in which Omegamon is finally formed (from sheer guts on her part).

Omegamon is yet another symbol of the modern franchise, but it’s important to remember that he hasn’t always been so; even his appearance in V-Tamer was as more of a tactical piece than any kind of game-breaker, but the impact of Our War Game! has led him to constantly make a resurgence in major franchise roles (maybe a little too much these days). However, on top of Nokia basically embodying the modern franchise itself by doing this, Nokia and Arata’s positions are an obvious reference to Our War Game! in particular, being Omegamon and Diablomon Tamers -- but they’re not seen directly fighting each other. In fact, Arata’s partner only ever reaches Diablomon when he’s at the highest point of his morality, so the reference is more ideological; Nokia represents the more idealistic and heroic side of Digimon, whereas Arata represents the more dirty-playing and cynical hard sci-fi side of it (remember that Diablomon himself was rather detached from the fantasy conflict of Adventure, being a mysterious entity that sprouted out of nowhere on the Internet and wreaked havoc). Moreover, Nokia’s usage of Omegamon embodies a theme that’s central to both Our War Game! and Cyber Sleuth itself as a whole -- while most people associate Omegamon with Taichi and Yamato these days, the original method of formation back in Our War Game! came from “bringing people from different places together”. Nokia managed to bring together a formidable army in a place where everyone else in the hacker world was trying to promote a dog-eat-dog philosophy, and the sense of cooperation is arguably making her stronger than anyone else.

(I should also point out that Nokia’s name is, obviously, a reference to the Finnish telephone communications company, and this has a lot of relevance to the game’s theme of connection, along with her phone Digivice...and, also, the method used to bring everyone’s powers together in Our War Game!’s spiritual successor, Diablomon Strikes Back. Feels a bit too on-the-nose here.)

In the second half of the game, when the world starts falling apart due to the Digital World portal opening, Nokia becomes one of most important people holding everything together as Arata goes off the deep end and Yuuko starts fixating on her own personal problems and revenge -- because she’s the one most in tune with treating Digimon as the living beings they are, she’s most active in advocating for them and helping them bond with humans, and and she’s the one making the chaos be a little less chaotic. The second half is basically the more fantasy-esque version of Digimon leaking into the sci-fi, with the sidequests progressively resembling your average Digimon anime monster-of-the-week episode, and holding that all together is Nokia, who becomes a vital figure in maintaining that fellowship by being in tune with the modern franchise’s philosophy.

Through all of this, Nokia ends up taking a role rather similar to a Digimon protagonist, which is highlighted very strongly in Cyber Sleuth chapter 18 when she ends up literally becoming the player character while the main protagonist is out of commission. During that time, Yuuko and Nokia learn the truth of what happened during the EDEN incident eight years prior -- and we also learn that the five children involved had an extremely conventional “first meeting in the Digital World” experience that could have been pulled right out of the first episode of a Digimon anime, with them having a lovely adventure meeting new creatures. And at the center of that “first contact” was none other than Nokia, Agumon, and Gabumon themselves:

Agumon: Um... who are you? Nokia: Ahem! I am Nokia! And just who are you? Agumon: Me? My name is Agumon! Gabumon: I... I'm Gabumon. Nokia: Agumon and Gabumon? Hee hee! What weird names! Gabumon: Hey, they're not weird! Agumon: You're the one with the weird name! Nokia: As if! My name's not weird! Hee hee!

Nokia, Agumon, and Gabumon’s meeting at the beginning of the game had been an (accidental) reenactment of their first meeting in the Digital World eight years prior -- and, in the flashback, Nokia invites them to go on an “adventure” with them. So in other words, Nokia getting involved in the hacker conflict at the beginning of the game was, unknown to all of them, her attempting to restore that beauty and idealism of the Digimon Adventure-esque philosophy and fun in a world where the Eaters had torn it away and EDEN had turned into a haven of cynicism and hacker battle royale.

In the end, the game’s conflict is only resolved by bringing everyone together; Arata has to be retrieved from the deep end, and Yuuko has to settle her deep-seated personal grievances. Everyone makes a promise to return together, in the sense of making things right and repairing the connections between them that had been cut in that incident. The final battle (momentarily) causes the playable protagonist to literally fall apart, and the one reaching out to them and sending her message to them at the end of the game is none other than Nokia herself -- again, in the absence of the game’s protagonist, Nokia is the one with the closest role, because in the face of the new world going forward, she was the one who contributed most to restoring its idealism.

Ultimately, all of this is especially because Cyber Sleuth works under one of the most terrifying imaginable premises for a fan of a kids’ franchise: “we made an entry for this, but for adults.” Many of us can testify that this kind of premise can go very well, or very badly -- the latter especially in the case of things that decide “taking the opportunity to do things that you can’t do on a Sunday morning kids’ timeslot” means “going out of your way to put edgy violence and sexy things and cynicism just because you can”, or, in other words, looking down condescendingly on its kids’ franchise roots with malice and deciding that something for adults means “more suffering” and not “issues that require more life experience to understand”. The reason the game ended up getting as much acclaim among longtime Digimon fans as it did was that despite being the franchise’s first venture into this territory, it did end up setting itself up as something that took that opportunity to do something new and unique that would have never made it into any of the prior entries (holy hell the doll quest) and yet never gave up on the idealism and themes of connection that make up the franchise at its core, and paid respect to everything that had contributed to all of that while it was at it.

And at the center of that is Shiramine Nokia, who is effectively the spirit of Digimon Adventure, condensed into a single character.

#digimon #digimon story cyber sleuth #shiramine nokia #nokia shiramine #shihameta

158 notes · View notes

arcticdementor · 3 years

Link

It is appropriate to begin to understand yourself as a combatant in a war that you may only be dimly aware is being waged. You are in fact operating in the battlespace at this very moment. Consider the implications. Consider that you are marked.

Your self-identification as a combatant, or not, is irrelevant. You have been declared an adversary of the True and Just cause of Democracy. The adversary in this war is a floating signifier anyway, purposefully undefined. Don’t go searching for your name in any database (though you may find it there). The adversary can be anyone, at any time. He is a cipher. The territory under contestation is perhaps even less well-demarcated. As a matter of physical geography, it may be said to not exist at all. And yet we are in it. We are fighting it. The war is on.

…

The proclamations of those declaring this war leave vanishingly little room for uncertainty. Their rhetoric is becoming more explicit every day. No one can deny this. Even the soberest mind must acknowledge their increasing belligerence.

“In the aftermath of the insurrection on January 6th…” This is by now a common refrain. Oliver Stone also said — or maybe it was Homer — that every war must start with an event. No doubt they have been waiting a long time to declare their intentions, but now they have finally found their casus belli. When they say that January 6th is their 9/11, this is what they mean. It may seem that the incoherent, spontaneous nature of what happened at the Capitol might vitiate such lofty comparisons. But for the regime, all the better. The ambiguity allows for the widest possible net to be cast over their enemy, as John Brennan would have it, the “unholy alliance” of “religious extremists, authoritarians, fascists, bigots, racists, nativists, even libertarians.”

Tag yourself. Not that any of these terms matter. Again, they are floating signifiers. They mean everything and nothing. Importantly, they mean you. They mean me.

Brennan of course is not alone. Just days after he delivered his ominous remarks, his CIA colleague Robert Grenier wrote an op-ed for the New York Times declaring the forces responsible for January 6th — again, never clearly defined — to be regarded in the same terms as ISIS and Al-Qaeda. He spoke of an ongoing “domestic insurgency” and the need to put it down with the same degree of force as his own Counterrorism division applied to jihadists in Afghanistan and Iraq. Stanley McChrystal echoed nearly identical sentiments within the week. Javed Ali, whose bio reads less like a human being’s than the formless node of the Foreign Policy blob that he is, writing for the Security State rag the Cipher Brief, in an article indicative of the borg-like mass to which he belongs, suggested the “New Right,” which includes the usual litany of conservative bogeymen all the way up to those with such alarming views as, for example, being “pro-2nd amendment,” warrants the creation of Domestic Terrorism laws that would include a domestic surveillance program mirroring the British Security Service to monitor online speech and circumvent Constitutional protections against prior restraint.

…

But beyond the morality play, and the heady drama of the fate of Western man, it’s Lind’s attention to the form and processes of war that are most relevant here. In the 4th Generation war everything is muddled and inexact. Military and civilian life merge into a fluid, indivisible state of mind and being. Everywhere is a potential target. There is a kind of atemporality to it, too. Individual battles never clearly begin or end. Much of it is fought in the digital ether. Fixed points of planning and operation become obsolete, too easily identified and subverted. There are questions about the status of the war itself, and it is often an advantage of the stronger side to plausibly deny there is any war at all.

In the end, Lind resolves these ambiguities in no uncertain terms. His 4th Generation civil war, however abstract and indistinct, eventually reverts to the classic mode. Its wages are measured in lives lost and territory gained. His heroes shoulder their rifles and vanquish their enemies in pools of their own blood. A Christian nation of local, artisanal economies blooms in a Jeffersonian spirit of revitalization. It’s a chilling read, the Minecraft meme brought to life.

But it is in this latter reversion to classic military confrontation where Lind’s map loses touch with the territory we are actually living in. We are not in a war that accommodates armed conflict, nor should we want it to. Let me repeat that for the minders reading this: violence, kids, is not the answer to our current problems.

Rather, some have speculated that what we are living through now is better described as 5th Generation war. A fifth-generation war is one where the ambiguity stands, even more so, but is never quite so manifestly resolved. (This Twitter thread from last October by anon user Reality Gamer provides a useful summary of the concept.)

This war, if we are to adopt the model, which I believe we should — and for which there is much compelling evidence — is fought almost exclusively over ideas. As in Lind’s concept, everything is indistinct, everything is abstracted right up to the point of nonexistence. War and peace, civilian and combatant, battlefield and neutral territory all collapse in a morass of ever-present meta-conflict. The conceptual boundaries between debate, activism, and terrorism are themselves the site of primary engagement. What matters is not who controls the streets in the wake of a clash of forces, but he who decides that the clashes are “mostly peaceful” and their own soldiers just an “idea.”

That is, it is a war over narrative control. Instead of armed battalions, it’s a loose affiliation of entrenched interests — deep-state operatives, media conglomerates, NGOs, lawfare apparatchiks, academics, the many-sided face of globohomo — controlling information networks to shore up their resources and guard against whoever they identify as a threat. These threats and the methods to neutralize them never have to be explicitly stated or shared across the network. In fact, it is better if they aren’t. It obviates the problem of what Edward Luttwack calls the “paradoxical logic of strategy.” Instead, the system, like a black box AI, manages its agenda according to its own hidden processes.

And what is this agenda exactly? To enforce the conditions of consent.

…

What we are experiencing now is something quite different, the regime on war-footing, no longer confident enough in its own legitimacy to dare put that legitimacy to test. And as is the case for all regimes in such a weakened, sclerotic state, though the strategies and tactics are more diffuse and perhaps less blunt than in eras past, we are treated to the same predictable response: crush dissent, flatten and homogenize the culture, divide and alienate the population from one another, declare a monopoly not just on knowledge and belief, but on the asking of questions themselves. Vaclav Havel, writing on the withering Communist regime of his native Czechoslovakia, described this final desperate effort to coerce the population into consent as the “nihilization of life.”

…

When vast swaths of non-compliant Americans are declared domestic insurgents, it behooves us to conduct ourselves accordingly. This is not to say that whatever might broadly be called the ‘Dissident Right’ ought to assume a defensive crouch, or retreat into passive quietism until the regime exhausts itself. Though we may be in the midst of a 5th Generation war, some of the old rules still apply, and the insurgent, however diminished, however outgunned — metaphorically, of course — has certain advantages he can make use of.

Another war historian, David Gallula, describing the Cold War spasms breaking apart and reforming the global map after World War II, wrote in 1965 what has become the textbook on the nature of insurgencies. Gallula was a man of his time, and most of his examples are superficially outdated, Communist rebels from Greece to North Africa to Southeast Asia asserting themselves with greater and lesser effectiveness throughout the Third World. We are not Communists, and this is not the Cold War, no matter how much our State Department might wish it were so. Nonetheless, Gallula provides a few key insights that broadly apply to our fight, and that we ought to keep in mind as we ask the question of what comes next.

To begin, the site of contestation in the 5th Generation war against our decrepit regime is not firstly the halls of power, certainly not the Capitol building, and not even really the formal political arena at all. Borrowing from Yarvin, I’d echo that Republican electoral victories are not sufficient for breaking the regime until the Republican candidate sees himself as an outsider prepared to tell the regime that it must submit. Still, contra Yarvin, winning political fights is good, where we can get them, and there are ways of engaging in local politics, especially, that may achieve certain desired effects. But ultimately, political victories are downstream of a more fundamental fight, which is winning the support of what Gullala coarsely calls “the population.”

…

That is, the normie must be given a cause. This cause must exist outside the political paradigm within which he has been accustomed to understanding these conflicts. Scott Alexander is not entirely wrong to propose that Republicans wage a “class conflict” against the strata of elite sense-makers who despise them. It is indeed a righteous cause, and an effective message. He is wrong however that Republicans, as such, ought to do this. No. This is not a partisan conflict against Democrats, though there is much overlap. This is a conflict of insurgents against a failing regime. That is the way it must be framed and its campaigns prosecuted.

I am cautiously optimistic that Americans understand this cause and the nature of their enemy instinctively. There is no denying the rot at the heart of American life, of Western life. There is no denying the ever-presence of the bugman and his sickly designs for us. The energy leaking out against this is everywhere in sight. However misdirected, however frenetic and decoupled from meaningful objectives, a spirit of disobedience obtains. They feel the quickening incursion of the public life into the private, no doubt accelerated by Zoom World and the bright eye of our screens watching and recording our every thought. Americans can feel caught in a straightjacket of preference falsification and coercive moral decrees, the stiltifying HRization of their inner universe. What a bleak and limited existence!

…

Finally, as Gullala observes, an insurgent movement in its infancy is necessarily small. It is necessarily weak. It needs time to build. It cannot on day one confront the regime on its turf and presume to use the regime’s own weapons against it. Again, this is not to advocate for quietism, but rather to recognize the limited usefulness of operating within the domains of social and political activity the regime already controls. You are not going to take back the universities or Hollywood or the news desk. Infiltrate these places and expose them for what they are, but to destroy them rather than to save them.

Before anything else, we must build a culture of our own. Any meaningful insurgency will be downstream from its capacity to imagine. Direct action politics will flail and follow, rather than lead, if it is not tethered to the kind of self-understanding that can only be achieved through art. The regime understands this, if only intuitively, and the ban waves and censorship are an attempt to tear apart the communities where this art can be cultivated and shared. But they are not yet omnipresent. They have not yet, as in Havel’s Czechoslovakia, managed to altogether “nihilize life.” There are cracks still to penetrate. There is, deep in the American soul, a resilience that is not yet extinguished. Build the communities, forge the relationships, online and off, where this resilience can manifest and triumph over the enemy and its machines.

#lomez #im1776 #read the whole thing

2 notes · View notes

dearheart42regenerated · 4 years

Text

hoo boy, okay, this is a baaaaad idea and it’s LONG but I’m doing it anyway because I’m genuinely struggling with this, I don’t have an IRL community to turn to, and I want to hear what other lesbians/wlw think about this beyond my own tiny circle. (for the record I’m not a discourse blog, so pleeeease be gentle and don’t drag me into any super messy debates? the most I want to do is get opinions from different people and learn enough to come to my own private conclusions and move on)

I’m a bby lesbian (and a long-time ace) and the “bi-lesbian” thing upsets me too. but I’ve seen an argument brought up that made me stop and think, and I’m kinda stumped about it. the argument is that we're ALREADY using lesbian as an umbrella term, but only get upset about it when bi women do the same.

for example...when we see a wlw couple walking down the street or getting married, or two women kissing in a TV show or pictures shown on twitter (much like the cute “sword lesbians” story that’s been circulating), MOST of the time, everyone (including us!) tends to automatically call them “lesbians” or a "lesbian couple” or a “lesbian wedding”, etc...without thinking about what their actual orientations are.

I saw another person bring up an experience where her lesbian gf would joke about them "doing lesbianism babey!" but when she tried to do the same as a bi woman, her gf would get mad at her and say she couldn't do that. the main point of all of this is that there's hypocrisy in play - when lesbians put the "lesbian" label on other women, whether irl or fiction, most people don’t kick up a fuss. but when bi women use the label themselves, suddenly it's bad and lesbophobic/biphobic.

this troubles me because I DO see it happen all the time, both online and in the few irl experiences I’ve had. and I think it's a valid point to make (especially because "sapphic" is barely used irl at all). it feels unfair to use "lesbian" with the same-ish looseness we use "gay", and then draw the line at bi women using it too. (there’s also a very real problem of bi ppl with same-gender partners turning to “Gay And Lesbian” spaces cos they have nowhere else to turn, and getting kicked out for not being a “real gay”. there are tangible real-life layers to this discourse that I don’t want to brush off.)

but at the same time, "lesbian" is the only modern word we have (particularly our only mainstream word) to describe our full, unique experience as women who are exclusively attracted to other women/women-aligned people. bi women already have “bisexual” as their recognizable mainstream term, and they also have “queer”, “wlw”, “sapphic”, etc as further options to fine-tune their identity...so it feels just as unfair to use "lesbian” too, and that’s the main reason why the term “bi-lesbian” personally upsets me right now.

it’s also upsetting because “bi-lesbian” implies that some lesbians could still be open to men, and we already face so much lesbophobic pressure to create space for men in our identity/attraction because “you never know, you might feel attracted to a man someday! sexuality is always fluid y’know! maybe you’re not really a lesbian!” we get that pressure both from the outside world AND often from the rest of the LGBTQ+ community too. it’s really harmful and painful to deal with, especially for those of us who’ve had to deal with comphet and still do (aka meeeee)

putting the rest under a readmore cos this is getting long lol

I wish "bi lesbians” and their supporters would take that stuff into consideration...and I wish I saw more people caring in general about the lesbians who are hurting from this.

we’re tired of having the worst assumed of us, of being treated as the “bad guys” by other communities every time we speak up about things that hurt us. statistically, we’re one of the smallest groups in the alphabet soup. we barely even have our own flag, and the creator of our most popular one right now is still facing hate, harassment and being unjustly accused of being a TERF/exclusionist/bigot.

it feels like morale and pride are so low among us right now. we just want people to care about us, to be mindful of how we feel and what we go through as lesbians, to give us the same support and benefit-of-a-doubt that you so easily give to our other LGBTQ+ siblings.

aaand now I’m just emotionally venting lol but TL;DR - I want to be fair to both sides of this topic, cos that’s the type of person I am. I want to stick up for my own community, but I also want to be inclusive to questioning/struggling people and a good ally to my bi sisters. so help me figure all this out. how do y’all feel about what I’ve brought up here?

lesbians and bi women: how do you feel about the point that we’re already using “lesbian” as a roughly gay-equivalent umbrella term for the women we see in relationships with other women? why shouldn’t bi women use it that way too? if they shouldn’t, why aren’t we pushing harder for alternatives like “sapphic” to use in those cases and telling each other to stop when one of us uses “lesbian” or “lesbianism” incorrectly for unspecified wlw couples?

pro-bi-lesbian people: asking in genuine confusion here, how is using the term “bi lesbian” any better than using “bihet” or “bi straight”? how is it not feeding into the misconception that bisexuals are just “half-gay half-straight”? and why is it worth holding onto that label when a) “bisexual” is a mainstream term that, by definition, already has room to encompass your experience, b) other more specific words that mean the same/similar thing already exist for you (i.e. “sapphic”), and c) your term of choice hurts lesbians by undermining our definition of ourselves and adding to the cultural pressure we face to make room for hypothetical future men in our sexuality?

also I want to make it very clear that I’m NOT blaming “bi lesbians” for men feeling entitled to seduce/harass us, or insinuating that you contribute to rape culture or anything like that. predatory men will be predatory no matter what words we use, I fully acknowledge that. rather my concern is that anyone can put pressure on us (and all too often do) to make room for men in our orientation, including within the LGBTQ+ community, and “bi lesbian” as a term contributes to that type of lesbophobia.

please be nice, or at least civil, and talk to me. I want to listen and see if your opinions will help me find some clarity in my own. you’re free to message me or reblog this with your takes on these issues, but if you reblog, please focus on talking with me and don’t fight each other. I will delete this if things get ugly or out of hand.

#bi lesbian #bi lesbian discourse #bi discourse #lesbian discourse

63 notes · View notes

miximax-hell · 4 years

Photo

Happy Goku Day, everyone!!

I checked and, miraculously, I still have followers on this blog. In fact, I’ve gained some since the last time I posted, for some reason! I’m not going to question it, though. Just... bless. But, hey, long time no see! As usual!

This time, I’m going back to my roots. The first drawings I posted on this blog were meant to show my love towards original Raimon, and it’s never a bad time to remind you all that I still adore these kids. Especially now that my friend @dust-monsters-under-my-bed has reminded me of them. Go check her art, btw! She’s not very active on Tumblr, but you can find her art on Twitter right here: https://twitter.com/rachelmonart

Anyway, she’s watching Inazuma Eleven for the first time and she’s made me think again about how much love these kids deserve, BECAUSE THEY SURE GOT NONE FROM HINO. DAMN YOU, HINO. So, today, let’s talk about the one and only IE character whose feet are classified as mass destruction weapons, who decided to borrow power from someone who will make you all question me, my logic and my tastes: Yamhan (or, as he is known in the west, Tiencha), THE FUSION OF YAMCHA AND TENSHINHAN FROM DRAGON BALL.

Introducing ShoYamHan! More on him under the cut.

So, first of all, how have you all been? I suppose many of you, like myself, are being told to stay at home to fight this situation. I salute all of you who do your best to stay safe and not help spread anything. It’s a very necessary fight, even if it can be boring at times. Many of us have friends or relatives fighting on the frontline, though (unless you yourself are the doctor or nurse friend!), and we hopefully know that staying at home is a small price to pay.

As for me, I got a job in December and lost it last month, so... yeah. It’s not been great. Still, something I’ve been working hard on for a while should be released soon and that’s so exciting! MY NAME WILL FINALLY BE ON SOMETHING’S CREDITS AND I CAN’T WAIT FOR IT TO BE UP.

But, anyway, back to business!

Rachel suggested I talk about the reasons behind this particular miximax, and considering it makes for a perfect parallel with my first posts, where I talked about the reasons behind Max’s and Kageno’s miximaxes, I’m all up for it! But, this time, I will have to do something new: explain WHO THE HECK YAMHAN IS. So let’s start with a picture of this handsome devil.

As most of you hopefully know, this project is about miximaxing Inazuma characters with video game characters. No anime, movies or anything else. Only and exclusively video games. Dragon Ball has probably spawned all those things, but it started as a manga, so you’d be right to think it most definitely does not qualify for this project. And, indeed, Dragon Ball doesn't. What DOES qualify, however, are Dragon Ball characters exclusive, or first introduced, in a video game. And that’s exactly the case we’re dealing with here!

Growing up, I loved Dragon Ball games. Even before I watched the show properly, in fact! I would go to my friend’s house, who was a fan of the show, and we'd play the Dragon Ball Budokai games nonstop with absolutely zero regrets. Those were some great times. And once I came to know the source material, the game that blew my mind the most was Dragon Ball Budokai 2. Was it the best one? Not necessarily. Is it my favourite? Not by a long shot. Still, it was the most creative! Most games follow the story of DBZ, which, obviously, is always the same. But Budokai 2 wasn’t afraid to do new things. Its story mode resembled a tabletop game and it was more than happy to deviate from the source material in some really fun ways; most notably, with exclusive fusions.

Budokai 2 introduced us all to Yamhan, the fusion of Yamcha and Tenshinhan, two long forgotten characters in the series, as they (and especially poor Yamcha) didn’t do anything especially relevant past... well, past the original Dragon Ball. As a champion of the unloved, that blew my mind. There were other fun things in Budokai 2, but what fascinated me and stayed in my thoughts for years to come was Yamhan. It was just such a cool concept. Two underdogs who had fallen into obscurity fusing to create a much greater warrior!

Of course, Yamhan isn’t the only videogame exclusive characters in Dragon Ball. He isn’t the first, nor the last. Yamhan isn’t the strongest, nor the weakest. But I haven’t played FighterZ nor Fusions (yet), nor pretty much any game that wasn’t on PS2 or GBA. And even if I had, I doubt Android 21 or any of the HUNDREDS of combinations available in Fusions would captivate me and my imagination as much as Yamhan did back in the day. Yamhan was a fusion, which is something that has always fascinated me to begin with. I MEAN, THIS ENTIRE BLOG IS ABOUT FUSING CHARACTERS, SO I THINK IT’S PRETTY OBVIOUS LMAO But he wasn’t just one among hundreds. He was this very specific, never-seen-before, cool as heck and usable fusion. Like, wow. That was wild for me. Sign me up, man.

But, you know, I try not to let that sway me too much. Of course, I wouldn’t likely pick a character I hate for a miximax, but, still, my preferences aren’t everything. And choosing Yamhan begs a question that I have already alluded to: if Yamhan isn’t the strongest game-exclusive DB character out there, then, why him? Well, the answer to that is related to the biggest problem posed by the sheer concept of miximaxing with a Dragon Ball character:

Power escalation.

It’s no exaggeration to say that Goku is, pretty much, the strongest character that has ever played the lead in any manga, and one of the strongest fictional characters ever, period. By the end of the Dragon Ball Super anime, he has EXCEEDED THE POWER OF MANY LITERAL GODS AND IS (or has been) A CANDIDATE TO BECOME ONE. You may prefer One Piece, or Naruto, or anything else, but few things reach the astronomical, reality-bending scope of Dragon Ball. Not to say DB is the best series--I’m just saying that it’s so out of control at this point (and I love it). But, of course, the stronger Goku is, the stronger the villains need to be, and Goku ends up becoming EVEN stronger than said villains. Rinse and repeat dozens of times until you can make an entire universe disappear by raising your hand.

Now, imagine applying that out-of-this-world power escalation to a context where the power balance isn’t so outrageous. For example, Inazuma Eleven.

Goku wriggling in his sleep is more powerful than Zeus, and an accidental sneeze would smash all of Ixal Fleet to smithereens. Do you see what this would do to the balance? It would ruin it completely, as anyone who miximaxed with Goku would be immediately a one-person army able to defeat ANY opponent--and if the opponent were to be EVEN GREATER than Goku, well, the rest simply wouldn’t stand a chance. Ever. Remember: the point of this project isn’t to create perfect and unbeatable players, and I’m not trying to prioritize anyone or make them noticeably stronger than anyone else just because I happen to like X more than Y. That completely ruins the tension and the fun (and my attempts to create justice in this unfair universe). The point is to come up with a balanced team full of players with strong points, but with flaws, too, that complement each other when they play together against stronger enemies.

So, if we go with Dragon Ball, and I love Dragon Ball WAY too much to not include it in this project in some way, we have to be careful and avoid overdoing it. Balance is key. And now that you know why I didn’t just choose the fusion between Beerus and Whis or something crazy like that, I’ll move on to explain what makes Yamhan a very interesting option. I SWEAR THERE ARE SOME ACTUAL REASONS.

First of all, the very concept. You know, Yamcha and Tenshinhan fused to created Yamhan, and now, Shourin is fusing with a fusion. That’s just... hecking cool. I won’t lie--my preferences towards Yamhan didn’t tip the scales towards making this happen, but my preferences towards FUSIONCEPTION totally did. XD But there’s more, thankfully.

From the very beginning, I knew I wanted a fighting game character to miximax with Shourin because it fits his theme best. I’m not big on fighting games, though, so it was quite tough. Especially because just any fighting game wouldn’t do it. Shourin is a martial artist. As I mentioned at the very beginning of this post, his feet are his weapons. His entire body is a weapon, really. If I were to suddenly miximax him with some character who wields a sword or an axe, for example, it would be a complete disservice to Shourin. Original Raimon members don’t have much going on for themselves, and I’m going to cut or ignore the ONE thing that makes one of them special? Not in a zillion years. Shourin needs to fight with his body. That, of course, cuts many characters already: pretty much the entire roster of Soul Calibur, many members of Mortal Kombat, many from games like Skullgirls (which I still want to try to represent here in the future, because @lumaga worked on it and it makes me happy just because of that), etc. For a very long time, I considered someone like Ryu, from Street Fighter, but then it hit me: I have never played Street Fighter and I don’t want to include him just because I know what a Hadouken is. It’d be... cheap. And fake. Thankfully, as I also mentioned earlier, I played LOTS of Budokai back in the day and I am an actual fan, so I don’t have to pretend to know what the heck I’m talking about. XD And, thankfully, most of the characters in DB games fight with their bare fists and legs, so they perfectly fit my needs. Yamhan is, of course, no exception.

Now comes my favourite reason to choose Yamhan and not, well, literally any other DB game-exclusive character. And that reason is style.

Remember that power escalation thing I mentioned earlier? Well, it’s epic, but it comes with a big disadvantage: power ends up becoming much more important than skill. Early Dragon Ball was very focused on fighting styles. There was an ongoing feud between the Turtle School and the Crane School, who taught different martial arts to fight in different ways, and there was a big plot involving which one was superior. It wasn’t just about who was strongest, but about who fought better. With time, that disappeared, though. Even though battles became flashier, aerial and more spectacular, they were much more indistinct. Sure, there were gimmicks like “heh, I have a tail and I will sometimes hit you with it,” or “I will try to hit your face with the palm of my hand instead of my fist for some unspecified reason,” but that isn’t... much. You just see very fast people avoiding equally as fast punches to the face. And Goku, the main character, only shows some style when he adopts a fighting pose BEFORE fighting. Once the punches start flying, it’s all a race to see who can hit the other the hardest in the gut to make them spit blood. Cool nonetheless, but still.

Ironically, though, it’s two of the least relevant characters who never really lost those styles that made them unique when they were first introduced to the series. And those are, of course, Yamcha and Tenshinhan.

Yamcha joins the Turtle School and learns techniques as classic as the Kamehameha, but he had his own style way before that, based on attacking and tearing enemies apart like a wolf would. This is best represented by his signature move, the Rougafuufuuken or Wolf Fang Fist. He never drops this style, but instead builds up on it through his training to make it even fiercer.

Tenshinhan has different things going for himself. First of all, he is a hybrid between a human being and a civilization known as the Three-Eyed People, which grants him powers such as growing extra arms from his back or dividing in 4. Not just moving so fast that it looks like there’s four of him, but ACTUALLY dividing into 4 separate bodies. In terms of skills, he was a Crane School student, but when he realised the wrong of his master’s doings, he decided to start training and developing on his own. Basically, a path that mirrors Yamcha’s, but both lead to unique fighting styles unlike anyone else’s in this universe. And, most importantly, none of them depend on appendixes that are always there, like the aforementioned tail, so they totally work for us here!

Shourin is a proper martial artist. He wouldn’t want to make himself crazy strong as much as he would like to refine his technique and learn new moves and tricks. Martial arts are about discipline, self-control, skill and protection. He would take a cool-ass combo based on a wolf’s moves over earth-shattering strength any day of the week, hence why the fact that these two have so many techniques to offer is so appealing.

Finally, and probably least, is the design idea that immediately came to my mind when I thought of a miximax between Shourin and Yamhan. Historically, I have had to work with characters like Fudou, who are usually mostly bald and they miximax with someone with hair, thus making for some very... difficult things to figure out. But the idea of miximaxing Shourin, who is mostly bald, with Yamhan, who is ALSO mostly bald, was just golden and too good to ignore. And the fact that Yamhan has three eyes GIVES ME AN EXCUSE TO ADD A THIRD CROSS-SHAPED EYE ON SHOURIN’S FOREHEAD. IF A MIXIMAX BETWEEN BALD PEOPLE WAS GOLDEN, THIS IS OUTRIGHT PLATINUM.

Shourin would've probably looked a lot less like a joke if he had had hair covering his entire head or if I had at least given him proper eyes... but that would no longer be the Shourin I love. Not to mention that it’s very likely that Shourin willingly shaves his head to begin with (even if the ponytail ain’t doing him any favours--but that’s just Inazuma logic, so let’s not look too much into it), just like Tenshinhan or Krillin do, so he would probably be happier to keep that, uh, advantage. Relative advantage, but still.

As a side note, though, we can’t forget the balance. When Yamcha and Tenshinhan fuse, they undoubtedly become the strongest human being in the DB universe, overcoming the one who is usually strongest: Krillin. A fusion is always greater than its parts individually, and Yamcha and Tenshinhan aren’t so far away from Krillin to begin with, so that’s not even a question. Regardless, they still don’t have that overwhelming and surreal strength from other characters, so we still don’t get into absolutely OP territory. Yamhan is strong enough to provide Shourin with a power that can make a real difference without completely putting him above everyone else.

Sadly, Yamhan doesn’t really have a backstory, as he’s a game-exclusive character that, honestly, was probably only there for a laugh. That means there is no deep connection between them. We can, however, make obvious connections between Shourin, an aspiring martial artist whose dream, as stated in IE2, was to study at Manyuuji (Kogure’s school) for their focus on martial arts, and is now trying to become stronger to protect what he loves, and two skilled warriors who have been training nonstop under different masters and on their own for basically their entire lives to keep becoming stronger and more skilled in order to defend what’s precious to them and, simply, to be the best version of themselves they can be. Upon seeing such dedicated warriors and artists, Shourin would undoubtedly want to learn from them and, if necessary, borrow their strength too.

Or he might just fanboy and ask for their autographs, honestly. I sure as heck want Yamcha’s. And his baseball card.

#Shourin #Shourinji Ayumu #Inazuma Eleven #Inazuma Eleven Go #Inazuma Eleven Ares #Inazuma Eleven Ares no Tenbin #Inazuma Eleven Orion #Inazuma Eleven Orion no Kokuin #miximax #mixi max #original Raimon #settei #reasons behind the miximax #info

15 notes · View notes

rutilation · 5 years

Text

Does mulching a prisoner of war into shiny little woodchips before burying them alive indefinitely count as a violation of the Geneva Conventions? Asking for a friend.

(Hi guys, I’m back, and I brought 4,400 words with me.)

First of all, my apologies for the nearly five month wait. Ever since last spring, I haven’t had much time at all to devote to writing and I’ve only been able to work on this essay in small increments. And yet, despite the fact that I don’t have the time to do so, this essay somehow turned into a bloated treatise on the failings of gem society. Truly, I am a slave to my obsessions.

I’ve refrained from reading chapter 80 because I just know that if I do, it will insinuate itself into my brain like a tumor and I won’t be able to concentrate on finishing this essay. (That said, I did happen to see someone on twitter make a joking reference to third impact in regards to said chapter, so I am certainly Afraid.) Though my takes may be ice cold by this point, I hope that there are some nuggets of insight to be found in this. With that said, here are my thoughts on chapters 78 and 79.

While the past two chapters have certainly been…hard to read, I think that their contents have been a long time coming, primarily regarding the parallels between Phos and Kongou, and the uglier undercurrents of gem society reaching their logical conclusion. (And I gotta say, this display of—for lack of a better term—inhumanity on the part of the gems jives quite well with all the Shirley Jackson I’ve been reading lately. When I get tired of one display of flagrant mob violence, I can quickly flip to another.)

And then there’s the matter of the gems on the moon… I remember that when I first got into hnk, which was right around the time when Phos and the others left for the moon, everyone was afraid that Phos would go off the deep end and the gems stuck on the moon would end up as collateral damage in Phos’s quest for vengeance. But since Ichikawa is too powerful us, she said “what if it was the other way around, and Phos is the one getting thrown under the bus while the moon gems start a death cult?”

So there’s a lot to talk about, but let’s address the earth gems first, because these characters sure do live in a society. (In order to make my prose more tolerable, I encourage my readership to take a shot every time I write the words “gem society.”)

First of all, I’ve seen a number of people interpret Kongou’s line about the gems forgetting Phos very literally, and assume that the earth gems all have Phos-specific amnesia. I highly doubt this is the case, and he probably just means that Phos is now out of sight and out of mind.

As bleak as the situation is, I think it’s been a long time coming. From the beginning, one of the major philosophical elements of the story has been how the gems’ desire to give meaning to their long lives has compelled them to create a society in which only those with a concrete purpose have value. The characters see themselves and each other as instrumentally but not inherently valuable. With so much of the story focused on how this ethos hurts those individuals who aren’t seen as useful, how much it fosters shame and self-hatred, and how much it makes the gems unable and unwilling to help each other through hardship and depression, it makes sense to me that this inhumane mindset would eventually boil over into something truly cruel, and thus the other shoe has finally dropped. In a strange way, I have more respect for Rutile’s attitude towards the situation than I do the rest of the earth gems (sans Euclase, who I’ll get to in a moment.) Rutile is treating Phos like an enemy that must be vanquished, whereas the others are treating Phos as a kid treats their dirty clothes when they don’t want to do laundry—by shoving it in the back of a closet and trying to forget about it. The former strikes me as less dishonest and dehumanizing than the latter.

Even before chapter 79 made it official, I had a gut feeling that the timetable for figuring out what to do with Phos was nonexistent. I’ll be generous and assume Cinnabar was being sincere in the moment when they implied that they’d put Phos back together eventually. But just like how everyone ignored Cinnabar’s suffering because there was no compelling incentive to do anything about it, or how they all turned a blind eye to the Kongou/Lunarian situation for millennia, I figured that Phos would end up as another problem they wouldn’t bother solving. (Regarding Cinnabar, while I hope they’re still on good terms with everyone after the time skip, I would not be the least bit surprised if the earth gems started ostracizing them again once it became apparent that there would be no new attacks from the moon and thus no further reason to tolerate their mercury.)

(Bort, please stick up for them.)

And to be clear, this is a problem that the earth gems are refusing to solve in exchange for a short-term sense of security. If Phos and Kongou had been allowed to hash things out, and this stalemate hadn’t festered for 220 years, then maybe the moon gems wouldn’t be entertaining the idea of starting that aforementioned death cult. (Tbh, this mostly applies to 84, Yellow, and Dia, since Cairn has been their own personal death cult since chapter 33.) Even leaving aside how bad things have gotten already, if this state of affairs had continued to drag on, I think the situation would have gotten very ugly the second Aechmea got tired of waiting. While playing fruit ninja or whatever with Cairngorm, he says something to the effect of losing a battle here or there isn’t important as long as you win the war in the end, which I’m pretty sure is meant to communicate to the audience that Aechmea is playing the long game. And since he hasn’t done anything in the interim other than reluctantly and incrementally humor Cairngorm’s pet project, I don’t think it’s a stretch to say that he’s biding his time specifically for Phos, and that he’s counting on them eventually being reawakened. In that case, what would have happened if Kongou had been too meek to interfere, and the gems succeeded in getting rid of Phos for good? If Aechmea eventually gave up on his current scheme, scrapped working with Phos, and came up with a new plan, I’m betting things would quickly devolve into heinous war crimes since he’s only played nice so far in order to keep Phos on his side.

In chapter 78, we get to see two instances of the most common nugget of gem wisdom: only act when you’re guaranteed to succeed, and never take risks. It been a common refrain, with Antarc, and more subtly, Dia being the only gems aside from Phos to push back against that sentiment. And to be clear, I’m not saying any one of these iterations necessarily are bad advice, but it’s become increasingly obvious that it’s the only acceptable mode of dealing with problems in gem society. More on that in a minute.

So, uh, regarding Euclase, here’s an exclusive picture of me, after I’d spent months writing: “Gee, this Euclase character seems pretty shady, but I have faith in Cinnabar, Bort, and Jade to act humanely!’

That said, I think I got at least one aspect of their characterization right in my Euclase-focused essay—that they have a greater comprehension of their mortality than most. Unlike the other gems, they’re not childishly naïve enough to believe that ignoring their problems will save them; they understand that death is always around the corner, and that the (mostly) tranquil life the gems lead requires constant maintenance. Simply sliding down the path of least resistance will come back to bite them all in the ass later down the line, and Euclase knows it. That’s probably why they at least went through the motions of asking Kongou to pray every day for two hundred twenty years.

This is a bit of a tangent, but regarding my earlier point about the gems not commiserating at all, Peridot and Sphene come across as anomalies in that they helped each other through their grief over their lost partners, but that doesn’t seem to happen all that often. As we see in the aftermath of the winter arc, it seemingly did not occur to any of the gems who had lost friends of their own to try and help Phos through their grief. And I think it’s likely that they weren’t given much comfort in their hours of need either. Yellow bottled up their grief, Alex and (presumably) Red Beryl threw themselves into their work to the point of obsession, and Ghost seemed to have largely withdrawn from everyone else. But none of them really healed or helped anyone else heal. Despite their society placing a high value on interdependence, the gems are truly alone when they have to reckon with complicated or inconvenient emotions.

It may be hard to remember, but Phos was once influenced by all these toxic mindsets as well. Recall Phos’s conversation with Benito in chapter two: it implies that Cinnabar did live with the other gems during Phos’s lifetime, recently enough that Phos expects to find them in their room. From this we can infer that our kindhearted Phos never reached out to the clearly lonely Cinnabar while they were actually around, and didn’t even notice when they left the school for good. They may have had the potential for kindness from a very young age, but it was only when they were hit with with the stark truth of Cinnabar’s suffering that they snapped out of the fog of apathy that seems to surround the gems.

In fact, it almost seems like the struggle to drag the gems kicking and screaming out of their comfort zone is a macrocosm for what Phos had to grow out of at the beginning of the series. You’ll recall that once upon a time they were lazy, wanted easy solutions to their problems, and had no faith in their ability to effect change. In fact, I’d go so far as to say that in the eyes of gem society, the problem wasn’t really that Phos was lazy, it’s that their laziness manifested in the wrong ways. They were supposed to be fastidious and reliable about things like crafting, or fighting, or writing reports, but apathetic towards anything that requires more nuance or imagination than that, kindness or cruelty be damned.

All this is cast into even sharper relief if you think back on the arc with Ventricosus. She was in far more dire straits than the earth gems are now, and had a compelling incentive to throw Phos under the bus. But in the end, that wasn’t a line she was willing to cross. Her final line: “If we’re not willing to change our ways, we’ll end up just like the Lunarians,” seems quite portentous in retrospect. I don’t think Ichikawa is positing that being immortal makes you a sociopath, otherwise characters like Kongou, Yellow, and Padpa wouldn’t be such cinnamon buns. But I think she is insinuating that someone who refuses to change is dooming themselves to a state of perpetual immaturity, and that being truly kind requires growing up a bit. It’s a harder for someone who knows they’ll die one day to remain in a state of arrested development than it is for someone who could indefinitely procrastinate on growing up, and just focus all their mental energy into making paper or whatever for all of eternity.

And this seems as good a point as any to stop harping on gem society and start talking about the gems on the moon, starting with my muse, my most problematic of faves.

I brought up in my chapter 77 essay that Aechmea may not be willing to divulge what he was about to tell Cairn, and that was exactly what happened. Since he’s only willing to share this mysterious information if he literally would not be around for the fall out, I’m guessing that whatever this secret is, it’s not benign. And while Cairn has probably put it out of their mind by chapter 79, it’s clear that it’s bugging them before the time skip. I smell a shocking revelation brewing and I dread to imagine what could possibly top mind-control eyeballs. Make no mistake, I’ve devoted an embarrassing amount of brainspace the past nine months or so to contemplating what it will look like when the other shoe finally drops for Cairn’s character arc. (Is there a German word for the ambivalence that arises from wanting to call future plot twists for bragging rights, but not wanting to look like a dipshit if your predictions are wrong?)

Their line from chapter 78 that I alluded to earlier in this essay is rather interesting to me, because although they’re referring to Phos, they might as well be talking about Aechmea. They exhausted themselves to their breaking point trying to look after someone who didn’t take care of themselves, but they’ve nonetheless latched onto someone who is also seeking self-destruction. And as I pointed out earlier in this essay, this line also serves as yet another iteration of the defeatist sentiment that the gems often espouse. But, for a while, it had seemed like Cairn was moving away from that. The decision Cairn made in chapter 67 was certainly…fraught. But, one can’t deny that it wasn’t a brave one on their part, to leave behind everything they knew and cared about for a shot at living authentically; the only problem was that they undercut that step forward by returning to their chronic doormat tendencies. And again in chapter 70, they took a risk by sneaking off to earth knowing that Aechmea would pitch a fit later. But ever since chapter 75, they’ve been backsliding. As said chapter pointed out, their wish has shifted from wanting freedom to wanting what amounts to eternal codependency. I also find it interesting that Cairngorm apparently hasn’t bothered with getting a new name, and is just copying Aechmea’s shtick of going by his title. They’ve gone from sharing a name with Ghost, to having their own name, to not having a name at all. In conclusion, my child is a god damned mess.

I know I said I was done talking about gem society, but I guess I’m not. Going back to what I said in the last paragraph, about Phos not taking care of themselves, that’s been a reoccurring element throughout the series, and in my opinion, it was a significant contributor to the breakdown of Phos’s relationships. The reason Phos never just tried to make friends with Cinnabar—which is what the latter really wanted, and only focused their efforts on following through on their promise, was because Phos’s self-loathing runs so deep that it doesn’t occur to them that anyone would actually want their company for its own sake. Chapter 14 is the most direct allusion to this in my mind. Phos clearly wants to talk to Cinnabar, but instead they hide away and mutter that they’d have nothing to say to them. And as I touched on a moment ago, Phos’s self-destructive tendencies wore down Cairngorm over the course of their partnership.

But, here’s the thing: Phos’s self-loathing isn’t some immutable part of their nature, it was instilled in them by their society from the moment it became apparent that Phos couldn’t slot neatly into a role. This is very apparent in the early chapters, in which no one ever misses an opportunity to remind Phos of their uselessness (except Dia, bless their heart.) Back then, they pretended to not care about it by way of snark and bravado, but in truth, I think it warped their self-perception in an incredibly negative way.

There’s also something that illustrates this which has been on my mind for a while, but I haven’t had the opportunity to talk about it. When Phos was trapped by their arms during Antarc’s fateful capture, the insult they yelled at their arms to get them moving is the same one that Bort lobbed at them a few times in volume one. I usually see different translations of the word between the two scenes, but to my non-Japanese-fluent ears, it sounded like the same word to me when I watched the anime. It was a striking way of implying that this moment of personal growth had been seeded with something more insidious, that their self-loathing is a taint that has followed them across their many incarnations. I’m not the first one to point this out, but there’s always been a certain tension within the text regarding Phos’s changes. On one hand, their courage to change is framed as admirable and heroic, but on the other hand, they’re also hurting themselves because of social pressure to avoid being useless, which is kind of awful. I think the narrative resolves this tension by making Phos’s quest for validation something which would eventually lead them to try and tear down the status quo that they hurt themselves for in the first place.

Okay, back to the moon gems. I’ve reread the part of chapter 79 focused on the moon several times, and it just feels more ominous with each iteration. What exactly was their idea of administering therapy for Yellow? Why is Amethyst on board with Cairn’s death bullshit? Why is Dia okay with it? Why did they stop fixing the dusted gems? And most concerning, where are the other three gems—especially Alex who would probably be extremely opposed to halting the gem restoration? It feels as if there’s something terrible just out of our field of view and chapter 79 is dancing around it. (But hey, my intuition was wrong about Euclase so maybe when I read chapter 80 Ichikawa will tell me that Alex, Goshe, and Benito were at moon-disneyland the whole time, and that Aechmea is a real swell guy, actually.)

(No, I’m not bitter in the least.)

I also find it interesting that in chapter 79, Cairn is espousing a lot of the same sentiments as poor Yellow, but since they can mask the dysfunction better, they’re treated as an expert rather than a victim. In reality, both of them are in serious need of a therapist, which is apparently non-existent in the post-post-apocalypse.

And finally, Barbata continues to be the truest audience surrogate. I find it interesting that he clearly doesn’t approve of all the bullshit going on, while at the same time being too reticent to do anything about it, aside from some side-eyes and passive-aggressive comments. Perhaps there will be some payoff to this down the line?

At this point, let’s talk about Kongou, because both his actions and his role as a sort of parallel to Phos in the narrative are fascinating. I think this is the first time in the story that he’s really done something proactive. I touched on this in a cursory character analysis I did for him, but to reiterate, the impression I got from his at times obtuse and contradictory behavior was that he had completely given up on trying to solve the Lunarian problem long before the series had begun, and that the only thing cutting through his despair and compelling him to get up in the morning and not just “meditate” forever was the prospect of spending a little more time with the people he loves, even knowing that he couldn’t protect them in any way that mattered. But watching Phos’s struggle reignited a tiny bit of hope in him, enough that he wanted them to succeed in their efforts, but not enough for him to believe that he himself could make a difference. To me, that seems like the only explanation that accounts for both his obstinacy when Phos directly confronted him along with his casual acceptance of the path Phos has been walking.

So for him to go behind everyone’s back to fix Phos is quite the departure from his usual passivity, and it tells us that he’d rather subject himself and everyone else to Phos’s brand of chaos than endure stasis that comes with their absence. And it really does seem like the world enters a stasis along with Phos whenever they end up comatose. Nothing moves forward, and the only thing to mark the passage of time are small deteriorations: Morga and Goshe are captured, and Cairn quietly becomes suicidal, and this time around, Yellow gradually loses their mind, the Admirabilis that Phos tried to spare overcrowd the tiny waterways they were released into, and the gems on the moon stop caring about whether they live or die.

For a while now, various characters both gem and Lunarian have called Phos their hope, or their savior, or some variation thereupon, and with each new iteration, the sentiment feels more and more ironic. Time and time again, Phos rises to the occasion only to buckle under pressure, their noble intentions haven’t gotten them good results since, like, chapter 10, and everyone who at one point had faith in them is completely done with them. And at the end of it all, they don’t have it in them to ask Kongou to pray on anyone’s behalf but their own, as if they’ve become so exhausted that they don’t have the energy to be kind anymore. And just to rub salt in the wound, their ambiguous phrasing makes it unclear whether Phos is asking to Kongou get rid of the Lunarians or themselves.

All of this seems to mirror what Kongou is implied to have gone through. He was created to save the souls of humanity, but was ill-equipped for the task, and he’s spent god knows how many millennia dogged by his failure to deliver. Aechmea’s line in chapter 55 about how his human creators didn’t bother to think about what would happen to him after everyone was gone, in my mind, parallels how Phos has been abandoned by the people who once supported them once they became too much of an inconvenience.

So now that these two failed saviors are finally confronting each other with no lies to hide behind, and nothing to get between them, what’s going to happen? I get the feeling that chapter 80 is going to give us some long awaited catharsis, for better or worse. (Please Ichikawa, make things a little better for once.)

On a related note, I’m hoping this possible catharsis might clarify something else for me. For all that the series is steeped in Buddhist symbolism and philosophy, I’ve never been able to tell what Ichikawa actually thinks of Buddhism. On one hand, the assumptions that life boils down to suffering and that the self is ephemeral and illusory are certainly present, but on the other hand, the characters who lean most heavily on the Buddhist aesthetic are villains, the characters most invested in reaching nirvana are portrayed as…let’s say misguided at best, and as I’ve already noted above, our two would-be Buddhas are chronically ineffectual. If I had to take a stab at it, I’d guess that the aspect of the philosophy that she takes issue with is the idea of relying on a savior figure and the idea that there exists a nirvana that could save anyone from samsara. But if the Lunarians’ wish were a complete pipe dream, then Shiro et al wouldn’t have already disappeared? Unless that was a misdirection and their souls were actually reincarnated? Idk, I don’t have enough brain cells to parse The Most Viable Interpretation at this juncture in the story.

Lastly, assuming Phos doesn’t ascend to nirvana via pure rage next chapter, I think their next replacement is going to be imminent. All of Phos’s other changes have been accompanied by death and birth imagery: they lost their legs out at sea, which is where inclusions are said to emerge, they lost their arms and their head at the site of their birth, the time they spent comatose evoked the image of a shrouded corpse in a morgue, their first trip to the moon in which they got their new eye apparently lasted the length of a Buddhist funeral, and now, they’ve literally been buried. (On a side note, it’s interesting that there’s a lot more death imagery for their later transformations, while their earlier changes alluded to birth.) I’m not the first person to point this out, but it seems likely to me that Rutile made good on their threat to throw Phos into the ocean, and discarded whatever pieces they were assigned to bury. And indeed, there seems to be a gaping hole in Phos’s torso. I still think Padparadscha is the most likely candidate for a replacement—the red stone from the lotus sutra has been alternately described as ruby, carnelian, amber, or coral, and Padparadscha is the closest we have to any of those—but who knows. Ichikawa might even decide to stop short of all seven treasures in service of some greater thematic purpose.

And with that, this belated essay is finally done. Except it isn’t. This is a complete tangent, but I recently looked up the one and only region where gem-quality phosphophyllite was briefly mined, a mountain in the Bolivian Andes called Cerro Rico. Hundreds of thousands have died there since the 16th century while mining silver, and that figure may be lowballing it, as some scholars think the death toll is actually in the millions. It is colloquially known as “the Mountain that Eats Men,” and the miners pay tribute to this fellow in hopes of avoiding cave-ins and pockets of toxic gas, but are otherwise doomed to die young from silicosis. According to a forum post I found belonging to a mineral collector, the mineshaft where all the phosphophyllite came from had to be walled off with a concrete bulkhead because the poisonous gases that accumulated in the tunnel had killed a number of miners. The idea of gem mining already conjures up images of exploited workers in abject conditions, but I must say that Maneater Mountain exceeded my expectations.

Okay, now I’m actually done. I’m going to get some sleep on account of the fact that it’s 2 AM, but afterwards I shall read the new chapter and repeat this whole grueling cycle over again, but like, in a timely manner.

#houseki no kuni #land of the lustrous #I know I’ve spent the whole essay trashing ¾ of the cast but I really do hope they eventually get over themselves #i've spent hours rereading this but i just KNOW in my heart that there are a billion typos and those typos will haunt my soul #goodnight

117 notes · View notes

putschki1969 · 5 years

Text

Time for another FAQ

In recent days/weeks I have been asked a lot of questions and many of them boil down to the same thing so I thought it would be a good idea to combine them to make a sort of FAQ. Some of my replies will most likely contain a bit of speculation (which I usually tend to avoid), I will try to keep it to a minimum.

What are your future plans for this blog? Don’t worry, I will pretty much do the same as always. I will continue to spread the Kalafina love. Kalafina is a gift that keeps on giving. We have ten years worth of awesome music, gorgeous pictures and fascinating interviews. There is still a lot to discover for many people who only recently became fans. There’s also so much to re-discover for fans who have been part of the fandom from the get-go. Aside from the usual stuff, I will of course post about Wakana’s and Hikaru’s solo acitivities. I am eager to see what’s in store for them and I will 100% support them along their chosen paths. The same goes for Keiko (obviously!). Finally, if there is certain content you are dying to see on my blog (any particular scans, translations, pictures, etc), I will do my very best to provide it.

Will I change my blog name? No, this is and will always be a blog dedicated to “Everything Kalafina”.

Why do I continue to tag everything as Kalafina? I guess this question mostly refers to Wakana’s and Hikaru’s solo stuff. While their solo activities might be unrelated to Kalafina I will most likely continue to tag those posts as Kalafina. First of all, in my eyes there will always be a connection to Kalafina when it comes to Wakana, Keiko and Hikaru. No matter what they do next, Kalafina took up more than ten years of their life so there is no way I cannot associate Kalafina with them. Also, so far it seems like they are not trying to cut ties with their past. Both Wakana and Hikaru are fully aware of their past and treasure their time as part of Kalafina, they have openly talked about this and neither Wakana nor Hikaru have shied away from performing Kalasongs. So yeah, using the Kalafina tag seems fitting to me. Plus, I think it’s easier for casual fans to find my posts because they are more likely to check out the Kalafina tag.

Thoughts on Wakana’s debut single being released under Victor Entertainment? It’s no surprise actually, Back in 2017 Kalafina were moved from SME Records to SACRA MUSIC - a label specialising in anison music. Of course that wouldn’t be suitable for Wakana’s solo career especially since she is not doing anything anime-related as of right now. I am definitely glad she is not going back to SME Records since they have always been quite restrictive. I think Victor Entertainment was the next best choice. After all, Victor Entertainment (JVC Entertainment/Flying Dog = the anime division of Victor Entertainment) has been releasing Yuki Kajiura’s music for almost 20 years now. There are also lots of other noteworthy artists releasing under them directly (or one of their many record labels) so I think it’s a pretty good label for Wakana. I am kinda hoping she will go on a similar route as KOKIA who has been releasing her music under Victor Entertainment since 2001.

What activities can we expect from Wakana in the future? I doubt she will do much for her solo debut single (but maybe there will be some fan club exclusive events). I think we can expect a tour following the release of her solo album this spring (and I will definitely do my best to attend one of those lives). I also hope she will do something for Christmas this year (a few acoustic lives for example - maybe she will be joined by an orchestra again?). And like I said before, I would really love her to take a similar route as KOKIA. Maybe she can travel to Europe and have a few concerts here? Maybe she can release a cover album? The possibilties are endless.

Thoughts on Wakana’s new blog being restricted to Harmony members? I don't mind actually, I am a member after all and I will continue to be one as long as Wakana remains under Space Craft. Plus, from a business point of view, it’s a smart move so I understand why they are doing it. It’s their way of trying to bribe/draw in/win back members. Most Harmony members probably didn’t intend to renew their membership coming April but taking this and possible other exclusive content into account, they might rethink their decision. Whether this actually works remains to be seen. At any rate, I doubt her blog will permanently be member exclusive but we can probably expect it to stay like that until April at the very least. Some fans fear that this will make it harder to promote Wakana as solo artist but quite frankly I don’t think it will make much of a difference. Wakana’s die-hard supporters among Kalafina fans will buy her releases either way and aside from that Wakana doesn’t really have much of a fanbase yet.

Thoughts on Kalafina’s fan club “Harmony” being turned into Wakana’s fan club? It makes sense. Why waste effort and money to create something new if you already have an existing fan club? It has taken them some time but they have changed quite a bit already (the header doesn’t feature Kalafina anymore, all past videos related to Kalafina or Hikaru are gone, Wakana has her own blog and is no longer posting on Kalafina’s LINE blog etc). There is still a lot to be done though, they should change the name (Harmony just doesn’t fit) and remove the remaining Kalafina parts. Right now the look of the fan club suggests that Wakana is the “only remaining member” of Kalafina and that’s just not how it is. A change of name would maybe help get rid of that misconception.

When is Wakana going to leave Space Craft? Who knows. Judging from what we have seen in the past year it’s obviously not that hard to leave Space Craft. Yes, she might just be waiting for her contract to expire but I really doubt her contract would expire that much later than Keiko’s or Hikaru’s. To sum it up, I believe she chooses to remain under the agency for the time-being, I very much doubt anyone or anything is forcing her to stay...She probably feels safest in a familiar environment and once she has tested out the waters she might move on.

What will happen to Kalafina’s Official LINE blog? Hikaru has chosen the best route possible by starting her own twitter and I think it’s a good idea that Wakana now has her own “blog” as well, that line just had to be drawn and it would have felt weird for her to continue using the Kalafina blog all by herself. Plus, it might have forced them to delete all the Keiko and Hikaru content. As of right now the blog has pretty much lost its purpose and there is no reason to continue it. While I really hope they will not just delete it, I am not ruling out that possibility. At some point they might have no choice but to shut it down...In the past few months I have been preparing for the worst case. Aside from saving all the pictures to my hard-drive I have been working on a printable version of the blog that contains each and every single blog post by Wakana, Keiko and Hikaru (as soon as that’s done I will provide download links of course - still need to work on the formatting but everything is already copy/pasted). A fan on weibo has also compiled static html pages of each blog post so even if anyone decided to delete the LINE blog, we are safe. It would be a real shame to see almost 9 years worth of Kalafina blogging suddenly disappear.

Do you think “Kalafina” should be used to promote Wakana’s single in the media? I can’t believe there are still people out there who think Wakana shouldn’t be allowed to use her “Kalafina fame” to promote her solo career. They are accusing her of riding the wave of success and not being able to stand on her own two feet. I am sorry for my language but that’s utter bullshit. No matter what happens in the future, Kalafina will always be a significant part of her life and that is not something she should hide or be ashamed of, quite the opposite actually, it is something she can be proud of.

Do you think we will hear anything from Keiko soon? We don’t know why she went AWOL but I believe it was her choice and not some sort of work ban or whatever. We also know that she is doing well and for me that’s the only thing that counts. IF Keiko chooses to return to the public eye (which I really hope she does) then I think this spring or early summer would be a good time for her. It will be exactly one year since she disappeared and we all know that April is always the perfect time for a big change or a new start (at least in Japan). Let’s wait and see.

When can we expect any announcements from Hikaru? Hmmm, I don’t know, I have a feeling it might be soon. Aside from posting cute selfies and food pictures Hikaru is often tweeting wordly wisdoms related to making decisions in life so I feel like like there is a lot going on behind the scenes right now. Her new profile pic and header might also be a sign for a big change. The picture looks like it was taken professionally, possibly for some sort of promotion? Maybe it’s just me but Hikaru’s photo reminds me a lot of Sayaka Yamamoto’s pictures promoting her upcoming solo career. I randomly came across her pictures the other day and I can’t help but feel like there is a similar vibe. Hikaru also recently followed Koji Saito on twitter, he is the producer of Animelo Summer Live. While I wouldn’t say it’s out of the ordinary for Hikaru to follow him - after all Kalafina have worked together with him a couple of times in the past - I think it could be a sign of future collaborations. I could definitely see Hikaru taking part in an event like that to push her solo career. Oh well, we will see...

Will Wakana, Keiko and Hikaru ever work with Yuki Kajiura again? It’s certainly possible but I don’t think it will happen any time soon (especially when it comes to Wakana and Hikaru). For the time-being it really seems like they want to focus on fulfilling their individual dreams and Yuki Kajiura obviously wishes for them to do their own thing. Many fans mainly see Kalafina as Yuki Kajiura’s project, a “tool” to bring her music to life and to a certain extent, that’s what they have always been. Yuki Kajiura is aware of that and Wakana, Keiko and Hikaru know it as well. It’s nothing bad per se, YK and the members of Kalafina have profited a lot from this arrangement, they have mutual respect for each other. But it’s about time Wakana, Keiko and Hikaru get a chance to freely express themselves in order to realise their full potential This part of YK’s interview summarises the situation perfectly and it showcases how iimportant it is for everyone to go their separate ways for a while.

――After becoming independent from your agency, you have distanced yourself in your role as Kalafina’s producer. What do you think of your ten years working together? [Kajiura]I feel nothing but gratitude towards them for continuing to sing so well for me up until now. Being stuck as part of the same unit, not being able to express a single wish (regarding songs), not able to do anything except sing the songs they are given with all their strength. Under conditions that are extremely inconvenient for a singer, they have been singing for ten years, not once getting the chance to sing the songs they wanted to sing. “They are so easy to work with…” “They are really amazing...” For ten years straight, they have always taken their work seriously and their singing has become progressively better. I am sure it was difficult for them to sing genres they had never listened to before. On top of that, I have treated the three of them mercilessly with all my demands; I think my demanding nature caused quite the internal struggle for them.

I hope I was able to answer most questions. If you feel like your question didn’t receive a reply, please don’t hesitate to send an ask/a message.

#kalafina #reply #wakana #keiko #hikaru #my blog #long text post #yuki kajiura

22 notes · View notes

alsoyouremischievous · 5 years

Text

Sides Carry On

Summary: Roman Prince will do anything to protect the life he’s found through magic. This includes enduring lectures from his best friends Logan and Patton, overcoming his evil roommate Virgil, working for the Mage, and defeating the Insidious Humdrum. His life seems to be set out for him - but things can never be easy, can they?

AO3 Link

Ch. 1 Ch. 2

Chapter three

Roman

When I finally get to the station no one is there to greet me. Not anyone I actually know, at least, but there is a man with a grubby piece of cardboard, my last name scribbled across it. Prince.

“That would be me,” I say. He doesn’t look convinced which isn’t surprising considering I don’t look much like what he would have been expecting. That is, I’m not the picture of some elitist rich kid. Especially when I’m not in uniform - my shoes are practically falling apart at the seams. Not to mention I don’t look nearly bored enough, my eyes flickering about and my leg jiggling as I stand in place.

“That’s me,” I repeat, lowering my voice to try to lean into the intimidation factor that puts off most Normals. “Going to check my ID?”

He lets his arms drop to his sides, no longer displaying the sign. “You want to be dropped off in the middle of nowhere, I’ll drop you off in the middle of nowhere,” he sighs.

In the back of the rickety taxi I close my eyes and pull my bag close as he turns on the radio. I get carsick on my better days, and today is not a better day. Not with barely anything in my stomach and anticipation filling up the rest of me.

I’m so close now.

This is the last time I get to come home to Watford. I have no doubt that I’ll return at some point, but it won’t be like this, in the fall and leaving all the world behind me.

“Candle in the Wind” comes on the radio and the cabby perks up, singing along in a tone-deaf and warbling voice.

Candle in the Wind is quite risky, as spells go. It intrigues many boys as it can help to improve your stamina, for lack of better description. Fail to emphasize the right syllable though and whoosh you’ve set an actual fire - one that can’t be put out at that. I would never attempt it, even if there was a call for it, considering my poor luck with double entendres.

The car jolts and I’m tossed forward into the back of the driver’s seat.

“Seatbelt,” He admonishes.

As I pull it on I glance at my surroundings. We’re on a back road and this is not the way to Watford. My body tenses as I peer at the cabby.

He keeps singing, moving up into an intolerable volume.

“Never knowing who to turn too -” He seems comically invested in the song. I think about telling him to belt up.

I check the mirror. His skin is a putrid green color and his lips a garish red. I look back to him as he is right in front of me, like a normal cabbie with crooked teeth and impressive eyebrows. Singing Elton John. Then I look back to the mirror again - green skin, red lips and handsome as a pop star. Goblin.

I do not want to know what he’s up to. Moving my hand to my hip I start mumbling the incantation for the Sword of Mages.

The weapon is truly incredible in that it doesn’t even properly exist until the wielder has the need to call out for it.

The driver hears me and grins, turning to face me.

If Virgil were here he would have an entire arsenal of spells that could serve a purpose here. He’d probably know of an obscure French turn of phrase that would work perfectly. He’s not here though, and I lash out with my sword as soon as it materializes in my left hand. It cuts cleanly through the goblins head and the headrest for good measure. Voila.

The body keeps driving for a moment before slumping and pulling the wheel to the side. There’s no barrier between us, thank magic, so I shove off my seatbelt and scramble into the front to grip the wheel. His foot must still be pushing on the gas as we’re already off the road and accelerating.

I try to steer us back to the road, but I’ve never actually learned to drive so the car swerves into a fence. I’m blown back by the airbag releasing. I never thought I’d go out this way.

The car stops entirely before I have time to contemplate my existence or try to come up with a way to avoid further harm.

I gather my bearings. I'm laying half on the floor and I’ve smashed my face on the window and the seat consecutively. When I tell this story to Logan or Patton I’m leaving out the part where I took off my seatbelt.

Stretching my arm behind me I reach the handle and pull the door open, unending myself out onto the grass. The car managed to tumble through the fence all the way into a field where the engine running is the only discernible sound.

I turn off the engine as I assess the damage. There’s blood splattered all through the car, and unfortunately, all over myself. There are gouges in the grass and dirt from the car and the goblin’s head is sitting a couple feet away, where it must have been tossed from the vehicle.

There’s no static feeling in the air that comes with an attack at the behest of the Insidious Humdrum. It must have been just another revenge run from a goblin trying to win the crown. Apparently, after I helped the Coven drive them out of Essex they decided that my head was the trophy necessary to become King of the goblins. It’s their own fault for gobbling up drunks in club bathrooms, to the point that the Mage was concerned about losing regional slang.

I pull my sword from the seat where it’s gotten lodged and let it dematerialize. Once that’s done I remember to grab out my bag and rummage through it to retrieve my wand, grimacing at the blood dripping from my sleeve. I can’t just leave this whole disaster to be found and nothing is worth preserving as evidence if the Humdrum had nothing to do with this.

I hold my wand out and feel my magic push up to the surface. “Work with me here,” I whisper, “ Out, out, damned spot! ”

I’ve witnessed Logan use that spell to erase unspeakable things. All it does for me is clean up a fraction of the blood from my sneakers.

The magic is impatient, building up in me and making my fingers shake. “Please,” I urge, “ take it away! ”

Sparks splinter away from my wand like a faulty sparkler.

“Fuck me, come on ,” I shake out my wrist and point again, my stomach turning. My arm feels like it’s burning.

“ Into thin air! ” I shout. A wave of heat sweeps up from my feet as the taxi disappears. And the head. And the fence. And the road…

***

An hour later I trudge up to the driveway leading up to Watford’s gate. Thankfully I only vanished part of that back road and once I reached the main road again I was able to follow it the rest of the way.

Normals in the area believe Watford is like any other ultra-exclusive boarding school, thanks to all the glamours up around the grounds. Picani says that they add new layers of protection to the whole school as the spells are developed. If you’re a Normal I would imagine all the magic buildup would burn your eyes.

When I reach the tall iron gate I reach out and rest my hand on it. That used to be all it would take to gain entrance, the gate recognizing my magic and opening the school to me. There’s an inscription on the crossbar, below the title of the school spelled out over the arch, reading: MAGIC SEPARATES US FROM THE WORLD; LET NOTHING SEPARATE US FROM EACH OTHER.

The Mage had claimed it was a nice sentiment but not logical. In the Coven meeting where he had appealed to change the lack of defenses, he’d scoffed at the idea of taking security advice from a six-hundred-year-old gate. “I don’t expect my visitors to take orders from the cross stitching on my pillows.”

He’d taken me along to that one, with Logan and Patton for good measure, to make an example to the Coven. Won’t someone think of the children!

I tuned out of most of the debate wondering where the Mage actually lived. It’s hard enough picturing him with a house let alone throw pillows. I’d pondered whether I would ever get an invite to his home. He has rooms at Watford of course but he’s away for weeks at a time and I’d used to picture him living in the woods foraging to survive and sleeping in a hollow tree. Adjusting my view of him took some time.

In any case, security gets stiffer and admittance to Watford trickier every year.

Logan’s brother, one of the Mage’s Men, is stationed this year as a guard. I can’t imagine he’s pleased with the state of things considering the rest of the Mage’s Men are probably up in the Mage’s office planning some raid or offensive maneuver while he’s stuck out here, checking in first years.

He moves into my way.

“Alright, Nate?”

“You’re asking me?” he says eyeing me up lazily, dried blood and all.

“Goblin,” is all the explanation he needs.

Nate nods, pulling his wand out slowly to cast a cleaning spell on me. I hate when people do this, it makes me feel like a child. It’s easier than scrubbing it out though, so I mutter a quick, “thanks,” as I go to slip around him.

“Hold up,” he says, putting his arm out. He takes a moment to lay his wand on my forehead, “Special measures, considering the Humdrum is running around with your face nowadays.”

I jerk but don’t pull away from his wand. “I uh, I thought that was meant to be a secret.”

“Yes,” He nods slowly in agreement. “But it’s a secret that needs to be shared with people like me so we can keep you safe.”

I scoff, “If I were the Humdrum, you’d have been eaten by now.”

He doesn’t seem phased.

“Either way then we’d know it was him. Maybe that’s the Mage’s plan.” He lowers his wand at an infuriatingly slow pace. “You’re good to go.”

“Is Logan here yet?”

He shrugs. “I’m not my brother’s keeper”

For a moment I think he’s pouring magic into the words to cast a spell, but he turns from me and leans against the rail in his usual lackadaisical fashion.

***

The Great Lawn is empty. I guess I’m one of the first to arrive. I start running, because I can, and upset a huddle of swallows hidden in the grass. I keep running as they flap and twitter around me, and still past the drawbridge that comes up at night, and the secondary gates, and on until I’ve reached the top of Mummers House where I finally stop to pant against my doorway.

I call for the Sword of Mages again and use it to prick my thumb and press my blood into the stone. There’s a spell I could use instead, of course, to reintroduce myself to the room after being away. The spell takes more work though, and Virgil isn’t even here yet to smell the blood.

My room. It’ll be our room again soon enough but for now, it’s mine. I push the window open with fervor to smell the fresh air and fall back onto my bed as I watch the dust motes dance through the room.

The ancient mattress is stuffed with feathers and preserved through spellwork. Merlin. Merlin and Morgana and Methuselah, it’s good to be back. It’s always so good to be back.

Returning for the first time in my second year had led to me sobbing like a baby in my bed until well after Virgil had arrived.

“Why are you crying already? You’re ruining my plans to drive you to tears, Roman. Pathetic,” he ’d scoffed, as though I’d done it in some elaborate scheme to get one over on him.

I let my eyes fall shut to appreciate the smell.

Feathers. Dust. Lavender.

Water, from the moat.

There’s also that slightly acrid smell that Virgil swears is from the Merwolves. It’s a terrible mistake to give Virgil any excuse to go off about them. Sometimes I catch him leaning out the window to spit at the moat, that’s how much he detests the species.

If he were here already I wouldn’t be able to smell anything over his soap… I take a deep breath trying to catch the scent of cedar.

There’s a rattle at the door, and I spring up reaching for the Sword of Mages yet again. That’s three times in one day. Maybe I should just start leaving it out. The incantation is the only spell that never fails me, but that’s mostly because it’s not quite a spell but more of an oath.

“ In Justice. In Courage. In defense of the Weak. In the face of the Mighty. Through Magic and Wisdom and Good.”

The sword doesn’t have to appear at all. It’s in ‘my possession’ but it doesn’t really belong to anyone. It only comes if it trusts you.

I swing the sword up to my shoulder right as Logan pushes the door open. I let it drop.

“You shouldn’t be able to do that,” I say as Logan crosses the room to Virgil’s desk.

He shrugs and seats himself in Virgil’s chair. I grin.

“If Virgil finds out you were touching his stuff he’ll kill you,” I say, twisting my wrist and letting the sword fade again.

“Let him try,” he sizes me up. “You look terrible.”

“I ran into a goblin on the way.”

He sighs, “Why can’t they just vote in the next king?”

His voice is light, but I can tell he’s testing the waters. The last time he saw me I was barely held together by a mix of magic, willpower, and his hand on my arm. The last time I saw Logan everything was falling apart…

After we escaped the Humdrum and managed to flee back to Watford we crashed the end of year ceremony and it wasn’t pretty. Logan’s family was there - everyone’s family was there - and his mother tore into the Mage.

“This is your fault!” she’d screeched, gripping Logan tightly by the arm as though he would slip away without an anchor. And then Nate had gotten between her and the Mage and started yelling right back. People must have assumed that the Humdrum was right behind us because the Chapel became a mess of everyone running with their wands out. I can’t blame them - I must have looked a fright still bleeding from my pores (no one can explain what caused that).

It felt more than just chaotic. It felt like the end.

Then Logan’s mum had spelled their whole family away, even Nate mid drawn out shout. They probably only traveled to their car but Logan’s hand, holding on to me as tightly as his mother held him, suddenly vanishing from my arm made me feel as though there was an insurmountable distance between us. It was a very lonely feeling.

I haven’t talked to him since.

I desperately want to scoop him up right this instance and check him over to see that he’s properly okay, but Logan hates scenes almost as much as his mum loves them. My uniform is laid out for me at the end of my bed and I turn to it as an excuse to ignore the urge, putting it away piece by piece. New grey slacks. New green and purple striped tie…

Logan lets out a deep sigh. I move back to my bed and perch facing Logan, trying to control the massive grin that wants to spread across my face. “What could possibly have you so bothered this early on?”

“Patton.” I have to stifle a laugh at his very obviously false put-upon face.

“And what has he done then?”

“Come back,” He asserts, fixing his glasses on his face. I don’t bother hiding my amusement this time, snorting at him without any sort of restraint.

“I really don’t believe that you expected him to do anything else,” I say. It’s always amusing to watch as Logan and Patton re-acclimate to each other.

“The room is already covered in his home-baked goods. He’s not been away near long enough to have needed a care package, Roman.” I really don’t think he cares about whether or not the room contains baked goods. He cares about being eternally thrown off by Patton’s continuous warmth, and about all the awkward missteps they’ll inevitably make while they work at finding their natural dynamic again. I don’t say that though.

“In his defense,” I begin, “his father’s cookies are delicious -”

“You’re only on his side because his side may lead to you getting cookies,” Logan scoffs.

I giggle, “You can’t seriously be implying that Patton’s side is the dark side, are you? It’s Patton!”

“You are perfectly aware that I was making no such insinuation,” he says, rolling his eyes at me with more force than is strictly necessary. He claims that I’m the dramatic one, but I don’t see it.

I swallow another laugh but end up beaming at him anyway. Great snakes, I missed this nerd so much. “And it’s your last year anyway, you can deal with some cookies, for Merlin’s sake Logan,” I let myself finish as though there was no interruption.

He straightens up at that. “It’s our last year, Roman. And I know precisely what you will be doing next summer.”

“What’s that?”

He grins, “Hanging out with me.”

“Hunting the Humdrum?”

“Fuck the Humdrum.”

We both snicker, but I can’t help internally grimacing at the thought of him. The Humdrum looks exactly like an eleven-year-old version of me, which I might believe I’d hallucinated if Logan hadn’t seen him too.

I shudder.

Logan notices. “You are not at your optimum weight range.”

“It’s just the clothes.”

He seems exasperated. “Well change then,” He says. He already has. “It’s near time to head to the cafeteria anyway.”

I hop up to gather my outfit but Logan rises too and grabs my arm in the same place he’d held last time. “It is good to see you,” He says quietly, peering into my eyes.

I smile. Again. Logan has a way of making my cheeks hurt.

“Don’t make a scene,” I whisper back.

Ch. 4

#sanders sides #sanders sides fic #roman sanders #logan sanders #patton sanders #virgil sanders #slow burn #fic #my fic #prinxiety #lamp #logince #lamp/calm

7 notes · View notes

nekoannie-chan · 2 months

Text

Winning

Pairing: Brock Rumlow X Reader, Steve Rogers X Reader.

Word count: 230 words.

Rating: Teen.

Summary: Who’s gonnna win your heart?

Major Tags: Doubts.

Additional tags: This is my entry to @caplanbuckybarnes Weekly Writing Challenge! #2 with the prompt:

" She's unconscious, but she's breathing."

@saiyanprincessswanie.

My native language is Spanish so I wanna improve my writing skills in English if you notice any mistakes, please let me know and I will correct them.

I don’t give any kind of permission for my fics to be posted on other platforms or languages (I translate myself my work) or the use of my graphics (my dividers are included in this), I did them exclusively for my fics, please respect my work and don't steal it. There are some people here who make dividers that anyone can use, mine is not this type, please look for the other people. The only exception is the ones I gifted 'cuz now belong to someone else. If you find any of my works on a different platform and are not one of my accounts, please let me know. Reblogs and comments are always welcome.

DISCLAIMER: I don't own Marvel's characters (unfortunately), except for the original characters and the story.

Add yourself to my taglist here.

My other media where I publish: Ao3, Wattpad, ffnet, TikTok, Instagram, Twitter.

If you like it, please vote, comment, and give me feedback to improve my skills and reblog.

Tags: @sinceimetyou @unnuevosoltransformalarealidad @navybrat817 @angrythingstarlight @shield-agent78 @charmed-asylum @pandaxnienke @real-fbi @Smokeandnailz @white-wolf1940 @tenaciousperfectionunknown @xoxonotme @bluemusickid @leyannrae @Harrysthiccthighss @Marvelatthisone @caplanbuckybarnes @sapphire-rogers @lizzieolseniskinda @notyourtypicalrose @hallecarey1 @nana1000night @talia-rumlow @writingshae @alexxavicry @azulatodoryuga @daemonslittlebitch @chaoticcollectivenightmare @endlesstwanted @chemtrails-club @marigoldreamer @whiskeytangofoxtrot555 @Here4thefanfics @theestorm @patzammit @kmc1989 @somegirlfromasgard @rogersbarber

You shook your head. This was the third time Brock and Steve had fought. They needed this mission to go well after the last ten failed missions. “It had all been the fault of the two aforementioned bickering." They needed this mission to go well.

You let them continue arguing while you went to the place where the target was alone.

Somehow or another, you were going to make sure the mission was successful. You were sick of the pair fighting, and all they did was get your attention; all they did was make you think they were idiots.

However, it looked like the opposite was going to be the case.

It took them about half an hour to realize you were missing; it wasn't until Jack asked for you that they immediately started looking for you.

They found you unconscious, but you had a tight grip on your target.

"She's unconscious, but she's breathing."

You woke up on the ship, and you saw the worried look on both of their faces.

“Did we win?“ you asked, a little confused.

“We've got the target," Steve assured you.

“Well, we won't say anything about what happened; it's just a successful mission," you said.

“Let's go to the movies on Saturday, you and me," Brock suddenly proposed.

Steve gave him a hateful look; he had beaten him to the most important opportunity.

#caplansweeklywritingchallenge #steve rogers x reader #brock rumlow x reader

28 notes · View notes

wumingfoundation · 6 years

Text

On #QAnon: The full text of our Buzzfeed Interview

Ryan Broderick of Buzzfeed just published an article on this #QAnon conspiracy bullshit titled It's Looking Extremely Likely That QAnon Is A Leftist Prank On Trump Supporters. The piece features quotes from an interview we gave via email. Here’s the full email exchange.

Can you tell me a bit about when and how your book Q was written?

We started writing Q in the last months of 1995, when we were part of the Luther Blissett Project, a network of activists, artists and cultural agitators who all shared the name «Luther Blissett». Luther Blissett was and still is a British public figure, a former footballer, a philanthropist. The LBP spread many mythical tales about why we chose to borrow his name, but the truth is that nobody knows.

Initially, Blissett the footballer was bemused, but then he decided to play along with us and even publicly endorsed the project. Last year, during an interview on the Italian TV, he stated that having his name adopted for the LBP was «a honour». The purpose of signing all our statements, political actions and works of art with the same moniker was to build the reputation of one open character, a sort of collective "bandit", like Ned Ludd, or Captain Swing. It was live action role playing. The LBP was huge: hundreds of people in Italy alone, dozens more in other countries. In the UK, one of the theorists and propagandists of the LBP was the novelist Stewart Home.

The LBP lasted from 1994 to 1999. The best English-language account of those five years is in Marco Deseriis' book Improper Names: Collective Pseudonyms from the Luddites to Anonymous. One of our main activities consisted of playing extremely elaborate pranks on the mainstream media. Some of them were big stunts which made us quite famous in Italy. The most complex one was played by dozens of people in the backwoods around Viterbo, a town near Rome. It lasted a year, involving Satanism, black masses, Christian anti-satanist vigilantes and so on. It was all made up: there were neither Satanists nor vigilantes, only fake pictures, strategically spread rumours and crazy communiqués, but the local and national media bought everything with no fact-checking at all, politicians jumped on the bandwagon of mass paranoia, we even managed to get footage of a (rather clumsy) satanic ritual broadcast in the national TV news, then we claimed responsibility for the whole thing and produced a huge mass of evidence. The Luther Blissett Project was also responsible for a huge grassroots counter-inquiry on cases of false child abuse allegations. We deconstructed the paedophilia scare that swiped Europe in the second half of the 1990s, and wrote a book about it. A magistrate whom we targeted in the book filed a lawsuit, as a consequence the book was impounded and disappeared from bookshops, but not from the web.

This is the context in which we wrote Q. We finished it in June 1998. It came out in March 1999 and was our final contribution to the LBP.

I've been reading up about it, and it's largely believed that it's underneath the book's narrative it works as handbook for European leftists? Is that a fair assessment? I've read that many believe the book's plot is an allegory for 70s and 80s European activists?

Although it keeps triggering many possible allegorical interpretations, we meant it as a disguised, oblique autobiography of the LBP. We often described it as Blissett's «playbook», an «operations manual» for cultural disruption.

The four authors I'm speaking to now are Roberto Bui, Giovanni Cattabriga, Federico Guglielmi and Luca Di Meo correct? The four authors of Q?

You are speaking with three of the four authors of Q, and you're speaking with a band of writers called Wu Ming, which means «Anonymous» in Chinese. In December 1999 the Luther Blissett Project committed a symbolic suicide - we called it The Seppuku - and in January 2000 we launched another project, the Wu Ming Foundation, centred around our writing and our blog, Giap. The WMF is now an even bigger network than the LBP was, and includes many collectives, projects and laboratories. Luca aka Wu Ming 3 is not a member of the band anymore, although he still collaborates with us on specific side projects. Each member of the band has a nom de plume composed of the band's name and a numeral, following the alphabetical order of our surnames, thus you're speaking to Roberto Bui aka Wu Ming 1, Giovanni Cattabriga aka Wu Ming 2 and Federico Guglielmi aka Wu Ming 4.

Can you tell me a bit about your background before the Luther Blissett project?

Before the LBP we were part of a national scene that was – and still is – called simply «il movimento», a galaxy of occupied social centres, squats, independent radio stations, small record labels, alternative bookshops, student collectives, radical trade unions, etc. In the Italian radical tradition, at least after the Sixties, there was never any clearcut separation between the counterculture and more political milieux. Most of us came from left-wing family backgrounds, had roots in the working class. Punk rock opened our minds during our teenage years, then in the late 1980s and early 1990s Cyberpunk opened them even more, and inspired new practices.

When did you start noticing similarities between Q and QAnon? I know you've tweeted a bit about this, but I'd love to get as many details as I can. I feel like the details around QAnon are so sketchy that it's important to lock in as much as I can here.

We read a lot about the US alt-right, books such as Elizabeth Sandifer's Neoreaction a Basilisk or Angela Nagle's – flawed but still useful – Kill All Normies, and yet we didn't see the QAnon thing coming. We didn't know it was growing on 4chan and some specific subReddits. About six weeks ago, on June 12th, our old pal Florian Cramer – a fellow veteran of the LBP who now teaches at the Willem de Kooning Academy in Rotterdam – sent us a short email. Here's the text:

«It seems as if somebody took Luther Blissett's playbook and turned it into an Alt-Right conspiracy lore. Maybe Wu Ming should write a new article: "How Luther Blissett brought down Roseanne Barr"!»,

After those sentences there was a link to a piece by Justin Caffier on Vice. We read it, and briefly commented on Twitter, then in the following weeks more and more people got in touch with us, many of them Europeans living in the US. They all wanted to draw our attention on the QAnon phenomenon. To anyone who had read our novel, the similarities were obvious, to the extent that all these people were puzzled seeing that no US pundit or scholar was citing the book.

Have there been key moments for you that made you feel like QAnon is an homage to Q? What has lined up the best?

Coincidences are hard to ignore: dispatches signed Q allegedly coming from some dark meanders of top state power, exactly like in our book. This Q is frequently described as a Blissett-like collective character, «an entity of about ten people that have high security clearance», and at the same time – like we did for the LBP – weird "origin myths" are put into circulation, like the one about John Kennedy Jr. faking his own death in 1999 – the year Q was first published, by the way! – and becoming Q. QAnon's psy-op reminds very much of our old «playbook», and the metaconspiracy seems to draw from the LBP's set of references, as it involves the Church, satanic rituals, paedophilia...

We can't say for sure that it's an homage, but one thing is almost certain: our book has something to do with it. It may have started as some sort of, er, "fan fiction" inspired by our novel, and then quickly became something else.

There will be a lot of skepticism I think that an American political movement like QAnon could have been influenced by an Italian novel, how do you think it may have happened?

It's an Italian novel in the sense that it was originally written in Italian by Italian authors, but in the past (nearly) 20 years it has become a global novel. It was translated into fifteen languages – including Korean, Japanese, Russian, Turkish – and published in about thirty countries. It was successful all across Europe and in the English speaking world with the exception of the US, where it got bad reviews, sold poorly and circulated almost exclusively in activist circles.

Q was published in Italian a few months before the so-called "Battle of Seattle", and published in several other languages in the 2000-2001 period. It became a sort of night-table book for that generation of activists, the one that would be savagely beaten up by an army of cops during the G8 summit in Genoa, July 2001. In 2008 we wrote a short essay, almost a memoir, on our participation to those struggles and Q's influence in those years, titled Spectres of Müntzer at Sunrise. A copy of Q's Spanish edition even ended up in the hands of subcomandante Marcos. It isn't at all unrealistic to imagine that it may have inspired the people who started QAnon.

Have you seen anything in the QAnon posts that leads you to suspect any activist group in particular is behind it?

No, we haven't.

You think QAnon is a prank? Without some kind of reveal it's obviously hard to see it as that. If you think it was revealed that QAnon was actually some kind of anarchist prank, would it even matter? Would its believers abandon it or would they just see it as a smear campaign?

Let us take for granted, for a while, that QAnon started as a prank in order to trigger right-wing weirdos and have a laugh at them. There's no doubt it has long become something very different. At a certain level it still sounds like a prank, but who's pulling it on whom? Was the QAnon narrative hijacked and reappropriated by right-wing "counter-pranksters"? Counter-pranksters who operated with the usual alt-right "post-ironic" cynicism, and made the narrative more and more absurd in order to astonish media pundits while spreading reactionary content in a captivating way?

Again: are the original pranksters still involved? Is there some detectable conflict of narratives within the QAnon universe? Why are some alt-right types taking the distance from the whole thing and showing contempt for what they describe as «a larp for boomers»?

A larp it is, for sure. To be more precise, it's a fascist Alternate Reality Game. Plausibly the most active players – ie the main influencers – don't believe in all the conspiracies and metaconspiracies, but many people are so gullible that they'll gulp down any piece of crap – or lump of menstrual blood, for that matter. Moreover, there's danger of gun violence related to the larp, the precedent of Pizzagate is eloquent enough. What if QAnon inspires a wave of hate crimes?

Therefore, to us the important question is: triggering nazis like that, what is it good for? That camp is divided between those who would believe anything and those who would be "ironic" on anything and exploit anything in order to advance their reactionary, racist agenda. Can you really troll or ridicule people like those?

It's hard to foresee what would happen if QAnon were exposed as an anarchist/leftist prank on the right. If its perpetrators claimed responsibility for it and showed some evidence (for example, unmistakeable references to our book and the LBP), would the explanation itself become yet another part of the narrative, or would it generate a new narrative encompassing and defusing the previous one? In plain words: which narrative would prevail? «QAnon sucking anything into its vortex» or «Luther Blissett's ultimate prank»?

In any case, we'd never have started anything like that ourselves. Way too dangerous.

#QAnon #Luther Blissett #Q #novel #Wu Ming

50 notes · View notes

visualheresy · 6 years

Text

010118

I haven’t been on here in a while. But hey, remember that guy I posted about semi-regularly? The one I was dating and then not-dating? Earlier this year he confirmed several times through text and in person that we were exclusive, monogamous and that he had no other romantic commitments. Just “work” 24/7.

Turns out he was lying. But if this was simply a matter of infidelity, I wouldn’t care that much. Even though infidelity and putting your partner’s sexual health at risk, while repeatedly lying and gaslighting them about it, is still abuse.

I was just going through my old posts about him, when I was naive and the relationship was new. You only have to go through this archive to see what I felt.

http://visualheresy.tumblr.com/tagged/%3C3

I was vulnerable at the time, reeling over my grandmother’s death, so of course I was an easy target for him. This was November two years ago. He had just started working at Redyref.

I was lonely and afraid and grieving. His presence was comforting at first.

For him, I was a dirty secret. The secretary at his day job he would fuck every now and then, to have a little fun with. I went along with it in the beginning, trusting his stories about his ex-lovers and mother issues and how he couldn’t do a traditional relationship because of his terrible work-life balance.

Other things he told me: That he got off on the control, telling me what to do, making me obey. He said he wanted to break me.

He mentioned nothing about having a long-term girlfriend. My heart breaks for her too, because he wasn’t honest with her either.

He had plenty of stories. I am not sure anymore which ones were true. He was homeless for a vague period of time. One of his friends got shot and died in his arms (he said he he never told anyone *that* story before, just me). His ex cheated on him with 6 men and owned 6 phones, one for each lover. He couldn’t use the word “love” because he didn’t want to lump me in with his previous girlfriends, because I was “special” and so he’d say “I adore you” instead. His aunt died. His uncle hanged himself. His car blew up. He was mugged in Paterson while taking a walk at 4am. For all I know, each one is a lie. And that doesn’t cover everything. He is a pathological liar.

In some of those posts of mine, I see that part of me that was suspicious about what (in this case, WHO) he might have been hiding. But I wanted to give him the benefit of the doubt. Despite my intuition screaming at me over the years, HEY. THIS IS A RED FLAG. LISTEN TO YOURSELF.

Yes, I loved him. I cared about him deeply. I don’t believe Lance is a terrible person, just a terribly wounded person who is not psychologically equipped to deal with those wounds. Someone who hurts people to avoid dealing with his own hurt.

Then again, I’m an empath so of course I would see it that way.

Still, I want nothing to do with him anymore.

I hope the other women he has under his control (and trust me, there ARE other women) realize the truth and cut him off as well.

One day, this will get better. The anxiety, the trauma bond, the PTSD, the nightmares, the hypervigilance. I will be okay. In many ways, karma is delivering so much fortune into my life and I couldn’t be more relieved and grateful. I’m learning how to be good to myself again. I know this will take time.

If you need to reach me:

instagram - @rukittie fightfayre[at]gmail.com twitter - @itangeishatrash

#personal

2 notes · View notes

hazelhillscbdgummiessharktank · 2 years

Text

Hazel Hills CBD Gummies Reviews (Full Spectrum Gummies) Best Shark Tank CBD Gummies 2022

Exclusive Details: *Hazel Hills CBD Gummies* Read More Details on Official Website!

Hazel Hills CBD Full Spectrum Gummies Reviews

This is premium CBD made for anyone and everyone. Because, these products leave out THC, so you don’t have to live in a state where marijuana is legal to buy this. Plus, the Hazel Hills Gummies Reviews are coming in, and users can’t get enough of the pain and stress relieving effects of this formula! Just to be clear, this product doesn’t contain THC, so you won’t get high or in trouble with the law. It’s not weed. Yes, it comes from the same plant as weed, but that doesn’t mean it is weed.

It’s like if spinach had two parts to the plant: one that gets you high and one that’s really good for your body because of its nutrients. In this case, you’re getting the latter portion, not the high portion of hemp. And, that’s what allows you to reap all the amazing benefits of this formula. Users are calling Hazel Hills CBD Gummies a “life-changer” and one of the best natural ways to take care of your body, mind, and wellness. So, tap above to learn more and try this in your own life!

Exclusive Details: *Hazel Hills CBD Gummies* Read More Details on Official Website!

How do Hazel Hills CBD Gummies Work?

As mentioned above in this Hazel Hills CBD Gummies Review, the supplement is made up of hemp plants which are called cannabis. These hemp plants are known for making people high, but it is due to the high THC level in them. Though, the Hazel Hill CBD gummies are THC-free. After getting inside the body, they get easily absorbed into the bloodstream and release cannabinoids.

These cannabinoids play an active role in affecting the Endocannabinoid system (ECS) of the body, The ECS is responsible for controlling all the unconscious activity of the body. This product plays an important role in reducing pain as well as regulating blood circulation throughout the body. As the Hazel Hills CBD gummies contain all-natural ingredients, it does not cause any side effects or allergic reaction on the body.

Exclusive Details: *Hazel Hills CBD Gummies* Read More Details on Official Website!

Do CBD Hazel Hills CBD Gummies to use?

Hazel Hills CBD Gummies Reviews :- This is unquestionably the principal request that arises to everyone while picking CBD chewy confections. Thusly, as I told you in the above nuances that these chewy confections are included all-standard plants, and flavors, and cause no optional impacts or any kind of naughtiness to your body. You should consume these chewy confections in fitting parts and make sure to advise an expert before choosing CBD chewy confections.

These chewy confections are helpful and treat disease from a body. These are safeguarded, easy to-use, accommodating, and convincing chewy confections that can be used by anyone at whatever point. You can unhesitatingly buy these chewy confections from a web based market without a doubt.

In any case, there are restrictions to including these chewy confections for youngsters, people with explicit sicknesses, women during pregnancy, and women who have infant kids. These chewy confections are extraordinarily prohibited for these people.

Get More Info Here : - https://www.hometownstation.com/news-articles/hazel-hills-cbd-gummies-reviews-full-spectrum-gummies-best-shark-tank-cbd-gummies-2022-410481

Pinterest : - https://pinterest.com/HazelHillsCBDGummiesSharkTank/

Tumblr : - https://hazelhillscbdgummiessharktank.tumblr.com/

Twitter : - https://twitter.com/HazelhillsGet

Instagram : - https://www.instagram.com/hazelhillscbdgummies/

Facebook : - https://www.facebook.com/HazelHillsCBDGummiesGet/

#HazelHillsCBDGummies #HazelHillsCBDGummiesReviews

0 notes

the-christian-walk · 3 years

Text

THE LORD IS WITH US

Can I pray for you in any way?

Send any prayer requests to [email protected] In Christ, Mark

~~~~~~~~~~~~~~~~~~~~~~~~~~

** Follow The Christian Walk on Twitter @ThChristianWalk

** Like posts and send friend requests to the author of The Christian Walk, Mark Cummings on Facebook at https://www.facebook.com/mark.cummings.733?ref=tn_tnmn

** Become a Follower of The Christian Walk at http://the-christian-walk.blogspot.com

~~~~~~~~~~~~~~~~~~~~~~~~~~

The scriptures. May God bless the reading of His holy word.

One night the Lord spoke to Paul in a vision: “Do not be afraid; keep on speaking, do not be silent. For I am with you, and no one is going to attack and harm you, because I have many people in this city.”

So Paul stayed in Corinth for a year and a half, teaching them the word of God.

Acts 18:9-11

This ends today’s reading from God's holy word. Thanks be to God.

As Jesus was on the brink of His ascension where He would sit at God’s right hand in authority over everything in heaven and on earth, He gave His disciples their marching orders. You may remember these words that He spoke:

“Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, and teaching them to obey everything I have commanded you.” Matthew 28:19-20

And then, He added these very important words that I believe people forget:

“And surely I am with you always, to the very end of the age.” Matthew 18:20

Yes, Jesus was issuing a great commission, a tasker regarding the way He expected the Gospel to be shared by His followers. He had already shared earlier that the work would not be without peril, warning His disciples that they would be despised, mistreated, and hated by others just as He had been. Indeed, being an evangelist is not for the faint of heart.

This is why Jesus’ final words in chapter 28 of Matthew are so critical for us to remember. He isn’t sending us off to do His work alone. He isn’t sending the sheep of His flock into slaughter while standing off and doing nothing. Rather, He is with us and for us during every step of every path He places us on in accordance with His will and way. We need to be assured and comforted by this truth.

As we continue to look at Acts 18, we know that Paul has arrived in Corinth from Athens, taking up residence with two Jewish tent makers who had recently relocated from Rome. We also know that Silas and Timothy reunited with Paul after being in Macedonia and their arrival freed Paul up to exclusively devote himself to preaching as he sought to reason with the Jews that Jesus was the Messiah.

In yesterday’s message, we saw where his efforts with the Jews didn’t go well. Paul was rejected and even abused by his fellow people and so he rebuked them and vowed to take the Gospel to a household of Gentiles who lived next to the synagogue. We read where the household gladly received the good news of Jesus and were baptized.

So, there was hope in Corinth for at least some people to be saved by Paul’s work but of course the threat of danger always loomed large. For it seemed as if rejection morphed into desires of murder in many places Paul had visited in the past and there was no guarantee that Corinth would be any different.

That is until the Lord intervened.

For as we turn to our scriptures for today, we find the Lord doing what He does best. Letting His people know where He wants them to be and what He wants them to do. And in the midst of Paul’s possible uncertainty as to whether he should remain in Corinth or move on, the Lord comes to him in a vision with the following guidance:

“Do not be afraid; keep on speaking, do not be silent. For I am with you, and no one is going to attack and harm you, because I have many people in this city.” Acts 18:9-10

Put yourself in Paul’s place. Imagine how much consolation these words would have brought.

Here the Lord is giving Paul a pep talk, like a good coach on the sidelines urging his player on in the midst of doubt. The exhortations are concise, bold, and commanding.

“Do not be afraid.”

“Keep on speaking.”

“Do not be silent.”

And just in case Paul still had reservations, the Lord guarantees that He is with him, serving as his great Protector. No one would be able to attack or harm Paul because he had the Lord on his side. It’s little wonder why Paul wrote these words in his epistle to the Romans:

“If God is for us, who can be against us?” Romans 8:31

Friends, the Lord is with us and through Him, we can do all things. All we need to do is trust in His promises like Paul who embraced the Lord’s assurance and “stayed in Corinth for a year and a half” to teach the Corinthians the word of God.

Paul was where the Lord wanted him to be to do what the Lord wanted him to do. I encourage you to take that approach to not just this day but every day for the Lord is with us and we are purposed to carry out great work in His name and in accordance with His will.

Amen.

In Christ,

Mark

PS: Feel free to leave a comment and please share this with anyone you feel might be blessed by it. Send any prayer requests to [email protected]

0 notes