#i get accused of being two faced bc i cant speak my mind on the spot and you know whay thats fine

[one-way-dream]

o|-< man

[explosionshark]

31 the I cant keep kissing strangers one for jack/Miranda. U know, if u want to

I’m gonna cheat bc I remembered the prompt wrong and already wrote half of it in my head while I was showering, so

-

It’s years of experience, it’s meticulous and brutally honed control of her body, it’s her genetic predisposition to deceit and manipulation that keeps Miranda from reacting when her the alert pings, a brief series of flashes on the corner of her ocular overlay. S.O.S.

Dupont’s hand is on her thigh, just under the material of her dress, grip damp and too tight. He’s leaning in close, under the auspice of speaking into her ear in the crowded club, but she recognizes the clumsy excuse to peek down her dress for what it is. It takes every ounce of restraint not to shove him bodily away and rush straight for the rendezvous waypoint blinking on her display -- a maintenance closet beneath a stairwell at the back of the club. There’s a thrum of panic in Miranda’s chest that she squashes with a deep, subtle breath and a careful flick of her hair. She drags a teasing finger down Dupont’s chest as she leans back.

“Excuse me a moment,” she pitches her voice low, breathy, the way she knows he must be imagining it sounds in bed. She shoots him a smoldering look over her shoulder before she leaves, adding a bit of whine to her words. Desperate women are, to men like this, honey to flies. “Don’t go where I can’t find you.”

She’s careful as she slips into the crowd, gait controlled, face expertly molded into an expression annoyed enough to ward off potential interruption from men, yet still bland enough to fail to catch the interest of anyone watching.

It’s torture, keeping her pace unhurried as scenario after gruesome scenario of what could have gone wrong plays out in vivid detail. Jack wounded, bleeding out among the bleach bottles and filthy mops. A Cerberus trap, Jack captured, bait to lure her to the same fate. Dozens upon dozens of equally vivid, equally terrible possibilities conjured with each leisurely step, all laying the same accusation at her feet: Miranda’s mistake, with Jack paying the price.

Jack hadn’t been Miranda’s first choice.

Miranda’s list of trusted contacts is smaller than it’s ever been and shrinking by the day. Trusted and available? Smaller still.

She had wanted Shepard. Or, better yet, Kasumi. But Shepard was wrapped up on some affair on Tuchanka and Kasumi was running a different op for the Shadow Broker, out on the edges of the Terminus.

Jack had been an indulgence - and one that was proving to be foolish and selfish.

She was humanity’s strongest biotic and one of the most capable operators Miranda had ever known, but her strength lied in frontal assaults. Massive destruction, flamboyant, devastating attacks with lots of collateral damage. Not delicate infiltration missions like this.

She should have been safe with her students on Grissom Station, not here dying for Miranda’s cause, not--

--Grabbing Miranda roughly by the hips, slamming her back against the shelving unit along the wall hard enough to rattle the metal, laying the flat of her arm across Miranda’s chest, just under her neck, to pin her there.

“What do you think you’re doing?“ Miranda hisses. She can’t see any obvious injuries or damage to Jack in the dim light of the closet, not held in place like this. When she raises her hands to pat down Jack’s body there’s a flair of shimmering blue light in the air, and then the always disconcerting staticky sensation of stasis fields pinning them in place at her sides.

“What am I doing?” Jack huffs, fists still bunched in the material of Miranda’s dress. A shame - it had been nice. Expensive. She can feel the material ripping under the strain of Jack’s grip and despite everything, she finds it distantly erotic. “What the fuck are you doing?”

Miranda, for all of her considerable intellect, feels like she is at least three steps behind a conversation she doesn’t remember starting. She shakes her head, twisting as much as she can with her hands pinned. “Are you hurt?”

“No, I’m not fucking hurt,” Jack snaps, hips jolting forward to slam into Miranda’s rattling the shelf again. This time she hears the fabric of the dress rip in Jack’s hands, can’t contain the shiver it sends down her spine that Jack absolutely notices. “I’m fed up. I can’t keep watching you kiss strangers.”

Jealousy? Miranda doesn’t bother trying to hide her laugh. “If you’ll remember, my kissing a stranger was a key part of the plan you agreed to. I was supposed to be doing that while you were--”

“Keep him busy,” Jack growls, “You were supposed to keep him busy while I did all the hard work. You never told me your plan to distract the guy was to let him put his big stupid gorilla hands all over your--”

“Someone was taking their time ‘doing all the hard work,’“ Miranda sneers back. “I had to improvise. He was losing interest.”

“Hey, it’s your stupid hack module that wasn’t working,” Jack accuses.

Of course, at that exact moment, Miranda’s display pings again. The tracker she’d slipped into Dupont’s jacket shows him leaving the bar, headed for the elevator to his suite.

“Jack, let me go,” Miranda says quietly, urgently, and to her credit Jack does so immediately without arguing. “He’s on the move. I can try to head him off in the lobby, but-- Look, this is very important. Did you leave any evidence you were tampering with the safe or anything else in his room?”

“Uh, yeah,” Jack snorts. “I think he’s gonna notice his top secret Cerberus Reaper hacking plans are missing.”

“But you said the module--”

“Yeah, total crap. Useless. I just blasted the ever-loving shit out of the safe.”

“Jack.”

“Anyway, if he’s on the way up there he’s gonna notice uh. Pretty much right away. We should get out of here.”

“We should have been gone the moment you compromised the plan,” Miranda hisses, following Jack out of the closet, wincing at the sudden too-bright light of the hallway.

“Nag, nag, nag,” Jack drawls, throwing open the emergency exit door to the alley behind the hotel with a truly unnecessary flair of biotics.

“We went over the codes before we even got here,” Miranda reminds her. In the back of her mind, she’s counting down the seconds they have before Dupont realizes he’s been robbed, before he puts together she was involved, before he decides to come after them for the data (bad) or alert Cerberus to what happened (worse). She figures in how long it would take to stop running and strangle Jack in one of these dank Illium alleyways and realizes, regrettably, she can’t afford the slowdown. “There’s one for emergency exit, one for mission compromised, one for package acquired. Any of those would have done. S.O.S. is emergency only.”

“Well, it was an emergency, okay?” Jack says, stopping short at the curb while Miranda calls forth the skycar she’d arranged with a flick of her omin-tool.

“How so?” Miranda demands, shoving Jack into the back of the skycar first and clambering in gracelessly after her, ruined dress gaping open in the front. “This is coming out of your pay, by the way.”

“It was a pre-emergency--”

“That’s not a thing.”

“If his hand got any higher up your skirt I was gonna blow both of our covers by ripping his arms off in the middle of the bar.”

Miranda should still be mad -- furious -- that Jack had scared her so badly. Should be angry for the terribly botched mission as well, the absolute flouting of her discreet and effective plan.

But they’ve lived. Another day in a galaxy torn apart by war on multiple fronts, another day outmaneuvering the Illusive Man himself, another day Miranda gets to find herself in the company of this beautiful, blunt, maddening, impossible woman.

And they had gotten the data, despite everything. A success, however unconventional.

And if all she has to show for it is another burned identity and a ruined dress, Miranda finds she doesn’t mind as much as she might have in any other circumstance besides this -- in the backseat of a skycar with Jack, genuinely irritated to have seen someone else touching Miranda, a torn dress, the thrum of adrenaline still rushing through her veins.

“Never figured you for the jealous type, Jack,” Miranda says, relenting, twisting in the seat to pin Jack with a simmering look.

“Yeah, you did,” Jack mutters. “Were probably counting on it when you asked me to do this thing with you. Probably got off on it. Control freak.”

“Why would I do something like that?”

“Probably has something to do with you being an arrogant psycho that’s obsessed with keeping me under your thumb.”

Miranda pauses in the dark of the backseat and stares Jack down. She’s tense, pupils blown wide, breath coming in gradually quickening gasps.

Miranda has seen Jack scared and angry and hurt before. She’s seen her wound up tight on adrenaline, turned on to the point of recklessness too. Knows well enough the difference between the two to recognize this for what it is.

It’s that confidence that draws Miranda across the space between them, shrugging the straps of her dress down her shoulders in a movement that allows her to reach the zipper in the back and slide it down immediately after. Jack doesn’t move to stop her when Miranda drops a hand to Jack’s thigh, a more elegant parody of Dupont’s boorish groping earlier. The higher Miranda’s hand ventures, the further open Jack spreads her legs, nostrils flaring as Miranda leans in close, whispering into her ear at the same time as her hand slips past the waistband of Jack’s pants, to the soaked front of her underwear.

“Funny, Jack,” Miranda says, mockingly, stroking her slowly. She’ll draw this one out, as a lesson. “Under my thumb seems to be exactly the place you’re always so desperate to be.”

“Fuck,” Jack groans, a low hiss of air from between her clenched teeth.

Miranda grins in the dark. She’d been wrong, before. Jack had definitely been the right pick for this mission.

-

enjoy my work? wanna leave a tip?

ko-fi / cashapp

[sourdough-morbread]

Morgana 👀

ok so i know you left this ask ages ago and this is like so fucking long i am so sorry.

but i just... i have a lot of thoughts on morgana. *hides pages of notes made for two big morgana-centric WIPs*

First impression: this is what went through my mind in my first watch through

s1: i fell for morgana really quickly. i was like. YES she has MAGIC and she tells off uther and arthur. 

s2: i still liked her but i getting concerned about the direction the writers were pulling her character in season 2. i was quite disappointed in the way her turn to evil was written. like she was good then barely on screen and very damsel-in-distressy for some reason. and then she became evil!morgana with zero explanation and zero reluctance. didnt really make sense to me.

s3: i enjoyed her as a villain in, but at that point she was a completely different character in my eyes. not in the old character new instalment but in a entirely different person was put inside her. 

s4: she was so boring and one dimetional. just. meh. she barely felt like a threat.. 

s5: i wasnt even paying attention to her.  she has become the random conflict generator the writers rather than a character. so i just didnt care. also i skipped a few eps in my first go so. like dark tower bc i didnt want to see gwen hurt. so i missed out on the emotional impact of that.

Impression now: after rewatching i can see her character arc a lot better. i still think her arc wasnt well done. but thats because the execution was lacking, rather than the trajectory of her character not making sense. because it actually makes a lot of sense.

like in season 1, she is basically immune. she is caught aiding mordred and yet she can get away with uther yelling at her and have it all be forgotten with an apology. meanwhile tom is executed for being seen with a sorcerer. when she wants to kill uther, i dont think she thinks she will be caught. nobody would ever dare accuse morgana and arthur would never suspect it. 

then she discovers she has magic herself and all of that immunity is gone. and without that safety net she becomes willing to endanger so many people, including the allies of magic in camelot. you know, people she would be screaming at the defence of previously.  

her in 1x10 is a small glimpse of what she could have been. a force for good. someone willing to actually fight against what uther and rulers like him were doing. and i would have loved to see that. 

but thats not what the writers chose. instead she regains her footing in hatred and blaming everyone for the fear she felt of death and disgust she felt of herself once she became one of those she defended but saw as beneath her none the less. 

and i will never not be salty about how they skipped over her turning evil and how flat she became. like. let me have a deeply evil terrifying witch damn it! 

i think what makes her terrifying is that she doesnt want power. not really. she wants revenge. she wants to take everything arthur cares about. she wants the throne because arthur doesn't get to have it. she wants camelot to kill its people. she doesnt care about power beyond how much pain she can cause with it. and thats so terrifying. enemy with no goal but to cause you pain. and knows all your weaknesses and can fool the people you have wronged to think she is fighting for their salvation. how do you even fight that? 

idk i just think it was underutilised. again she was just a conflict generator the writers used until the final battle. even then mordred was more significant than morgana. 

Favorite moment: just her in the entirety of beginning of the end. if i had to pick one moment it would be her goading arthur to look behind the curtain. its just so good.

Idea for a story: again... the WIPs. but one i havent written yet.

i had one au where arthur found out about her magic on accident and like. it kicked off a whole plot of her learning magic, and arthur finally facing how terrible uther is and getting his shit together. its not a very detailed idea. morgause would probably use this opportunity to manipulate arhtur. agravain would proably be not evil, tho still a spineless slimy noble. idk.

Unpopular opinion: this is not going to be a surprise to people who know me, but i dislike pretty much all of the discussion ive seen about 2x03. 

fandom seems to be stuck on this dichotomy of either merlin should have told her about his magic and by not doing so he betrayed her— he did not. merlin tried to help her at the risk of his own life. go watch 2x03 again. or merlin reacted perfectly— also he did not. even while helping her, he still refused to acknowledge her magic.

in a situation where something invisible about you can get you killed, subtle word choices matter. merlins words, him continuing to say he wouldn't know if it was magic, even though they both knew it was and that the other also knew, means something. it means i will keep your secret but i cannot help you. this is by no means a moral failing of merlin. he made this choice out of fear for his own life, and i think it is unreasonable to expect him to react perfectly.

morgana in turn had no reason to go to merlin again about her magic. he has made it clear he doest want to be involved, which he has no responsibility to. and why would merlin be able to help her? he, as far as she knows, has no personal experience with magic except his sorcerer friend. 

besides, druids were the safest place for a her to be. it was the safest place for any warlock to be, including merlin.  her knowing or not knowing about merlin has nothing to do with it. like. everything that happens in camelot between merlin and morgana in season 2 is perfectly understandable. they didnt wrong each other. 

what merlin and morgana actually did wrong is getting all those druids killed because they didnt think the plan through. like all of those people in that camp died. aglain, the person helping morgana, died right in front of her and mordred. the druids were the only ones wronged in that situation. which i have never seen pointed out. 

Favorite relationship: her and mordred

listen there is only a singular instance of morgana genuinely hesitating to hurt somebody after her turn and that person is mordred.

Favorite headcanon: oracle!morgana. this is like a whole big headcanon thats basically the origin story of how draognlords came to be. something happened and oracles stole dragons wills and their births to give to mortals as punishment. and then a group of these people came to albion and became the Seers and the dragonlords. who have like different traditions to the druid seers and the priestesses who use methods adapted from scry methods.

thats why she can speak with aithusa even though aithusa cant speak. 

[mairzymarzipan]

Night of the Full Moon Character Reviews: The Big Bosses(Minus Werewolf)

Hello again

I know I said I’d be talking about the Hunter, Old Mage, Fallen Priest and so on today, but I realized that those characters were actually more interesting in the context of other characters, so I put them off for later.  I decided instead to talk about the main bosses of the game, as it so happens, are the closest people to Red Riding Hood.  Because this game wants to be an ironicy soap opera/anime that way.

When I say Big Bosses, I mean that you always fight one of these characters at the end of the game.  Unless you’re like me and you start all over at the end because you’re bored and tired of all four of them playwise.

Werewolf

Wait, no, never mind.  This is another one of those characters who’s more interesting in the context of different, non-Red Riding Hood Characters.  We’re saving this boi for later.  But, you shouldn’t too surprised, if you read the title.  Instead, I’ll just use this space to talk about a mechanic.

Throughout the game, you can get ‘courage’ and ‘reputation’ points by talking to characters.  Very very generally speaking, you get courage points by doing brave things, and you get reputation points for doing nice things.  You also can get courage points when a character talks shit about the werewolf, and reputation points when a character talks shit about the witch.  So naturally, if you have more courage in the end, you get to fight the wolf, and if you have more reputation, you get to fight the witch.  I guess what they’re going for is only a meanie would fight this doggo?  And the witch is who any empathetic person would hate???

I feel like the latter is not the case, but more on that later.

Witch

“Only your Hope family can lift the dark magic curse.  This is what the priest is most afraid of.  That’s why monsters run wild on full moon nights. First they made your grandmother disappear and then they drew you into the forest...but they never anticipated that you would make it this far.”

By the way, you’re part of a prophecy.  Only someone in your family can lift the curse on the forest.  jsyk

Yeah so, as you see, the Witch’s description does not really tell us much about the witch herself.  This description also pretty unique in that none of the other character descriptions go into the second person like this.  The description also kind of hints that Red dies in the timeline where she fights the witch, so that’s depressing.

Nah, to figure out what the witch is about, you have to delve into the fragments around her. 

So, you actually do encounter the witch earlier in the game.  In the third or sometimes second chapter, she will recruit to find some magic apples she lost.  She makes a mention about suspecting a queen of stealing them.  The apples, I guess, are just lying around on the forest floor, and you bite into each of them bc you’re a dumb lkid.  Each apple changes your stats by a few points and the witch does not at all seem upset that you hand her a bunch of bitten fruit at the end.  In fact, she offers you the choice of two random buffs, so that’s fun.

You’re likely to hear about her way before that, though, depending on who you talk to.  Generally anyone who’s been cursed feels like it’s the witch’s fault.  

But if you choose to fight her(or you might not get a choice in the matter) she accuses you of stealing said apples.  She’ll also talk to you throughout the battle until you defeat her- a trait that only the big bosses and a few of the newer ones have.  Her lines...make her sound pretty unhinged.  She’s speaks of disbelief that you would do such a horrible thing, and threatens you with with her magic, and talks about how misunderstood she is.

When you defeat her, she’s got a really interesting line, tho.

“No!  I don’t want to fight you!  I can’t!”

Huh.

Before I move on, let me talk about this other witch character.

Yep.  That sure is the art style this game is going with.

So this is one of the shopkeepers.  There are four different shops you can find along the way, only two of which have characters you can see in them.  This character is known as the Witch Apothecary...but you can only see that on the outside of her store.  Otherwise she’s just called “Witch”.

The thing is, along the way, characters will talk about the Witch and, they don’t specify that it’s not the one with the white hair.  They just talk about The Witch like she’s the only witch that matters.  So is this woman not really a witch?  A witch wannabe?  Nah, we already have one of those characters.  Could it me that the shopkeepers don’t actually exist in the story of the game?  That would bum me out, bc there’s this lesbian owl I want to be real.

But...I think they’re the same person using shapeshifting.  Or if you want a really wild theory, maybe there are time travel hijinks and she’s the Magic Apprentice grown up.  But I’m going to go ahead with the former.

Anyhoo.  I like the witch.  I’m gonna give her 🍎🍎🍎🍎 four apples

Priest

“They mistakenly thought that on the full moon night they could help the monsters quietly eliminate Little Red Riding Hood and her grandmother.  Once the Hope family was wiped out, the legend of lifting the curse on the Dark Forest would disappear completely.  However, they didn’t expect they would have to go personally and pay such a high price to fight their enemy. When the priest fell, the cursed monsters reverted to their human forms and the Dark Forest was no longer covered by snow all year round, but the church’s blind greed still remains.”

Again, not much is said about the priest himself.  The most interesting thing here is that he apparently is the keystone holding the curse together.  Interesting, because he seems to be letting the witch do all the work for him.  Usually in these stories, you have to kill the person who casts the spell to break the spell, not just their friend.  Is it because he, himself, is a stone?  That is to say, he turns into a statue sometimes.

Why the heck is he having her turn all his enemies into cartoon monsters instead of killing them, anyway?  Don’t tell it’s to make the game family friendly, bc in one of these timelines a child kills another child.  

Honestly, the priest/church just doesn’t make a lot of sense to me.  His big plan is selling everybody from his town as slaves.  Gross.  And the way he accomplishes this is by...making it snow all the time, and turning people into vampires and fire bears?  What?

He is.  A delight to fight.  I’m being sarcastic.  He’s a religious edgelord who likes to go on about how humans are sinners and everyone deserves to be punished.  Also she cheats by turning into stone.  Eh.  

It feels like someone just spun a wheel for of evil traits and just stuck them together haphazardly.  His evil plan is...human trafficking!  His personality is...self righteous!  His means is...tf!  His super power is...turning into a statue!  

He’s the biggest of bads but also not that thought out.  He’s super important to the over-arching plot and yet I have no idea why this guy does what he does.  I’m gonna give him 🗽🗽 two statues.

Mystery Men

idek why this person is called “Mystery Men”.  I’m guessing it’s supposed to be mystery man?  Or mysterious person or something?  I know I haven’t talked about the art much but, I do appreciate how much their face looks like a dog snout and her hood looks like dog ears.  It’s a neat touch.

This description was actually changed.  The new text is longer and more awkwardly worded.  I don’t like it!  And I don’t get why it happened.

But, yeah.  The very last enemy of the game- who you can only reach by playing through at least four times and defeating all three others- is your Grandmother!  Le gasp!

So what exactly went wrong with her?  Oh, nothing, she just has a big wolf growing out of her back(told you the concept was backed up by canon)

Is this her daemon or patronus or something?  I have no idea.  I’ve been calling her a werewolf sometimes, tho, bc she’s better at being a werewolf than the titular werewolf.  Which is to say she can revive instead of just healing.  Her buffs and deck change throughout the fight.  She’s a long battle, fun, except for her ear piercing voice.  She sounds a bit possessed.

I’ll give her 👁️👁️👁️ three big eyes.  She’s a fun battle, but I always mute it.  Also not real big on how the text got changed for the worse.  But she does add some good details to the story.

In Conclusion... 

Grandma’s text tells us a few things.  

1. Not only is the Hope family connected to this prophecy, but family members actually have the power to control the curse.  That leads me to believe that the person who got the curse started was a Hope themself.  

2. The church came along long after the curse was in full swing.  So the priest is not responsible for it.  Whether he’s a Hope himself is not relevant.

We also know these things:

1. The witch is still the one casting all the tf spells, which is part of the curse.

2. There are two timelines were Red has a natural gift for magic

3. In the Little Witch timeline, the Witch is teaching Red magic.  On top of that she’s v patient, which is surprising, for some reason.

4. The Witch seems a little out of touch with reality.  She sends you to find apples, and then yells at you for stealing them.  Almost like she thinks you’re another person.

5. The witch verbally expresses her desire not to fight you when she realizes who you are.

I have to conclude that the Witch is a Hope.  A Hope who’s close enough to have a fondness for Little Red Riding Hood, and is invested in her well being/education.  And yanno, is turns her enemies into pig people because she can.  

She helps you on your quest by giving you one of her own.  But earlier on, she takes on the form of the other witch offer you potions and the like.  She even gives you the first one in each chapter for free.

“My potions can change your appearance!”

Of course she can’t get too close to you.  She can’t reveal that she’s helping you.  Hence putting on a new face when she’s a ‘good’ witch.  One wonders if she’s trying to hide her identity from you, or the people she’s allied with.

Hey can we look at her description again?

Red doesn’t get addressed in the second person in any of the other descriptions.  There is a character who talks about his life in the first person, and we’ll get to him.  But this is odd to me.

What if Red isn’t being addressed here?  What if it’s someone else?  What if it’s the Witch?

What if the Witch was captured and ensnared in the priest’s plot?  What if he messed with her memory?  So then who is she?  Red’s sister?  It seems like she’s been working with the church a lot longer than Grandma’s been missing.  Also Grandma went into the woods on her own accord.  You could say that the grief the church caused her *made* her go out, but it seems weak.

So maybe a Hope in another generation, who lost her grandmother to- either the church or monsters?  Was it this other Grandmother who *started* the curse?

Dude, what if she’s your Mom?

What if instead of killing her the priest did...something...scared her enough to get her to work for him.  And messed with her memory so she couldn’t conceive a way out?  And sort of had her transfer the power of the curse to him so that people had to kill him to break it?

What if he had the Church Doctor scoop her brain out and put it in another lady’s head?  Who knows.

I’m not certain about the witch being your mom.  I think I would like that to be the case because it’s fun, but I’m not quite convinced yet.  I AM certain, tho, that the Witch is a Hope, and she cares about you.  She’s not just this cackling meanie turning people into flowers.  She’s...complicated.  And she needs help just as much as all the trapped monsters.

[cotrieu]

bruh im rereading that ask and im…..overthinking on what “split characters up” could possibly mean

are they saying talking about how i finally came in terms with my gender, transitioning and actually sought to improve myself after realizing i was in an unhealthy relationship that traumatized me (in which i still get panic attacks and nightmares over jsyk) in the span of two years?? i mean i would find it odd for someone to not change in such a period of time….but that wouldnt make any sense when they talk abt jian straight after……so maybe recycling characterization??? thats what i assume splitting could possibly translate to…..tho i never intended to if im being accused of such and i think jian is one of my undoubtedly outwardly rude and cynical muses (go ask the japan rpers i interact w bc they get most of his interactions and character development)…..my muse hopping tendencies?? i mean yeah. i have adhd…..i can get bored and distracted pretty fucking easily and i depersonalize/disassociate on a daily basis unless i pop a pill that day lmao. and even that doesnt guarantee im going to be Normal. sorry for being mentally disabled?

i think the overall thing i can agree on at the end is why cant yall criticize my flaws as a human being with actual proof (im not talking abt what ppl make up in their minds abt me. im talking abt screenshots and links of 100% assery coming straight from my mouth) of being me a fucking insensitive wad so i can apologize/explain and learn from it. why are yall obsessed with dumb shit about the fictional characters i create ?? its always something around the lines of like ... why arent they pale or like to wear dresses - whatever ridiculous detail out there one could possibly point out. why arent i getting something thats ?? at least somewhat thought provoking like whether or not i made a xenophobic or careless mistake or at least something about improving my writing skill in thorough and dynamic plots or diversity in characterization. i honestly think this is full of kiddy crap ?? correction: it is worthless discourse and my god is it frustrating to think that the toddler tantrums i get in retaliation is seen as acceptable level-minded responses. im trying to comprehend how the fuck is nagging people not to hurt kids over fictional characters having similar facial features, dont speak for groups youre not a part of, just have some common human decency?? is thought to be remotely comparable to accounts of people making light of genocide, abuse, rape, demonizing minorities, gaslighting and stalking mentally vulnerable minors. how was my lonely disabled ass child self ever regarded to be the true aggressive power in relations with an adult who disrespected my moral and emotional boundaries, was aware of such and was formally bid an adieu when it became clear to me that sparkly anime art and popularity from a minor social site wasnt worth getting slapped in the face repeatedly. how dare i demand basic human respect? how dare i demand basic human respect for others? how dare i get manipulated and groomed into staying into a broken relationship because i felt hopeless at the time?

[latoyarubalcava3546]

Jenelle Evans Responds After Ex Nathan Griffiths' Mother REFUSES To Return Son — As New Child Abuse Accusation Video Surfaces!

Another episode in the ongoing drama that is Jenelle Evans' ever chaotic life as a mother.

The custody battle over between Jenelle and baby daddy #2 Nathan Griffith over their son Kaiser has hit a fever pitch.

As you may remember, Nathan himself is allowed only supervised visits, in the presence of his mother, Doris Davidson, who was awarded custody apparently because she's the only stable caretaker in his life. After all, both Mommy and Daddy have faced serious legal trouble recently.

Related: Did Jenelle Finally Go Too Far For MTV??

But now Doris is refusing to return Kaiser to Jenelle at all amid claims her new hubby David Eason abused him!

Radar Online reports Jenelle called 911 on Sunday when Kai's grandma never brought him back after her weekend visit. Jenelle herself told the outlet she was "not OK" with Doris' move and is calling BS on abuse claims.

As fans saw on last week's Teen Mom 2, Jenelle and David reacted with intense anger to police showing up to check on the children. In her ire, Jenelle even yelled that Child Protective Services had come 20 times!

Eason's response, blaming Griffith for calling, was the type of level-headed speech of a guy definitely not capable of abuse:

"Let me get a hold of Nathan. I'm gonna bust his motherfucking head open."

Jenelle swears there is no abuse and offers the fact she still has custody of her other children as proof:

"Jace is not being kept from me, nor are any of the other kids."

She is of course referring to her eldest son Jace, her daughter with Eason, Ensley, and his two girls from a previous relationship, Maryssa and Kaden.

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Now Jenelle is reportedly seeking to bring Doris to court ASAP to get Kai back.

These abuse accusations have been around for months; Doris even filed for emergency custody back in September of last year. So what made her break the agreement and keep Kaiser away from Jenelle?

Nah, it wasn't that road rage gun incident.

Many believe it's a video originally posted to the deadbeatmom_jenelle Instagram account in which Kaiser is asked apparently by Nathan who "put the marks" on his butt:

🚨🚨🚨 Hoping y’all can hear the video bc I cant when I preview?? It’s on the deadbeatmom_jenelle IG if you can’t hear but transcribed: Nathan: Who put the marks on your butt? Kaiser: Quiet muffled response NG: Who? Kaiser: David NG: David? OK pic.twitter.com/Q1xp7IGQib — Lucky Bitch (@LvckyBitch) July 2, 2018

Fans are taking this to mean he showed up to his grandmother's home with fresh bruises.

Nathan is staying quiet on the abuse claims but did take to Twitter to speak directly to Jenelle:

All I can say is, the fighting, unnecessary drama and strategic tactics of mind manipulation is only hurting the kids. I’ve asked, I’ve begged, I’ve pleaded just to get along with you and David. I will not allow myself and my children to be subjected to your charades and antics. — Nathan J. Griffith (@GroundLevelUp) July 3, 2018

Last night I even cuddled with Kaiser and I said "hey, little guy. I know a lot of stuff is going through your head. It’s ok. Everything will be ok. And remember, mommy loves you very much." I will tell everyone; a child’s mind is fragile, don’t mess it up. They’ll be messed up. — Nathan J. Griffith (@GroundLevelUp) July 3, 2018

That’s the thing... that a lot of ppl don’t understand. I don’t care how much hate, anger or messed up the other parent is, do not denied them rights or influence their decision about the other parent... unless it’s for their protection. — Nathan J. Griffith (@GroundLevelUp) July 3, 2018

Do YOU think Doris was right? Did she pull Kai out of an abusive home??

[Image via Jenelle Evans/Instagram/Nathan Griffith/Twitter.]